TONE GENERATOR

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FCC INFORMATION (U.S.A)
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the your local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

ENGLISH

* The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
NEDERLAND / THE NETHERLANDS
Dit apparaat bevat een lithium batterij voor geheugen back-up. This apparatus contains a lithium battery for memory back-up. Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur afdankt of de volgende Yamaha Service Afdeiing: Yamaha Music Nederland Service Afdeiing Kanaalweg 18-G, 3526 KL UTRECHT Tel. 030-2828425 For the removal of the battery at the moment of the disposal at the end of the service life please consult your retailer or Yamaha Service Center as follows: Yamaha Music Nederland Service Center Address : Kanaalweg 18-G, 3526 KL UTRECHT Tel : 030-2828425 Gooi de batterij niet weg, maar lever hem in als KCA. Do not throw away the battery. Instead, hand it in as small chemical waste.

ADVARSEL!

LithiumbatteriEksplosionsfare ved fejlagtig hndtering. Udskiftning m kun ske med batteri af samme fabrikat og type. Levr det brugte batteri tilbage til leverandoren.

VARNING

Explosionsfara vid felaktigt batteribyte. Anvnd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera anvnt batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi rjht, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hvit kytetty paristo valmistajan ohjeiden mukaisesti.

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number ,the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. NOTICE: Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: The name plate is located on the rear of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

PLAY EDIT A/D INPUT UTIL EFFECT
XG TG300B C/M PERFORM PART PUSH ON/OFF MIDI BANK/PGM# VOL EXP PAN REV CHO VAR KEY

MUTE/ SOLO

ENTER EXIT

SELECT VALUE

PHONES

POWER/VOL

Model Serial No. Purchase Date

PLEASE KEEP THIS MANUAL

HOW TO USE THIS MANUAL

How to Use this Manual

The MU90 Tone Generator is almost identical in function to its partner, the MU90R. For this reason, the owners documentation for the MU90R has been coupled with this manual to help you to use the MU90 to its maximum potential. When combined with the relevant sections of the MU90R Owners Manual, the following sections will provide you with the easiest and fastest way to become familiar with the MU90. We strongly suggest that you read all of these materials thoroughly.
Differences between the MU90R and your MU90
Two of the Output Select parameters of the Multi Edit Mode (Others and Drum Setup Controls) as well as the Output Select Lock parameter of the Utility Mode (System Functions) are exclusive to the MU90R and are not supported by your MU90. Explanations for these parameters are found on the following pages of the MU90R OWNERS MANUAL as well as the SOUND LIST & MIDI DATA. MU90R OWNERS MANUAL Output Select (Others): page 72 Output Select (Drum Setup Controls): page 79 Output Select Lock (System Functions): page 116 MU90R SOUND LIST & MIDI DATA MIDI Parameter Change table Output Select (Table 1-8): page 29 Output Select (Table 1-11): page 30 Output Select Lock (Table 2-2): page 32 Additionally, there is a difference between the Identity Reply parameters that appear on page 20 of the SOUND LIST & MIDI DATA and the parameters that are used by the MU90. Please refer to the chart below. 2.1.2.3 Identity Reply Parameter Universal Non-realtime Messages MU90R 00H 41H 52H 02H MU90 00H 41H 37H 02H
Please keep these differences in mind and make notations in the materials provided.

How to Use This Manual

UNPACKING / TABLE OF CONTENTS

Unpacking

Your MU90 package should include the items listed below. Make sure that you have them all. Also, write down the serial number of your MU90 in the box below, for future reference. MU90 PA-3B AC Power Adaptor* MU90 Owners Manual / MU90R Owners Manual CD-ROM XGtools XGtools Setup Guide * Power supply recommendation may vary from country to country. Please check with your nearest Yamaha dealer for further details. Serial No.:

Table of Contents

How to Use this Manual.... 4 Unpacking.... 5 Table of Contents.... 5 PRECAUTIONS.... 6 The Controls of the MU90.... 7 Front Panel.... 7 Rear Panel.... 9 Specifications.... 10 MIDI Implementation Chart for MU90... i

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel. Use the specified adaptor (PA-3B or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Do not connect the instrument to an electrical outlet using a multipleconnector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. Unplug the AC power adaptor when not using the instrument, or during electrical storms. Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can affect proper operation of the other products. Do not place the instrument in an unstable position where it might accidentally fall over. Before moving the instrument, remove all connected adaptor and other cables. When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

sREPLACING THE BACKUP BATTERY
This instrument contains a non rechargeable internal backup battery which permits internal data to remain stored even when the power is off. When the backup battery needs replacing, the message "Battery Low!" will display in the display. When this happens, immediately back up your data (using an external device such as the floppy disk-based Yamaha MIDI Data Filer MDF3), then have qualified Yamaha service personnel replace the backup battery. Do not attempt to replace the backup battery yourself, in order to prevent the possible serious hazards. Always have qualified Yamaha service personnel replace the backup battery. Never place the backup battery in a location that a child can reach, since a child might accidentally swallow the battery. If this should happen, consult a physician immediately.

sSAVING USER DATA

Save all data to an external device such as the Yamaha MIDI Data Filer MDF3, in order to help prevent the loss of important data due to a malfunction or user operating error. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.

THE CONTROLS OF THE MU90

The Controls of the MU90

Front Panel

1 PHONES jack
For connection to a set of stereo headphones (mini-pin).

2 POWER/VOL control

Controls the power off/on functions as well as adjusts the overall volume of the MU90.

3 A/D INPUT

For connection of a microphone, electric guitar or other electronic instrument (stereo 1/4 plug).
4 A/D INPUT level control
For control of the level of the A/D input.

5 PLAY button

For entering the Play mode and switching among the different Play displays. (See page 39 of the MU90R Users Manual.)

6 UTIL (UTILITY) button

For entering the Utility mode. (See page 114 of the MU90R Users Manual.)

7 MODE button

For entering the Sound Module mode. (See page 126 of the MU90R Users Manual.)

8 EDIT button

For entering the Edit mode. (See pages 49 and 89 of the MU90R Users Manual.)

9 EFFECT button

For entering the Effect Edit mode. (See page 101 of the MU90R Users Manual.)

0 EQ button

For entering the EQ Edit mode. (See page 112 of the MU90R Users Manual.)

MUTE/ SOLO PART

PART PUSH ON/OFF MIDI BANK/PGM# VOL EXP PAN REV CHO VAR KEY

XG TG300B C/M PERFORM

A MUTE/SOLO button
Pressing this alternately mutes or solos the selected Part. (See page 31 of the MU90R Users Manual.)

B ENTER button

For calling up menu items in the display and for executing certain functions and operations. Double-clicking this (pressing it twice quickly) calls up the Show Exclusive hexadecimal message for the current function and parameter value.

C EXIT button

For leaving various display pages and returning to previous displays. Also for canceling certain functions and operations.

D PART q buttons

For selecting different Parts. In the Effect Edit mode, these can be used to switch among the different effects. Pressing these together alternately switches between All Part and Single Part control. (See page 31 of the MU90R Users Manual.)

E SELECT w buttons

For selecting the various menu items, parameters and controls on the display.

F VALUE q buttons

For changing the value of a selected parameter or control.

Rear Panel

HOST SELECT L MIDI Mac PC-2 PC-1 TO HOST

OUTPUT

DC IN R

I N-B SER NO.

1 MIDI THRU, MIDI OUT and MIDI IN A/B terminals
For connection to other MIDI devices, such as a MIDI keyboard, tone generator, sequencer, or to a computer that has a MIDI interface. MIDI IN A and B are independent MIDI ports, allowing full 32-channel MIDI input. MIDI OUT is for data dumps to another MIDI device, while MIDI THRU is for daisychain connection of additional MU90 or other MIDI instruments. (See page 14 of the MU90R Users Manual for more information on MIDI connections.)

2 HOST SELECT switch

For selecting the type of host computer. (See page 29 of the MU90R Users Manual.)

