YAMAHA

AUTHORIZED

PRODUCT MANUAL

MULTITRACK CASSETTE RECORDER

OPERATION MANUAL

Explanation of Graphical Symbols The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert you to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert you to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK), NO USER-SERVICEABLE PARTS INSIDE, REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

SAFETY INSTRUCTIONS

1 Read Instructions - All the safety and operating instructions should be read before the appliance is operated. Retain Instructions - The safety and operating instructions should be retained for future reference. Heed Warnings - All warnings on the appliance and in the operating instructions should be adhered to. Follow Instructions - All operating and use instructions should be followed. Water and Moisture - The appliance should not be used near water - for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, and the like. Carts and Stands - The appliance should be used only with a cart or stand that is recommended by the manufacturer. 10 Power Sources - The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance. 11 Grounding or Polarization - The precautions that should be taken so that the grounding or polarization means of an appliance is not defeated. 12 Power-Cord Protection - Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance. 13 Cleaning - The appliance should be cleaned only as recommended by the manufacturer. 14 Nonuse Periods - The power cord of the appliance should be unplugged from the outlet when left unused for a long period of time. 15 Object and Liquid Entry - Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. 16 Damage Requiring Service - The appliance should be serviced by qualified service personnel when: A. The power-supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the appliance; or C. The appliance has been exposed to rain; or D. The appliance does not appear to operate normally or exhibits a marked change in performance; or E. The appliance has been dropped, or the enclosure damaged. 17 Servicing - The user should not attempt to service the appliance beyond that described in the operating instructions. Ail other servicing should be referred to qualified service personnel 2
6A An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn. 7 Wall or Ceiling Mounting - The appliance should be mounted to a wall or ceiling only as recommended by the manufacturer. Ventilation - The appliance should be situated so that its location or position does not interfere with its proper ventilation. For example, the appliance should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings. Heat - The appliance should be situated away from heat sources such as Heat registers, stoves, or other appliances (including amplifiers) that produce heat.
FCC INFORMATION 1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT : When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE : This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Electronics Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA 90620. The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

PRECAUTIONS

1. AVOID EXCESSIVE HEAT, HUMIDITY, DUST AND VIBRATION Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage. AVOID PHYSICAL SHOCKS Strong physical shocks to the unit can cause damage. Handle it with care. DO NOT OPEN THE CASE OR ATTEMPT REPAIRS OR MODIFICATION YOURSELF This product contains no user-serviceable parts. For other than routine cleaning, refer maintenance to qualified YAMAHA personnel. Opening the case and/or tampering with the internal circuitry will void the warranty. MAKE SURE POWER IS OFF BEFORE MAKING OR REMOVING CONNECTIONS Always turn the power OFF prior to connecting or disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment. HANDLE CABLES CAREFULLY Always plug and unplug cables including the AC cord by gripping the connector, not the cord. CLEAN WITH A SOFT DRY CLOTH Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth. ALWAYS USE THE CORRECT POWER SUPPLY This unit is sold with the appropriate power specifications for the local area (power supply voltage and power consumption are listed on the bottom panel). If you move to a different area that might have a different AC mains voltage, however, be sure to check with your nearest YAMAHA dealer before using this unit. KEEP THE HEADS AND TAPE PATH CLEAN To ensure consistent high performance and sound quality from this unit, it is important to clean the head and tape path regularly (ideally before each recording session). To do this, use a cleaning kit specifically designed for use with cassette tape equipment. USE ONLY HIGH-QUALITY CHROME CASSETTE TAPE This unit is designed to be used only with Chromeposition tape, and will not work properly with Ferrichrome tape formulations. tape (Bias: HIGH; EQ:70 s) should be used. Also, the use of tapes longer than 90 minutes (C-120, etc.) is not recommended because they exhibit poorer performance, and can cause an equipment failure. 10. USE A CASSETTE TAPE PROPERLY This unit is designed to be used only with Chrome position tape. CRO2 tape(HIGH position, TYPEII) should be used. With some tapes, it may be impossible to obtain normal sound quality or characteristics because of problems such as distortion of the frequency characteristic. If this happens, try using a different type of tape. TDK SA 46 - 90 and Maxell UDII 46 - 90 are recommended. This unit is an 8-track, 8-channel tape recorder with a tape speed of 9.5 cm/s, unlike ordinary cassette recorders which have 4 tracks, 2 channels, and a tape speed of 4.8 cm/s, so this unit can not record or playback ordinary cassette tapes. Also, since this unit uses special heads, it is not compatible with tapes recorded on 8-track recorders from other manufacturers. New tapes are tightly wound, so fast forward and rewind them once to loosen them up. This improves the recording/playback characteristics. Also, it is better not to use the first and last 20 seconds of the tape. Sometimes these sections are wound in such a way that the desired characteristics are not obtained. When loading a cassette tape, check it carefully to make sure the tape is not loose, then load the tape firmly into the cassette compartment so that it is not loose or otherwise out of place. If the tape is not loaded properly, the desired characteristics may not be obtained. 1 1. USE THE dbx SWITCH PROPERLY To play back a tape with normal sound quality, turn the dbx switch on for the tape recorded with the dbx on, and for the tape recorded with the dbx off, turn this switch off. dbx is a trademark of dbx Incorporated. 12. CHECK THE ACCESSORIES Please check to see that you have all the accessories, power cords and cotton swabs.

MIC/LINE (ch 1-4), LINE (ch 5-8):
AUX 1 and 2 Controls The AUX controls are used to adjust the level of signals input to a unit such as an external signal processor connected to the AUX SEND jack(s). The signals adjusted by these controls are sent from the AUX bus line to the connected signal processor(s) via the AUX SEND jack(s). The signals then return to this unit's group buses and stereo buses via the AUX RETURN jacks.
Set to this position when adding an input signal from an instrument such as an electric guitar or a keyboard which is connected to the MIC/LINE (LINE) INPUT jacks on the rear panel. A microphone may also be connected for channels 1-4. Channel Fader The channel fader is used to adjust the level of the input signals. When mixing channels, input level balance between channels can be adjusted with these faders. The optimum position is at 7-8 on the scale. Set the fader to "0" for channels which are not being used.

MIXER (MASTER SECTION)

GROUP MASTER Controls These controls are used to adjust the level of each group when the signals from each group bus are to be recorded to tape. The signals adjusted by these controls are sent to the tracks selected by the REC SELECT switches. STEREO Fader The MASTER fader adjusts the level of the stereo bus signals. The optimum position is at "7-8" on the scale. MONITOR/PHONES Control This control is used to adjust the sound output level at the PHONES jack on the front panel and at the MONITOR OUT jacks on the rear panel. MONITOR SELECT Switches These switches are used to monitor the group bus and stereo bus signals, signals input to the 2TR IN jacks and the playback signals of the cassette tape. If all switches are pressed, all of the signals can be simultaneously monitored.
Each of these switches is used to monitor the bus signals for groups 1 and 3 or groups 2 and 4 in monaural. If both the switches are pressed, signals can be monitored in stereo; groups 1 and 3 for channel L and groups 2 and 4 for channel R.

STEREO

This switch is used to monitor the stereo bus signals.

2TR IN

This switch is used to monitor the signals input to the 2TR IN jacks. CUE This switch is used to monitor the playback signals on tracks of the cassette tape. For a track being recorded, the recording signals will be monitored. AUX RTN LEVEL Controls These controls are used to adjust the level of the signals input to the AUX RETURN jacks. AUX RTN ASSIGN Switches These switches are used to select the group bus to which the signals from the AUX RETURN jacks will be sent. On the other hand, signals are always sent to the stereo buses.

