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CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following:
Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms. When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it. To avoid generating unwanted noise, make sure there is adequate distance (50 cm or more) between the AC power adaptor and the device. Do not cover or wrap the AC power adaptor with a cloth or blanket. Do not place the device in an unstable position where it might accidentally fall over. Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Doing so may result in noise, both in the device itself and in the TV or radio next to it.

Connections

Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum.

Location

Before moving the device, remove all connected cables. When setting up the device, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still owing to the product all the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. Avoid setting all equalizer controls and faders to their maximum. Depending on the condition of the connected devices, doing so may cause feedback and may damage the speakers. Do not expose the device to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disguration or damage to the internal components.

Handling caution

When turning on the AC power in your audio system, always turn on the power amplier LAST, to avoid speaker damage. When turning the power off, the power amplier should be turned off FIRST for the same reason. Do not insert your ngers or hands in any gaps or openings on the device. Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any gaps or openings on the device. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualied Yamaha service personnel. Do not use the device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician. Do not rest your weight on the device or place heavy objects on it, and avoid use excessive force on the buttons, switches or connectors.

XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-). Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return.
Yamaha cannot be held responsible for damage caused by improper use or modications to the device, or data that is lost or destroyed.
Always turn the power off when the device is not in use. Even when the power switch is in the STANDBY position, electricity is still owing to the device at the minimum level. When you are not using the device for a long time, make sure you unplug the power cord from the wall AC outlet. The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult quali ed Yamaha service personnel about replacing defective components.
The MW mixer may heat up by as much as 15 to 20C while the power is on. This is normal. Please note that the panel temperature may exceed 50C in ambient temperatures higher than 30C, and use caution to prevent burns. * This Owners Manual applies to both the MW12CX and MW12C. The main difference between the two models is that the MW12CX includes digital effects while the MW12C has no internal effects. * In this manual the term MW mixsers refers to both the MW12CX and MW12C. In cases where different features need to be described for each model, the MW12CX feature will be described rst, followed by the MW12C feature in brackets: MW12CX (MW12C).

SPECIAL NOTICES

The owners manual is the exclusive copyright of Yamaha Corporation. The included software is the exclusive copyright of Steinberg Media Technologies GmbH. Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of this manual before installing the application.) Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software. This disk is a DVD-ROM. Do not attempt to play the disk on a DVD player. Doing so may result in irreparable damage to your DVD player. Visit the web address below for the latest information on supplied software and operating system requirements. <http://www.yamahasynth.com/> The illustrations and LCD screens as shown in this owners manual are for instructional purposes only, and may appear somewhat different from those on your instrument. This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style les, MIDI les, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. Windows is the registered trademarks of Microsoft Corporation. Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Steinberg and Cubase are the registered trademarks of Steinberg Media Technologies GmbH. The company names and product names in this Owners Manual are the trademarks or registered trademarks of their respective companies. Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

Introduction

Thank you for choosing a Yamaha MW12CX/MW12C USB Mixing Studio. The MW12CX/MW12C includes an audio mixer equipped with a USB interface for digital audio data transfer, and Cubase AI4 DAW (Digital Audio Workstation) software for Windows and Macintosh computer operating systems. With the MW12CX/MW12C USB Mixing Studio and your personal computer you have the basic elements of a high-performance computer recording system that is easy to set up and operate. Please read through this manual carefully before beginning use, so that you will be able to take full advantage of your mixers superlative features and enjoy trouble-free operation for years to come. After reading the manual, please store it in a safe place.

Features

Connect To Your Computer via a Single USB Cable (page 7)
The MW mixer connects to your computer via the supplied USB cable. Stereo audio data is transferred in both directionsfrom the mixer to the computer, and vice-versavia the USB connection (44.1 kHz or 48 kHz sampling frequency).

Contents

Introduction..5
Features...5 Contents...5 Before Turning on the Mixer..6 Turning the Power On/OFF..6 Computer System Requirements.6 Cubase AI4 System Requirements.6
No Driver Installation Required (page 7)
The MW system uses the standard drivers included in your computers operating system, so theres no need to install any extra driver software.

Mixer Basics.. 7

Quick Guide..7
1. 2. 3. 4. 5. 6. Installing Cubase AI4..7 Connecting to the MW mixer..7 Powering Up the System..8 Adjusting Level and Tone..9 Recording with Cubase AI4..10 Mixing with Cubase AI4..13
Cubase AI4 DAW Software Supplied (page 7)
Cubase AI4 software, included in the MW package, offers versatile, high-performance hard-disk recording capability.

Compression (page 9)

Compression increase the overall level without introducing distortion by compressing excessive peaks in the signals from microphones and guitars.

Reference.. 15

Setup..15 Front & Rear Panels..16
Channel Control Section..16 Master Control Section..18 Digital Effect...20 Rear Input/Output Section..20 Digital Effect Program List..21 Jack List..21
Mixer Functions (page 16)
The MW mixer can handle up to 12 simultaneous inputs, mixing them to STEREO OUT or REC OUT. You could connect four microphones and four stereo sources, or six microphones and two stereo sources, for example. AUX SEND connectors are provided for convenient connection to external signal processors or other equipment.
48V Phantom Power (page 19)
A PHANTOM switch supplies +48V phantom power to the mixers microphone inputs, so you can use high-quality phantom-powered condenser microphones for superior recording quality.