3 TO HOST terminal

For connection to a host computer that does not have a MIDI interface. (See page 29 of the MU90R Users Manual.)

4 DC IN jack

For connection to the PA-3B AC power adaptor.
5 OUTPUT L, R jacks (Left, Right)
For connection to a stereo amplifier/speaker system.
6 INPUT L, R jacks (Left, Right)
For connection between tone generator modules, CD players or other external audio devices.

SPECIFICATIONS

Specifications
Tone Generation Method AWM2 (Advanced Wave Memory 2) Maximum Simultaneous Polyphony 64-note Sound Module Modes XG, TG300B, C/M, and Performance Multi-timbral Capacity 32-Part (on 32 MIDI channels; with element reserve priority for later notes and dynamic Voice allocation) Internal Voice/Program Structure Normal Programs Total Voices.. XG mode.. TG300B mode.. C/M mode.. (Parts 1 9), 64 (Parts 11 16)
Drum Programs Total Programs.. 30 XG mode.. 20 TG300B mode.. 10 C/M mode.. 1 Performance Programs Up to four Voices plus all effect settings can be memorized to a Performance. Preset Programs. 100 User Programs. 100 Effects Five sections of multi-effects: Reverb (12 Types), Chorus (14 Types), Variation (62 Types), Insertion 1, 2 (43 Types), and EQ (4 Types) Demo Song 1 (not editable, stored in ROM) Display Custom back-lit LCD

Controls POWER/VOL control, A/D INPUT level control; Mode select buttons: PLAY, UTIL (UTILITY), MODE, EDIT, EFFECT, EQ; other buttons: MUTE/SOLO, ENTER, EXIT, PART q, SELECT w, VALUE q
Front panel: PHONES jack (Stereo Mini-pin), A/D INPUT (stereo 1/4 plug) Rear panel: OUTPUT R,L (RCA-pin), INPUT R, L (RCA-pin); DC IN jack; TO HOST terminal; HOST SELECT switch; MIDI IN-A/B, MIDI OUT and MIDI THRU terminals Computer/MIDI Interface Direct connection to host computer port (RS-232C, RS-422); MIDI terminals allow connection to MIDI sequencer or MIDI controller Data Transfer (Baud) Rate MIDI Mac PC-1 PC-2 31,250 bps (bits per second) 31,250 bps 31,250 bps 38,400 bps
Power Supply Yamaha PA-3B AC Adaptor (included) Dimensions (W D H) 44 mm (8-11/16" 8-1/4" 1-3/4") Weight 1.3 kg (2 lbs., 14 oz.) Included Accessories Owners Manual(s), Yamaha PA-3B AC Adaptor, CD-ROM XGtools
* Specifications subject to change without notice.

Jacks and Terminals

Date :27-JUL-1998 Version : 1.1 Remarks Transmitted x x 1 - - 16 Recognized x x ************** *- - 127 o 9nH,v=1-127 x o o o 0-24 semi *1 *1 *1 Bank Select Data Entry Sound Controller Portamento Cntrl Effect Depth RPN Inc,Dec NRPN LSB,MSB RPN LSB,MSB o o o o o o o o o o x x x x x x x x x x *1 *1 *1 *1 *1 *1 *1 *1 *1 *3, 4 (m=1) x x x x x x
YAMAHA [ Tone Generator ] Model MU90 MIDI Implementation Chart

Function.

Basic Channel

Default Changed

MIDI Implementation Chart for MU90
MIDI IMPLEMENTATION CHART FOR MU90

Default Messages Altered

Note Number
x : True voice **************

Velocity

Note ON Note OFF

After Touch

Key's Ch's

Pitch Bend

0,32 1,5,7,10,11 6,38 64-67 71-74 Control 84 91,93,94 Change 96-97 98-99 100-101

Prog Change

: True # o o *3 *3
x ************** o 0 - 127

System Exclusive

Common
: Song Pos. : Song Sel. : Tune x x x x x x x x o(120,126,127) o(121) x o(123-125) o x x x x x x x x x
System : Clock Real Time: Commands

: : : Mes- : sages : :

All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset
Notes: *1 receive if switch is on. *2 m is always treated as "1" regardless of its value. *3 transmit/receive if exclusive switch is on.
Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO

o : Yes x : No

For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.

SINGAPORE

Yamaha Music Asia Pte., Ltd. Blk 202 Hougang, Street 21 #02-01, Singapore 530202 Tel: 747-4374
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha de Panama S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: 507-269-5311

FINLAND

Warner Music Finland OY/Fazer Music Aleksanterinkatu 11, P.O. Box 260 SF-00101 Helsinki, Finland Tel: 0435 011

TAIWAN

Yamaha KHS Music Co., Ltd. 10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999

NORWAY

Norsk filial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70

THAILAND

Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951

EUROPE

THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH. Siemensstrae 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030
THE PEOPLES REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES
Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2317

IRELAND

Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177
GERMANY/SWITZERLAND Yamaha Europa GmbH.
Siemensstrae 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

AFRICA

Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312

OCEANIA

AUSTRALIA
Yamaha Music Australia Pty. Ltd. 17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388
AUSTRIA Yamaha Music Austria
Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900

MIDDLE EAST

TURKEY/CYPRUS

NEW ZEALAND

Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

THE NETHERLANDS

Yamaha Music Nederland Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411

BELGIUM

Yamaha Music Belgium Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220

OTHER COUNTRIES

COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

FRANCE

Yamaha Musique France, Division Professionnelle BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000

HEAD OFFICE

XG1-02
Yamaha Corporation, XG Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2936

V318740 810CRIT5.2-01A0

M.D.G., EMI Division, C Yamaha Corporation 1998, Printed in Japan

LFO Phase Difference Liveness Low Adjust Low/High LPF Cutoff LPF Resonance Mic L-R Angle Mix Level Move Speed Output Gain Output Level Output Level 1 Output Level 2 Output Phase Pan 1 Pan 2 PAN Direction Phase Shift Offset Pitch PM Depth R->L Delay Ratio Rch Delay Rch Delay1 Rch Delay2 Rch Feedback Level Rch Init Delay Release PHASER type,FLANGER type EARLY REF type VOICE CANCEL 2WAY ROTARY SPEAKER All types LO-FI 2WAY ROTARY SPEAKER AURAL EXCITER TALKING MODULATOR LO-FI All types PITCH CHANGE type PITCH CHANGE type AMBIENCE PITCH CHANGE type PITCH CHANGE type AUTO PAN PHASER type PITCH CHANGE type TREMOLO CROSS DELAY COMPRESSOR type DELAY type ECHO ECHO ECHO ENSEMBLE DETUNE COMPRESSOR type NOISE GATE TOUCH WAH2, TOUCH WAH+ODRV WAH type REVERB type REVERB type EARLY REF type 2WAY ROTARY SPEAKER LO-FI WAH type PHASER type COMPRESSOR type NOISE GATE EARLY REF type TALKING MODULATOR WAH+DIST+DELAY,WAH+ODRV+DELAY REVERB type REVERB type LO-FI L/R phase difference for modulation waveform (0 deg (=64) is no phase difference) ER decay. Lower values cause faster decay. Adjust the lower frequency limit of the mid-range that will be attenuated Volume balance between the high-range and low-range speakers Frequency at which the low pass filter will cut the high frequency range Add character to the low pass filter of the input L/R angle of the mic that picks up the output Level of the effect sound that is mixed into the dry sound Time over which the sound specified by Vowel is reached Output gain Output level Output level for first unit Output level for second unit Swap phase of the effect sound between L/R Pan of first unit Pan of second unit Autopan type (L<->R is sine wave, L/R is square wave) Offset value for phase modulation Pitch setting in semitones Depth of delay modulation Delay time from right (input) to left (output) Compression ratio of the compressor Length of right channel delay Length of first right channel delay Length of second right channel delay Amount of right channel feedback Length of right channel delay Time until the sound is released from the compressor effect Time until the gate closes Time until the center frequency of the wah filter returns to normal Bandwidth of the wah filter Delay time between the early reflections and the reverberation Length of reverb Size of room. Increasing this value will lengthen ER. Frequency at which the speaker rotates Sampling frequency control Sensitivity with which the wah filter will change in response to changes in the input Number of steps for the phase shifter Input level at which compression will begin Input level at which the gate will begin to open Type selection Vowel selection Time until the center frequency of the wah filter returns to normal Condition of the walls of the simulated room (higher values produce more random reflections) Width of the simulated room Specify the roughness of the sound

