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Yamaha EMX5000-20 Emx5000-12

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Comments to date: 4. Page 1 of 1. Average Rating:
johnalves 4:57pm on Sunday, October 17th, 2010 
Bought this drive to replace smaller drive in new Toshiba laptop. It is quick, quiet and no problems. I was so impressed. It seems to work pretty well. When I test it under Linux using the smartctl program.
fhertele 11:01am on Monday, August 23rd, 2010 
I cloned a 250 GB drive to this one using Seagate Discwizard. Worked perfectly. No problems Quiet, fast, reasonably priced. Incredible difficult to configure. The MioNet web interface is terrible.
bzipitidoo 4:41am on Friday, July 9th, 2010 
Product works well so far. Received it before the email came that said it shipped!! I find this unit is compact for my laptop backup. Dell has these WD products at a lower price than WD even on sale.
rfulcher 7:47am on Friday, May 28th, 2010 
Loading proceeded without a hitch. Easy To Install,Fast,Quiet It is a good one if you use it w/ only Windows. But if you want to use both MAC & Windows it gets kinda difficult.

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Documents

doc0

Owners Manual

Keep This Manual For Future Reference.
The Owners Manual Revisions
Thank you for purchasing the Yamaha EMX5000-20/EMX5000-12 Powered Mixer. Parts of the EMX5000-20, EMX5000-12 owners manual have been revised. Please refer to the following revisions rather than the corresponding sections of the original owners manual.

POWER amp section

Rear panel
3 SPEAKERS (speaker output) jacks
These jacks are used to connect speakers. Jacks 1 are Speakon-type connectors. Use only Neutrik NL4FC plugs for connecting Speakon connectors.
CHANNEL A STEREO/PARALLEL BRIDGE 1+ 1 2+ 2 + 2 1+ 1 CHANNEL B Neutrik NL4FC 1+ 1 B+ B 2+

X LIMITER indicator

If the output level of signals received at the SPEAKERS jacks (output of the internal power amplier) reaches maximum, the indicator will light. Caution: If the LIMITER indicator flashes continuously, the internal power amplifier section is being excessively overloaded and may malfunction. Reduce the output level at the ST OUT fader (K) below the level that the indicator flashes only briefly on the highest transient peaks.

1+ 1 2+ 2

A+ A B+ B
Jacks 2 are 1/4phone jacks. The setting of the control panel power amp select switch Y will determine the signal that is output to these jacks, and the number and appropriate impedance of the speakers that can be connected.
Other indicators and controls

^ Level Meter

This LED display shows the level of signals received at the ST OUT jack (input/output panel 0).

Block/Level Diagram

PA SPEAKERS OUT MAXIMUM OUTPUT [500W/4] NOMINAL OUTPUT [100W/4]

+30dB +20dB

+11dB +4dB +10dB 0dB
Note: The SPEAKERS 1 & 2 jacks (rear panel 3) output the signals received at the ST OUT jack via the internal power amplifier. Check the output signal level via the LIMITER indicator (X). The LIMITER indicator will light before the Level Meter 8 or PEAK LED light.
Power Amplier output section level diagram (bottom right)
These plots show the nominal output and maximum output levels of signals received at the SPEAKERS jacks. If the output level is +4dB (Level Meter 0), the internal power amplier will deliver 100W into a 4 load. If the output level is +11dB (LIMITER indicator lights), the internal amplier will deliver a maximum of 500W into 4.

EMX5000-20/EMX5000-12

STEREO L (NON-MUTE) STEREO R (NON-MUTE) EFFECT1 (NON-MUTE) EFFECT2 (NON-MUTE) AUX1 (NON-MUTE) AUX2 (NON-MUTE)
STEREO L (MUTE) STEREO R (MUTE) EFFECT1 (MUTE) EFFECT2 (MUTE) AUX1 (MUTE) AUX2 (MUTE)
CH INPUT [60~16dB] [34~+10dB] STAND-BY L ST SUB OUT L BA R REC OUT [10dBV] R SUM BA L AUX1 POST SUM SUM SUM BA R PFL 9-Stage GEQ A YSP PEAK [0dB] DR B PEAK DR [6dB] EFFECT2 [6dB] POST AUX1 Signal Select [6dB] POST AUX2 SUM PFL LPF FREQ AFL BA ST BA [6dB] SUM SUM SUM BA AUX SEND1 [+4dB] [0dB] [0dB] AUX1 [10dB] AUX1 [6dB] AUX2 AFL PFL SUM BA ST BA AFL PFL [0dB] SUM [0dB] SUM BA [0dB] [6dB] AUX2 [10dB] [0dB] [0dB] [0dB] [6dB]

80120Hz (12dB/oct)

MAIN R MONO AUX2 MONO BRIDGE MAIN L AUX1 AUX1 MONO BRIDGE
A [0dB] PAN SUM EFFECT1 EFFECT2 [6dB] [0dB] ST OUT GEQ YAMAHA SPEAKER PROCESSING ST OUT [+4dB]
63Hz 125Hz 250Hz 500Hz 1kHz 2kHz 4kHz 8kHz 16kHz
EMX5000-12:[CH1-8] EMX5000-20:[CH1-8] [CH9-16]
PEAK SIGNAL BA ST SUB OUT [+4dB] [0dB] [0dB] [0dB] [0dB] [10dB] 9-Stage GEQ
EMX5000-12:CH1-8 EMX5000-20:CH1-16

B [6dB] [6dB] SUM

3-Stage EQ

CH Fader

[10dB]

Lo Gain

CH INSERT I/O [0dB]

Mid f Mid Gain Hi Gain

[60~16dB] [34~+10dB]

AUX2 POST [0dB] [0dB]

PFL L / AFL L PFL R / AFL R
[6dB] [0dB] BAL AFL YSP [6dB] EFFECT1

LIMITTER

PHANTOM 8CH/SW

POWER AMP IN [+4dB]

500W 300W 100W

ST CH INPUT [34~+10dB]

GAIN [34~+10dB]

ST CH Fader

EMX5000-12:CH9(L)/10(R),CH11(L)/12(R) EMX5000-20:CH17(L)/18(R),CH19(L)/20(R)

SIGNAL

PA 1 Power Select LIMITTER PROTECTOR

+1 A 1 BRIDGE +2 2

MONO OUT [10dB] INV LPF INV MONO OUT [+4dB]

SPEAKERS [500Wmax@4ohms]

POWER AMP Controls

[+4dB]

L (MONO) ST SUB IN 1,2 [+4dB] R

2TR IN [10dBV]

AUX SEND2 [+4dB]

[6dB] EFFECT1 RTN

[16dB]

SUM INV

[0dB] SUM

L OUT R OUT

EFFECT SEND1 [+4dB]
PROGRAM PARAMETER [12dB] ON AUX1 [12dB] AUX2 SUM PFL [6dB] EFFECT2 RTN [16dB] [0dB] SUM [0dB] PHONES SUM INV [0dB] SUM [6dB]
DIGITAL EFFECT1 INV EFFECT SEND2 [+4dB] [16dB]

INV INV

PHONES [3mW@40ohms]
PROGRAM PARAMETER [12dB] ON AUX1 [12dB] AUX2

DIGITAL EFFECT2

Explanation of Graphical Symbols

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
The above warning is located on the rear of the unit.
WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT

THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE: GREEN-AND-YELLOW : BLUE : BROWN : EARTH NEUTRAL LIVE
European Specifications Only
This mark indicates a dangerous electrically live terminal. When connecting an external wire to this terminal, it is necessary either to have a person who have received appropriate guidance on handling make the connection or to use leads or a cord that have been manufactured in such a way that the connection can be made simply and without problem.
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW. The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. * This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.) LTD.

Precautions

WARNING

Installation

Connect this units power cord only to an AC outlet of the type stated in this Owners Manual or as marked on the unit. Failure to do so is a re and electrical shock hazard. Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock may result. Do not place a container with liquid or small metal objects on top of this unit. Liquid or metal objects inside this unit are a re and electrical shock hazard. Do not place heavy objects, including this unit, on top of the power cord. A damaged power cord is a re and electrical shock hazard. In particular, be careful not to place heavy objects on a power cord covered by a carpet. Use only the included power cord for this unit. Using other types may be a re and electrical shock hazard. The power to this device is not completely shut off even when the power switch is turned off. Locate the device close to the AC outlet so you can easily reach the power plug.

