EMX62M/EMX66M/EMX68S/EMX88S/EMX5000-12/EMX5000-20

Why a Powered Mixer?

For the busy performing musician or club operator, a high-quality powered mixer with the right features and professional performance is the obvious choice for several reasons
Why a YAMAHA Powered Mixer?
Now that weve determined that you need a powered mixer, why should you choose a Yamaha? Start with a solid reputation for professional quality based on more than 30 years experience in the field. And dont forget that Yamaha also makes some of the worlds finest acoustic pianos, stringed instruments, wind instruments, drums, and electronic instruments as well as industry-standard sound reinforcement gear. In short, the Yamaha name is synonymous with leading-edge technology that also embodies a unique sensitivity to the artistic needs of the musicians and performers who use it. But since were talking about powered mixers, here are a few more specific reasons
A Power Profile for Every Application
The Yamaha EMX-series Powered Mixers deliver plenty of professional-quality power in a range of configurations designed to suit just about any application. From the 200-watt mono model right up to the 500-watt-per-channel multi-mode stereo model theres an EMX Powered Mixer that offers the perfect balance of power and features for your solo act, band, or venue.

All-in-one Integration

In one convenient unit you have a mixer to combine and balance your microphone and instrument sources, effects to add ambience to your sound, and power amplification to drive house speakers and in some models even monitor speakers as well. Why bother with the fuss and frustration of separate components when you can have it all in one?
Serious Reliability and Safety
Were not exaggerating when we say that Yamaha quality control is among the strictest in the business. In addition to ISO-standard manufacturing processes, we carry out an almost unbelievable battery of reliability and safety tests to ensure that every product surpasses all of the worlds most stringent safety standards: UL, CSA, SEMKO, CE you name it, weve passed it. To give you an idea of how far we go to ensure quality, heres a short list of some of the conditions every Yamaha product must meet.

q Power Supply Stability

In addition to flawless overall operation in the face of power line fluctuations as severe as 15%, the power supply must produce no hum or noise.
Simple Setup and Operation
Setting up a system with separate mixer, effect units, and power amplifier means lots of cables and the need for careful level matching between components if you want optimum performance. All of this takes time and adds up to extra work not to mention the potential for misplaced or faulty cables and a plethora of other technical problems. When youre rushing to set up for a gig, you want things to go as quickly and as smoothly as possible.

Superior Sonic Quality

In addition to no-compromise circuit design and parts selection, heres an area in which Yamahas musical sensitivity really makes a difference. The technology is important, but the real key to Yamaha sonic quality is in listening. Our engineers, sound specialists and instrument designers listen carefully to each product at every possible design stage, making changes and refinements that may not appear in the specifications, but that make an audible difference to the final sound.

Unmatched Portability

Pick it up, carry it to where youre going to use it, and put it down. Compare that to transporting, connecting, and adjusting at least three separate units. Theres simply no contest: a well-designed, smoothly-integrated powered mixer is smaller, lighter, and actually more durable than a comparable component system.
q Environmental Temperature & Humidity Extremes
All electronic and mechanical functions must operate properly in ambient temperatures from 20C up to +37.5C (2C), and in humidity as high as 90% (5%).

q Static Electricity

Static electricity discharges as high as 10,000 volts must not cause functional errors, and discharges up to 20,000 volts must not result in breakdown.

q Durability

All products are tested for normal operation for a total of 200 continuous hours (when power-transistors are involved, the heat sink temperatures is maintained at +50C).

Feature Highlights

The Mixer
The EMX Powered mixers may be designed for convenient, easy operation, but that doesnt mean that basic quality and performance are compromised in any way. In fact, they inherit technology from the acclaimed Yamaha PM3500 and PM4000 sound reinforcement mixing consoles staples in the professional reinforcement field worldwide. Yamaha expertise and technological innovation is even at work in the details that deliver subtle but vital improvements in the overall sound: superior RF (Radio Frequency) rejection and exceptionally clean, transparent head amplifiers are just two examples. models, in particular, feature SPX digital effect technology with 20-bit AD/DA conversion and 32-bit internal processing. The EMX effects are more than mere extras. They are professional-quality effects that can contribute to your sound in many important ways. channels while leaving the 2-track inputs (and stereo channels on the console types) active for BGM playback while youre off stage.

