Internal Effects Fully Support 96 kHz Processing
Whats the point of having 24 bit/96 kHz audio if you have to convert down to a lower sampling rate for effect processing? The point may seem obvious, but thats exactly whats happening if youre using hardware or software processors that dont offer 24 bit/96 kHz performance anywhere in your signal chain. Thats why Yamaha included a comprehensive range of 96 kHz compatible stereo effects in the DM2000 plus several designed specifically for surround. And you can use as many as eight individual effect processors simultaneously.
Complete Surround Solution
The DM2000 provides everything required for a complete surround solution. All the facilities you need for surround processing, panning and monitoring including joystick are provided as standard equipment. The joystick is the perfect (and generally preferred) tool for smooth, continuous positioning of 5.1 or 6.1 surround sound for DVDs or other surround media. And since accurate monitoring is so essential to surround production, extra care was taken to ensure that the DM2000 offers the ideal mixing environment it includes a downmix matrix which can deliver 3-1 (LCRS) and stereo mixes while you are burning a surround mix to DVD, bass management, and speaker alignment facilities for optimum speaker system tuning. The DM2000 will even handle multiple surround stem mixes with ease.
Finest Mic-Preamps with Onboard 24bit/96kHz AD/DA Conversion
Taking the preceding discussion a step further, what about analog-to-digital and digital-to-analog conversion? The same applies: if you dont have all 24 bits at the full 96 kHz in top-quality converters, youre definitely going to be missing something (i.e. part of your sound). Once again, the DM2000 imposes no limitations. All onboard A/D and D/A conversion makes use of top-performance 24 bit/96 kHz converters. This is particularly important in the DM2000 because it features some of the finest analog mic preamps available in any console, anywhere. The on-board converters ensure that you get an excellent digital representation of the warm, transparent output from
Intuitive Interface Designed for Maximum Productivity
Anyone who is familiar with the 02R will immediately feel comfortable with the DM2000. While the comprehensive, efficient display format of the 02R has been inherited by the DM2000, the control surface and user interface system has been greatly expanded and enhanced to allow analog-style hands-on operation with minimum need to refer to the LCD. The motto: mix with your ears, not with your eyes. 16 user-defined keys which can be assigned the functions of your choice are also provided.
Musikmesse International Press Award
2002-03 Best Mixing Desk - High End 2003 Best Mixing Desk - Live 19th Annual Technical Excellence & Creativity (TEC) Award Sound Reinforcement Console Technology

The DM2000 has been designed to integrate tightly with leading digital audio workstations to create a complete production and mixing environment. Extensive support for Digidesigns Pro Tools system provides full control of mixing and processing parameters, as well as transport/track-arming control and access to editing functions, directly from the DM2000 control surface. The new Advanced DAW Control Protocol, initiated by Yamaha and Steinberg, enables you to control DAW software such as Nuendo and Cubase SX by using DM2000s SELECTED CHANNEL section. (Controllable functions vary depending on the DAW software and version you are using.)
Extraordinary Power & Flexibility In an Intuitive Interface
Advanced features and functions are only of real value if they are easily accessible, easy to use, and make sense within the context of the production process. The Yamaha DM2000 has been designed on the strength of past successes plus invaluable feedback from leading engineers and artists worldwide. It is the latest step in an ongoing evolution that makes more production power, creative potential, and operational efficiency available than ever before. Version 2 further builds on experience gained from
I/O Expandability and Plug-in Capability
The DM2000s real I/O versatility comes in the form of six Mini-YGDAI expansion slots. The expansion slots are 24 bit/96 kHz compatible, so you can select I/O and processing cards to provide the input/output configuration and processing capabilities that are perfect for your needs. Whether you need digital I/O in ADAT, TASCAM, or AES/EBU format, CobraNet connectivity, or extra analog I/O capability, the appropriate Mini-YGDAI cards are available.
Studio Manager Version 2 Software Supplied
Control from a personal computer? Of course! And Yamaha even supplies the software. The DM2000 comes with the Studio manager application for both Macintosh and Windows platforms, allowing total control and management of all DM2000 parameters via a comprehensive graphic interface. Studio Manager Version 2 offers even more advanced networking potential than the original version, functioning as a complete central management system for digital mixing.
the original DM2000, taking takes interface ease-of-use and versatility to unprecedented levels.
* Rear panel shown with optional expansion boards installed.

8-3. Track Arming

24 track arming (record on/off) buttons can be used directly for up 24 tracks on a single recorder, or to control track arming on three separate 8-track recorders. Additionally, up to four complete track-arming setups can be memorized and recalled via TRACK ARMING GROUP keys A through D.

* SmartMedia is a registered trademark of the Toshiba Corporation.

