KX-W592 KX-W492 KX-W392

NATURAL SOUND STEREO DOUBLE CASSETTE DECK KX-W592

DIRECTION RESET

RESET DIRECTION
Cassette Stabilizer RECORD/PLAYBACK

DECK A

DOLBY NR

OFF/ B/ C

MUTE/SEARCH STOP REC/PAUSE MUTE/SEARCH STOP REC/PAUSE

PLAY TRIM 0

DECK B

PHONES

O / p / / RELAY

DUBBING A # B

NORMAL HIGH

DSS MODE EFFECT

BALANCE REC LEVEL L5 5R 0 10
NATURAL SOUND STEREO DOUBLE CASSETTE DECK KX-W492
NATURAL SOUND STEREO DOUBLE CASSETTE DECK KX-W392

PLAYBACK

RECORD/PLAYBACK

SEARCH DOLBY NR

MUTE/SEARCH STOP REC/PAUSE

REC LEVEL 10

Natural Sound Stereo Cassette Deck Platine cassette stro de la srie Natural Sound Natural Sound Stereo-Doppelkassettengert Natural Sound stereokassettdck Registratore a doppia cassette stereo a suono naturale Magnetfono estreo de dos de sonido natural Stereo-cassettedeck voor een natuurlijk geluid
OWNERS MANUAL MODE D'EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING MANUALE DI ISTRUZIONI MANUAL DE INSTRUCCIONES GEBRUIKSAANWIJZING
Thank you for purchasing the YAMAHA KX-W592/KX-W492/KX-W392 stereo cassette deck.
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
This unit is a sophisticated stereo cassette deck. To ensure proper operation for the best possible performance, please read this manual carefully. Choose the installation location of your unit carefully. Avoid placing it in direct sunlight or close to source of heat. Also avoid locations subject to vibration and excessive dust, heat, cold or moisture. Keep it away from sources of hum such as transformers or motors. Do not open the cabinet as this may result in damage to the deck or electrical shock. If a foreign object should get into the deck, contact your local dealer. When removing the power plug from the wall outlet, always pull directly on the plug; never pull the cord itself. Do not apply excessive force when operating switches and knobs. When moving the deck, be sure to first pull out the power plug and remove all cords connecting the deck to other equipments. Do not attempt to clean this unit with chemical solvents as this may damage the finish. Use a clean, dry cloth. Never allow metallic items (e.g. screwdrivers, tools, etc.) to come near the record/playback head assembly. Doing so may not only scratch or damage the heads mirror-smooth finish, but also change the magnetic characteristics of the heads, causing a deterioration in reproduction quality. Although the record/playback head used in this unit is a high quality head with outstanding reproduction characteristics, it can become dirty through the use of old tapes or from dust accumulation over time. This can have a serious effect on reproduction quality. Clean the heads regularly with one of the commonly available head cleaners or with cleaning solutions as explained later in this manual. Be sure to read the Troubleshooting section of this manual for advice on common operating errors before concluding that your unit is faulty. Keep this manual in a safe place for future reference. Voltage Selector (General Model only) The voltage selector on the rear panel of this unit must be set for your local mains voltage BEFORE plugging in the AC mains supply. Please check the copyright laws in your country to record from records, compact discs, radio, etc. Recording of copyright material may infringe copyright laws.
WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
CAUTION The apparatus is not disconnected from the AC power source as long as it is connected to the wall outlet, even if the apparatus itself is turned off.
For U.K. customers If the socket outlets in the home are not suitable for the plug supplied with this appliance, it should be cut off and an appropriate 3 pin plug fitted. For details, refer to the instructions described below. Note: The plug severed from the mains lead must be destroyed, as a plug with bared flexible cord is hazardous if engaged in a live socket outlet.
Special Instructions for U.K. Model

IMPORTANT

The wires in the mains lead are colored in accordance with the following code: Blue: NEUTRAL Brown: LIVE As the colors of the wires in the mains lead of this apparatus may not correspond with the colored markings indentifying the terminals in your plug, proceed as follows. The wire which is colored BLUE must be connected the terminal which is marked with the letter N or colored BLACK. The wire which is colored BROWN must be connected to the terminals which is marked with the letter L or colored RED. Making sure that neither core is connected to the earth terminal of the three pin plug.

11. 12.