RECORDER

dbx Switch This switch is used to turn the internal dbx noise reduction system on and off. The dbx system will operate when the switch is turned on. The dbx system becomes on at the time when the power is turned on. The dbx system has no effect on track 8 when the SYNC switch is on. This is because track 8 is used for recording the FSK signal on SYNC recording. SYNC Switch When performing SYNC recording or playback with the dbx on, turn this switch on, and record FSK signals on track 8. (See "SYNC RECORDING" on page 23.)
REHE Button and Indicator This button is for carrying out a recording rehearsal. If this button is pressed, the indicator illuminates. After the track(s) to be recorded is selected with the REC SELECT switches, if this button is pressed and then the PLAY button is pressed, a pseudo-recording can be performed. In this condition, this unit functions in the same way as actual recording, though recording is not performed. This is useful for practicing punch-in/out recording and for checking recording levels. CLEAR Button This button clears the setting of memory points 1 and 2. When automatic punch-in/out is activate (AUTO PUNCH I/O indicator illuminates) this button clears the automatic punch-in/out setting but does not clear the memory point setting.
REC/PAUSE Button and Indicator This button is used to actually record signals onto a cassette tape. If this button is pressed after selecting a track to be recorded by using a REC SELECT switch, the indicator will illuminate and this unit enters into the recording standby mode. If the PLAY button is then pressed, recording will begin. If no track to be recorded has already been designated by using the REC SELECT switches, the indicator will flash rapidly when this button is pressed. AUTO PUNCH I/O Button and Indicator This button cancels the automatic punch-in/out function. (See "4. Punch-in/out using the automatic punch-in/out function" on page 21.) CHECK Button This button displays the memory point. If the MEMO 1 button is pressed while holding down the CHECK button, MEMO [1] will flash on the display and the tape counter value will be shown on the display. If the MEMO 2 button is pressed while holding down the CHECK button, the tape counter value for MEMO 2 will be shown on the display. PLAY Button and Indicator This button is used for playing the cassette tape. REW Button This button is used to rapidly rewind the cassette tape. If this button is pressed and held down for more than one second, the tape will be rewound at higher speed. FF Button This button is used to rapidly wind forward the cassette tape. If this button is pressed and held down for more than one second, the tape will be wound forward at higher speed. STOP Button This button stops the tape running. MEMO 1 and 2 Buttons These buttons memorize the current tape counter value as memory points. If the MEMO 1 button is pressed, memory point 1 is stored and "MEMO 1" is shown on the display. If the MEMO 2 button is pressed, memory point 2 is stored and "MEMO 2" is shown on the display. The stored memory points can be erased by pressing the CLEAR button, by turning off the main power supply or by removing the cassette tape. LOC 1 and LOC 2 Buttons These buttons are for locating the memory points stored using the MEMO 1 and MEMO 2 buttons. If the LOC 1 button is pressed, the tape rapidly forwards or rewinds to the memory point 1 , and when LOC 2 is pressed, the tape rapidly forwards or rewinds to the memory point 2.

MONITOR SELECT

MONITOR

INITIAL RECORDING

This is the initial recording process, before any recording has been done on any track.
PROCEDURE Getting ready to record
1. Set the input selector switch to the MIC/LINE (or LINE) position for the channel to which signals from an instrument or microphone are to be input, and adjust the input level using the channel fader. (See "SETTING THE RECORDING LEVELS" on page 28.) 2. Using the ASSIGN switches and the PAN control, select the group bus to which the input signals will be sent. With With With With the signals are sent to Group [1]. the signals are sent to Group [2]. the signals are sent to Group [3]. the signals are sent to Group [4].
If the PAN control is set to a position partway between L/ODD and R/EVEN, input signals can be sent to oddnumbered and even-numbered tracks. 3. Press the REC SELECT switch for the group selected in step 2, to select the track to be recorded. The REC select indicator on the display flashes. 4. Press the MONITOR SELECT CUE switch, and slide up the CUE LEVEL control for the track to be recorded. 5. Press the REC/PAUSE button. The REC/PAUSE indicator illuminates, and the REC select indicator on the display illuminates. 6. Adjust the recording level using the corresponding GROUP MASTER control, while playing a phrase with high volume. (See "SETTING THE RECORDING LEVELS" on page 28.) 7. Adjust the CUE LEVEL as well as the MONITOR/PHONES control. 8. Press the COUNTER RESET button and reset the tape counter to "00:00".

Recording

9. Press the PLAY button to start recording. The PLAY indicator illuminates. At the same time, play the instrument including counts. 10. When playing is finished, press the RTZ button to stop and rewind the tape. (It is also good idea to use the LOC 1 or 2 buttons to locate a memory point.) The PLAY and REC/PAUSE indicators go out, and the REC select indicator flashes.
Checking the finished recording
. Pres s the PLAY button to play back the tape, and check the contents of the recording. 12. If the recording needs to be redone, press the REC/PAUSE button once again (The REC/PAUSE indicator illuminates), and repeat steps (9-11). Various other methods of monitoring recordings are available, in addition to those described above. Use whichever method works best for your purpose. (See "Monitor" on page 14.)

OVERDUBBING

Overdubbing is the process of recording a new track/s while monitoring previously recorded tracks. By this method, you can easily record a sound playing in exact timing with other sounds already-recorded. This method is convenient for composing music by playing several instruments by yourself, or when all players cannot meet together.

PROCEDURE

Getting ready to record
1. Set the input selector switch to the MIC/LINE (or LINE) position for the channel to which signals from an instrument or microphone are to be input. Adjust the input level using the corresponding channel fader. 2. Select the group bus to which the input signals will be sent using the ASSIGN switches and the PAN control. 3. Select the track on which the signals are to be recorded using the REC SELECT switch. The corresponding REC select indicator flashes. 4. Press the CUE button under MONITOR SELECT. 5. Set the CUE LEVEL control for the tracks to be played back to 7 - 8. 6. Press the REHE button. The REHE indicator illuminates and the REC select indicator on the display illuminates. 7. While playing an instrument, adjust the recording level using the corresponding GROUP MASTER control. 8. Press the COUNTER RESET button.

Rehearsal

9. Press the PLAY button to start rehearsal (a pseudo-recording). The PLAY indicator illuminates. 10. Play an instrument while listening to sounds of the track being played back, and adjust the CUE LEVEL controls for the recording track and the track being played back. If the pitch between the playback sound and the sound you are actually playing does not match, adjust it using the PITCH control. 1 1. Press the RTZ button to finish the rehearsal and rewind the tape.

PITCH CONTROL

Sometimes the pitch of an instrument and the pitch of the already-recorded signals on tape differ. In this case, you can compensate for the pitch of the recorded signals with the PITCH control. If the PITCH control switch is pressed to enter into the FIX mode (the green indicator illuminates), the tape speed is set to 9.5 cm/sec. and cannot be changed. If the switch is pressed to enter into the VARl mode (the red indicator illuminates) and then the dial is turned, the tape speed can be varied within a range of approximately 12%. The tape speeds at the center position in the VARl mode and in the FIX mode are not necessarily the same. When you do not wish to change the tape speed, set the PITCH control switch to the FIX mode. Never change the setting from VARl to FIX or vice versa while the tape is running. 16
Recording 12. Press the REC/PAUSE button. The REC/PAUSE indicator flashes. 13. Press the PLAY button to start recording. The PLAY indicator illuminate. 14. At the same time, play the instrument while listening to sounds of the track being played back. 15. When recording is finished, press the RTZ button to stop and rewind the tape. on the display flashes. The PLAY and REC/PAUSE indicators go out and the REC select indicator

2. Punch-in/out using the REC SELECT switches
3. Punch-in/out using the footswitch (sold separately)
4. Punch-in/out using the automatic punch-in/out function
The automatic punch-in/out function differs from the three punch-in/out methods described in the previous section in that, once the punch-in and punch-out points have been specified, punch-in and punch-out are then carried out automatically.

1. Selecting the track.

Select the track on which the punch-in/out is to be carried out using the REC SELECT switch.
2. Specifying the following working points
Pre-roll point (at which the punch-in/out operation begins) Punch-in point (at which the recording begins) Punch-out point (at which the recording ends) Post-roll point (at which the punch-in/out operation ends) 2-1 Specify the pre-roll point using the AUTO PUNCH I/O switch. A location two to four measures before the punch-in point usually works well for the pre-roll point. 2-2 Press the PLAY button (or the footswitch) to play back the tape. It is possible to reverse the order of steps 2-1 and 2-2. 2-3 While monitoring the tape, press the REC/PAUSE switch (or the footswitch) to specify the punch-in point. 2-4 While monitoring the tape, press the PLAY button (or the footswitch) to specify the punch-out point. When the punch-out point is specified, a location five seconds later is automatically assigned as the post-roll point. When the tape reaches the post-roll point, it is rewound automatically back to the pre-roll point. The REHE indicator begins to flash rapidly when this unit is switched into "rehearsal-standby" mode. * Correcting the point setting To correct a punch-in/out point setting, press CLEAR and start again from step 2. To correct a pre-roll point, press the AUTO PUNCH I/O switch to cancel the automatic punch-in/out function and start again from step 1.

3. Rehearsal

When the punch-in/out points have been specified, you can proceed with a "rehearsal", or practice the changes to be made. The "rehearsal" is to perform a pseudo-recording, which means that the same movements will occur as if the tape were being recorded, but actual recording will not be carried out. It is good for you to adjust the level and establish the timing in pseudo-recording. 3-1 Press the GROUP button under MONITOR SELECT and press the PLAY button (or the footswitch) to playback the audio signal from the tape to be monitored. 3-2 Press the PLAY button to play back the tape, and play the part to be re-recorded at the same time. When the tape reaches the punch-in point, the [IN] on the display illuminates, along with the REHE indicator. This indicates that pseudo-recording has just begun, and the monitored sound is switched from the playback sounds to the sound you are actually playing. When the tape reaches the punch-out point, [OUT] on the display illuminates and the REHE indicator goes off, and the tape returns to playback mode, with the monitored sound also switching back from the live sound to the playback sound. As the tape reaches the post-roll point [out] on the display goes off, and the tape is rewound back to the pre-roll point automatically and this unit is turned into the "rehearsal-standby" mode. Pressing the PLAY button will start the rehearsal again, so you can repeat this "rehearsal" many times until you are satisfied. If you need to rehearse no more, do not press the PLAY button and go on to the next step "actual recording".

