High Mid and Low frequency adjustment dials are provided on every channel and dual 7-band graphic EQ's are provided for stereo signal contouring on output. The useful Stand-By switch mutes all channels and is intended for bypassing signal input in between sets. The EMX-512SC is housed in a rugged roadworthy enclosure suitable for the rigors of the road and the extended feature set provides a worthy and versatile solution for the requirements of vocalists guitar players keyboardists and live ... Read more
Part Numbers: EMX512SC, EMX512SC/BR15 BUNDLE, EMX512SC/BR15 Bundle
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Yamaha EMX 512sc demo
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EMX512SC, EMX312SC, EMX212S
High-performance mixer, power amplifier, graphic EQ, and digital effects integrated into compact, portable units.
12 versatile inputs: 1 through 4 for mono microphone or line, 5/6 and 7/8 for mono microphone/line or stereo line
input, and 9/10 and 11/12 for stereo line input. Advanced Yamaha one-knob compressor on mono EMX512SC and EMX312SC input channels. Yamaha FCL system makes locating and eliminating feedback easier than ever. 16 digital SPX effect programs with adjustable parameters. Footswitch connector for effect on/off control. Standby switch can be used to mute performers inputs while the stereo inputs remain active for background music playback. High-quality, high power output with remarkably efficiency and low heat generation. Connectors for external power amplifiers and effect processors. Independent 7-band graphic equalizers for the stereo and monitor outputs. Yamaha Speaker Processing. OPTIONS Forced air keeps the system cool. RK512 FC5 Optional rack mount hardware.
Rack Mount Kit Foot Switch
Model Maximum output power 4 1kHz, THD+N 0.5% 8 / AC120V model 8 / AC220-240V model Total harmonic distortion Frequency response Equivalent input noise 20Hz-20kHz Crosstalk @1kHz Phantom voltage CH&ST CH equalizer 15dB maximum Effect Level meter FCL Sensitivity Protection Power Amplifier HIGH MID LOW EMX512SC 500W+500W 350W+350W 320W+320W Less than 0.5%, +14dBu@ 20Hz-20kHz 0, -3, +1dB, 20Hz-20kHz, 0dB@1kHz -115dBu -65dB +15V, CH1-4:INPUT B, CH5/6-11/12:MIC 10kHz (Shelving) 2.5kHz (Peaking) 100Hz (Shelving) 16 program, Parameter control FOOT SW (ON/OFF) 2x5 point LEDlevel meter[MAIN(L,R)] 5 point LED level meter [MONITOR] Input signal level -75dBu: LED on CH1-4 MIC/LINE:MIC B Input, CH5/6-11/12 MIC Input POWER switch on/off mute DC-fault Thermal / heatsink temp 90degrees celsius VI limiter / RL 2 Power supply Power consumption Dimensions (W x H x D) Weight Clip limiter / THD 1%, Indicator x 2 Thermal / heatsink temp 100degrees celsius 550W 442.5 x 284 x 264mm (17.4" x 11.2" x 10.4") 8.0kg (17.6lbs) 450W 350W EMX312SC 300W+300W 190W+190W 180W+180W EMX212S 220W+220W 130W+130W 130W+130W
Input Terminal XLR CH INPUT 1-4 Phone CH INPUT 5/6,7/8 CH INPUT 9/10,11/12 XLR Phone XLR Pin MIC/LINE MIC LINE MIC LINE Actual Load For Use With Impedance Nominal Sensitivity Nominal 2k 6k 2k 10k 2k 10k Connector Max. Before Clip -60dBu -35dBu -15dBu 50-600 Mics XLR3-31 type* -30dBu -5dBu +15dBu -50dBu -25dBu -5dBu 600 Lines TRS phone jack** -20dBu +5dBu +25dBu Input Level
Output Terminal SPEAKERS [A1,A2,B1,B2] MAIN OUT[L,R] EFFECT OUT MONITOR OUT REC OUT[L,R] Actual Source For Use With Impedance Nominal 0.1 Output Level Model Nominal 125W 75W 50W +4dBu +4dBu +4dBu -10dBu Max. before Clip 500W 300W 200W +20dBu +20dBu +20dBu +10dBu Connector [A1,B1]SPEAKON* [A2,B2]Phone jack* Phone jack** Phone jack** Phone jack** RCA pin jack**
EMX512SC 4 Speakers EMX312SC EMX212S 10k Lines 10k Lines 10k Lines 10k Lines -
50-600 Mics -60dBu -35dBu -15dBu XLR3-31 type** 600 Lines -20dBu +5dBu +25dBu Phone jack* 50-600 Mics -60dBu -35dBu -15dBu XLR3-31 type* 600 Lines -20dBu +5dBu +25dBu RCA pin jack**
unit : mm
One-knob Compression On Mono Channels
Up To 12 Mics, 16 Inputs Total 4 Stereo inputs 500 W + 500 W (4) Input Gain Trim and Pads LPF 3-band Mid-sweep Channel EQ One-knob Compression PFL and AFL Monitoring Dual AUX Sends Dual SPX Processors Feedback Suppressor 9-band Digital Graphic EQ FRC System Multi-band Maximizer Maximum Power Switch Standby Mode Power Amp Mode Switch YAMAHA Speaker Processing Lightweight Design Lightweight Design (11kg) Rack Mountable
The EMX5016CF features compressors on all monaural microphone/line channels that can help to make vocals ride the mix better, give you that smooth compressed guitar sound, deliver more punchy bass, and generally refine your mixes in a multitude of ways. These unique one-knob compressors are surprisingly simple to use. There are no multiple attack, threshold, makeup gain, and other controls just set the COMP control to the amount of compression you need.