To minimize the possibility of speaker damage, turn phantom power on ONLY while your power amplier or powered speakers are switched off. Its also a good idea to turn the mixers output controlsSTEREO OUT Master fader and REC OUT faderall the way down.
We recommend that you set the computer output to the maximum level and mute the computers internal speaker. For details on how to make the setting refer to the The recorded sound is too low in level. in the Troubleshooting on page 22. The rst time you connect to the computers USB connector, or change the connection to a different USB port, a driver installation display may appear after turning the power to the MW mixer on. If this occurs, wait until the installation is complete before proceeding.
Balanced Cables and Unbalanced Cables
Two types of cables can be used to connect microphones, electronic instruments, and other audio sources to the mixers inputs, as well as to connect the mixers outputs to a power amplier or related gear: balanced or unbalanced. Balanced cables are highly resistant to noise, and are the best choice for low-level signals such as the output from microphones, as well as for long cable runs. Unbalanced cables are generally used for short runs from line-level sources such as synthesizers. Cable Guidelines
Microphone cable Short line-level cables Long line-level cables Balanced is best. Unbalanced cable is ne in a relatively noise-free environment. Balanced is best.
Phone Connectors Phone connectors are available in mono and stereo versions. Stereo types are also known as TRS connectors (Tip-Ring-Sleeve), and are used for stereo headphone jacks, insert jacks, and also to carry balanced signals in many cases. Unbalanced types are used for mono signals -guitar cables are a common example.

Connector Types

XLR Connectors This 3-pin connector is resistant to externally induced noise, and is used primarily for balanced connections. With properly designed receiving circuitry cables with this type of connector can also be used for unbalanced signals. XLR type connectors are the standard for microphone connections as well as most professional audio gear.
RCA Pin Connectors This type of unbalanced connector is most commonly found on home audio and video equipment. RCA type pin jacks are often color coded: white for left audio channel and red for right audio channel, for example.
4 Adjusting Level and Tone

Tone Adjustment

The MW mixers compressors and 3-band equalizers make it easy to shape the tone of independent channels to achieve the best possible mix.

Level Adjustment

The rst step is to set the level controls on all instruments and other sources appropriately. Adjust the channel GAIN controls so that the corresponding PEAK indicators ash briey on the highest peak levels. (GAIN controls are not provided on the stereo channels9/10 and 11/12). Engage the ON and REC switches of the input channels that you would like to record. Make sure that the PFL switch is off ( ), and that the MONITOR switch is set to REC ( ). Raise the REC OUT fader to the 0 dB position. Set the channel faders to create the desired initial balance while monitoring via headphones or monitor speakers. The overall headphone level is adjusted by the PHONES control.

At this point you can begin to use EQ to rene your mix, and add effects.
As an example lets try adding reverb. Click the [Edit] button ( ) on the left side of the channel strip to open the VST audio channel settings window. Click Insert 1 and select Earlier VST Plug-ins Reverb RoomWorks SE.

Click [Export].

Progress of the mixdown operation will be shown in a progress window. When the progress window closes the mixdown is complete.
For further details refer to the pdf manual provided with the Cubase AI4 software. Its a good idea to lower the channel fader a bit before adding an effect, since the effect can cause an increase in the overall channel level.
Wave les created by mixdown can be directly played back using the Windows Media Player, or iTunes on a Macintosh computer.

Reference

Guitar
Powered Speakers Synthesizer Bass Foot Switch (YAMAHA FC5)

Recorder

Microphone DI

CD Player

Effect Processor (exciter)
Effect Processor Headphones
Powered Monitor Speaker Personal Computer

Powered Monitor Speakers

MW12CX

Front & Rear Panels

The following applies to both the MW12CX and MW12C. In cases where different features need to be described for each model, the MW12CX feature will be described first, followed by the MW12C feature in brackets: MW12CX (MW12C).

Channel Control Section

1 MIC Input Jacks (CHs 1 to 4, 5/6, 7/8)
Channels 1 to 4 (Monaural) Channels 5/6 and 7/8 (Stereo) Channels 9/10 and 11/12 (Stereo)
These are balanced XLR-type microphone input jacks (1:Ground; 2:Hot; 3:Cold).
2 LINE Input Jacks (CHs 1 to 4)
These are balanced TRS phone-jack line inputs (T:Hot; R:Cold; S:Ground). You can connect either balanced or unbalanced phone plugs to these jacks.
3 LINE Input Jacks (CHs 5/6 to 11/12)
These are unbalanced phone-jack stereo line inputs.
4 LINE Input Jacks (CHs 9/10, 11/12)
These are unbalanced stereo RCA pin jacks.
Where an input channel provides both a MIC input jack and a LINE input jack, or a LINE input jack and an RCA pin jack, you can use either jack but not both at the same time. Please connect to only one jack on each channel.

The ON switch lights and the internal effect unit is active by default when the power is initially turned on.

6 PFL Switch

Turn this switch on to send the effect signal to the PFL bus.