RECORDING PLAN

Before starting multi-track recording, it's important to construct an overall working plan. It is recommended that you put together a plan that takes into account factors such as the organization of the instruments, the overall structure of the program, the parts that you wish to emphasize, the final stereo orientation and so on. If you go ahead with multi-track recording without making such a plan, you may encounter problems such as running out of tracks, limits in orienting of the sound image, etc. These problems may increase the number of pingpong recordings, which at the end will result in a poor quality.
1. Determine the organization of instruments and their respective positions.
2. Determine the final designation of each track Example: Track 1 Track 2 Track 3 Track 4 Track 5 Track 6 Track 7 Drums L Drums R Bass Guitar Vocal Guitar Backing Guitar Solo Keyboards
3. Determine the recording order. The flow of an ordinary recording is as follows.
The detailed plan is made based on this flow. Drawing up a detailed plan covering all elements, for example the mixer channel assignment, sound image orientation and effects, simplifies the recording operations.
4. Use the attached PLANNING SHEET A planning sheet is included with this operation manual. This sheet is very useful when actually creating a recording plan or while recording is in progress. CH: INPUT: SOURCE: Mixer channels 1-8. T = TAPE, M/L = MIC/LINE, L = LINE Enter the sources (the instruments) to be recorded. REC TRACK: Indicate recording tracks 1-8. ASSIGN: Indicate the setting of ASSIGN switches (combination of bus lines for signal output). PAN: Indicate the positions of the PAN controls. AUX: Indicate the AUX 1 and 2 control positions (level of output to the AUX SEND jacks). EFFECT: Enter the types of effects and their descriptions. LEVEL: Indicate the AUX RTN LEVEL control positions (level of input from AUX RETURN jacks).
RECORDING EXAMPLE 1 : A basic recording (overdubbing)
As a basic recording, let's take the three rhythm instruments and the melody, which make up the underlying structure of the music, and put them together.

Recording plan

1. Determine the organization of instruments and the position of each instrument as figured on the right. 2. Determine the final designation of each track. Track 1 Drums L Track 2 Drums R Bass Guitar Track 3 Track 4 Vocal Track 5 Guitar Backing Track 6 Guitar Solo 3. Determine the recording order The order of an ordinary recording is as follows. 1. Rhythm parts: Rhythm Machine (as Drums) Bass Guitar 2. Backing part: Guitar Backing 3. Melody parts: Vocal Guitar Solo
Instruments and their respective positions

Recording procedure

1. Recording the rhythm parts Record the drum part performed by the rhythm machine onto tracks 1 and 2 in stereo. At this time, it is recommended to record counts on a few measures before the beginning of the program. Next, play the bass guitar while listening to the recorded drum part (or at the same time as recording the drum part), and record this bass part onto track 3. If you think it will be difficult to play the bass without listening to vocals, you may record temporary vocals onto another track (such as track 8), and play the bass while listening to the recorded vocals and drum part. 2. Recording the chord backing While listening to the rhythm parts which have been recorded, play the guitar and record the backing part onto track 5. 3. Recording the vocal part While listening to the rhythm and backing parts which have been recorded, record the vocal part onto track 4. 4. Recording the Guitar Solo While listening to the rhythm, backing and vocal parts which have been recorded, play the guitar and record the guitar solos such as the lead-in and interlude onto track 6. 5. Mixdown Adjust the level balance and tone for the signals recorded in steps 1-4, and the orientation of instruments in the stereo image, and also apply effects to them as required. After that, mix down the signals to the stereo tape deck.

Making Planning Sheets

1. Recording the Rhythm Parts 2 Recording the Chord Backing

3 Recording the Vocal

4 Recording the Guitar Solo
* Reverberation is applied to monitoring signals, however, recording will be done without reverberation.

5 Mixdown

Connections/Operations
1. Connections Make connections as figured on the right. Before connections, be sure to turn OFF the power to all equipments.
2. Turning the power ON/Setting the tape Set the all output level controls to minimum, and turn the power ON to the rhythm machine and then to this unit. At this time, leave all controls or faders set to "0" or "MIN". Insert a tape into the cassette compartment and run the tape forward. Stop the tape after about 20 seconds, and press the COUNTER RESET button to reset the tape counter to "00:00". 3. Recording the Rhythm Parts Setting the controls and switches on the mixer By following the contents of the PLANNING SHEET, set them for channels 3, 5 and 6 as follows. Be sure to set the channel faders for other channels to "0". Set faders 1 , 2 and 3 for the CUE LEVEL controls at 7 - 8. Channel 3 LINE 0 off ON L/ODD MIC/LINE 7-8 Channel 5 LINE 0 ON off L/ODD LINE

GAIN control Equalizer control AUX control ASSIGN switch PAN control Input selector switch Channel fader HIGH M I D L O W A U X 1 A U X / / 4
Channel 6 LINE 0 ON off R/EVEN LINE 7-8
Setting the controls and switches on the MASTER section Set the AUX RTN ASSIGN switches to off, and the MASTER fader to "0". GROUP MASTER control GROUP 1 GROUP 2 GROUP 3 GROUP 4 GROUP 1/3 GROUP 2/4 STEREO 2TR IN

CUE 7-8 7-8 7-off off

MONITOR SELECT switch

MONITOR/PHONES control

off ON Center 33
Playing the instruments/Recording 1. By following the contents of the PLANNING SHEET, select tracks (1, 2 and 3) on which recording will be made using the REC SELECT switches. The REC select indicators 1 , 2 and 3 on the display flashes. 2. Press the REC/PAUSE button to turn this unit into the recording standby mode. The REC/PAUSE indicator flashes. 3. Adjust the recording level. Start the performance on the rhythm machine. Monitoring the sound of the rhythm machine, play the bass guitar. Adjust the GROUP MMASTER controls so that the level meters for tracks 1, 2 and 3 illuminate at the +9 dB mark momentarily at the maximum volume level. When the adjustment is finished, stop the rhythm machine. 4. Press the PLAY button to start recording on tracks 1 , 2 and 3. Start the performance on the rhythm machine and play the bass guitar. When the performance is finished, press the RTZ button to stop recording and to rewind the tape back to the start point. 5. Play back the tape to check the finished recording. If the recording has succeeded, proceed to the next step. If the recording or the performance has not succeeded, make re-recording or punch-in/out recording as required. 4. Recording the Chord Backing Record the guitar backing on track 5 repeating the procedure of step 3, "Recording the Rhythm Parts". Set the mixer as shown in step 2 of the "Recording plan" on page 32. Set the fader for channel 2 to 7 - 8 and reset the fader for channels 3, 5, and 6 to "0". Set fader 5 for the CUE LEVEL controls at 7 - 8. 5. Recording the Vocal Record vocals using the microphone connected to channel 1, by repeating the procedures in step 3 "Recording the Rhythm Parts". However, please note the following two differences: One is that the GAIN control for channel 1 should to be adjusted at the "MIC" side. (See "SETTING THE RECORDING LEVELS" on page 28.) The other is that reverberation is applied to monitoring signals of the vocal. However, reverberation will not be applied to the recording signals. * For reverberations; Set the AUX 1 control for channel 1 to 5 (center position). Set AUX RTN ASSIGN switches [1 ] [2] to off and [3] [4] to off. Set the STEREO switch under MONITOR SELECT to ON. 6. Recording the Guitar Solo The procedure is the same with that of step 3, "Recording the Rhythm Parts." ,

