YAMAHA
Professional Series Digital Audio Tape Recorder
OWNER'S MANUAL MODE D'EMPOl BEDIENUNGSANLEITUNG
Thank you for purchasing the YAMAHA DTR2 Digital Audio Tape Recorder.

SAFETY INSTRUCTIONS

FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated In the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE, REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/ s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product, in a residential environment, will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the product "OFF" and "ON", please try to eliminate the problem using one of the following measures: Relocate either the product generating the interference of the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.
Explanation of Graphical Symbols
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
WARNING: CHEMICAL CONTENT NOTICE!
The solder used in the manufacture of this product contains LEAD. In addition, the electrical/electronic and/or plastic (where applicable) components may also contain traces of chemicals found by the California Health and Welfare Agency (and possibly other entities) to cause cancer and/or birth defects or other reproductive harm. DO NOT REMOVE ANY ENCLOSURE COMPONENTS! There are no user serviceable parts inside. All service should be performed by a service representative authorized by Yamaha to perform such service. IMPORTANT MESSAGE: Yamaha strives to produce products that are both user safe and environmentally "friendly". We sincerely believe that our products meet these goals. However, in keeping with both the spirit and the letter of various statutes we have included the messages shown above and others in various locations in this manual.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact your local retailer that is authorized to distribute this type of product. If you cannot locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave., Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
For Canada model THIS DIGITAL APPARATUS DOES NOT EXCEED THE 'CLASS B"
LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE
REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1. This unit is a sophisticated digital audio tape recorder. To ensure proper operation for the best possible performance, please read this manual carefully. Before using this unit for the first time, wait 1 to 2 hours after plugging the AC power cord into the wall outlet. Choose the installation location of your unit carefully. Avoid placing it in direct sunlight or close to a source of heat. Also avoid locations subject to vibration and excessive dust, heat, cold or moisture. Keep it away from sources of hum such as transformers or motors. If interference in TV or radio reception occurs during operation, increase the distance between the two components. Do not open the cabinet as this may result in damage to the deck or electrical shock. If a foreign object should drop into the deck, contact your local dealer. When removing the power plug from the wall outlet, always pull directly on the plug; never pull the cord itself. Do not apply excessive force when operating switches and knobs. When moving the deck. be sure to first pull out the power plug and remove all cords connecting the deck to other equipment. Do not attempt to clean this unit with chemical solvents as this may damage the finish. Use a clean, dry cloth. If the unit does not work properly while in use, after turning the POWER switch OFF, disconnect the AC power cord plug from the AC outlet and wait for about 30 seconds. After that, connect it again to operate.

On drum life It is recommended to replace the head drum with a new one within about 1,500 hours of use. Dew condensation Dew is the moisture that collects on a cold object in a warm room. Dew can form on the drum and head inside the tape deck causing damage to tapes and head. This unit contains a dew prevention heater. Once the unit is connected to an AC outlet, the heater turns on to prevent dew from forming. It takes from 1 to 2 hours to remove dew. When dew is detected on the drum and head, the "DEW" indicator appears and the unit does not operate. Wait about 1 to 2 hours after the display returns to normal before using the unit. Dew forms easily: In highly humid and steamy rooms. When carrying the unit from a cold place to a warm room. * Use the unit at room temperatures from 5 C to 35 C. Dew forms especially easily in cold temperature regions. Amplifier volume adjustment Digital audio tapes produce considerably less noise than regular records and cassette tapes, and are extremely quiet between programs. Be careful not to raise the volume too high and exceed the amplifier and speaker ratings. Recommended amplifier input impedance is 600 ohms or higher. Connecting an amplifier (or other external audio device) having an input impedance that is too low may decrease the level of the output. Rack mount The front panel of this unit conforms to the 2U size standards and can directly be installed in the 19 inch rack. However, if the space of the rack is small, remove 4 legs from the bottom panel, then install the unit in the rack. If the rack is not well ventilated, the temperature inside the rack becomes high. Be sure to keep the rack well ventilated.
10. Be sure to read the "Troubleshooting" section of this manual for advice on common operating errors before concluding that your unit is faulty. 1 1. Keep this manual in a safe place for future reference.
WARNING: THIS APPARATUS MUST BE EARTHED IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:
Green- and -yellow: Earth
Cleaning the head When the head is slightly dirty, noise is heard or dropouts occur during playback. If the head becomes excessively dirty, a signal read error occurs during playback, and the sound cannot be heard. At this time, the "WARNING" indicator appears. If this occurs, use a commercially available digital audio cleaning tape or have your Yamaha dealer clean the head. After prolonged use, the head may require replacement due to wear. Consult your Yamaha dealer. Blue: Neutral Brown: Live As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows:

The wire which is coloured green- and -yellow must be
connected to the terminal in the plug which is marked by the or coloured green or letter E or by the safety earth symbol green- and -yellow. The wire which is coloured blue must be connected to the terminal which is marked with the letter N or coloured black.
The wire which is coloured brown must be connected to the
terminal which is marked with the letter L or coloured red.

TABLE OF CONTENTS

Features Names of controls Connections DAT (Digital Audio Tape) Loading and unloading cassettes Recording Start ID signals and tune numbers End ID signals Playback Troubleshooting Specifications 30

FEATURES

APMS function allows you to program up to 30 tunes in any desired order APSS function skips to the beginning of previous/ subsequent tunes Direct tune selection function allows you to quickly play any tune by simply entering its number ABS Search function allows you to locate any desired position on the tape by its absolute time (elapsed time from the start of the tape) Repeat function repeatedly plays all the tunes on the tape or in a program Skip Playback function skips undesirable sections of the tape Automatic tune number recording function automatically writes tune numbers on the tape during recording Convenient renumbering function allows you to renumber tunes after editing End Search function makes it easy to continue a recording from the end of a previous recording
Cue/Review function lets you listen to the sound while fast-forwarding or rewinding Fast search speed of up to 200 times the normal playback speed Usable sampling frequencies of 48 kHz, 44.1 kHz, and 32 kHz allow you to record/play a wide variety of digital sources Equipped with balanced type analog input/output jacks (XLR-3-31/XLR-3-32) Equipped with two types of digital jacks (coaxial pin jack, optical connector) Employs a theoretically distortion-free 1-bit A/D converter in the A/D converter circuit, providing highgrand sound quality Combination of digital filter and 1-bit PDM D/A converter provides superior sound quality Two direct drive motors provide stable tape transport

NAMES OF CONTROLS

Front panel
POWER switch Turns the power on and off. Cassette holder Holds the digital audio tape. INPUT selector Set to DIGITAL to record from an audio source connected to the DIGITAL INPUT terminals. Set to ANALOG to record from an audio source connected to the ANALOG INPUT terminals. REC fs (Recording Sampling Frequency) selector When recording is performed using the ANALOG INPUT terminals, the sampling frequency can be switched to 44.1 kHz or 48 kHz. SKIP PLAY switch Switches the skip play function. OPEN/CLOSE button Press to open the cassette holder, press again to close it. DISPLAY button Selects either absolute time (ABS) or individual tune playback time (PROG) or tape counter (COUNTER). When tapes which contain "TOC" signals are used, the total number of tunes and total playback time are displayed. COUNTER RESET button Press to reset the tape counter (0000). Only effective in counter display mode.

REPEAT button Press to continuously repeat playback.