7 EFFECT RTN Fader

Adjusts the signal level sent from the internal digital effect unit to the STEREO bus.
Rear Input/Output Section

1 POWER Switch

Use this switch to turn the mixers power ON or to STANDBY mode.
Note that a small current continues to ow while the switch is in the STANDBY position. If you do not plan to use the mixer for a while, be sure to unplug the AC adaptor from the wall outlet.
2 AC ADAPTOR IN Connector
Connect the supplied power adaptor to this connector (see page 6).

3 USB Connector

Connects to the computer via the included cable. The USB connector outputs the same signal as the REC OUT jacks.
When connecting or disconnecting the USB cable be sure to turn the 2TR IN/USB control all the way down.
Digital Effect Program List
No 13 Program REVERB HALL 1 REVERB HALL 2 REVERB ROOM 1 REVERB ROOM 2 REVERB STAGE 1 REVERB STAGE 2 REVERB PLATE DRUM AMBIENCE KARAOKE ECHO VOCAL ECHO CHORUS 1 CHORUS 2 FLANGER Parameter REVERB TIME REVERB TIME REVERB TIME REVERB TIME REVERB TIME REVERB TIME REVERB TIME REVERB TIME DELAY TIME DELAY TIME LFO Frequency LFO Frequency LFO Frequency Description Reverb simulating a large space such as a concert hall.
Reverb simulating the acoustics of a small space (room).
Reverb simulating a large stage. Simulation of a metal-plate reverb unit, producing a more hard-edged sound. A short reverb that is ideal for use with kick drum. Echo designed for karaoke (sing-along) applications. Echo suitable for vocals. Creates a thick sound by modulating the delay time. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. A sweeping pitched effect. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. Phase modulation produces a cyclical phasing effect. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. A wah-wah effect with cyclical lter modulation. The PARAMETER control adjusts the frequency of the LFO* that modulates the delay time. Adds a sharp-edged distortion to the sound.

PHASER

LFO Frequency

AUTO WAH DISTORTION

LFO Frequency DRIVE
* LFO stands for Low Frequency Oscillator. An LFO is normally used to modulate another signal, determining the modulation speed and waveform shape.

Jack List

Input and Output Jacks Polarities INPUT MIC INPUT, STEREO OUT Pin 1: Ground Pin 2: Hot (+) Pin 3: Cold (-) XLR Connector LINE INPUT (CH1 to 4) REC OUT, STEREO OUT, MONITOR OUT, AUX (AUX1), EFFECT (AUX2)* INSERT Tip: Hot (+) Ring: Cold (-) Sleeve: Ground Tip: Output Ring: Input Sleeve: Ground Tip: L Ring: R Sleeve: Ground Sleeve Tip TRS Phone Connector Congurations OUTPUT

PHONES

RETURN LINE INPUT (CH5/6 to 11/12)

Tip: Hot Sleeve: Ground

Sleeve

Tip Phone Connector

* These jacks will also accept connection to monaural phone Connectors. If you use monaural phone connectors, the connection will be unbalanced.

Troubleshooting

The MW mixer wont turn on. The system doesnt work properly.
Is the included adaptor properly plugged into both the mixer and an appropriate AC wall outlet? Are the USB cable and all necessary audio cables properly connected? Are you using a USB hub? USB hubs can interfere with proper operation, so try connecting the MW mixer directly to a USB port on the computer. If the computer has multiple USB ports, try a different USB port. Are you using other USB devices at the same time? If so, try removing the other device(s) and connecting only the Yamaha USB device. Are your speaker cables connected properly, or are they shorted? Are the ON switch, ST switch, and REC switch for the channels you are using turned on? Are the volume controls of your sources, audio devices, applications software, computer operating system, etc., set at appropriate levels? Is the output of your computer operating system muted? Do you have several applications running at the same time? Be sure to quit all applications you are not using. Is the sound output of your computer operating system assigned properly? Windows: 1. From the [START] menu click [Control Panel], then double-click the Sounds and Audio Devices icon to open the Sounds and Audio Devices Properties dialog window. 2. Click the Audio tab. 3. Set Sound playback: Default device and Sound recording: Default device to USB Audio CODEC. 4. Click [OK]. Macintosh: 1. Select System Preferences. from the Apple menu and then select Sound to open the Sound dialog window. 2. Click the Input tab and under Choose a device for sound input select USB Audio CODEC. 3. Click the Output tab and under Choose a device for sound output select USB Audio CODEC. Is the sound output of the Cubase AI4 application assigned properly? For setup details refer to page 7 of the Quick Guide.

No sound.

