YAMAHA HTR-5140 FACTORY PRESET PROCEDURES
All models require the STANDBY/ON button to be turned OFF to start the reset process. NOTE: The remote control cannot be used during the reset procedure. All necessary buttons to complete the reset process are located on the front panel of the receiver. This procedure is not intended to correct intermittent shut-off symptoms or problems
MODEL: HTR-5140 (U.S.A. model/s)
(BEFORE YOU CONTINUE, PLEASE READ THE ABOVE NOTES!)
1. Before you start this procedure, locate the FM/AM button and the INPUT MODE button on the Front Panel of the unit. 2. MAKE SURE THAT YOUR RECEIVER IS TURNED OFF. 3. With the Right Hand, press and hold both the FM/AM button and the INPUT MODE button down, AT THE SAME TIME. With the Left Hand, press the STANDBY/ON button and HOLD ALL 3 button for no more than 3 SECONDS, (AT THE SAME TIME). After 5 seconds, #1 option should appear on the display, which will indicate that you are in the Diagnostics Mode. 4. Then press the <TUNING UP/DOWN> button until the display reads #8. PRESET INHI. 5. Press the<PROGRAM> button (ONCE) and the display will change to PRESET RSRV. 6. Turn the unit off by pressing the STANDBY/ON button. 7. Wait 5 seconds, then turn the unit on by pressing the STANDBY/ON button. You have now reset your component to the factory settings.
NOTE: Yamaha receivers dont have to be reset during normal operation. It is not recommended that you reset the receiver unless a setting has been changed that you are not aware of, or the receiver is not operating properly. The reset procedure will clear an incorrect setting that might be causing abnormal operation.

WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
Read Instructions All the safety and operating instructions should be read before the unit is operated. Retain Instructions The safety and operating instructions should be retained for future reference. Heed Warnings All warnings on the unit and in the operating instructions should be adhered to. Follow Instructions All operating and other instructions should be followed. Water and Moisture The unit should not be used near water for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc. Carts and Stands The unit should be used only with a cart or stand that is recommended by the manufacturer.
6A A unit and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the unit and cart combination to overturn. 7 Wall or Ceiling Mounting The unit should be mounted to a wall or ceiling only as recommended by the manufacturer.
05HTR-5140-e/f-6/22/99, 2:04 PM
19 For US customers only: Outdoor Antenna Grounding If an outside antenna is connected to this unit, be sure the antenna system is grounded so as to provide some protection against voltage surges and built-up static charges. Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode. Note to CATV system installer: This reminder is provided to call the CATV system installers attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.

English

EXAMPLE OF ANTENNA GROUNDING

ANTENNA LEAD IN WIRE

GROUND CLAMP
ANTENNA DISCHARGE UNIT (NEC SECTION 81020)
ELECTRIC SERVICE EQUIPMENT
GROUNDING CONDUCTORS (NEC SECTION 81021) GROUND CLAMPS POWER SERVICE GROUNDING ELECTRODE SYSTEM (NEC ART 250. PART H)
NEC NATIONAL ELECTRICAL CODE

SUPPLIED ACCESSORIES ACCESSOIRES FOURNIS
After unpacking, check that the following parts are included. Aprs le dballage, vrifier que les pices suivantes sont incluses.
Indoor FM Antenna Antenne FM intrieure
Remote control transmitter Tlcommande
AM Loop Antenna Cadre-antenne AM
Antenna adapter (U.S.A. and Canada models only) Adaptateur dantenne (Modles pour les Etats-Unis et le Canada seulement)
Batteries (size AAA, R6, UM-4) Piles (taille AAA, R6, UM-4)