13. Meter Bridge

The MB2000 Peak Meter Bridge is a complete level-monitoring station for the DM2000. 48 12-segment level meters can be used individually or in pairs to display pre-EQ, pre-fader, or post-fader input channel signal levels. The same meters can also display levels on the console s eight buses, 12 auxiliary sends, and four stereo matrix buses. A separate 32-segment stereo meter is provided for the main stereo program. The MB2000 also features a time-code display for complete, centralized visual monitoring.
10. Master & Layer Section
In addition to the master stereo fader with its own ON, SEL and AUTO keys, the master section includes keys for input channel layer selection (Master Layer 1-24, 25-48, 49-72, 73-96) as well as selectors for four remote control layers. Using the User Assignable Layer feature you can create a custom layer to which any channels can be assigned in a preferred layout, and the setups can be stored in any of four banks. This system means that you have a total of 96 channels and buses right in front of you in the space of 24.

14. Rear Panel

A quick look at the rear panel should tell you that the DM2000 is designed for serious production. Balanced XLR and TRS connectors are provided for all 24 inputs, and rather than the common single TRS jacks for unbalanced

USER ASSIGNABLE LAYER

An Awesome Performer on the Inside, Too
The DM2000 offers as much below the surface as it does directly via its physical interface. In fact, many of this remarkable consoles greatest strengths are not visible from the outside. Precision 32 bit/96 kHz processing throughout is just one example. Here are a few others:
Up to 6.1 Surround Monitoring & Processing
In surround mode the DM2000 will comfortably handle 3-1 (LCRS) 5.1, or 6.1 surround monitoring without any external equipment or the need to reassign channels for surround use. In addition to graphic monitor configuration displays, the DM2000 also provides multi-channel surround pan/position displays so you can see where multiple channels sit in the surround mix at a glance. The joystick provided for surround panning in the consoles SELECTED CHANNEL SURROUND PAN control section has high 128 x 128 step resolution for exceptionally smooth control, and a divergence parameter can be used to adjust the hard/phantom center ratio for each channel. Matrix mixing and bus-to-stereo functions can be used to provide 6.1 to 5.1, 5.1 to 3-1 (LCRS) downmix or 3-1 to stereo MONITOR MATRIX downmix while you are working on the 5.1 mix. Furthermore, the 3-1 (LCRS) output can be fed to a 2-track master recorder via a Dolby Surround encoder, and then back to the console via a decoder to allow instant real-time comparison between the pre-encode and postdecode sound. In Version 2 it has become SURROUND MONITOR ALIGHMENT possible to freely reassign surround busses as required, so you can precisely match your work environment to your surround mixing needs. You can even simultaneously monitor multiple specified surround sources assigned to the bus outs and assign keys. Surround pan can be turned on or off so that specified BASS MANAGEMENT sources can be directly fed to a surround bus so that, for example, dialog can be fed directly to the center bus without the need for any pan adjustment. Additional facilities provided by the monitor processing section include individual bus (speaker) muting and attenuation, overall level control for all monitor outputs, stem mix monitoring via independent source selection capability for each expansion slot, advanced bass management with precision control for subwoofer delivery, and independent delays for precision speaker alignments. And if youre mixing to THX standards, you can use a short-cut key to set levels instantly and precisely to the theater-standard of 85dB SPL. In fact, the DM2000 is the worlds first console to receive THX pm3 approval, so by combining it with Yamahas MSP10 STUDIO powered monitor speakers also pm3-approved you have a state-of-the-art production studio that is capable of turning out sound of the highest quality just like a THX Certified Studio.

Expandable Data Libraries
Setting up EQ, compression, and other parameters for a mix from scratch can be a daunting task, so Yamaha has provided an extensive selection of presets in a range of libraries that can simply be selected and used unmodified, or edited to suit specific requirements. Libraries are provided for effects, compression, gating, EQ, I/O patching, and more. Of course, your own setups can be added to the libraries for instant recall whenever they are needed.
channel delay goes beyond the norm, with a maximum delay of 453 milliseconds. Version 2 even features comp/gate gain reduction metering on the meter display.
Pro Tools. In addition to a number of controllers specifically included for this purpose, the DM2000 faders, channel switches, encoders, and other controls can be used to directly control the corresponding DAW parameters. You also have extensive control over plug-in effects. Total transport and automation control are provided as well. The new Advanced DAW Control Protocol, initiated by Yamaha and Steinberg, enables you to control DAW software such as Nuendo and Cubase SX by using DM2000s SELECTED CHANNEL section (Controllable functions vary depending on the DAW software and version you are using). When used with Nuendo 2.0, for example, the softwares mixer channel EQ and surround pan functions can be accessed directly from the DM2000 selected channel controls. If Pro Tools is your DAW of choice you have direct control of Pro Tools surround panning via the DM2000 joystick. REMOTE (Pro Tools)

Add-On Effects

The DM2000 Version 2 is compatible with Yamahas outstanding Add-On Effects series (sold separately). According to your signal-processing needs you could add the Channel Strip package with high-performance EQ and compression capability, or the Master Strip Package for extraordinarily accurate sonic reproductions of some of the finest tape decks of audios golden age. Theres also a Reverb Package featuring the latest REV-X reverb algorithms used in Yamahas outstanding SPX2000, and other effect packages that can contribute to your production arsenal in a big way.

