Owners Manual

INPUT MIC MIC MIC MIC MIC MIC MIC MIC 9L

OUTPUT 11 L

FOOT SW

L TAPE

L REC 10dBV R L

(MONO)

R ST 1

R ST 2

+4dB MONI 2 +4dB

(MONO) A

MONI 1

MONO +4dB

INS I/O

0dB INSERT I/O

OUT IN

R ST SUB 1

R ST SUB 2

BRIDGE

PAMP IN
EFFECT +4dB PHONES/ C-R OUT (+4dB)

EEEngine

A B GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN

A B GAIN MONI 1 ST

TAPE IN

L POWER AMP R LIMITER

PEAK +8 +5 +4 +3 +1
LEVEL +++++++++60 PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH 34 +10 PEAK HIGH MONI 2 PFL 15 MID +MID +MID +MID +MID +MID +MID +MID +MID +MID +15 ST MONI 1 MONI +18 +4 L/BRIDGE ST L MONI 1 +18

PHANTOM

(+48V) ON OFF PHONES/C.R.OUT

ST R MONO

MONO BRIDGE ST

15 LOW

0 ST 2

DIGITAL EFFECT

15 MONI 1 +MONI 1 +MONI 1 +MONI 1 +MONI 1 +MONI 1 +MONI 1 +MONI 1 +MONI 1 +MONI 1 +15 ST SUB 1 MONI 1
PROGRAM 1 VOCAL ECHO VOCAL ECHO VOCAL ECHO VOCAL ECHO 4 MIN MAX
5 VOCAL REVERB HALL VOCAL REVERB HALL VOCAL REVERB HALL VOCAL REVERB ROOM

13 PLATE PLATE PLATE 3

0 MONI 2

16 GATE REVERB

+12 ON

0 EFFECT

10 PAN

10 BAL

GRAPHIC EQUALIZER
L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL L R PFL ST SUB 2 AFL AFL AFL AFL AFL

MONI 2

EFFECT

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620 This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE: GREEN-AND-YELLOW : BLUE : BROWN : EARTH NEUTRAL LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. * This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.) LTD.

Introduction

Thank you for purchasing the Yamaha EMX2000 Powered Mixer. In order to take full advantage of the EMX2000 and enjoy long, trouble-free performance, please read this owners manual carefully, and keep it in a safe place for future reference.

Features

The EMX2000 provides versatile inputs, such as two stereo input channels and two stereo sub inputs, as well as eight monaural input channels compatible with mic/line signals. The mixer also has ample power, with a maximum output of 200 W+200 W (400 W with bridge connection), and is suitable for a wide range of applications from installed systems to small-scale PA systems. A two-channel power amp is built-in. The signals output to speakers can be selected as stereo main (ST L-R), monitor+monaural main (MONI 1MONO), or monaural main (bridge connection). Stereo main The main stereo mix signal is output from speaker output jacks L and R of the EMX2000. You can connect one or two speakers to each speaker output jack. Monitor+monaural main The main monaural mix signal is output from speaker output jack R, and the monitor signal from speaker output jack L. You can connect one or two speakers to each speaker output jack. Monaural main (bridge connection) The two-channel power amp is bridge-connected, and the main monaural mix signal is output from BRIDGE jack. You can connect only one speaker for a much louder sound. In addition to the speaker output jacks, two stereo output channels for line-level signals, two monitor output channels, one effect output, and one monaural output are provided. You can easily expand the system by adding a power amplier or powered speakers. The EMX2000 also has a PHONES C-R OUT jack, which is very useful for checking the sound. You can monitor only a specic channel or bus signal through the headphones. Two limiter circuits are built-in to prevent excessive input levels to the amp. A digital effect with sixteen selectable effect types is built-in. A variety of effects can be applied to add reverberation or ambience to vocals or instrumental sounds. The EMX2000 has implemented EEEngine, Yamahas epochal amp drive technology to create an unrivaled high-efciency drive. The EEEngines energy-saver/low-heat-generation design has reduced power consumption to 50% or less, and reduced heat generation to 35% or less (in eld applications, compared to Yamahas previous models), and has lead to a reduction in energy cost and to less-restrictive installation requirements related to heat generation.

s Stereo sub input section
In this section, you can adjust the input level of external equipment connected to the ST SUB 1/2 jacks on the input/output panel.