RECORDING EXAMPLE 2: An advanced recording
Let's try an advanced multi-track recording with ping-ponging many music parts and attempting a SYNC recording of MIDI instruments.
1. Determine the organization of instruments and the position of each instrument as figured below.
2. Determine the final designation of each track. Track 1 Track 2 Track 3 Track 4 Track 5 Track 6 Track 7 Track 8 Guitar Solo Vocal Backing (L) Backing (R) Rhythm (L) Rhythm (R) Backing Vocal 1 Backing Vocal 2
Guitar 2 (Riff), Synthesizer 2 (Strings) Drums, Bass Guitar, Guitar 1 (Cutting), Synthesizer 1 (Piano)
1. Recording the Drum, Bass parts and SYNC signals (Initial recording) While recording the drum and bass parts, record the FSK signal onto track 8. 1) Play back the rhythm machine (drum part) and record the sound signals onto tracks 1 and 2. Output the sounds of the bass drum and snare drum separately, add some appropriate effects to each of them respectively, and mix them together. 2) Simultaneously, synchronize the music sequencer with the SYNC signal to play the synthesizer (bass part), and record the sound signals onto track 3. 3) Simultaneously, record the FSK signal to track 8 through the MIDI converter. 2. Recording the Guitar 1 (Cutting) While listening to the recorded drum and bass parts, play the guitar and record the sound signals to track 4 as the Guitar 1 (Cutting) part. 3. Ping-pong the rhythm parts (with SYNC recording of Synthesizer 1) Mix the synchronized rhythm part (by Synthesizer 1) with the rhythm parts that have been already-recorded, and then ping-pong the mix in stereo. 1 ) Synchronize the music sequencer with the SYNC signal which has been recorded onto track 8 (as FSK signal), and play the Synthesizer 1 part. 2) Play back tracks 1-4 and mix each part with the Synthesizer 1 part (while adjusting the volume balance and orientation, and adding effects), and record the mixed stereo signals onto tracks 5 and 6. 4. Recording the Guitar 2 (Backing) While listening to the rhythm parts on tracks 5 and 6, play the guitar and record the sound signals to track 1 as the Guitar 2 part (which is to be the riff part). 5. Ping-ponging the backing parts Mix the recorded Guitar 2 part with the Synthesizer 2 part (the sound of the strings), and then ping-pong the mix of them in stereo. 1 ) Synchronize the music sequencer with the SYNC (FSK) signal which has been recorded onto track 8, and then play the Synthesizer 2 part. 2) Play back track 1 , and mix the Guitar 2 part on track 1 with the Synthesizer 2 part (while adjusting the volume balance and orientation, and adding effects), and record the mixed stereo signals onto tracks 3 and 4. 6. Recording the Lead Vocal part 1 ) Change the GAIN control for channel 1 from the "LINE" side to the "MIC" side, and adjust the input level. 2) While listening to the rhythm parts on tracks 5 and 6 and the backing parts on tracks 3 and 4, sing and record this singing to track 2 as the Lead Vocal part.

7. Recording the Backing vocal 1 part
While listening to the rhythm parts on tracks 5 and 6, the backing parts on tracks 3 and 4 and the lead vocal part on track 2, sing a vocal backing and record this singing to track 7 as the backing vocal 1 part. 8. Recording the Backing vocal 2 part While listening to the rhythm parts on tracks 5 and 6, the backing parts on tracks 3 and 4, the lead vocal part on
track 2 and the backing vocal 1 part on track 7, sing another vocal backing and record this singing to track 8 as the
backing vocal 2 part. (Because there will be no more SYNC recording after this, it doesn't matter if the FSK signal on track 8 is erased.)
9. Recording the Guitar Solo part While listening to the rhythm, backing, lead vocal and backing vocals, play the guitar and record it to track 1 as the guitar solo part. 10.Mixdown Mixdown of signals recorded on all tracks. The sound orientation of the guitar solo part and the backing vocal parts should be done in this step.
1. Recording the rhythm parts 2. Recording the Guitar 1 (Cutting)
3 Ping-pong the rhythm parts
4 Recording the Guitar 2 (Backing)
5 Ping-ponging the backing part
6 Recording the Lead Vocal part
7 Recording the Backing vocal part 1
8 Recording the Backing vocal part 2
9 Recording the Guitar Solo part

10 Mixdown

Connections
Make connections as figured below. Be sure to turn OFF the power to all equipments before making any connection.

Microphone

Operations
Refer to the operations of "RECORDING EXAMPLE 1: A basic recording (overdubbing)". For setting controls and switches on this unit, follow the contents of the Planning sheets. For the operating method of ping-pong recording, see pages 17. For the operating method of SYNC recording, see pages 23.

CONNECTION EXAMPLE

TROUBLESHOOTING
If this unit doesn't work properly, the reason will probably be that a small mistake was made in carrying out the operations given in this manual. Before calling for repairs, check the following.

SPECIFICATIONS

GENERAL SPECIFICATIONS
MODEL TAPE TRANSPORT 8-track/8-channel one way recording and playback cassette recorder with mixer Tape Type Track Configuration Heads Motor Tape Speed Pitch Control Wow & Flutter Rewind Time ELECTRICAL SPECIFICATIONS: 0 dB = 0.775 Vr.m.s. <No. of I/O Jacks> MIC/LINE x 4 CH1 - 4 LINE L/MONO, R x 1 CH8 AUX SEND x 2 TAPE OUT x 8 CH1 - 8 CONNECTORS MIC/LINE 1 - 4 CrO2 (Bias: HIGH; EQ: 70 s) 8-track/8-channel one way recording and playback 8-channel Permalloy rec/play head x 1 8-channel ferrite erase head x 1 DC servo motor for capstan x 1 DC motor for reel x 1 DC motor for mechanism control x 1 9.5 cm/sec. Approx. 12% 0.08% WRMS or less Approx. 95 sec. at normal speed (for C-60 tape) Approx. 75 sec. at high speed (for C-60 tape)
INSERT I/O x 2 CH1 - 2 AUX RETURN L/MONO, R x 2 STEREO OUT L,R x 1 PHONES L,R x 1
LINE x 3 CH5 - 7 2TR IN L, R x 1 MONITOR OUT L, R x 1
Input Impedance 10k Rated Input Level -10 dB to -50 dB (ch. fader nominal) Min. Input Level -56 dB (gain control, ch. fader max.) Max. Input Level +10 dB (gain control min., headroom margin) Rated Input Level -10 dB Input Impedance k INSERT IN 1 , 2 Min. Input Level -16 dB (ch. fader max.) Rated Input Level -10 dB (ch. fader nominal) LINE 5-8 Input Impedance k Min. Input Level -16 dB (ch. fader max.) Rated Input Level -10 dB (AUX RTN LEVEL control nominal) AUX RETURN L/R 1 , 2 Input Impedance 20 k Min. Input Level -16 dB (AUX RTN LEVEL control max.) Rated Input Level -10 dB (MONITOR/PHONES control Input Impedance k 2TR IN L, R Min. Input Level -16 dB nominal) Output Impedance 100 Rated Load Impedance k or more INSERT OUT 1 , 2 Rated Output Level -10 dB (at 10 k load) Output Impedance 1 k Rated Load Impedance k or more AUX SEND 1 , 2 Rated Output Level -10 dB (at 10 k load) Output Impedance 1 k Rated Load Impedance 10 k or more STEREO OUT L, R Rated Output Level -10 dB (at 10 k load) Output Impedance 1 k Rated Load Impedance k or more MONITOR OUT L, R Rated Output Level -10 dB (at 10 k load) TAPE OUT 1 - 8 Rated Load Impedance k or more Output Impedance 100 Rated Output Level -10 dB (at 10 k load) Max. Output Level 100 mW (at 40 load) Rated Load Impedance 8-40 PHONES
MIXER Frequency Response (At Rated Input and Output) +Hz-20 kHz -4 dB MIC IN-STEREO OUT LINE IN-STEREO OUT LINE IN-PHONES OUT
Noise level (12.7 kHz: 6 dB/oct. L.P.F) Signal process noise: -115dB/Rs=150 STEREO OUT: -80 dB/CH, optimum position of the Master Fader S/N Ratio (At Rated Input and Output Levels) 68 dB/IHF-A MIC IN-STEREO OUT (GAIN TRIM MAX.) 70 dB/IHF-A LINE IN-STEREO OUT (GAIN TRIM MIN.) Distortion (1 kHz, At Rated Input and Output) 0.3 %/30 kHz L.P.F MIC IN-STEREO OUT (GAIN TRIM MAX.) 0.05 %/30 kHz L.P.F LINE IN-STEREO OUT (GAIN TRIM MIN.) Equalizer LOW/SHELVING Standard Frequency 100 Hz Variable Range 12 dB MID/PEAKING Standard Frequency 1 kHz Variable Range 12 dB HIGH/SHELVING Standard Frequency 10 kHz Variable Range 12 dB RECORDER Overall Frequency Response Overall S/N ratio Overall Distortion Overall channel separation (between adjacent channels) Erasure Rate Noise Reduction GENERAL Control Jacks Power Requirements Power Consumption Dimensions (WxHxD) Weight Accessory (4 track simultaneous recording) 50 Hz-14 kHz +3dB (dbx NR OFF) -dB/IHA-F (dbx NR ON), (At distortion level of 3 %) 2% (400 Hz,-10 dB) 60 dB (1 kHz, -10 dB, dbx NR ON) 55 dB (1 kHz, 0 dB) dbx NR (SYNC position: TR8 = OFF)