PROGRAM button

Used for programming tunes. CLEAR button Press to clear the input digit or programmed tune No. CALL button Press to check the program contents. ABS (Absolute) TIME button Press to input the specified time for absolute time search. Digit buttons Used to select desired tune numbers for program playback or direct playback. These buttons are also used to input the specified time for absolute time search. REC (Record) LEVEL control Used to adjust the recording level when recording from an audio source connected to the ANALOG INPUT jacks. This control can adjust the left and right channels independently. PHONES jack Connect stereo headphones to this jack,
START ID buttons AUTO WRITE: Press to automatically write the start ID signals and their tune numbers during recording. WRITE: Used to write the start ID signal manually during recording or playback. ERASE: Press to erase the start ID signal. RENUMBER button Used to renumber the tunes in sequence from the beginning of the tape. SKIP ID buttons WRITE: Press to write the skip ID signal. When the SKIP PLAY switch is set to ON, playback skips from the point where this button was pressed to the beginning of the next tune. ERASE: Press to erase the skip ID signal. STOP button Press to stop the tape running. PLAY button Press to start playback. When the REC button is pressed, pressing this button or the PAUSE button initiates recording. REW (Rewind) button Press to rewind the tape. When this button is pressed during playback, playback starts from the beginning of the current tune. To play the previous tune, press this button again (APSS). FF (Fast forward) button Press to fast forward the tape. When this button is pressed during playback, playback starts from the beginning of the next tune (APSS). REVIEW button Press to rewind the tape while listening to its contents at approximately 3 times the normal speed. CUE button Press to fast forward the tape while listening to its contents at approximately 3 times the normal speed. REC (Record) button Press to enter record stand-by mode. To start recording, press the PLAY button or PAUSE button. PAUSE button Press to stop playback or recording temporarily. To resume playback or recording, press the PLAY button or this button again. REC MUTE button Press to create a blank section while recording. A blank section continues as long as the button is pressed.

END ID buttons WRITE: Press this button at the end of a recording. The end ID signal is written to indicate that point. ERASE: Press to erase the end ID signal. SEARCH: Press to search for the end ID signal. The tape rapidly goes to the end of a recording and recording can be easily started from that point. PHONES LEVEL control Adjusts the volume of the headphones.

Display window

Remote control transmit indicator Lights when the remote control transmitter is operated. TOC (Table of Contents) indicator Lights when a tape containing a TOC is played. Tune number display Indicates the tune number. COUNTER indicator Lights when the display is in counter mode. ABS (Absolute time) indicator Lights when the display shows ABS time (elapsed playing time from the beginning of the tape). Counter/ABS time/Tune playing time/Programmed tune number display Displays the tape counter reading, ABS time, tune playing time (elapsed playing time from the beginning of the current tune) or programmed tune number. PROG indicator Lights when the display shows the elapsed playing time from the beginning of the current tune. Sampling frequency indicators Light according to the sampling frequency of the audio signal. DEW indicator Appears when condensation occurs in this unit (drum, head, etc.). COPY PROHIBIT indicator Appears when a recording cannot be performed with a digital signal. In this case, record the source using the

ANALOG jacks.

If this occurs, use a commercially available digital audio cleaning tape or have your Yamaha dealer clean the head. ST-ID/SKIP-ID/END-ID indicators Light when the start ID, skip ID or end ID signal is detected, or flashes when it is written or erased. APMS (Automatic Programmable Music Selector) indicator Appears when programming or during program playback. APSS (Auto Program Search System) indicator Appears when the beginning of a tune is searched for. Peak level meter Displays the recording level or playback level. EMPHASIS indicator Appears when tapes recorded with emphasis are played, or when recording from a digital source on which emphasis is applied. The emphasis function reduces the noise of the high frequency revel by boosting the high frequency level during recording (Pre-emphasis function) and lowering it during playback (De-emphasis function). This unit incorporates only the de-emphasis circuit. You can play or record emphasized signals but cannot newly apply emphasis to signals. Play indicator Lights when the PLAY button is pressed. Recording indicator Lights when the REC button is pressed. Pause indicator Lights when the PAUSE button is pressed, or in record stand-by mode. Repeat indicator Lights during repeat playback.

Connecting to another digital audio tape deck, or an amplifier, etc. which has digital jacks
When this unit is connected to another DAT deck, amplifier or other digital source, such as a CD player with digital jacks, digital-to-digital recording will be carried out. Be sure to disconnect the power cords of both components from the AC outlet before connecting. When using the COAXIAL DIGITAL jacks 1 Connect the COAXIAL DIGITAL INPUT jack to the coaxial digital output jack and the COAXIAL DIGITAL OUTPUT jack to the coaxial digital input jack of another DAT deck, or amplifier, etc. using the coaxial cables. 2 Set the DIGITAL INPUT selector to the COAXIAL position. When using the OPTICAL DIGITAL jacks 1 Connect the OPTICAL DIGITAL INPUT jack to the optical digital output jack and the OPTICAL DIGITAL OUTPUT jack to the optical digital input jack of another DAT deck, or amplifier, etc. using the optical fiber cables. 2 Set the DIGITAL INPUT selector to the OPTICAL position.
NOTES: When the POWER switch is turned on, the inside of the OPTICAL OUTPUT jack illuminates red. This red light (which is completely harmless) is used to send the digital signal. Do not fold or bend the optical fiber cable because it damages easily.
Connecting the remote control transmitter By connecting the remote control cable to the REMOTE jack on the rear panel, this unit can be operated with the remote control transmitter.
NOTES: Do not strike or drop the remote control transmitter. Also, do not get the remote control transmitter wet or place it in a humid location.
Do not connect this remote control transmitter to other equipment. Connect only the supplied remote control transmitter to the REMOTE jack.
Connecting headphones For best results, use 8-ohm to 32-ohm headphones with a standard stereo headphone plug 1/4" (6.3 mm). The headphone volume can be adjusted with the PHONES LEVEL control.
Connecting the AC power cord After connecting all equipment, connect the AC power cord plug to an AC wall outlet.

DAT (Digital Audio Tape)

DAT cassettes A DAT cassette measures 2-7/8" x 7/16" x 2-1/8" (73 mm x 10.5 mm x 54 mm), nearly half the size of analog audio cassettes. Furthermore, the case is constructed to prevent the tape from being scratched or soiled.

Notes on writing start ID signals If a start ID signal is written on a point where a skip ID signal has been written, the skip ID signal is erased.
The interval between start ID signals (playing time of a tune) should be 9 seconds or more. This 9-second interval is necessary to ensure proper operation of the APSS function, APMS function and renumbering tunes.
To erase start ID signals
If a start ID signal is written on a undesirable point, you can erase it during playback. Be sure to renumber the tunes after erasing a start ID signal. Press the START ID ERASE button (the button flashes) when the ST-ID indicator appears on the display. The tape rewinds to the beginning of the tune being played and the start ID signal is erased. While erasing, the ST-ID indicator flashes. Playback resumes after the start ID signal is erased. If a tune number is also written with the start ID, both signals will be erased at the same time.

To renumber tune numbers

When start ID signals are inserted or erased, tune numbers are displaced. Renumber the tune numbers following this procedure. Press the RENUMBER button in stop mode. The tape is rewound to the beginning of the tape, and the tune numbers are automatically renumbered at high speed. Whenever the unit encounters a start ID signal, the proper tune number is written starting from P-NO 1. When renumbering is completed at the end of the tape, the tape automatically rewinds to the beginning.

END ID SIGNALS

An end ID signal indicates the end of a recording. The tape does not advance beyond the point where this signal is written. Therefore, it is easy to continue a recording from the end of a previous recording. Also, this will avoid making a blank section between recordings.
To write an end ID signal
During recording, press the END ID WRITE button. A sound muted section is automatically inserted and the end ID signal is written. While the end ID signal is being written, the END-ID indicator flashes and then the tape automatically stops. When the unit encounters an end ID during playback, fast-forwarding or cueing, the tune number changes to "EE", and the tape stops automatically. Do not write an end ID signal if the interval between start ID signals is shorter than 9 seconds. APSS and renumbering functions may not be carried out properly.