32 bit/96 kHz Effects

The DM2000 has eight independent internal 32 bit/96 kHz multi-effect processors that can be patched into any of the consoles input, stereo, mix, or matrix channels, and returned to any channel. An extensive range of detailed effect parameters are adjustable via easy-to-use graphic on-screen controls. A comprehensive selection of reverb, delay, modulation, combination effects, and range of newly developed effects including multiband dynamics are provided so that unless a mix calls for a specific external effects processor, you wont need any external processing Effect at all. And, like most other parameter groups, an extensive preset library is provided for fast, easy setup. Of course, you can add your own setups to the library for instant recall whenever needed. In addition to stereo effects, the DM2000 features a number of preset effects specifically designed for surround applications. Up to eight stereo or surround effects can be used simultaneously (Note: Some surround effects use as many as four processors). EFFECT

6 Graphic Equalizers

The DM2000 provides six 31-band graphic equalizers that can be patched into any of the eight busses, 12 aux sends, four stereo matrixes or the main left and right output busses. The graphic equalizers will be particularly valuable for SR applications. Each equalizer features GEQ both a graphic slider and response graph display. For the most intuitive GEQ operation possible, Version 2 allows the GEQ bands to be directly controlled via the consoles faders in two groups: Low (20.0 Hz ~ 4.0 kHz) and High (100 Hz ~ 20.0 kHz).
Any parameter that can be controlled via the DM2000s physical interface can also be controlled via the LCD panel. But there are many features and functions that are only accessible via the LCD. Most of these are the set-it-andforget-it type, so you can do all actual mixing from the control surface. Some examples would be word clock or MIDI setup. There are also a number of convenient functions that you might use more often, such as an oscillator with sine as well as pink noise and burst noise output that can also simultaneously output 1 kHz and 400 Hz signals for L/R channel checks, or channel pairing and fader grouping. Theres even a password-protected DUAL OSCILLATOR operation lock feature that can be used to lock specified functions and parameters. The point is that its all there. Whatever you need for the most advanced, highest quality sound production, the DM2000 has it, or can be expanded to provide it.

PASSWORD

Patching
Several patch displays allow the systems inputs, inserts, and outputs to be patched to appropriate built-in inputs and outputs as well as I/O added via the rear-panel expansion slots. You can also assign channel names for easy identification. Centralized control means youll never have to run around to physically re-patch cables whenever you need to reconfigure the system, and patch setups you might want to use again can be stored in the patch library for instant recall at any time.
Channel Compression, Gating, EQ and Delay
All 96 input channels on the DM2000 feature flexible, independent compression and gating/ducking processors for dynamics control. The 4-band parameter channel equalizers also offer extra versatility with switchable type I or type II EQ algorithms to deliver the type of EQ response you prefer. Even the

DM2000 Editor

that have been refined and updated for professional-level control. Some of the most significant updates include: Master Fader Window provides independent master fader display and control. Meter Window shows levels on all 96 channels. A new Automix tab has been added to the library windows. Layer Window allows selection and display of effects and other sources above the panel pan controls. Selected Channel Window adds graphic gate displays and long-stroke channel metering. Patch Edit Window is now resizable, and displays effect block inputs and outputs. Effect Editor Window adds Add-On Effects interface and fine control.

Selected Channel Window

The DM2000 Editor runs under the Studio Manager Version 2 host application, and offers features and functionality

SPX 2000 Editor (REV-X)

The THX pm3 logo is a trademark of THX Ltd. which may be registered in some jurisdictions. All rights reserved. For more information on THX pm3, please visit THX website at http://www.thx.com. Visit Yamaha website at http://www.yamahaproaudio.com/ to find DM2000/1000, 02R96 surround set up manual, Quick Guide and Surround Tutorial Booklet.
Nuendo Setting (24tr 96 kHz Recording)
Steinbergs Nuendo software is designed to handle 96 kHz audio, so it is an ideal companion for the DM2000. While the DM2000 functions as a basic controller for the Nuendo software in this 24 track, 96 kHz system (full Nuendo support is currently under development), it also handles extra mixing and processing of the outputs from high-end audio cards.

Macintosh or PC

Mini-YGDAI Cards MY16-AE x 2 or MY16-AT x 2

Signal

Hi-End Multi Channel Audio Card(s)

DM2000

Sample Applications
The DM2000 with Pro Tools
In this system the Yamaha DM2000 and a Digidesign Pro Tools HD2 Accel setup are combined in a powerful recording and production system that provides as many as 64 input channels with up to 192 tracks at 48 kHz or up to 96 tracks at 96 kHz. While the DM2000 functions as an advanced control surface for the Pro Tools, it can also handle critical audio processing tasks as well as monitoring.

*Operation up to 96-kHz.