9-band Digital Graphic EQ with Presets & Memory
This advanced digital 9-band stereo graphic equalizer goes way beyond conventional analog types with a refined control interface, instant-recall presets, and user memory locations. It also works with the consoles innovative Frequency Response Correction system (see below) for unprecedented response-shaping control. Of course you can manually adjust each band as required from scratch, but you can also use one of the presets VOCAL, DANCE, or SPEECH as a starting point and edit from there. You also have three user memories into which you can store your own EQ curves for instant recall whenever needed.
FRC (Frequency Response Correction) System
Setting a live sound systems output equalizer to optimally match room response is normally a complicated process requiring noise generators, calibrated microphones, real-time analyzers, and a great deal of time and experience. The EMX5016CF handles the entire process automatically, using either pink noise or a recorded music source you supply. To precisely match the systems response to the room youre in all you need to do is set up a microphone in an appropriate location, connect it to channel 1, press MEASURE/CORRECT once to make the measurement, and then again to automatically set the graphic equalizer for optimized response. The EQ setting can then be stored in one of the user memories for later recall if needed.
Automatic Feedback Suppression
Although the graphic equalizer can be used for feedback control, the EMX5016CF provides a Feedback Suppressor system that is dedicated to the job. The Feedback Suppressor works by detecting feedback frequencies on the stereo bus and applying precise notch filters to eliminate the feedback. The Feedback Suppressor has an AUTO mode that automatically keeps track of and attenuates feedback frequencies for you, and a sensitive manual mode that lets you pinpoint and attenuate feedback points one by one.
500-watt Mains and Dual Monitors
In this basic system the EMX5016CF speaker outputs drive S115V speakers for solid front-of-house sound, while the sub-stereo outputs are connected to MSR400 powered speakers for stage monitoring.
The EMX501CF Maximizer is an advanced 3-band compressor that can be applied to the stereo bus for a more punchy up-front overall sound. Simply press the MAXIMIZE switch to instantly give the mix more presence and impact without sacrificing musical subtlety.
ST SUB OUT L/MONO
ST SUB OUT R
Dual Yamaha SPX Effect Processors
(440 excluding screw heads)
The EMX5016CF includes not one but two top-performance Yamaha SPX digital effect processors built in! You might only need ambience effects such as reverb and delay for live sound applications and the EMX5016CF includes some of the finest reverb and delay effects available but if you need other effects as well theyre right at your fingertips, and you can use two different effects simultaneously. Each effect processor offers a selection of 16 top-quality effects including reverb, echo, chorus, flanger, phaser, and even distortion, with editable parameters that allow you to customize each effect.
Dual AUX Sends
AUX 1 and AUX 2 send controls with pre/post fader switching adjust the level of the channel signal sent to the auxiliary buses for monitoring or external effects send. The availability of two AUX sends provides considerable flexibility for effect and monitor routing. You could, for example, use the channel EFFECT controls to control send level to the internal SPX effect processor while using AUX 2 to feed an external effects unit, and AUX 1 to feed a stage monitor system.