To continue a recording from the end of a
previous recording 1 Press the END ID SEARCH button in stop mode or during playback. The button starts flashing. The tape is rewound to the beginning and then fast-forwarded to the point where the end ID signal is written (End search function). The light of the button goes off when the tape stops. 2 Start recording from the point where the tape stops. Tune numbers and absolute time will be continued from the previously recorded contents. The end ID signal of the previous recording is automatically erased.
To erase the end ID signal An end ID signal is automatically erased when successive recording is performed using the end search function. To erase an end ID signal without successive recording, perform the following procedure. When the tape stops after end search operation, press the END ID ERASE button. The button starts flashing. When the end ID signal is erased, the tape stops. (While erasing the end ID signal, the tape is advanced for a few seconds and the END-ID indicator flashes.)
To erase the recorded contents
When a recording is made over a previous recording, the previous recording is automatically erased. To erase the recorded contents without making a new recording, perform the following procedure. 1 Set the INPUT selector to the ANALOG position. 2 Load the tape in the cassette holder. 3 Turn the REC LEVEL control fully counterclockwise to 0 (MIN). 4 Press the REC button 5 Press the PLAY button The previously recorded contents will be erased.

PLAYBACK

Normal playback
1 Load the tape into the cassette holder. 2 Press the PLAY button
To stop playback 1 Press the STOP button 2 To start playback again, press the PLAY button
To stop playback temporarily 1 Press the PAUSE button. 2 To resume playback, press the PLAY button or PAUSE button again. To protect the tape, the pause mode automatically cancels after 5 minutes and the unit enters stop mode. To fast-forward or rewind the tape 1 To fast-forward the tape, press the STOP button then the FF button To rewind the tape, press the STOP button then the REW button 2 Press the STOP button to stop the tape running.
APSS (Auto Program Search System)
APSS allows you to locate the beginning of any tune during playback. Simply press the REW or FF button to move backward or forward.

NOTES:

For tapes with a start ID signal interval shorter than 9 seconds, APSS may not function properly (page 20). if a tune is not played according to the tune number selected with APSS, the start ID signal and tune number have not been correctly written. See page 19. Press the FF button to go to the beginning of the next tune. Press the REW button to return to the beginning of the current tune. Each press of the FF button skips to the beginning of the subsequent tunes. Each press of the REW button skips to the beginning of the previous tunes. The tape can be caused at the beginning of the desired tune by pressing the PAUSE button after pressing theFF or REW button. The desired tune can then be played by pressing the PLAY button To go to tune 4 while tune 3 is playing once while tune 3 is playing. The Press the FF button tune number indicator changes from 3 to a flashing 4 and the tape is fast-forwarded to the beginning of tune 4. Playback starts from the beginning of tune 4.

<Examples>

To replay from the beginning of tune 4 while tune 4 is playing once while tune 4 is playing. Press the REW button The tune number indicator changes to a flashing 4 and the tape is rewound to the beginning of tune 4. Playback starts again from the beginning of tune 4.
To skip to tune 8 while tune 5 is playing three times while tune 5 is playing Press the FF button The tune number indicator changes from 5 to a flashing 8 and the tape is fast-forwarded to the beginning of tune 8. Playback starts from the beginning of tune 8.
To skip to tune 6 while tune 10 is playing five times while program 10 is Press the REW button playing. The tune number indicator changes from 10 to a flashing 6 and the tape is rewound to the beginning of tune 6. Playback starts from the beginning of tune 6.
To program desired tunes (APMS=Automatic Programmable Music Selector) You can program desired tunes in any desired order. If the tunes are not numbered properly, the desired tunes may not be programmed, or program playback may stop suddenly.
1 Load the tape. 2 Press the PROGRAM button. The APMS indicator lights. 3 Using the digit buttons (1-0, +10, +20), enter the desired tune numbers in the desired order. Example: To select tune 12: Press "+10" and "2". To select tune 20: Press "+20" and "0". To select tune 54: Press "+20" twice, "+10" and "4". The display shows the program number (playback order) and the programmed tune number.
Press the PLAY button The programmed tunes are played in the programmed order.
To skip to the beginning of a tune in the program: Press the FF or REW button to skip to the beginning of previous/subsequent programmed tunes.
To check the program contents In stop mode, press the CALL button. The programmed tunes are displayed in programmed order. When the CALL button is pressed during program playback, the next programmed tune number to be played is displayed for about one second. To erase a programmed tune Press the STOP button then the CLEAR button. Each time the CLEAR button is pressed, one programmed tune will be erased beginning with the last programmed tune. To clear the whole program Press the PROGRAM button in stop mode. Also, pressing the OPEN/CLOSE button or turning off the power clears the whole program.

Direct selection Any tune can be directly selected and played back by specifying the tune number. In stop mode or play mode, enter the desired tune number using the digit buttons (0-1, +10, +20). Example: To select tune 12: Press "+10" and "2". To select tune 20: Press "+20" and "0". To select tune 54: Press "+20" twice, "+10" and "4". The beginning of the specified tune will be searched for and played automatically. The direct selection function can be used to cue up to the beginning of a tune. Enter a tune number and press the PAUSE button The specified tune is searched for and the unit enters pause mode. To start playback, press the PLAY button If a tune number which does not exist on the tape is specified, the tape fast-forwards until the end. Direct selection cannot be carried out on tapes which do not contain tune numbers, or have their tunes numbered incorrectly. Direct selection cannot be used for programmed tunes in APMS.
Absolute time search Playback can be started from any point when the absolute time (from the beginning of the tape to the point where you want to start playback) is specified. Press the ABS TIME button in stop mode or playback mode. 2 Enter the desired absolute time using the digit buttons (0-1). For example, when searching for "one hour, 25 minutes and 32 seconds", press "1", "2", "5", "3" and "2". 3 Press the PLAY button Playback starts from the specified ABS time. When a time longer than the recording time on the tape is specified, the tape will stop at the end. During playback, the absolute time must be entered within 4 seconds after pressing the ABS TIME button. Otherwise, the function will be canceled. 1
Cue and review The CUE and REVIEW buttons allow you to quickly move to a desired location on the tape while listening to the tunes at 3 times the speed of normal playback. In stop mode: 1 Press the CUE button to move forward or the REVIEW button to move backward. 2 Press the PLAY button when the desired position is reached. During playback: 1 Press and hold the CUE button to move forward or the REVIEW button to move backward. 2 Playback will resume when the CUE or REVIEW button is released. When the end of the tape is reached, the tape stops automatically. NOTE: The CUE and REVIEW buttons do not function for programmed tunes in APMS.

Repeat playback

Repeat playback allows you to continuously repeat an entire tape or a program in APMS. To repeat a program, program the tunes beforehand (page 24). Press the REPEAT button. The indicator lights. 2 Press the PLAY button The entire tape or program will be played repeatedly. To return to normal playback, press the REPEAT button again. Repeat playback will stop automatically after playback is repeated 24 times. 1
To skip undesirable sections-using the skip ID When the unit encounters a skip ID signal, the tape fastforwards to the beginning of the next tune. To write the skip ID signal During playback, press the SKIP ID WRITE button at the beginning of the section to be skipped. The button lights. Playback stops temporarily and the skip ID signal is written. (While writing, the SKIP-ID indicator flashes.)
Skip playback Set the SKIP PLAY button to the ON position. When a skip ID signal is detected during playback, the tape fast-forwards to the beginning of the next tune and playback resumes. When you want to play a tape containing a skip ID signal without the skip play function, set the SKIP PLAY button to the OFF position. The tape will be played normally, but the skip ID signal is not erased.
To erase the skip ID signal Set the SKIP PLAY button to the OFF position. Play the tune which contains the skip ID to be erased, and press the SKIP ID ERASE button when the SKIP ID indicator lights. The tape is rewound to the position where the skip ID was written. The SKIP ID indicator flashes and the skip ID is erased. Playback resumes after the skip ID is erased.
To display elapsed time and the tape counter
Each time the DISPLAY button is pressed during playback, the display changes to 1, 2, or 3, in that order. 1 The PROG indicator lights and the elapsed playback time from the beginning of the current tune is displayed. When a tune which does not contain a start ID signal is played,"-- M -- S" is displayed. The absolute time is displayed during APSS mode. In fast-forward, rewind, cue or review mode,"-- M --S" is displayed. The COUNTER indicator lights and the tape counter reading is displayed. To reset the counter reading, press the COUNTER RESET button. The display shows "0000". In any other display mode, the COUNTER RESET button does not function. The ABS indicator lights and the total elapsed time (absolute time) from the beginning of the tape is displayed. For tapes on which the absolute time is not recorded, "-M --S" is displayed. When a section which does not contain both a start ID signal and a tune number is played, the tune number is not displayed.