If the Multi Part parameter Rcv NRPN = OFF, that part will not receive NRPN. The following NRPN messages can be received. NRPN MSB LSB Data Entry *1 MSB LSB mm -- *2
20 Parameter name and value range Vibrato rate mm: 00 - 64 - 127 (-64.0.+63) 21
Vibrato depth mm: 00 - 64 - 127 (-64.0.+63) Vibrato delay mm: 00 - 64 - 127 (-64.0.+63) Low pass filter cutoff frequency mm: 00 - 64 - 127 (-64.0.+63) Low pass filter resonance mm : 00 - 64 - 127 (-64.0.+63) Filter EG Depth (VL sounds only) mm : 00 - 64 - 127 (-64.0.+63) High pass filter cutoff frequency (Has no effect on VL sounds) mm: 00 - 64 - 127 (-64.0.+63) EQ bass gain mm: 00 - 64 - 127 (-64.0.+63) EQ treble gain mm: 00 - 64 - 127 (-64.0.+63) EQ bass frequency (Has no effect on VL sounds) mm: 04 - 40 (32.2.0k [Hz]) 24 rr mm -22 rr mm --
30 rr mm -Drum instrument chorus send level rr: drum instrument note number mm: 00 - 127(0.maximum) Drum instrument variation send level rr: drum instrument note number mm: 00 - 127(0.maximum) (when Variation Connection = SYSTEM)) mm: 00, 01-127 (OFF,ON) (when Variation Connection = INSERTION)) Drum high pass filter cutoff frequency mm: 00 - 64 - 127 (-64.0.+63) Drum EQ bass gain mm: 00 - 64 - 127 (-64.0. +63) Drum EQ treble gain mm: 00 - 64 - 127 (-64.0.+63) Drum EQ bass frequency mm: 04 - 40(32.2.0k [Hz]) Drum EQ treble frequency mm: 28 - 58(500.16.0k [Hz]) mm -RPN MSB LSB Data Entry*1 MSB LSB mm -- *2
Parameter name and value range Pitch bend sensitivity mm: 00-24 (0.+24 semitones) Specify up to 2 octaves in semitone steps Fine tuning mm ll: -100 cents : : mm ll: 0 cents : : mm ll: +100 cents [Note] mm ll: (=-87.5) cents is followed by (=-87.4) cents. Coarse tuning mm: 40 - 64 - 88 (-24.0.+24 semitones) RPN Null This sets RPN and NRPN numbers to an unset state. Internal data is not affected.
*1 Refer to 1.2.4 *2 '--' indicates that the setting value is ignored.
1.2.23 Assignable controller
By assigning a control change number of 0.95 to a part, the specified effect can be controlled. This device allows two control change numbers (AC1 and AC2) to be specified for each part. The following parameters specify the effect of AC1 and AC2. Multi Part Parameter 1. AC1, AC2 PITCH CONTROL 2. AC1, AC2 FILTER CONTROL 3. AC1, AC2 AMPLITUDE CONTROL 4. AC1, AC2 LFO PMOD DEPTH 5. AC1, AC2 LFO FMOD DEPTH 6. AC1, AC2 LFO AMOD DEPTH Effect1 Parameter 7. AC1, AC2 VARIATION CONTROL DEPTH (Valid if Variation Effect is assigned to a part as Insertion) The AC1 control change number is specified by the Multi Part or A/D Part parameter AC1 CONTROLLER NUMBER, and the AC2 control change number is specified by the Multi Part or A/D Part parameter AC2 CONTROLLER NUMBER.
MSB 20-53 (for drums) is received when Multi Part parameter PART MODE = DRUMS1.4. *1 Refer to 1.2.4 *2 '--' indicates that the setting value is ignored. *3 Adjusts the time after the note is played until vibrato begins to take effect. The effect will begin more quickly for higher values, and more slowly for higher values. No effect if Bank Select MSB=127 is selected. *4 No effect if Multi Part parameter PART MODE = DRUM, DRUMS1.4.

All Note Off

This message turns off all notes which are currently on for the corresponding part. However, if Hold 1 or Sostenuto are on, notes will continue to sound until these are turned off. Control# 123 Parameter All Note Off Data Range 0

1.5 Pitch bend

This message conveys movements of the pitch bender. This message is generally used to modify the pitch of a part, but the depth of the following seven effects can be controlled. The effect of this message can be modified by the following parameters. Multi Part Parameter 1. BEND PITCH CONTROL 2. BEND FILTER CONTROL 3. BEND AMPLITUDE CONTROL 4. BEND LFO PMOD DEPTH 5. BEND LFO FMOD DEPTH 6. BEND LFO AMOD DEPTH Effect1 Parameter 7. BEND VARIATION CONTROL DEPTH (Valid when Variation Effect is assigned to a part as Insertion) By default, the Pitch Control effect is applied. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will not receive pitch bend messages.

Omni Off

Perform the same processing as when All Note Off is received. Control# 124 Parameter Omni Off Data Range 0

Omni On

Perform the same processing as when All Note Off is received. Control# 125 Parameter Omni On Data Range 0

1.6 Channel aftertouch

This message conveys the pressure which is applied to the keyboard after playing a note in order to create tonal changes (for an entire MIDI channel). The pressure can be controlled for each part. This message will affect the currently-sounding notes. The effect of this message will be determined by the settings of the following parameters. Multi Part Parameter 1. CAT PITCH CONTROL 2. CAT FILTER CONTROL 3. CAT AMPLITUDE CONTROL 4. CAT LFO PMOD DEPTH 5. CAT LFO FMOD DEPTH 6. CAT LFO AMOD DEPTH Effect1 Parameter 7. CAT VARIATION CONTROL DEPTH (Valid when the Variation Effect is assigned to a part as Insertion) By default, there will be no effect. If the receive channel is a drum part, effects 5 and 6 will not apply. If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not receive Channel Aftertouch.
[UNIVERSAL REALTIME MESSAGE] 1) Master Volume [UNIVERSAL NON REALTIME MESSAGE] 1) General MIDI System On 2) Identity Request(INQUIRY MESSAGE) 3) Identity Reply(INQUIRY MESSAGE) [XG PARAMETER CHANGE] 1) XG System on 2) XG System parameter change 3) Multi Effect1 parameter change 4) Multi EQ parameter change 5) Multi Effect2 parameter change 6) Display parameter change 7) Multi Part parameter change 8) AD Part parameter change 9) AD System parameter change 10) Drums Setup parameter change [MU100 NATIVE PARAMETER CHANGE 1] 1) System parameter change 2) Remote switch [MU100 NATIVE PARAMETER CHANGE 2] 1) Current Performance parameter change [Others] 1) Master tuning 2) TG300 System parameter change 3) TG300 Multi Effect parameter change 4) TG300 Multi Part parameter change

MU100 native parameter change (1)
This message sets parameters unique to the MU100. Each message sets a single parameter. As indicated below, the message format is in common with the MU50, MU80, and MU90. 0001nnnn 01001001 0ggggggg 0mmmmmmm 0lllllll 0vvvvvvv : 11110111 F0H 43H 1NH 49H GGH MMH LLH VVH : F7H Exclusive status YAMAHA ID N:Device Number Model ID Address High Address Mid Address Low Data End of Exclusive
When On is received, the SOUND MODULE MODE will be set to XG, and all MIDI messages defined by XG such as NRPN or bank select etc. can be received. Since approximately 50[ms] are required in order to execute this message, please allow an appropriate interval before transmitting the next message.
For parameters whose Data Size is 2 or 4, the number of data bytes indicated by Size are transmitted.