Operation

Do not scratch, bend, twist, pull, or heat the power cord. A damaged power cord is a re and electrical shock hazard. Do not remove the units cover. You could receive an electrical shock. If you think internal inspection, maintenance, or repair is necessary, contact your dealer. Do not modify the unit. Doing so is a re and electrical shock hazard. If lightning begins to occur, turn off the power switch of the unit as soon as possible, and unplug the power cable plug from the electrical outlet. If there is a possibility of lightning, do not touch the power cable plug if it is still connected. Doing so may be an electrical shock hazard.
In case an abnormality occurs during operation
If the power cord is damaged (i.e., cut or a bare wire is exposed), ask your dealer for a replacement. Using the unit with a damaged power cord is a re and electrical shock hazard. Should this unit be dropped or the cabinet be damaged, turn the power switch off, remove the power plug from the AC outlet, and contact your dealer. If you continue using the unit without heeding this instruction, re or electrical shock may result. If you notice any abnormality, such as smoke, odor, or noise, or if a foreign object or liquid gets inside the unit, turn it off immediately. Remove the power cord from the AC outlet. Consult your dealer for repair. Using the unit in this condition is a re and electrical shock hazard.
Keep this unit away from the following locations: - Locations exposed to oil splashes or steam, such as near cooking stoves, humidiers, etc. - Unstable surfaces, such as a wobbly table or slope. - Locations exposed to excessive heat, such as inside a car with all the windows closed, or places that receive direct sunlight. - Locations subject to excessive humidity or dust accumulation. Hold the power cord plug when disconnecting it from an AC outlet. Never pull the cord. A damaged power cord is a potential re and electrical shock hazard. Do not touch the power plug with wet hands. Doing so is a potential electrical shock hazard. This unit has ventilation holes at the rear to prevent the internal temperature rising too high. Do not block them. Blocked ventilation holes are a re hazard. To relocate the unit, turn the power switch off, remove the power plug from the AC outlet, and remove all connecting cables. Damaged cables may cause re or electrical shock.
Turn off all musical instruments, audio equipment, and speakers when connecting to this unit. Use the correct connecting cables and connect as specied. Always lower the volume control to minimum before turning on the power to this unit. A sudden blast of sound may damage your hearing. Use only speaker cables when connecting speakers to amplier outputs. Using other types of cables is a re hazard. If you know you will not use this unit for a long period of time, such as when going on vacation, remove the power plug from the AC outlet. Leaving it connected is a potential re hazard.

Maintenance

Clean the contacts of the phone plug before connecting it to the SPEAKERS jack of this unit. Dirty contacts may generate heat. To prevent electrical shock when cleaning the unit, remove the power plug from the AC outlet.
EMX5000-20/EMX5000-12Owners Manual
PRECAUTIONS FOR OPERATION
Connector pin assignments
XLR-type connectors are wired as follows: pin 1: ground, pin 2: hot (+), and pin 3: cold (). Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return.

FOR CORRECT OPERATION

Influence on cell phone usage
Using a cell phone (mobile telephone) near this unit may induce noise. If noise occurs, use the telephone away from the unit.

Volume level setting

Do not set all equalizer controls and faders to maximum. Doing so may cause oscillation depending on the condition of the connected unit and speakers, and may damage the speakers.

Replacing abrasive parts

The performance of components with moving contacts, such switches, rotary controls, faders, and connectors, deteriorates over time. The rate of deterioration depends on the operating environment and is unavoidable. Consult your dealer about replacing defective components.
Interference with other electronic devices
The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise occurs, relocate the affected equipment.

Introduction

Thank you for purchasing the Yamaha EMX5000-20/EMX5000-12 Powered Mixer. In order to take full advantage of the EMX5000-20/EMX5000-12 and enjoy long, trouble-free performance, please read this owners manual carefully, and keep it in a safe place for future reference.

Features

The EMX5000-20/EMX5000-12 provides versatile inputs, such as two stereo input channels and two stereo sub inputs, as well as 16 (EMX5000-20), 8 (EMX5000-12) monaural input channels compatible with mic/line signals. The mixer also has ample power, with a maximum output of 500 W+500 W (1000 W with bridge connection), and is suitable for a wide range of applications from installed systems to smallscale PA systems. A two-channel power amp is built-in. The signals output to speakers can be selected as stereo (ST L-R), AUX+monaural (AUX 1- MONO), two AUX (AUX1AUX2) or monaural (bridge connection). In addition to the speaker output jacks, two stereo output channels for line-level signals, two AUX output channels, two effect outputs, and one monaural output are provided. You can easily expand the system by adding a power amplier or powered speakers. The EMX5000-20/EMX5000-12 also has a PHONES jack, which is very useful for checking the sound. You can monitor only a specic channel or bus signal through the headphones. Each amp contains a limiter circuit to prevent distortion due to excessive input levels. A maximum output select switch lets you switch the maximum output of the amp between three levels. This lets you adjust the maximum output of the internal power amp as appropriate for the size of the room or the input capacity of the speakers. Two multi-effect units are built-in, each providing sixteen types of effect equivalent in quality to the acclaimed Yamaha SPX series of multi-effect units. The effects can be used to add reverb or ambience to vocals or instruments. The sixteen types (provided by each of the two effect units) include TAP DELAY, which lets you easily adjust the delay time. The EMX5000-20/EMX5000-12 has implemented EEEngine, Yamahas epochal amp drive technology to create an unrivaled high-efciency drive. The EEEngines energy-saver/low-heat-generation design has reduced power consumption to 50% or less, and reduced heat generation to 35% or less (in eld applications, compared to Yamahas previous models), and has lead to a reduction in energy cost and to less-restrictive installation requirements related to heat generation.

Contents

Introduction.. 5 Features... 5 EMX5000-20/EMX5000-12 Quick Guide.. 6 Front and rear panel.. 10 Control panel.. 10 Input/output panel.. 16 Rear panel... 18 Installation/Connections.. 19 Installation... 19 Connection... 19 Connecting input/output equipment. 21 Basic operation.. 22 Connecting microphones and instruments.. 22 Using the digital effect... 22 Example setups.. 24 As a conference/entertainment hall sound system.. 24 As a band PA.. 26 Using a subwoofer.. 28 Troubleshooting... 29 Specifications.. 30 General specifications... 30 Input specifications... 31 Output specifications.. 31 Dimensions... 32 Installing an optional rack mount kit.. 32 Block/Level Diagram.. 33
EMX5000-20/EMX5000-12 Quick Guide
EMX5000-20/ EMX5000-12 Quick Guide
The following steps (15) explain the basic connection and operation of the EMX5000-20/ EMX5000-12. Also, please read Front and Rear Panel and Basic Operation following this Quick Guide section to learn more about using the EMX500020/EMX5000-12.
Never connect the speakers in the manner shown below. Otherwise, the EMX5000-20/EMX500012s built-in power amplier will be damaged.

STEP 1 Connection

Connecting speakers Using speaker cables, connect each speaker to the SPEAKERS A jack and to the B jack in the SPEAKERS jack section on the rear panel of the EMX5000-20/EMX5000-12.

EMX5000-20 (EMX5000-12)

Setting the power amplier mode Set the power amp select switch (located on the right corner on the panel) to ST L-R.

Power amp select switch

In the example shown by the above diagram, two main speakers are connected (one each to left and right) in stereo. For other connection examples, refer to pages 2021. You may connect to either of the two jacks on the speakers. Be sure to use a cable designed for speaker connection. Speakers with a Speakon connector can also be connected using a Speakon cable. In this case, use the SPEAKERS 1 jacks to output the signal from the EMX5000-20/EMX5000-12. When connecting a Speakon connector to the EMX5000-20/EMX5000-12, be sure to turn the plug to the right to lock the connection after inserting the plug.
This quick guide explains how to connect one main speaker each to left and right for stereo operation. If the power amp select switch is set to the ST L-R position as shown here, the stereo R signal will be output from the SPEAKERS A jacks, and the stereo L signal from the SPEAKERS B jacks. Refer to pages 14, 19, 20 for other connections and power amp select switch settings.
Connecting a microphone Make sure that the power is turned off to the EMX5000-20/EMX5000-12. Connect mics to channels 116 (EMX5000-20) or 18 (EMX5000-12), using the INPUT A jacks if the mic has an XLR plug, or the INPUT B jacks if the mic has a phone plug.