A Console-format Powered Mixer for Advanced Live Applications
More sources? Bigger venues? If your sound reinforcement requirements are getting serious, but you still want the convenience and reliable performance of a Yamaha powered mixer, check out the console-style EMX5014C. Heres an all-in-one solution that will appeal to bands and venue operators alike. The EMX5014C transports and sets up with the ease of systems built around the smaller EMX-series powered mixers, but will also prove its worth in more permanent installations. It can even be rack-mounted for vertical or angled operation, and real space savings! But of course the EMX5014C offers much more than just convenience. It provides a surprising palette of features and versatile signal routing options that can take your live sound to the next level. And its a Yamaha, so you know its going to sound great. "COMP" CHARACTERISTICS
Up To 8 Mics, 14 Inputs Total 4 Stereo inputs 500 W + 500 W (4) Input Gain Trim One-knob Compression 3-band Mid-sweep Channel EQ LPF FCL System Dual AUX Sends SPX Digital Effects 9-band Stereo Graphic EQ PFL and AFL Monitoring Power Select Switch Standby Mode Power Amp Mode Switch YAMAHA Speaker Processing Lightweight Design (10.5kg) Rack Mountable
Feedback Channel Locating (FCL) System
FCL System indicator LEDs at the top of each channel light if the corresponding channel goes into feedback. So if and when feedback occurs youll be able to locate the channel(s) in which it is occurring immediately and rectify the problem without delay.
Limiter indicators tell you when the internal limiter circuitry has been activated due to power amplifier overload. Power Amp mode selector allows twochannel power amplifier to be quickly configured for Main + Main, Mono + Aux 1, or Aux 1 + Aux 2 operation. Power amplifier output selector allows selection of 500, 200, or 75 watt output per channel. Stand-by switch instantly mutes all mono inputs. Precise 12-segment stereo level meter. Phones jack with independent level control. High-quality SPEAKON speaker connectors for fast, reliable connection. Phone jack connectors are also provided.
Versatile 14-Input Configuration
The EMX5014C has a total of 14 input channels six for monaural microphone or line input, plus four stereo pairs. Two of the stereo channels can function either as monaural microphone inputs or stereo line inputs. Switchable phantom power is provided for all microphone inputs. This system lets you use up to eight microphone channels plus two stereo inputs if your sources are mostly microphones. Or if you need to handle more stereo sources say, Background Music, from a DJ mixer, and two stereo keyboards the EMX5014C will comfortably handle all of these in addition to six monaural microphone or line inputs.
Although the EMX5014C and a pair of speakers or two are all you need to create a powerful, highperformance live sound system, it features a range of inputs and outputs that allow it to be integrated into larger systems. Insert patch points on the mono input channels, for example, let you add outboard signal processing to individual input channels. And although you have all the effects youre likely to need built in, and monitor power, external AUX and EFFECT sends allow you to route the mixers signals to external signal processing and/or monitor systems as required. Stereo out, stereo sub-out, and record outputs are also provided.
500-watt Mains and Monitor
In this basic system the EMX5014C Speaker A output is driving a pair of parallel-connected S112V speakers for solid front-of-house sound, while an SM12V driven by the Speaker B output serves as a stage monitor.
SPX Digital Effects
Normally youll only need ambience effects such as reverb and delay for live sound applications and the EMX5014C includes some of the finest reverb and delay effects available built right in but if you need other effects as well theyre right at your fingertips. You can dial up a selection of 16 top-quality Yamaha SPX effects including reverb, echo, chorus, flanger, phaser, and even distortion. Yamaha SPX digital effects are widely recognized as being some of the finest available, and the effects provided in the EMX mixers live up to that reputation.
AUX 1 and AUX 2 send controls, with pre/post fader switching for AUX 2, adjust the level of the channel signal sent to the auxiliary buses for monitoring or effects send. The available of two AUX sends provides considerable flexibility for effect and monitor routing. You could, for example, use the channel EFFECT controls to control send level to the internal SPX effect processor while using AUX 2 to feed an external effects unit, and AUX 1 to feed a stage monitor system.
Speaker A (Parallel)
Yamaha Speaker Processing
Youll undoubtedly want to use at least one pair of Yamaha Club-series speakers with the EMX5014C for the superior sound and projection they provide. If you do youll really appreciate the enhanced low-end output and high-end smoothness provided by built-in Yamaha speaker processing.
With the optional RK5014 rack-mount kit, the EMX5014C can be conveniently mounted in a portable or installed rack. This has been made possible by a combination of the mixers configuration and a highly efficient fan cooling system that ensures reliable, stable operation.
Integrated Solutions for Superior Live Sound
Experienced musicians, performers, speakers, and club operators know the importance of a high-quality sound system with the right features and performance to deliver their sound. Where portability and convenience are important criteria, a system based on a highperformance Yamaha EMX-series powered mixer is definitely the way to go. In one integrated, portable unit you have a mixer to combine and balance your microphone, instrument, and line sources, effects to refine and polish your sound, and power to drive the main speakers and even monitor speakers as well. But thats nowhere Angled Cabinet near the whole story Yamaha EMX-series Powered Mixers offer a range of for Easy Access This thoughtful feature makes the control features that let you mix, process, and deliver your sound with maximum quality panel easy to see and access when the unit is and creative control and, of course, that unrivalled Yamaha sound. placed on the floor.