0 MONI 2 10

0 ST 10

PFL ST SUB 1 MONI 1

7 PAN (panpot) control (Channels 1~8)
The PAN knobs set the stereo position of the signal that is sent to the STEREO bus.
8 BAL (balance) control (Channels 9/10~
11/12) The BAL knobs set the balance between the left and right channels, and assign the signals received at inputs 9/10~11/12 to the STEREO bus.

PFL ST SUB 2

9 PFL (pre-fader listen) switch
When the PFL switch is turned on, the signal of the corresponding channel at the point after the equalization but before the channel fader is sent to the PHONES/C-R OUT jack (input/output panel B). This is useful when you wish to listen to a particular channel through the headphones. Note: You can monitor the signal through the headphones even if the fader of the corresponding channel is set to the lowest level. The switch operation does not affect the signal sent to the STEREO bus, MONITOR 1/2 buses, or the EFFECT bus.
A MONI 1 (monitor 1) control
The MONI 1 knob adjusts the amount of the signal sent from the ST SUB 1 and 2 jacks (input/ output panel 4) to the MONITOR 1 bus.
B MONI 2 (monitor 2) control
The MONI 2 knob adjusts the amount of the signal sent from the ST SUB 1 and 2 jacks to the MONITOR 2 bus.

C ST (stereo) control

The ST knob adjusts the amount of stereo signal sent from the ST SUB 1 and 2 jacks to the STEREO bus. Note: The ST control setting does not affect the level of the signal sent to the MONITOR 1/2 buses (pre-fader send).

0 Channel fader

This controls the output level of the input channel signal.
D PFL (pre-fader listen) switch
When this switch is turned on, the signal at the point before the ST control knob C is sent to the PHONES/C-R OUT jack (input/output panel B).
6 s Master control section
In this section, you can adjust the nal level of the outputs.

AFL AFL AFL AFL AFL

I MONO (monaural) fader
The MONO fader adjusts the nal level of the monaural signal output from the STEREO bus to the MONO jack (input/output panel 0). If the Power amp select switch V is set to MONI 1-MONO, this fader also adjusts the level of the signal sent from the SPEAKERS R 1/2 jacks to the speakers. If the Power amp select switch V is set to MONO BRIDGE, this fader adjusts the level of the signal sent from the SPEAKERS BRIDGE jack to the speaker.
J AFL (after fader listen)
When this switch is on, the output signal that passes through the corresponding fader is sent to the PHONES/C-R OUT jack (input/output panel B). Use these switches when you wish to monitor a particular output signal through the headphones.

E MONI 1 (monitor 1) fader
The MONI 1 fader adjusts the nal level of the signal sent from the MONITOR 1 bus to the MONI 1 jack (input/output panel 9). If the Power amp select switch V is set to MONI 1MONO, using this fader enables you to adjust the level of the signal sent from the SPEAKER L 1/2 jacks to the speakers.

s Tape in section

In this section, you can adjust the input level of a cassette deck or a CD player that is connected to the TAPE jacks (input/output panel 5).
F MONI 2 (monitor 2) fader
The MONI 2 fader adjusts the nal level of the signal output from the MONITOR 2 bus to the MONI 2 jack (input/output panel 9).

G EFFECT fader

The EFFECT fader adjusts the nal level of the signal output from the EFFECT bus to the EFFECT jack (input/output panel A). Note: The setting of this fader does not affect the level of the signal sent from the EFFECT bus to the built-in effect.