FEATURES

q 5-Channel Power Amplification Minimum RMS Output Power <0.04% THD, 20 Hz 20 kHz> Main: 60 W + 60 W (8 ) Center: 60 W (8 ) Rear: 60 W + 60 W (8 ) <0.07% THD, 1 kHz> Main: 70 W + 70 W (8 ) Center: 70 W (8 ) Rear: 70 W + 70 W (8 ) q Digital Sound Field Processor q Dolby Digital Decoder q Dolby Pro Logic Surround Decoder q CINEMA DSP: Theater-like Sound Experience by the Combination of Dolby Surround and YAMAHA DSP Technology q 6-Channel External Decoder Input for DTS and other future formats q Automatic Input Balance Control for Dolby Pro Logic Surround q Test Tone Generator for Easier Speaker Balance Adjustment q Speaker Output Mode Changing Capability q 40-Station Random Access Preset Tuning q Automatic Preset Tuning q Preset Station Shifting Capability (Preset Editing) q Video Signal Input/Output Capability q SLEEP Timer q Universal Remote Control Transmitter with Preset Manufacturer Codes

CONTENTS

SUPPLIED ACCESSORIES.. 4 FEATURES... 5 CAUTION... 6

q Information about DSP

USING THE DIGITAL SOUND FIELD PROCESSOR (DSP)... 38

q Introduction

FEATURES OF SOUND EFFECTS. 7 CONTROLS AND THEIR FUNCTIONS.. 9

q Advanced Information

ADJUSTMENTS IN THE SET MENU MODE.. 44

q Preparation

SPEAKER SETUP.. 14 CONNECTIONS... 16 ADJUSTMENTS BEFORE USING THIS UNIT.. 23
q Remote Control Transmitter
REMOTE CONTROL TRANSMITTER.. 46 SETUP CODES... 53 TROUBLESHOOTING.. 54 SPECIFICATIONS.. 57 LIST OF MANUFACTURERS CODES.. 113

q Basic Operation

BASIC OPERATIONS.. 28 TUNING OPERATIONS.. 32 SETTING THE SLEEP TIMER.. 37
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.

10. Be sure to read the TROUBLESHOOTING section regarding common operating errors before concluding that the unit is faulty. 11. When not planning to use this unit for long periods of time (ie., vacation, etc.), disconnect the AC power plug from the wall outlet. 12. To prevent lightning damage, disconnect the AC power plug and disconnect the antenna cable when there is an electrical storm. 13. Grounding or polarization Precautions should be taken so that the grounding or polarization of an appliance is not defeated. 14. AC outlet Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide. 15. Voltage Selector (China and General Models only) The voltage selector on the rear panel of this unit must be set for your local main voltage BEFORE plugging into the AC main supply. Voltages are 110/120/220/240 V AC, 50/60 Hz.
FEATURES OF SOUND EFFECTS

Introduction

Welcome to the exciting world of digital home entertainment. This unit is one of the most complete and advanced AV receivers available. Some of the more advanced features may not be familiar to you, but they are easy to use. State-of-the-art technologies such as Dolby Digital and Digital Theater Systems (DTS) may be new to your home, but you have probably experienced the amazing realism they bring to feature films in theaters around the world. To make the listening experience even more enjoyable, this unit includes a number of exclusive, digitally created listening environments known as digital sound fields. Choosing a sound field program is like transporting yourself to such venues as an outdoor arena, a European church, or a cozy jazz club. Take some time now to read more about these features and enjoy the new experiences this unit brings to your home theater.
Digital Sound Field Processing
What is it that makes live music so good? Todays advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but the chances are that youll still notice something missing the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for YAMAHA engineers to bring you this same sound to your listening room, so youll feel all the sound of a live concert. Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of a variety of actual concert halls, theaters, etc. from around the world, to allow you to accurately re-create any one of these live performance environments, all in your own home.

Dolby Pro Logic Surround

Dolby Pro Logic Surround has been used in movie theaters since the mid-seventies. It has also been available in home entertainment systems since the late eighties and continues to be a popular format for home theater systems. It uses four discrete channels and five speakers to reproduce realistic and dynamic sound effects: two main channels (left and right), a center channel for dialog, and a rear channel for special sound effects. The rear channel reproduces sound within a narrow frequency range. Most video tapes and laser discs include Dolby Pro Logic Surround encoding, as do many TV and cable broadcasts. The Dolby Pro Logic Surround decoder built into this unit employs a digital signal processing system that stabilizes each channel for even more accurate sound positioning than is available with standard analog processors.