The recorded sound is too low in level.
Is the computers output level setting too low? We recommend that you set the computer output to the maximum level and mute the computers internal speaker. Windows: 1. From the [START] menu click [Control Panel], then double-click the Sounds and Audio Devices icon to open the Sounds and Audio Devices Properties dialog window. 2. Click the Volume tab. 3. Set Device volume to High. 4. Click the Sound tab. 5. Select No sound in the Sound scheme. Macintosh: 1. Select [System Preferences.] from the Apple menu and then select Sound to open the Sound dialog window. 2. Click the Output tab and set the volume slider at the bottom of the window to its maximum level. 3. Click the Sound Effect tab and set the volume slider of the Alert volume slider to its minimum level. Have you connected or disconnected the USB cable while Cubase AI4 is running? Doing so can sometimes cause the Windows output level to be reset to its default level. Check and raise the output level if necessary.
Reference Troubleshooting
The level meter doesnt show the output signal level. The sound is intermittent or distorted.
Are the PFL switches for the channels you are not using turned on?
Is the PEAK indicator flashing read? You might have to lower GAIN control or channel fader levels to avoid distortion. Are you applying the effects and compressor at an appropriate level? You might have to lower EFFECT RTN fader, ETTECT control and COMP control levels. Does the computer you are using meet the listed system requirements? Refer to Computer System Requirements on page 6 for details. Are any other applications, device drivers, or USB devices (scanners, printers, etc.) running at the same time? Be sure to quit all applications you are not using. Are you playing back a large number of audio tracks? The number of tracks you can play at the same time will depend on the performance of the computer you are using. You may experience intermittent playback if you exceed your computers capabilities. Are you recording or playing long continuous sections of audio? The audio data processing capabilities of your computer will depend on a number of factors including CPU speed and access to external devices. On Windows computers, changing some settings as outlined below can improve performance. 1. Click [Control Panel] from the [START] menu, and double-click the Sounds and Audio Devices icon to open the Sounds and Audio Devices Properties dialog window. 2. Click the Volume tab and click Advanced in Speaker settings. The Advanced Audio Properties dialog window will open. 3. Click the Performance tab. Set Hardware acceleration to Full, and Sample rate conversion quality to Good. Dont change these settings if you are not familiar with your computers operating system. Check that the file system is set properly, and make sure that you have a plenty of free memory (more than 128 megabytes). If the wave files you are recording or playing are not too large, changing the virtual memory settings can sometimes improve audio performance. In some cases it might be necessary to update your hard disk controller, device drivers, or BIOS. Refer to your computers support center or support page on the web for more information. Try adding memory. Adding more RAM memory can significantly increase your computers audio performance. Refer to your computers owners manual for information on installing and setting up extra memory.

There is a delay when playing a software synthesizer via a MIDI keyboard (latency).
Check the URL listed below for the latest information. <http://www.yamahasynth.com/>

Specications

Electrical Specications

MIN TYP MAX UNIT

Frequency Response
Total Harmonic Distortion (THD + N) Hum & Noise Hum & Noise are measured with a 6 dB/ octave lter @ 12.7 kHz; equivalent to a 20 kHz lter with innite dB/octave attenuation. Crosstalk (1 kHz) Maximum voltage gain (1 kHz) All faders and controls are maximum when measured. PAN/BAL: panned hard left or hard right
STEREO OUT REC OUT2 EFFECT/AUX (AUX1, 2*) SEND MONITOR OUT, REC OUT1 STEREO OUT CH INPUT 14 MIC STEREO OUT REC OUT2 EFFECT/AUX (AUX1, 2*) SEND STEREO OUT REC OUT2 STEREO OUT Adjacent Input Input to Output Rs = 150 INPUT GAIN: maximum
GAIN: min (CHs 17/8) 20 Hz20 kHz Nominal output level @1 kHz Input: CHs 1 to 11/12, RETURN, 2TR IN +14 dBu @ 20 Hz20 kHz, Input GAIN Control at minimum EIN (Equivalent Input Noise): Rs = 150 , GAIN: maximum STEREO OUT, REC OUT fader at nominal level and all channels ST and REC switches off. Master EFFECT/AUX (AUX1, 2) control at nominal level and all CH EFFECT/AUX (AUX1, 2) controls at minimum. STEREO OUT, REC OUT fader and one CH fader at nominal level.
0.1 -128 -88 -81 -64 -98 -70 -72.9 27.8 48

Phantom Voltage

Residual Output Noise CHs 14 STEREO L/R, CHs 14, PAN: panned hard left or right MIC to CH INSERT OUT MIC to STEREO OUT MIC to REC OUT2 MIC to REC to ST MIC to REC OUT1 MIC to MONITOR OUT, ST TO MONITOR MIC to PHONES OUT MIC to AUX (AUX1*) SEND PRE MIC to AUX (AUX1*) SEND POST, EFFECT (AUX2*) SEND CH 5/6, 7/8 LINE to STEREO OUT CH 5/6, 7/8 LINE to REC OUT2 CH 5/6, 7/8 AUX (AUX1*) SEND PRE CH 5/6, 7/8 LINE to AUX (AUX1*) SEND POST, EFFECT (AUX2*) SEND CH 9/10, 11/12 to STEREO OUT CH 9/10, 11/12 to REC OUT2 Rs = 150 RETURN to STEREO OUT RETURN to EFFECT (AUX2*) SEND Rs = 600 2TR IN to STEREO OUT MIC no load