K ST (stereo) control

This knob adjusts the level of the signal sent from the TAPE jacks to the STEREO bus.
L PFL (pre-fader listen) switch
When this switch is on, the signal input from the TAPE jacks is routed at the point before the ST control to the PHONES/C-R OUT jack (input/ output panel B).

H ST 1 (stereo 1) fader

The ST 1 fader adjusts the nal level of the signal sent from the STEREO bus to the ST 1 jacks (input/output panel 8). If the Power amp select switch V is set to ST L-ST R, this fader also adjusts the level of the signal sent to the SPEAKERS jacks (rear panel 1). Note: The setting of this fader does not affect the signal output from the STEREO bus to the ST 2 jacks.
7 s Digital effect section
This section enables you to turn the built-in digital effect on/off and select the effect type.
s Graphic equalizer section
This section enables you to adjust the tone of the STEREO bus signal.

MONI 1 MONI 2 ST

9 PROGRAM VOCAL ECHO VOCAL ECHO VOCAL ECHO VOCAL ECHO 4 MIN MAX

13 PLATE PLATE PLATE GATE REVERB

R Graphic equalizer

This is a 7-band graphic equalizer that allows you to adjust the frequency response of the STEREO bus signal, providing a maximum of 12 dB of cut/boost for each frequency band. This graphic equalizer affects both the STEREO bus signal that is output to the speakers and the line level signal that is output from the ST 1/2 jacks (input/output panel 8), and MONO jack (input/output panel 0).
O M MONI 1/2 (monitor 1/2) control
This knob adjusts the level of the return signal that is sent from the built-in digital effect to the MONITOR 1/2 buses.

N ST (stereo) control

This knob adjusts the level of the return signal that is sent from the built-in digital effect to the STEREO bus.

S ON switch

This switch turns the graphic equalizer on/off.

O Effect selector

This knob selects the effect type for the internal digital effect.

s Power amp section

This section allows you to select the signals that will be input to the built-in two-channel power amplier.

P ON switch

This switch turns the internal digital effect on/ off.

Q Effect control

This knob adjusts the time parameter of the internal digital effect. Note: The master EFFECT fader setting does not affect the internal digital effect signal.
LEVEL +18 +4 L/BRIDGE ST L MONI 1 +18

MONO BRIDGE

T LIMITER indicator
This indicator lights up when the level of the signal output from the power amp section reaches the maximum and the limiter is activated. Adjust the LEVEL control U and appropriate fader so that the indicator lights up for only a short while when the signal reaches the maximum level. Note: The indicator lights up or flashes for a longer duration if the power amp section is significantly overloaded, which could result in malfunction. Avoid such a situation.

U LEVEL controls

These knobs enable you to adjust the level of the signals input from the mixer section to the power amp section. Rotating the knob clockwise will raise the level of the input signal. Use a screwdriver of a width of 3mm or less to adjust the knob. If an external piece of equipment is connected to the P.AMP IN jacks (input/output panel 6), these knobs adjust the input sensitivity of the power amp (the input level that will provide the maximum output level in the power amp section). The sensitivity range is +18 dB~+4 dB, and rotating the knobs clockwise raises the input sensitivity. Note: If the Power amp select switch V is set to MONO BRIDGE, only the L/BRIDGE LEVEL control becomes effective.

s Other indicators and controls

PEAK +8 +5 +3 +1

POWER PHANTOM

0 ST 2 10

W Peak level indicator
This indicator allows you to monitor the level of the signal output from the ST 1 jacks. The 0 indicator lights up when the ouput level reaches +4 dB.