Dolby Digital

The built-in Dolby Digital decoder leads you into a totally new sound experience. Dolby Digital is a new generation of multi-channel digital audio technology, or the newest spatial sound processing format developed for 35 mm-film movies by employing a new kind of low bit-rate audio coding. Dolby Digital is a digital surround sound system that provides completely independent multi-channel audio to listeners. In multi-channel form, Dolby Digital provides 5 full-range channels in what is sometimes referred to as a 3/2 configuration: three front channels (left, center and right), plus two surround channels. A sixth bass-only effect channel is also provided for output of LFE (low frequency effect), or low bass effects that are independent of other channels. This channel is counted as 0.1, thus giving rise to the term 5.1 channels in total. Compared to Dolby Pro Logic, which is referred to a 3/1 system (left front, center, right front and just one surround channel), Dolby Digital features two surround channels, called stereo or split surrounds, each offering the same full-range fidelity as the three front channels. Sound of wide dynamic range reproduced by the 5 full-range channels provides listeners with excitement that has never been experienced before. Precise sound orientation by discrete digital sound processing expands the realism that the original movie possesses. LD and DVD are home audio/video program source that could benefit from Dolby Digital. In the near future, Dolby Digital will also be applied to DBS, CATV and HDTV. The ongoing release of Dolby Stereo Digital theatrical films now underway will provide an immediate source of Dolby Digital encoded video software.

The following original functions make the surround-sound effect of Dolby Digital become the most suitable for your audio system and the listening conditions. Manufactured under license from Dolby Laboratories Licensing Corporation. DOLBY, PRO LOGIC, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation. Copyright 1992 Dolby Laboratories, Inc. All rights reserved.
CINEMA DSP: Dolby Surround + DSP
The Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room are very different from those of a movie theater. YAMAHA DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for the lack of presence and dynamics in your listening room with its original digital sound fields combined with the Dolby Surround sound system.

CINEMA DSP

The YAMAHA CINEMA DSP logo indicates those programs that are created by the combination of Dolby Surround and YAMAHA DSP technology.
Dolby Pro Logic + 2 Digital Sound Fields
Digital sound fields are created on the presence side and the rear surround side of the Dolby Pro Logic Surround-decoded sound field, respectively. They create a wide acoustic environment and emphasize the surround effect in the room, letting you feel as much presence as if you are watching a movie in a popular Dolby Stereo theater. This combination is available when the DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE THEATER or TV SPORTS sound field program is selected, and the input signal of source is analog, PCM audio or encoded with Dolby Digital sound in 2-channel.
Dolby Digital + 3 Digital Sound Fields
Digital sound fields are created on the presence side and the independent left and right surround sides of the Dolby Digitaldecoded sound field, respectively. They create a wide acoustic environment and strong surround effect in the room without losing high-channel separation. With the wide dynamic range of Dolby Digital sound, this sound field combination lets you feel as if you are watching a movie in the newest Dolby Stereo Digital theater. This will be the most ideal home theater sound at the present time. This combination is available when the DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE THEATER or TV SPORTS sound field program is selected, and the input signal of source is encoded with Dolby Digital sound (except in 2-channel).

DVD or LD player

CONNECTING SPEAKERS
Main speakers A Main speakers B

SPEAKERS

CENTER R

REAR (SURROUND) L

Rear speakers

OUTPUT

SUB WOOFER

Subwoofer system

Center speaker
Note Use speakers with the specified impedance shown on the rear panel of this unit.

Subwoofer connection

You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel. If you have a subwoofer with built-in amplifier, including the YAMAHA Active Servo Processing Subwoofer System, connect the SUBWOOFER OUTPUT terminal of this unit to the input terminal of the subwoofer system. If you have a separate amplifier and subwoofer, connect the SUBWOOFER OUTPUT terminal of this unit to the input terminal of the subwoofer amplifier, and then connect the speaker terminals of the subwoofer amplifier to the subwoofer. When the input signals to this unit are for normal 2-channel stereo, this terminal outputs only frequencies below 90 Hz from the main and center channels. When discrete signals are input to this unit and are selected as the input source, this terminal outputs signals from the subwoofer channel. Note: The output level of signals from this terminal is adjusted by VOLUME on the front panel or VOLUME ( ) on the remote control transmitter.