Studio Covers & 2011 Prices
Colors Available:Black, Gray or Navy
Access Access Access Access Access AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI AKAI
Virus B Desktop Virus C Desktop Virus Ti Desktop Virus TI Polar Virus B/K/C AX60 AX73 MG614 MG1214/16 DPS12 DPS16 MPC60 MPC60-11 MPC2000/XL MPC2500 MPC3000 MPC4000 MPC5000 MPD MX76 MX1000 S950 S1000KB S1100
Alesis A6 Andromeda AlesisA&H System 8-1616 Alesis 12 FXD
Width 19.25 18.50 18.50 22.30 39.00 Width 39.00 45.38 22.00 33.75 18.25 21.75 19.75 20.25 16.50 16.25 17.25 21.50 18.00 10.25 51.00 50.00 19.00 42.50 19.00 Width 40.50 44.50 11.20
Depth 8.00 7.37 7.00 13.00 14.50 Depth 13.75 13.50 18.25 29.25 13.88 14.75 18.50 16.75 13.75 13.25 15.50 18.75 16.50 8.00 14.00 14.75 17.00 20.50 16.25 Depth 16.50 22.25 13.00
Height 2.75 3.00 2.50 4.40 4.50 Height 2.50 3.75 8.00 8.50 4.00 5.00 4.25 6.50 4.75 3.75 5.00 7.25 3.50 1.50 5.00 3.50 5.50 6.50 5.25 Height 4.25 9.75 3.00
Height 1.50 1.75 1.25 3.00 3.00 Height 1.50 2.75 3.75 2.50 3.00 3.00 3.00 4.00 2.75 3.75 2.50 4.25 1.25 1.00 4.00 2.75 5.50 4.00 5.25 Height 2.00 2.75 2.00
Price $17.50 $17.50 $17.50 $19.95 $19.95 Price $19.95 $19.95 $17.50 $22.95 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 $24.95 $24.95 $17.50 $22.95 $17.50 Price $19.95 $22.95 $17.50
Alesis Sixteen Twenty Two Alesis ADAT Alesis BRC Alesis DG8 Alesis Fusion 8HD Alesis HR16 Alesis ION Alesis Micron Alesis Micron 37-key AlesisMonitor One System Alesis QuadraSynth Alesis QS 6.1 Alesis QS 7.1 Alesis QS 8.1 Alesis SR16 Alesis SR18 Alesis Studio 24 Alesis Studio 32 Alesis 1622 Alesis Wedge Allen & Heath CMC-32 Allen & Heath GL2000-32 Allen & Heath GL2200-412 Allen & Heath GL2200-416 Allen & Heath GL2200-424 Allen & Heath GL2200-432 Allen & Heath GL2400-32 Allen & Heath GL2800-848 Allen & Heath GL3300-816 Allen & Heath GL3300-824 Allen & Heath GL3300-824(MB) Allen & Heath GL3300-832 Allen & Heath GL3300-832 (MB) Allen & Heath GL3300-840 (MB) Allen & Heath GL4000-824 (MB)
19.00 20.00 17.75 53.25 52.25 10.00 32.80 22.50 22.75 16.25 48.00 36.00 44.25 49.75 9.50 9.30 15.50 17.25 19.75 9.50 Width 43.00 46.50 22.25 27.00 37.00 46.50 40.25 64.75 31.00 41.25 41.25 51.25 51.25 61.25 46.75
21.00 14.25 12.75 18.75 14.75 12.00 12.70 3.75 7.75 10.50 14.75 11.00 11.25 14.20 6.50 7.50 17.00 16.50 21.75 6.75 Depth 30.25 23.00 23.25 23.25 23.25 23.25 22.00 26.00 26.00 26.00 26.00 26.00 26.00 26.00 30.25
6.00 5.25 4.75 5.50 5.25 2.25 2.50 13.50 3.00 9.00 3.50 3.50 3.25 5.00 1.75 1.80 6.00 6.00 6.00 2.00 Height 4.50 6.50 6.25 6.25 6.25 6.25 6.00 6.25 7.25 7.25 11.25 7.25 11.25 11.25 12.00
1.50 5.25 2.00 3.75 2.50 1.00 2.50 2.75 3.00 9.00 2.50 2.25 1.50 3.50 1.00 1.80 2.00 2.00 1.50 1.75 Height 2.25 3.00 2.25 2.25 2.25 2.25 2.50 2.75 3.00 3.00 3.00 3.00 3.00 3.00 3.00
$17.50 $17.50 $17.50 $24.95 $24.95 $17.50 $19.95 $19.95 $19.95 $17.50 $24.95 $19.95 $19.95 $24.95 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 Price $22.95 $27.95 $22.95 $22.95 $22.95 $27.95 $19.95 $32.95 $22.95 $22.95 $22.95 $27.95 $27.95 $32.95 $29.95
Allen & Heath Allen & Heath Allen & Heath Allen & Heath Allen & Heath Allen & Heath Allen & Heath Allen & Heath Allen & Heath Allen & Heath Arp Arp Arp Arp Arp Baldwin Baldwin Baldwin Baldwin Baldwin Behringer Behringer Behringer Behringer Behringer Behringer Behringer Behringer Behringer Behringer Behringer Behringer
GL4000-832 (MB) GL4000-840 (MB) GL4000-848 (MB) GS3V GS3000-824 (MB) GS3000-832 (MB) Mix Wixard PA 28 SR424 System 8-1616 Axe Odyssey/II Quadra Sequencer String Ensemble DG-100 DVP-25 EP-10 EP-20 XP-100 24x4 Mixer 2642-A DDX 3216 DJX 700 MX802A MX2004A MX9000 SL2442 Fx-Pro Sl3242 Fx-Pro UB 1202 UB 1832 Fx-Pro UB 2442
56.75 66.75 76.75 42.25 46.75 59.25 19.00 37.75 44.50 45.25 Width 24.25 23.00 40.50 22.75 38.25 Width 55.75 55.33 35.25 39.50 54.25 Width 29.00 19.75 18.00 12.00 9.75 16.50 37.50 27.75 35.50 10.25 16.20 17.25 Width
30.25 30.50 30.50 31.25 25.00 26.25 21.75 21.25 25.25 28.00 Depth 15.75 18.25 19.00 8.50 13.75 Depth 27.00 20.00 11.75 16.25 19.25 Depth 20.25 12.75 23.25 14.75 11.25 15.50 30.00 16.75 17.00 9.50 14.20 17.25 Depth
12.00 12.00 12.00 7.00 11.50 11.50 7.75 7.00 2.75 9.75 Height 6.00 6.00 4.50 5.25 7.00 Height 10.00 6.25 3.00 4.50 7.25 Height 7.00 6.50 10.50 4.00 6.25 3.50 9.00 10.00 7.00 5.25 1.25 8.50 Height
3.00 3.00 3.00 2.25 3.00 3.00 3.00 3.00 2.75 3.50 Height 2.50 3.00 2.50 3.00 4.00 Height 5.75 4.00 2.00 3.25 4.25 Height 2.25 2.50 3.50 4.00 1.50 1.50 3.00 5.00 3.00 1.75 2.75 3.00 Height