Be sure to follow the power up sequence specied above to prevent the speakers from being damaged. To correct the low range, turn on the YAMAHA SPEAKER PROCESSING switch in the upper right corner of the panel.
Use the ST OUT fader to adjust the volume of the speakers.
3 Set the EFFECT RTN fader to the 0 position.
STEP 4 Applying built-in effects
1 Use the PROGRAM selector to select the type of effect that you want to apply. 2 Turn on the ON switch in the EFFECT section. The ON switch indicator lights up.
4 If you want to use effect channel 1, adjust the effect depth by turning the EFF1 control of the channel to which you want to apply the effect.

STEP 5 Power off

1 Press the POWER switch of the EMX5000-20/ EMX5000-12 to turn off the power to the unit. 2 Turn off the power to all connected devices. Be sure to follow the power off sequence specied above to prevent the speakers from being damaged. In preparation for the next time you will use the EMX5000-20/EMX5000-12, we recommend that you set the faders of the EMX5000-20/EMX500012 to the position.

Front and rear panel

Control panel
s Channel control section
In this section, you can adjust equalization (frequency response), volume level, effect and AUX output levels for the input signal of each channel.

dB pad switch

This switch attenuates the input signal by 26 dB. Attenuation is on when the switch is pressed inward.

2 GAIN control * 3 2

Use this knob to adjust the sensitivity according to the input signal level, so that the input level is appropriate. For the best balance of S/N ratio and dynamic range, adjust this knob so that the peak indicator 0 lights occasionally. * When the knob is at the position, the input sensitivity will be +4 dB.
(High pass lter) switch This is an on/off switch for the high-pass lter. The high-pass lter is on when the switch is pressed inward, and the frequency region below 80 Hz will be attenuated at 18 dB/octave. This is a 3-band equalizer that adjusts the high frequency range, mid frequency range, and low frequency range of each channel. When the HIGH and LOW knobs are in the w position, the high and low ranges will have a at response. Turning a knob toward the right will boost the corresponding frequency range, and turning it toward the left will cut it. For the mid range, use the upper MID knob to specify the center frequency of the range, and use the lower knob to set the amount of boost or cut that will occur. The frequency response is at when the lower knob is set to the w position. Turning the lower knob toward the right will boost the corresponding frequency range, and turning the knob toward the left will cut it. The base frequency (or center frequency), range of boost or cut, and equalizer type of each band are as follows: HIGH: 10kHz, 15 dB, shelving type MID: 250Hz5kHz, 15 dB, peaking type LOW: 100Hz, 15 dB, shelving type

A SIGNAL indicator

This indicator will light if a signal is being input to the corresponding channel.

F ST (stereo) control

The ST knob adjusts the amount of stereo signal sent from the ST SUB IN 1 and 2 jacks to the STEREO bus.
G PFL (pre-fader listen) switch
When this switch is turned on, the signal at the point before the ST control knob F is sent to the PHONES jack (input/output panel D). Note: The ST control setting does not affect the level of the signal sent to the PFL/AFL buses (pre-fader send).
If the Power amp select switch Y is set to AUX 1MONO, this fader also adjusts the level of the signal sent from the SPEAKERS B 1/2 jacks to the speakers. If the Power amp select switch Y is set to MONO BRIDGE, this fader adjusts the level of the signal sent from the SPEAKERS A 1 jacks to the speaker.

K ST OUT fader

s Master control section
In this section, you can adjust the nal level of the outputs.
The ST OUT fader adjusts the nal level of the signal sent from the STEREO bus to the ST OUT jacks (input/output panel 0). If the Power amp select switch Y is set to ST L-R, this fader also adjusts the level of the signal sent to the SPEAKERS jacks (rear panel 3). Note: The setting of this fader does not affect the signal output from the STEREO bus to the ST SUB OUT jacks.
L AFL (after fader listen) switch
When this switch is on, the output signal that passes through the corresponding fader is sent to the PHONES jack (input/output panel D). Use these switches when you wish to monitor a particular output signal through the headphones.

s 2TR IN section

In this section, you can adjust the input level of a cassette deck or a CD player that is connected to the 2TR IN jacks (input/output panel 5).

H AUX 1 fader

The AUX 1 fader adjusts the nal level of the signal sent from the AUX 1 bus to the AUX SEND 1 jack (input/output panel 8). If the Power amp select switch Y is set to AUX 1-MONO, using this fader enables you to adjust the level of the signal sent from the SPEAKERS A 1/2 jacks to the speakers.
M N M ST (stereo) control
This knob adjusts the level of the signal sent from the 2TR IN jacks to the STEREO bus.

I AUX 2 fader

The AUX 2 fader adjusts the nal level of the signal output from the AUX 2 bus to the AUX SEND 2 jack (input/output panel 8). If the Power amp select switch Y is set to AUX 1AUX 2, using this fader enables you to adjust the level of the signal sent from the SPEAKERS B 1/2 jacks to the speakers.
N PFL (pre-fader listen) switch
When this switch is on, the signal input from the 2TR IN jacks is routed at the point before the ST control M to the PHONES jack (input/output panel D).

J MONO OUT fader

The MONO OUT fader adjusts the nal level of the monaural signal output from the STEREO bus to the MONO OUT jack (input/output panel C).

s Digital effect section

This section enables you to turn the built-in twochannel digital effects on/off and select the effect type.

O PROGRAM selector

This knob selects the effect type for the internal digital effect.

P PARAMETER control

This knob adjusts the time parameter of the internal digital effect.

Q AUX 1/2 control

This knob adjusts the level of the return signal that is sent from the built-in digital effect to the AUX 1/2 buses.

R TAP switch, indicator

Only if the PROGRAM selector has selected TAP DELAY as the internal effect type, you can press this switch to set the desired delay time. Press the TAP switch several times, and the interval between the last two presses will be set as the delay time. The specied time will be remembered even if the power is turned off. The LED beside the switch will blink in synchronization with the delay time only when the effect type is TAP DELAY.

S EFFECT 1/2 ON switch R

This switch turns the internal digital effect on/ off.
T PFL (Pre-fader listen) switch S S
When this switch is on, the signal from before the EFFECT 1/2 RTN faders U will be sent to the PHONES jack (input/output panel D).
U EFFECT 1/2 RTN fader T T
This fader adjusts the level of the return signal that is sent from the built-in digital effect to the STEREO bus.
s Graphic equalizer section
This section enables you to adjust the tone of the STEREO bus signal.
Y Power amp select switch
Select one of the following three settings to specify the signals to be routed to the corresponding jacks according to the speaker connection at the SPEAKERS jacks 3 on the rear panel. ST L-R The STEREO bus signals are output from the SPEAKERS A 1/2 jacks and the SPEAKERS B 1/2 jacks. The nal level of these signals is adjusted by the master ST OUT fader.

W V Graphic equalizer

This is a 9-band graphic equalizer that allows you to adjust the frequency response of the STEREO bus signal, providing a maximum of 12 dB of cut/boost for each frequency band. This graphic equalizer affects both the STEREO bus signal that is output to the speakers and the line level signal that is output from the ST OUT jacks (input/output panel 0), and MONO OUT jack (input/output panel C).
AUX 1-MONO The AUX 1 bus signals are output from the SPEAKERS A 1/2 jacks, and a monaural signal that is a mix of the STEREO bus signals is output from the SPEAKERS B 1/2 jacks. The nal level of these signals is adjusted by the master AUX 1 fader and the MONO OUT fader. AUX 1-AUX 2 The AUX 1, 2 buses signals are output from the SPEAKERS A 1/2 jacks and the SPEAKERS B 1/2 jacks. MONO BRIDGE The monaural signal that is a mix of the STEREO bus is output from the SPEAKERS A 1 jack. The nal level of this signal is adjusted by the master MONO OUT fader. Set the switch to this position when you connect only one speaker to play a loud sound.