CAUTION (For Canada model)
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. THIS DIGITAL APPARATUS DOES NOT EXCEED THE CLASS B LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATIONS OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

TABLE OF CONTENTS

FEATURES... 3 CONNECTIONS... 4 NOTES ON THIS MANUAL.. 4 PLAYBACK... 5 Basic operation... 5 SELECTION SEARCH.. 7 RELAY PLAYBACK.. 8 PLAY TRIM control adjustment (KX-W592 and KX-W492 only)... 8 DIGITAL SUPER SURROUND (DSS) (KX-W592 only)... 9 RECORDING... 10 Basic operation.. 10 REC MUTE operation.. 12 REC RETURN operation.. 12 DUAL RECORDING (KX-W592 only).. 13 RELAY RECORDING (KX-W592 only). DUBBING... CASSETTE TAPES... MAINTENANCE... OPTIONAL REMOTE CONTROL TRANSMITTER.. TROUBLESHOOTING.. SPECIFICATIONS.. 19

FEATURES

High Quality Hard Permalloy Recording/Playback Head in Both Decks (KX-W592 only) High Quality Hard Permalloy Recording/Playback Head in Deck B and Playback Head in Deck A (KX-W492 and KX-W392 only) Secure Holding Damper Cassette Stabilizer allows you to reduce unwanted vibration and modulation noise (KX-W592 only) Dolby HX Pro Dynamic Bias Servo (KX-W592 and KX-W492 only) Dolby B/C Noise Reduction Digital Super Surround (DSS) Function enables you to create an excellent audio sound field, applicable also for recording (KX-W592 only) Play Trim Control for improved playback compatibility with other decks (KX-W592 and KX-W492 only) Auto Tape Selector Dual Recording allows you to make the same recording on both decks simultaneously (KX-W592 only) Relay Playback from DECK A to DECK B Relay Recording from DECK A to DECK B (KX-W592 only) Selection Search Recording Mute Function Rec Return Operation Easy Dubbing Operation at Selectable Speed (Normal/ High) Peak Level Meters with Peak Hold Function Remote Control Capability with Optional Remote Control Transmitter
Dolby noise reduction and HX Pro headroom extension manufactured under license from Dolby Laboratories Licensing Corporation, HX Pro originated by Bang & Olufsen.
and HX PRO are DOLBY, the double-D symbol trademarks of Dolby Laboratories Licensing Corporation.

ESPAOL

ITALIANO

SVENSKA

DEUTSCH

FRANAIS

ENGLISH

CONNECTIONS

LINE IN-LINE OUT REC PLAY

To an AC outlet

REC OUT TAPE PB L

Amplifier or receiver

REAR PANEL CONNECTIONS Make sure that power to both the deck and your amplifier/ receiver is turned off before making any connections. The White plug on the paired connecting cables corresponds to the Left channel and the Red plug corresponds to the Right channel. Make sure that the left and right channel connections are properly made, and that the plugs are inserted firmly. The LINE OUT/PLAY jacks on the deck should be connected to the Tape PB (Playback/Input) jacks on your amplifier/receiver, and the LINE IN/REC jacks on the deck should be connected to the Rec Out (Recording/Output) jacks on your amplifier/receiver. Connect the power cord to an AC wall outlet or to an AC outlet on the rear panel of your amplifier/receiver (if provided).

NOTES ON THIS MANUAL

In this manual, the main operation buttons of the front panel are indicated based on DECK B when the operation is common to both DECKs A and B. Since the locations of the buttons of DECK B and DECK A are the same, you can easily find the desired button even when operating DECK A. This manual covers three models. In most cases, however, only model KX-W592 is shown in the example illustrations.
Main operation buttons of DECK B

Example: KX-W592

Main operation buttons of DECK A

BALANCE REC LEVEL L5 5R

PLAYBACK (Common to DECKs A and B)
Preparation for playback Turn on the POWER switch. Set your amplifier or receiver to cassette deck function mode.
Basic operation - To play back a cassette tape

POWER ON

Refer to the following description.