Power Amp Mode Selector

All models except for the single-amp EMX62M feature power amp mode selector switches so you can configure the amp channels to suit a range of applications. The EMX5000 models, for example, offer four choices: Main (L) + main (R) to drive stereo house speakers, Mono + AUX to drive a mono house speaker system plus a mono monitor system, AUX1 + AUX2 to drive a monitor system while an outboard power amplifier drives the house, and Mono Bridge to deliver a whopping 1000 watts to a subwoofer. The LPF filter provided on the EMX500012/20 outputs is also an ideal feature for subwoofer drive.
Rack Mounting and Efficient Forced-air Cooling
With the exception of the largest model in the lineup the 20-channel EMX5000-20 all models can be rack-mounted using an optional rack-mounting kit* for optimum integration with any system or installation. in addition to the mixers physical configuration, this is made possible by a highly efficient fan cooling system that ensures reliable, stable operation under just about any environmental conditions.

The Power Amplifier

High power alone is simply not enough. At any power level the amplifiers output must remain an accurate, uncolored image of the original input signal. That demands much more technological finesse than simply building a bigger amp. In addition to totally clean, natural power, the EMX power amplifiers feature Yamahas unique EEEngine technology for extremely efficient operation with significantly reduced AC power consumption and heat generation factors that contribute to the lineups light weight and compact dimensions as well.
Yamaha Speaker Processing
Yamaha Club-series speakers are fine performers in their own right, but with Yamaha Speaker Processing you get extra-smooth highs and enhanced lowfrequency output.
* RK-88 7U Rack Mount Kit for the EMX62M, EMX66M, EMX68S, and EMX88S. RK-124 13U Rack Mount Kit for the EMX5000-12.

Digital Effects

Yamaha is no newcomer to the field of digital signal processing. Our professional outboard effect units and the effects built into our renowned digital mixing consoles set the standards for the industry. The EMX-series powered mixers benefit from the same cuttingedge technology. The EMX68S, EMX88S, and EMX5000

Stand-by Mode

Another feature that illustrates Yamahas sensitivity to the needs of the working musician is the Stand-by switch included on all stereo models: when youre done with a set simply engage the stand-by mode to mute all mono 2
Solo performers and public speakers who need a really clean, simple system that gets the job done without getting in the way will appreciate the EMX 62M. With six flexible input channels, highquality effects, 7-band graphic EQ, and a solid 200-watt mono power section, the EMX62M offers all the creative control and power you need for small shows and events.

TYPICAL APPLICATION

Microphones

CD Player

AS108 II Speakers
u 1 Balanced Low-Z inputs with switchable phantom power ensure optimum performance with all highquality microphones. 2 Hi-Z inputs for direct connection of line sources or high-output instruments. 3 Pad switch allows input level matching with highlevel sources. 4 The Level controls individually adjust the level of each channel. 5 Effect send delivers the channel signal to the mixers superb internal effects, or an outboard effect processor. 6 Monitor send adjusts the level of the channel signal sent to the monitor section. 7 2-band channel equalizer offers independent response-shaping control for each channel. high-quality digital reverb effects add ambience and depth to your sound. 9 MAIN section Effect Return adjusts the amount of effect signal mixed input the main program. 0 MONITOR section Effect Return lets the performers hear the effects, too.

Rear Panel

! Aux In control mixes the signal received via the AUX IN jack into the main program. @ 7-band graphic equalizer provides flexible soundtailoring and feedback control for the main output. # 2TR IN control adjusts the amount of signal received via the 2TR IN jacks mixed into the main program output. $ Phantom power switch applies phantom power to the Low-Z inputs for phantom-powered condenser microphones. % MONITOR section Master control adjusts the volume of the monitor sound. ^ Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers. & MAIN section Master control with 5-segment level meter adjusts the overall level of the main house sound. * Monitor output jack delivers the line-level monitor output for connection to an external sound system. ( Phones output for convenient monitoring via headphones.
) Main output can be used to drive an external power amplifier or sound system from the main program. q Rec Out jacks deliver the main program signal to an external recorder. w 2TR IN jacks can be used to mix the output from a tape deck or other stereo source into the main outputs. e Aux In jack allows the signal from an auxiliary source or sub-mixer to be mixed into the main program. r Foot Switch jack accepts an optional FC5 foot switch to turn the effects on or off. t Effect Out jack delivers the signal from the channel Effect send controls to an external effect processor. y Super Hi-Z inputs optimized for direct input of acoustic electric guitars and electric guitars or basses. u Line inputs allow connection of line-level sources. i Speaker 1 and 2 outputs allow connection of two 8-ohm speakers or a single 4-ohm speaker.

