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Yamaha Dtxpress IIIAbout Yamaha Dtxpress III
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Manual

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User reviews and opinions

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Comments to date: 11. Page 1 of 1. Average Rating:
Psibermage 12:58pm on Saturday, September 18th, 2010 
I used the onkyo receiver SR605 with this speaker system. The sound came out exceeds my expectation. I have an Onkyo 605 receiver that puts out 90 watts per channel, the cubes can go up to 100 watts. If you are looking for a good 5.
garethdart24 9:13am on Sunday, September 12th, 2010 
We needed a reliable, durable, efficient 25ft. video cable for presentations. It was easy to find, easy to order.
ginestre 1:37pm on Sunday, September 5th, 2010 
The remote stop working. The heavy magnet used to transmit is soldered & can easily break if the remote is dropped. If you have the cash and looking for something easy to set up, go for it.
nefnef 10:20pm on Tuesday, August 24th, 2010 
So, why did I spend many, many hundreds of dollars on a speaker system and separate amplifier for the computer. Well.
dwetzel 1:03pm on Tuesday, May 25th, 2010 
This system is fantastic in every way, easy to set up and add to the receiver. The Bose Acoustimass 10 Series speaker system is awesome!
Okie2003 9:58am on Friday, May 21st, 2010 
Purchased the lifestyle 28 series home theatre system. This system is great for larger rooms and has crisp sound that literally fills the room. Great sound out of a compact design. The only con I can mention for this product is the high price tag for Bose products. Attractive Design, Compact,...
LordReaper 1:14pm on Saturday, May 8th, 2010 
Seems like a lot to pay for something like this. Nothing is cheap like it used to be... Works exactly what I needed it for. Basically. Bose speakers were always something I thought "one day when I can afford them" boy am I glad I bit the bullet.
rickym 2:53am on Monday, April 26th, 2010 
I have heard audio equipment costing as little as an $18 iPod dock to a pair of speakers costing $50,000. But.
brileigh 3:54pm on Wednesday, March 24th, 2010 
Great Product and Easy set up Not much to say except that it works better than expected. I installed it in a closet with a 20ft 3. Nice solution I purchased one of these for my father-in-law to use in a cabinet he re-built. Great little product. Took about 5 minutes to install.
pjsteinfort 1:20am on Saturday, March 20th, 2010 
I set it up and it sound like I am the theater. I am very Pleased Attractive Design","Easy Setup","Easy to Mount","Good Power Output". It is a great sound in a room Attractive Design","Easy Setup","Easy to Mount","Good Power Output","Great Sound Quality I cant wait to purchase one of these systems for my home Attractive Design","Great Sound
yuppie 10:35pm on Saturday, March 13th, 2010 
Great Product and Great deal! Attractive Design, Easy Controls, Easy To Set Up, Great Sound, Powerful Awesome for the sounds. I could not wait to install it in my living room. Clear Sound, Easy To Setup, Intuitive Controls, Thundering Bass Expensive

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

NORWAY

Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

THAILAND

Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 oor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626

IRELAND

Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

PLEASE KEEP THIS MANUAL

92-BP (others)

OTHER ASIAN COUNTRIES

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317

GERMANY

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990

OCEANIA AFRICA

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

AUSTRALIA

Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111

AUSTRIA

Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900

NEW ZEALAND

MIDDLE EAST

TURKEY/CYPRUS

POLAND
Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57
Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

OTHER COUNTRIES

Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

THE NETHERLANDS

Yamaha Music Central Europe, Branch Nederland Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040

Page 2

* May not be included depending on your particular area. Please check with your Yamaha dealer.

Page 5

05.11.17, 4:34 PM
DTXPRESS III Main Features
Along with the drum trigger function found in the DTXPRESS IIIs compact half-rack 1U size body is a 32 voice polyphonic tone generator compatible with the GM System Level 1 standard and 2-track sequencer all especially designed for drummers. You can use the DTXPRESS III in many situations such as live performance, rhythm practice, original song creation and recording.