21.00 32.50 32.50 14.25 12.00 13.75 12.00 7.00 7.75 7.50 8.25 15.25 8.25 13.00 15.25 Depth 12.00 13.50 13.75 13.75 16.50 14.75 14.50 13.75 14.75 16.50 14.50 14.00 15.75 Depth 29.00 12.50 15.80 16.75 Depth 13.25
7.00 4.25 6.00 4.25 21.50 3.25 19.00 15.00 3.00 2.25 3.00 5.50 6.00 7.00 4.50 Height 3.00 3.00 4.50 4.50 5.25 5.00 4.50 4.50 5.00 5.50 4.50 4.50 4.00 Height 16.00 4.00 4.25 5.00 Height 4.25
2.00 2.00 4.75 2.50 21.50 3.25 22.50 15.00 3.00 2.25 2.75 2.50 2.00 2.00 3.50 Height 2.50 2.50 2.50 2.00 2.25 3.50 2.75 2.75 3.00 2.50 3.00 2.75 3.00 Height 12.00 3.25 3.00 3.50 Height 3.50
$19.95 $22.95 $24.95 $17.50 $24.50 $17.50 $24.50 $20.50 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 Price $19.95 $19.95 $19.95 $24.95 $24.95 $24.95 $19.95 $24.95 $24.95 $24.95 $24.95 $19.95 $19.95 Price $31.95 $19.95 $24.95 $24.95 Price $24.95
Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai Kawai
FS-900 K1/II K4 K5 K5000s KC10 KC20 K250/360 M8000 MM16 MP9000 MX16 P-260 PH-50 PV-30 Q-80 SF75 X50-S
Korg 01/W Korg 01/W Pro Korg 01/W Pro-X Korg 707 Korg AX60 Korg BX3 Korg C15/25/35/46 Korg C30/40/56M Korg C150 Korg C303/505 Korg C600 Korg C3500/400/5500/7100 Korg Concerto Korg CX3 Korg D12 Korg D16 Korg D1600
49.75 36.50 40.00 41.00 41.75 38.00 38.75 54.50 57.75 12.91 57.75 19.00 55.00 31.00 54.00 15.25 38.75 37.75 Width 41.25 50.00 58.75 30.00 39.00 44.25 54.00 55.00 54.25 55.25 48.00 54.00 9.25 45.50 14.00 14.00 20.75
16.75 10.25 11.50 13.50 13.25 8.00 9.00 19.50 16.75 8.00 18.25 12.50 20.00 12.00 18.50 9.00 15.75 14.75 Depth 13.50 14.00 20.75 12.00 14.00 25.25 18.00 19.00 17.50 18.75 18.00 18.50 6.75 12.50 9.25 9.75 14.75
8.00 2.50 3.50 4.00 4.25 3.25 3.25 6.25 5.00 2.25 7.00 4.50 6.00 2.50 5.00 2.00 6.00 5.00 Height 4.00 4.00 4.75 3.75 5.00 5.75 6.75 7.50 6.50 6.00 6.00 6.25 2.00 4.75 3.25 3.00 6.00
3.00 2.00 2.00 2.75 2.75 2.50 3.25 4.00 3.00 2.25 4.00 1.00 3.75 2.50 4.00 1.00 3.00 3.50 Height 2.00 2.00 3.50 2.50 5.00 9.25 4.00 4.25 4.00 3.00 3.00 4.00 1.75 3.50 2.25 1.50 3.25
$24.95 $19.95 $19.95 $19.95 $19.95 $19.95 $19.95 $24.95 $29.95 $17.50 $29.95 $17.50 $29.95 $19.95 $24.95 $17.50 $19.95 $19.95 Price $19.95 $24.95 $29.95 $19.95 $19.95 $22.95 $24.95 $29.95 $24.95 $29.95 $24.95 $24.95 $17.50 $19.95 $17.50 $17.50 $17.50
Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg Korg
D3200 Delta DDD-1 DDD-5 DDM-110 DP80 DP2000C D5/8 DS8 DSS-1 DW8000 EC150 Electribe R EMX1 i2 i3/i30 i4S i5S is 50/40 i550B/is35 iX300 Karma K25 Kontrol 49 LE-88 M1 M3 Mono/Poly MS2000 MS2000R N1 N5/EX N264 N364 P3 PA80
21.50 34.00 16.00 13.40 9.00 45.50 48.00 40.00 40.30 46.00 39.00 54.00 12.75 14.00 51.25 41.25 46.00 40.25 43.50 43.50 42.25 43.25 19.25 28.70 56.50 42.00 26.50 30.75 29.75 19.75 52.27 40.25 49.25 43.27 11.75 43.75

14.50 15.75 10.25 9.10 8.00 14.00 18.00 12.50 12.50 17.00 13.27 16.50 9.75 10.25 14.25 13.50 14.75 13.00 16.25 15.00 13.25 12.25 8.50 12.60 15.50 14.75 7.80 18.75 15.25 10.00 15.50 11.75 13.25 14.27 9.00 15.25
7.27 6.00 2.50 2.25 2.25 2.25 4.00 3.00 3.70 5.00 3.50 6.50 2.25 2.50 4.75 3.75 5.00 4.50 3.50 5.00 3.50 4.00 2.25 3.25 5.25 4.00 3.25 5.50 5.25 4.25 4.50 2.75 3.50 3.50 2.25 6.25
3.00 3.75 1.00 2.25 2.25 1.75 3.00 1.75 2.50 4.00 2.50 3.75 2.50 2.00 3.00 2.75 2.50 3.50 2.25 3.00 1.75 2.50 1.50 2.00 4.25 2.00 3.50 3.50 2.25 2.00 3.50 2.00 1.75 1.75 2.25 3.25
$17.50 $19.95 $17.50 $17.50 $17.50 $19.95 $24.95 $19.95 $19.95 $24.95 $19.95 $24.95 $17.50 $17.50 $24.95 $19.95 $24.95 $19.95 $19.95 $19.95 $19.95 $19.95 $17.50 $19.95 $29.95 $19.95 $19.95 $19.95 $19.95 $17.50 $24.95 $19.95 $24.95 $19.95 $17.50 $19.95
Poly 6 Poly 800/II Prophecy R339 S3 SG1 SG1D SG Pro-X SP100 SP300 SP500 SQD-8 T1 T2 T3 Trinity Trinity Plus Trinity Pro Trinity Pro-X Trinity V3Pro Triton Triton Pro Triton Pro-X Triton LE 61 Triton LE 76 Triton LE 88 Triton Studio 61 Triton Studio 76 Triton Studio 88 Wavestaion W364 WS/AD X2 X3 X5D X50D
38.50 30.75 27.00 26.00 13.75 47.50 54.00 52.25 53.75 52.00 51.40 9.50 58.75 50.00 41.50 43.75 41.50 49.50 57.50 49.50 41.25 50.00 58.00 41.75 49.25 56.75 42.50 52.40 58.27 39.50 42.25 17.00 50.75 41.25 35.00 37.75
13.75 11.25 12.00 12.00 13.25 15.50 15.75 15.50 11.75 13.75 13.27 6.75 20.75 14.00 14.00 15.25 13.40 13.40 18.00 13.40 14.75 13.75 17.75 11.75 11.75 15.27 15.00 16.00 17.25 13.25 13.25 16.00 13.33 13.12 9.50 14.75
4.75 3.50 3.25 2.00 2.50 2.50 5.00 3.25 4.50 5.25 5.27 2.00 4.75 4.00 4.00 4.50 4.00 4.00 5.00 4.75 5.00 4.75 5.00 3.75 3.75 5.00 5.25 5.25 5.25 3.50 3.50 3.50 4.27 3.50 2.50 5.00
2.25 2.25 2.00 2.00 2.00 2.50 3.50 3.50 3.00 3.00 3.00 1.50 3.50 2.00 2.50 3.50 2.50 2.50 3.50 2.50 2.75 2.50 3.50 2.25 2.50 3.50 2.50 3.25 4.00 2.00 1.75 3.50 2.50 2.00 2.00 3.50
$19.95 $19.95 $19.95 $19.95 $17.50 $24.95 $24.95 $24.95 $24.95 $24.95 $24.95 $17.50 $29.95 $24.95 $19.95 $19.95 $19.95 $24.95 $29.95 $24.95 $19.95 $24.95 $29.95 $19.95 $24.95 $29.95 $19.95 $24.95 $29.95 $19.95 $19.95 $17.50 $24.95 $19.95 $19.95 $19.95
Kurzweil K-250 Kurzweil K1000 Kurzweil K1200 Kurzweil K2000 Kurzweil K2500/2600(76) KurzweilK2500X/K2600X(88) Kurzweil K2661 Kurzweil K2VX Kurzweil KME-61 Kurzweil Mark III Kurzweil Mark V Kurzweil Midi Board Kurzweil RG-100 Kurzweil PC88/2X Kurzweil SP-76 Kurzweil SP-88 Kurzweil SP-88X Leprecon Lexicon Lexicon Linn Linn Linn Linn 612 MRC Omega A Drum LM ll
M-Audio BX5 M-Audio Key Station Pro 88 M-Audio Oxygen 61 M-Audio ProjectMix l/O M-Audio Trigger Finger
41.50 Width 56.00 18.25 54.75 40.25 47.75 55.00 39.50 40.80 36.00 56.00 56.75 54.00 51.75 55.00 46.75 54.00 53.50 Width 16.75 Width 9.50 7.25 Width 24.75 24.75 22.00 22.00 Width 6.50 55.00 37.80 20.00 11.25 Width