EMX5016CF Block and Level Diagram
ST L (MUTE) ST R (MUTE) AUX 1(MUTE) AUX 2 (MUTE) EFFECT1 (MUTE) EFFECT2 (MUTE)
ST L (NON-MUTE) ST R (NON-MUTE) AUX 1 (NON-MUTE) AUX 2 (NON-MUTE) EFFECT1 (NON-MUTE) EFFECT2 (NON-MUTE)
PFL L/AFL L PFL R/AFL R
STAND-BY RE BA L/MONO ST SUB OUT [+4dBu] R
[-60dBu~ -16dBu] 80 GR COMP HPF LOW Mid f COMP (TH) MID HIGH 26dB GAIN [-60dBu~ -16dBu] [-34dBu~ +10dBu] 3-Stage EQ PAD HA
PEAK SIGNAL (CH Fader) [-10dBu] BA [0dBu] PRE PRE [0dBu] PAN AUX1 AUX2 EFF 1 EFF 2 YE [-6dBu] [-6dBu] [-6dBu] [-6dBu]
ST SUB OUT
SUM [0dBu] SUM [0dBu] ST L A/D
ST OUT L
P.T. Yamaha Music manufacturing Asia
Manufacturing the electronic instruments and PA products
From the initial design to final manufacturing, all production processes for the Yamaha EMX series Powered Mixers are performed entirely inside the company. Moreover, every product that comes off our production line must pass strict quality controls using the sophisticated test instruments. Thus, all of this enables us to deliver the highest quality products to you.
Multi Band Comp. [0dBu] ST R
GEQ + FRC ST OUT R
ST OUT [+4dBu] BA R
ST CH INPUT
CH9/10,11/12,13/14,15/16 [-30dBu~ +14dBu] HA HPF 80 PFL AFL INV HA [0dBu] 3-Stage EQ [0dBu] [-10dBu] BA [0dBu] PAN/BAL PRE AUX1 LOW MID HIGH RE PEAK SIGNAL GR 3-Stage EQ BA ON YE GAIN [-34dBu~ +10dBu] (ST CH Fader) PRE AUX2 [-6dBu] [0dBu] SUM [-6dBu] SUM [0dBu] SUM [0dBu] [0dBu] AUX1 [-10dBu] BA AUX 1 [+4dBu] L REC OUT [-10dBV] R
CH9L,11L,13L,15L [-34dBu~ +10dBu]
ST CH LINE
AFL [0dBu] AUX1 SUM [0dBu] SUM [0dBu] [-10dBu] BA AUX 2 [+4dBu]
CH10R,12R,14R,16R [-34dBu~ +10dBu] PFL
EFF 1 EFF 2
EFF 1 [+4dBu]
FOOT1 D/A FOOT2 EFF1 OUT L EFF1 RTN [-10dBu] BA
[0dBu] SUM [0dBu] PHONES [-16dBu] INV BA EFF 2 [+4dBu] PHASE
SUM D/A EFF1 OUT R AUX1 AUX2 PFL [-6dBu] [-6dBu] BA
PROGRAM PARAMETER EFF 1 ON YE ENC1 [A-D] INSERT EFF1 ON EFF1 LED
An Inter view with the EMX Design Team
Built-in Compression Adds Live-sound Versatility to the new EMX-series Powered Mixers
* What is the main difference compared to previous EMX-series mixers? The main difference is built-in compression. Compression is indispensable in almost all professional recording and live-sound applications, but we believe that this is the first time it has been built into an analog live mixer. Most box type mixers have no insert connectors, so there has really been no convenient way to use compression with them. As a result, many users of this type of powered mixer have never used compression, but we wanted them to have that option in the new EMX series. Although compression is used in most pro audio applications, it has been a bit too difficult for beginners to take full advantage of. Thats why weve streamlined it down to the essentials and made it very easy to use. Another important new feature is FCL (Feedback Channel Location). This system detects feedback and shows you which channel is causing the problem. Some mixers from other manufacturers have indicators in the graphic equalizer section that show the feedback frequency, but indicating the problem channel allows the feedback to be more effectively controlled using channel EQ. If you try to control feedback using the EMX graphic equalizer, for example, you end up changing the sound of the entire program. For this reason it is far more effective to control it at the input, thus avoiding degradation of the overall sound. In the box-type 212C, 312SC, and 512SC, it was easy to mount the fan away from the circuit board to minimize degradation of the audio signal. But in the console-type EMX5016CF and EMX5014C finding the ideal fan location was extremely difficult. Since the fan must be located near the input circuitry, special measures have been taken to ensure that electronic and mechanical noise from the fan do not affect sound quality, while at the same time ensuring maximum heat extraction. The hardware team wanted to increase the size of the body by 30 millimeters, but our goals for a streamlined, compact design were important enough that we decided to find other ways to achieve the desired performance. The strength of the integral handles was also predicted using computer simulation, and as a result, we have achieved strength comparable to that of aluminum.