s Drum Trigger Function

10 trigger input jacks and a hi-hat controller input jack are provided. Besides trigger pads you can also use Yamahas DT20 Drum Triggers, etc. The DTXPRESS III is compatible with both switch type and 3-zone type pads. Setup data for the connected pads, such as trigger input types, sensitivity, etc., consists of 7 preset patterns. A user area also provides 4 patterns. 48 preset drum kits as well as memory space for 32 user drum kits.
In addition to one main song that is controlled from the panel and with MIDI, 3 pad songs can be individually controlled and simultaneously played by trigger input from the pads. Pad songs can be played one measure at a time, each measure triggered with a stroke on a pad. Record your performance in real-time along with sequencer data from an external device. Easily mute the songs drum part or a specified drum voice and play along with the song. Playback in sync with an external sequencer is possible. Groove Check Function checks and provides instant feedback on your rhythmic skills offering a great way to improve your technique.

s Tone Generator Section

A high-quality 16-bit AWM2 (PCM) tone generator that complies with the GM System Level 1 standard. 32 voice polyphonic. A total of 990 drum and percussion voices as well as 128 keyboard voices that comply to the GM System Level 1. An internal digital reverb section that is the same as found in Yamahas MU Series of GM/XG tone generators. User drum kits use a single drum map that can be edited freely.

s Interface

Equipped with both MIDI IN/OUT jacks and a TO HOST jack. Connect the DTXPRESS III to external MIDI devices or a computer to expand your system. The TO HOST jack and HOST SELECT switch provides direct connection to a computer. Connect a CD or MD player, etc. to the AUX IN jack and play along with your favorite recordings. Equipped with a headphone jack.

s Sequencer Section

@8 Power Supply Jack (DC IN 12V)
Connect an AC adaptor to this jack. To prevent the adaptor from becoming unplugged, secure the cord to the cord hook @9.
@4 Hi-Hat Controller Jack (HI HAT CONTROL)
This jack is used to connect a hi-hat controller (P. 10).

@9 Cord Hook

Prevents the power cord from accidentally becoming unplugged. (P. 15)

Setting Up

To prevent electric shock and damage to the devices, make sure the power is switched OFF on the DTXPRESS III and all related devices before making any connections to the DTXPRESS IIIs input and output jacks.

s Connecting the pads

Referring to the illustration shown below, connect the output cable from each pad to each Trigger Input Jack located on the rear panel of the DTXPRESS III. The Trigger Input Jacks are all labeled (1 KICK, etc.) so make sure you connect each pad to its corresponding Trigger Input Jack.

Standard set

to 7 CRASH1

to 6 RIDE

The hi-hat drum pad clamp can also be attached to this arm.

to 3 TOM1 to 8 HI HAT

to 4 TOM2
to 2 SNARE to 1 KICK Caution) A cable equipped with a stereo plug is required when connecting the Hi-Hat Controller.

to 5 TOM3

to HI HAT CONTROL
The DTXPRESS IIIs Trigger Settings will need to be changed according to the type of drum set you are using (Standard Set/Special Set/Acoustic Drums/etc.). Refer to the Select Trigger Setup section described on the next page on how to select the appropriate setup.

Special set

to 9 CRASH2 to 3 TOM1 to 4 TOM2
to 8 HI HAT, HI HAT CONTROL

to 1 KICK

to 2 SNARE
* When a double foot pedal setup is used, we recommend slightly rotating the leg on the left side of the rack to allow more space for the foot pedal. (Make sure you loosen the bolts before rotating the leg. Not doing so can damage the rack.)

s Select Trigger Setup

This setting lets you select the Trigger Setup that is best matched to the particular drum set you are using. If you switch the type of drum set you are using with the DTXPRESS III, make sure you use the procedure below to select an appropriate setup. q Some Advice on Connections Trigger Input Jacks from 1 KICK to 8 HI HAT are stereo input type jacks. Pads equipped with trigger switches like the TP65S, PCY65S, PCY130S, etc. can be connected to these jacks. 3-zone pads like the TP65S, PCY150S, etc. can be connected to Trigger Input Jacks 2 SNARE, 6 RIDE, and 7 CRASH1. The DTXPRESS IIIs input jack parameters are preset with settings suitable for pads that correspond to the inputs label (KICK, SNARE, etc.). If any other type of pad is going to be connected to an input jack, that jacks parameters (sensitivity, etc.) should be changed to settings that suit the pad. Sensitivity is set in the Trigger Setup Edit modes [1-1. Pad Type] (Reference Guide : P. 12). The input sensitivity switches (INPUT ATTENUATION) are sensitivity switches that correspond to Trigger Input Jacks 1 KICK-6 RIDE. The switchs L position corresponds to a low sensitivity for pads like TP, KP, PCY, BP, etc. The H position corresponds to a high sensitivity proper for use with the DT20 Drum Trigger, etc. The HH series Hi-Hat Controller can be used as a kick pedal (assign settings in section [1-1. Pad Type] (Reference Guide : P. 12)). In addition to the 1 KICK jack, the 9 CRASH2/10 jack can be used to connect a second bass drum pedal to create a double-bass drum set. The 9 CRASH2/10 jacks correspond to a 2-trigger input that uses a stereo jack for L (9) and R (10). You can use an conversion cable plug (stereo plug m monaural plug x2) to input two separate trigger signals. When a stereo cable is used to connect the KP65 Kick Pad, you can use the KP65s Input Jack as the input for the DTXPRESS IIIs Trigger Input Jack 10 (assign settings in section [2-3. Input Exchange] (Reference Guide : P. 15).