Input/output panel

A E F G
Channel input jacks (INPUT A, INPUT B)
EMX5000-20: 116, EMX5000-12: 18 By using the GAIN control (control panel 2) you can connect any of the jacks to a wide range of sources, from mics to line-level devices (including synthesizers and rhythm machines). The INPUT A jacks can provide +48V phantom power, allowing you to use condenser microphones. The nominal input level is from 16 dB to 60 dB when the 26 dB pad switch (control panel 1) is off, or from +10 dB to 34 dB when it is on. Both INPUT A and B are balanced. They are compatible with microphones of output impedance 50600 or line level devices of 600. Pin connections for the jacks are as follows:
INPUT A jacks (XLR type) INPUT B jacks (TRS phone jacks) *
Note: It is not possible to simultaneously use both the INPUT A and B inputs of a given channel. For each channel, use only one of the inputs as appropriate for the input source. Phantom power is switched on/off simultaneously for channels 18 and 916 (EMX500020), 18 (EMX5000-12). For this reason, devices (in particular, unbalanced devices) other than condenser microphones must be connected to the INPUT B input jacks of channels or channel 17/1819/20 (EMX5000-20), 9/1011/ 12 (EMX5000-12) input jacks if the PHANTOM +48V switch (control panel 3) is on.
2 INSERT I/O (insert) jacks
These are TRS phone jacks that enable you to insert an external effect processor, such as a compressor/limiter, between the equalizer and fader of input channels. These connections require a special Y cable, such as shown in the following diagram. The nominal input/output levels are 0 dB.
to the input jack of the external processor to the INSERT I/O jack

Sleeve Tip

Pin 1: ground Pin 2: hot (+) Pin 3: cold ()
Sleeve: ground Tip: hot (+) RIng: cold ()
* You can also connect a normal unbalanced phone plug.

+ - GND

Sleeve Ring Tip
to the output jack of the external processor

3 PHANTOM switch

This is an on/off switch for the phantom power supplied to the INPUT A jacks of channels 18 and 916 (on the EMX5000-20) or channels 18 (on the EMX5000-12). When this switch is on, the indicator in the upper part of the control panel will light.

These jacks are used to connect speakers. Jacks 1 are Speakon-type connectors. Jacks 2 are 1/4" phone jacks. The setting of the control panel power amp select switch Y will determine the signal that is output to these jacks, and the number and appropriate impedance of the speakers that can be connected.

Installation/Connections

The EMX5000-20/EMX5000-12 uses a forced cooling system with air intake on the right side and exhaust on the rear. When placing the unit, make sure that the cooling ports are not obstructed.

30cm or less Exhaust

30cm or less

Intake

Connection
When connecting various devices, make sure the cables and plugs have the correct rating. Be sure to use cables designed for the purpose when you connect speakers to speaker jacks.
s Connecting main speakers
There are three ways in which speakers can be connected to the EMX5000-20/EMX5000-12. The speaker impedance requirement varies depending on how you connect the speakers. Refer to the diagrams below to make sure the speaker impedance will not be lower than the specied value.
s When the power amp select switch is set to ST L-R, AUX 1-MONO or AUX 1-AUX 2:
Select either one or two speakers each to jacks A and jacks B. Make connections to either jacks 1 or 2, depending on the type of speaker cable you are using. When the power amp select switch is in the ST L-R position, the signals of the stereo L and R bus will be output from the speakers connected to jacks A and B respectively. When this switch is in the AUX 1-MONO position, the signals of the AUX 1 bus and the STEREO bus will be combined and output as a monaural signal from the speakers connected to these jacks. When this switch is in the AUX 1-AUX 2 position, the signals of the AUX 1 bus and AUX 2 bus will be output from the speakers connected to these respective jacks. Two channel connections Use speakers with an impedance in the range of 48 ohms if you are connecting only one speaker to each set of outputs. A maximum output of 500W + 500W will be obtained when 4-ohm speakers are used.
Two channel parallel connections If you connect two speakers in parallel to the SPEAKERS A and SPEAKERS B jacks, use speakers with an impedance in the range of 816 ohms. A maximum output of 500W + 500W will be obtained when 8-ohm speakers are used. Two-channel connection Two-channel parallel connection

816 816

Main Speaker or

Main/Monitor Speaker

Main Speaker
* Use either the 1 (Speakon) jacks or 2 (phone) jacks of and.
s When the power amp select switch is set to MONO BRIDGE:
Bridge connection Connect only one 816 ohm speaker to the A1 jack. The speaker will output the combined monaural signal of the STEREO bus. A maximum output of 1000 W will be obtained when an 8-ohm speaker is used. If you are inputting a signal from the P.AMP IN jack, input it to P.AMP IN jack A. Caution: When using a bridge connection, do not connect a speaker to the B or A 2 jack.

Bridge connection

connection
* Use the 1+(+) and 2+() pins of the jack.
Connecting input/output equipment
Cassette deck Microphone Foot switch (YAMAHA FC5) (EFFECT ON/OFF) Foot switch (YAMAHA FC5) (TAP)

Synthesizer

Drum machine

Headphones

Effect processor (compressor)
Effect processor (reverb)
Normally, connect speakers to the jacks on the rear panel. If more speaker outputs are needed, use the ST SUB OUT jacks and the MONO OUT jack.

Power amplifier

To add monitor speakers To add main speakers To add a subwoofer
Additional/alternative PA system

Basic operation

Connecting microphones and instruments
1 Before connecting mics or instruments,
make sure that the power of all equipment (where applicable) is turned off. Also make sure that each channel fader and the faders in the master section are turned down. Check to see if the Power amp select switch on the control panel is set to ST L-R.
7 Use the graphic equalizer and the ST
fader in the master section to adjust the overall volume and tone. Note: The volume level is affected by the settings of the channel equalizers and the graphic equalizer. When you set the equalizers, check the peak level indicator and adjust the ST fader if necessary.

Using the digital effect

The EMX5000-20/EMX5000-12 has a built-in digital effect, allowing reverberation or ambiance to be added to vocals or instrumental sounds.
2 Connect cables to your mics and instrument, and insert the other end of the cables rmly into the appropriate INPUT A/B jacks (EMX5000-20: channels 116, EMX5000-12: channels 18) or the 17L/ 18R, 19L/20R (EMX5000-20), 9L/10R, 11L/12R (EMX5000-12) jacks. Note: You cannot use channel 116 (EMX5000-20), 18 (EMX5000-12) INPUT A and B jacks at the same time.
1 Connect a mic or instrument to the
desired channels, and adjust the volume and tone.
2 Press the ON switch of the digital effect

section.

3 Use the PROGRAM selector to select the
type of effect you wish to apply.
3 Turn on the power to the peripheral
devices, then turn on the power to the EMX5000-20/EMX5000-12. Note: When turning the power off, reverse this sequence.
4 Raise the EFF 1 (or EFF 2) control of the
channels to which you wish to apply the digital effect.

2 Start playback on the CD player. Use the
GAIN control of channel 17/18 (EMX5000-20), 9/10 (EMX5000-12) so that the PEAK indicator below the GAIN control will light occasionally. Then, raise the ST OUT fader to the 0 position, and adjust the channel 17/18 (EMX5000-20), 9/10 (EMX5000-12) fader so that the 0 LED of the peak indicator will light occasionally.
3 As appropriate for the size of the room,
use the maximum output select switch to adjust the volume (maximum output).

As a band PA

Here is an example of using the EMX5000-20/EMX5000-12 as a small PA for a band. In this example, the monitor speakers are being sent a mix that is independent of the MAIN speaker mix. An external effect such as delay or reverb is also being used.
Monitor speakers Main speakers
* Direct box, D.I.* effect unit, pre-amp, etc.

Effect unit

Effect processor

Bass guitar

Keyboard Guitar
Connect mics or instruments, such as keyboards, to channel input jacks 120 (EMX5000-20), 112 (EMX5000-12). Connect the main speakers to the SPEAKERSB 1/ 2 jacks, and connect the monitor speakers to the SPEAKERS A 1/2 jacks. Set the Power amp select switch to AUX 1-MONO. If you use an external effect such as delay or reverb, connect the EMX5000-20/EMX5000-12s EFFECT SEND jack to the input jack of the external effect, and connect the output jack of the external effect to the EMX5000-20/EMX500012s ST SUB IN 1. Note: If you are using an external effect, we recommend that you turn down all the EFFECT controls of the digital effect section. You can connect the output of an external effect to channels 17/18 and 19/20 (EMX500020), 9/10 and 11/12 (EMX5000-12) to apply the equalizer to the effect return signal. However in this case, make sure that the EFF 1 (or EFF 2) controls are turned all the way down for the channels into which the effect sound is being input. If the EFF 1 (or EFF 2) controls are raised, feedback will occur, and your speakers may be damaged.
s Using an external effect processor
You may sometimes want to use an external effect processor. Follow the steps below.
1 Raise the EFF 1 (or EFF 2) controls for the
channels to which you want the external effect to be applied.
2 Adjust the level of the signal output to
the external effects processor so that the sound will not be distorted at the input of the external effects processor.