0dBu=0.775V 0dBV=1V +40dBu +30dBu +20dBu +10dBu 0dBu -10dBu -20dBu -30dBu -40dBu -50dBu -60dBu -70dBu CH INPUT (PAD OFF) GAIN Max. [-60dBu] ST CH MIC [-60dBu] CH INPUT (PAD ON) GAIN Max. [-34dBu] CH INPUT (PAD OFF) GAIN Min. [-16dBu] ST CH MIC [-16dBu]
Clip level Clip level
EFF IN 1 EFF IN 2
(AMP SIGNAL SELECT) L AUX1 AUX1 YSP
PROGRAM PARAMETER EFF 2 ON YE ENC2 [A-D] INSERT EFF2 ON EFF2 LED
POWER AMP 500W 200W 75W
LIMITER RE LIMITER PA
[500WMAX @ 4ohms]
EFF2 OUT L
BA SUM INV R MONO AUX2
YS PROCESSING YE LIMITER 500W 200W 75W RE LIMITER INV PA
L AUX1 AUX1
EFF2 OUT R AUX1 AUX2 PFL [-6dBu] [-6dBu]
R MONO B AUX2
ST AFL/PFL ST AFL/PFL DR DR
SPEAKER OUT (+35.2dBu) MAXIMUM OUTPUT POWER [500W/4ohms] [125W/4ohms] (+29.2dBu)
+40dB +30dB +20dB +10dB 0dB
CH INPUT (PAD ON) GAIN Min. [+10dBu]
ST CH LINE GAIN Min. [+10dBu] INSERT I/O [0dBu] ST CH IN [-10dBu] CH fader [-10dBu] CH & ST CH to ST [0dBu] (PAN,BAL Max.) ST SUB level control CH & ST CH to AUX/EFFECT [-6dBu] ST, AUX fader [-10dBu]
ST OUT, ST SUB OUT [+4dBu] AUX SEND, EFFECT SEND [+4dBu] [-6dBu] REC OUT [-10dBV] PHONES [-16dBu] [PHONES 3mW@40ohms]
-10dB -20dB -30dB -40dB -50dB -60dB -70dB
ST CH LINE GAIN Max. [-34dBu]
Reliability Without Compromising Performance
* The simplicity and aesthetic appeal of the designs are quite impressive. Tell us about the design concept. Simplicity was the main goal, particularly in the console-type 5016CF and 5014C. We wanted to consolidate the mixer controls, so the utility control section has been clearly separated. We didnt even want any handles to be visible. An important idea implemented in the box-type models is that they can be set at an angle like monitor speakers. The integral handles are also an important design feature, and achieving the required strength was a constant problem. Achieving the ideal blend of size, weight, and durability is quite difficult. As usual, demands from the sales team continue to escalate while the hardware and mechanics teams try to turn them into reality without ever reducing or compromising features or performance. Computer simulation was called into play once again, providing an accurate preview of the mold-flow characteristics of the resin used for the box-type housings. The final strength of the molded housings depends to a large degree on how the molten resin is introduced in the mold, and how it flows within the mold.