1-1. Set Metronome Tempo Hold the [SHIFT] button and press the [PAGEt] button, the tempo setting display will appear. Use the [SEL<]/[SEL>] buttons to move the flashing cursor to the tempo value, then use the [VALUE]/[VALUE+] buttons to set the desired tempo. The Tempo setting range is q=30-300.
Tempo Value Beat Note Value
GRV ---------Groov=+12Avg=+ 6
Accuracy of each stroke Average accuracy
1-2. Set the Metronome Beat In the setting display shown above, press the [SEL>] button to move the flashing cursor to the beat value, then use the [VALUE]/[VALUE+] buttons to set the desired beat. The Beat setting range is 1/4-8/4, 1/8-16/8, 1/16-16/16. 1-3. Set the Metronome Note Value In the setting display shown above press the [SEL>] button to move the flashing cursor to the note value, then use the [VALUE]/[VALUE+] buttons to set the click tempo (finer quantization). 1-4. Set the Click Voice and Other Settings The metronome produces three different click voices. hi will sound at the top of the measure, mid will sound on every quarter note and lo will sound on the beats of finer quantization. Each of the click voices can be set to any voice (drum instrument voices) and pitch you like. In the next section [Play with the Song] we will explain how to change the voices in detail. Refer to the Utility modes [4. CLK (Click) Group] (Reference Guide : P. 34) section for more information.
2-3. Hit a Pad in Tempo with the Metronome Press the [CLICK] button to start the metronome, then hit the snare drum pad. The number that is displayed next to Groov= on the left side of the display indicates the accuracy of each stroke on the pad. A (minus) value is displayed when your timing is later than that of the click voice (just timing) and a + (plus) value is displayed when your timing is earlier than that of the click voice. The number that is displayed next to Avg= on the right side of the display indicates the overall accuracy or average of the values that are displayed next to Groov=. The Groove Function can be used to check your accuracy on the entire drum set or on an entire song. The Groove Check Function can be used not only on the snare drum, but on any of the DTXPRESS IIIs pads. Also, you can change the metronomes pattern to a sixteenth or triplet note feel. Try practicing with some of the other settings.
* Hold the [SHIFT] button and press the [SEL>] button twice to reset the data.

Play Along with a Song

The DTXPRESS III has a total of 95 preset songs that are good for rhythm practice. Try and play along with a song. 1. Select a Song
Select one of the DTXPRESS IIIs songs and listen to it. Song numbers 1-95 are preset songs. m [Preset Song List] (Reference Guide : P. 51) Press the [SONG] button to display the Song select display. While setting the Rhythm Mute, a will be displayed at the end of the song name.

SONG =150 4/BlueSky -

Indicates the Rhythm Mute
Use the [SEL<]/[SEL>] buttons to move the flashing cursor to the song number, then use the [VALUE]/[VALUE+] buttons to select the song.
To cancel the Rhythm Mute, hold the [SHIFT] button and press the [PAGEs] button again. The mute function can be used during song playback.
4. Adjust the Song Volume
The song volume is adjusted with the ACCOMP VOL knob. Use both the ACCOMP VOL knob and the POWER/VOL knob (overall volume of song and pads) to adjust the balance between the song and your drum part.
5. Change the Songs Tempo
Hold the [SHIFT] button and press the [PAGEt] button to display the Tempo Setting display. Make sure the Tempo value in the display is flashing, then use the [VALUE]/[VALUE+] buttons to set the desired tempo (q=30-300).