2.1.3.2

XG System parameter change 2.1.4.1 MU100 System parameter change
This message sets the SYSTEM block (refer to tables <2 - 1>, <2 - 2>).
This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>).

2.1.3.3

Multi Effect1 parameter change
This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 - 4>).

2.1.4.2

Remote Switch

2.1.3.4

Multi EQ parameter change
This message sets the REMOTE SWITCH (refer to tables <2 - 1>, <2 - 3>).
This message sets the MULTI EQ block (refer to tables <1 - 1>, <1 - 5>).
MU100 native parameter change (2)

2.1.3.5

Multi Effect2 parameter change
This message sets the MULTI EFFECT2 block (refer to tables <1 - 1>, <1 - 6>).
This message sets parameters which are unique to the MU100. Each message modifies a single parameter. The format of this message is the same as for the MU90, as shown below. 0001nnnn 01011001 0ggggggg 0mmmmmmm 0lllllll 0vvvvvvv : 11110111 F0H 43H 1NH 59H GGH MMH LLH VVH : F7H Exclusive status YAMAHA ID N:Device Number Model ID Address High Address Mid Address Low Data End of Exclusive

2.1.3.6

Display parameter change
This message sets the DISPLAY block (refer to tables <1 - 1>, <1 - 8>).

2.1.3.7

Multi Part parameter change
This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 9>).

2.1.3.8

AD Part parameter change
This message sets the AD PART block (refer to tables <1 - 1> , <1 - 10>).
2.1.5.1 2.1.3.9 AD System parameter change
This message sets the AD SYSTEM block (refer to tables <1 - 1>, <1 - 11>).
Current Performance parameter change
This message sets the CURRENT PERFORMANCE block (refer to tables <3 - 1>, <3 - 2>).

TOTAL SIZE 40 pp 70 pp 71 pp 72 pp 73 pp 74 pp 75 TOTAL SIZE 50 pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp 0A 0B 0C 0D 0E
00 - - 4C 34 - 4C 34 - 4C 34 - 4C 34 - 4C EQ TYPE EQ GAIN1 EQ GAIN2 EQ GAIN3 EQ GAIN4 EQ GAIN5 flat, jazz, pops, rock, concert -12.0.+12 [dB] -12.0.+12 [dB] -12.0.+12 [dB] -12.0.+12 [dB] -12.0.+12 [dB] depends on performance number
00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F
INSERTION EFFECT 1 TYPE MSB refer to Effect Program List INSERTION EFFECT 1 TYPE LSB INSERTION EFFECT 1 PARAMETER1 MSB INSERTION EFFECT 1 PARAMETER1 LSB INSERTION EFFECT 1 PARAMETER2 MSB INSERTION EFFECT 1 PARAMETER2 LSB INSERTION EFFECT 1 PARAMETER3 MSB INSERTION EFFECT 1 PARAMETER3 LSB INSERTION EFFECT 1 PARAMETER4 MSB INSERTION EFFECT 1 PARAMETER4 LSB INSERTION EFFECT 1 PARAMETER5 MSB INSERTION EFFECT 1 PARAMETER5 LSB INSERTION EFFECT 1 PARAMETER10 MSB INSERTION EFFECT 1 PARAMETER10 LSB INSERTION EFFECT 1 PART Part1.4 (0.3) AD1, AD2 (64, 65) OFF (127)
depends on performance number
TOTAL SIZE 51 pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp 0A 0B 0C 0D 0E
TOTAL SIZE 60 pp 00 TOTAL SIZE
0F 00-7F PLUGIN BOARD 1 PARAMETER depends on Plugin Board depends on performance number

pp: performance number

(00-63)
Date :27-JUL-1998 Version : 1.1 Remarks Transmitted x x 1 - - 16 Recognized x x ************** *- - 127 o 9nH,v=1-127 x o o o 0-24 semi *1 *1 *1 Bank Select Data Entry Sound Controller Portamento Cntrl Effect Depth RPN Inc,Dec NRPN LSB,MSB RPN LSB,MSB o o o o o o o o o o x x x x x x x x x x *1 *1 *1 *1 *1 *1 *1 *1 *1 *3, 4 (m=1) x x x x x x
YAMAHA [ Tone Generator ] Model MU100 MIDI Implementation Chart

Function.

MIDI implementation chart

Basic Channel

Default Changed

Default Messages Altered

Note Number
x : True voice **************

Velocity

Note ON Note OFF

After Touch

Key's Ch's

Pitch Bend

0,32 1,5,7,10,11 6,38 64-67 71-74 Control 84 91,93,94 Change 96-97 98-99 100-101

Prog Change

: True # o o *3 *3
x ************** o 0 - 127

System Exclusive

Common
: Song Pos. : Song Sel. : Tune x x x x x x x x o(120,126,127) o(121) x o(123-125) o x x x x x x x x x
System : Clock Real Time: Commands

: : : Mes- : sages : :

All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset
Notes: *1 receive if switch is on. *2 m is always treated as "1" regardless of its value. *3 transmit/receive if exclusive switch is on.

1 BriteTrp 1

2 Trmbone2 2

SfrzndBr **

MildBrss *** Soft Brs

2 RezSynBr 2 2

Continued on page 77

Vel-cutoff freq Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Piano Chromatic 9 Percussion 16 Organ Guitar Bass Strings Ensemble Brass MU100 Basic GrandPno BritePno El.Grand HnkyTonk E.Piano1 E.Piano2 Harpsi. Clavi Celesta Glocken MusicBox Vibes Marimba Xylophon TubulBel Dulcimer DrawOrgn PercOrgn RockOrgn ChrchOrg ReedOrgn Acordion Harmnica TangoAcd NylonGtr SteelGtr Jazz Gtr CleanGtr Mute Gtr Ovrdrive Dist.Gtr GtrHarmo Aco.Bass FngrBass PickBass Fretless SlapBas1 SlapBas2 SynBass1 SynBass2 Violin Viola Cello Contrabs Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah VoiceOoh SynVoice Orch.Hit Trumpet Trombone Tuba Mute Trp Fr. Horn BrssSect SynBrss1 SynBrss22 E Wah Slap Zealot E Attack E Release E Sweep E Resonant Sweep E

Harpsi.2

2 ClaviWah 2

70sPcOr1

NylonGt3

DistGtr2 **

FlangeBa

ResoSlap 2 AcidBass 2 1

ResoBass *** 1

Arco Str

2 Reso Str 2

PolyBrss

SynBrss3
Continued on page 78 : Same as Bank 0 ** *** : MU80 Extension : MU90 Extension : MU100 Extension E: Number of elements

Muted E

Complex-FEG E
Detune 32 E DtndBrtP Det.CP80 Chor.EP1 Chor.EP2

Detune 33 E

Detune 34 E

Octave 35 E

Octave 36 E

Synth CP

DX Hard

2 DXLegend

2 Harpsi.3 2
DetDrwOr DetPrcOr ChurOrg3 ReedOrDt AccordIt Harmo. 2 NylnGtDt StlGtrDt Jazz Amp ChorusGt OdrvGtDt
2 60sDrOrLite Org ChoGtrLt 2

2 60sDrOr2 2

Dulcimr70sDrOr1

DrawOrg2

ChurOrg2

12StrGtr 2

DistGtr3 **

2 PowerGt2 **

FngrBaDt MutePkBa 1 Fretles2 PunchThm MtdPulsB 1 SlwAttck 1 SmthSynB

Fretles2 Fretles4 2

Clv Bass 2

Pizz Oct

60sStrng Syn Str3 ** MelChoir 2

OrchHit2 Warm Trp 2

FrHorn 2 AnalgSfz 2 JumpBrss
1 Tp&TbSec 2 Continued on page Tp&TbSc2 *** 2
XG Voice List (normal voices)