MODE /[//RELAY

DIRECTION
To fast forward or rewind the tape When the tape running indicator # is lit: Pressing the button fast forwards the tape while pressing the ! button rewinds the tape. When the tape running indicator @ is lit: Pressing the ! button fast forwards the tape while pressing the button rewinds the tape.
To stop playback Press the STOP button. To remove the cassette tape, press the EJECT button. The cassette compartment door opens. To turn off the power, press the POWER button. To set the counter reading to 0000 Press the RESET button. Use the tape counter to aid in locating a point on a tape (0000 to 9999).
Select the tape running direction for DECK A or B. Each time this button is pressed, the tape running direction changes between forward (#) and reverse (@), and the corresponding indicator lights on the display.
Insert the cassette with the exposed tape side facing down. (The side facing you is called the forward side and the opposite side is called the reverse side.) To close the compartment, push in the compartment door until it locks shut.

KX-W592

DSS DSS MODE EFFECT
DOLBY NR selector setting (in step 3) Be sure to set the DOLBY NR selector according to the system used for recording. OFF: For a tape recorded with DOLBY NR OFF. B: For a tape recorded with DOLBY B NR. C: For a tape recorded with DOLBY C NR. REVERSE MODE selector setting (in step 4) The auto reverse function allows the tape running direction be reversed automatically. Select an auto reverse mode ( , , or RELAY ) or manual reverse mode ). ( : When playback or fast forwarding (or rewinding) of one side of a tape is finished, the deck stops at the end of the tape.

RELAY PLAYBACK - To play DECK A and DECK B sequentially
Load the cassette tapes into DECKs A and B, start playback from DECK A. The playback patterns differ according to the setting of the MODE button. Refer to the following. Display When the MODE button is set to RELAY : DECK A (forward side \ reverse side) \ DECK B (forward side \ reverse side)

Up to 8 times

When the MODE button is set to : DECK A (forward side \ reverse side)
DECK B (forward side \ reverse side)
When the MODE button is set to : DECK A (forward side \ reverse side) \ DECK B ( forward side \ reverse side) When the tape running direction is set to , only the reverse side is played. When the MODE button is set to : DECK A (forward side or reverse side)
DECK B (forward side or reverse side)
PLAY TRIM control adjustment ( KX-W592 and KX-W492 only)
When the level of high frequencies is either over emphasized or absent while playing a tape recorded on another cassette deck, adjust the high frequency response with the PLAY TRIM control.
When high frequencies are too loud, attenuate the high frequencies.

10 dB 100

When high frequencies are too soft, boost the high frequencies.
High frequency sound is too loud. Flat High-frequency sound is too soft.
DIGITAL SUPER SURROUND (DSS) ( KX-W592 only)
This unit incorporates a sophisticated, multi-program Digital Super Surround function, which allows you to expand and shape the audio sound field, for a theater-like experience in the listening room.
Indicates your selection of the DSS program.

EFFECT

Each time the DSS MODE button is pressed, the DSS program changes in the following order and the corresponding indicator lights:

HALL JAZZ

DISCO CHURCH

CHURCH DISCO

JAZZ HALL
DSS monitor function When the DSS button is pressed with any cassette inserted in neither of the decks, dSS appears on the display in position of the tape counters of both decks.
Description of each Sound Field Program : Programmed to provide largest sound field effects when listening through headphones. HALL : A mode suitable for playing live recording of pop or rock concerts with vocals. The expansion and reverberation of concert hall are provided even when the speakers are installed close to each other. DISCO : Crisp bass and solid, powerful sound reproduces the atmosphere of a disco. CHURCH: Long echo time reproduces rich reverberation in a church. Suitable for vocal music. JAZZ : A very rich presence is reproduced together with a three-dimensional feeling where each musical instrument asserts itself in the front line.

In this state, DSS effect can be applied to the input signal to the LINE IN jacks from any other source than cassette decks. The sound with DSS effect is output to the LINE OUT jacks. On the amplifier, select the source to apply the DSS effect with the REC OUT selector and set the input selector to the TAPE position. If the amplifier has no REC OUT selector, select the source with the input selector and set the amplifier to the TAPE MONITOR mode. Adjust the output level with the REC LEVEL control so that the reproduced sound is not distorted. For details, see Setting the recording level on page 12.
Note When playing back a tape recorded with this unit using the DSS effect, be sure to turn off the DSS function. If the DSS is activated for playback too, the reproduced sound will be unnatural.
Pressing the DSS button turns on and off the DSS effect.
Adjust the level of effects by pressing the DSS EFFECT button. Effect level can be checked with the effect level indicator on the display.