Tempo Value

* When a different song is selected, the drum kit changes to one that matches the song.

2. Listen to the Song

When the [>/s] button is pressed, the song will start playback from the beginning. The [SONG] lamp in the button will blink on the first beat of each measure.

SONG = 94 4/BlueSky -

6. Play Along with the Click Voice
The song will stop when it reaches the end. You can stop the song during playback by pressing the [>/s] button.

* Some songs repeat.

With the drum part muted, it may be a little difficult to keep time. In this case, use the metronome along with the song. Using the click voice as a reference will make it easier to play along with the song. Press the [CLICK] button to start the metronome. It will be in tempo with the song. Press the [CLICK] button again to stop the metronome. The Click Voices volume can be adjusted using the CLICK VOL knob.

Before song playback, you can have the metronome give a two-measure count. (m Utility Mode [5-2. Count Switch] Reference Guide : P. 36)

3. Mute a Drum Part

Try playing along with the song. Hold the [SHIFT] button and press the [PAGEs] button, then press the [>/ s] button to playback the song. A drum part in the song will be muted (does not produce the part) (Rhythm Mute Function). You will play the drum part.
The metronome (click voice) can be set to start/stop when the song starts/stops. (m [4-5. Click Mode] Reference Guide : P. 35)
7. Change the Click Voice
When the click voice resembles voices that are found in the song it might be hard to hear. In this case it is a good idea to change the click voice. Press the [UTIL] button four times (not too quickly) until the display shown below appears.
10. Mute Individual Drums
You can mute individual drums like the [Bass Drum], [Snare Drum], [Cymbal], [Other Drum Instruments]. This function is convenient when you want to practice individual drum parts. Press the [UTIL] button, then press the [PAGEt] button to enter this display.
UT CLK VOICESET =Metronom
Sound set name used for click sound
UT TG MASTER MuteK=mS=C=M=
Mute (Does not produce sound) Produces sound
Use the [VALUE]/[VALUE+] buttons to select the sound set that you want to use for the click sound. Press the [SOUND] button to return to the original display (song select display). When you select User Voice as the click sound, you can select the three individual sounds used for the click sound (voice), and set volume, tuning, etc. (m Utility Mode [4. CLK (Click) Group] P.34)
Use the [SEL<]/[SEL>] buttons to select the drum instrument (K: Bass Drum, S: Snare Drum, C: Cymbal, M: others) you want to mute, then press the [VALUE+] button to change the speaker icon () to the mute icon (m). To cancel the Mute Function, press the [VALUE] button to return to the speaker icon ().

8. Change the Drum Kit

When you want to use a different drum kit with a particular song, press the [DRUMKIT] button to enter the Drum Kit select display, then select the drum kit you want to use.
9. Change the Song but Not the Drum Kit
Normally, when the song is switched the drum kit will be automatically switched to the kit that is set in the song. However, if the Rhythm Mute Function ([SHIFT]+[PAGEs]) is used, the drum kit will not change when the song is switched.
* Also, in the Utility modes [3-2. Channel 10 Program Change/ Receive Channel Event] (Reference Guide : P. 32) set the Channel 10 Program Change to not receive program changes and then only the song will change.

q How Quantize Works (an example)
Recorded notes were not played in time.
2. Set the Recording Conditions
Hold the [SHIFT] button and press the [>/s] button, the following Recording Conditions setting display will appear. Use the [SEL<]/[SEL>] buttons to select the parameter you want to set, then use the [VALUE]/[VALUE+] buttons to set each of the following recording conditions.
Record Mode Number of Measures for Track Recording The Quantize Function aligns the timing.