Trumpet# Trmbone# MuteTrp# BrssSec#

Continued on page 87

MODEL EXCLUSIVE VOICE Timbre Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Piano Chromatic 9 Percussion 16 Organ Guitar Bass Strings Ensemble Brass MU100 Basic GrandPno BritePno El.Grand HnkyTonk E.Piano1 E.Piano2 Harpsi. Clavi Celesta Glocken MusicBox Vibes Marimba Xylophon TubulBel Dulcimer DrawOrgn PercOrgn RockOrgn ChrchOrg ReedOrgn Acordion Harmnica TangoAcd NylonGtr SteelGtr Jazz Gtr CleanGtr Mute Gtr Ovrdrive Dist.Gtr GtrHarmo Aco.Bass FngrBass PickBass Fretless SlapBas1 SlapBas2 SynBass1 SynBass2 Violin Viola Cello Contrabs Trem.Str Pizz.Str Harp Timpani Strings1 Strings2 Syn Str1 Syn Str2 ChoirAah VoiceOoh SynVoice Orch.Hit Trumpet Trombone Tuba Mute Trp Fr. Horn BrssSect SynBrss1 SynBrss0 E 1 MtdClavi 1 Orimba E 1 Beeline 2 BlineHrd Dwarf Byte Ping NastyCut NstyCtSt Xe OrganHit OrgnHit+ Soft Hit Vein Packet Jolly Jolly + Envy EnvyShrt Cough Remark Potala Fury Glocken+ Timbre, Poly E Rage TnglCaos Incontnc IncntClk CheapOsc CheapOc+ NstOrSpl SprClick Boomout ChoirSpl Veld VaporVox VoxShoot SemiacOr Timbre, Looped E Fuss VanAllen Divinity Paranoia Vexation CalcOrg1 CalcOrg2 CalcOrg3 ChoCalcO Sodium Timbre, Looped , Poly Phrase, Looped E Reflex 1 Reflex 2 Prcesion RndmWalk RandmRun E 2 Insanity 2 Habakkuk 1 Phrase, Looped, Poly SFX, Timbre E 2 DstnFire 2 BlowNoiz Fall Chaff E 1 2
Continued on page 88 : No sound ** *** : MU80 Extension : MU90 Extension : MU100 Extension E: Number of elements
SFX, Timbre, Poly SFX, Phrase E Litning Oof Lust Lust St SoftHit+ Cough + Ruin Ruin St Vein + Universe UnvrsSwp Xe + Daze Refusal Refusal+ Lie Malice Doubt DoubtDbl 2 Zipzap E

SFX, Phrase, Poly E 2

Rhythm, Timbre E TinKettl K/S Anlg K/S Humd K/S Slap Rvr/Crsh 2
Rhythm, Timbre, Poly Rhythm, Phrase, Poly E Satya Monastry Vinaya Prana Delight Puja Bent Tom 1 Vodou E 1 Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group 63 64
SFX E CuttngNz CttngNz2 DstCutNz ** Str Slap B.Slide ** P.Scrape ** 2 1
1 Escape Zigzag Scud Hinayana Boot Anathema Germ 1 Germ 2 Malfnctn

Fl.KClik

Shower Thunder Wind Stream Bubble Feed ** Cave
Dog Horse Tweet 2 Kitty ** Growl ** Haunted ** Ghost Maou ** Insects Bacteria

Continued on page 89

Key Scale Panning Stereo Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Reed MU100 Basic SprnoSax Alto Sax TenorSax Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd Saw Ld CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass&Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm Woodblok TaikoDrm MelodTom Syn Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot MU100 Native E E E Single E Slow E Fast Decay E

Continued from page Curse 2 FatOctav Beacon 1 1

2 OctvBeep 1 Overdose

PWMDecay 1 SawDecay
Other Waves 18 Other Waves 19 Other Waves 20 Other Waves 21 Other Waves 22 Other Waves 23 Other Waves 81 E E E E Continued from page 85 E E E
Other Waves 25 Other Instrument 1 Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Reed MU100 Basic SprnoSax Alto Sax TenorSax Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd Saw Ld CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass&Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm Woodblok TaikoDrm MelodTom Syn Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot E E E Other Instrument 97 E Other Instrument 98 E Other Instrument 99 E

BassClar **

Kawala **

Seq Ana.

Smokey BelChoir

Dharma ***

Tambra Rabab Tsugaru ** Taisho-k
2 Tamboura 2 Gopichnt Kanoon
Pungi Bonang Atrigane ** Tablas ** Castanet Gr.Cassa
1 Hichriki 2 Altair GlasPerc 1 1

Gamelan 2 ThaiBell

2 S.Gamlan 2

RevSnar1 **

1 RevSnar2 **

1 RevKick1 **

1 RevConBD ** 1
Capital Voices on MU100 Native Map E
Continued from page 73 AltoSax# 2

Rama Cym

2 AsianBel

Rev Tom1 **

1 Rev Tom2 **
MODEL EXCLUSIVE VOICE Timbre Bank Select MSB Bank Select LSB Instrument Pgm # (1-128) Group Reed MU100 Basic SprnoSax Alto Sax TenorSax Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd Saw Ld CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass&Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm Woodblok TaikoDrm MelodTom Syn Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot E E Timbre, Poly E Timbre, Looped E Continued from page 1 : No sound ** *** : MU80 Extension : MU90 Extension : MU100 Extension E: Number of elements Timbre, Looped , Poly Phrase, Looped E Phrase, Looped, Poly SFX, Timbre E E

Group Reed

Pgm# (1-128) 71 72
Instrument name Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina Square Lead Sawtooth Lead Calliope Lead Chiff Lead Charang Lead Voice Lead Fifths Lead Bass & Lead New Age Pad Warm Pad Poly Synth Pad Choir Pad Bowed Pad Metallic Pad Halo Pad Sweep Pad Rain Sound Track Crystal Atmosphere Brightness Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai Tinkle Bell Agogo Steel Drums Woodblock Taiko Drum Melodic Tom Synth Drum Reverse Cymbal Fret Noise Breath Noise Seashore Bird Tweet Telephone Ring Helicopter Applause Gunshot
Display SprnoSax Alto Sax TenorSax Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd Saw Ld CaliopLd Chiff Ld CharanLd Voice Ld Fifth Ld Bass&Ld NewAgePd Warm Pad PolySyPd ChoirPad BowedPad MetalPad Halo Pad SweepPad Rain SoundTrk Crystal Atmosphr Bright Goblins Echoes Sci-Fi Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle Shanai TnklBell Agogo SteelDrm WoodBlok TaikoDrm MelodTom Syn Drum RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot Soprano sax Alto sax Tenor sax Baritone sax Oboe English horn Bassoon Clarinet Piccolo Flute Recorder Pan flute Blown bootle Shakuhachi Whistle Ocarina

Explanation of voice

Analog synth lead (square wave) Analog synth lead (sawtooth wave) Pan flute-type lead Synth brass-type lead Distortion guitar-type lead Chorus lead Synth lead + perfect 4th below Synth bass + synth lead Bell + chorus Pad with gentle attack Synth brass-style pad Chorus pad Glass harp-style pad Pad with hard synth strings Pad with breath noise Sweep pad with gentle attack Warm and transparent synth sound Analog synth pad + perfect 4th above Music box, bell Harp + strings Synth chorus with strong attack and rapid decay Sweep sound with gentle attack + murmuring Pad with definite attack + release echo Metallic synth pad Sitar Banjo Shamisen Koto Kalimba Bagpipe Fiddle (violin) Ethnic woodwind Bell Agogo Steel drums Woodblock Japanese taiko drum Melodic tom Synth drum Reversed cymbal Fret noise Breath noise Waves Birds chirping Telephone ringing Helicopter Audience applauding Gunshot