If you dont need more than six channels, but you do need plenty of power and monitoring capability, take a good look at the EMX66M. This little powerhouse features two mono 300-watt power amplifiers that can both drive house speakers, or one can drive the house while the other drives a monitor system. The power amps can even be bridged for a spectacular 600 watts output.
CD Player Additional Powered Sub Woofer Club Series Speakers

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o i u 1 Balanced Low-Z inputs with switchable phantom power ensure optimum performance with all highquality microphones. 2 Hi-Z inputs for direct connection of line sources or high-output instruments. 3 Pad switch allows input level matching with highlevel sources. 4 The Level controls individually adjust the level of each channel. 5 Effect send delivers the channel signal to the mixers superb internal effects, or an outboard effect processor. 6 Monitor send adjusts the level of the channel signal sent to the monitor section. 7 3-band channel equalizer offers smooth , independent response-shaping control for each channel. 8 A selection of 8 top-quality digital effects add character and warmth to your sound.
9 MAIN section Effect return adjusts the amount of effect signal mixed input the main program. 0 MONITOR section Effect Return lets the performers hear the effects, too. ! MONITOR section 7-band graphic equalizer makes it easy to set up optimum monitor sound for the performers. @ Aux In control mixes the signal received via the AUX IN jack into the main program. # 7-band graphic equalizer for the MAIN section provides flexible sound-tailoring and feedback control for the main outputs. $ 2TR IN controls on the MAIN and MONITOR sections individually adjust the amount of signal received via the 2TR IN jacks mixed into the main program and monitor outputs. % Phantom power switch applies phantom power to the Low-Z inputs for phantom-powered condenser microphones. ^ MONITOR section Master control adjusts the volume of the monitor sound. 5-segment level indicator included.
& Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload. * Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Main + Monitor, or Bridged operation. ( Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers. ) MAIN section Master control with 5-segment level meter adjusts the overall level of the main house sound. q Monitor output jack delivers the line-level monitor output for connection to an external sound system. w Main output can be used to drive an external power amplifier or sound system from the main program. e Rec Out jacks deliver the main program signal to an external recorder. r 2TR IN jacks can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs.

t Aux In jack allow the signal from an auxiliary source or sub-mixer to be mixed into the main program. y Foot Switch jack accepts an optional FC5 foot switch to turn the effects on or off. u Effect Out jack delivers the signal from the channel Effect send controls to an external effect processor. i Super Hi-Z inputs optimized for direct input of acoustic electric guitars and electric guitars or basses. o Line inputs allow connection of line-level sources. p Power amp A and B outputs deliver the output from the units two power amplifiers to the corresponding speaker systems. Q Bridge allows the total output from both amplifiers to be fed to a single speaker or multiple daisyspeakers.
Some shows simply demand stereo sound, and with its 400-watt per channel multi-mode stereo configuration the EMX68S can certainly deliver. This advanced model also adds a number of refined features including a selection of 16 superb effects (including tap-delay) brought to you by professional-class Yamaha SPX digital signal processing technology, and a one-touch standby mode.
Recorder Acoustic Electric Guitar Club Series Speakers CD Player

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Q 1 Balanced Low-Z inputs with switchable phantom power ensure optimum performance with all highquality microphones. 2 Hi-Z inputs for direct connection of line sources or high-output instruments. 3 Pad switch allows input level matching with highlevel sources. 4 The Level controls individually adjust the level of each channel. 5 Pan control adjusts the position of the channel signal in the stereo sound field. 6 Effect send delivers the channel signal to the mixers superb internal effects, or an outboard effect processor. 7 Monitor send adjusts the level of the channel signal sent to the monitor section. 8 3-band channel equalizer offers smooth, independent response-shaping control for each channel. 9 A selection of 16 professional-quality SPX digital effects, each with a main parameter that can be adjusted to tailor the effect to your sonic requirements. Parameter settings are memorized for each effect program. Tap-delay makes it easy to produce tempo-synchronized delays.