Just Timing

REC M= 32=Rp1=1 =120 B= 4/4Q=

Tempo Beat Quantize

3. Start Recording
Press the [>/s] button, after a two-measure count recording will start. Record while listening to the metronomes click voice.
* When the track assigned for recording contains data and the [>/s] button is pressed, the error message Data not Empty will appear and the recording operation will not be carried out.
2-1. Set the Number of Measures to be Recorded. Determine the number of measures you want to record and set.
q When the Record Mode is set to Replace (Rpl). The following display will appear while recording (only displayed, cannot be changed).
The measure number currently being recorded.
To clear song data (both tracks 1 and 2). Hold the [SHIFT] button and press the [SONG] button to enter the Song Edit mode. Then press the [PAGEt] button 7 times to enter the Clear Song display.
REC M= 18=Rp1=1 Now Recording.
When the end of the assigned measure number is reached, recording will automatically stop, and the display will return to the Song select display.
* You can also stop recording by pressing the [>/s] button.
SONG Clear Song Are you sure ?
Press the [SAVE/ENT] button, all of the data in the currently selected song will be cleared.
* To cancel the Clear Song operation, press the [VALUE] button.
q When the Record Mode is set to Overwrite (Ovr). The following display will appear while recording (only displayed, cannot be changed).
To clear data from one track. Hold the [SHIFT] button and press the [SONG] button to enter the Song Edit mode. Then press the [PAGEt] button 5 times to enter the Clear Track display.
REC M= 18=Ovr=1 UNDO press ENT
The song being recorded will continuously repeat until the [>/ s] button is pressed. When the song reaches the end of the last measure, it will automatically start again from the beginning and new data will be added to the tracks previous data. When the record mode is set to Overwrite (Ovr), press the [SAVE/ENT] button while recording to undo (do again) the record operation. The data previously recorded from the beginning of the song, up until the [SAVE/ENT] button was pressed, will revert to the data originally present. q How the Undo Works (an example)
Data recorded the first time. Data recorded the second time. Pressing the [SAVE/ENT] button here, only the data recorded the second time will be erased.

SONG Clear Track Track=1

Use the [VALUE]/[VALUE+] buttons to set the number of the track you want to clear, then press the [SAVE/ENT] button, Are you sure ? will appear in the display. Press the [SAVE/ENT] button again, all of the data in the currently assigned track of the selected song will be cleared.

6. Record One More Track

In the same manner, one more track can be used to record. However, the number of measures cannot be changed.

7. Give the Song a Name

On the display, no name will appear for the song name. Change the name to an original name. Hold the [SHIFT] button and press the [SONG] button to enter the Song Edit mode. Then press the [PAGEt] button 8 times to enter the Song Name setting display.

SONG SngName=no name

Use the [SEL<]/[SEL>] buttons to move the flashing cursor to the character you want to change, then use the [VALUE]/ [VALUE+] buttons to select the desired character. The available characters to choose from are listed below. (in order) Space
Press the [>/s] button to stop recording, the display will return to the Song select display. If the power is cut off during recording, all user song data may be lost. Please use caution.

4. Listen to the Song

Press the [>/s] button, playback of the song you just recorded will start from its beginning. You can also change the drum kit and playback the song with a different kit.
m Reference Guide : P. 25 [2. Program Change, Bank Select]
!"#$%&'()*+,-.0123456789:;<=>?@ ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_` abcdefghijklmnopqrstuvwxyz{|}
A maximum of 8 characters can be used for the song name.

5. Redo the Recording

To record again, use the following procedure to clear previously recorded data in the track, then try recording again.
If the power is switched off, the completed song will be stored.
Create Your Own Original Drum Kit
You can assign voices you like to each of the pads, and set the tuning (pitch), voice, decay, reverb, etc. to create your own original drum kit. 1. Select the Drum Voice
First, select a drum voice for the kit you want to create. Lets try assigning a snare drum voice. It doesnt matter what drum kit you select (the drum kit that is created will be saved to a user drum kit (No. 49-80)). 1-1. Select a Snare Drum for the Input Source. Press the [VOICE] button and the display for selecting the Drum Voice will appear.

11. Give Your Drum Kit a Name
KIT*IN=snare V=1 LayerBalance=+20
Layer Number Layer Balance
Use the [SEL<]/[SEL>] and [VALUE]/[VALUE+] buttons to select the layer number.
* If the assigned voice is not made of 2 layers this setting is not valid.
The completed drum kit will still have the original drum kits name. Press the [VOICE] button to enter the Drum Kit Voice Edit mode, then press the [PAGEt] button to display the Drum Kit Name setting display shown below. With the same procedure you used when you made a Song, give your drum kit an original name. (P. 23)
Press the [SEL>] button to move the flashing cursor to the layer balance position, then use the [VALUE]/[VALUE+] buttons to set the layer balance value.
KIT Common Kit=Acoustic Kit
Now the drum kit with the original snare drum you created is complete. Use the same procedure to create drum voices for the other pads (input source) and create a complete drum kit that is all your own.
8. Adjust the Amount of Reverb.
Lets try and adjust the amount of reverb effect that is applied to the voice. Use the [PAGEs]/[PAGEt] buttons to select the display shown below.
KIT*IN=snare Reverb send=