XG Drum Map

Bank Select MSB Bank Select LSB Program# Key Alternate Note# Note Off Group 13 C# -D -D# -E -F -F# -G -G# -A -A# -B -C 26 D 28 E 29 F 31 G 33 A 35 B 36 C 38 D 40 E 41 F 43 G 45 A 47 B 48 C 50 D 52 E 53 F 55 G 57 A 59 B 60 C 62 D 64 E 65 F 67 G 69 A 71 B 72 C 74 D 76 E 77 F 79 G 81 A 83 B 84 C 86 D 88 E 89 F 91 G O 0 O 0 O 3 O 4 O 4 O 25 C# D# 3 Standard Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare Soft Sticks Kick Soft Open Rim Shot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bells Bell Tree E 1 Snare Roll 1 Snare Soft Open Rim Shot H Short 1 Kick Tight Short 1 Kick Short Snare Short Snare Tight H Cuica Mute V *** Cuica Open V *** Samba Whistle H V *** Samba Whistle L V *** Ride Cymbal 2 V *** Bongo H V *** Bongo L V *** Conga H Mute V *** Conga H Open V *** Conga L V *** Timbale H V *** Timbale L V *** Agogo H V *** Agogo L V *** Crash Cymbal 2 V *** Splash Cymbal V *** Mid Tom L Short *** Mid Tom H Short *** Crash Cymbal 1 V *** High Tom Short *** Ride Cymbal 1 V *** Chinese Cymbal V *** Low Tom Short *** Floor Tom H Short *** 1 Snare Dry Mute *** Floor Tom L Short *** Kick Dry Soft *** 1 Kick Dry Tight *** 1 Kick Dry Mute *** Side Stick Dry *** 1 Snare Dry *** 1 Snare Dry Soft *** Brush Tap V *** Brush Swirl V *** Brush Slap V *** Brush Tap Swirl V *** 1 Snare Roll V *** Standard Kit 2 E Dry Kit *** Surdo Mute V *** Surdo Open V *** E Bright Kit *** E Skim Kit **** E Slim Kit **** E Rogue Kit **** E Hob Kit **** E Room Kit E 1 Surdo Mute B *** 1 Surdo Open B *** Hi Q B *** Whip Slap B *** Scratch H B *** Scratch L B *** Finger Snap B *** Click Noise B *** Metronome Click B *** Metronome Bell B *** Seq Click L B *** Seq Click H B *** 1 Brush Tap B *** 1 Brush Swirl B *** 1 Brush Slap B *** 1 Brush Tap Swirl B *** 1 Snare Roll B *** Castanet B *** 1 Snare Soft B *** Sticks B *** 1 Kick Soft B *** 1 Kick Tight B *** 1 Kick B *** 1 Side Stick B *** 1 Snare B *** Hand Clap B *** 1 Snare Tight B *** 1 Floor Tom L B *** Hi-Hat Closed L B *** 1 Floor Tom H B *** Hi-Hat Pedal B *** 1 Low Tom B *** Hi-Hat Open B *** 1 Mid Tom L B *** 1 Mid Tom H B *** 1 Crash Cymbal 1 B *** 1 High Tom B *** 1 Ride Cymbal 1 B *** 1 Chinese Cymbal B *** Tambourine B *** 1 Splash Cymbal B *** Cowbell L *** 1 Crash Cymbal 2 B *** Vibraslap B *** 1 Ride Cymbal 2 B *** 1 Bongo H B *** 1 Bongo L B *** 1 Conga H Mute B *** 1 Conga H Open B *** 1 Conga L B *** 1 Timbale H B *** 1 Timbale L B *** 1 Agogo H B *** 1 Agogo L B *** Cabasa B *** Maracas B *** 1 Samba Whistle H B *** 1 Samba Whistle L B *** Guiro Short B *** Guiro Long B *** Claves B *** Wood Block H B *** Wood Block L B *** 1 Cuica Mute B *** 1 Cuica Open B *** Triangle Mute B *** Triangle Open B *** Shaker B *** Jingle Bells B *** Bell Tree B *** 1 Open Rim Shot Dry V *** 1 Open Rim Shot B *** 1 Surdo Mute V *** 1 Surdo Open V *** 1 Brush Tap V *** 1 Brush Swirl V *** 1 Brush Slap V *** 1 Brush Tap Swirl L **** 1 Snare Roll V *** 1 Castanet Sk **** 1 Snare Dry Q **** Kick Dry Soft HPF **** 1 Kick Dry Tight Q**** 1 Kick Dry Mute HPF **** 1 Side Stick Dry Q **** 1 Snare Dry H **** 1 Hand Clap Sk **** 1 Snare Dry Mute Q **** 1 Hi-Hat Closed H **** 1 Hi-Hat Pedal H **** 1 Low Tom Short Sk **** 1 Hi-Hat Open H **** 1 Mid Tom L Short Sk **** 1 Crash Cymbal 1 Q **** 1 High Tom Short Sk **** 1 Ride Cymbal 1 Sk **** 1 Brush Tap V *** 1 Brush Swirl V *** 1 Brush Slap V *** 1 Brush Tap Swirl L **** 1 Snare Roll V *** 1 Castanet H **** 1 Snare Rough Q **** Sticks Q **** 1 Kick Soft Dark **** 1 Kick Tight Short L **** 1 Kick Short Dark **** 1 Side Stick Q **** 1 Snare Short HPF **** 1 Hand Clap Dark **** 1 Snare Tight Mute **** 1 Hi-Hat Closed L Q **** 1 Hi-Hat Pedal Q **** 1 Low Tom Tight **** 1 Hi-Hat Open Q **** 1 Mid Tom L Tight **** 1 Crash Cymbal 1 L **** 1 High Tom Tight **** 1 Ride Cymbal 1 L **** 1 Ride Cymbal Cup L **** Splash Cymbal L Short **** 1 Splash Cymbal V *** 1 Cowbell Dark **** 1 Cowbell Mid **** 1 Crash Cymbal 4 **** 1 Ride Cymbal 4 Q **** 1 Bongo H V *** 1 Bongo L V *** 1 Conga H Mute 2 **** 1 Conga H Open 2 **** 1 Conga L 2 **** 1 Timbale H V *** 1 Timbale L V *** 1 Agogo H V *** 1 Agogo L V *** 1 Maracas Q **** 1 Samba Whistle H V *** 1 Samba Whistle L V *** 1 Brush Tap V *** 1 Brush Swirl V *** 1 Brush Slap V *** 1 Brush Tap Swirl L *** 1 Snare Roll V *** 1 Castanet H **** 1 Snare Brass Soft **** Kick Soft 2 **** 1 Open Rim Shot 2 **** 1 Kick Dark 2 **** 1 Kick Tight 4 **** 1 Side Stick Tight **** Snare Brass Hard **** 1 Floor Tom L Tight **** 1 Hi-Hat Closed 3 **** 1 Floor Tom H Tight **** 1 Hi-Hat Pedal 3 **** 1 Low Tom Tight **** 1 Hi-Hat Open 3 **** 1 Mid Tom L Tight **** 1 Mid Tom H Tight **** 1 Crash Cymbal 3 **** 1 High Tom Tight **** 1 Ride Cymbal 3 **** 1 Chinese Cymbal 2 **** 1 Ride Cymbal Cup 2 **** 1 Snare Brass Hard H **** 1 Snare Tight Snappy 1 Floor Tom L Tight H **** 1 Tom Room Hi-Hat Closed 3 H **** 1 Hi-Hat Pedal 3 H **** 1 Low Tom Tight H **** 1 Hi-Hat Open 3 H **** 1 Mid Tom L Tight H **** 1 Mid Tom H Tight H **** 1 Crash Cymbal 3 H **** 1 High Tom Tight H **** 1 Ride Cymbal 3 H **** Tom Room 1 Tom Room Tom Room 1 Tom Room 1 Floor Tom H Tight H **** 1 Tom Room Kick Soft 2 H **** 1 Kick Dark 2 H **** 1 Kick Tight 4 H **** 1 Side Stick Tight H **** 1 Kick Room ** Open Rim Shot H Short 2 **** Brush Tap V *** 1 Brush Swirl V *** 1 Brush Slap V *** 1 Brush Tap Swirl L *** 1 Snare Roll V *** 1 Castanet H **** 1 Snare Brass Soft H **** Surdo Mute V *** 1 Surdo Open V *** 1 Surdo Mute V *** 1 Surdo Open V *** 1 Surdo Mute V *** 1 Surdo Open V *** 9