Main speaker connections

One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either of the SPEAKERS A or B terminals.

Rear speaker connections

A rear speaker system can be connected to this unit. Place them to the rear of your listening position.
Center speaker connection
A center speaker can be connected to this unit. Place it on or under the TV.

How to connect

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and markings are observed. If these wires are reversed, the sound will be unnatural and lack bass. Caution Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could damage the unit and/or speakers.

REAR (REAR SPEAKERS)

Choices: LARGE/SMALL Preset position: LARGE LARGE: Select this position if your rear speakers have high ability for bass reproduction, or a subwoofer is connected to the rear speaker in parallel. In this position, full-range signals are output from the rear speakers. SMALL: Select this position if your rear speakers do not have high ability for bass reproduction. In this position, low bass signals (below 90 Hz) on the rear channels are output from the SUBWOOFER OUTPUT terminal (or the main speakers if the MAIN position is selected for BASS).

M.LVL (MAIN LEVEL)

Choices: NRML (NORMAL)/10 dB Preset position: NRML (NORMAL) NRML (NORMAL): Normally select this position. 10 dB: Select this position if the sound output from the main speakers is too loud and cannot be balanced with the sound output from the center and rear speakers. In this position, the sound output from the main speakers is attenuated.

MAIN (MAIN SPEAKERS)

Choices: LARGE/SMALL Preset position: LARGE LARGE: Select this position if your main speakers have high ability for bass reproduction. In this position, full-range signals present on the main channels are output from the main speakers. SMALL: Select this position if your main speakers do not have high ability for bass reproduction. However, if your system does not include a subwoofer, do not select this position. In this position, low bass signals (below 90 Hz) on the main channels are output from the SUBWOOFER OUTPUT terminal if the SW or BOTH position is selected for BASS.

ADJUSTING METHOD

Adjustments should be made while watching the information on this units display.
When adjusting with the remote control transmitter, press AMP<TUNER> on the component selector on the remote control transmitter.
Press + or once or more to select the setting you want.
Front panel Remote control

Turn the power on.

Press SET MENU once or more to select the function CNTR on the display.
Repeat steps 2 and 3 to change the setting for REAR, MAIN, BASS and/or M.LVL in the same way.
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder and the Dolby Pro Logic Surround decoder. The adjustment of each speaker output level should be done at your listening position with the remote control transmitter. After completing the adjustment of the output level for each speaker, use VOLUME ( ) on the remote control transmitter at your listening position to check if the adjustments are satisfactory.

TO PLAY A SOURCE
When using the remote control transmitter Press AMP<TUNER> on the component selector. When controlling an audio/visual component (tape deck, MD recorder, CD player, DVD/LD player, etc.), press the button on the component selector, TAPE/MD, CD, DVD/ LD, etc., for the component you want to control. (See SETUP CODES on page 53.)
Select the desired program source by using INPUT. (Turn on the TV/monitor for video sources.)
The name of the selected program source will appear on the display.
To play a tape or an MD Press TAPE/MD MON / EXT. DECODER on the front panel or TAPE/MD on the remote control transmitter so that the TAPE/MD MON indicator lights up on the display.
To use a decoder connected to the EXTERNAL DECODER INPUT terminals Press TAPE/MD MON / EXT. DECODER once or more on the front panel or EXT. DEC. on the remote control transmitter so that EXT. DECDR appears on the display.
For a DVD/LD or TV/DBS source, the current input mode is also shown. * To change the input mode for the DVD/LD or TV/DBS source, press INPUT MODE (or the button that you have pressed to select the program source in step 3 on the remote control transmitter) once or more until the desired input mode (AUTO or ANALOG) is shown on the display. (See page 30 for details on switching the input mode.)
Adjust the volume to the desired output level.
If desired, adjust BASS, TREBLE, BALANCE, etc. and use the digital sound field processor (see page 38). BASS: Turn this control clockwise to increase (or counterclockwise to decrease) the lowfrequency response. Turn this control clockwise to increase (or counterclockwise to decrease) the highfrequency response.

