PLEASE KEEP THIS MANUAL

Welcome to the MU10
Congratulations and thank you for purchasing the Yamaha MU10 Tone Generator!
The MU10 is a sophisticated, yet highly compact MIDI tone generator, specially designed for use with computers and MIDI music systems. With the built-in host computer interface and MIDI terminals, the MU10 is ideal for any computer music system from connection to a simple laptop to integration in a complete MIDI studio. The host computer interface is especially convenient, allowing you to directly connect it to your computer without the need for a special MIDI interface. Featuring Yamahas high quality AWM2 tone generation technology, the MU10 has 676 Normal Voices and 21 Drum Voices (percussion sets), with full General MIDI compatibility including Yamahas new XG-MIDI. It provides 16-Part multi-timbral capacity and full 32-note polyphony for playback of even the most sophisticated song data. Three independent digital effect sections with 11 types of Reverb, 11 types of Chorus, and 43 different Variation effects can be used simultaneously and give you enormous versatility in sweetening the sound. Plus, the MU10 has two convenient A/ D INPUT jacks, allowing you to connect external audio sources (such as a microphone, guitar, or CD player), and mix those sources with the AWM2 Voices of the MU10. Because of all the above, as well as its exceptionally portable size and convenient battery/AC adaptor power supply, the MU10 is an invaluable tool for all MIDI musicians and performers.

Unpacking

Your MU10 package should include the items listed below. Make sure that you have them all. Also, write down the serial number of your MU10 in the box below, for future reference. MU10 Owners Manual Serial No.:

Table of Contents

Welcome to the MU10.. 2 Unpacking... 3 How to Use This Manual.. 5 Precautions... 6 Panel Controls and Terminals.. 8 The MU10 What It Is and What It Can Do.. 10 Setting Up Your MU10... 12
Power Supply... 12 Connections.... 14 q Connecting With a Computer... 14 Direct Connection... 14 Connecting to a Computer With a MIDI Interface. 16 q Connecting With a MIDI Device.. 16 q Connecting to Audio Equipment.. 17 Using the A/D INPUT Function.. 18 MU10 Overview and Features... 21 About MIDI... 24

Appendix

MIDI Data Format... 25 XG Normal Voice List.. 42 TG300B Normal Voice List.. 44 XG Drum Voice List... 46 TG300B Drum Voice List... 48 Effect Type List.. 50 Effect Parameter List... 51 Effect Data Assign Table.. 54 Specifications... 55 Troubleshooting... 56 MIDI Implementation Chart... 58

MIDI Data Format

By sending various types of MIDI messages you can directly control and change the settings on the MU10. Please refer to the owners manual of your software and hardware for information about how to transmit MIDI messages to the MU10. If the Drum Setup parameter Rcv NOTE OFF (Table 1-6) = OFF, the Drum Part will ignore Key Off messages. If the Drum Setup parameter Rcv NOTE ON = OFF (Table 1-6), the Drum Part will ignore Key On messages.

s RECEPTION

1. CHANNEL MESSAGES

1.1 Key On / Key Off

Messages which are generated when the keyboard is played. Reception note range = C-2 (0)-G8 (127), C3 = 60 Velocity range = 1-127 (Only the Key On velocity is received) Key On: Generated when a key is pressed. Key Off: Generated when a key is released. Each message includes a specific note number which corresponds to the key which is pressed, plus a velocity value based on how hard the key is struck. If the Multi Part parameter Rcv NOTE MESSAGE (Table 1-4) = OFF for a specific Part, that Part will ignore Key On and Key Off messages.

1.2 Control Change

Messages which control volume, panning, and other controller parameters. Each type of Control Change message is assigned to a specific control number. If the Multi Part parameter for each Control Change Receive (Table 1-4, nn30-nn40) = OFF, that Part will ignore the specific Control Change message.

1.2.1 Bank Select

Messages which select variation Voice bank numbers.
CNTRL# 0 PARAMETER Bank Select MSB DATA RANGE 0:Normal, 63:User Voices, 64:SFX, 126:SFX Kit, 127:Drum 0.127

Bank Select LSB

Decimal - Hexadecimal Conversion Chart
Many MIDI messages listed in the MIDI Data Format section, are expressed in hexadecimal numbers. The chart below lists the corresponding decimal number for each hexadecimal number. (Hexadecimal numbers may include the letter H as a suffix.)
Dec Hex 0A 0B 0C 0D 0E 0F Dec Hex 1A 1B 1C 1D 1E 1F Dec Hex 2A 2B 2C 2D 2E 2F Dec Hex 3A 3B 3C 3D 3E 3F Dec Hex 4A 4B 4C 4D 4E 4F Dec Hex 5A 5B 5C 5D 5E 5F Dec Hex 6A 6B 6C 6D 6E 6F Dec Hex 7A 7B 7C 7D 7E 7F
You can select the Voice banks with MSB and LSB numbers. MSB and LSB functions differently depending on the play mode. In XG mode, MSB numbers select Voice type (Normal Voice or Drum Voice), and LSB numbers select Voice banks. In TG300B mode, LSB is fixed, and MSB numbers select Voice banks.(See Voice Lists on page 42 49) A new bank selection will not become effective until the next Program Change message is received.

1.2.23.6 Mono

Performs the same function as when an All Sounds Off message is received, and if the 3rd byte (mono number) is in the range of 0-16, sets the corresponding channel to Mono Mode (Mode 4 : m = 1).