3-Stage EQ HIGH LOW MID
STA ND-BY (CH1-8 MUTE)
REC OUT [-10dBV] [-8dBu]
L(MONO) MAIN OUT [+4dBu] R
ST CH MIC
[-30dBu ~ +14dBu]
[-60dBu ~ -16dBu] L (MONO)
MIC [-60dBu] CH INPUT (CH5/6, 7/8) LINE L/MONO [-20dBu]
125kHz 250kHz 500kHz 1kHz 2kHz 4kHz 8kHz
MONITOR [-26dBu] [-26dBu]
Maximum Output Power
EMX512SC EMX321SC EMX212S
[0dBu] [0dBu] AFL [0dBu] AUX1 [-10dBu]
[500W 4ohms*2] [300W 4ohms*2] [200W 4ohms*2]
ST CH LINE IN [-34dBu ~ +10dBu] R
ST CH Fader
LINE R [-20dBu] MIC [-60dBu]
MAIN (L+R) SUM
YSP ON YSProcessing LIMITER
A: L/MAIN(L+R) SPEAKERS
[0dBu] [0dBu] AFL [0dBu] AUX2 [-10dBu]
CH INPUT (CH9/10, 11/12) LINE L [-20dBu] LINE R [-20dBu]
BA PEAK SIGNAL
[0dBu] [-6dBu] [-6dBu]
[0dBu] [0dBu] [0dBu]
EFFECT RETURN to MAIN IN EFFECT ON FOOT SW (EFFECT ON/OFF)
ST CH LINE [-34dBu ~ +10dBu]
B: R/MONITOR BA MONITOR OUT [+4dBu]
LED METER ST/AFL PFL
DSP YMM757-VTZ(SWL01T) CLOCK 16.9344MHz RO
EFFECT OUT [-6dBu]
EFFECT RETURN to MONITOR PROGRAM (1-16) PARAMETER
MAIN L MAIN R MONITOR EFFECT MAIN L (NON-MUTE) MAIN R (NON-MUTE) MONITOR (NON-MUTE)
FOOT SW EFFECT ON/OFF IN LO PROGRAM (1-16) PARAMETER ON
YE YSP ON
500W 200W 75W
EFFECT RTN [-10dBu]
ST L AUX1 AUX1
A: L/AUX1/AUX1 PA 2 1
DIGITAL EFFECT RO (DSP)
AUX1 AUX2 PFL
ST R MONO AUX2
SPEAKERS Maximum Output Power EMX512SC/312SC/212S [500W/300W/200W 4ohms]
+30dBu +20dBu +10dBu
Clip Level Clip Level Clip Level SPEAKERS EMX512SC/312SC/212S [125W/75W/50W 4ohms] MONITOR OUT [+4dBu] EFFECT OUT [-6dBu] RECT OUT [-10dBu]
0dBu=0.775V 0dBV=1V +40dB +30dB +20dB +10dB 0dB -10dB -20dB -30dB -40dB -50dB -60dB -70dB
CH INPUT (PAD OFF) GAIN Max. [-60dBu]
ST CH MIC [-60dBu]
+20dBu +10dBu 0dBu -10dBu -20dBu -30dBu -40dBu
MAIN OUT [+4dBu], MAIN [-8dBu] EFFECT (MONO) [-8dBu] EFFECT (ST) [-16dBu] INPUT A (LINE) [-20dBu]
INPUT B (LINE) [-30dBu]
(+35.2dBu) SPEAKER OUT MAXIMUM OUTPUT POWER [500W/4ohms] [125W/4ohms] (+29.2dBu)
+40dB +30dB +20dB +10dB
0dBu -10dBu -20dBu -30dBu -40dBu -50dBu -60dBu
INPUT A (MIC) [-50dBu]
INPUT B (MIC) [-60dBu]
ST CH LINE GAIN Min. [+10dBu]
ST OUT, ST SUB OUT [+4dBu] AUX SEND, EFFECT SEND [+4dBu]
LINE [-20dBu] MONITOR (MONO) [-26dBu] MONITOR (ST) [-34dBu]
INSERT I/O [0dBu] CH INPUT (PAD OFF) GAIN Min. [-16dBu] CH INPUT (PAD ON) GAIN Max. [-34dBu]
ST CH MIC [-16dBu]
CH & ST CH to ST [0dBu](PAN,BAL Max.)