TREBLE:

Input mode
BALANCE: Adjust the balance of the output volume from the left and right speakers to compensate for sound imbalance caused by the speaker location or listening room conditions.
* These controls are only effective for the sound from the main speakers.
Play the source. (See page 32 for detailed information on tuning.)
When you have finished using this unit
Press STANDBY/ON on the front panel again or POWER on the remote control transmitter to set this unit to the standby mode.

Notes on using INPUT

The audio source selected by INPUT will not be played if the TAPE/MD MON indicator lights up or if EXT. DECDR is displayed. If you select INPUT for a video source without canceling the selection of TAPE/MD MON / EXT. DECODER on the front panel (or TAPE/MD or EXT. DEC. on the remote control transmitter), the play back result will be a video image from the video source and the sound from the audio source selected by TAPE/MD MON / EXT. DECODER on the front panel (or TAPE/MD or EXT. DEC. on the remote control transmitter). Once you start playing a video source, the video image will not be interrupted even if INPUT for an audio source is selected. When you select a program source by using INPUT, the DSP program (or no DSP program) that was being used when the same program source was selected the last time, will be automatically recalled.
Switching the input mode (for DVD/LD and TV/DBS)
This unit allows you to switch the input mode only for those sources connected to the DVD/LD and TV/DBS input terminals (on the rear panel of this unit) that input two or three types of signal. The following two input modes are provided: AUTO For a source connected to the DVD/LD input terminals This mode is automatically selected when you turn on the power to this unit. In this mode, the input signal is automatically selected in the following order of priority: 1. Digital input signal from the COAXIAL terminal 2. Digital input signal from the OPTICAL terminal 3. Analog input signal For a source connected to the TV/DBS input terminals This mode is selected when you turn on the power to this unit if the AUTO position is selected for INPUT in the SET MENU mode. (See page 45 for details.) In this mode, the input signal is automatically selected in the following order of priority: 1. Digital input signal from the OPTICAL terminal 2. Analog input signal ANALOG In this mode, only an analog input signal is selected, even if a digital signal is input at the same time. Select this mode when you want to use the analog input signal instead of the digital input signal. Notes on input mode selection To play back a source that is Dolby Digital-decoded, set the input mode to AUTO. For the TV/DBS source only, the input mode selected for INPUT in the SET MENU mode is effective when you turn on the power to this unit. When you want to enjoy a source which has normal 2-channel signals with a Dolby Pro Logic Surround program, select the ANALOG mode. In the AUTO mode, there may be a case, depending on the LD player or DVD player, that when you search for a source encoded with Dolby Digital during play and then play is restored, the sound output is interrupted for a moment because the digital input signal is selected again.

TO RECORD A SOURCE ON TAPE OR MD
Select the source to be recorded.
When a tape deck or MD recorder is being used for recording, you can monitor the sounds being recorded by pressing TAPE/MD MON / EXT. DECODER on the front panel or TAPE/MD on the remote control transmitter so that the TAPE/MD MON indicator lights up on the display.
Play the source and then turn up the volume to confirm the program source. (See page 32 for detailed information on tuning.)
Notes The settings of DSP and VOLUME, BASS, TREBLE and BALANCE have no effect on the material being recorded. A source that is connected to this unit only through the digital terminals cannot be recorded by a tape deck, MD recorder or VCR connected to this unit. Please check the copyright laws in your country to record from records, compact discs, radio, etc. Recording of copyright material may infringe copyright laws. If you use a video source that has scrambled or encoded signals to prevent it from being dubbed, there may be a case that the picture itself will be affected by those signals.
Begin recording on the tape deck, MD recorder or VCR connected to this unit.

TUNING OPERATIONS

Set INPUT on the front panel to the TUNER position. When using the remote control transmitter, press AMP<TUNER> on the component selector and then press TUNER on the input selector. Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if the signal from the station you want to select is weak, you must tune in to it manually (MANUAL TUNING).
AUTOMATIC TUNING MANUAL TUNING
Select the reception band (FM or AM) and confirm it on the display.
Press TUNING MODE so that the AUTO TUNING indicator lights up on the display.

Press TUNING MODE.