Reverb send level

Use the [SEL<]/[SEL>] buttons to move the flashing cursor to the reverb send level position, then use the [VALUE]/ [VALUE+] buttons to set the value. Large values will increase the amount of reverb applied to the voice, 0 will produce no reverb.
* This setting is the reverb level for each input source. The overall reverb level for the drum kit is set in [5-2. Drum Reverb Send] (Reference Guide : P. 24)
9. Adjust the Balance Between Layer 1 and 2.
If you have used a 2 layer voice in the voice you just created, adjust the balance between the voices by adjusting the volume of each voice.
* You can select the conversion curve for 2 voices. m Drum Kit Edit Mode [2-1. Cross Fade] (Reference Guide : P. 20)
The DTXPRESS III also has keyboard voices that comply with the GM System Level 1. So, not only drum voices, but piano, guitar, bass, strings, brass, reeds, effect, etc. can be delivered when the pad is struck. To use keyboard voices with the pads first, change the pads MIDI channel to any channel other than 10 (Reference Guide : P. 19 [1-7. Channel, Gate Time]), then select the MIDI note number of the voice you want to use in (Reference Guide : P. 19 [1-6. Note Number] )
* If the [2-5. Key Off Enable] (Reference Guide : P. 21) is set to disable, some voices may sound continuously. In this case, press the [SHIFT] + [VOICE] buttons to stop voices sounding.

Getting More Out of Your DTXPRESS III
There is much more to the DTXPRESS III than what we have covered so far. With a full understanding of these functions you can get the most out of the DTXPRESS III. s Factory Set
The internal settings of the DTXPRESS III will be returned to their factory preset condition.
m Utility Mode [2-5. Factory Set] (Reference Guide : P. 31)
Switch the signals between trigger input jacks 1 and 9 CRASH2/10.
m Reference Guide : P. 15 [2-3. Input Exchange]
Copy trigger setup data from one trigger input jacks setup to another
m Reference Guide : P. 14 [1-6. Trigger Setup Copy]
If the factory set operation is carried out, data for the User Drum Kit, User Trigger Setups and User Songs will be lost.
Temporarily prohibit reception of trigger signals from all pads connected to the DTXPRESS III.
m Reference Guide : P. 30 [2-2. Trigger Bypass]
s Functions related to connections and input source (pads)
Drum kits can be selected by hitting a pad. For example, with an optional Yamaha Bar Pad BP80 connected to the trigger input jack 9 CRASH2/10, you can hit the left bar pad to decrease the value of the drum kit number by 1. Likewise, hitting the right bar will increase the value of the drum kit number by 1.
When the function described above is used in any drum kit. m Reference Guide : P. 14 [2-2. Increment/Decrement] When the function described above is used in a specified drum kit. m Reference Guide : P. 21 [2-6. Function]
Switch the trigger bypass function (above) ON/OFF from a pad.
m Reference Guide : P. 21 [2-6. Function]

s Set the Reverb

The DTXPRESS III is equipped with a digital reverb section. Set the reverb type and reverb time for each drum kit.
m Reference Guide : P. 22 [3-1. Reverb Type, Time]
The following three methods can be used to set the amount of reverb.
Adjust the reverb level for the voice delivered by the pad of each input source. m Reference Guide : P. 20 [2-2 Reverb Send] Adjust the reverb send level for the entire drum kit. m Reference Guide : P. 24 [5-2. Drum Reverb Send] Adjust the DTXPRESS IIIs overall reverb send level. m Reference Guide : P. 22 [3-2. Reverb Master Return] Adjust the amount of reverb for each drum kit in the user drum map. m Reference Guide : P. 38 [6-6. Reverb Send]
A hi-hat controller connected to the trigger input jack 1 KICK can be used as a KICK pedal.
m Reference Guide : P. 12 [1-1. Pad Type]
Several methods are available for adjusting the sensitivity of pads and drum triggers.
To automatically set suitable settings for pads and drum triggers connected to the DTXPRESS III. m Reference Guide : P. 12 [1-1. Pad Type] To greatly modify the sensitivity. m Change the INPUT ATTENUATION switch on the rear panel. (P. 10) For minor adjustments to the sensitivity. m Reference Guide : P. 12 [1-2. Gain, Minimum Velocity]