1 2-1 2-2

+48V [6dB] STAND-BY L ST SUB OUT L BA R REC OUT [10dBV] R SUM BA L AUX1 POST SUM SUM SUM BA R PFL 9-Stage GEQ A YSP PEAK [0dB] DR B PEAK DR
PHANTOM 8CH/SW BA ST SUB OUT [+4dB]
STEREO L (NON-MUTE) STEREO R (NON-MUTE) EFFECT1 (NON-MUTE) EFFECT2 (NON-MUTE) AUX1 (NON-MUTE) AUX2 (NON-MUTE) STEREO L (MUTE) STEREO R (MUTE) EFFECT1 (MUTE) EFFECT2 (MUTE) AUX1 (MUTE) AUX2 (MUTE) PFL L / AFL L PFL R / AFL R [0dB] PAN SUM EFFECT1 EFFECT2 [6dB] [0dB] ST OUT GEQ YAMAHA SPEAKER PROCESSING ST OUT [+4dB] [0dB] [0dB] [6dB] 9-Stage GEQ [6dB] SUM [0dB] [0dB] [10dB] [6dB] [0dB]
CH INPUT [60~16dB] [34~+10dB] [0dB]

PEAK SIGNAL

AUX2 POST
HA BAL AFL YSP [6dB] EFFECT1 [6dB] EFFECT2 [6dB] POST AUX1 Signal Select [6dB] POST AUX2 SUM PFL LPF FREQ AFL BA ST BA [6dB] SUM SUM SUM BA AUX SEND1 [+4dB] [0dB] [0dB] AUX1 [10dB] AUX1 [6dB] AUX2 AFL PFL SUM BA ST BA AFL PFL [0dB] SUM [0dB] SUM BA [0dB] [6dB] AUX2 [10dB] [0dB] [0dB] [0dB] [6dB]

[0dB] [0dB]

A PROTECTOR LIMITTER

Power Select

BRIDGE

[0dB] SUM INV

PROGRAM PARAMETER [12dB] ON AUX1 [12dB] AUX2 SUM PFL [6dB] EFFECT2 RTN [16dB] [0dB] SUM [0dB] PHONES [16dB] SUM INV SUM [0dB] [6dB]
DIGITAL EFFECT1 INV EFFECT SEND2 [+4dB]
SPEAKERS OUT MAXIMUM OUTPUT POWER 500W/4 100W/4
CH & ST CH to ST [0dB] (PAN, BAL turned hard left/right)
ST CH INPUT GAIN Min. [+10dB]
ST SUB IN [+4dB] ST SUB level control [6dB] REC OUT [10dBV] EFFECT [6dB]

YAMAHA CORPORATION

V821290 RAP 36 NP Printed in Taiwan Pro Audio & Digital Musical Instrument Division P.O. Box 3, Hamamatsu, 430-8651, Japan

doc1

EMX62M/EMX66M/EMX68S/EMX88S/EMX5000-12/EMX5000-20

Why a Powered Mixer?

For the busy performing musician or club operator, a high-quality powered mixer with the right features and professional performance is the obvious choice for several reasons
Why a YAMAHA Powered Mixer?
Now that weve determined that you need a powered mixer, why should you choose a Yamaha? Start with a solid reputation for professional quality based on more than 30 years experience in the field. And dont forget that Yamaha also makes some of the worlds finest acoustic pianos, stringed instruments, wind instruments, drums, and electronic instruments as well as industry-standard sound reinforcement gear. In short, the Yamaha name is synonymous with leading-edge technology that also embodies a unique sensitivity to the artistic needs of the musicians and performers who use it. But since were talking about powered mixers, here are a few more specific reasons
A Power Profile for Every Application
The Yamaha EMX-series Powered Mixers deliver plenty of professional-quality power in a range of configurations designed to suit just about any application. From the 200-watt mono model right up to the 500-watt-per-channel multi-mode stereo model theres an EMX Powered Mixer that offers the perfect balance of power and features for your solo act, band, or venue.

All-in-one Integration

In one convenient unit you have a mixer to combine and balance your microphone and instrument sources, effects to add ambience to your sound, and power amplification to drive house speakers and in some models even monitor speakers as well. Why bother with the fuss and frustration of separate components when you can have it all in one?
Serious Reliability and Safety
Were not exaggerating when we say that Yamaha quality control is among the strictest in the business. In addition to ISO-standard manufacturing processes, we carry out an almost unbelievable battery of reliability and safety tests to ensure that every product surpasses all of the worlds most stringent safety standards: UL, CSA, SEMKO, CE you name it, weve passed it. To give you an idea of how far we go to ensure quality, heres a short list of some of the conditions every Yamaha product must meet.

q Power Supply Stability

In addition to flawless overall operation in the face of power line fluctuations as severe as 15%, the power supply must produce no hum or noise.
Simple Setup and Operation
Setting up a system with separate mixer, effect units, and power amplifier means lots of cables and the need for careful level matching between components if you want optimum performance. All of this takes time and adds up to extra work not to mention the potential for misplaced or faulty cables and a plethora of other technical problems. When youre rushing to set up for a gig, you want things to go as quickly and as smoothly as possible.

Superior Sonic Quality

In addition to no-compromise circuit design and parts selection, heres an area in which Yamahas musical sensitivity really makes a difference. The technology is important, but the real key to Yamaha sonic quality is in listening. Our engineers, sound specialists and instrument designers listen carefully to each product at every possible design stage, making changes and refinements that may not appear in the specifications, but that make an audible difference to the final sound.

Unmatched Portability

Pick it up, carry it to where youre going to use it, and put it down. Compare that to transporting, connecting, and adjusting at least three separate units. Theres simply no contest: a well-designed, smoothly-integrated powered mixer is smaller, lighter, and actually more durable than a comparable component system.
q Environmental Temperature & Humidity Extremes
All electronic and mechanical functions must operate properly in ambient temperatures from 20C up to +37.5C (2C), and in humidity as high as 90% (5%).

q Static Electricity

Static electricity discharges as high as 10,000 volts must not cause functional errors, and discharges up to 20,000 volts must not result in breakdown.

q Durability

All products are tested for normal operation for a total of 200 continuous hours (when power-transistors are involved, the heat sink temperatures is maintained at +50C).

Feature Highlights

The Mixer
The EMX Powered mixers may be designed for convenient, easy operation, but that doesnt mean that basic quality and performance are compromised in any way. In fact, they inherit technology from the acclaimed Yamaha PM3500 and PM4000 sound reinforcement mixing consoles staples in the professional reinforcement field worldwide. Yamaha expertise and technological innovation is even at work in the details that deliver subtle but vital improvements in the overall sound: superior RF (Radio Frequency) rejection and exceptionally clean, transparent head amplifiers are just two examples. models, in particular, feature SPX digital effect technology with 20-bit AD/DA conversion and 32-bit internal processing. The EMX effects are more than mere extras. They are professional-quality effects that can contribute to your sound in many important ways. channels while leaving the 2-track inputs (and stereo channels on the console types) active for BGM playback while youre off stage.

Power Amp Mode Selector

All models except for the single-amp EMX62M feature power amp mode selector switches so you can configure the amp channels to suit a range of applications. The EMX5000 models, for example, offer four choices: Main (L) + main (R) to drive stereo house speakers, Mono + AUX to drive a mono house speaker system plus a mono monitor system, AUX1 + AUX2 to drive a monitor system while an outboard power amplifier drives the house, and Mono Bridge to deliver a whopping 1000 watts to a subwoofer. The LPF filter provided on the EMX500012/20 outputs is also an ideal feature for subwoofer drive.
Rack Mounting and Efficient Forced-air Cooling
With the exception of the largest model in the lineup the 20-channel EMX5000-20 all models can be rack-mounted using an optional rack-mounting kit* for optimum integration with any system or installation. in addition to the mixers physical configuration, this is made possible by a highly efficient fan cooling system that ensures reliable, stable operation under just about any environmental conditions.