TROUBLESHOOTING

If this unit functions abnormally during operation, first check the following items. If the unit continues to function abnormally, or if an abnormality other than those listed below appears, turn off the deck's power and disconnect the AC plug, then consult your Yamaha dealer or servicing personnel.

PROBLEM

Power does not turn on. The cassette holder does not close after a tape is loaded. This unit does not operate.
Is the AC power cord plugged in? Is the tape loaded properly? Is a DAT cassette used? Is there a tape loaded? Are there any foreign objects in the cassette holder? Is there dew on the head or tape? Is this unit connected properly to an amplifier? Is a cable loose or disconnected? Are the program numbers written in the correct order? This can happen with certain types of recorded material (caused by noise between tunes, short interval between tunes, dropouts, etc.). See page 19. Do the actual number of recorded tunes and the tune numbers match? See page 19. Are all the APMS tune numbers valid? Are the tune numbers renumbered? Is the INPUT selector set to DIGITAL? Is the coaxial cable or optical fiber cable connected properly? Is the DIGITAL INPUT selector on the rear panel set properly? Is the optical fiber cable cut or broken? There is no need to adjust the recording level when recording from the digital input. These sounds are heard when the tape or head protection function is operating. These sounds may also be heard when a blank section on
the tape is reached during fast-forwarding or rewind.
No playback sound from both channels. No playback sound from one channel. The absolute time is incorrectly displayed. The actual number of recorded tunes and the tune numbers do not match, (e.g. There are 6 recorded tunes but tune numbers are 1 , 2, 3, 4 and 5 only.) A tune selected with APSS or APMS is not the desired tune. The tape stops during APMS operation. The sound from the digital input cannot be recorded.
The recording level cannot be adjusted when recording from the digital input. Clicking sounds are heard from the tape deck when a button is pressed.
(These sounds are normal.)

SPECIFICATIONS

DAT system Rotary head type digital audio tape recorder Loading system Horizontal front loading Recording system Serial Copy Management System Recording sampling frequency Digital 48 kHz, 44.1 kHz, 32 kHz/2-channeI Analog 48 kHz, 44.1 kHz/2-channeI Quantization system 16 bit linear conversion Tape speed 8.15 mm /sec. Fast winding time 45 sec. maximum for 120-minute tape Overall frequency response fs=48 kHz 2 Hz to 22 kHz, 0.5 dB fs=44.1 kHz 2 Hz to 20 kHz, 0.5 dB THD + Noise 0.003% at 1 kHz Dynamic range 92 dB Separation 96 dB at 1 kHz Digital input Coaxial 0.2 Vp-p/75 ohms (IEC 958) Optical (EIAJ CP-340) Digital output Coaxial 0.5 Vp-p/75 ohms (IEC 958) Optical (EIAJ CP-340) Analog input Balance Ref. level +4 dB/10 kohms (XLR 3-31) Unbalance 0.3 Vrms minimum for full scale (RCA pin jack) Analog output Balance Ref. level +4 dBm/ Full scale +22 dBm (XLR 3-32) Unbalance 2 Vrms maximum (RCA pin jack) Headphone output 75 mW/32 ohms maximum (1/4" phone jack) Power consumption 28 W Power supplies U.S.A. model Europe model Dimensions (W x H x D) 120 V, 60 Hz 230 V, 50 Hz 480 x 88 x 329 mm (18-7/8" x 3-7/16" x 12-15/16") 6 kg (13 IDS. 4 oz.) 1

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3/31/2011

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CND Used Equipment Sale List

01HouseMixingConsoles

Midas XLMon, 8 Stereo x 24 Avid Profile 48 x 24 digital console Midas XL348 48x16x2 Digico SDx 24 digital console Yamaha PM5D 48 x 24 digital console Midas HMono x 10 x 3 Soundcraft MH4-mono + 4 stereo inputs + 16 aux + 8 Group + 8 VCA + 8 Matrix Yamaha M7CL-48 Digital Console 48 x 16 Soundcraft MH3-mono + 4 stereo inputs + 12 aux + 8 Group + 8 VCA + 8 Matrix Soundcraft K3-48 40M + 4S x8x2 Mixing Console Yamaha PM3500M-52 52x16x2 Soundcraft K3-40 38M + 2S x8x2 Yamaha LS9-32 Digital Console 32 Mic, 32 Line x 16 Soundcraft K3-32 32M + 4S x8x2 Mixing Console Soundcraft K2-32 32M + 4S x8x2 Mixing Console Allen & Heath GL2800-Buss 30 Mono 2 Stereo Input Soundcraft Venue II 32 32x8x2 Yamaha LS9-16 Digital Console 16 Mic, 24 Line x 16 Midas Venice mono and 4 stereo/line inputs, 2 stereo effects, XL3 pre-amp Soundcraft Venue 32 32x8x2 Soundcraft GB32x4x2 Midas XL490 XL4 power supply Soundcraft Delta DLX 32 32x4x2 Allen & Heath GL2400-Buss 30 Mono 2 Stereo Input Soundcraft Delta32 32x4x2 Soundcraft Delta DLX 24 24x4x2 Allen & Heath W3MON-12 16x2 rack mount mixer Midas H304 H3000 Stereo input module Soundcraft 200B-32 32*4 Console Soundcraft Delta 24 24x4x2 Mixing Console Allen & Heath WZ162DX 16x2 rack mount mixer Mackie SR24-4 V-Pro 24x4x2 Mackie 1642-VLZchannel 12 Mic/line, 2 stereo line with FX Mackie CFXchannel 12 Mic/line, 2 stereo line with FX Mackie CFXchannel 8 Mic/line, 2 stereo line with FX Yamaha MY16AT 8-channel ADAT I/O card; optical I/O connector Yamaha MY8AD96 8-channel 24-bit/96kHz analog line-level input card; 25-pin D-sub Yamaha MY8DA96 8-channel 24-bit/96kHz analog line-level output card; 25-pin D-sub Behringer MX2004A 16x2 mixer, 8 Mic, 4 Stereo Line Behringer 2442FX 16x2 mixer, 8 Mic, 4 Stereo Line Yamaha MY8AT 8-channel ADAT I/O card; optical I/O connector Behringer 2222FX 16x2 mixer, 8 Mic, 4 Stereo Line Yamaha MR1642 16x4x2

Page No. 1

UNIT COST 50,000.00 44,000.00 40,000.00 39,900.00 38,000.00 35,000.00 22,500.00 18,900.00 13,500.00 9,500.00 9,000.00 8,000.00 8,000.00 6,500.00 5,500.00 4,900.00 4,500.00 4,500.00 4,000.00 4,000.00 3,900.00 3,500.00 2,500.00 2,200.00 2,000.00 1,700.00 1,600.00 1,500.00 1,500.00 1,400.00 1,100.00 1,100.00 700.00 600.00 500.00 400.00 400.00 400.00 350.00 300.00 300.00 280.00 250.00
Mackie DFXchannel 8 Mic/line, 2 stereo line with FX Behringer MX602A 6x2 mixer, 2 Mic, 2 Stereo Line Behringer MX882 Behringer VMX100 DJ Mixer, 4 Stereo Inputs, 1 Mic In, BPM counter Behringer UB802 8x2 mixer, 2 Mic, 6 Line Mackie KEBpadded bag Mackie KEBpadded bag Mackie SR24-4DC SR24 dust cover

Page No. 2

UNIT COST 240.00 120.00 100.00 100.00 95.00 35.00 30.00 20.00 UNIT COST 40,000.00 9,000.00 8,000.00 7,500.00 5,500.00 3,000.00 2,000.00 1,000.00 1,000.00 UNIT COST 1,800.00 1,500.00 700.00 500.00 500.00 UNIT COST 8,500.00 2,800.00 2,800.00 1,800.00 1,800.00 1,400.00 1,400.00 1,300.00 1,000.00 1,000.00 1,000.00 950.00 850.00 850.00 850.00 800.00 800.00 750.00 700.00 500.00 450.00 400.00