Confirm that the AUTO TUNING indicator goes off.

Lights up

Tune in manually to the desired station.
To tune in to a higher frequency, press the UP side of TUNING once. To tune in to a lower frequency, press the DOWN side of TUNING once.
* To continue the tuning search, press and hold the button.
* If the station where the tuning search stops is not the desired one, press once more. * If the tuning search does not stop at the desired station (because the signal from the station is weak), take the manual tuning procedure.
Note If you tune in manually to an FM station, it will be automatically received in monaural mode to increase the signal quality.

MANUAL PRESET TUNING

This unit can store station frequencies to be selected by tuning. With this function, you can recall any desired station simply by selecting the preset station number with which it was stored. Up to 40 stations (8 stations x 5 groups) can be stored.

ADJUSTMENTS IN THE SET MENU MODE
The following ten types of functions maximize the performance of your system and expand your enjoyment for audio listening and video watching.

1. 2. 3. 4. 5.

CNTR (CENTER SPEAKER) REAR (REAR SPEAKERS) MAIN (MAIN SPEAKERS) BASS (LFE/BASS OUT) M.LVL (MAIN LEVEL)

6. 7. 8. 9. 10.

LFE (LFE LEVEL) D.RNG (DYNAMIC RANGE) C.DELAY (CENTER DELAY) GUARD (MEMORY GUARD) INPUT (INPUT MODE)
For details on CNTR, REAR, MAIN, BASS and M.LVL, see page 23. (Once you have selected the appropriate modes, you do not have to change settings unless any alteration is made in your speaker system.)
D.RNG (Adjusting the dynamic range)
Choices: MAX/STD/MIN Preset position: MAX * This adjustment is effective only when Dolby Digital is decoded. MAX: Dynamic range is the difference between the maximum level and the minimum level of sounds. Sounds on a movie originally designed for movie theaters feature very wide dynamic range. Dolby Digital technology can modify the original sound track into a home audio format with this wide dynamic range unchanged. In this position, a source encoded with Dolby Digital is reproduced in the original sound tracks wide dynamic range providing you with powerful sounds just like those in a movie theater. Selecting this position will be even better if you can listen to a source at a high output level in a room specially soundproofed for audio/video enjoyment. STD (Standard): Powerful sounds of extremely wide dynamic range are not always suitable for home use. Depending on the condition of your listening environment, it may not be possible to increase the sound output level as high as that in a movie theater. However, at the normal level suitable for listening to in your room, the low-level parts of source sound often cannot be heard well because they will be lost among noise in your environment. Dolby Digital technology has also made it possible to reduce an original sound tracks dynamic range for a home audio format by compressing the sound data. In this position, a source encoded with sound Dolby Digital is reproduced in the compressed dynamic range of sound that is suitable for low-level listening. MIN: In this position, the dynamic range is more reduced than in the STD position. Selecting this position will be effective when you must listen to a source at a low level.
LFE [Adjusting the output level of the LFE (low frequency effect) channel]
Control range: 20 dB to 0 dB (in 1 dB steps) Preset value: 0 dB * This adjustment is effective only when Dolby Digital is decoded and the signals of the selected source encoded with Dolby Digital contain LFE signals. This adjusts the output level of the LFE channel. If the LFE signals are mixed with signals of other channels to output them from the same speakers, the ratio of the LFE signal level to the level of the other signals is adjusted. (See page 7 for details about the LFE channel.)

s CD MODE

Press CD.
POWER When you have preset the code for a YAMAHA CD player, this button turns the unit on. When you have preset the code for another manufacturer, this button turns on that component if it has a remote control transmitter with a power button.
EFFECT DISC SKIP +/ (for the CD player with CD changer) These buttons skip to the next or previous CD. VOLUME MUTE TV VOLUME
PLAY This button plays a CD. SKIP This button skips to the previous track.
DISPLAY TV INPUT PAUSE This button gives a pause in operation. The button functions as PAUSE/STOP* for operating YAMAHA CD player under factory setting. SKIP+ This button skips to the next track. STOP This button stops operation. The button functions as PAUSE/STOP* for operating YAMAHA CD players. SEARCH This button initiates a fast-forward search on the track that is playing to find the point from which you want to listen.
SEARCH This button initiates a backward search on the track that is playing to find the point from which you want to listen.
* PAUSE/STOP function. Press the button once to give a pause in operation and once more to stop operation.