High-capacity Sound Reinforcement With Remote Head Amp Control
Using Yamahas AD8HR highest quality 8-channel AD converter it is possible to put together a 48 mic/line input system with digital signal transfer at 48-kHz/24-bit resolution. The AD8HR head amps can be remotely controlled from the DM2000 via the REMOTE terminal, so the head amps themselves can be located right on stage. Up to 48 channels of high-resolution digital (AES/EBU) audio can then be transferred to the console over distances of up to 200 meters without loss or degradation. If you also use the DM2000s 24 built-in microphone inputs you have a total of 72 inputs available on a par with large live-sound systems, but with relatively simple setup and operation. In the system example a second DM2000 is used for monitoring as well as live recording.

MSP10 STUDIO

(Powered SP)
All feature full 24 bit/96 kHz processing for unprecedented resolution and quality with any type of program material.

EFFECT TYPE LIST

EFFECT TYPE Hall simulation reverb with gate Room simulation reverb with gate Reverb for vocals with gate Plate simulation reverb with gate Early reflections Gate reverb setting of early reflections Reverse gate setting of early reflections Very simple repeat delay Simple stereo delay Simple repeat delay with modulation 3 taps ( left, center, right) delay Stereo delay with cross feedback loop Chorus effect Flange effect Symphonic effect 16 stage phase sifter. Auto-pan Tremolo effect High quality pitch change effect 2 voice pitch change Rotary speaker simulation Ring modulator LFO modulation type filter Distortion Guitar amp simulator A filter controlled by input dynamics Flange effect controlled by input dynamics Phase sifter controlled by input dynamics. Parallel combination of reverb and chorus Series combination of reverb and chorus Parallel combination of reverb and flange Series combination of reverb and flange Parallel combination of reverb and symphonic Series combination of reverb and symphonic Input Output DSP 61 EFFECT Rev->Pan Delay+Er Delay->Er Delay+Rev Delay->Rev Dist->Delay Multi Filter Freeze St Reverb Reverb 5.1* Octa Reverb* Auto Pan 5.1* Chorus 5.1* Flange 5.1* Sympho. 5.1* M.Band Dyna. Comp 5.1* Compand 5.1* Comp276 Comp276S Comp260 Comp260S Equalizer601 OpenDeck REV-X Hall REV-X Room REV-X Plate TYPE Series combination of reverb and auto-pan Parallel combination of delay and early reflections Series combination of delay and early reflections Parallel combination of delay and reverb Series combination of delay and reverb Series combination of distortion and modulation delay Three-band parallel filter (24 dB/oct.) A simple sampler. Stereo reverb. Reverb with surround positioning. 8-channel reverb. LFO-controlled 5.1 surround pan. 5.1 surround chorus. 5.1 surround flange. 5.1 surround symphonic. Multi-band dynamics processor. 5.1 surround multi-band compressor. 5.1 surround multi-band compander. Channel Strip Package of ADD-ON EFFECTS Channel Strip Package of ADD-ON EFFECTS Channel Strip Package of ADD-ON EFFECTS Channel Strip Package of ADD-ON EFFECTS Channel Strip Package of ADD-ON EFFECTS Master Strip Package of ADD-ON EFFECTS Reverb Package of ADD-ON EFFECTS Reverb Package of ADD-ON EFFECTS Reverb Package of ADD-ON EFFECTS Input 2 Output 2 DSP 1

GATE LIBRARY

TITLE Gate Ducking A.Dr.BD A.Dr.SN TYPE GATE DUCKING GATE GATE

EQ LIBRARY

TITLE Bass Drum 1 Bass Drum 2 Snare Drum 1 Snare Drum 2 Tom-tom 1 Cymbal High Hat Percussion E.Bass 1 E.Bass 2 Syn.Bass 1 Syn.Bass 2 Piano 1 Piano 2 E.G.Clean E.G.Crunch 1 E.G.Crunch 2 E.G.Dist. 1 E.G.Dist. 2 A.G.Stroke 40 TITLE A.G.Stroke 2 A.G.Arpeg. 1 A.G.Arpeg. 2 Brass Sec. Male Vocal 1 Male Vocal 2 Female Vo. 1 Female Vo. 2 Chorus&Harmo Total EQ 1 Total EQ 2 Total EQ 3 Bass Drum 3 Snare Drum 3 Tom-tom 2 Piano 3 Piano Low Piano High Fine-EQ Cass Narrator

Dialog

6.1 Discrete Master Recording TASCAM DA Series etc.
6.1 Discrete Master Playback TASCAM DA Series etc.

Sound Editing

6.1 Discrete Master Playback

Options

The DM2000s real I/O versatility comes in the form of six mini-YGDAI expansion slots. The expansion slots are 24 bit/96 kHz compatible, so you can select mini YGDAI plug-in cards to create the input/output configuration thats perfect for your needs. Whether you need digital I/O in ADAT, TASCAM, or AES/EBU format, Ethernet or CobraNet connectivity, extra analog I/O capability, or other functions, the appropriate cards are available.
Software packages are available for adding unique and valuable effect programs to the DM2000 internal effect programs. You can edit, store and recall ADD-ON EFFECTS on the console in the usual way. In addition, a special GUI is available in the DM2000 editor to manage these effects.