General Specications

USB Audio Input HPF Input equalization 15 dB maximum Turn over/roll-off frequency of shelving: 3 dB blow maximum variable level. PEAK Indicator Internal Digital Effect (Only MW12CX) LED Level Meter Power Supply Adaptor Power Consumption Dimensions (W x H x D) Net Weight Input/Output: 44.1/48 kHz CHs 17/8, 80 Hz, 12 dB/oct CHs 17/8 HIGH: 10 kHz (shelving) MID: 2.5 kHz (peaking) LOW: 100 Hz (shelving) CH 9/1011/12 HIGH: 10 kHz (shelving) LOW: 100 Hz (shelving) Red LED turns on when post EQ signal (either post MIC HA or post EQ signal for CHs 5/6, 7/8) reaches -3 dB below clipping (+17 dBu). 16 PROGRAM, PARAMETER control Foot Switch (Digital Effect On/Off) Pre MONITOR Level 2x12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal level reaches 3 dB below the clipping level. PA-20 AC 35 VCT, 0.94 A, Cable Length = 3.6 m 30 W 346.2 mm x 86.1 mm x 436.6 mm 3.2 kg (MW12CX), 3 kg (MW12C)

STEREO OUT (L, R)

+4dBu (1.23 V)
REC OUT2 (L, R) EFFECT/AUX (AUX1, 2*) SEND CH INSERT OUT (CHs 14) REC OUT1 (L, R) MONITOR OUT (L, R) PHONES OUT

150 100

10k Lines 10k Lines 10k Lines 10k Lines 10k Lines 40 Phones
+4dBu (1.23 V) +4dBu (1.23 V) 0 dBu (0.775 V) -10 dBV (0.316 V) +4 dBu (1.23 V) 3 mW
+20 dBu (7.75 V) +20 dBu (7.75 V) +20 dBu (7.75 V) +10 dBV (3.16 V) +20 dBu (7.75 V) 75 mW
Where 0 dBu = 0.775 Vrms and 0 dBV= 1 Vrms * The MW12CX feature is described rst, followed by the MW12C feature in brackets: MW12CX (MW12C)
Digital Input/Output Specications
Connector USB Format USB Audio 1.1 Data Length 16 bit Connector Specication USB B type

Dimensional Diagrams

79.6 2

Unit: mm

* Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

AUX *1 EFFECT *1

ST [0dBu] SUM BA REC/GROUP Fader L/1 BA [0dBu] INV INV [-6dBu] PFL TO STEREO R/2 [+4dBu] SUM [-6dBu] ON [-10dBu] AUX *1 YE PRE EFFECT *1 BA [0dBu] CH Fader PAN REC/ G12 [0dBu] [-10dBu]

[0dBu]

MIC REC OUT2/ GROUP OUT

PHANTOM +48V PEAK RE

[-60 to -16dBu]

3-Stage EQ

[-34 to +10dBu]

INSERT I/O

PEAK RE

CH INPUT LINE

GAIN Trim

(CH1 to 4)

[16 to 60dB]

TH+GAIN

ST [0dBu] ON CH Fader [-10dBu] STEREO Fader R SUM BA PRE BA PFL STEREO/REC (GROUP) R
[-34 to +10dBu] BAL/PAN BA [0dBu] [0dBu] AUX *1 YE EFFECT *1 [-14dBu] [-14dBu] REC/ G12 [0dBu] [+4dBu] SUM [0dBu] [-10dBu] BA L
STEREO L STEREO R REC L/GROUP 1 REC R/GROUP 2 PFL L PFL R PFL CTRL

STEREO OUT

-40dBu

-50dBu

-60dBu

CH IN MIC Gain:Max [-60dBu]
ST CH IN MIC Gain:Max [-60dBu]

Specifications

About the accessory disk

SPECIAL NOTICE

The software included in the accessory disk and the copyrights thereof are under exclusive ownership by Steinberg Media Technologies GmbH. Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of this manual before installing the application.) Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software. This disk is NOT for audio/visual purpose. Do not attempt to play the disk on an audio/visual CD/DVD player. Doing so may result in irreparable damage to your player. For information about the minimum system requirements and latest information of the software in the disk, check the web site below. <http://www.yamahasynth.com/> Note that Yamaha does not offer technical support for the DAW software in the accessory disk.
About the DAW software in the accessory disk
The accessory disk contains DAW software both for Windows and Macintosh.
Make sure to install DAW software under the Administrator account. In order to install the software in the accessory disk, youll need a working Internet connection. Make sure to ll in all required elds when installing. If you are using a Macintosh computer, double-click the ***.mpkg le to start installation.
For information about the minimum system requirements and latest information on the software in the disk, check the web site below. <http://www.yamahasynth.com/>

About software support

Support for the DAW software in the accessory disk is provided by Steinberg on its website at the following address. http://www.steinberg.net You can visit the Steinberg site also via the Help menu of the included DAW software. (The Help menu also includes the PDF manual and other information on the software.)

ATTENTION

SOFTWARE LICENSE AGREEMENT
PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (AGREEMENT) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION (YAMAHA). BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE USE THIS SOFTWARE. THIS AGREEMENT PROVIDES YOUR USE-CONDITIONS ABOUT THE DAW SOFTWARE OF STEINBERG MEDIA TECHNOLOGIES GMBH(STEINBERG) WHICH IS BUNDLED WITH THIS PRODUCT. SINCE THE END-USER SOFTWARE LICENSE AGREEMENT (EUSLA) SHOWN ON YOUR PC-DISPLAY IN YOUR INSTALLING THE DAW SOFTWARE IS REPLACED BY THIS AGREEMENT, YOU SHOULD DISREGARD THE EUSLA. THAT IS, IN THE INSTALLING PROCESS, YOU SHOULD SELECT AGREE WITH THE EUSLA, WITHOUT YOUR JUDGMENT THERETO, SO AS TO PROCEED TO THE NEXT PAGE.