1.2.23.7 Poly

Performs the same function as when an All Sounds Off message is received, and sets the corresponding channel to Poly Mode (Mode 3).

1.3 Program Change

Messages for Voice selection. With a combination of Bank Select, you can select not only basic Voice numbers, but also variation Voice bank numbers. If the Multi Part parameter Rcv PROGRAM CHANGE (Table 1-4) = OFF, that Part will not receive Program Change messages.

1.4 Pitch Bend

Messages for pitch bend wheel values. If the Multi Part parameter Rcv PITCH BEND CHANGE (Table 1-4) = OFF, that Part will not receive Pitch Bend messages.
tuning System Data parameter change Multi Effect Data parameter change Multi Part Data parameter change
2.1.2 Universal Realtime Messages 2.1.2.1 Master Volume
00000001 0sssssss F0 7F 7F 04 Exclusive status Universal Real Time ID of target device Sub-ID #1=Device Control Message 01 Sub-ID #2=Master Volume ss* Volume LSB

1.5 Channel Aftertouch

Messages which let you control various functions by the pressure you apply to the keys after the initial striking of the keys, over the entire channel.
0ttttttt 11110111 or, 0xxxnnnn 0sssssss 0ttttttt 11110111 tt F7 F0 7F xn ss tt F7 Volume MSB End of Exclusive Exclusive status Universal Real Time Device Number, xxx=irrelevant Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive 0aaaaaaa 0aaaaaaa 0ddddddd | 11110111 aa aa dd | F7 Address Mid Address Low Data End of Exclusive
When received, the Volume MSB will be effective for the System Parameter MASTER VOLUME (Table 1-2).
* ss is the hexadecimal expression of 0sssssss; same as for tt, aa, etc.
* Any number is OK since the device number for the MU10 is fixed to All. For parameters with data size of 2 or 4, transmit the appropriate number of data bytes. When sending the parameter change messages consecutively, be sure to leave an appropriate interval (if the time base is 480, ca 5 unit) between the messages.
EXAMPLE OF PARAMETER CHANGE
1. To change reverb effect type to Stage 1,
first check the Effect Type List (page 50) to identify the MSB and LSB numbers; for Stage 1 Reverb effect type numbers are MSB = 03, LSB = 00. Next, check the Address in Table 1-3 for the REVERB TYPE parameter; in this case the address is High, Mid, Low = 02, 01, 00, respectively. Apply these to the 2.1.4 XG Native Parameter Change list as follows:

-24 - +24 [semitones] -9600 - +9450 [cent] -64 - +63 0-127 0-127 0-127 -24 - +24 [semitones] -9600 - +9450 [cent] -64 - +63 +100 - +100 [%] +100 - +100 [%] +100 - +100 [%]
nn 23 nn 24 nn 25 nn 26 nn 27 nn 28 TOTAL SIZE
BEND BEND BEND BEND BEND BEND
Address (H) nn 30 nn 31 nn 32 nn 33 nn 34 nn 35 nn 36 nn 37 nn 38 nn 39 nn 3A nn 3B nn 3C nn 3D nn 3E nn 3F nn 40 nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn 49 4A 4B 4C 4D 4E 4F 5A 5B 5C 5D 5E 5F 68 Size (H) 1 Data (H) 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-5F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-5F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-01 00-7F Parameter Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv Rcv PITCH BEND CH AFTER TOUCH (CAT) PROGRAM CHANGE CONTROL CHANGE POLY AFTER TOUCH (PAT) NOTE MESSAGE RPN NRPN MODULATION VOLUME PAN EXPRESSION HOLD1 PORTAMENTO SOSTENUTO SOFT PEDAL BANK SELECT C C# D D# E F F# G G# A A# B Description 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, 0:OFF, -64 -64 -64 -64 -64 -64 -64 -64 -64 -64 -64 -64 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON 1:ON [cent] [cent] [cent] [cent] [cent] [cent] [cent] [cent] [cent] [cent] [cent] [cent] Default value(H) 01 XG=01, GM=01 XG=01, GM=00
SCALE TUNING SCALE TUNING SCALE TUNING SCALE TUNING SCALE TUNING SCALE TUNING SCALE TUNING SCALE TUNING SCALE TUNING SCALE TUNING SCALE TUNING SCALE TUNING CAT CAT CAT CAT CAT CAT PAT PAT PAT PAT PAT PAT AC1 AC1 AC1 AC1 AC1 AC1 AC1 AC2 AC2 AC2 AC2 AC2 AC2 AC2
+63 +63 +63 +63 +63 +63 +63 +63 +63 +63 +63 +63
PITCH CONTROL FILTER CONTROL AMPLITUDE CONTROL LFO PMOD DEPTH LFO FMOD DEPTH LFO AMOD DEPTH PITCH CONTROL FILTER CONTROL AMPLITUDE CONTROL LFO PMOD DEPTH LFO FMOD DEPTH LFO AMOD DEPTH CONTROLLER NUMBER PITCH CONTROL FILTER CONTROL AMPLITUDE CONTROL LFO PMOD DEPTH LFO FMOD DEPTH LFO AMOD DEPTH CONTROLLER NUMBER PITCH CONTROL FILTER CONTROL AMPLITUDE CONTROL LFO PMOD DEPTH LFO FMOD DEPTH LFO AMOD DEPTH