CHANNEL STRIP PACKAGE

(AE-011)
MASTER STRIP PACKAGE (AE-021)
The Master Strip Package Open Deck employs Virtual Circuitry Modeling technology to recreate both the analog circuitry and tape characteristics that shaped the sound of open-reel tape recorders.
Employs VCM technology to recreate both the analog circuitry and tape characteristics that shaped the sound of open-reel tape recorders. The Open Deck provides models of four machine types: Swiss 70, Swiss 78, Swiss 85, and American 70. You can even combine different record and playback decks for a wider range of variation. You also have a choice of old and new tape types, tape speed, bias, and EQ settings that can vary the focus of the sound, distortion, and saturation characteristics.

MY8-AE96

8 channel AES/EBU format I/O

MY8-AE96S

8 channel AES/EBU format I/O (w/Sample rate converter)

Swiss 85 with New

Standard Series
Compressor 260(mono)/Compressor 260S Swiss 70 with New REV-X PLATE

REV-X ROOM

MY8-AE

MY8-AT

8 channel ADAT format I/O

MY8-TD

8 channel TDIF format I/O

MY8-AD24

8 channel Analog Input Card (24 bit)
SURROUND POST PACKAGE (AE-041)

Coming Soon

What is ISSP?
ISSP stands for Interactive Spatial Sound Processing, and is a new sound effect system created originally by Yamaha. Designed through comprehensive and extensive research, this technology offers unparalleled reality, operability and originality. It delivers unprecedented soundfield positioning and highly realistic sound source movement effects, with simple operation that allows simulations.

MY4-AD

4 channel Analog Input Card (24 bit)

MY4-DA

4 channel Analog Output Card (20 bit)
The Surround Post Package uses Yamahas Interactive Spatial Sound Processing technology that takes full advantage of the 96-kHz audio DSP power of the Yamaha digital consoles. The AE-041 will include three effect programs: Room ER, Auto Doppler and Field Rotation. These unique effect programs not only can vastly simplify the complex operation in Post-Production requirements, but also can be used creatively in the musical context.
Developed, Manufactured & Supported by:

Plug-in DSP card

The Y96K contains many of Waves greatest hits, including Waves Renaissance Compressor and EQ, TrueVerb reverb, L1 Ultramaximizer, SuperTap delay, and DeEsser. These processors are all available in addition to your on-board effects. Y96K
Waves Effects and ADAT I/O
For details, go to Y96K product page at www.yamahaproaudio.com

www.waves.com

Exclusively distributed worldwide by:
VINTAGE STOMP PACKAGE (AE-051)

What is VCM technology?

VCM (Virtual Circuitry Modeling) technology actually models the characteristics of analog circuitry right down to the last resistor and capacitor. VCM technology goes well beyond simply analyzing and modeling electronic components and emulating the sound of old equipment. Its capable of capturing subtleties that simple digital simulations cannot even approach, while actually creating ideal examples of sought-after vintage gear.

MB2000

Peak Meter Bridge

LA5000

Gooseneck Lamp
In this package Virtual Circuitry Modeling technology delivers faithful models of classic much-in-demand stomp boxes from the 70s that helped shape the sound of music history. The AE-051 package will include three phaser models: the MAX100, Vintage Phaser, and Dual Phase. Although the vintage equipments are hard to come by, they are in considerable demand for both live performance and studio production. All models feature graphical user interfaces that reflect the image of the times.

Dimensions

257mm (including LCD) 821mm 906mm
+18dB (6.16 V) XLR-3-32 type (Balanced) *1 +18dB (6.16 V) Phone Jack (TRS) (Balanced) *2 +4dB (1.23 V) +18dB (6.16 V) 25mW 75mW Phone Jack (TRS) (Balanced) *2 Stereo Phone Jack (TRS) (Unbalanced) *3 *1. XLR-3-32 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD) *2. Phone jack are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND) *3. PHONES stereo phone jack is unbalanced. (Tip = LEFT, Ring = RIGHT, Sleeve = GND) STEREO OUT [L,R] , 0dBV is referenced to 1.00 Vrms. In these specifications, when dB represents are specific voltage, 0dB is referenced to 0.775 Vrms. All output (except INSERT OUT 1-24) DA converters are 24 bit, 128times oversampling.
Fader Total Harmonic Distortion CH INPUT to STEREO OUT Input Gain = Min.
Net Weight Storage temperature range
Operating free-air temperature range
+18dB (default) +4dB (1.23 V) -10dB (0.245V) +4dB +4dB (1.23 V) 4mW 12mW
Frequency Response CH INPUT to STEREO OUT

LIBRARIES

Effect libraries (EFFECT1-8) Compressor libraries Gate libraries EQ libraries Channel libraries GEQ libraries (EQ1-6) Surround Monitor libraries Input patch libraries Output patch libraries Bus to stereo libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries 61 (EFFECT3-8 :53)*CASCADE OUT *1 Effects 53~61 are optional Add-On Effects.These effects become fully available after installation and
authorization. Prior to installation effects 53~61 function in demo mode only.