02MonitorMixingConsoles

Midas XL250-52 52x20 Soundcraft SM12-48 48x12 monitor Allen & Heath GL2800M-48 48x16 Monitor Console Allen & Heath GL2800M-32 32x16 Monitor Console Allen & Heath GL2800M-24 24x16 Monitor Console Yamaha MC3210M 32x12 Yamaha MC2410M 24x12 Allen & Heath Scepter 12x4 rack mount mixer Allen & Heath WZ1602 16x6 rack mount mixer

03PoweredMixers

Electro-Voice PMch pwr mixer, 500 watts/ch 4, 2 reverbs, 2 x 7-band EQ Dynacord MPMic, 4 Stereo, 340 watts/ch 4, reverb, 7-band EQ Yamaha EMX5000-ch pwr mixer, 8 Mono, 2 Stereo, 500 watts/ch 4, reverb, 2 x 7Electro-Voice 81PMX 8 channel powered mixer, 200 watts Yamaha Stagepas300

04DigitalEffects

Lexicon 480L digital reverb Eventide H3000D/SX Ultra Harmonizer Eventide H3000DSE Ultra Harmonizer Lexicon PCM81 digital reverb Lexicon PCM91 digital reverb Lexicon PCM90 digital reverb TC Electronics M-3000 digital multi effect Lexicon PCM80 digital reverb Klark Teknik DNIn, 3 Out delay line with EQ Lexicon DC2-DTS DTS and AC-Bit decoder v4.0 Yamaha SPX2000 Digital Multi Effect Brooke Siren TCS804 speaker alignment delay & temp probe Sony DPS-R7 digital reverb Yamaha D1030 Digital alignment delay, 1 In, 3 Out Yamaha SPX990 Digital Multi Effect Lexicon MPX1 digital multi effect TC Electronics M2000 digital multi effect Lexicon PCM70 digital reverb Yamaha SPX1000 digital multi effect TC Electronics D Two multitap rhythm delay Roland SDE3000 digital delay Roland SRV2000 Digital Reverb
TC Electronics M One XL Digital Reverb Yamaha REV500 digital multi effect Roland SDE1000 digital delay Lexicon ALEX digital reverb Lexicon LXP-1 digital reverb Lexicon MPX100 digital reverb Roland DEP3

Page No. 3

UNIT COST 400.00 400.00 350.00 150.00 150.00 150.00 100.00 UNIT COST 2,900.00 2,200.00 1,400.00 1,300.00 1,200.00 900.00 900.00 650.00 600.00 220.00 200.00 150.00 100.00 75.00 UNIT COST 900.00 700.00 600.00 500.00 150.00 140.00 UNIT COST 4,500.00 3,800.00 2,400.00 1,800.00 1,600.00 1,500.00 1,200.00 1,200.00 900.00 750.00 600.00 500.00 500.00 500.00 400.00 400.00 250.00

05Compressors

Summit DCL-200 stereo tube compressor dbx 160SL stereo compressor limiter Brooke Siren DPR901 II dual channel dynamic equalizer Brooke Siren DPR901 dynamic equalizer Brooke Siren DPR404 four channel compressor/desser Drawmer DL251 stereo spectoral compressor Drawmer DL441 four channel compressor Drawmer DL241B stereo compressor Aphex 720 DominatorII - stereo precision peak limiter dbx 166XL stereo compressor Symetrix 425 Stereo Comp/Limt/Gate Behringer MDX2600 Composer Pro XL Stereo Compressor/lLmiter/Gate Behringer Multicom Pro four channel compressor/limiter Behringer Composer stereo compressor/limiter/gate

05NoiseGates

Aphex AX622 dual channel noise gate Klark Teknik DN514 four channel noise gates Drawmer DS201 dual channel noise gate Symetrix 564E four channel noise gate Behringer Multigate Pro four channel noise gates Behringer Intelligate dual channel noise gate

06Equalizers

TC Electronics EQ Station-Channel digital EQ Midas XL42 dual channel XL4 mic preamp and eq TC Electronics MotoFader-64 digital EQ fader pod Klark Teknik DN3600C programmable stereo 1/3 octave equalizer Klark Teknik DN3600 programmable stereo 1/3 octave equalizer Focusrite ISA220 mic pre & EQ, VCA compressor, de-esser and limiter Klark Teknik DN360 stereo 1/3 octave equalizer Klark Teknik DN3698 remote controller for DN3600 Klark Teknik DN300 mono 1/3 octave equalizer Brooke Siren FCS-966 stereo 1/3 octave equalizer Klark Teknik DN301 1/3 octave equalizer, cut only dbx 2231 stereo 1/3 octave equalizer Klark Teknik DN3603 docking station for DN3698 Yamaha Q2031A stereo 1/3 octave equalizer dbx 2031 mono 1/3 octave equalizer Klark Teknik WS01 wireless for DN3698 Yamaha Q1031 Mono 1/3 Octave Equalizer
dbx 231 stereo 1/3 octave equalizer Urei 562 notch filter/limiter Rane FMI 14 mic preamp (1x4) and 2 band eq

Page No. 4

UNIT COST 200.00 140.00 120.00 UNIT COST 3,500.00 3,200.00 2,900.00 1,800.00 1,300.00 1,200.00 1,100.00 1,000.00 1,000.00 650.00 500.00 400.00 400.00 150.00 UNIT COST 2,800.00 2,800.00 2,400.00 1,800.00 1,200.00 1,000.00 1,000.00 650.00 500.00 500.00 400.00 400.00 400.00 300.00 300.00 250.00 200.00 200.00 200.00 50.00 UNIT COST 7,500.00 6,500.00 6,500.00 4,000.00 3,500.00 3,500.00 3,300.00

07PowerAmplifiers

Electro-Voice TG-W@8 / 2500 W@4, 2 rack space Electro-Voice TG-W@8 / 1450 W@4, 2 rack space Electro-Voice P3000RL 850 W@8 / 1300 W@4, 3 rack space Electro-Voice PW@8 / 1400 W@4, 3 rack space QSC PLW@8 / 1,100 W@4, 2 rack space Electro-Voice P900RL 280 W@8 / 450 W@4, 3 rack space QSC CXW@8 / 900 W@4, 2 rack space QSC PL1.W@8 / 650 W@4, 2 rack space QSC PLW@8 / 850 W@4, 2 rack space QSC RMXW@8 / 750 W@4, 2 rack space QSC RMXW@8 / 450 W@4, 2 rack space QSC 1080 Headphone Amplifier QSC GXW@8 / 700 W@4, 2 rack space Aphex 120A Distribution Amplifier with XLR Input and 4 XLR Outputs

08ElectronicX-overs

Klark Teknik DN9848 4x8 stereo digital controller XTA DP226 digital system controller Brooke Siren SW9088iis-MM Soundweb digital system controller Xilica DLP4080A 4x8 stereo digital controller Klark Teknik DN9824 2x4 stereo digital controller Electro-Voice DX38 stereo digital controller Klark Teknik DN8000 2x5 stereo digital controller Electro-Voice DMC-2181S deltamax stereo sub processor Apogee P-SSM PVD stereo SSM controller Klark Teknik DN800 four channel electronic x-over Brooke Siren ARchannel balancing pac for x-overs Electro-Voice DMC-1152X deltamax processor Electro-Voice DMC-2181 deltamax sub processor Brooke Siren MCSWay 5-way stereo x-over system Electro-Voice DMC-1152A deltamax processor Brooke Siren MCS200 4-way stereo x-over system Brooke Siren FDSChannel 2-way x-over with limiters Electro-Voice DMC-1122B deltamax processor Electro-Voice DMC-1152 deltamax processor Elite P600 processor x-over for M600