Cassette Stabilizer

RECORDING
Preparation for recording Turn on the POWER switch. Set your amplifier or receiver to cassette deck function mode.
Basic operation - To record a program source

MUTE/SEARCH RESET

REC/PAUSE

BALANCE

Select the tape running direction. (Press the DIRECTION button for DECK A (KX-W592 only) and the DIRECTION button for DECK B.) Each time one of these button is pressed, the tape running direction of the corresponding deck changes between forward (#) and reverse (@), and the indicator lights on the display.
The REC indicator lights on the display. The deck enters the rec pause mode.
Play the program source to be recorded and adjust the recording level and balance. (KX-W392 does not have a REC BALANCE control.)

Recording starts.

DOLBY NR selector setting (in step 3) Set the DOLBY NR selector according to your purpose. OFF: No noise reduction. B: For recording the sources with Dolby B NR. C: For recording the sources with Dolby C NR. Dolby noise reduction is an extremely effective method of reducing undesirable background hiss on tapes. This unit incorporates both Dolby B NR and the newer Dolby C NR system. Dolby C NR is approximately twice as effective as the earlier Dolby B NR. REVERSE MODE selector setting (in step 4) The auto reverse function allows the tape running direction to be reversed automatically. Select the auto reverse mode ( ), manual reverse mode ( ) or the RELAY (KX-W592 only) recording mode.

When the @ indicator is lit:
If you press the PLAY button during recording, Rec Return automatically rewinds the tape to the point where the PLAY button was pressed. If you reset the tape counter to 0000 during recording, Rec Return automatically rewinds the tape to the 0000 point. Rec Return functions according to the most recent operation. For example, if you reset the tape counter to 0000 and then press the PLAY button later, Rec Return rewinds to the point where the PLAY button was pressed.
Synchronized recording function When operating this unit in combination with the YAMAHA CD Player which has SYNCHRO button on its remote control transmitter, CD Synchronized recording function can be utilized. This function is operated with the remote control transmitter of the CD Player. (Regarding the operation, refer to the manual of the CD Player.)

REC BALANCE/LEVEL

DUAL RECORDING - To record a program source on both decks simultaneously ( KX-W592 only)
Insert cassette tapes in both DECKs A and B. Perform steps 2 through 4 of Basic operation to adjust the DSS, DOLBY NR and REVERSE MODE settings. or For dual recording, Set the MODE selector to position. If you select , the reverse in step 4. If you mode automatically switches to select RELAY , the reverse mode automatically switches to in step 7 (when you start to record). The DSS and DOLBY NR settngs are the same for both DECK A and B. Select the tape running direction for DECK A and B by pressing the DIRECTION buttons.
The tape running direction indicator of the corresponding deck (forward # or reverse @) lights on the display. BALANCE

4 L5 5R 10

Recording level for both decks is adjusted to the same level.
To start recording, press the PLAY button on either DECK A or B.
Press the REC/PAUSE button on DECK A to enter the rec pause mode.
REC/PAUSE The REC indicator of the DECK A lights.
Both decks start recording simultaneously. Once the dual recording starts, pressing the REC/ PAUSE or STOP button or perfoming the REC RETURN/REC MUTE operation on either DECK A or B affects both decks simultaneously. To stop recording in the middle of the tape Press the STOP button for either DECKs A or B. Both decks will stop recording.
Press the REC/PAUSE button on DECK B to enter the rec pause mode.
REC/PAUSE The REC indicator of the DECK B lights.
To make the same tapes, use tapes of identical length.
Play the program source to be recorded and adjust the recording level and balance.

RELAY RECORDING To record a program source sequentially on DECK A and DECK B ( KX-W592 only)
Recording Pattern: DECK A (forward side \ reverse side) \ DECK B (forward side \ reverse side) Be sure to always start relay recording from the cassette in DECK A.
Insert cassette tapes in both DECKs A and B. Perform steps 2 and 3 of Basic operation to adjust the DSS and DOLBY NR settings. The DSS and DOLBY NR settngs are the same for both DECK A and B. Set the MODE selector to RELAY position.
The REC indicator of the DECK A lights.