s Settings Related to the Song
Automatically switch the main song when the drum kit is switched.
m Reference Guide : P. 24 [5-4. Song Select]
Control the simultaneous playback (start/stop) of up to 3 songs by hitting the pad.
m Reference Guide : P. 21 [2-7. Pad Song]

q Bulk Dump/Bulk In

Data for each of the settings in the DTXPRESS III can be transmitted to an external MIDI device or computer (Bulk Dump). When connected to the DTXPRESS III, a device equipped with a save function, such as the Yamaha MDF3, etc., can be used to backup your data and create a library with. Also, the data saved in an external device can be transmitted back to the DTXPRESS III (Bulk In).
Edit the following parameters in song sequencer data; Tempo, Repeat Playback, Program Change, Bank Select, Volume, Pan, Song Copy, Quantize, Clear Track, Merge Track, Clear Song and Song Name
m Reference Guide : P. 25 [Song Edit Mode]
Playback the song at the set tempo, even when the song is switched.
m Reference Guide : P. 36 [5-4. Use Tempo]
q Synchronized Playback with External MIDI Devices
When two MIDI devices that use tempo information such as a sequencer, etc. are connected, one device must play along with the other (sync) using tempo information (clock) transmitted by the master device. Playback of an external sequencers data can be synchronized with the DTXPRESS IIIs song and metronome click. Also, playback of the DTXPRESS IIIs song can be synchronized to an external sequencer.

s Other Functions

Along with triggering voices the pads can be used for a variety of control functions.
Pad song playback/stop, metronomes click voice ON/OFF, switch drum kits, trigger bypass ON/OFF and playback/stop of the main song. m Reference Guide : P. 21 [2-6. Function]
Assign pads (trigger input source) in the Trigger Setup Edit mode and Drum Kit Voice Edit mode simply by hitting the pad.
m Reference Guide : P. 30 [2-1. Learn Mode]
q Transmit and Receive MIDI Data
The DTXPRESS IIIs tone generator can be driven by MIDI song data (sequence data) transmitted from an external MIDI device. This song data can be recorded along with your performance on the DTXPRESS III. The DTXPRESS IIIs drum kits can be switched and song playback can be controlled from an external MIDI device. Hi-hat controller information can be transmitted via MIDI. A variety of other MIDI information can also be transmitted and received. Refer to the [Drum Kit Voice Edit Mode] (P. 16), [Utility Mode] (P. 28), [MIDI Data Format], (P. 52) etc. in the Reference Guide for more information.

Adjust the volume of the cymbal, drum and other instruments using the ACCOMP. VOL. knob and CLICK VOL. knob.
m Reference Guide : P. 30 [2-3. Volume Mode]
Display the page that was previously used in the Trigger Setup Edit mode and Drum Kit Voice Edit mode.
m Reference Guide : P. 30 [2-4. Jump to Recent Page]
The following two methods are available for connecting the DTXPRESS III to a computer.
Computer Connecting Cables
Apple Macintosh Peripheral cable (M0197). Maximum length 2 meters.
1. Directly connect the computers serial port to the DTXPRESS IIIs TO HOST jack.
The method used for connect and transferring signals between a computer and the DTXPRESS III is basically the same, no matter what type of computer is used.
Serial Cable Computer Serial Port TO HOST

mini DIN 8-pin

DTXPRESS III
Use a cable to connect the devices and set the HOST SELECT SWITCH according to the type of computer serial port and clock used. Carefully read the instructions on the right side of this page and select an appropriate cable for the type of computer you are using.
The input signal from the TO HOST jack will be transmitted to the DTXPRESS IIIs tone generator and sequencer, and simultaneously transmitted to the DTXPRESS IIIs MIDI OUT jack. At this time, only message for the port number that is set in the Utility modes [3-10. Host Thru Port] (Reference Guide : P. 34) will be sent to the MIDI OUT jack. The signal from the tone generator and sequencer is merged with the signal from the MIDI IN jack and output to the TO HOST jack.
2 (HSK i) 1 (HSK o) 5 (RxD _) 4 (GND) 3 (TxD _) 8 (RxD +) 7 (GP i) 6 (TxD +)