Wave Number High Wave Number Low Note Limit Low Note Limit High Velocity Limit Low Velocity Limit High Filter EG Velocity Curve LFO Wave Select LFO Phase Initialize LFO Speed LFO Delay LFO Fade Time LFO PMD Depth LFO CMD Depth LFO AMD Depth Note Shift Detune Pitch Scaling Pitch Scaling Center Note Pitch EG Depth Velocity PEG Level Sensitivity Velocity PEG Rate Sensitivity PEG Rate Scaling PEG Rate Scaling Center Note PEG Rate 1 PEG Rate 2 PEG Rate 3 PEG Rate 4 PEG Level 0 PEG Level 1 PEG Level 2 PEG Level 3 PEG Level 4 Filter Resonance Velocity Sensitivity Cutoff Frequency Cutoff Scaling Break Point 1 Cutoff Scaling Break Point 2 Cutoff Scaling Break Point 3 Cutoff Scaling Break Point 4 Cutoff Scaling Offset 1 Cutoff Scaling Offset 2 Cutoff Scaling Offset 3 Cutoff Scaling Offset 4 Velocity FEG Level Sensitivity Velocity FEG Rate Sensitivity FEG Rate Scaling FEG Rate Scaling Center Note FEG Rate 1 FEG Rate 2 FEG Rate 3 FEG Rate 4 FEG Level 0 FEG Level 1 FEG Level 2 FEG Level 3 FEG Level 4 Element Level Level Scaling Break Point 1 Level Scaling Break Point 2 Level Scaling Break Point 3 Level Scaling Break Point 4 Level Scaling Offset 1 Level Scaling Offset 2 Level Scaling Offset 3 Level Scaling Offset 4 Velocity Curve
0:saw, 1:tri, 2:S&H 0:OFF, 1:ON
0:100%, 1:50%, 2:20%, 3:10%, 4:5%, 5:0% 0:1/2oct, 1:1oct, 2:2oct, 3:4oct
Address (H) 8A 8B 8C 8D : DC DD : 12C 12D : 17C TOTAL SIZE Size (H) Data (H) 00-0F 39-47 00-7F 00-0F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 39-47 Parameter Pan AEG Rate Scaling AEG Scaling Center Note AEG Key on Delay AEG Attack Rate AEG Decay 1 Rate AEG Decay 2 Rate AEG Release Rate AEG Decay 1 Level AEG Decay 2 Level Address Offset High Address Offset Low Resonance Sensitivity Description 0(Left)-14(Right),15:Scaling Default value(H)
bit 13 - bit 7 bit 6 - bit 0 [Element 2] Same as [Element 1] Same as [Element 1] Same as [Element 1] [Element 3] NOT USED NOT USED NOT USED [Element 4] NOT USED NOT USED

nn=Voice Number (00-1F)

XG Normal Voice List
Bank Select MSB=000, LSB=Bank Number
Instrument Program Bank # # Group Piano 65 Chromatic Percussion EleVoice Name ment GrandPno 1 GrndPnoK 1 MelloGrP 1 PianoStr 2 Dream 2 BritePno 1 BritPnoK 1 E.Grand 2 ElGrPnoK 2 Det.CPElGrPnoElGrPnoHnkyTonk 2 HnkyTnkK 2 E.PianoEl.Pno1K 1 MelloEPChor.EPHardEl.P 2 VX El.P60sEl.P 1 E.PianoEl.Pno2K 1 Chor.EPDX Hard 2 DXLegend 2 DX Phase 2 DX+Analg 2 DXKotoEP 2 VX El.PHarpsi. 1 Harpsi.K 1 Harpsi.Harpsi.Clavi. 2 Clavi. K 1 ClaviWah 2 PulseClv 1 PierceCl 2 Celesta 1 Glocken 1 MusicBox 2 Orgel 2 Vibes 1 VibesK 1 HardVibe 2 Marimba 1 MarimbaK 1 SineMrmb 2 BalafonLog Drum 2 Xylophon 1 TubulBel 1 ChrchBel 2 Carillon 2 Dulcimer 1 DulcimrCimbalom 2 Santur 2 Instrument Program Bank # # Group Organ Guitar 66 EleVoice Name ment DrawOrgn 1 DetDrwOr 2 60sDrOr60sDrOr70sDrOrDrawOrg60sDrOrEvenBar 2 16+2"2/Organ Ba 1 70sDrOrCheezOrg 2 DrawOrgPercOrgn 1 70sPcOrDetPrcOr 2 LiteOrg 2 PercOrgRockOrgn 2 RotaryOr 2 SloRotar 2 FstRotar 2 ChrchOrg 2 ChurOrgChurOrgNotreDam 2 OrgFlute 2 TrmOrgFl 2 ReedOrgn 1 Puff Org 2 Acordion 2 AccordIt 2 Harmnica 1 Harmo TangoAcd 2 TngoAcdNylonGtr 1 NylonGtNylonGtVelGtHrm 2 Ukulele 1 SteelGtr 1 SteelGt12StrGtr 2 Nyln&Stl 2 Stl&Body 2 Mandolin 2 Jazz Gtr 1 MelloGtr 1 JazzAmp 2 CleanGtr 1 ChorusGt 2 Mute.Gtr 1 FunkGtrMuteStlG 2 FunkGtrJazz Man 1 Ovrdrive 1 Gt.Pinch 2 Dist.Gtr 1 FeedbkGt 2 FeedbGtGtrHarmo 1 GtFeedbk 1 GtrHrmoInstrument Program Bank Group # # Bass Strings EleVoice Name ment Aco.Bass 1 JazzRthm 2 VXUprght 2 FngrBass 1 FingrDrk 2 FlangeBa 2 Ba&DstEG 2 FngrSlap 2 FngBassModAlem 2 PickBass 1 MutePkBa 1 Fretless 1 FretlesFretlesFretlesSynFretl 2 Smooth 2 SlapBasResoSlap 1 PunchThm 2 SlapBasVeloSlap 2 SynBassSynBa1Dk 1 FastResB 1 AcidBass 1 Clv Bass 2 TeknoBa 2 Oscar 2 SqrBass 1 RubberBa 2 Hammer 2 SynBassMelloSBSeq Bass 2 ClkSynBa 2 SynBa2Dk 1 SmthBa ModulrBa 2 DX Bass 2 X WireBa 2 Violin 1 SlowVln 1 Viola 1 Cello 1 Contrabs 1 Trem.Str 1 SlowTrStr 1 Susp Str 2 Pizz.Str 1 Harp 1 YangChin 2 Timpani 1 Instrument Program Bank Group # # Ensemble Brass EleVoice Name ment StringsS.Strngs 2 SlowStr 1 ArcoStr 2 60sStrng 2 Orchestr 2 OrchstrTremOrch 2 VeloStr 2 StringsS.SlwStr 2 LegatoSt 2 Warm Str 2 Kingdom 2 70s Str 1 Str EnsSyn.StrResoStr 2 Syn StrSS Str 2 Syn.StrChoirAah 1 S.Choir 2 Ch.AahsMelChoir 2 ChoirStr 2 VoiceOoh 1 SynVoice 1 SynVoxChoral 2 AnaVoice 1 Orch.Hit 2 OrchHitImpact 2 Trumpet 1 TrumpetBriteTrp 2 WarmTrp 2 Trombone 1 TrmboneTuba 1 Tuba Mute.Trp 1 Fr.Horn 2 FrHrSolo 2 FrHornHornOrch 2 BrasSect 1 Tp&TbSec 2 BrssSecHiBrass 2 MelloBrs 2 SynBrasQuackBr 2 RezSynBr 2 PolyBrss 2 SynBrasJumpBrss 2 AnaVelBr 2 AnaBrssSynBrasSoft Brs 2 SynBrasChorBrss 2 VelBrasAnaBras2 2