09HouseLoudspeakers

Meyer PSW-6 2-18" and 4-15" self-powered cardioid subwoofer cw dollys & covers Electro-Voice Xvls X-Line 2x15",2 x 8, 3x2" 3-way, 90x5 Line Array module Electro-Voice Xvlt X-Line 2x15",2 x 8, 3x2" 3-way, 120x5 Line Array module Electro-Voice Xf X-Array 2x12", 2x2" 2-way, 40x20 Electro-Voice XLC127DVX 12", 2 x 6.5, 2x2" 3-way, 120x5 Line Array module Electro-Voice Xo X-Array 5x2" 20x10 Electro-Voice Xn X-Array 18", 12", 2" 3-way, 60x40
Electro-Voice Xsub/f X-Line 2x18" bass reflex, 2,000 watts Line array module Electro-Voice XLDx 8, 2x2" 3-way, 120x10 Line Array module Electro-Voice Xb X-Array 2x18" bass manifold, 2,000 watts Electro-Voice DML-2181AP 2x18" bass manifold 1600 watts Electro-Voice DMS-2181P 2x18" bass manifold, 1600 watts Electro-Voice Xcn X-Array 12", 2" 2-way, 60x40 Electro-Voice Xsub X-Line 2x18" bass reflex, 2,000 watt Line array module Electro-Voice XLC118 XLC 18" bass reflex, 1,000 watt Line Array module Electro-Voice Xi-1152/64 15", 2" 2-way, 60x40, flying Electro-Voice Xcb X-Array 18" bass manifold, 1,000 watts Electro-Voice AGCD Adapter grid to attach XLD to XLC

Page No. 5

UNIT COST 3,000.00 2,300.00 2,200.00 2,000.00 2,000.00 2,000.00 1,900.00 1,800.00 1,700.00 1,300.00 1,100.00 UNIT COST 1,300.00 1,300.00 1,100.00 950.00 700.00 700.00 700.00 700.00 600.00 550.00 500.00 500.00 500.00 500.00 400.00 400.00 250.00 200.00 30.00 30.00 UNIT COST 900.00 650.00 650.00 500.00 500.00 500.00 400.00 400.00 400.00 400.00 400.00 350.00 350.00 350.00 300.00

10MonitorLoudspeakers

Electro-Voice Xw12 X-Array low profile 12", 2" 2-way biamped Electro-Voice ZxA5-60B powered, 15-inch two-way, 60 x 60, 1000 watts LF, 250 watts HF, Elite EX2000 3-way, 2x15", 2", tweet Electro-Voice T252 2-way 2-15", 2", 60x40, 800W Electro-Voice Eliminator-DE 2 x 15" 2 way w/ speakons Electro-Voice Zx5 wedge monitor 15", 1" 600 watt Electro-Voice Zx5-90B wedge monitor 15", 1" 600 watt Elite M1000 drum monitor 2x15", 1", tweet Electro-Voice DML-1122FMC DeltaMax low profile 12", 2" 2-way biamped Electro-Voice SxA100+ Self powered, 12-inch two-way, 65 x 65, 2 mic/line inputs, line-level Electro-Voice FM1202ER wedge monitor 12"& 1" Electro-Voice Sx300 12" 2 way passive, 65x65, 300 watt Electro-Voice Sx500 15"" 2 way 400w spkr w/RMD black Electro-Voice Xi-1082 8-inch two-way, 90 x 40 in horizontal underbalcony format Electro-Voice Eliminator-E 15" 2 way w/ speakons Electro-Voice Eliminator-Sub-E 18" subwoofer w/poles w/ speakons Electro-Voice ZX1-90 200-watt 8-inch two way, 90 x 50 Altec DTS200 12" 2 way passive, 65x65, 300 watt Electro-Voice MB1082 "Wall/ceiling mounting bracket for Xi-1082, black" Electro-Voice MB99 "Wall/ceiling mounting bracket for DTS-99, black"

12Microphones

AKG C414B Condensor with adjustable pattern Audio-Technica AT4050 condenser microphone Neumann KM184 mt cardioid condenser microphone C-ducer CPS/8 stereo 8" piano contacts Electro-Voice RE20 dynamic cardioid Neumann KMS105 supercardioid condenser vocal microphone AKG C460B condensor Sennheiser 421 drum mic Sennheiser 441 Hypercardiod dynamic mic, black Shure KSM32/CG Studio cardioid Condenser Microphone - Charcoal Shure KSM32/SL Studio cardioid Condenser Microphone - Champagne AKG C568EB shotgun condensor Audix VX10 cardioid condenser vocal microphone Beyer M88TG dynamic cardioid boundary microphone AKG C-452EB/CK1 Condensor
Countryman ISOMAX 2 H10 Hypercardioid condensor microphone, 10 cable Electro-Voice RE45N/D dynamic shotgun Shure SM81 condenser cardioid microphone Shure SM91A condenser cardioid boundary microphone AKG C535EB condensor RODE NTG-2 shotgun condensor Sennheiser 609 drum mic AKG D112 large diaphragm drum mic Crown PCC-160 cardioid boundary microphone Rode NT1 cardioid Condensor Shure Beta87A cardioid Condenser Mic Shure Beta87C cardioid Condenser Mic Shure Beta91 Condenser cardioid boundary microphone Shure MX412S condenser supercardioid podium, 12" gooseneck Shure MX418S condenser supercardioid podium, 18" gooseneck Shure SM98A condenser drum microphone Sennheiser E908B including MZA 900 P pre-amp AKG C921CM hanging choir condensor Sennheiser E908TEW High SPL Condenser Microphone For Wind Instruments, for AKG C430 condenser overhead Audio-Technica ATM35cW instrument mic for wireless packs Audio-Technica PRO 35X clip on instrument mic for strings Sennheiser E904 drum mic Sennheiser MD604 drum mic Shure Beta52A drum microphone Sennheiser E935 dynamic cardioid vocal mic Shure Beta58 dynamic cardioid microphone Audio-Technica PRO 45 cardioid hanging choir condenser Electro-Voice N/D408 super cardioid Shure Beta56A snare microphone Shure BETA57A Supercardioid Dynamic Mic Shure WL184 Microflex supercardioid Lavalier microphone. Audio-Technica AT8449 isolation mount for AT4050 Audio-Technica ATM-61HE hypercardioid dynamic microphone Audio-Technica PRO 42 miniature unidirectional boundry condensor Audix OM2 vocal microphone Audix OM5 vocal microphone Electro-Voice PL80 Vocal microphone, Dynamic, Supercardioid, Ultra low noise Shure Prologic 12L microphone Shure SM58 dynamic cardioid Shure SM58S cardioid Dynamic w/switch Shure SM94 condenser microphone Telex 785L Dynamic, No switch, Low Z, Gooseneck paging mic Shure SM57 dynamic cardioid AKG D190E microphone Electro-Voice PL95 Shure A98MK drum mount for SM98 Shure WL93 omni lavalier Electro-Voice CS200 cardioid lavalier Electro-Voice ULM-20 cardioid lavalier

Page No. 6

UNIT COST 300.00 300.00 300.00 300.00 290.00 250.00 250.00 230.00 200.00 200.00 200.00 200.00 200.00 200.00 200.00 200.00 180.00 170.00 170.00 160.00 150.00 150.00 150.00 150.00 150.00 140.00 130.00 120.00 120.00 120.00 110.00 110.00 100.00 100.00 100.00 100.00 100.00 100.00 100.00 100.00 100.00 100.00 100.00 80.00 75.00 75.00 65.00 60.00 50.00 50.00
Shure 527B PTT CB style microphone Shure SM17 dynamic microphone for acoustics and strings Shure PG58 cardioid Dynamic w/switch Behringer XM8500 Ultravoice vocal microphone Behringer XM1800S Super cardioid Vocal and Instrument Microphone / On-Off Switch