13.50 Depth 28.00 16.75 16.75 13.25 17.50 22.75 14.25 13.43 12.75 20.25 23.00 20.25 18.75 14.75 11.25 12.00 14.25 Depth 11.75 Depth 6.50 7.75 Depth 14.75 14.00 11.75 12.00 Depth 7.80 14.00 9.80 17.50 10.25 Depth
4.75 Height 5.50 3.25 3.25 4.00 4.75 4.75 4.50 4.13 3.50 6.50 8.00 5.25 6.00 4.50 4.00 4.00 4.50 Height 3.50 Height 1.50 4.63 Height 6.00 8.00 4.75 4.00 Height 10.00 6.00 3.50 4.25 1.50 Height
2.50 Height 1.50 2.00 2.00 2.50 3.00 2.50 3.00 2.33 2.00 4.25 3.00 2.50 4.00 3.25 2.00 2.00 3.50 Height 2.50 Height 1.50 4.63 Height 2.50 2.50 2.25 2.25 Height 4.00 4.50 3.00 1.50 1.25 Height
$19.95 $32.95 $17.50 $24.95 $19.95 $24.95 $29.95 $19.95 $19.95 $19.95 $32.95 $32.95 $24.95 $24.95 $29.95 $24.95 $24.95 $24.95 Price $17.50 Price $17.50 $17.50 Price $19.95 $19.95 $17.50 $17.50 Price $17.50 $29.95 $19.95 $17.50 $17.50 Price
Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie Mackie MidiMan Moog Moog Moog
168 bus 248 bus 328 bus 1202VLZ 1402VLZ 1604VLZ Big Knob CFX-12 CFX-16 CFX-20 Control DB8 DFX-12 EFX-12 EFX-16 EFX-20 HR624 HR626 HR824 Onyx Onyx 24.4 Onyx 32.4 Onyx 1220 Onyx 1640 Onyx 2480 Onyx 3280 SR24-4 SR32-4 SR40-8 SR56-8 Oxygen 8 Memory Micro Mini
29.50 37.00 45.25 11.75 14.75 18.25 13.50 17.25 21.50 25.63 17.50 38.00 16.25 18.00 22.25 26.50 13.00 20.25 10.75 17.75 31.00 40.50 14.00 19.00 49.00 60.00 31.75 40.00 65.75 80.00 Width 17.25 Width 40.00 24.75 28.25
29.25 27.75 28.75 12.00 14.00 18.75 6.50 16.00 16.75 16.00 17.75 21.50 15.25 16.75 16.75 16.75 12.50 13.25 13.00 17.75 23.75 22.63 17.00 21.75 29.50 29.60 20.00 20.00 31.25 31.25 Depth 10.38 Depth 17.75 15.75 17.00
8.00 8.50 10.00 6.00 7.00 5.00 3.25 7.25 7.25 7.25 4.50 5.00 8.00 7.25 7.25 7.25 8.00 9.00 16.00 7.00 7.25 7.50 8.00 10.25 9.50 9.50 5.75 5.75 11.00 11.00 Height 3.50 Height 6.00 5.50 5.50
3.00 3.50 3.75 2.00 2.00 3.00 1.63 3.00 3.00 3.00 2.25 3.00 2.00 3.00 3.00 3.00 9.00 9.00 16.00 2.00 2.75 3.00 1.50 1.50 3.00 4.00 2.00 2.00 2.25 2.25 Height 2.50 Height 2.50 3.00 4.50
$22.95 $22.95 $24.95 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 $19.95 $17.50 $19.95 $17.50 $17.50 $19.95 $19.95 $17.50 $20.50 $22.50 $17.50 $22.95 $22.95 $17.50 $20.50 $29.95 $34.95 $19.95 $19.95 $39.95 $44.95 Price $17.50 Price $19.95 $19.95 $19.95
Moog Moog Moog Moog Moog Moog Nord Nord
Moog Opus 3 Prodigy Rogue Source Voyager Electro 73 Lead 2x
Novation K-station Novation Remote 49/51 compact Novation Remote 75 Novation Remote SL25 Novation Remote SL37 Oberheim DX Oberheim DMX OberheimEchoplex Digital Pro Oberheim Xpander Oberheim Matrix 6 Oberheim Matrix 12 Oberheim OB-1 Oberheim OB-12 Oberheim OB-8/XA Oberheim XK Peavey Peavey Peavey Peavey Peavey Peavey Peavey Peavey Peavey 800 2000-16 DPM-2 DPM-3 DPM-C8 DPM-C8P MDII 12x2 MDII 16x2 MDIII 16Ch.

29.00 30.50 24.00 21.00 26.75 31.50 Width 43.75 34.00 Width 20.75 31.50 18.50 18.38 25.25 Width 25.50 19.25 18.25 33.00 40.00 38.50 31.75 36.75 41.25 39.00 Width 55.25 30.25 35.75 40.00 57.00 51.25 27.25 32.75 35.00
17.75 15.75 15.25 12.00 12.25 18.75 Depth 11.50 10.50 Depth 11.63 10.20 10.75 11.63 11.75 Depth 12.50 13.25 5.00 12.50 13.75 18.75 16.25 16.00 21.25 10.25 Depth 41.50 15.25 14.00 14.00 18.25 15.25 25.25 25.25 25.50
5.50 5.75 5.00 5.25 3.75 4.00 Height 3.50 3.50 Height 4.00 2.70 2.73 3.00 3.00 Height 5.00 5.00 2.00 5.25 3.75 6.00 5.50 4.25 6.00 3.50 Height 13.50 6.00 6.00 4.25 6.75 4.75 6.50 6.50 6.50
4.50 3.00 2.50 2.50 3.75 2.00 Height 2.33 2.00 Height 2.52 2.40 2.27 2.25 3.00 Height 2.50 2.50 1.00 2.00 2.00 2.50 3.50 3.25 3.00 2.00 Height 2.00 1.50 2.75 2.00 3.00 3.50 2.00 2.00 3.00
$19.95 $19.95 $19.95 $17.50 $19.95 $19.95 Price $19.95 $19.95 $17.50 $19.95 $17.50 $17.50 $19.95 Price $19.95 $17.50 $17.50 $19.95 $19.95 $19.95 $19.95 $19.95 $19.95 $19.95 Price $36.95 $19.95 $19.95 $19.95 $29.95 $24.95 $22.95 $22.95 $22.95
Peavey Peavey Peavey Peavey Peavey Peavey Peavey Peavey Peavey Peavey Peavey Peavey Peavey Peavey Ramsa Ramsa Ramsa Ramsa Ramsa Ramsa Ramsa Ramsa Ramsa Rhodes Rhodes Rhodes Roland Roland Roland Roland Roland Roland Roland
Mixing 5-24 Unity 1000-12Ch. Unity 2000-12Ch. RQ 4332C XL800D XR800C XRD800 XRD1200 XRD160D XR1600C SRC 421-16 SRC 421-24 SRC 2400-24 Studio Mix WR-DA7 WR-DA7 (MB) WR-820B WR-S4416 WR-S4424 WR-T820B WR-8112 WR-8118 WR-8210 -660 -760 Khroma A30 A33 A37 A50 A70 A80 A90
27.50 23.00 25.00 45.00 24.75 24.50 23.75 24.50 34.25 34.25 36.25 48.25 53.00 19.25 Width 27.50 28.50 43.00 29.50 39.25 43.00 24.50 35.25 24.25 Width 38.25 46.75 41.50 Width 47.75 47.25 47.75 47.00 49.75 53.50 57.50
17.00 13.75 16.50 18.50 27.00 32.25 31.50 26.50 26.75 31.50 25.50 25.50 26.25 11.75 Depth 22.75 23.50 33.50 23.00 24.00 33.50 20.75 20.50 21.50 Depth 11.00 11.00 24.50 Depth 11.25 10.50 11.50 11.00 15.00 14.00 16.00
6.25 5.50 5.00 9.00 8.00 8.50 8.50 8.50 9.50 8.50 6.00 6.00 5.00 3.50 Height 13.25 13.25 11.50 6.00 5.50 11.00 5.75 5.75 6.50 Height 3.00 3.25 6.00 Height 4.25 4.50 4.50 3.75 5.50 4.50 5.50
2.50 2.00 2.00 2.00 3.50 2.50 4.00 4.00 3.50 2.00 2.00 2.00 2.50 2.00 Height 3.00 3.00 4.50 2.00 3.50 2.75 3.50 2.75 3.00 Height 2.00 2.00 3.00 Height 2.50 3.00 2.00 2.00 3.00 2.00 5.00
$19.95 $19.95 $19.95 $19.95 $22.95 $24.95 $24.95 $22.95 $22.95 $24.95 $22.95 $27.95 $27.95 $17.50 Price $22.95 $22.95 $24.95 $22.95 $22.95 $24.95 $19.95 $19.95 $22.95 Price $19.95 $24.95 $22.95 Price $24.95 $24.95 $24.95 $24.95 $24.95 $24.95 $29.95

Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland Roland
BR8 BR1180 BR1600 CD C20 CP40 CR80 D5 D10 D20 D50 D70 DJ70 DR880 DS50 DS90 E-9 E-10/20 E-15 E-70 E-80 E-86 E-500 EG-101 EM20 EM30/50 EM55 EM-303 EM2000 E-mix Studio EP-3/EP-5 EP-7 EP-9 EP-75 EP-85 EP-97 EP-707
15.00 18.00 19.50 37.00 11.25 14.25 38.50 39.00 40.00 38.25 47.00 30.50 10.25 8.50 9.75 41.25 40.00 38.75 43.75 46.25 47.25 45.00 32.75 37.25 40.00 39.75 40.00 16.45 15.00 36.25 45.50 51.00 45.25 52.00 52.75 44.81
9.65 11.50 13.45 18.25 9.75 9.25 11.00 12.00 11.75 13.00 12.00 12.75 11.50 11.25 15.75 12.63 13.00 12.50 15.50 19.25 17.25 15.50 15.50 14.50 15.75 15.75 15.50 15.00 13.50 13.25 13.00 13.00 13.50 15.00 15.75 14.27
3.25 3.75 4.00 6.00 2.00 2.50 3.00 3.50 3.50 3.50 3.50 4.50 2.90 12.50 14.75 5.27 2.50 3.50 6.00 7.75 5.50 4.75 4.00 3.75 5.00 5.00 4.00 3.50 3.50 3.00 3.00 3.25 3.75 3.50 4.00 4.00
2.00 2.00 2.00 3.00 0.75 1.50 2.00 2.25 2.00 2.00 2.50 1.75 1.42 12.50 14.75 4.50 2.50 2.00 3.00 3.00 3.00 2.25 2.00 2.00 3.00 3.00 2.00 2.00 1.50 2.50 2.50 2.00 2.00 2.50 3.00 2.00
$17.50 $17.50 $17.50 $19.95 $17.50 $17.50 $19.95 $19.95 $19.95 $19.95 $24.95 $19.95 $17.50 $20.50 $22.50 $19.95 $19.95 $19.95 $19.95 $24.95 $24.95 $19.95 $19.95 $19.95 $19.95 $19.95 $19.95 $17.50 $17.50 $19.95 $19.95 $24.95 $19.95 $24.95 $24.95 $19.95
Roland Fantom Roland Fantom S-88 Roland Fantom x8 Roland Fantom xA 61 note Roland FC100 Roland FP-1 Roland FP-2 Roland FP-3 Roland FP-5 Roland FP-7 Roland FP-8 Roland FP-9 Roland G-70 Roland G-600 Roland G-800 Roland G-1000 Roland GR-707 Roland HP-126 Roland HP-130 Roland HP-137 Roland HP-207 Roland HP-230 Roland HP-770 Roland HP-900 Roland HP-1000 Roland HP-1300 Roland HP-1500HP-1700 Roland HP-2700 Roland HP-2800 Roland HP-2900 Roland HP-3700/3800 Roland HP-4500 Roland HP-5500/5600 Roland HP-5700 Roland HS60 Roland HS80
50.75 56.75 55.50 41.50 19.25 53.27 51.63 50.90 51.50 53.00 52.50 52.25 51.00 45.75 50.75 49.50 27.25 54.50 57.50 54.75 56.00 56.75 45.50 49.75 55.50 57.25 56.25 55.75 57.75 55.75 56.75 54.75 54.50 59.00 39.00 38.25
16.50 18.75 18.00 14.50 2.25 14.25 12.50 11.73 14.25 14.75 15.00 15.25 17.00 16.25 16.75 16.00 14.75 16.50 19.00 16.50 20.25 18.25 16.00 18.50 18.50 18.75 18.50 19.50 20.50 18.75 21.25 19.75 21.50 22.25 13.00 14.00
4.75 6.50 6.50 3.75 2.25 5.50 4.75 5.00 5.25 5.50 4.50 4.50 5.50 4.50 6.00 5.00 6.25 6.25 6.75 6.50 10.50 6.50 4.75 6.50 5.75 6.50 6.50 7.75 7.75 8.00 9.00 6.75 6.75 6.75 5.00 4.00

3.21 7.50 5.50 6.50 6.25 10.75 4.25 5.00 3.00 3.50 3.25 3.25 7.00 9.50 5.50 10.00 4.50 4.00 3.25 3.50 3.50 4.00 4.00 5.50 Height 3.75 4.00 5.50 8.50 4.00 5.00 4.75 4.50 4.00 4.50 Height
3.25 4.00 3.50 2.00 3.00 2.25 2.25 5.00 2.00 2.00 2.00 2.00 3.00 3.25 3.00 3.00 3.00 2.00 2.75 2.50 2.00 2.50 3.00 3.75 Height 2.25 2.00 3.00 4.50 2.00 2.00 2.50 2.50 2.00 2.50 Height
$17.50 $22.95 $24.95 $17.50 $17.50 $22.95 $19.95 $24.95 $17.50 $17.50 $17.50 $19.95 $17.50 $20.50 $19.95 $22.95 $19.95 $19.95 $19.95 $19.95 $19.95 $19.95 $24.95 $29.95 Price $17.50 $19.95 $19.95 $22.95 $19.95 $19.95 $19.95 $24.95 $19.95 $19.95 Price

Sony Sony

DMXR100 Remote APR24
Soundcraft 51 Soundcraft 800 Soundcraft 2400 Soundcraft Delta SR Soundcraft GB8/40 Soundcraft Ghost 24 Soundcraft Ghost 32 Soundcraft K1-24Ch Soundcraft MH4-24 Soundcraft MH4-48 Soundcraft Power Station 1200 Soundcraft Series ll-40 ch. Soundcraft Spirit Digital 328 Soundcraft Spirit E-12 Ch Soundcraft Spirit Live 4 Soundcraft Spirit Live 24Ch. Soundcraft Sprit Live 40 Ch Soundcraft Spirit Studio LC Soundcraft Spirit Studio LX7 Soundcraft Spirit Studio16 Ch Soundcraft Spirit Studio 24 Ch Soundcraft Vienna II StudioMaster 16X8 StudioMaster Classic unit down StudioMaster Diamond StudioMaster Mix-down 16+8+16 StudioMaster Mix-down 16+4+8 StudioMaster Mix-down Classic StudioMaster Pro-line StudioMaster Trilogy TR206 Tascam 22-4
45.00 17.00 Width 26.50 42.50 108.50 50.00 66.25 42.50 52.25 37.25 57.33 87.75 29.00 57.00 29.00 20.75 45.50 46.25 67.25 55.25 41.50 34.75 46.50 83.25 Width 40.50 58.50 17.75 36.75 31.50 37.00 31.50 25.00 Width 16.50
24.50 3.75 Depth 8.50 29.00 32.00 26.00 26.33 31.50 31.50 23.25 29.75 29.75 18.00 28.33 22.00 17.75 25.50 25.50 23.25 25.25 20.50 30.50 30.50 34.75 Depth 29.75 25.00 14.75 26.00 25.75 25.25 19.50 22.00 Depth 10.25
5.50 7.50 Height 2.75 7.00 12.00 8.00 9.25 9.25 9.25 8.00 9.00 9.25 11.25 3.25 5.75 7.50 7.00 7.00 6.00 7.00 7.50 6.50 4.25 13.50 Height 8.75 11.50 6.00 8.75 7.75 5.50 5.00 6.00 Height 16.25
3.00 7.50 Height 2.75 4.00 2.50 3.00 4.00 2.00 2.00 4.00 3.50 3.50 5.50 3.13 3.00 2.50 4.00 4.00 3.25 2.25 3.25 3.50 4.25 3.50 Height 3.00 5.50 3.00 3.00 3.25 3.50 3.00 2.75 Height 16.25

$19.95 $19.95 $19.95 $19.95 $24.95 $19.95 $24.95 $19.95 $19.95 $19.95 $19.95 $19.95 $19.95 $17.50 $17.50 $22.95 $22.95 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 $17.50 $24.95 $19.95 $24.95 $24.95 $29.95 $19.95 $19.95 $19.95 $24.95 $17.50 $17.50 $17.50
Yamaha Yamaha Yamaha Yamaha Yamaha Yamaha Yamaha Yamaha Yamaha Yamaha Yamaha Waldorf Waldorf Wurlitzer Zoom
50.00 41.75 39.25 50.50 7.50 38.00 45.00 36.00 46.25 39.00 39.00 Width Bifeld 12.00 MicrowaveXTK 32.50 Width 200A 39.00 Width MRS802B 17.00
W5 W7 V50 X-2500 YMC10 YPP15/35 YPP50/70 YPR-7 YPR-50 YS-100 YS-200
14.75 14.75 12.50 19.00 4.50 14.00 15.50 13.00 16.23 12.50 12.50 Depth 5.33 14.00 Depth 18.50 Depth 10.75
4.00 4.00 3.75 8.00 1.50 3.50 3.00 4.00 3.00 4.00 4.00 Height 2.00 3.75 Height 7.50 Height 4.00
2.25 2.25 1.50 3.00 1.50 3.50 2.00 2.00 2.50 3.00 3.00 Height 1.00 2.00 Height 4.00 Height 2.63
$24.95 $19.95 $19.95 $24.95 $17.50 $19.95 $19.95 $19.95 $24.95 $19.95 $19.95 Price $17.50 $19.95 Price $19.95 Price $17.50