L5 5R 10

Select the tape running direction each deck by pressing the DIRECTION button.
The tape running direction indicator of the corresponding deck (forward # or reverse @) lights on the display.
To start recording, press the PLAY button on DECK A.
To record on both sides of the tapes, rewind them to the beginning of the forward side and select forward (#) with the DIRECTION button respectively. When reverse (@) is selected, the source is recorded only on the reverse side.
DOLBY HX PRO DYNAMIC BIAS SERVO SYSTEM (KX-W592 and KX-W492 only) This unit incorporates the Dolby HX Pro system which automatically controls the effective bias to reduce distortion and noise, improving high frequency response during recording. Tapes recorded with this system retain the same high quality even when played back on any other cassette deck.
DUBBING (From DECK A to DECK B)
You can make dubbing from DECK A to DECK B. Open the cassette compartments by pressing the EJECT buttons and load a blank cassette tape in DECK B and the original cassette tape in DECK A.

Display during dubbing

Lights during dubbing. NORM or HIGH indicator lights during dubbing.
DSS PRESET PROGRAM indicators (KX-W592 only)
PHONES PLAY TRIM 0 + BALANCE REC LEVEL L5 5R
Set the MODE selector to or position. Setting the MODE selector to or RELAY position results in the same. function as to
Set the DIRECTION buttons for DECKs A and B.
Set the DUBBING speed to either NORMAL (normal speed) or HIGH (twice the normal speed) with the DUBBING buttons*. Dubbing starts automatically.
The corresponding NORM or HIGH indicator lights on the display.
* Higher quality sound will be obtained with the NORMAL setting.
To stop dubbing Press the STOP button. (If you press the STOP button on DECK B, both decks stop simultaneously and the dubbing mode is cancelled. If you press the STOP button on DECK A, DECK A stops immediately and then DECK B stops after recording a 4-second blank section.) When the tape in DECK B reaches its end, DECK B and DECK A stop at the same time. When the tape in DECK A reaches its end, DECK A stops and DECK B stops after providing a blank section of about 4 seconds. Available operations while dubbing The Rec Return function can be carried out on DECK B. Refer to REC RETURN operation on the previous page.

PLAY TRIM control adjustment For normal use, set the PLAY TRIM control to the center position. When the high frequencies sound is too noticeable or too weak while monitoring the sound of DECK B, compensate the high frequency response with the PLAY TRIM control before dubbing. The compensated sound can be dubbed onto DECK B. As the compensation result depends on the quality of the tape loaded in DECK A, the monitored sound cannot be recorded as it is. Refer to PLAY TRIM control adjustment on page 8.
Note During dubbing, the Dolby NR and the DSS (KX-W592 only) are automatically set to OFF and the recorded tape can be dubbed as it is. (When the tape to be dubbed is recorded with Dolby NR and/or DSS (KX-W592 only), these effects are also dubbed.)

CASSETTE TAPES

CASSETTE TAPES There are many different types of cassette tapes available. However, they all conform to standard specifications so any brand may be used with the deck. Classification of Cassette Tapes by Formulation: Cassette tapes are available in four basic types depending on their formulation, or type of magnetic material and manufacturing process. These four types are commonly known as Normal (Type I/NORM), Chrome (Type II/HIGH <CrO2>), Ferrichrome (Type III/FeCr), and Metal (Type IV/ METAL), and they each require specific tape deck adjustments for optimum performance. * YAMAHA does not recommend the use of 120 minute length cassettes since the extreme thinness of the tape makes them susceptible to mechanical and recording problems. PROTECTING YOUR RECORDINGS All cassette tapes are provided with erasure protection holes to prevent accidental erasure of recorded contents. There is a small tab covering the hole on each side of the cassette, and it should be broken off after recording the tape. Without this tab covering the hole, it is impossible to record onto that tape. Thus, you can safely protect a recording for as long as you wish without fear of accidental erasure. Should you wish to use a cassette tape protected in this way for recording, simply covering the hole with adhesive tape will permit erasure and re-recording. When using Chrome (Type II/HIGH <CrO2>) or Metal (Type IV/METAL) tapes, make sure you do not cover the hole intended for the Auto Tape Selector operation.
AUTO TAPE SELECTOR DETECTION SLOTS The deck has a built-in Auto Tape Selector which automatically adjusts for the proper bias, level and equalization according to the tape formulation all you have to do is to load a cassette and the Auto Tape Selector does the rest. The Auto Tape Selector determines which type of tape is loaded by sensing detector slots in the top of the tape shell. Each tape formulation has its own characteristic hole markings standardized by the tape industry. Early model Metal (Type IV/Metal) tape formulation cassette shells do not have the slots for Auto Tape Selector operation. As a result, early model Metal type tapes recorded on another deck will be played back with the deck at the Chrome (Type II/HIGH <CrO2>) settings. YAMAHA does not recommend using this kind of tape. The deck does not have the required setting for Ferrichrome (Type III/FeCr) tape, since this tape formulation is not widely used. Should you use a Ferrichrome tape, it will be recorded and played back at the Normal (Type I/NORM) settings, which will result in an unnatural high frequency emphasis. This effect may be compensated for somewhat by adjusting the PLAY TRIM control and/or the tone controls of your amplifier/receiver during playback.