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

OTHER ASIAN COUNTRIES

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317

GERMANY

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990

AFRICA

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

OCEANIA

AUSTRALIA
Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111

AUSTRIA

Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900

NEW ZEALAND

MIDDLE EAST

TURKEY/CYPRUS

CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH, Branch Austria, CEE Department Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025
Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

OTHER COUNTRIES

Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

POLAND

Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2445
Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2007 Yamaha Corporation WJ95350 706POAP?.?-02B0 Printed in China

doc1

Owners Manual Bedienungsanleitung Mode demploi Manual de instrucciones

EN DE FR ES

Espaol

Franais

Deutsch

English

IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.
* This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (2 wires)
COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Address : Telephone : Type of Equipment : Model Name : Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620 714-522-9011 USB Mixing Studio MW12CX/MW12C
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: 1) this device may not cause harmful interference, and 2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC)

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

Notez la prsence d'une temporisation (latence) lorsque vous lisez un synthtiseur logiciel via un clavier MIDI.
Consultez l'URL ci-aprs pour obtenir les dernires informations. <http://www.yamahasynth.com/>

Reference

Specications

Electrical Specications

MIN TYP MAX UNIT

Frequency Response

Total Harmonic Distortion (THD + N) Hum & Noise Hum & Noise are measured with a 6 dB/ octave lter @ 12.7 kHz; equivalent to a 20 kHz lter with innite dB/octave attenuation. Crosstalk (1 kHz) Maximum voltage gain (1 kHz) All faders and controls are maximum when measured. PAN/BAL: panned hard left or hard right
STEREO OUT REC OUT2 EFFECT/AUX (AUX1, 2*) SEND MONITOR OUT, REC OUT1 STEREO OUT CH INPUT 14 MIC STEREO OUT REC OUT2 EFFECT/AUX (AUX1, 2*) SEND STEREO OUT REC OUT2 STEREO OUT Adjacent Input Input to Output Rs = 150 INPUT GAIN: maximum
GAIN: min (CHs 17/8) 20 Hz20 kHz Nominal output level @1 kHz Input: CHs 1 to 11/12, RETURN, 2TR IN +14 dBu @ 20 Hz20 kHz, Input GAIN Control at minimum EIN (Equivalent Input Noise): Rs = 150 , GAIN: maximum STEREO OUT, REC OUT fader at nominal level and all channels ST and REC switches off. Master EFFECT/AUX (AUX1, 2) control at nominal level and all CH EFFECT/AUX (AUX1, 2) controls at minimum. STEREO OUT, REC OUT fader and one CH fader at nominal level.
0.1 -128 -88 -81 -64 -98 -70 -72.9 27.8 48

Phantom Voltage

Residual Output Noise CHs 14 STEREO L/R, CHs 14, PAN: panned hard left or right MIC to CH INSERT OUT MIC to STEREO OUT MIC to REC OUT2 MIC to REC to ST MIC to REC OUT1 MIC to MONITOR OUT, ST TO MONITOR MIC to PHONES OUT MIC to AUX (AUX1*) SEND PRE MIC to AUX (AUX1*) SEND POST, EFFECT (AUX2*) SEND CH 5/6, 7/8 LINE to STEREO OUT CH 5/6, 7/8 LINE to REC OUT2 CH 5/6, 7/8 AUX (AUX1*) SEND PRE CH 5/6, 7/8 LINE to AUX (AUX1*) SEND POST, EFFECT (AUX2*) SEND CH 9/10, 11/12 to STEREO OUT CH 9/10, 11/12 to REC OUT2 Rs = 150 RETURN to STEREO OUT RETURN to EFFECT (AUX2*) SEND Rs = 600 2TR IN to STEREO OUT MIC no load

General Specications

USB Audio Input HPF Input equalization 15 dB maximum Turn over/roll-off frequency of shelving: 3 dB blow maximum variable level. PEAK Indicator Internal Digital Effect (Only MW12CX) LED Level Meter Power Supply Adaptor Power Consumption Dimensions (W x H x D) Net Weight Input/Output: 44.1/48 kHz CHs 17/8, 80 Hz, 12 dB/oct CHs 17/8 HIGH: 10 kHz (shelving) MID: 2.5 kHz (peaking) LOW: 100 Hz (shelving) CH 9/1011/12 HIGH: 10 kHz (shelving) LOW: 100 Hz (shelving) Red LED turns on when post EQ signal (either post MIC HA or post EQ signal for CHs 5/6, 7/8) reaches -3 dB below clipping (+17 dBu). 16 PROGRAM, PARAMETER control Foot Switch (Digital Effect On/Off) Pre MONITOR Level 2x12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal level reaches 3 dB below the clipping level. PA-20 AC 35 VCT, 0.94 A, Cable Length = 3.6 m 30 W 346.2 mm x 86.1 mm x 436.6 mm 3.2 kg (MW12CX), 3 kg (MW12C)
All faders are nominal if not specied. Output impedance of signal generator: 150 ohms * The MW12CX feature is described rst, followed by the MW12C feature in brackets: MW12CX (MW12C)