Bank Bank Bank Bank Bank Bank Bank Bank Bank
0 : (GM) 1 : Key Scale Panning 3 : Stereo 6 : Single 8 : Slow 12 : Fast Decay 14 : Double Attack 16 : Bright 17 : Bright
: Dark : Dark : Resonant : Attack : Release : Reso Sweep : Muted : Detune 1 : Detune 2
34 : Detune : Octave : Octave : 5th : 5th : Bend 40 : Tutti 41 : Tutti 42 : Tutti
43 : Velo-Switch 45 : Velo-Xfade 64 : Other wave 65 : Other wave 66 : Other wave 67 : Other wave 68 : Other wave 69 : Other wave 70 : Other wave
Bank Bank Bank Bank Bank Bank Bank Bank
71 : Other wave 72 : Other wave 96 : Other wave 97 : Other wave 98 : Other wave 99 : Other wave 100 : Other wave 101 : Other wave
Bank Select MSB=064, LSB=000 SFX voice
Instrument Program Bank Group # # Reed 0 Pipe Synth Lead Synth Pad EleVoice Name ment SprnoSax 1 Alto Sax 1 Sax Sect 2 HyprAlto 2 TenorSax 1 BrthTnSx 2 SoftTenr 2 TnrSax Bari.Sax 1 Oboe 2 Eng.Horn 1 Bassoon 1 Clarinet 1 Piccolo 1 Flute 1 Recorder 1 PanFlute 1 Bottle 2 Shakhchi 2 Whistle 1 Ocarina 1 SquareLd 2 Square LMSquare 2 Hollow 1 Shmoog 2 Mellow 2 SoloSine 2 SineLead 1 Saw.Lead 2 Saw ThickSaw 2 DynaSaw 1 DigiSaw 2 Big Lead 2 HeavySyn 2 WaspySyn 2 PulseSaw 2 Dr. Lead 2 VeloLead 2 Seq Ana 2 CaliopLd 2 Pure Pad 2 Chiff Ld 2 Rubby 2 CharanLd 2 DistLead 2 WireLead 2 Voice Ld 2 SynthAah 2 VoxLead 2 Fifth Ld 2 Big Five 2 Bass &Ld 2 Big&Low 2 Fat&Prky 2 SoftWurl 2 NewAgePd 2 FantasyWarm Pad 2 ThickPad 2 Soft Pad 2 SinePad 2 Horn Pad 2 RotarStr 2 PolySyPd 2 PolyPdClickPad 2 Ana Pad 2 SquarPad 2 Instrument Program Bank Group # # Synth Pad 66 Synth Effects EleVoice Name ment ChoirPad 2 HeavenItopia 2 CC Pad 2 BowedPad 2 Glacier 2 GlassPad 2 MetalPad 2 Tine Pad 2 Pan Pad 2 Halo Pad 2 SweepPad 2 Shwimmer 2 Converge 2 PolarPad 2 Celstial 2 Rain 2 ClaviPad 2 HrmoRain 2 AfrcnWnd 2 Caribean 2 SoundTrk 2 Prologue 2 Ancestrl 2 Crystal 2 SynDrCmp 2 Popcorn 2 TinyBell 2 RndGlock 2 GlockChi 2 ClearBel 2 ChorBell 2 SynMalet 1 SftCryst 2 LoudGlok 2 XmasBell 2 VibeBell 2 DigiBell 2 AirBells 2 BellHarp 2 Gamelmba 2 Atmosphr 2 WarmAtms 2 HollwRls 2 NylonEP 2 NylnHarp 2 Harp Vox 2 AtmosPad 2 Planet 2 Bright 2 FantaBel 2 Smokey 2 Goblins 2 GobSyn 2 50sSciFi 2 Ring Pad 2 Ritual 2 ToHeaven 2 Night 2 Glisten 2 BelChoir 2 Echoes 2 EchoPadEcho Pan 2 EchoBell 2 Big Pan 2 SynPiano 2 Creation 2 Stardust 2 Reso Pan 2 Sci-Fi 2 Starz 2 Instrument Program Bank Group # # Ethnic 97 Percussive 0 Sound Effects EleVoice Name ment Sitar 1 DetSitar 2 Sitar Tambra 2 Tamboura 2 Banjo 1 MuteBnjo 1 Rabab 2 Gopichnt 2 Oud 2 Shamisen 1 Koto 1 T. Koto 2 Kanoon 2 Kalimba 1 Bagpipe 2 Fiddle 1 Shanai 1 ShanaiPungi 1 Hichriki 2 TnklBell 2 Bonang 2 Gender 2 Gamelan 2 S.Gamlan 2 Rama Cym 2 AsianBel 2 Agogo 2 SteelDrm 2 GlasPerc 2 ThaiBell 2 WoodBlok 1 Castanet 1 TaikoDrm 1 Gr.Cassa 1 MelodTom 2 Mel TomReal Tom 2 Rock Tom 2 Syn.Drum 1 Ana Tom 1 ElecPerc 2 RevCymbl 1 FretNoiz 2 BrthNoiz 2 Seashore 2 Tweet 2 Telphone 1 Helicptr 1 Applause 1 Gunshot 1