Page No. 7

UNIT COST 50.00 50.00 45.00 30.00 20.00 UNIT COST 3,500.00 2,300.00 2,200.00 800.00 750.00 750.00 650.00 600.00 500.00 500.00 500.00 450.00 450.00 450.00 450.00 450.00 400.00 400.00 400.00 300.00 250.00 250.00 250.00 250.00 250.00 250.00 240.00 200.00 200.00 200.00 200.00 200.00 200.00 150.00 150.00 130.00 120.00 120.00 120.00 100.00 100.00 100.00 100.00
13WirelessMicrophoneSystems
Sennheiser EM 3532 UHF dual channel wireless receiver Shure UR4D UHF dual wireless receiver Sennheiser SK50 UHF bodypack wireless transmitter with B50 Shure UA845A-SWB UHF antenna divider Shure UA888 UHF networking system Shure UR2 Handheld Transmitter Shure UA840A UHF antenna divider Shure UR1 UHF transmitter body pac lav Sennheiser EM2004 UHF UHF receiver Sennheiser SK50 TV UHF transmitter lav Shure UA845A UHF antenna divider Sennheiser ASA1 antenna splitters Sennheiser SK100 UHF wireless omni ME2 lav Sennheiser SKM100 UHF wireless handheld Shure HA-8089 Helical antenna for wireless and ears Shure UR2CAP-KSM9 UR2 Capsule KSM9 dual pattern condenser Sennheiser AC1 antenna splitters for EW300 Sennheiser ASP1 antenna splitters Sennheiser ASP2 antenna splitters Sennheiser A2003-UHF directional antennae Crown CM-311AE headset mic, mini XLR Crown CM-312AE headset mic, mini XLR Electro-Voice MB3000 UHF diversity wireless cardioid lav Shure THD True diversity wireless headset Shure UA870WB UHF wideband powered directional antenna Shure UR2CAP-BETA87 UR2 Capsule BETA87 supercardioid Electro-Voice RE97TX-Beige Omni Low Profile Headworn mic in light beige TA4F Sennheiser EM100 UHF diversity wireless receiver Sennheiser GZA 1036 TV Antenna Sennheiser MKE 2-4-3-C Microphone, flesh Sennheiser MKE 2-4-C Microphone, black Shure SC4CD VHF diversity wireless receiver Shure UA870A UHF powered directional antenna Sennheiser ME3 UHF diversity wireless headset, supercardiod Shure RPW114 Handheld Transmitter SM86 capsule Sennheiser A1031-U passive omni antennae Electro-Voice HM-1 headset mic Electro-Voice HM-1TX headset mic, male XLR Shure UA830A UHF powered antenna Electro-Voice HM-1X headset mic, male XLR Electro-Voice MB2000 VHF diversity wireless lav Electro-Voice MB2500 VHF diversity wireless lav Electro-Voice MR2000A VHF diversity wireless receiver

Electro-Voice MR2500 VHF diversity wireless receiver Electro-Voice MT2500 VHF handheld N/D757 transmitter Vega HM-2 headset mic Sennheiser ME2 omni lavaliers Electro-Voice RAK-2 dual antenna array Shure UA820B 1/2-wave Dipole Antenna for U4D Systems Shure UA820C 1/2-wave Dipole Antenna for U4D Systems

Page No. 8

UNIT COST 100.00 100.00 100.00 75.00 50.00 50.00 50.00 UNIT COST 1,300.00 1,000.00 800.00 750.00 650.00 600.00 500.00 500.00 500.00 450.00 450.00 350.00 350.00 350.00 350.00 350.00 130.00 120.00 120.00 75.00 75.00 40.00 35.00 30.00 20.00 UNIT COST 250.00 150.00 150.00 150.00 150.00 150.00 150.00 120.00 85.00 75.00 40.00 35.00 UNIT COST
13WirelessMonitor Systems
Aviom A-16D-PRO One A-Net input, eight powered A-Net outputs. Sennheiser NET 1 Wireless Network Manager for 10 units Aviom AVIOM16/O-Y1 Mini-YGDAI to 16 Channel output A-net card Sennheiser AC2 antenna splitters for EW300 Aviom A-16II 16 channel personal mixer Sennheiser AC3 antenna splitters for EW300 Shure P6HW Wired in ear Body-Pack Receiver Shure P7R Stereo In Ear Belt-pack Receiver Shure P7T Stereo In Ear Transmitter Sennheiser EK300 stereo in ear belt pack receiver Sennheiser SR300 stereo in ear monitor transmitter Shure P4HW Wired in ear Body-Pack Receiver Shure P6R stereo in ear belt pack receiver Shure P6T stereo in ear monitor transmitter Shure PA760 Antenna Combiner for Four PSM 600 Systems Shure PA770 Antenna Combiner for Four PSM 700 Systems Shure E3 Earpieces for PSM Series Shure PA705 Unidirectional Antenna Shure SCL3-GR Earpieces for PSM Series Sennheiser IE-3 Earpieces for EW300 Series Shure E1 Earpieces for PSM Series Rapco DURAPATCH-75 75-foot LayFlat CAT-5E cable with RJ45s Aviom MT-1 mounts A-16II on any standard mic stand. Rapco DURAPATCH-50 50-foot LayFlat CAT-5E cable with RJ45s Rapco DURAPATCH-25 25-foot LayFlat CAT-5E cable with RJ45s

14DirectBoxes

Radial JDV Mk3 high quality active direct box Brooke Siren AR116/117 direct box, phantom Klark Teknik DN100 active direct box Klark Teknik LBB100 active direct box Radial J48 high quality active direct box Radial JDI high quality passive direct box Radial JPC High quality Stereo active direct box Radial J-RAK rackmount for 8 JDIs Radial ProDI Passive direct box, compact design with Radial transformer Behringer DIchannel active rackmount direct box Whirlwind IMP-2 passive direct box Whirlwind Director direct box

15MicrophoneStands

K&M 214/6 aluminium speaker stand, black K&M 26750 steel speaker stand, black Erikson SP320i aluminium speaker stand, black K&M 21435 steel speaker stand, black K&M 260 round base straight K&M 210/9B tall black boom K&M 24105 double speaker adapter, black K&M 25960 Short/Cast Base/Tele-Boom Stand K&M 260/1-Black round base straight K&M 259 low level boom K&M 259B low level boom, black K&M 232 Small Round Base Table Stand K&M 235 Rigid Double Mic Bar K&M 24030 Microphone drum clamp OnStage DS7200B round base table top mic stands K&M 223 16" gooseneck K&M 231/1 table stand, folding K&M 238 microphone clamp

Page No. 9

UNIT COST 120.00 95.00 75.00 75.00 55.00 50.00 50.00 50.00 50.00 45.00 45.00 25.00 15.00 15.00 15.00 12.00 10.00 8.00 UNIT COST 30.00 20.00 UNIT COST 3,300.00 1,400.00 1,400.00 900.00 900.00 750.00 700.00 550.00 500.00 UNIT COST 400.00 280.00 250.00 150.00 UNIT COST 2,800.00 1,500.00 1,500.00 1,000.00 850.00 600.00 500.00 500.00 300.00

16MicrophoneCables

Digiflex HXX-50 50' mic cable Digiflex HXX-25 25' mic cable

17Snakes&Splitters

Digiflex 42-300-50 300' 40x2 chan snake with 50' split snake CableTek 16-75-RACKSPLIT Rackmount 16 channel splitter Digiflex DD32-8X-150 150' 32 chan snake with 8 XLR returns Digiflex 24-100-SPLIT 100' 24 chan snake & split Digiflex DD24-4X-150 150' 24 chan snake with 4 XLR returns Belden DD24-3X-150 150' 24x3 chan snake tails to tails Digiflex DD24-4X-100 100' 24 chan snake with 4 XLR returns Digiflex DE16-4X-foot 16 Channel/4 XLR Return Digiflex 12-75-SPLIT-5 75' 12 chan snake with 5' split snake

18MultipairCables

Digiflex D-12FX/12MX-200 200' 12 chan XLR snake Digiflex D-8FX/8MX-200 200' 8 chan XLR snake Belden 200F6PX 200' 6pr. XLR snake Sound Art 150F6PX 165' - 6pr. NC3MX to NC3FX