0 MAIN section Effect return adjusts the amount of effect signal mixed input the main program. ! MONITOR section Effect Return lets the performers hear the effects, too. @ MONITOR section 7-band graphic equalizer makes it easy to set up optimum monitor sound for the performers. # Aux In control mixes the signal received via the AUX IN jacks into the main program. $ 7-band graphic equalizer for the MAIN section provides flexible sound-tailoring and feedback control for the main outputs. % 2TR IN controls on the MAIN and MONITOR sections individually adjust the amount of signal received via the 2TR IN jacks mixed into the main program and monitor outputs. ^ Phantom power switch applies phantom power to the Low-Z inputs for phantom-powered condenser microphones. & MONITOR section Master control adjusts the volume of the monitor sound. 5-segment level indicator included.
* Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload. ( Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Main + Monitor, or Bridged operation. ) Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers. q Stand-by switch instantly mutes all inputs except for the Tape Input jacks. w MAIN section Master control with 5-segment stereo level meters adjusts the overall level of the main house sound. e Monitor output jack delivers the line-level monitor output for connection to an external sound system. r Main outputs can be used to drive an external power amplifier or sound system from the main program. t Rec Out jacks deliver the main program signal to an external recorder. y 2TR IN jacks can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs.
u Stereo Aux In jacks allow the signal from an auxiliary stereo source or sub-mixer to be mixed into the main program. i Foot Switch jacks accept optional FC5 foot switch to turn the effects on or off, and tap in the tempo for the tempo delay effect on the fly. o Effect Out jack delivers the signal from the channel Effect send controls to an external effect processor. p Stereo line inputs let you handle any line-level stereo source stereo keyboards, outboard stereo effects, BGM etc. via a single channel. Q Super Hi-Z inputs optimized for direct input of acoustic electric guitars and electric guitars or basses. W Bridge allows the total output from both amplifiers to be fed to a single speaker or multiple daisyspeakers. E Power amp A and B outputs deliver the output from the units two power amplifiers to the corresponding speaker systems.

Eight input channels six mono and two stereo give you the extra capacity you need to handle small bands and other ensembles. And a top-quality 400-watts per channel multi-mode power section ensures that every source comes through loud and clear. 3-band channel EQ, individual 7-band graphic EQ for the main and monitor outputs, professional SPX effects, Yamaha Speaker Processing, and more, add up to total sound control.

Recorder

Additional Powered Sub Woofer Portable Keyboard

Club Series Speakers

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Q 1 Balanced Low-Z inputs with switchable phantom power ensure optimum performance with all highquality microphones. 2 Hi-Z inputs for direct connection of line sources or high-output instruments. 3 Pad switch allows input level matching with highlevel sources. 4 The Level controls individually adjust the level of each channel. 5 Pan control adjusts the position of the channel signal in the stereo sound field. 6 Effect send delivers the channel signal to the mixers superb internal effects, or an outboard effect processor. 7 Monitor send adjusts the level of the channel signal sent to the monitor section. 8 3-band channel equalizer offers smooth , independent response-shaping control for each channel. 9 A selection of 16 professional-quality SPX digital effects, each with a main parameter that can be adjusted to tailor the effect to your sonic requirements. The parameter setting is memorized for each effect program. Tap-delay makes it easy to produce tempo-synchronized delays.
0 MAIN section Effect return adjusts the amount of effect signal mixed input the main program. ! MONITOR section Effect Return lets the performers hear the effects, too. @ MONITOR section 7-band graphic equalizer makes it easy to set up optimum monitor sound for the performers. # Aux In control mixes the signal received via the AUX IN jacks into the main program. $ 7-band graphic equalizer for the MAIN section provides flexible sound-tailoring and feedback control for the main outputs. % 2TR controls on the MAIN and MONITOR sections individually adjust the amount of signal received via the 2TR IN jacks mixed into the main program and monitor outputs. ^ Phantom power switch applies phantom power to the Low-Z inputs for phantom-powered condenser microphones. & MONITOR section Master control adjusts the volume of the monitor sound. 5-segment level indicator included.

* Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload. ( Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Main + Monitor, or Bridged operation. ) Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers. q Stand-by switch instantly mutes all inputs except for the Tape Input jacks. w MAIN section Master control with 5-segment stereo level meters adjusts the overall level of the main house sound. e Monitor output jack delivers the line-level monitor output for connection to an external sound system. r Main outputs can be used to drive an external power amplifier or sound system from the main program. t Rec Out jacks deliver the main program signal to an external recorder.
y Tape In jacks can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs. u Stereo Aux In jacks allow the signal from an auxiliary stereo source or sub-mixer to be mixed into the main program. i Foot Switch jacks accept optional FC5 foot switch to turn the effects on or off, and tap in the tempo for the tempo delay effect on the fly. o Effect Out jack delivers the signal from the channel Effect send controls to an external effect processor. p Stereo line inputs let you handle any line-level stereo source stereo keyboards, outboard stereo effects, BGM etc. via a single channel. Q Super Hi-Z inputs optimized for direct input of acoustic electric guitars and electric guitars or basses. W Bridge allows the total output from both amplifiers to be fed to a single speaker or multiple daisyspeakers. E Power amp A and B outputs deliver the output from the units two power amplifiers to the corresponding speaker systems.
If your show demands serious input capacity and power, the 12channel EMX5000-12 or the 20-channel EMX5000-20 will probably do the job with performance to spare. Both feature a 500-watt per channel multi-mode stereo power section that will fill even fairly large venues with outstanding sound. And although theyre integrated powered mixers designed with convenience and portability in mind, both models deliver features and performance that will satisfy even the most discerning performers and sound engineers. TYPICAL APPLICATION

Power Amplifier

Additional Sub Woofer

Synthesizer

Microphones CD Player Club Series Speakers

EMX5000-12

^ & * ()q w e r t y u ) Effect Send jacks deliver the signal from the channel Effect send controls to an external effect processor. q Aux send 1 and 2 outputs deliver the corresponding auxiliary signal for external processing or monitoring. w Stereo outputs can be used to drive an external power amplifier or sound system from the main program. e Power amp input connectors facilitate the insertion of external equalizers or other processing gear into the main program. r Stereo Sub Out level control and output jacks allow sub-mix cascading to a second mixer. t Mono output featuring a switchable low-pass filter with continuously-variable (screwdriver-adjustable) 80~120Hz cutoff frequency for subwoofer drive. y Foot Switch jacks accept optional FC5 foot switch to turn the effect 2 on or off, and tap in the tempo for the tempo delay effect on the fly. u Phones jack with independent level control. i Panel-top Lamp socket. o Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload. p Yamaha Speaker processing switch for smoother high frequencies and enhanced low-end output from Yamaha speakers. Q Power amplifier output selector allows selection of 500, 300, or 100 watt output per channel. W Power Amp mode selector allows two-channel power amplifier to be quickly configured for Main + Main, Mono + Aux 1, Aux 1 or Aux 2, or Bridged operation. E Stand-by switch instantly mutes all mono inputs. R 9-band graphic equalizer with ON switch provides flexible sound-tailoring and feedback control. T Effect-section Aux 1 and Aux 2 sends adjust the amount of effect signal sent to the corresponding auxiliary buses. Y Precise 12-segment stereo level meter. U Carrying handle doubles as an armrest for extra control comfort. I Stereo master fader with both PFL and AFL switches. O Linear Aux 1, Aux 2, and Mono Out master faders with AFL (after-fader listen) monitor switches. P Linear Effect return faders with PFL and ON switches. a High-quality SPEAKON speaker connectors for fast, reliable connection. Phone jack connectors are also provided.

Q W E R T

Y ^ & r t

EMX5000-20

U P O I
1 High-quality linear faders individually adjust the level of each channel. 2 PFL (pre-fader listen) switches allow isolated monitoring of individual channels. 3 All input channels feature signal and peak indicators for visual signal monitoring. 4 Channel ON switches let you switch individual channels into or out of the mix. 5 Pan control adjusts the position of the channel signal in the stereo sound field. 6 Two Effect send controls delivers the channel signal to the mixers dual high-performance internal effect systems, or outboard effect processing gear, as required. 7 Aux 1 and Aux 2 send controls with pre/post fader switching adjust the level of the channel signal sent to the auxiliary buses for monitoring or effects send.
8 3-band channel equalizer with sweepable mid band offers extremely flexible, independent responseshaping control for each channel. 9 80-Hz high pass filters for elimination of unwanted low-frequency noise and rumble. 0 Gain controls and 26-dB pad switches allow optimum level matching with just about any source. ! Insert patch points on mono input channels for insertion of external compressors, equalizers, or other processing gear. @ B inputs for direct connection of line sources or high-output instruments. # Balanced A inputs with switchable phantom power ensure optimum performance with all high-quality microphones. $ Phantom power switch applies phantom power to the A inputs for phantom-powered condenser microphones.
% Stereo line inputs let you handle any line-level stereo source stereo keyboards, outboard stereo effects, BGM etc. via a single channel. ^ Dual Stereo Sub inputs with level controls and PFL switches allow convenient connection to sub-mixers or other stereo sources. & 2TR inputs and level control can be used to mix the output from a tape deck or other stereo source into the main and monitor outputs. * Rec Out jacks deliver the main program signal to an external recorder. ( Dual effect processors offer a selection of 16 professional-quality SPX digital effects each, with a main Parameter controls that can be adjusted to tailor the effects to your sonic requirements. The parameter setting is memorized for each effect program. Tap-delay makes it easy to produce tempo-synchronized delays.
EMX SERIES SPECIFICATIONS
EMX62M Maximum Output Power @0.5% THD at 1kHz
200W/4ohms 135W/8ohms CH1-4: XLR and TRS Phone CH5, 6: 2 TRS Phone 10kHz shelving 100Hz shelving 2 (1MONITOR,1EFFECT) +15V 7 band (125, 250, 500, 1k, 2k, 4k, 8k Hz) 3 programs VOCAL REVERB LARGE HALL SMALL HALL