1 Kick Techno Tight 2 H **** 1 Kick Jazz 1 Side Stick Analog 2 H **** Snare Analog 5 H **** 1 Clap Ambience H **** 1 Snare Analog 6 H **** 1 Tom Techno 1 H **** 1 Tom Techno 2 H **** 1 Tom Techno 3 H **** 1 Tom Techno 4 H **** 1 Tom Techno 5 H **** 1 Crash Analog H **** 1 Tom Techno 6 H **** Chinese Cymbal H **** 1
Side Stick Analog Q **** 1 Side Stick Dry L ****
1 Tom Jazz Tom Jazz 7 *** 1 Tom Jazz Tom Jazz 8 *** 1 Tom Jazz Tom Jazz 9 *** 1 Tom Jazz Tom Jazz 10 *** 1 Tom Jazz Tom Jazz 11 *** Tom Jazz Tom Jazz 12 *** 1 1
1 Hi-Hat Closed Analog 3 **** 1 Hi-Hat Closed Analog 3 H **** Hi-Hat Closed Analog 4 **** 1 Hi-Hat Closed Analog 4 H **** Hi-Hat Open Analog 2 **** 1 Hi-Hat Open Analog 2 H **** 1
Hi-Hat Closed 3 Dark **** 1 Hi-Hat Closed Tech **** Hi-Hat Closed Analog 2 L**** 1 Hi-Hat Pedal Tech ****
1 Ride Cymbal Analog 1 **** 1 Ride Cymbal Analog 1 H **** 1 Ride Cymbal Cup Q **** 1 Ride Cymbal Cup H **** Tambourine H **** 1 Splash Cymbal V *** Cowbell Analog L **** 1 Crash Cymbal 2 V *** 1 Splash Cymbal H **** 1 Cowbell Analog H **** 1 Crash Cymbal 2 H ****
1 Hand Cymbal Short 1 Ride Cymbal 1 Dark **** 1 Ride Cymbal 1 Dark **** Chinese Cymbal H2 **** Tambourine Dark **** 1 Splash Cymbal L Q **** 1 Cowbell Lo-Fi **** 1 Crash Cymbal 2 Q **** 1 Ride Cymbal 2 V *** 1 Bongo H V *** 1 Bongo L V *** Ride Cymbal Cup Dark **** 1 Ride Cymbal Cup Dark **** 1
1 Ride Cymbal Analog 2 **** 1 Ride Cymbal Analog 2 H **** Bongo H V *** 1 Bongo L V *** 1 Bongo H V *** 1 Bongo L V *** 1 1
1 Hand Cymbal 2 Short 1 Ride Cymbal 2 D **** Bongo H V *** Bongo L V ***
1 Conga Analog H Long **** 1 Conga Analog H Long H **** Conga Analog M Long **** 1 Conga Analog M Long H **** Conga Analog L Long **** 1 Conga Analog L Long H **** Timbale H V *** 1 Timbale L V *** 1 Agogo H V *** 1 Agogo L V *** 1 Timbale H V *** 1 Timbale L V *** 1 Agogo H V *** 1 Agogo L V *** 1 1
Conga Analog H Long **** 1 Conga H Mute V *** Conga Analog M Long **** 1 Conga H Open V *** Conga Analog L Long **** 1 Conga L 2 **** Timbale H V *** Timbale L V *** Agogo H V *** Agogo L V *** 1 Timbale H V *** 1 Timbale L V *** 1 Agogo H V *** 1 Agogo L V ***

1 Crash Cymbal Dark 2 **** 1 Crash Cymbal 1# 1 Ride Cymbal Hard 2 **** 1 Ride Cymbal 1#
1 Tech Splash Cymbal **** 1
Bank Select MSB Bank Select LSB Program# Key Alternate Note# Note Off Group 13 C# -D -D# -E -F -F# -G -G# -A -A# -B -C 26 D 28 E 29 F 31 G 33 A 35 B 36 C 38 D 40 E 41 F 43 G 45 A 47 B 48 C 50 D 52 E 53 F 55 G 57 A 59 B 60 C 62 D 64 E 65 F 67 G 69 A 71 B 72 C 74 D 76 E 77 F 79 G 81 A 83 B 84 C 86 D 88 E 89 F 91 G O 0 O 0 O 3 Shower Thunder Wind Stream Bubble Feed ** Cave **** Insects **** Bacteria **** 25 C# D# 3

1 SFX Kit 1 E

2 SFX Kit 2 E

17 Techno Kit K/S **** E

18 Techno Kit Hi **** E

19 Techno Kit Lo **** E

33 Sakura Kit ****
34 E Small Latin Kit **** E
30 F# G# A# 0 Cutting Noise Cutting Noise 2 String Slap Bass Slide ** Pick Scrape ** 1 Phone Call ** 2 Door Squeak 1 Scratch Cut 2 Scratch H Wind Chime Telephone Ring Heavy Techno Kick 1 **** 1 Hyper Tom H 1 **** 1 Heavy Techno Kick 2 **** 1 Asian Tom H **** 1 Psychedelic Kick **** 1 Gate Tekno Kick **** 2 Rap Kick **** 1 Lo-Fi Tom H **** 1 Hyper Tom H 2 **** 1 Flanged Tom H **** 1 Hyper Tom L 1 **** 1 Asian Tom L **** 1 Lo-Fi Tom L **** 1 Hyper Tom L 2 **** 1 Flanged Tom L **** 1 Minimal Tom L **** 1 Vox Drum L **** 1 Android Walk 1 L **** 1 Android Walk 2 L **** 1 Electro Blip L **** 1 Wood Door Open L **** 1 Reso Noise Burst L **** 1 LFO Metal Attack L **** 1 Steel Conga L **** 1 Pop Ambient L **** 1 Tunnel Ambient L **** 1 Vibraslap L **** 1 Gun Shot Slap L **** 1 Punch Snare L **** 1 Bomb Snare L **** 1 Dora **** 1 Tsuzumi Pon **** 1 Tsuzumi Pu **** 1 Tsuzumi Ta **** 1 Tsuzumi Chon **** 1 Tsuzumi Tsu **** 1 Shimetaiko Ten **** 1 Shimetaiko Tsu **** 1 Yagura Open **** 1 Ohdaiko Rim **** 1 Oriental Drum 1 **** 1 Oriental Drum 2 **** 1 Oriental Drum 3 **** 1 Oriental Rim 1 **** 1 Oriental Rim 2 **** 1 Oriental Rim 3 **** 1 Oriental Rim 4 **** 1 Latin Cymbal Short **** 1 Claves SL 1 **** 1 Claves SL 2 **** 1 Claves SL 3 **** 1 Claves SL 4 **** 1 Claves SL 5 **** 1 Muted Percussion SL 1 **** 1 Muted Percussion SL 2 **** 1 Muted Percussion SL 3 **** 1 Muted Percussion SL 4 **** 1 Surdo Mute SL 1 **** 1 Surdo Mute SL 2 **** 1 Surdo Open SL **** 1 Surdo Rim SL **** 1 Tamborim Mute **** 1 Tamborim Open **** 1 TimbaleL Drum **** 1
Distorted Cutting Noise ** 2 Door Slam
1 Heavy Techno Kick 3 **** 1 Minimal Tom H **** 1 Heavy Techno Kick 4 **** 1 Vox Drum H **** Future Kick **** Asian Kick **** Imbalance Kick **** Justice Kick **** Minimal Kick **** 1 Android Walk 1 H **** 1 Android Walk 2 H **** 1 Electro Blip H **** 1 Wood Door Open H **** Reso Noise Burst H **** LFO Metal Attack H **** Steel Conga H ****