Program

# 63 64

MSB=064 LSB=000

Element
CuttngNz CttngNz2 Str Slap

Fl.KClik

Rain Thunder Wind Stream Bubble Feed

Dog Horse Bird 2

Ghost Maou

# 127 128

Tel.Dial DoorSqek Door Slam Scratch Scratch 2 WindChm Telphon2
CarEngin Car Stop Car Pass CarCrash Siren Train Jetplane Starship Burst Coaster SbMarine
Laughing Scream Punch Heart FootStep
MchinGun LaserGun Xplosion FireWork

: No Sound

TG300B Normal Voice List
Bank Select MSB=Bank Number, LSB=000
Instrument Program Bank Group # # Piano 127 Chromatic Percussion 127 EleVoice Name ment GrandPno 1 GrndPnoK 1 MelloGrP 1 A-Pianoa.pianoBritePno 1 BritPnoK 1 A-Pianoa.pianoE.Grand 2 ElGrPnoElGrPnoElGrPnoK 2 A-Pianoa.pianoHnkyTonk 2 HnkyTnkK 2 A-Pianoe.pianoE.PianoChor.EPVX El.P60sEl.P 1 HardEl.P 2 MelloEPEl.Pno1K 1 A-Pianoe.pianoE.PianoChor.EPVX El.PDX Hard 2 El.Pno2K 1 A-Pianoe.pianoHarpsi. 1 Harpsi.Harpsi.K 1 Harpsi.A-Pianoe.pianoClavi. 2 Clavi. K 1 E-Pianohnkytnk 2 Celesta 1 E-Pianoe.organGlocken 1 E-Pianoe.organMusicBox 2 A-Guitre.organVibes 1 HardVibe 2 VibesK 1 A-Guitre.organMarimba 1 MarimbaK 1 BalafonLog Drum 2 A-GuitrpipeorgXylophon 1 E-GuitrpipeorgTubulBel 1 ChrchBel 2 Carillon 2 E-GuitrpipeorgDulcimer 1 DulcimrCimbalom 2 Slap-acordion 2 Instrument Program Bank Group # # Organ Guitar EleVoice Name ment DrawOrgn 1 70sDrOrDetDrwOr 2 70sDrOr60sDrOr60sDrOr60sDrOrCheezOrg 2 DrawOrgEvenBar 2 Organ Ba 1 Slap-harpsiPercOrgn 1 70sPcOrDetPrcOr 2 PercOrgSlap-harpsiRockOrgn 2 RotaryOr 2 SloRotar 2 FstRotar 2 Slap-harpsiChrchOrg 2 ChurOrgChurOrgOrgFlute 2 TrmOrgFl 2 Slap-claviReedOrgn 1 Slap-claviAcordion 2 AccordIt 2 Slap-claviHarmnica 1 Harmo Slap-celestaTangoAcd 2 Finger-celestaNylonGtr 1 Ukulele 1 NylonGtVelGtHrm 2 NylonGtLequintG 1 Finger-synbrasSteelGtr 1 12StrGtr 2 Nyln&Stl 2 Mandolin 2 SteelGtPicked-synbrasJazz Gtr 1 MelloGtr 1 PdlSteel 1 Picked-synbrasCleanGtr 1 ChorusGt 2 FretlsBs 1 synbrasInstrument Program Bank Group # # Guitar 127 Bass EleVoice Name ment Mute.Gtr 1 FunkGtrFunkGtrA-Bass 2 synbassOvrdrive 1 Choir-synbassDist.Gtr 1 FeedbkGt 2 FeedbGtChoir-synbassGtrHarmo 1 GtFeedbk 1 Choir-synbassAco.Bass 1 Choir-newagepd 2 FngrBass 1 FngBassStrngs-synharmo 2 PickBass 1 MutePkBa 1 Strngs-choir pd 2 Fretless 1 FretlesFretlesFretlesSynFretl 2 Smooth 2 Strngs-bowed pd 2 SlapBasResoSlap 1 Strngs-soundtrk 2 SlapBasE-Organatmosphr 2 SynBassSynBa1Dk 1 AcidBass 1 FastResB 1 TeknoBa 2 ResoBass 1 E-Organsyn warm 2 SynBassClkSynBa 2 ModulrBa 2 Seq Bass 2 DX Bass 2 X WireBa 2 RubberBa 2 SynBa2Dk 1 MelloSBSmthBa E-Organsynfunny 1 Instrument Program Bank Group # # Strings 127 Ensemble 127 EleVoice Name ment Violin 1 SlowVln 1 E-OrgansynechoViola 1 E-Organrain 