TAKING UP SLACK IN THE TAPE As a precaution against tape entanglement and damage, remove any slack in the tape before inserting cassettes into the deck. This is accomplished by inserting a pencil, pen or similar object into one of the spools and gently winding it until all the slack is removed. You do not have to wind it too tightly. Be careful not to touch the tape part itself. It is very delicate and touching it may damage the tape and its recorded contents.

TYPE II

TYPE IV

Detector slots

STORING CASSETTES After putting a cassette tape back into its case, store it in a location away from exposure to direct sunlight, humidity, high temperatures, and magnetic fields (away from television sets, speakers, etc.). High temperatures and humidity will damage the tape itself, while exposure to magnetic fields may cause a loss of recorded material. Avoid touching the tape surface with your fingers, since dirt or finger oil will contaminate the decks heads.

MAINTENANCE

CLEANING OF THE TAPE PATH Continued high quality performance of your deck is dependent upon periodic cleaning of the heads, capstan, pinch roller, and all surfaces over which the tape travels. Normal use will cause an accumulation of dirt and dust on the heads, capstans, and pinch rollers. This can lead to poor sound quality, drop outs (intervals with no sound), unsteady tape speed, loss of high frequency response, etc. Thus, clean the heads and all surfaces over which the tape travels with a commercially available cleaning cassette and fluid type cleaner. DECK B
Heads Capstan Pinch roller Capstan Pinch roller
DEMAGNETIZATION After 20-30 hours of use, enough residual magnetism will build up on the heads to cause poor high frequency reproduction. At this time you should use a commercially available cassette tape-type head demagnetizer. When cleaning the tape path or demagnetizing the heads, be sure to follow carefully the instructions of the concerning materials such as cleaning fluid or head demagnetizer.
OPTIONAL REMOTE CONTROL TRANSMITTER
With the optional remote control transmitter RS-KX1, you can operate this unit at your listening position. For details, refer to the instruction manual supplied with the remote control transmitter. REMOTE CONTROL OPERATION RANGE Example: KX-W592

Remote sensor

MEMORY

REMAIN

COUNTER

DUBBING

INTRO SCAN

SEARCH

7 m (23 feet)
DECK A/B DIR A DIR B MONITOR

REC MUTE

REMOTE CONTROL TRANSMITTER

TROUBLESHOOTING

If your cassette deck fails to operate normally, check the following table. It lists common operating errors and simple measures which you can take to correct the problem. If it cannot be corrected, or the symptom is not listed, disconnect the decks power cord and contact your authorized YAMAHA dealer or authorized service center for help.
Tape doesnt move in recording or playback.
Power plug is not properly plugged in. Cassette shell is warped or damaged. No cassette tape loaded. Protective tabs are broken off. Head is dirty. Head is magnetized. Tape is damaged or of poor quality. Tape is bad (stretched, deformed, etc.). Cassette shell is warped. Recording level is too high. Faulty connection between deck and stereo amplifier/receiver. Head is dirty. Head is magnetized. Worn out or poor quality tape. Connection(s) improperly made.
Reinsert plug properly. Do not play damaged tapes. Load a cassette tape. Change tape or cover protective hole with adhesive tape. Clean head. Demagnetize head using head demagnetizer. Change to a different tape. Replace with a fresh tape. A warped cassette shell cannot be fixed. Replace with another tape and test. Check input level with signal level meter and use lower rec level when recording. Check and secure connections.
REC/PAUSE button fails to function.
Sounds become faint and sometimes inaudible.
Recorded sound is distorted.
Tape is playing back, but no sound is heard.

Excessive noise.

Affected by external electrical noise. Dirty capstan, pinch roller, etc., or poor tape. Tape is wound unevenly. Tape stops in the middle of recording or playback. Fails to record. Slack tape, or tape spillage wound around capstan. REC LEVEL control is set to too low. Protective tabs are broken off. Blank section is too short. Recorded section has low-level portions. Conversation, etc. has been recorded. High frequencies in the playback sound are emphasized and unpleasant to listen to, and noise level (hiss) is also high. Playback sound is muffled and high frequencies are inaudible. Dolby NR-recorded tape is played back in OFF position.