The Power Amplifier

High power alone is simply not enough. At any power level the amplifiers output must remain an accurate, uncolored image of the original input signal. That demands much more technological finesse than simply building a bigger amp. In addition to totally clean, natural power, the EMX power amplifiers feature Yamahas unique EEEngine technology for extremely efficient operation with significantly reduced AC power consumption and heat generation factors that contribute to the lineups light weight and compact dimensions as well.
Yamaha Speaker Processing
Yamaha Club-series speakers are fine performers in their own right, but with Yamaha Speaker Processing you get extra-smooth highs and enhanced lowfrequency output.
* RK-88 7U Rack Mount Kit for the EMX62M, EMX66M, EMX68S, and EMX88S. RK-124 13U Rack Mount Kit for the EMX5000-12.

Digital Effects

Yamaha is no newcomer to the field of digital signal processing. Our professional outboard effect units and the effects built into our renowned digital mixing consoles set the standards for the industry. The EMX-series powered mixers benefit from the same cuttingedge technology. The EMX68S, EMX88S, and EMX5000

Stand-by Mode

Another feature that illustrates Yamahas sensitivity to the needs of the working musician is the Stand-by switch included on all stereo models: when youre done with a set simply engage the stand-by mode to mute all mono 2
Solo performers and public speakers who need a really clean, simple system that gets the job done without getting in the way will appreciate the EMX 62M. With six flexible input channels, highquality effects, 7-band graphic EQ, and a solid 200-watt mono power section, the EMX62M offers all the creative control and power you need for small shows and events.

TYPICAL APPLICATION

Microphones

CD Player

AS108 II Speakers
u 1 Balanced Low-Z inputs with switchable phantom power ensure optimum performance with all highquality microphones. 2 Hi-Z inputs for direct connection of line sources or high-output instruments. 3 Pad switch allows input level matching with highlevel sources. 4 The Level controls individually adjust the level of each channel. 5 Effect send delivers the channel signal to the mixers superb internal effects, or an outboard effect processor. 6 Monitor send adjusts the level of the channel signal sent to the monitor section. 7 2-band channel equalizer offers independent response-shaping control for each channel. high-quality digital reverb effects add ambience and depth to your sound. 9 MAIN section Effect Return adjusts the amount of effect signal mixed input the main program. 0 MONITOR section Effect Return lets the performers hear the effects, too.

Rear Panel

! Aux In control mixes the signal received via the AUX IN jack into the main program. @ 7-band graphic equalizer provides flexible soundtailoring and feedback control for the main output. # 2TR IN control adjusts the amount of signal received via the 2TR IN jacks mixed into the main program output. $ Phantom power switch applies phantom power to the Low-Z inputs for phantom-powered condenser microphones. % MONITOR section Master control adjusts the volume of the monitor sound. ^ Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers. & MAIN section Master control with 5-segment level meter adjusts the overall level of the main house sound. * Monitor output jack delivers the line-level monitor output for connection to an external sound system. ( Phones output for convenient monitoring via headphones.

) Main output can be used to drive an external power amplifier or sound system from the main program. q Rec Out jacks deliver the main program signal to an external recorder. w 2TR IN jacks can be used to mix the output from a tape deck or other stereo source into the main outputs. e Aux In jack allows the signal from an auxiliary source or sub-mixer to be mixed into the main program. r Foot Switch jack accepts an optional FC5 foot switch to turn the effects on or off. t Effect Out jack delivers the signal from the channel Effect send controls to an external effect processor. y Super Hi-Z inputs optimized for direct input of acoustic electric guitars and electric guitars or basses. u Line inputs allow connection of line-level sources. i Speaker 1 and 2 outputs allow connection of two 8-ohm speakers or a single 4-ohm speaker.
If you dont need more than six channels, but you do need plenty of power and monitoring capability, take a good look at the EMX66M. This little powerhouse features two mono 300-watt power amplifiers that can both drive house speakers, or one can drive the house while the other drives a monitor system. The power amps can even be bridged for a spectacular 600 watts output.
CD Player Additional Powered Sub Woofer Club Series Speakers

0 ! @#

% 7 ^ & ( ) *
o i u 1 Balanced Low-Z inputs with switchable phantom power ensure optimum performance with all highquality microphones. 2 Hi-Z inputs for direct connection of line sources or high-output instruments. 3 Pad switch allows input level matching with highlevel sources. 4 The Level controls individually adjust the level of each channel. 5 Effect send delivers the channel signal to the mixers superb internal effects, or an outboard effect processor. 6 Monitor send adjusts the level of the channel signal sent to the monitor section. 7 3-band channel equalizer offers smooth , independent response-shaping control for each channel. 8 A selection of 8 top-quality digital effects add character and warmth to your sound.
9 MAIN section Effect return adjusts the amount of effect signal mixed input the main program. 0 MONITOR section Effect Return lets the performers hear the effects, too. ! MONITOR section 7-band graphic equalizer makes it easy to set up optimum monitor sound for the performers. @ Aux In control mixes the signal received via the AUX IN jack into the main program. # 7-band graphic equalizer for the MAIN section provides flexible sound-tailoring and feedback control for the main outputs. $ 2TR IN controls on the MAIN and MONITOR sections individually adjust the amount of signal received via the 2TR IN jacks mixed into the main program and monitor outputs. % Phantom power switch applies phantom power to the Low-Z inputs for phantom-powered condenser microphones. ^ MONITOR section Master control adjusts the volume of the monitor sound. 5-segment level indicator included.

& Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload. * Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Main + Monitor, or Bridged operation. ( Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers. ) MAIN section Master control with 5-segment level meter adjusts the overall level of the main house sound. q Monitor output jack delivers the line-level monitor output for connection to an external sound system. w Main output can be used to drive an external power amplifier or sound system from the main program. e Rec Out jacks deliver the main program signal to an external recorder. r 2TR IN jacks can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs.
t Aux In jack allow the signal from an auxiliary source or sub-mixer to be mixed into the main program. y Foot Switch jack accepts an optional FC5 foot switch to turn the effects on or off. u Effect Out jack delivers the signal from the channel Effect send controls to an external effect processor. i Super Hi-Z inputs optimized for direct input of acoustic electric guitars and electric guitars or basses. o Line inputs allow connection of line-level sources. p Power amp A and B outputs deliver the output from the units two power amplifiers to the corresponding speaker systems. Q Bridge allows the total output from both amplifiers to be fed to a single speaker or multiple daisyspeakers.
Some shows simply demand stereo sound, and with its 400-watt per channel multi-mode stereo configuration the EMX68S can certainly deliver. This advanced model also adds a number of refined features including a selection of 16 superb effects (including tap-delay) brought to you by professional-class Yamaha SPX digital signal processing technology, and a one-touch standby mode.
Recorder Acoustic Electric Guitar Club Series Speakers CD Player

0 ! @#$

^ 8 & * 3 w ) q (
Q 1 Balanced Low-Z inputs with switchable phantom power ensure optimum performance with all highquality microphones. 2 Hi-Z inputs for direct connection of line sources or high-output instruments. 3 Pad switch allows input level matching with highlevel sources. 4 The Level controls individually adjust the level of each channel. 5 Pan control adjusts the position of the channel signal in the stereo sound field. 6 Effect send delivers the channel signal to the mixers superb internal effects, or an outboard effect processor. 7 Monitor send adjusts the level of the channel signal sent to the monitor section. 8 3-band channel equalizer offers smooth, independent response-shaping control for each channel. 9 A selection of 16 professional-quality SPX digital effects, each with a main parameter that can be adjusted to tailor the effect to your sonic requirements. Parameter settings are memorized for each effect program. Tap-delay makes it easy to produce tempo-synchronized delays.