2 Cello 1 E-Organsynoboe 2 Contrabs 1 E-OrgansynechoTrem.Str 1 SlowTrStr 1 Susp Str 2 E-Organsynsolo 2 Pizz.Str 1 E-Organsynrdorg 2 Harp 1 SoftTP-synbell 1 Timpani 1 SoftTP-squareld 2 StringsSlow Str 1 Orchestr 2 OrchstrTremOrch 2 ChoirStr 2 S.Strngs 2 VeloStr 2 TP/TRB-strsectStrings70s Str 1 LegatoSt 2 Warm Str 2 S.SlwStr 2 TP/TRB-strsectSyn.StrSyn StrTP/TRB-strsectSyn.StrTP/TRB-pizz.str 1 ChoirAah 1 S.Choir 2 MelChoir 2 Ch.AahsTP/TRB-violin VoiceOoh 1 TP/TRB-violin SynVoice 1 SynVoxSax-cello Orch.Hit 2 OrchHitImpact 2 LoFiRave 2 Sax-cello 2 1

SFX SFX Classic Kit 41 Brush Kit 33 Jazz Kit 26 Analog Kit 25 Electro Kit 17 Rock Kit 9 Room Kit Reverse Cymbal Reverse Cymbal Hi Q Hi Q SD Rock H Brush Slap L Bass Drum L2 Gran Cassa BD Jazz BD Soft Gran Cassa Mute Brush Slap M Marching Sn M String Slap SD Room H SD Rock Rim SD Rock H Analog Snare H Analog Tom 1 Analog HH Closed 1 Room Tom 2 Rock Tom 2 E Tom 2 E Tom 3 E Tom 4 E Tom 5 E Tom 6 Room Tom 3 Rock Tom 3 Room Tom 4 Rock Tom 4 Room Tom 5 Rock Tom 5 Room Tom 6 Rock Tom 6 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 4 Brush Tom 4 Jazz Tom 5 Brush Tom 5 Jazz Tom 4 Jazz Tom 5 Hand Cym.Open L Jazz Tom 6 Hand Cym.Closed L FL.Key Click Engine Start Tire Screech Car Passing Crash Analog Cowbell Hand Cym.Open H Hand Cym.Closed H Siren Train Jetplane Starship Jazz Tom 3 Brush Tom 3 Jazz Tom 3 Jazz Tom 2 Brush Tom 2 Jazz Tom 2 E Tom 1 Room Tom 1 Rock Tom 1 Brush Tap H Jazz Tom 1 Brush Tom 1 Marching Sn H Jazz Tom 1 Guitar Cutting Noise Guitar Cutting Noise 2 Dial Tone Door Creaking Door Slam Scratch Scratch 2 Windchime Telephone Ring2 Bass Drum M BD Analog L BD Analog H Analog Side Stick SD Room L SD Rock SD Rock L Analog Snare L SD Rock M Snare M Bass Drum H 4 Bass Drum M Bass Drum H 3 BD Rock BD Rock BD Gate

Program #

Note# Note
Key Alternate Standard Kit

Standard2 Kit

assign

Surdo Mute

Surdo Open

Whip Slap

Scratch Push

Scratch Pull

Finger Snap

Click Noise

Metronome Click

Metronome Bell

Seq Click L

Seq Click H

Brush Tap

Brush Swirl L

Brush Slap

Brush Swirl H

Snare Roll

Snare Roll 2

Castanet

Snare L

Snare L 2

XG Drum Voice List

Sticks

Bass Drum L

Open Rim Shot

Open Rim Shot 2

Bass Drum M

Bass Drum M 2

Bass Drum H

Bass Drum H 2

Side Stick

Snare M

Snare M 2

Hand Clap

Snare H

Snare H 2

Floor Tom L

Hi-Hat Closed

Floor Tom H

Hi-Hat Pedal

Low Tom

Hi-Hat Open

Mid Tom L

Mid Tom H

Crash Cymbal 1

High Tom

Ride Cymbal 1

Chinese Cymbal

Ride Cymbal Cup

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibraslap

Ride Cymbal 2
60 Burst Noise Coaster Analog Conga H SbMarine Analog Conga M Analog Conga L