With the factory settings, the internal performances will be occupied by the above sounds.
PF : piano CP : chromatic percussion OR : organ, accordion, harmonica GT : guitar BA : bass ST : strings EN : ensemble BR : brass RD : reed PI : pipe LD : synth lead PD : synth pad FX : synth effects ET : ethnics PC : percussive SE : sound effects CO : combinations KS : keyboard splits SC : synth comp
(Preset Performance List MSB=001, LSB=000)
Pgm# Category 1 FX 2 PF 3 BR 4 FX 5 FX 6 KS 7 BA 8 OR 9 SL 10 SC 11 EN 12 PF 13 LD 14 PD 15 SC 16 ST 17 GT 18 OR 19 LD 20 PF 21 BR 22 FX 23 SL 24 CO 25 PD 26 FX 27 BR 28 OR 29 GT 30 SC 31 RD 32 FX 33 KS 34 GT 35 EN 36 LD 37 OR 38 CO 39 SC 40 KS 41 OR 42 FX 43 SL 44 OR 45 EN 46 PF 47 OR 48 GT 49 BA 50 KS 51 EN 52 PF 53 SC 54 FX 55 BR 56 BA 57 SC 58 GT 59 OR 60 CO 61 RD 62 BR 63 EN 64 PD 65 OR 66 SL 67 FX 68 PF 69 KS 70 PF 71 BA 72 PD 73 SC 74 ET 75 BR 76 FX 77 BR 78 PF 79 SC 80 KS 81 BA 82 EN 83 BR 84 PF 85 SC 86 SE 87 PD 88 OR 89 SC 90 PD 91 FX 92 ET 93 PF 94 FX 95 CP 96 SC 97 FX 98 KS 99 KS 100 KS Performance Name Heavens Door Stereo Grand Saw Classic Analog Age VoxBell Two Flutish Super Bass 70s Organ AT Touch Line Rave Mecca Superstrings Old EP Sync SynQ Fancy Pad Dikk Tekk Laser Harp Feedback EG Full Organ Dyno Lead CP70 On Stage Super Brass Ethnograph Tecspiration Vox Pop Dark Pad Sparkle Pad Jump-off Overdrive OR Ricky Guitar Euro Hook Groovin' Baritone Alien Peace Hit House 6-string Guitar Phase Strings Hyper Shaku8 Early Bird Orchestral Suite Fat Hook R&B Gig Deep Harp Almost Heaven Digi Bizzar Euro Accordion 2 Octaves Strings New House Piano Crisp Organ Warm Amp Flangi Baze 1st Violin Deep Choir Old Clavi Dance Chord White Train Power Synth Brass Deep Port Floor Tack Rich Nylon Guitar Solemn Organ Piano & Strings Rich Bass Clarinet Slap Switch Hi Strings Soft Sweep Draw Organ MW Porta Line MW Crypt Easy Seven Guitar & Sax Gut EP SQ2003 Wheel Fanta Pad Dance Comp AfricanGrand Trombonist Orion Remix Brass Specter EP Tech Chord 1 Bass + Piano/Brass SQ-Bass Rich Strings Hybrid Brass Phaze Clavi Toy SQ MUtopia Float Pad Tiny Pipe Sweet Wine Pad Swell Aquarius 90 Perc Shamisen Clav-babe Sweepy Plant Door Bell FAT*SQ Lo-Fi Loop Volksmusik Jfunk Jammin Alpen Echo Comment Warm effect sound. MW controls the filter. Grand piano with a stereo-sampled feel. Analog sawtooth wave brass. Delay effect. Warm and transparent analog synth pad. Aftertouch controls the filter. Mixture of synth voice and bell. Left hand plays pad, right hand plays pan-flute. Electric bass with superb low range and thickness. Organ of the 70's. Aftertouch controls rotary speed. Sawtooth wave with fuzz. Move the filter and use for techno sequences. Dance sound for chording. MW controls the filter. Warm analog synth strings. MW controls the filter. Vintage electric piano of yesteryear. Synth grand typical of analog synthesizers. Atmospheric pad. Aftertouch control the filter. Good for hard sequenced phrases. MW controls the filter. Synth with deep phasing. Distortion guitar with realistic feedback. Bright electric organ. MW controls filter. Classic analog lead. Portamento is effective. The famous Yamaha electric grand. Powerful straight-ahead brass section. MW controls the filter. Impressionistic new-age sound collage. Analog techno sound with fuzz. Tight synth chorus. Good for rapid passages. Dark synth pad. MW controls the filter. Sparkling pad. MW causes a surprising change. Legendary synth brass. Organ with overdrive. Clean electric guitar for lead parts. Thick analog sound for percussive sequences. Baritone sax. Gorgeous digital synth using two completely different elements. Novel split with four brass shots. Acoustic guitar with steel strings. Analog synth strings with phaser applied. MW control the filter. Synth-type shakuhachi with unique blown feel. Organ with symphonic effect applied. Good for dance music. Orchestral combination of strings, horn and bell. Ultimate synth for Euro-sound. Split with piano/strings and organ. Clear harmonic. Great for solos. Pad with memorable bell sound. Radical digital synth sound. For electronic music. Accordion with a European flavor. Bright analog strings. Two-octave layer. Piano for a new music scene. Percussive electric organ. Electric guitar that simulates even the warm character of a guitar amp. Simulation of a monophonic analog bass. MW control the filter. Split between a string ensemble and a solo violin. Mixed chorus with long reverb. Old clavi with dynamic wah. Thick analog synth for chord backing of dance music. Hypnotic pad. Aftertouch controls the filter. Powerful synth brass. Thick synth bass with sustain. Portamento is applied. Synth suitable for dance music chording. MW controls the filter. Rich acoustic guitar with nylon strings. Solemn pipe organ. Layered acoustic piano and stereo strings. Richly expressive bass clarinet for soloists. Slap bass with velocity split. Hybrid strings that mix acoustic and synth. Spacious pad. MW controls the tone. Drawbar organ. MW changes the rotary speed. A simple synth lead. MW controls the filter. An effect sound that takes advantage of portamento. Raise MW to make the sound change even more. Classic FM electric piano. Layered with synth strings. Split sound with soft-feeling guitar and breathy tenor sax. Layered DX electric piano and acoustic guitar. MW adds a pad. Fuzz synth with powerful filter modulation. MW controls the filter. Spacy synth pad with a "sizzling" feel. Rhythm synth sound suitable for chord sequences. Pitched African percussion. Expressive brass sound suitable for solos. Mysterious sound effect. MW controls the filter. Velocity split between strings/brass section and brass fall. Electric piano. Move MW to play various types of sound. Dance sound with layered minor third and fifth. MW controls the filter. Split between a velocity-split piano and brass, and bass. Synth bass suitable for techno/dance sequences. Strings. Velocity will affect the attack and depth. Punchy brass that combines acoustic and synth. Analog clavi. MW controls the phaser effect. Analog sound with cross delay for typed-in sequences. Futuristic-sounding pad. Aftertouch controls the filter. Warm-feeling pad. MW controls the filter. Small pipe organ. Synth sound suitable for electronic music. Bright-sounding synth pad with filter change. Underwater sound effect that mixes voice and struck glass. Percussive shamisen. Synth clavi with distinctive auto-wah. Ambient-type sound with distinctive sweep and modulation. Music box with bell-like sound. Thick synth lead with just a touch of portamento. "Lo-fi" percussion loop sound. Split between accordion and brass ensemble. Split between a solid electric piano and bass. Split between a tuba and trumpet. MW controls the delay effect.