X POWER indicator

This indicator will light up when the power of the EMX2000 is turned on.
V Power amp select switch
Select one of the following three settings to specify the signals to be routed to the corresponding jacks according to the speaker connection at the SPEAKER jacks 1 on the rear panel. ST L-ST R The STEREO bus signals are output from the SPEAKERS L 1/2 jacks and the SPEAKERS R 1/2 jacks. The nal level of these signals is adjusted by the master ST 1 fader. MONI 1-MONO The MONITOR 1 bus signals are output from the SPEAKERS L 1/2 jacks, and a monaural signal that is a mix of the STEREO bus signals is output from the SPEAKERS R 1/2 jacks. The nal level of these signals is adjusted by the master MONI 1 fader and the MONO fader. MONO BRIDGE The monaural signal that is a mix of the STEREO bus is output from the BRIDGE jack. The nal level of this signal is adjusted by the master MONO fader. Set the switch to this position when you connect only one speaker to play a loud sound.
Y PHANTOM (+48V) switch and indicator
This switch turns the phantom power supply on/ off for the MIC input jacks for channels 1~8. When this switch is on, the indicator lights up.
Z PHONES/C.R.OUT (headphones/control
room out) control This knob adjusts the level of the signal monitored via the PHONES/C-R OUT jack (input/ output panel B).
[ ST 2 (stereo 2) control
This knob adjusts the nal level of the signal sent from the STEREO bus to the ST 2 jacks (input/ output panel 8). Note: The setting of this control does not affect signals that are sent from the STEREO bus to the ST 1 jacks and the SPEAKERS jacks.

Input/output panel

LINE LINE LINE LINE LINE LINE LINE LINE INS I/O INS I/O INS I/O INS I/O
Channel input jacks (MIC, LINE) 1~8
These are the input jacks for channels 1~8. By using the GAIN control (control panel 1) you can connect any of the jacks to a wide range of sources, from mics to line-level devices (including synthesizers and rhythm machines). The MIC jacks can provide +48V phantom power, allowing you to use condenser microphones. Both MIC and LINE are balanced. They are compatible with microphones of output impedance 50~600 or line level devices of 600. The nominal input level is 34 dB~+10 dB for the LINE jacks, and 60 dB~16 dB for the MIC jacks. Pin connections for the MIC and LINE jacks are as follows:

MIC jacks (XLR type) LINE jacks (TRS phone jacks) *
Note: It is not possible to simultaneously use both the MIC and LINE inputs of a given channel. For each channel, use only one of the inputs as appropriate for the input source. Phantom power is switched on/off simultaneously for channels 1~8. For this reason, devices (in particular, unbalanced devices) other than condenser microphones must be connected to the LINE jacks of channels 1~8 or channel 9/10~11/12 input jacks if the PHANTOM +48V switch (control panel Y) is on.
2 INS I/O (insert) jacks 1~4
These are TRS phone jacks that enable you to insert an external effect processor, such as a compressor/limiter, between the equalizer and fader of input channels 1~4. These connections require a special Y cable, such as shown in the following diagram. The nominal input/output levels are 0 dB.
to the input jack of the external processor to the INS I/O jack

Sleeve Tip

Pin 1: ground Pin 2: hot (+) Pin 3: cold ()
Sleeve: ground Tip: hot (+) RIng: cold ()
* You can also connect a normal unbalanced phone plug.

R T Sleeve Ring Tip

+ - GND
to the output jack of the external processor
3 Channel input jacks 9~12A
Channel input jacks 9~12B These are the input jacks for channels 9/10~11/12 and are used to connect to the stereo output jacks of electronic instruments, cassette decks, or CD players. Use the A/B switch (control panel 2) to select phone jacks (A) or phono jacks (B). The nominal input level 34 dB~+10 dB. Note: Use only the L phone (A) jacks to connect a monaural device that has phone jacks.

8 ST 1 (stereo 1) jacks

ST 2 (stereo 2) jacks These phone jacks output the line-level signals of the STEREO bus. Connect an external mixer or additional PA system to these jacks. Use the ST 1 fader (control panel H) to adjust the nal output level at the ST 1 jacks, and use the ST 2 control (control panel [) to adjust the nal output level at the ST 2 jacks. The nominal output level is +4 dB.
9 MONI 1 (monitor 1) jack
MONI 2 (monitor 2) jack These phone jacks output the line-level signals of the MONITOR 1/2 buses. Connect stage-monitoring ampliers or powered speakers here. Use the MONI 1 fader (control panel E) and the MONI 2 fader (control panel F) respectively to adjust the nal level of the signals output from these jacks. The nominal output level is +4 dB.