Bongo H

Bongo L

Conga H Mute

Conga H Open

Conga L

Timbale H
66 Rain Laughing Screaming Punch Heartbeat Footsteps Thunder Analog Maracas Wind Stream Bubble Feed Analog Claves

Timbale L

Agogo H

Agogo L

Cabasa

Maracas

Samba Whistle H

Samba Whistle L

Guiro Short

Guiro Long

Claves
76 Scratch Push Scratch Push Scratch Pull Scratch Pull

Wood Block H

Wood Block L

Cuica Mute

Cuica Open

Triangle Mute

Triangle Open

82 Dog

Shaker Machine Gun Laser Gun Bird 2 Explosion FireWork

Jingle Bell Horse Gallop

Bell Tree

5 Ghost Maou

: Same as Standard Kit
* Drum and percussion sounds assigned to the same Alternate Assign numbered group cannot be sounded simultaneously. For example, the Hi-Hat Open sound (group 1) and Hi-Hat Closed sound (also group 1) cannot be sounded at the same time.
C/M Kit SFX Set Orchestra Kit Brush Kit Jazz Kit Analog Kit Electro Kit Power Kit Room Kit Standard Kit Snare Roll Finger Snap Hi Q Hi-Hat Closed Hi-Hat Pedal Hi-Hat Open Ride Cymbal 1 Whip Slap Scratch Push Scratch Pull Sticks Click Noise Metronome Click Metronome Bell Bass Drum M BD Jazz BD Power BD Electronic BD Analog H BD Jazz BD Soft Brush Tap Brush Slap SD Power Room Tom 1 Room Tom 1 E Tom 1 Analog Tom 1 Analog HH Closed 1 Room Tom 2 Room Tom 2 E Tom 2 Analog Tom 2 Analog HH Closed 2 Room Tom 3 Room Tom 3 E Tom 3 Analog Tom 3 Analog HH Open Room Tom 4 Room Tom 4 E Tom 4 Analog Tom 4 Analog Tom 5 Analog Cymbal Room Tom 6 Room Tom 6 E Tom 6 Reverse Cymbal Analog Tom 6 E Tom 5 Room Tom 5 Room Tom 5 Brush Swirl Analog Side Stick SD Power SD Electronic Analog Snare L Concert SD Castanet Concert SD Timpani F# Jazz Tom 2 Jazz Tom 2 Timpani G Timpani G# Jazz Tom 3 Jazz Tom 3 Timpani A Timpani A# Jazz Tom 4 Jazz Tom 4 Timpani B Jazz Tom 5 Jazz Tom 5 Timpani C Timpani C# Jazz Tom 6 Jazz Tom 6 Timpani D Timpani D# Timpani E Timpani F High-Q Slap Scratch Push Scratch Pull Sticks Square Click Metronome Click Metronome Bell Guitar Fret Noise Guitar Cutting Down Guitar Cutting Up Ac Bass Slap FL.Key Click Laughing Screaming Punch Heartbeat Analog Cowbell Hand Cym.1 Hand Cym.2 Footsteps 1 Footsteps 2 Applause Door Creaking Door Slam Scratch Analog Conga H Analog Conga M Analog Conga L Windchime Engine Start Tire Screech Car Passing Crash Siren Train Jetplane Analog Maracas Helicopter Starship Gunshot Hi-Hat Open 2 Hi-Hat Open 1 SD Electro Gran Cassa Bass Drum H Side Stick Snare M Hand Clap Snare H Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Jazz Tom 1 Jazz Tom 1 Timpani F

q No. *

: Can be controlled by AC1 (Assignable Controller 1) : These numbers correspond to the Parameter Suffix numbers in <Table 1 - 3> (page 33) P54** : Refer to Effect Data Assign Table

KARAOKE1,2,3

Delay Time Feedback Level HPF Cutoff LPF Cutoff

ROTARY SPEAKER

0 ~ 127 -63 ~ +63 Thru ~ 8.0kHz 1.0k ~ Thru

0-127 1-127 0-52 34-60

table#7

LFO Frequency LFO Depth

0.00 ~ 39.7Hz 0 ~ 127

0-127 0-127

table#1
EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet
50Hz ~ 2.0kHz -12 ~ +12dB 500Hz ~ 16.0kHz -12 ~ +12dB D63>W ~ D=W ~ D<W63
8-40 52-76 28-58 52-76 1-127
CHORUS1,2,3,4, CELESTE1,2,3,4
LFO Frequency LFO PM Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet

TREMOLO

0-127 0-127 1-127 0-127 8-40 52-76 28-58 52-76 1-127
0.00 ~ 39.7Hz 0 ~ 127 -63 ~ +~ 127 50Hz ~ 2.0kHz -12 ~ +12dB 500Hz ~ 16.0kHz -12 ~ +12dB D63>W ~ D=W ~ D<W63
LFO Frequency AM Depth PM Depth

0.00 ~ 39.7Hz 0 ~ ~ 127

0-127 0-127 0-127
table#2 table#3 table#3 q

Input Mode

mono/stereo
LFO Phase Difference -180 ~ +180deg Input Mode mono/stereo

4-124 0-1

resolution=3deg.