Clean head. Demagnetize head with head demagnetizer. Change to better tape. Check input and output connections and reinsert properly. Move deck away from electrical appliances (TV, fluorescent light, electric blanket, etc.). Clean capstan and pinch roller, or change to better tape. Rewind tape. Insert pencil in hole in cassette shell and turn to take up slack. Adjust REC LEVEL control. Change tape or cover protective hole with adhesive tape. Blank sections must be at least 4 seconds long. No remedy No remedy Play back in appropriate Dolby NR position.
Excessive wow (wavering of the sound).
Search does not operate correctly.
Normally-recorded tape is played back in Dolby NR. Heads are dirty. Heads are magnetized. Basic levels are different for different cassette decks.
Play back in OFF position. Clean heads and carry out demagnetization with head demagnetizer. This is not a fault.
When playing back tapes recorded on other decks, meter deflections are greater (smaller) than when recorded. The remote control transmitter cannot be operated.
The batteries are exhausted. The remote control transmitter is operated from an incorrect distance or angle. The remote control sensor is lighted strongly.
Replace batteries. Operate it from less than 7 meters (about 23 ft.) and 30. Place the unit away from the strong light.

SPECIFICATIONS

Type.. Auto reverse 4-track, 2-channel recording and playback stereo double cassette deck Motors... DC servo motor x 2 (main) Heads KX-W592. Recording/playback: Hard Permalloy x 2 Erase: Double-gap Ferrite x 2 KX-W492/KX-W392. Recording/playback: Hard Permalloy x 1 Erase: Double-gap Ferrite x 1 Playback: Hard Permalloy x 1 Rapid Transport.. 100 sec. (C-60) Wow and Flutter WRMS... 0.08% W.Peak.. 0.15% Signal-to-Noise Ratio (Dolby NR off)... 58 dB (Dolby B NR on).. 66 dB (Dolby C NR on).. 74 dB Frequency Response (20 dB) <KX-W592/KX-W492> Type I/Normal.. 20 ~ 17,000 Hz 3 dB Type II/High (CrO2).. 20 ~ 18,000 Hz 3 dB Type IV/Metal.. 20 ~ 20,000 Hz 3 dB <KX-W392> Type I/Normal.. 20 ~ 16,000 Hz 3 dB Type II/High (CrO2).. 20 ~ 17,000 Hz 3 dB Type IV/Metal.. 20 ~ 19,000 Hz 3 dB Harmonic Distortion KX-W592/KX-W492. less than 0.8% KX-W392.. less than 1.0% Input Sensitivity/Impedance Line.. 100 mV/40 k-ohms (KX-W592) 100 mV/43 k-ohms (KX-W492/KX-W392) Output Level Line.. 570 mV/1.8 k-ohms (KX-W592) 570 mV/1.4 k-ohms (KX-W492/KX-W392) Phones.. 0.08 mV/8 ohms (KX-W592) 0.25 mV/8 ohms (KX-W492/KX-W392) Channel Separation (1 kHz).. more than 40 dB Crosstalk (125 Hz).. more than 55 dB

GENERAL

Power Supply U.S.A. and Canada model.. 120 V, 60 Hz Europe model and U.K. model.. 230 V, 50 Hz Australia model.. 240 V, 50 Hz General model.. 110/120/220/240 V, 50/60 Hz Power Consumption KX-W592.. 19 W/9 W (POWER OFF) KX-W492.. 14 W/7 W (POWER OFF) KX-W392 U.S.A. and Canada model. 11 W/7 W (POWER OFF) Other models. 12 W/7 W (POWER OFF) Dimensions (W x H x D).. 435 x 146 x 283 mm (17-1/8" x 5-3/4" x 11-1/8") Weight.. 5.1 kg (11 lbs. 4 oz.) (KX-W592) 5.0 kg (11 lbs.) (KX-W492/KX-W392) Accessory Audio cord... 1 pair

* Specifications subject to change without notice.
YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA
ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A. CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR, 22-34, 25462 RELLINGEN, BEI HAMBURG, F.R. OF GERMANY ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, VASTRA FRLUNDA, SWEDEN MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

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