4 ST SUB 1 (stereo sub 1) jacks
ST SUB 2 (stereo sub 2) jacks These phone jacks are used to connect stereo outputs of a sub mixer. The signal input here can be routed to the MONITOR 1 bus, MONITOR 2 bus, and STEREO bus. The nominal input level is +4 dB. Note: Use only the L jack to connect a monaural output device.

0 MONO (monaural) jack

This phone jack mixes the STEREO bus signals and output a monaural signal. Connect an additional PA system here. Use the MONO fader (control panel I) to adjust the nal level of the signal output from this jack. THe nominal output level is +4 dB.

5 TAPE jacks

These are input jacks that allow the signal from an external device, such as a tape deck and CD player, to be added to the STEREO bus. The nominal input level is 10 dBV.

A EFFECT jack

The input of an external effect unit such as a delay or echo can be connected to this jack. The signal adjusted by the EFFECT control of each channel will be sent to the EFFECT bus, its level adjusted by the EFFECT fader (control panel G), and output from this jack. The nominal output level is +4 dB.
6 P.AMP IN (power amp input) jacks
These phone jacks are used to input line-level signals to the two-channel built-in power amplier. Connect an external mixer output here. The nominal input level is +4 dB. Note: If you insert a plug into this jack, the corresponding channel of the power amplifier will be isolated, and no signals will be sent from the mixer section. Use the LEVEL control (control panel U) to adjust the level of the signal input to the power amplifier.
B PHONES/C-R OUT (headphones/control
room out) jack This is a stereo phone type output jack, and is used to monitor the channels selected by the PFL switches on the front panel and the buses selected by the AFL switches. Connect the headphones here, or use a Y cable to connect to a monitor system. The nominal output is 3mW when headphones are connected, and +4 dB when a line-level device of a monitor system is connected.

7 REC (record) jacks

These phono jacks are used to connect to the inputs of a recording device, such as a tape deck, to record the signal from the STEREO bus. The nominal output level is 10 dBV. Note: The setting of the graphic equalizer or LEVEL control on the control panel does not affect the signals output from these jacks. Adjust the recording level on the recording device.

C FOOT SW (foot switch) jack
A separately sold Yamaha FC5 foot switch can be connected to this jack so you can use your foot to switch the built-in digital effect on/off. The digital effect ON switch on the front panel must be set to ON in order to use a foot switch.

Rear panel

Caution: When using a bridge connection, do not connect anything to the SPEAKERS L or SPEAKERS R jacks. Likewise, when using the SPEAKERS L and/ or SPEAKERS R jacks, do not connect anything to the BRIDGE jack.

SPEAKERS

1 SPEAKERS (speaker output) jacks
Speakers can be connected to these jacks. The type of signals output, the number of speakers you can connect, and acceptable impedance differ depending on the setting of the Power amp select switch (control panel V). When the Power amp select switch is set to ST L-ST R or MONI 1-MONO: You can connect one or two speakers to each of the L and R jacks. When the Power amp select switch is set to ST LST R, the speakers connected to the L and R jacks will output the ST L and ST R bus signals. When the switch is set to MONI 1-MONO, the speakers will output the MONITOR L signal and the monaural signal respectively. Whichever way the switch is set to, connect 4~8 speakers if you use one speaker per channel. The maximum output is 200W+200W with two 4 speakers. If you wish to use two speakers per channel, use 8~16 speakers. The maximum output is 200W+200W with 8 impedance. When the Power amp select switch is set to MONO BRIDGE: If you are connecting a single speaker to the BRIDGE jack, use a 8~16 speaker. The speaker outputs the MONO bus signal, and the maximum output is 400W with 8 impedance. If the signal output from the BRIDGE jack is the signal input to the P.AMP IN jack, be sure to input the signal to the P.AMP IN L jack.