0 MAIN section Effect return adjusts the amount of effect signal mixed input the main program. ! MONITOR section Effect Return lets the performers hear the effects, too. @ MONITOR section 7-band graphic equalizer makes it easy to set up optimum monitor sound for the performers. # Aux In control mixes the signal received via the AUX IN jacks into the main program. $ 7-band graphic equalizer for the MAIN section provides flexible sound-tailoring and feedback control for the main outputs. % 2TR IN controls on the MAIN and MONITOR sections individually adjust the amount of signal received via the 2TR IN jacks mixed into the main program and monitor outputs. ^ Phantom power switch applies phantom power to the Low-Z inputs for phantom-powered condenser microphones. & MONITOR section Master control adjusts the volume of the monitor sound. 5-segment level indicator included.
* Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload. ( Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Main + Monitor, or Bridged operation. ) Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers. q Stand-by switch instantly mutes all inputs except for the Tape Input jacks. w MAIN section Master control with 5-segment stereo level meters adjusts the overall level of the main house sound. e Monitor output jack delivers the line-level monitor output for connection to an external sound system. r Main outputs can be used to drive an external power amplifier or sound system from the main program. t Rec Out jacks deliver the main program signal to an external recorder. y 2TR IN jacks can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs.
u Stereo Aux In jacks allow the signal from an auxiliary stereo source or sub-mixer to be mixed into the main program. i Foot Switch jacks accept optional FC5 foot switch to turn the effects on or off, and tap in the tempo for the tempo delay effect on the fly. o Effect Out jack delivers the signal from the channel Effect send controls to an external effect processor. p Stereo line inputs let you handle any line-level stereo source stereo keyboards, outboard stereo effects, BGM etc. via a single channel. Q Super Hi-Z inputs optimized for direct input of acoustic electric guitars and electric guitars or basses. W Bridge allows the total output from both amplifiers to be fed to a single speaker or multiple daisyspeakers. E Power amp A and B outputs deliver the output from the units two power amplifiers to the corresponding speaker systems.

Eight input channels six mono and two stereo give you the extra capacity you need to handle small bands and other ensembles. And a top-quality 400-watts per channel multi-mode power section ensures that every source comes through loud and clear. 3-band channel EQ, individual 7-band graphic EQ for the main and monitor outputs, professional SPX effects, Yamaha Speaker Processing, and more, add up to total sound control.

Recorder

Additional Powered Sub Woofer Portable Keyboard

Club Series Speakers

0! @ # $

^ & * (

Q 1 Balanced Low-Z inputs with switchable phantom power ensure optimum performance with all highquality microphones. 2 Hi-Z inputs for direct connection of line sources or high-output instruments. 3 Pad switch allows input level matching with highlevel sources. 4 The Level controls individually adjust the level of each channel. 5 Pan control adjusts the position of the channel signal in the stereo sound field. 6 Effect send delivers the channel signal to the mixers superb internal effects, or an outboard effect processor. 7 Monitor send adjusts the level of the channel signal sent to the monitor section. 8 3-band channel equalizer offers smooth , independent response-shaping control for each channel. 9 A selection of 16 professional-quality SPX digital effects, each with a main parameter that can be adjusted to tailor the effect to your sonic requirements. The parameter setting is memorized for each effect program. Tap-delay makes it easy to produce tempo-synchronized delays.
0 MAIN section Effect return adjusts the amount of effect signal mixed input the main program. ! MONITOR section Effect Return lets the performers hear the effects, too. @ MONITOR section 7-band graphic equalizer makes it easy to set up optimum monitor sound for the performers. # Aux In control mixes the signal received via the AUX IN jacks into the main program. $ 7-band graphic equalizer for the MAIN section provides flexible sound-tailoring and feedback control for the main outputs. % 2TR controls on the MAIN and MONITOR sections individually adjust the amount of signal received via the 2TR IN jacks mixed into the main program and monitor outputs. ^ Phantom power switch applies phantom power to the Low-Z inputs for phantom-powered condenser microphones. & MONITOR section Master control adjusts the volume of the monitor sound. 5-segment level indicator included.
* Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload. ( Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Main + Monitor, or Bridged operation. ) Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers. q Stand-by switch instantly mutes all inputs except for the Tape Input jacks. w MAIN section Master control with 5-segment stereo level meters adjusts the overall level of the main house sound. e Monitor output jack delivers the line-level monitor output for connection to an external sound system. r Main outputs can be used to drive an external power amplifier or sound system from the main program. t Rec Out jacks deliver the main program signal to an external recorder.

y Tape In jacks can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs. u Stereo Aux In jacks allow the signal from an auxiliary stereo source or sub-mixer to be mixed into the main program. i Foot Switch jacks accept optional FC5 foot switch to turn the effects on or off, and tap in the tempo for the tempo delay effect on the fly. o Effect Out jack delivers the signal from the channel Effect send controls to an external effect processor. p Stereo line inputs let you handle any line-level stereo source stereo keyboards, outboard stereo effects, BGM etc. via a single channel. Q Super Hi-Z inputs optimized for direct input of acoustic electric guitars and electric guitars or basses. W Bridge allows the total output from both amplifiers to be fed to a single speaker or multiple daisyspeakers. E Power amp A and B outputs deliver the output from the units two power amplifiers to the corresponding speaker systems.
If your show demands serious input capacity and power, the 12channel EMX5000-12 or the 20-channel EMX5000-20 will probably do the job with performance to spare. Both feature a 500-watt per channel multi-mode stereo power section that will fill even fairly large venues with outstanding sound. And although theyre integrated powered mixers designed with convenience and portability in mind, both models deliver features and performance that will satisfy even the most discerning performers and sound engineers. TYPICAL APPLICATION

Power Amplifier

Additional Sub Woofer

Synthesizer

Microphones CD Player Club Series Speakers

EMX5000-12

^ & * ()q w e r t y u ) Effect Send jacks deliver the signal from the channel Effect send controls to an external effect processor. q Aux send 1 and 2 outputs deliver the corresponding auxiliary signal for external processing or monitoring. w Stereo outputs can be used to drive an external power amplifier or sound system from the main program. e Power amp input connectors facilitate the insertion of external equalizers or other processing gear into the main program. r Stereo Sub Out level control and output jacks allow sub-mix cascading to a second mixer. t Mono output featuring a switchable low-pass filter with continuously-variable (screwdriver-adjustable) 80~120Hz cutoff frequency for subwoofer drive. y Foot Switch jacks accept optional FC5 foot switch to turn the effect 2 on or off, and tap in the tempo for the tempo delay effect on the fly. u Phones jack with independent level control. i Panel-top Lamp socket. o Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload. p Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers. Q Power amplifier output selector allows selection of 500, 300, or 100 watt output per channel. W Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Mono + Aux 1, Aux 1 or Aux 2, or Bridged operation. E Stand-by switch instantly mutes all mono inputs. R 9-band graphic equalizer with ON switch provides flexible sound-tailoring and feedback control. T Effect-section Aux 1 and Aux 2 sends adjust the amount of effect signal sent to the corresponding auxiliary buses. Y Precise 12-segment stereo level meter. U Carrying handle doubles as an armrest for extra control comfort. I Stereo master fader with both PFL and AFL switches. O Linear Aux 1, Aux 2, and Mono Out master faders with AFL (after-fader listen) monitor switches. P Linear Effect return faders with PFL and ON switches. a High-quality SPEAKON speaker connectors for fast, reliable connection. Phone jack connectors are also provided.

Q W E R T

Y ^ & r t

EMX5000-20

U P O I
1 High-quality linear faders individually adjust the level of each channel. 2 PFL (pre-fader listen) switches allow isolated monitoring of individual channels. 3 All input channels feature signal and peak indicators for visual signal monitoring. 4 Channel ON switches let you switch individual channels into or out of the mix. 5 Pan control adjusts the position of the channel signal in the stereo sound field. 6 Two Effect send controls delivers the channel signal to the mixers dual high-performance internal effect systems, or outboard effect processing gear, as required. 7 Aux 1 and Aux 2 send controls with pre/post fader switching adjust the level of the channel signal sent to the auxiliary buses for monitoring or effects send.
8 3-band channel equalizer with sweepable mid band offers extremely flexible, independent responseshaping control for each channel. 9 80-Hz high pass filters for elimination of unwanted low-frequency noise and rumble. 0 Gain controls and 26-dB pad switches allow optimum level matching with just about any source. ! Insert patch points on mono input channels for insertion of external compressors, equalizers, or other processing gear. @ B inputs for direct connection of line sources or high-output instruments. # Balanced A inputs with switchable phantom power ensure optimum performance with all high-quality microphones. $ Phantom power switch applies phantom power to the A inputs for phantom-powered condenser microphones.
% Stereo line inputs let you handle any line-level stereo source stereo keyboards, outboard stereo effects, BGM etc. via a single channel. ^ Dual Stereo Sub inputs with level controls and PFL switches allow convenient connection to sub-mixers or other stereo sources. & 2TR inputs and level control can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs. * Rec Out jacks deliver the main program signal to an external recorder. ( Dual effect processors offer a selection of 16 professional-quality SPX digital effects each, with a main Parameter controls that can be adjusted to tailor the effects to your sonic requirements. The parameter setting is memorized for each effect program. Tap-delay makes it easy to produce tempo-synchronized delays.
EMX SERIES SPECIFICATIONS