EMX66M

300W+300W/4ohms 205W+205W/8ohms 600W/8ohms bridge CH1-4: XLR and TRS Phone CH5, 6: XLR and 2 TRS Phones 10kHz shelving 2.5kHz peaking 100Hz shelving 2 (1MONITOR,1EFFECT) +15V 7 band (125, 250, 500, 1k, 2k, 4k, 8k Hz) 8 programs VOCAL ECHO 1 VOCAL ECHO 2 VOCAL REVERB 1 VOCAL REVERB 2 HALL 1 HALL 2 ROOM PLATE

Input Connectors Channel Inserts EQ (MONO CH) HIGH MID LOW HIGH MID LOW

EQ (STEREO CH)

AUX SENDS Phantom Power Graphic Equalizer

Power Amp. Mode

Power Select Switch Meters Yahama Speaker Processing Low Pass Filter Stand-by switch LAMP Connector Foot Switch Dimensions (W H D) Weight Power Requirements / Consumption Option UL/CSA model Australian model European model
5 points (MAIN) Yes Effect On/Off 481.327.6 mm (18-15/16" 12" 12-7/8") 12 kg (26.5 Ibs.) 120V AC 60Hz 110W 240V AC 50Hz 110W 230V AC 50Hz 110W RK-88 (Rack Mount Kit), FC-5 (Foot Switch)
Main + Main Main + Monitor Main Bridge 5 points (MAIN), 5 points (MONITOR) Yes Effect On/Off 481.327.6 mm (18-15/16" 12" 12-7/8") 15 kg (33.1 Ibs.) 120V AC 60Hz 250W 240V AC 50Hz 300W 230V AC 50Hz 300W RK-88 (Rack Mount Kit), FC-5 (Foot Switch)

EMX68S

400W+400W/4ohms 270W+270W/8ohms 800W/8ohms bridge CH1-4: XLR and TRS Phone CH5, 6: XLR and 2 TRS Phones 10kHz shelving 2.5kHz peaking 100Hz shelving 10kHz shelving 2.5kHz peaking 100Hz shelving 2 (1MONITOR,1EFFECT) +15V 7 band (125, 250, 500, 1k, 2k, 4k, 8k Hz) SPX Digital Multi Effector (20bit AD/DA, 32bit Internal Processing) 16 programs REVERB HALL EARLY REF. REVERB ROOM GATE REVERB REVERB PLATE VOCAL DOUBLER REVERB VOCAL 1 SYMPHONIC REVERB VOCAL 2 FLANGE VOCAL ECHO 1 DISTORTION VOCAL ECHO 2 TAP DELAY DELAY 1 DELAY 2 ST L + ST R Main (L+R) + Monitor Main (L+R) Bridge points (MAIN), 5 points (MONITOR) Yes Yes Effect On/Off, TAP 481.327.6 mm (18-15/16" 12" 12-7/8") 15.5 kg (34.2 Ibs.) 120V AC 60Hz 300W 240V AC 50Hz 350W 230V AC 50Hz 350W RK-88 (Rack Mount Kit), FC-5 (Foot Switch)