19Communications

Telex BTR700 Wireless Main Station Clear-Com MS-400A 4 channel main station Clear-Com MS-channel main station Telex BTR200II Wireless Main Station Telex TR700 Wireless Belt Pac Clear-Com PS-20 portable main station Telex SPS2000 Master Station Power Supply Telex USChannel Master Station Clear-Com RSchannel belt pacs
Telex TR200 Wireless Belt Pac Telex ALP-450 Directional log periodic antenna covers 450-900 MHz. forward Telex BP2000 Dual Channel belt pac Clear-Com Biscuit Clear-Com KB-111a One channel flush mount headset/speaker station Clear-Com KB-112 One channel flush mount headset/speaker station Technical Projects BP.15 single channel mini belt pac Telex APS-1 Antenna Combiner/Splitter for two to one input/output Telex BP1000 single channel belt pac Technical Projects SMH-210 Single Muff Communication Headset Clear-Com CC-260 Double Muff Communication headset HME RL742 Speaker station MB Quart K800 Double Muff Communication headset Sennheiser HMD224X Double Muff Communication headset Clear-Com HS-6A communication handset MB Quart K800E Single Muff Communication headset Technical Projects SMH-310 Single Muff Communication Headset Telex V-220 Double Muff Communication headset Telex BP-700NM "NMH battery pack, TR700/TR800" Telex CXU-25 25' 50 ohm low loss coaxial cable, TNC M connector Audio-Technica ATH-COM2 Stereophone/dynamic mic combo Telex CXU-10 10' 50 ohm low loss coaxial cable, TNC M connector

28DATMachines

Tascam DA-40 DAT machine Tascam DA-30MKII DAT machine Tascam DA-20MKII DAT machine Panasonic SV3700 DAT machine Yamaha DTR-2 DAT machine

29StudioMonitors

Yamaha MSP10 MSP10 AKG K240DFP headphones Sennheiser HD202 headphones

30PoweredMonitors

Anchor MPB-4500H LIBERTY dual-function sound system with Heavy Duty Galaxy AS-TV10 Battery powered sound system Anchor MPB-4501 Liberty dual-function COMPANION SPEAKER (unpowered) Anchor AN-1000X powered monitor Behringer B300 15" 2 way active, 65x65, 300 watt powered Galaxy Hot Spot monitor Yamaha MS101II powered monitor

3170Volt Monitors

TOA PJ-Volt 15 watt loudspeaker

31Miscellaneous

Westsun DML Tower 17' Speaker tower, holds 5 DML-1152's Midas EasyTilt console stand
Furman PL-PLUS-DMC Power cond. line meter ETA PD9LV Power cond. line meter Furman PL-PLUS Power cond. line meter ETA PD9L Power cond ETA PD8L Power cond Furman RR-15PLUS 120V/15A Power Conditioner w/Lights and Voltmeter Furman PL-8 Power cond. Raxxess SDR-2 rack drawer, steel, 2 space Raxxess SDR-3 rack drawer, steel, 3 space Raxxess SDR-4 rack drawer, steel, 4 space Middle Atlantic DE3 rack drawer, steel, 3 space Furman M-8L Power cond. line meter Middle Atlantic UD4 rack drawer, steel, 4 space Middle Atlantic UD2 rack drawer, steel, 2 space Raxxess RKV-3 rack vault, steel, 3 space Electro-Voice MB300 Horizontal array kit for side-by-side arraying of two Sx300 (use a Raxxess RKV-4 rack vault, steel, 4 space Electro-Voice MB200 "Wall/ceiling U-bracket kit for Sb121, Sx100+, Sx300 and Sx325,

Page No. 12

UNIT COST 300.00 200.00 200.00 180.00 150.00 150.00 120.00 120.00 120.00 120.00 110.00 100.00 100.00 80.00 80.00 75.00 75.00 50.00 UNIT COST 90.00 90.00 65.00 50.00 UNIT COST 2,800.00 2,500.00 2,500.00 2,500.00 2,300.00 2,000.00 1,800.00 1,200.00 100.00 36.00 18.00 UNIT COST 450.00 UNIT COST 45.00 40.00 35.00 30.00 UNIT COST 200.00 200.00

31SpeakerCables

Sound Art EP6-100 100' EP6 14/6 speaker cable Sound Art EP6-75 75' EP6 14/6 speaker cable Sound Art EP6-50 50' EP6 14/6 speaker cable Sound Art EP6-25 25' EP6 14/6 speaker cable

33Rigging

CM/Loadstar Model RR 2 Ton-80 three phase chain hoist with 75' chain, 16 FPM CM/Loadstar Model L 1 Ton 80 three phase chain hoist with 65' chain, 16 FPM CM/Loadstar Model L 1 Ton 85 three phase chain hoist with 65' chain, 16 FPM CM/Loadstar Model L 1 Ton-75 three phase chain hoist with 75' chain, 16 FPM CM/Loadstar Model L 1 Ton 65 three phase chain hoist with 65' chain, 16 FPM CM/Loadstar Model LS 1 Ton -65 single phase chain hoist with 65' chain ATM AMGS-46G 5 wide bumper Electro-Voice XLC Bumper XLC rigging bumper Nexo Ex-Bar Geo rigging bar Aeroquip 32326 single DML fitting Aeroquip 32100 single grid fitting

34Lighting

Chauvet 4 Bar complete LED wash light system

Accessories

Lexicon A-LXP-R Rack mount tray for LXP-1, 5 Electro-Voice PDSX Sx200 padded bag Electro-Voice VPCSX Sx200 vinyl bag Custom Steel Shelf custom LXP bracket

Computers

Apple Multiscan 20 20" Color Monitor 1280 x 1024 Yamaha CRW2100FXZ CD-RW Recorder kit, 16/10/40, Firewire
Yamaha MACKITCRW4260E CD-RW Recorder kit, 6/4/2 Global Village 56K flex 56Kflex Fax & Data modem Global Village 56K x2 56Kx2 Fax & Data modem Global Village Teleport Platinum 28,800 Fax & Data modem Opcode Midi Translator II Midi interface 1IN, 3 OUT

Page No. 13

UNIT COST 100.00 50.00 50.00 50.00 40.00 UNIT COST 1,000.00 750.00 650.00 600.00 500.00 500.00 500.00 400.00 400.00 200.00 200.00 200.00 150.00 150.00 150.00 150.00 150.00 100.00 85.00 75.00 70.00 60.00 35.00 30.00 25.00 UNIT COST 1,200.00 500.00 100.00 100.00 UNIT COST 900.00 120.00 UNIT COST 120.00 UNIT COST 250.00 200.00 100.00

FlightCases

R&R Cases 16U Amp Rack 16U upright isolated amp rack Multi-Caisses 20U Rack 20 space Black wooden heavy duty rack & Case Jason 20U-J 20 space rack SF 24U Rack 24U rack Big Deal 16U Iso Rack Big Deal Stage Manager Rack 8U rack Multi-Caisses Venice 320D Case Venice 320 flight case with dog house 15U Blue Iso Rack Multi-Caisses ISO-12 12U isolated rack & flight case Big Deal 17UZ Pro Rack 17 space Zolotone, no case Multi-Caisses 5U 5U rack & flight case Multi-Caisses SR-CASE SR24 flight case Big Deal Double Horn Case Flight Case for 2 Horn Pacs Big Deal Double Trap Horn Case Flight Case for 2 Horn Pacs for 2 Trapezoidal Horn Pacs EMS EM-space injection molded rack EMS EM-space extra deep injection molded rack Gator GRT-space injection molded rolling rack SKB 8S Rack 8 space injection molded rack Big Deal Horn pac Enclosure for 2385 & 2 2405s Big Deal Trap horn pac Trap Enclosure for 2385 & 2 2405s Gator G-MIX-L x 18 x 5 mixer bag Gator GM-6 mic case Gator GM5W Gator GM-2W Padded bag for 2 wireless mics up to 11 long Gator GPA88 carrying bag for 2 speaker stands