Reference Specifications

Analog Input Specications
Input Connectors Gain -60 dB 3k -16 dB -34 dB 10k +10 dB -60 dB 3k -16 dB -34 dB 10k +10 dB 10k 10k 10k 10k
Input Impedance Appropriate Impedance
Sensitivity * -80 dBu (0.078 mV) -36 dBu (12.3 mV) -54 dBu (1.55 mV) -10 dBu (245 mV) -80 dBu (0.078 mV) -36 dBu (12.3 mV) -54 dBu (1.55 mV) -10 dBu (245 mV) -30 dBu (24.5 mV) -20 dBu (77.5 mV) -12 dBu (195 mV) -26 dBV (50.1 mV)
Nominal Level -60 dBu (0.775 mV) -16 dBu (123 mV) -34 dBu (15.5 mV) +10 dBu (2.45 V) -60 dBu (0.775 mV) -16 dBu (123 mV) -34 dBu (15.5 mV) +10 dBu (2.45 V) -10 dBu (245 mV) 0 dBu (0.775 V) +4 dBu (1.23 V) -10dBV (0.316V)
Max. before Clipping -40 dBu (7.75 mV) +4 dBu (1.23 V) -14 dBu (155 mV) +30 dBu (24.5 V) -40 dBu (7.75 mV) -6 dBu (389 mV) -14 dBu (155 mV) +30 dBu (24.5 V) +10 dBu (2.45 V) +20 dBu (7.75 V) +24 dBu (12.3 V) +10dBV (3.16 V)

Connector Specications

CH INPUT MIC (CHs 14)

50600 Mics

XLR-3-31 type (balanced [1 = GND, 2 = HOT, 3 = COLD])

CH INPUT LINE (CHs 14)

600 Lines
TRS phone jack (balanced [Tip = HOT, Ring = COLD, Sleeve = GND])
ST CH MIC INPUT (CHs 5/6, 7/8)
ST CH LINE INPUT (CHs 5/6, 7/8) ST CH INPUT (CHs 9/10, 11/12) CH INSERT IN (CHs 14) RETURN (L, R) 2TR IN (L, R)
600 Lines 600 Lines 600 Lines 600 Lines 600 Lines

Phone jack (unbalanced)

Phone jack (unbalanced) RCA pin jack TRS phone Jack (unbalanced [Tip = Out, Ring = In, Sleeve = GND]) Phone jack (unbalanced) RCA pin jack
Where 0 dBu = 0.775 Vrms and 0 dBV= 1 Vrms * Sensitivity : The lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to the maximum level. (All faders and level controls are at their maximum position.)

Analog Output Specications
Output Connectors Output Impedance 75 Appropriate Impedance 600 Lines Nominal Level Max. before clipping +24 dBu (12.3 V) Connector Specications XLR-3-32 type (balanced [1 = GND, 2 = HOT, 3 = COLD]) TRS phone jack (balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) TRS phone jack (impedance balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) TRS phone jack (impedance balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) TRS phone jack (unbalanced [Tip = Out, Ring = In, Sleeve = GND]) RCA pin jack TRS phone jack (impedance balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) TRS phone jack

STEREO OUT (L, R)

+4dBu (1.23 V)
REC OUT2 (L, R) EFFECT/AUX (AUX1, 2*) SEND CH INSERT OUT (CHs 14) REC OUT1 (L, R) MONITOR OUT (L, R) PHONES OUT

150 100

10k Lines 10k Lines 10k Lines 10k Lines 10k Lines 40 Phones
+4dBu (1.23 V) +4dBu (1.23 V) 0 dBu (0.775 V) -10 dBV (0.316 V) +4 dBu (1.23 V) 3 mW
+20 dBu (7.75 V) +20 dBu (7.75 V) +20 dBu (7.75 V) +10 dBV (3.16 V) +20 dBu (7.75 V) 75 mW
Where 0 dBu = 0.775 Vrms and 0 dBV= 1 Vrms * The MW12CX feature is described rst, followed by the MW12C feature in brackets: MW12CX (MW12C)
Digital Input/Output Specications
Connector USB Format USB Audio 1.1 Data Length 16 bit Connector Specication USB B type

Dimensional Diagrams

79.6 2

Unit: mm

* Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

AUX *1 EFFECT *1

ST [0dBu] SUM BA REC/GROUP Fader L/1 BA [0dBu] INV INV [-6dBu] PFL TO STEREO R/2 [+4dBu] SUM [-6dBu] ON [-10dBu] AUX *1 YE PRE EFFECT *1 BA [0dBu] CH Fader PAN REC/ G12 [0dBu] [-10dBu]

[0dBu]

MIC REC OUT2/ GROUP OUT

PHANTOM +48V PEAK RE

[-60 to -16dBu]

3-Stage EQ

[-34 to +10dBu]

INSERT I/O

PEAK RE

CH INPUT LINE

GAIN Trim

(CH1 to 4)

[16 to 60dB]