q PC-1

8-pin MINI DIN to D-SUB 25-pin cable. If your PC-1 type computer has a 9-pin serial port, use the PC-2 type cable. Maximum length 1.8 meters.
2. Connect the DTXPRESS IIIs MIDI IN jack to the computer through a MIDI interface.
If you are using a computer equipped with a MIDI interface, connect the MIDI OUT jack on the computer to the MIDI IN jack on the DTXPRESS III. Set the HOST SELECT switch to the MIDI position. If you are using a Macintosh series computer with an external MIDI interface, connect the MIDI interface to the computers RS-422 jack (modem or printer port), connect the MIDI OUT jack on the interface to the MIDI IN jack on the DTXPRESS III. Set the HOST SELECT switch to the MIDI position.
* When the HOST SELECT switch is set to the MIDI position, the transmission and reception via the TO HOST jack is ignored.
5 (CTS) 4 (RTS) 3 (RxD) 7 (GND) 2 (TxD)

D-SUB 25-pin

q PC-2
8-pin MINI DIN to D-SUB 9-pin cable. Maximum length 1.8 meters.
If you are using a computer equipped with a USB port, you can connect the DTXPRESS III to your computer via a USBMIDI interface such as the YAMAHA UX16/96/256, etc.

Windows Users

Before you can exchange data between the DTXPRESS III and your computer using the DTXPRESS IIIs TO HOST jack and your computers serial port connections, you will need a suitable MIDI driver (Yamaha CBX Driver (For Windows)) installed in your computer. You can download the Yamaha CBX Driver from the XG library at the Yamaha website given below. http://www.yamaha-xg.com/

A voice other than the set voice is produced.
q Is the transmitting MIDI channel set to a channel that is not used for the drum voice (ch=10)? (m Reference Guide : P. 19 [1-7. Channel, Gate Time]) q Is the Voice=2 parameter set for a 2 layer voice? (m Reference Guide : P. 18 [1-1. Voice])
Produces sound but the sensitivity is too low (volume is low).
q Is the gain set too low? (m Reference Guide : P. 12 [1-2. Gain, Minimum Velocity]) q Pads with output or sensitivity control volumes should be adjusted (increased). q Is the minimum velocity set too low? (m Reference Guide : P. 12 [1-2. Gain, Minimum Velocity]) q Is a proper velocity curve being used? (m Reference Guide : P. 13 [1-3. Velocity Curve]) q Is the volume of the voice you want to use too low? (m Reference Guide : P. 18 [1-2. Volume, Pan]) q Is the drum head getting old? q Change the INPUT ATTENUATION setting on the rear panel. (m P. 9)
The trigger sound is not stable (for acoustic drums).
q Check the Produces sound but the sensitivity is too low (volume is low). list above. q Is the proper pad type set? Select a larger pad type setting (DT snare m DT hi tom m DT lo tom m DT kick 1 m DT kick 2) (m Reference Guide : P. 12 [1-1. Pad Type]) q Is the DT20 properly attached with sticky tape? (Is there any old sticky tape remaining on the head?) (m P. 13) q Is the cable securely connected to the DT20 jack?
Double-triggers (when 2 sounds are played at the same time) are produced.
q Are you using a sensor made by a manufacturer other than Yamaha? If the signal is too large, double-triggers may be produced. q Is the head causing irregular vibrations? It may be necessary to mute the head. q Is the sensor attached close to the center of the head? Move the sensor closer to the rim (above the bearing). (m P. 13) q Is the sensor in contact with anything else? q Pads with output or sensitivity control volumes should be adjusted (lowered).
q Try increasing the rejection parameter. However, a setting a value that is too high may cause the sound to be muted when another drum is hit at the same time. (m Reference Guide : P. 13 [1-4. Self-Rejection, Rejection]) q Use the self-rejection. (m Reference Guide : P. 13 [1-4. Self-Rejection, Rejection]) q Change the INPUT ATTENUATION setting on the rear panel. (m P. 9)
Cross-talk (mixed signals from different inputs) is produced.

 

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