Sampling Rate Converter for Input, 3 cards max. with DM2000 Check instructions for multiple use Can handle 24 bit/96 kHz by double channel mode Can handle 24 bit/96 kHz by double channel mode Can handle 24 bit/96 kHz by double channel mode Check instructions for multiple use
*1. Sensitivity is the lowest level that will produce an output of +4dB (1.23V) or the nominal output level when the unit is set to maximum gain. (all faders and level controls are maximum position.) *2. XLR-3-31 type connectors are balanced. (1/Sleeve = GND, 2/Tip = HOT, 3/Ring = COLD) *3. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND) In these specifications, when dB represents are specific voltage, 0dB is referenced to 0.775 Vrms. For 2TR IN ANALOG 2 levels, 0dBV is referenced to 1.00 Vrms. All 24 AD converters (CH1-24) are 24 bit linear,128times oversampling. +48V DC (phantom power) is supplied to CH INPUT (1-24) XLR type connectors via each individual switch.

Third Party

Maker Waves Model Y96K Function Effect & I/O IN 8 OUT Format Res / Freq 8 Effect&I/O 24bit, 44.1/48/88.2/96kHz Connector Toslink x 2 Note Check instructions for multiple use
Go to www.yamahaproaudio.com to check Guidance on the use of Mini-YGDAI cards
Specifications and appearance subject to change without notice. All trademarks and registered trademarks are property of their respective owners. Pro Tools is a trademark of Digidesign, Avid Technology Inc. Nuendo is a trademark of Steinberg Media Technologies AG. Adat is a trademark of Alesis Corporation. Tascam, TDIF, MX2424 are trademarks of Teac Corporation. HDR24/96 is a trademark of Mackie Designs Inc. Cobranet and Peak Audio are trademarks of Cirrus Logic, Inc. Macintosh is a trademark of Apple Computer Inc. Windows is a trademark of Microsoft Corporation.
Surround Monitoring Diagram
Individual Bus Mute Global Level Control External Source Monitor

RECORD MATRIX

MONITOR MATRIX DTS Stereo
900 (Not including Screw heads)

MATRIX 1L(.4L) GEQ Same Above

2TR IN DIGITAL 1

MATRIX 1R(.4R)

SRC AES/EBU 2TRD1 L/R

Same Above

2TR OUT DIGITAL PATCH

2TR IN DIGITAL 2

SRC AES/EBU

2TRD2 L/R
from BUS1(.8) from AUX1(.12)

2 Same Above

DITHER SRC

2TR OUT DIGITAL 1

2TR IN DIGITAL 3

SRC COAXIAL

USE AD IN (1-24) AS TALKBACK

2TRD3 L/R

2TR OUT DIGITAL 2

TALK BACK AD IN 1-24

AD SLATE TB

AUX11 DITHER SRC 2

STEREO 8 BUS1-AUX1-MTRX1L-4R 96 DIRECTOUT1-INSERT OUT CONTROL ROOM 2

2TR OUT DIGITAL 3

AUX11 SOLO L
AUX12 SOLO R 2TR IN ANALOG 1

AD TRS R 2TRA1 L/R

MONITOR SELECT 2 STEREO

CONTROL ROOM DA

STUDIO LEVEL

TB DIMM

STEREO L STEREO R STEREO

STUDIO MONITOR OUT

L SOLO LOGIC

DA PHONES LEVEL DA DA

PHONES

L CONTROL ROOM

ASSIGN1

RCA 2TRA2 L/R

2TR IN ANALOG 2
STEREO 2TR D1 2TR D2 2TR D3 2TR A1 2TR A2

MONITOR OUT

C-R LEVEL

R LARGE

TO MONITOR SELECT DA

SMALL TRIM

BUS1-8 AUX1-12 MATRIX1-4 AUX1-12

AUX1-12 DA DA

ASSIGN2

R SMALL

SURROUND MONITOR to C-R

BUS1-8

SURROUND MONITOR STEREO

SURROUND MONITOR DA

8x8 Patch

LEVEL ATT HPF DELAY

INPUT PATCH
BUS1-8 AUX1-12 MTRX1L-4R DIRECT OUT 1-96 INSERT OUT

OMNI OUT

PINK NOISE 500-2kHz BPF DA DA DA
DITHER DITHER DITHER DITHER DITHER DITHER SLOT1 SLOT2 SLOT3 SLOT4 SLOT5 SLOT7 8

R Ls/S Rs

OUTPUT PATCH OMNI OMNI 2 OMNI 3 OMNI OMNI OMNI 6 OMNI OMNI 8

HPF HPF HPF

DELAY DELAY DELAY
SLOT1 Input 1-8 SLOT2 Input 1-8 SLOT3 Input 1-8 SLOT4 Input 1-8 SLOT5 Input 1-8 SLOT6 Input 1-8 BUS1-8