TH+GAIN

ST [0dBu] ON CH Fader [-10dBu] STEREO Fader R SUM BA PRE BA PFL STEREO/REC (GROUP) R
[-34 to +10dBu] BAL/PAN BA [0dBu] [0dBu] AUX *1 YE EFFECT *1 [-14dBu] [-14dBu] REC/ G12 [0dBu] [+4dBu] SUM [0dBu] [-10dBu] BA L

STEREO L STEREO R REC L/GROUP 1 REC R/GROUP 2 PFL L PFL R PFL CTRL

STEREO OUT

ST CH INPUT

(CH5/6, 7/8)

[6 to 50dB]

LINE L/MONO

LINE R
[0dBu] LED METER ST [0dBu] ON [0dBu] AUX *1 YE PRE BA [-6dBu] PFL LED METER [-16dBu] DR EFFECT *1 [-14dBu] [-14dBu] SUM SUM [-10dBu] BA [0dBu] [0dBu] [-6dBu] SUM [0dBu] [0dBu] SUM CH Fader REC/ G12 BAL MONITOR INV DR

REC OUT1

[-10dBV] [-7.8dBu]

2-Stage EQ

MONITOR OUT

INV R PHONES INV [+4dBu]

Block Diagram and Level Diagram

(CH9/10, 11/12) [-10dBu]

R +15V
[-6dBu] ST SUM AUX *1 [-14dBu] SUM [0dBu] [0dBu] AUX SEND *1 [-6dBu] INV BA

[3mW @ 40ohms]

L/MONO

AUX SEND *1

[+4dBu]

RETURN

R TO STEREO/TO MONITOR

2TR IN [-6dBu]

EFFECT SEND *1 [-6dBu]

EFFECT SEND *1

2TR IN
SUM LPF [+4dBu] EFFECT RETURN LO [-10dBu] [0dBu] [+4dBu] RO BA LPF AUX [-14dBu] PFL YE BA LPF LIN RIN LO LPF RO D-

USB USB AUDIO

D+ GND

FOOT SW EFFECT ON/OFF

(Bus Powered) Vbus
PROGRAM (116) DIGITAL EFFECT (DSP)

PARAMETER

*1 MONITOR MIX

MODEL MW12CX MW12C

FUNCTION NAME AUX AUX1 EFFECT AUX2

only MW12CX

+30dBu
Clip Level RETURN [+4dBu] 2TR IN [-10dBV] RETURN 2TR IN [Nominal:-6dB] AUX SEND *1 [Nominal:-6dB] REC OUT 2 [-7.8dBu] REC Fader [Nominal:-10dB] STEREO Master [Nominal:-10dB] PHONES [Nominal:-16dB] CH AUX *1 [Nominal:-6dB] Clip Level AUX SEND *1 [+4dBu] Clip Level REC OUT 1 [+4dBu] Clip Level STEREO OUT [+4dBu] MONITOR OUT [+4dBu] PHONES [3mW @ 40ohms] MONITOR [Nominal:-6dB] Clip Level
+30dBu +20dBu +10dBu 0dBu -10dBu -20dBu -30dBu

+20dBu

Clip Level

+10dBu

CH IN LINE Gain:Min [+10dBu]
ST CH IN LINE Gain:Min [+10dBu]

-10dBu

CH IN MIC Gain:Min [-16dBu]
ST CH IN MIC Gain:Min [-16dBu]

-20dBu

ST CH IN [-10dBu]

-30dBu

CH IN LINE Gain:Max [-34dBu]
ST CH IN LINE Gain:Max [-34dBu]
[-7.8dBu] CH Level ST CH Level [Nominal:-10dB]
EFFECT RETURN [Nominal:-10dB] ST CH AUX *1 DSP AUX [Nominal:-6dB]

THE PEOPLES REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211

U.S.A.

Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

FRANCE

Yamaha Musique France BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000

HONG KONG

Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
Yamaha Musica Italia S.P.A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mxico S.A. de C.V. Calz. Javier Rojo Gmez #1149, Col. Guadalupe del Moral C.P. 09300, Mxico, D.F., Mxico Tel: 55-5804-0600

SPAIN/PORTUGAL

Yamaha-Hazen Msica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888
Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 080-004-0022

BRAZIL

Yamaha Musical do Brasil Ltda. Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, CEP 04534-013 Sao Paulo, SP. BRAZIL Tel: 011-3704-1377

GREECE

Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900

ARGENTINA

Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021

SWEDEN

Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-Gteborg, Sweden Tel: 34 00

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311

DENMARK

YS Copenhagen Liaison Ofce Generatorvej 6A DK-2730 Herlev, Denmark Tel: 49 00

SINGAPORE

Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374

FINLAND

F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511

TAIWAN

Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688

EUROPE

THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

NORWAY

Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70

THAILAND

Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 oor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626

IRELAND

Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

OTHER ASIAN COUNTRIES

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317

GERMANY

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990

AFRICA

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

OCEANIA

AUSTRALIA
Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111

AUSTRIA

Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900

NEW ZEALAND

MIDDLE EAST

TURKEY/CYPRUS

CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH, Branch Austria, CEE Department Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025
Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

OTHER COUNTRIES

Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

POLAND

Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2445
Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2007 Yamaha Corporation WJ95350 706POAP?.?-02B0 Printed in China

 

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