s DVD/LD MODE

Note: TV VOLUME and TV INPUT function if you have preset the code for your TV. Press DVD/LD.
(DVD) When you have preset the code for a YAMAHA DVD player, this button turns the unit on. When you have preset the code for another manufacturer, this button turns on that component if it has a remote control transmitter with a power button. (LD) When you have preset the code for a YAMAHA LD player, this button turns the unit on. When you have preset the code for another manufacturer, this button turns on that component if it has a remote control transmitter with a power button.
EFFECT DISC SKIP +/ VOLUME MUTE SLEEP TV VOLUME DISPLAY TV INPUT PAUSE SKIP+ PLAY SEARCH

SKIP STOP SEARCH

s DVD MENU MODE

Press DVD MENU.

When you have preset the code for a YAMAHA DVD player, this button turns the unit on. When you have preset the code for another manufacturer, this button turns on that component if it has a remote control transmitter with a power button.
DISC SKIP +/ VOLUME MUTE RETURN MENU UP MENU LEFT MENU SELECT TITLE

MD RECORDER

Yamaha 0024
06HTR-5140-CODE(E/F) 117 6/22/99, 2:07 PM

Quick Reference Card

AMP<TUNER> TAPE/MD CD DVD/LD

Input selector

TEST A/B/C/D/E & PRESET +/ MUTE
EFFECT DISC SKIP +/ VOLUME VOLUME TV VOLUME DISPLAY TV INPUT PAUSE SKIP+ SKIP SEARCH STOP SEARCH SKIP STOP SEARCH MUTE SLEEP

EFFECT DISC SKIP +/

VOLUME TV VOLUME MUTE SLEEP TV INPUT REC/PAUSE PLAY DIR A (TAPE) SKIP (MD) REWIND (TAPE) SEARCH (MD) TV VOLUME DISPLAY (MD) DECK A/B (TAPE) PAUSE (MD) DIR B (TAPE) SKIP+ (MD) STOP FAST FORWARD (TAPE) SEARCH (MD)

MUTE SLEEP

TV VOLUME DISPLAY TV INPUT PAUSE SKIP+ PLAY SEARCH

VOLUME SLEEP

+/ PRG+/PRG TIME/LEVEL SET MENU

V342650

DVD MENU VCR CBL/DBS TV
VCR POWER CHANNEL Numeric buttons

CBL/DBS POWER CHANNEL

CLEAR +10 DISC SKIP+/ VOLUME MUTE RETURN MENU UP MENU LEFT MENU SELECT TITLE TV VOLUME INDEX TV INPUT MENU RIGHT MENU DOWN MENU
VCR CHANNEL +/ VOLUME MUTE TV SLEEP VCR REC (*1)

EFFECT CHANNEL ENTER

+100 CBL/DBS CHANNEL +/ VOLUME CHANNEL ENTER TV CHANNEL +/ VOLUME TV VOLUME DISPLAY TV INPUT MENU LEFT MENU UP MENU RIGHT VCR PLAY VCR REWIND MENU DOWN MENU TV MUTE TV SLEEP VCR REC (*1)
TV VOLUME DISPLAY TV INPUT VCR PAUSE

MUTE TV SLEEP

TV VOLUME DISPLAY TV INPUT VCR PAUSE VCR STOP VCR FAST FORWARD

VCR PLAY VCR REWIND

VCR STOP VCR FAST FORWARD

MENU SELECT RECALL

*1: Press this button twice to start recording. *1: Appuyer deux fois sur cette touche pour lancer lenregistrement. *1: Diese Taste zweimal drcken, um die Aufnahme zu starten. *1: Tryck tv gnger p den hr knappen fr att brja spela in p videobandspelaren.
*1: Premere due volte questo tasto per iniziare la registrazione. *1: Presione dos veces este botn para comenzar a grabar. *1: Druk tweemaal op deze toets om te beginnen met opnemen.