ST SUB level control [-6dBu] [PHONES 3mW@40ohms] PHONES [-16dBu]
0dB -10dB -20dB -30dB -40dB -50dB -60dB -70dB
CH fader [-10dBu]
CH & ST CH to AUX/EFFECT [-6dBu]
REC OUT [-10dBV]
ST, AUX fader [-10dBu]
EMX5014C Maximum Output Power @ 0.5 % THD at 1 kHz Frequency Response Total Harmonic Distortion Hum & Noise Crosstalk @ 1 kHz Input Connectors EQ Phantom Voltage Graphic Equalizer Digital Effects Power Amp. Mode Foot Switch Dimensions (W x D x H) Weight Power Requirements/Consumption 500 W/W/8 (UA) 320 W/8 (H) -3, 0, 1 dB 20 Hz-20 kHz, ref to the nominal output level @ 1 kHz Less than 0.3 % (THD+N) +14dBu output into 600 @ 20 Hz-20 kHz Equivalent Input Noise, -128 dBu, GAIN=MAX, 20 Hz-20 kHz, ST OUT -68 dB CH 1-6: XLR and Phone CH 7/8, 9/10: XLR and Phone CH 11/12, 13/14: XLR and Pin HIGH (10 k, Shelving), MID (mono: 250-5 k, st: 2.5 k, Peaking), LOW (100, Shelving) 48 V 9 Band (63, 125, 250, 500, 1 k, 2 k, 4 k, 8 k, 16 kHz) SPX Digital Multi Effector (24 bit AD/DA, 32 bit Internal Processing): 16 Programs L/R, AUX1/MONO, AUX1/2 Effect On/Off 444 x 493 x 155 mm (17-3/8" x 19-3/8" x 6-1/8") 10.5 kg (23.1 lbs.) U/C: 120 V 60 Hz, 450 W H: 230 V 50 Hz, 450 W BS: 240 V 50 Hz, 450 W
ST CH INPUT 11/12-13/14 CH INSERT IN (1-6) +10 dB 10 k ST CH INPUT 7/8-9/10 -34 dB +10 dB -34 dB 10 k 10 k 600 Lines -16 dB CH INPUT B 1-6 -34 dB 26dB +10 dB -60 dB 3 k 50-600 Mics 0dB -16 dB 10 k 600 Lines CH INPUT A 1-6 -34 dB 26dB +10 dB -60 dB
EMX512SC, EMX312SC, EMX212S Specifications
Input Terminals PAD GAIN -60 dB 0dB -16 dB 3 k 50-600 Mics Actual Load Impedance For Use With Nominal Input Level Sensitivity *2 -80 dBu (0.078 mV) -36 dBu (12.3 mV) -54 dBu (1.55 mV) -10 dBu (245 mV) -80 dBu (0.078 mV) -36 dBu (12.3 mV) -54 dBu (1.55 mV) -10 dBu (245 mV) -80 dBu (0.078 mV) -36 dBu (12.3 mV) -54 dBu (1.55 mV) -10 dBu (245 mV) -54 dBu (1.55 mV) -10 dBu (245 mV) -20 dBu (77.5 mV) Position -60 dBu (0.775 mV) -16 dBu (123 mV) -34 dBu (15.5 mV) +10 dBu (2.45 V) -60 dBu (0.775 mV) -16 dBu (123 mV) -34 dBu (15.5 mV) +10 dBu (2.45V) -60 dBu (0.775 mV) -16 dBu (123 mV) -34 dBu (15.5 mV) +10 dBu (2.45 V) -34 dBu (15.5 mV) +10 dBu (2.45 V) 0 dBu (0.775 V) Max. Before Clip -40 dBu (7.75 mV) +4 dBu (1.23 V) -14 dBu (155 mV) +30 dBu (24.5 V) -40 dBu (7.75 V) +4 dBu (1.23 V) -14 dBu (155 mV) +30 dBu (24.5 V) -40 dBu (7.75 mV) -10 dBu (245 mV) -14 dBu (155 mV) +30 dBu (24.5 V) -14 dBu (155mV) +30 dBu (24.5 V) +20 dBu (7.75 V) Connector
EMX512SC Maximum Output Power @ 0.5 % THD at 1 kHz
EMX312SC 300 W/W/8 (UA) 180 W/8 (H) EMX212S 220 W/W/8 (UA) 130 W/8 (H)
CH INPUT 1-4 MIC Phone LINE CH INPUT 5/6, 7/8 XLR Phone XLR Pin 2 k 10 k 2 k 10 k 50-600 Mics 600 Lines 50-600 Mics 600 Lines 6 k 600 Input Terminals MIC/LINE MIC XLR LINE 2 k Actual Load Impedance For Use With Nominal 50-600 Mics Input Level Sensitivity *2 -60 dBu (0.69 mV) -30 dBu (21.8 mV) -50 dBu (2.18 mV) -20 dBu (69.0 mV) -60 dBu (0.69 mV) -20 dBu (69.0 mV) -60 dBu (0.69 mV) -20 dBu (69.0 mV) Position -35 dBu (13.8 mV) -5 dBu (436 mV) -25 dBu (43.6 mV) +5 dBu (1.38 V) -35 dBu (13.8 mV) +5 dBu (1.38 V) -35 dBu (13.8 mV) +5 dBu (1.38 V) Max. Before Clip -15 dBu (138 mV) +15 dBu (4.36 V) -5 dBu (436 mV) +25 dBu (13.8 V) -15 dBu (138 mV) +25 dBu (13.8 V) -15 dBu (138 mV) +25 dBu (13.8 V) Connector
500 W/W/8 (UA) 320 W/8 (H)
Frequency Response Total Harmonic Distortion Hum & Noise*1