EMX62M Maximum Output Power @0.5% THD at 1kHz
200W/4ohms 135W/8ohms CH1-4: XLR and TRS Phone CH5, 6: 2 TRS Phone 10kHz shelving 100Hz shelving 2 (1MONITOR,1EFFECT) +15V 7 band (125, 250, 500, 1k, 2k, 4k, 8k Hz) 3 programs VOCAL REVERB LARGE HALL SMALL HALL

EMX66M

300W+300W/4ohms 205W+205W/8ohms 600W/8ohms bridge CH1-4: XLR and TRS Phone CH5, 6: XLR and 2 TRS Phones 10kHz shelving 2.5kHz peaking 100Hz shelving 2 (1MONITOR,1EFFECT) +15V 7 band (125, 250, 500, 1k, 2k, 4k, 8k Hz) 8 programs VOCAL ECHO 1 VOCAL ECHO 2 VOCAL REVERB 1 VOCAL REVERB 2 HALL 1 HALL 2 ROOM PLATE
Input Connectors Channel Inserts EQ (MONO CH) HIGH MID LOW HIGH MID LOW

EQ (STEREO CH)

AUX SENDS Phantom Power Graphic Equalizer

Power Amp. Mode

Power Select Switch Meters Yahama Speaker Processing Low Pass Filter Stand-by switch LAMP Connector Foot Switch Dimensions (W H D) Weight Power Requirements / Consumption Option UL/CSA model Australian model European model
5 points (MAIN) Yes Effect On/Off 481.327.6 mm (18-15/16" 12" 12-7/8") 12 kg (26.5 Ibs.) 120V AC 60Hz 110W 240V AC 50Hz 110W 230V AC 50Hz 110W RK-88 (Rack Mount Kit), FC-5 (Foot Switch)
Main + Main Main + Monitor Main Bridge 5 points (MAIN), 5 points (MONITOR) Yes Effect On/Off 481.327.6 mm (18-15/16" 12" 12-7/8") 15 kg (33.1 Ibs.) 120V AC 60Hz 250W 240V AC 50Hz 300W 230V AC 50Hz 300W RK-88 (Rack Mount Kit), FC-5 (Foot Switch)

EMX68S

400W+400W/4ohms 270W+270W/8ohms 800W/8ohms bridge CH1-4: XLR and TRS Phone CH5, 6: XLR and 2 TRS Phones 10kHz shelving 2.5kHz peaking 100Hz shelving 10kHz shelving 2.5kHz peaking 100Hz shelving 2 (1MONITOR,1EFFECT) +15V 7 band (125, 250, 500, 1k, 2k, 4k, 8k Hz) SPX Digital Multi Effector (20bit AD/DA, 32bit Internal Processing) 16 programs REVERB HALL EARLY REF. REVERB ROOM GATE REVERB REVERB PLATE VOCAL DOUBLER REVERB VOCAL 1 SYMPHONIC REVERB VOCAL 2 FLANGE VOCAL ECHO 1 DISTORTION VOCAL ECHO 2 TAP DELAY DELAY 1 DELAY 2 ST L + ST R Main (L+R) + Monitor Main (L+R) Bridge points (MAIN), 5 points (MONITOR) Yes Yes Effect On/Off, TAP 481.327.6 mm (18-15/16" 12" 12-7/8") 15.5 kg (34.2 Ibs.) 120V AC 60Hz 300W 240V AC 50Hz 350W 230V AC 50Hz 350W RK-88 (Rack Mount Kit), FC-5 (Foot Switch)

EMX88S

400W+400W/4ohms 270W+270W/8ohms 800W/8ohms bridge CH1-6: XLR and TRS Phone CH7, 8: XLR and 2 TRS Phones 10kHz shelving 2.5kHz peaking 100Hz shelving 10kHz shelving 2.5kHz peaking 100Hz shelving 2 (1MONITOR,1EFFECT) +15V 7 band (125, 250, 500, 1k, 2k, 4k, 8k Hz) SPX Digital Multi Effector (20bit AD/DA, 32bit Internal Processing) 16 programs REVERB HALL EARLY REF. REVERB ROOM GATE REVERB REVERB PLATE VOCAL DOUBLER REVERB VOCAL 1 SYMPHONIC REVERB VOCAL 2 FLANGE VOCAL ECHO 1 DISTORTION VOCAL ECHO 2 TAP DELAY DELAY 1 DELAY 2 ST L + ST R Main (L+R) + Monitor Main (L+R) Bridge points (MAIN), 5 points (MONITOR) Yes Yes Effect On/Off, TAP 481.327.6 mm (18-15/16" 12" 12-7/8") 15.5 kg (34.2 Ibs.) 120V AC 60Hz 300W 240V AC 50Hz 350W 230V AC 50Hz 350W RK-88 (Rack Mount Kit), FC-5 (Foot Switch)
500W+500W/4ohms 500W+500W/4ohms 325W+325W/8ohms 325W+325W/8ohms 1000W/8ohms bridge 1000W/8ohms bridge CH1-8: XLR and TRS Phone CH1-16: XLR and TRS Phone CH9/10, 11/12: 2 Phones and 2 RCA pins CH17/18, 19/20: 2 Phones and 2 RCA pins 8 (mono channels) 16 (mono channels) 10kHz shelving 10kHz shelving 250Hz-5kHz peaking 250Hz-5kHz peaking 100Hz shelving 100Hz shelving 10kHz shelving 10kHz shelving 2.5kHz peaking 2.5kHz peaking 100Hz shelving 100Hz shelving 4 (2 AUX (pre/Post), 2EFFECT) 4 (2 AUX (pre/Post), 2EFFECT) +48V +48V 9 band (63, 125, 250, 500, 1k, 2k, 4k, 8k, 16k Hz) 9 band (63, 125, 250, 500, 1k, 2k, 4k, 8k, 16k Hz) DUAL SPX Digital Multi Effector (20bit AD/DA, 32bit Internal Processing) Effect 1 (16 programs) REVERB HALL REVERB ROOM REVERB PLATE REVERB VOCAL 1 REVERB VOCAL 2 VOCAL ECHO 1 VOCAL ECHO 2 DELAY 1 DELAY 2 MOD. DELAY REVERSE GATE PITCH CHANGE CHORUS PHASER RADIO VOICE TREMOLO Effect 2 (16 programs) REVERB HALL REVERB ROOM REVERB PLATE REVERB VOCAL 1 REVERB VOCAL 2 VOCAL ECHO 1 VOCAL ECHO 2 DELAY 1 DELAY 2 EARLY REF. GATE REVERB VOCAL DOUBLER SYMPHONIC FLANGE DISTORTION TAP DELAY ST L + ST R ST L + ST R Aux1 + Mono Aux1 + Mono Aux1 + Aux2 Aux1 + Aux2 MONO Bridge MONO Bridge 500W / 300W / 100W 500W / 300W / 100W points points Yes Yes Yes (MONO OUT) Yes (MONO OUT) Yes Yes Yes (XLR 3pins) Yes (XLR 3pins) Effect 2 On/Off, TAP Effect 2 On/Off, TAP 538 mm (18-13/16" 6-1/4" 21-3/16") 538 mm (26-7/8" 6-1/4" 21-3/16") 15 kg (33.1 Ibs.) 19 kg (41.9 Ibs.) 120V AC 60Hz 400W 120V AC 60Hz 400W 240V AC 50Hz 550W 240V AC 50Hz 550W 230V AC 50Hz 550W 230V AC 50Hz 550W RK-124 (Rack Mount Kit), FC-5 (Foot Switch) FC-5 (Foot Switch)

S112 V

Club V Series Speaker System

S215 V SW118 V S115 V

SW115 V

SM15 V

SW218 V

S12e SM10 V SM12 V

SW500 Powered Sub Woofer

AS108 II Speaker System

YAMAHA Web Site http://www.yamaha.co.jp/english/ http://www.yamaha.co.jp/product/proaudio/homeenglish/
KANDO. Inspiring the Heart and Spirit.
This document is printed on chlorine-free (ECF) paper with soy ink.

LPA462 04620

Printed in Japan

 

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