LPF1 LPF2

Cubase SX3 / DM2000 V2 Setup and Operation

Page 1

This document describes setup and operation for remote control of Cubase SX from the DM2000 digital mixing console. These instructions apply to DM2000 V2.0 or higher and Cubase SX V3.0.0 or higher. Driver Installation 1) Connect your PC or Macintosh computer The DM2000 should be connected to your computer by connecting the TO HOST USB port on the DM2000 to a USB port on your computer. Install Driver Once your computer is connected, you will need to install the USB-MIDI driver included on the DM2000 CD-ROM. It is recommended that you install the latest driver which can be downloaded from www.yamahaproaudio.com
Configuring DM2000 V2 1) 2) Press the [SETUP] display access key and select the MIDI/TO HOST screen. Set the DAW port assignment to USB 2-5 (this allows USB port 1 to be used for the DM2000 Studio Manager Editor software). Note: you must use USB ports 25 for DAW Control and USB port 1 for Studio Manager if you intend to use these two applications simultaneously. Press the [REMOTE] display access key and assign CUBASE SX as the Target for one of the Remote layers. (See About Remote Layers in the DM2000 manual for more information.) Press the [LOCATOR] display access key and select DAW Control as the function for the transport and locate keys. This allows the Cubase SX transport to be controlled regardless of whether a Remote or Internal mixing layer is active. Press the relevant [REMOTE] LAYER button to select the Cubase SX Remote Control Layer. When the Cubase SX Remote Control Layer is selected, the DM2000s control surface controls Cubase SX rather than the internal mixing of the DM2000. In order to control the DM2000, you need to select an Input Channel Layer or the Master Layer. Audio mixing on the Input and Master Layers, and Automix continues while the Cubase SX Layer is selected.
Cubase SX3 / DM2000 V2 Setup and Operation Configuring Cubase SX V3.0.0 or higher 1) 2) Click on the Devices menu and select Device Setup.

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Click on the + icon (Add Device), then click on Yamaha DM2000 V2. This will cause Yamaha DM2000 V2 to appear in the Devices column on the left side of this window. In the right side of the Device Setup window, assign DM2000 V2 to the correct MIDI Input and Output ports. For example, if you have chosen USB 2-5 on DM2000, choose YAMAHA USB 0-2 in Windows XP/2000 systems (choose YAMAHA DM1000 Port2 in Mac OS X). Then select the same port number for MIDI Output. This will cause USB ports 2 through 5 to be assigned for remote control of Cubase SX from DM2000. In the grid below the MIDI port assignments, the functions of various USER DEFINED keys on the DM2000 can be assigned. Some USER DEFINED keys have permanent assignments so they are not available in this list. These functions are described later in this document. After completing these assignments, click Apply towards the bottom of the Device Setup window. Then click OK to exit this window.

Controlling Cubase SX

Input Channel Controls Faders 1-24 control the levels of Cubase SX channels 1-24. (Refer to the User Defined Keys description below for information about accessing Cubase SX channels beyond 1-24.) The first four characters of the names of the Cubase SX channels appear in the Fluorescent channel strip display. Also PAN position is displayed here and can be adjusted with each channels rotary encoder. For surround panning, pressing the PAN ENCODER MODE switch alternates the function of the encoder between Left-Right and Front-Back panning. When the encoder is functioning in PAN mode, pushing the encoder will activate the MONITOR switch in Cubase SX. The DM2000 ON switches control each Cubase SX channels MUTE, and the SOLO and SEL switches also control Cubase SXs corresponding functions. The AUTO switches on DM2000 control Cubase SXs Automation Read function. By changing the DM2000s ENCODER MODE to AUX/MTRX, Cubase SXs SENDS can be controlled. Sends 1-8 can be selected with the DM2000s AUX SELECT switches. Then turning the channel rotary encoders will adjust the send level, with the

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level shown in the fluorescent display section. In this mode, each send can be switched On/Off by pressing the encoder. Selected Channel Functions Pressing any of the DISPLAY switches in the SELECTED CHANNEL section of DM2000 will cause the VST Audio Channel Settings window to open in Cubase SX. COPY & PASTE The CHANNEL COPY and PASTE switches on DM2000 perform the same functions as COPY and PASTE in Cubase SXs Edit menu. EQ The four bands of EQ GAIN, FREQUENCY and Q on DM2000 control the same functions on the selected Cubase SX channel, and the parameter value is displayed on the console. To switch an EQ band On or Off, hold down the FREQUENCY/Q encoder for one second. The entire EQ section can be bypassed by pressing the EQ ON key in the SELECTED CHANNEL section of DM2000. (Note: when the EQ ON LED is lit in the DM2000, this indicates EQ Bypass in Cubase SX.) PANNING The PAN encoder and the JOYSTICK on DM2000 control the pan functions of Cubase SX. Even if there is no surround panning enabled, the joystick can be used for Left-Right panning. AUX SENDS The AUX SEND LEVEL encoders and ON switches edit the 8 sends in Cubase SX. So only the first two BANKS on DM2000 are used. By pressing the LEVEL encoders, the send can be switched between Pre and Post Fader. PHASE AND INSERT The PHASE switch on DM2000 switches the phase of the selected Cubase SX channel, and the INSERT ON switch bypasses all Inserts for the selected channel.