2 POWER switch

This switch turns on/off the power to the EMX2000. Note: Before turning on the power to the EMX2000, be sure to turn down the LEVEL control U on the control panel.

Connections

When connecting various devices, be sure to use cables and plugs of the appropriate standard.

Connecting speakers

There are three ways in which speakers can be connected to the EMX2000.
1 Connecting a single speaker to each of
the L and R jacks: A single speaker each can be connected to either jack 1 or jack 2 of SPEAKERS L and of SPEAKERS R.

3 BRIDGE connection:

A single speaker can be connected to the BRIDGE jack. For each of these, the required speaker impedance will differ. Refer to the following diagram, and make sure that the speaker impedance is not less than the specied value.
2 Connecting two speakers to each of the L
and R jacks: Two speakers can be connected in parallel to both jack 1 and jack 2 of SPEAKERS L and SPEAKERS R.
Connecting one speaker to each of the L/R jacks
Connecting two speakers to each of the L/R jacks
Connecting a single speaker to the BRIDGE jack

Main speaker

Main/monitor speaker

Main speakers

Main/monitor speakers
Connecting input/output equipment
Foot switch Microphone Cassette recorder Main speakers CD player

Power amplifier

Headphones Synthesizer

Drum machine

Monitor speakers Additional/alternative PA system
Effect processor (compressor)
Effect processor (reverb)
An additional or alternative PA system can be connected to the ST 1/2, MONO, and MONI 1/2 jacks on the front panel.

Basic operation

Connecting microphones and instruments
1 Before connecting mics or instruments,
make sure that the power of all equipment (where applicable) is turned off. Also make sure that each channel fader and the faders in the master section are turned down. Check to see if the Power amp select switch on the control panel is set to ST L-ST R.

Using the digital effect

The EMX2000 has a built-in digital effect, allowing reverberation or ambiance to be added to vocals or instrumental sounds.
1 Connect a mic or instrument to the
desired channels, and adjust the volume and tone.
2 Press the ON switch of the digital effect

Example setups

This section provides some ways in which the EMX2000 can be used, and explains connections and operation.

As a band PA

Here is an example of using the EMX2000 as a small PA for a band. In this example, the monitor speakers are being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is also being used.

s Connections

Connect mics or instruments, such as keyboards, to channel input jacks 1~8. Connect the main speakers to the SPEAKERS R 1/2 jacks, and connect the monitor speakers to the SPEAKERS L 1/2 jacks. Set the Power amp select switch to MONI 1-MONO. If you use an external effect such as delay or reverb, connect the EMX2000s EFFECT jack to the input jack of the external effect, and connect the output jack of the external effect to the EMX2000s ST SUB 1.
Microphone Bass guitar Guitar Keyboard
Note: If you are using an external effect, we recommend that you turn down all the EFFECT controls of the digital effect section. You can connect the output of an external effect to channels 9/10 and 11/12 to apply the equalizer to the effect return signal. However in this case, make sure that the EFFECT controls are turned all the way down for the channels into which the effect sound is being input. If the EFFECT controls are raised, feedback will occur, and your speakers may be damaged.
* Direct box, effect unit, D.I.* pre-amp, etc.
INPUT OUTPUT MIC MIC MIC MIC 9L