-3, 0, 1 dB 20 Hz-20 kHz, ref to the nominal output level @ 1 kHz Less than 0.5 % (THD+N) +14 dB @ 20 Hz, 1 kHz, 20 kHz, GAIN control: all nominal Equivalent Input Noise, -115 dBu, Rs = 150 CH 1-4 MIC/LINE: MIC -65 dB CH 1-4: XLR and Phone CH 5/6, 7/8: XLR and Phone CH 9/10, 11/12: XLR and Pin HIGH (10 k, Shelving), MID (2.5 k, Peaking), LOW (100, Shelving) 15 V 7 Band (125, 250, 500, 1 k, 2 k, 4 k, 8 kHz): Main (Stereo) and Monitor SPX Digital Multi Effector (24 bit AD/DA, 32 bit Internal Processing): 16 Programs MAIN L/R, MAIN (L+R)/MONITOR Effect On/Off 442 x 274 x 286 mm (17-3/8" x 10-3/4" x 11-1/4") 8 kg (17.6 lbs.) U/C: 120 V 60 Hz, 450 W H: 230 V 50 Hz, 450 W A: 240 V 50 Hz, 450 W U/C: 120 V 60 Hz, 400 W H: 230 V 50 Hz, 400 W A: 240 V 50 Hz, 400 W U/C: 120 V 60 Hz, 270 W H: 230 V 50 Hz, 270 W A: 240 V 50 Hz, 270 W
XLR-3-31 type *3 Phone Jack *5 XLR-3-31 type *3 RCA Pin Jack
Crosstalk @ 1 kHz Input Connectors EQ
CH INPUT 9/10, 11/12
Phantom Voltage Graphic Equalizer
Phone Jack *5
Digital Effects Power Amp. Mode
*dBu is referenced to 0.775 Vrms. *2 Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to maximum level. (All level controls are at maximum position.) *3 XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) *4 Phone Jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND) *5 Phone Jacks are unbalanced.
Foot Switch Dimensions (W x D x H) Weight Power Requirements/Consumption
Output Terminals Actual Source Impedance For Use With Nominal EMX512SC SPEAKER OUT [A1, A2, B1, B2] MAIN OUT [L, R] EFFECT OUT 0.Speakers 10 k Lines 10 k Lines 10 k Lines 10 k Lines EMX312SC EMX212S Output Level Nominal 125 W 75 W 50 W +4 dBu (1.23 V) +4 dBu (1.23 V) +4 dBu (1.23 V) -10 dBV (316 mV) Max. Before Clip 500 W 300 W 200 W +20 dBu (7.75 V) +20 dBu (7.75 V) +20 dBu (7.75 V) +10 dBV (3.16 V) Phone Jack *2 Phone Jack *2 Phone Jack *2 RCA Pin Jack [A1, B1] SPEAKON [A2, B2] Phone Jack *2 Connector
Output Terminals Actual Source Impedance 100 0.1 For Use With Nominal 600 Lines 600 Lines 600 Lines 600 Lines 10 k Lines 10 k Lines 8 /40 Lines 4 Speakers Output Level Nominal +4 dBu (1.23 V) +4 dBu (1.23 V) +4 dBu (1.23 V) +4 dBu (1.23 V) 0 dBu (0.775 V) -10 dBV (316 mV) 1mW/3mW 125W Max. Before Clip +20 dBu (7.75 V) +20 dBu (7.75 V) +20 dBu (7.75 V) +20 dBu (7.75 V) +20 dBu (7.75 V) +10 dBV (3.16 V) 20mW/75mW 500W Connector Phone Jack *2 Phone Jack *2 Phone Jack *2 Phone Jack *2 Phone Jack *2 RCA Pin Jack Phone Jack (TRS) SPEAKON Phone Jack *2
*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.
MONITOR OUT REC OUT [L, R]
The EMX5014C can be rack-mounted using an optional rack-mounting kit for optimum integration with any system or installation.
ST OUT [L, R] ST SUB OUT [L, R] AUX SEND 1, 2 EFFECT SEND CH INSERT OUT 1-6 REC OUT [L, R] PHONES [L, R] SPEAKER OUT
Rack Mount Adaptor RK512
All models in this series can be rack-mounted using an optional rackmounting kit for optimum integration with any system or installation.
High Mid and Low frequency adjustment dials are provided on every channel and dual 7-band graphic EQ's are provided for stereo signal contouring on output. The useful Stand-By switch mutes all channels and is intended for bypassing signal input in between sets. The EMX-512SC is housed in a rugged roadworthy enclosure suitable for the rigors of the road and the extended feature set provides a worthy and versatile solution for the requirements of vocalists guitar players keyboardists and live sound engineers.
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