Cubase SX3 / DM2000 V2 Setup and Operation FX Sends, Routing and Insert Editing

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FX SENDS In the EFFECTS / PLUG-INS section of the DM2000, press the INTERNAL EFFECTS key to access FX Send information on the LCD screen. The encoders below the screen can edit various functions: Encoder 1 edits the send level. Encoder 2 edits the send On/Off status (by turning the encoder). Encoder 3 edits between Pre and Post Fader (by turning the encoder). Pressing any of the encoders will switch all sends On/Off.
There are 8 sends spread over 8 pages. To access different sends, use the UP and DOWN cursor buttons to the left of the LCD encoders. ROUTING Press the PLUG-INS switch to access Routing information in the LCD. There are two pages, accessed by pressing the UP and DOWN cursor buttons to the left of the LCD encoders. The following functions can be edited: Page 1 Encoder 1 chooses the Output Bus for the selected channel Encoder 2 switches the Monitor On/Off (by pressing or turning the encoder) Encoder 3 selects the Input bus Encoder 4 edits the Input Gain (the encoder must be pressed down while turning) Page 2 Only Encoder 1 has a function. It is used to switch the Input Phase On/Off (by pressing or turning the encoder). INSERTS When the CHANNEL INSERTS switch is pressed on DM2000, the LCD shows Insert information for the selected channel. Encoder 1 selects which insert is to be edited Encoder 2 switches the insert On/Off (by turning, not pressing) Encoder 3 selects the type of effect to insert
Once an Effect has been selected, all the parameters can be edited by changing the page viewed on the LCD (by pressing the UP and DOWN cursor buttons to the left of the LCD encoders). The number of pages available depends on the number of parameters used by the Effect. Note: in any of the above modes, the EFFECT DISPLAY switch toggles between showing the parameter names and the parameter values on the LCD.

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Transport & Automation Ensure that DAW CONTROL is selected in the LOCATE MEMORY screen of the LOCATOR display menu on DM2000. TRANSPORT CONTROLS The following Transport functions can be controlled from DM2000: REC PLAY STOP FF REW SCRUB SHUTTLE LOOP QUICK PUNCH ONLINE
LOCATE FUNCTIONS The following DM2000 locate functions also control the corresponding Cubase SX functions: RTZ END IN OUT SET LOCATE 1-8
To set a locate point (Marker in Cubase SX), hold the SET switch on DM2000, and press the required LOCATE MEMORY switch at the required time. Note: DM2000 must be in the appropriate Cubase SX Remote Layer in order to set Markers. TRACK-ARMING The DM2000 TRACK ARMING 1-24 switches control the RECORD ENABLE switches of the corresponding Cubase SX channels. AUTOMATION The following AUTOMIX switches on DM2000 control automation functions of Cubase SX: ENABLE puts all Cubase SX channels into READ mode REC puts all Cubase SX channels into WRITE mode. The AUTO switch above each DM2000 channel fader switches READ On/Off for each channel individually. However, when AUTO-REC is switched on, the channel AUTO switches function to control WRITE On/Off in Cubase SX.

Cubase SX3 / DM2000 V2 Setup and Operation User Defined Keys

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When DM2000 is used to remotely control Cubase SX, the following User Defined Keys have permanently assigned functions: UDEF 1: UDEF 2: UDEF 3: UDEF 9: UDEF 10: UDEF 11: Brings the Project window to the front Scrolls channels down in banks of 8 Scrolls channels up in banks of 8 Open or closes the VST Mixer window Scrolls channels down one channel at a time Scrolls channels up one channel at a time
Other User Defined Keys (UDEF 4-8 and 12-16) can be programmed by the user to control various Cubase SX functions. These functions can be selected in the DEVICE SETUP of Cubase SX, by selecting YAMAHA DM2000 V2 and choosing the desired Category and Command from the drop-down list for each button. Other Functions ZOOM & NAVIGATION The DM2000 CURSOR keys (next to the Scrub Wheel) have two different functions. Their mode can be changed by pressing the INC key above the cursor keys. The mode is shown on the LCD display. ZOOM mode: the cursor keys control the vertical and horizontal zoom of the Project Window. NAVIGATION mode: the cursor keys control the selection of channels and objects in the Project Window.
TIME COUNTER The TIME COUNTER is displayed on the DM2000 LCD screen, with the counter mode (TIME CODE / FEET / BEATS). If Samples is selected in Cubase SX, then no selection is displayed in the DM2000 LCD. METER BRIDGE The DM2000 meter bridge displays Cubase SXs input channel levels when the correct REMOTE layer is selected. The TIME CODE counter is also displayed on the Meter Bridge.