FLANGER1,2,3

LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet

AUTO PAN

0.00 ~ 39.7Hz 0 ~ 127 -63 ~ +~ 63 50Hz ~ 2.0kHz -12 ~ +12dB 500Hz ~ 16.0kHz -12 ~ +12dB D63>W ~ D=W ~ D<W63
0-127 0-127 1-127 0-63 8-40 52-76 28-58 52-76 1-127
LFO Frequency L/R Depth F/R Depth PAN Direction EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain
0.00 ~ 39.7Hz 0 ~ ~ 127 L<->R,L->R,L<-R,Lturn,Rturn,L/R 50Hz ~ 2.0kHz -12 ~ +12dB 500Hz ~ 16.0kHz -12 ~ +12dB
0-127 0-127 0-127 0-5 8-40 52-76 28-58 52-76
LFO Phase Difference -180 ~ +180deg

SYMPHONIC

LFO Frequency LFO Depth Delay Offset

PHASER1,2

table#1 table#2
LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Stage Diffusion LFO Phase Difference
0.00 ~ 39.7Hz 0 ~ ~ 127 -63 ~ +63 50Hz ~ 2.0kHz -12 ~ +12dB 500Hz ~ 16.0kHz -12 ~ +12dB D63>W ~ D=W ~ D<W~ 10(phaser1) / 3 ~ 5(phaser2) Mono/Stereo -180 ~ +180deg.
0-127 0-127 0-127 1-127 8-40 52-76 28-58 52-76 1-127 3-10 0-1 4-124

table#3 table#3 q

Phaser2 only

DISTORTION,OVERDRIVE

Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge(Clip Curve)

AUTO WAH

0-127 8-40 52-76 34-60 0-127 28-54 52-76 10-120 1-127 0-127
0 ~ 127 50Hz ~ 2.0kHz -12 ~ +12dB 1.0k ~ Thru 0 ~ 127 500Hz ~ 10.0kHz -12 ~ +12dB 1.0 ~ 12.0 D63>W ~ D=W ~ D<W~ 127
LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet
0.00 ~ 39.7Hz 0 ~ ~ 127 1.0 ~ 12.0 50Hz ~ 2.0kHz -12 ~ +12dB 500Hz ~ 16.0kHz -12 ~ +12dB D63>W ~ D=W ~ D<W63
0-127 0-127 0-127 10-120 8-40 52-76 28-58 52-76 1-127

table#3

mild ~ sharp

GUITAR AMP SIMULATOR

Drive AMP Type LPF Cutoff Output Level

PITCH CHANGE

0-127 0-3 34-60 0-127
0 ~ 127 Off,Stack,Combo,Tube 1.0k ~ Thru 0 ~ 127

Pitch Initial Delay Fine

-24 ~ +~ 127 -50 ~ +50

40-88 0-127 14-114

Dry/Wet Edge(Clip Curve)
D63>W ~ D=W ~ D<W~ 127

1-127 0-127

3-BAND EQ
EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency
-12 ~ +12dB 500Hz ~ 10.0kHz -12 ~ +12dB 1.0 ~ 12.0 -12 ~ +12dB 50Hz ~ 2.0kHz 500Hz ~ 16.0kHz
52-76 28-54 52-76 10-120 52-76 8-40 28-58

2-BAND EQ

Effect Data Assign Table

Table#1

LFO Frequency (Hz)
Data 42 Value Data 0.0.0.0.0.0.0.0.0.0.0.0.0.0.0.0.0.0.0.0.0.0.0.0.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.1.Value Data 1.1.1.1.1.2.2.2.2.2.2.2.2.2.2.2.2.2.2.2.2.2.2.2.2.3.3.3.3.3.3.3.3.3.3.4.4.4.4.4.4.5.5.22 Value 5.38 5.55 5.72 6.06 6.39 6.73 7.07 7.40 7.74 8.08 8.41 8.75 9.08 9.42 9.76 10.10 10.80 11.40 12.10 12.80 13.50 14.10 14.80 15.50 16.20 16.80 17.50 18.20 19.50 20.90 22.20 23.60 24.90 26.20 27.60 28.90 30.30 31.60 33.00 34.30 37.00 39.70

OTHER LATIN AMERICAN COUNTRIES AND CARIBBEAN COUNTRIES
Yamaha Music Latin America Corp. 6101 Blue Lagoon Drive, Miami, Florida 33126, U.S.A. Tel: 305-261-4111

DENMARK

YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 49 00

OTHER EUROPEAN COUNTRIES

AFRICA
Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312

SINGAPORE

Yamaha Music Asia Pte., Ltd. Blk 17A Toa Payoh #01-190 Lorong 7 Singapore 1231 Tel: 354-0133

THAILAND

Siam Music Yamaha Co., Ltd. 865 Phornprapha Building, Rama I Road, Patumwan, Bangkok 10330, Thailand Tel: 2-215-3443

MIDDLE EAST

TURKEY/CYPRUS
THE PEOPLES REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES

OTHER COUNTRIES

OCEANIA

AUSTRALIA

Yamaha Music Australia Pty. Ltd. 17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388

HONG KONG

Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 730-1098

NEW ZEALAND

Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

HEAD OFFICE

Yamaha Corporation, XG Engineering & Marketing Department
Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2936

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna leadin is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.