EMX88S

400W+400W/4ohms 270W+270W/8ohms 800W/8ohms bridge CH1-6: XLR and TRS Phone CH7, 8: XLR and 2 TRS Phones 10kHz shelving 2.5kHz peaking 100Hz shelving 10kHz shelving 2.5kHz peaking 100Hz shelving 2 (1MONITOR,1EFFECT) +15V 7 band (125, 250, 500, 1k, 2k, 4k, 8k Hz) SPX Digital Multi Effector (20bit AD/DA, 32bit Internal Processing) 16 programs REVERB HALL EARLY REF. REVERB ROOM GATE REVERB REVERB PLATE VOCAL DOUBLER REVERB VOCAL 1 SYMPHONIC REVERB VOCAL 2 FLANGE VOCAL ECHO 1 DISTORTION VOCAL ECHO 2 TAP DELAY DELAY 1 DELAY 2 ST L + ST R Main (L+R) + Monitor Main (L+R) Bridge points (MAIN), 5 points (MONITOR) Yes Yes Effect On/Off, TAP 481.327.6 mm (18-15/16" 12" 12-7/8") 15.5 kg (34.2 Ibs.) 120V AC 60Hz 300W 240V AC 50Hz 350W 230V AC 50Hz 350W RK-88 (Rack Mount Kit), FC-5 (Foot Switch)

500W+500W/4ohms 500W+500W/4ohms 325W+325W/8ohms 325W+325W/8ohms 1000W/8ohms bridge 1000W/8ohms bridge CH1-8: XLR and TRS Phone CH1-16: XLR and TRS Phone CH9/10, 11/12: 2 Phones and 2 RCA pins CH17/18, 19/20: 2 Phones and 2 RCA pins 8 (mono channels) 16 (mono channels) 10kHz shelving 10kHz shelving 250Hz-5kHz peaking 250Hz-5kHz peaking 100Hz shelving 100Hz shelving 10kHz shelving 10kHz shelving 2.5kHz peaking 2.5kHz peaking 100Hz shelving 100Hz shelving 4 (2 AUX (pre/Post), 2EFFECT) 4 (2 AUX (pre/Post), 2EFFECT) +48V +48V 9 band (63, 125, 250, 500, 1k, 2k, 4k, 8k, 16k Hz) 9 band (63, 125, 250, 500, 1k, 2k, 4k, 8k, 16k Hz) DUAL SPX Digital Multi Effector (20bit AD/DA, 32bit Internal Processing) Effect 1 (16 programs) REVERB HALL REVERB ROOM REVERB PLATE REVERB VOCAL 1 REVERB VOCAL 2 VOCAL ECHO 1 VOCAL ECHO 2 DELAY 1 DELAY 2 MOD. DELAY REVERSE GATE PITCH CHANGE CHORUS PHASER RADIO VOICE TREMOLO Effect 2 (16 programs) REVERB HALL REVERB ROOM REVERB PLATE REVERB VOCAL 1 REVERB VOCAL 2 VOCAL ECHO 1 VOCAL ECHO 2 DELAY 1 DELAY 2 EARLY REF. GATE REVERB VOCAL DOUBLER SYMPHONIC FLANGE DISTORTION TAP DELAY ST L + ST R ST L + ST R Aux1 + Mono Aux1 + Mono Aux1 + Aux2 Aux1 + Aux2 MONO Bridge MONO Bridge 500W / 300W / 100W 500W / 300W / 100W points points Yes Yes Yes (MONO OUT) Yes (MONO OUT) Yes Yes Yes (XLR 3pins) Yes (XLR 3pins) Effect 2 On/Off, TAP Effect 2 On/Off, TAP 538 mm (18-13/16" 6-1/4" 21-3/16") 538 mm (26-7/8" 6-1/4" 21-3/16") 15 kg (33.1 Ibs.) 19 kg (41.9 Ibs.) 120V AC 60Hz 400W 120V AC 60Hz 400W 240V AC 50Hz 550W 240V AC 50Hz 550W 230V AC 50Hz 550W 230V AC 50Hz 550W RK-124 (Rack Mount Kit), FC-5 (Foot Switch) FC-5 (Foot Switch)

S112 V

Club V Series Speaker System

S215 V SW118 V S115 V

SW115 V

SM15 V

SW218 V

S12e SM10 V SM12 V

SW500 Powered Sub Woofer

AS108 II Speaker System

YAMAHA Web Site http://www.yamaha.co.jp/english/ http://www.yamaha.co.jp/product/proaudio/homeenglish/
KANDO. Inspiring the Heart and Spirit.
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