B FOOT SW

(MONO) MONI 1

Effect processor

ST L MONI 1

SPEAKERS jacks

Monitor speakers Main speakers
As a conference/entertainment hall sound system
Here is an example of using the EMX2000 as a conference or entertainment hall sound system.
Cassette recorder (for paly back) Cassette recorder (for recording)
Microphone CD player Effect processor
Connect mics to channel inputs 1~8. A CD player/LD player/cassette deck can also be connected to the input jacks of channels 9/10 and 11/12. To record a meeting or a party, connect the REC jacks of the EMX2000 to the input jack of a recording cassette deck, and to monitor the recording on the EMX2000, connect the TAPE jacks of the EMX2000 to the output of the recording cassette deck. Connect the main speakers to the SPEAKERS L 1/2 jacks and the SPEAKERS R 1/2 jacks, and set the Power amp select switch to ST L-ST R.
s Playing back a CD player
1 Turn on the power to the peripheral
devices, then to the EMX2000.
2 Start playback on the CD player. Use the
GAIN control of channel 9/10 so that the PEAK indicator below the GAIN control will light occasionally. Then, raise the ST 1 fader to the 10 position, and adjust the channel 9/10 fader so that the 0 LED of the peak indicator will light occasionally.
16 s Sending an independent mix to the monitor speakers

Hum & noise (Average, Rs=150) (with 20 Hz~20 kHz BPF)
87 dB (ST OUT, MONO OUT) 64 dB (68 dB S/N) (ST OUT, MONO OUT) 80 dB (EFFECT SEND, MONITOR OUT) 91 dB 64 dB 38 dB 38 dB 70 dB 64 dB MIC IN to SPEAKER OUT MIC IN to ST OUT LINE IN to ST OUT ST IN to ST OUT MIC IN to EFFECT SEND MIC IN to MONITOR OUT
ST master/MONO master fader at maximum level and all channel fader at minimum. ST master/MONO master fader and 1 channel fader at maximum level. And 1 channel Gain control at maximum. Master fader at maximum level and all channel level controls at minimum. (CH 1~8) (CH 1~8) (CH 1~8) (CH 9/10, 11/12) (CH 1~8) (CH 1~8)

Maximum voltage gain

Crosstalk at 1 kHz MIC IN gain control
70 dB adjacent input, 70 dB input to output 44 dB variable HIGH 10 kHz shelving* MID 2.5 kHz peaking LOW 100 Hz shelving* * Turn over/roll off frequency of shelving: 3 dB below maximum variable level. 13 points LED meter Red LED on each channel lits when POST EQ signal reaches the level 3 dB below clipping. Comp. : THD0.5% Lit when THD0.5% 7 bands (125, 250, 500, 1k, 2k, 4k, 8k Hz), 12 dB Maximum 16 programs Digital effect mute: on/off +48 V is supplied to electrically balanced inputs. FC5 USA and Canada Europe Other 210 W 480125454 mm 14 kg 120 V AC 60 Hz 240 V AC 50 Hz 230 V AC 50 Hz
Input channel equalization
Meters CH peak indicators Limiter LIMIT indicators Graphic equalizer Internal digital effect Foot switch Phantom power Option Power requirement Power consumption Dimensions (WxHxD) Weight

s Input specications

Input terminals Gain trim MAX MIN MAX MIN MAX MIN Actual load impedance For use with nominal Input level Connectors on mixer SensitivitydB (775 V) 16 dB (123 mV) 34 dB (15.5 mV) +10 dB (2.45 V) 34 dB (15.5 mV) +10 dB (2.45 V) +4 dB (1.23 V) 10 dBV (316 mV) 0 dB (775 mV) +4 dB (1.23 V) Max. before clip 40 dB (7.75 mV) +4 dB (1.23 V) 14 dB (155 mV) +30 dB (24.5 V) 14 dB (155 mV) +30 dB (24.5 V) +20 dB (7.75 V) +10 dBV (3.16 V) +20 dB (7.75 V) +18 dB (6.16 V) PHONO JACK PHONE JACK (I/O)3 PHONE JACK3 XLR-3-31 type2 PHONE JACK (TRS)2
MIC INPUT (18) LINE INPUT (18) ST INPUT (912) ST SUB IN (1, 2) TAPE IN (L, R) CH INSERT IN (14)