MIXING CONSOLE TABLE DE MIXAGE MISCHPULTE CONSOLA DE MEZCLA
Operation Manual Manuel dinstructions Bedienungsanleitung Manual de Operacin

L 10dB REC OUT

INPUT A

10dB TAPE IN

R STEREO OUT +4dB 3 4

+4B MONO OUT

INPUT B

OUT IN

1L/MONO

2L/MONO

2 AUX SEND +4dB

INPUT CH INSERT I/O 0dB

AUX RETURN +4dB

A B 20dB

MIXING CONSOLE

GAIN 60 PEAK

+6 GAIN 60 PEAK 15 ++15 +4 +7 HIGH HIGH
+6 +4 +R MONO PFL/AFL 3 AUX 4 METER SELECT

15 LOW +15

ST AUX

10 LEVEL

AUX RETURN 1 AUX RETURN 2

P R AUX 1

10 P R AUX 1

PHANTOM PFL 30 00

10 AUX 2

10 O 0 AUX 3

0 AUX 310 O

REC OUT

10 AUX 4

10 AUX 4 AFL AFL AFL AFL

TAPE IN

AUX SEND 1 ON

AUX SEND 2

AUX SEND 3 ON

AUX SEND 4
PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFL

PHONES

Introduction
Thank you for purchasing a Yamaha MX200 Mixing Console. The MX200 series provides an excellent balance of operability, functionality and ease of use. In order to take full advantage of the MX200s capabilities and enjoy years of trouble-free use, please read this manual carefully.

Features

q The MX200-8 provides 8 channels of input (the MX20012 has 12 channels, the MX200-16 has 16 channels, and the MX200-24 has 24 channels) that can be mixed down to a stereo signal. q The MONO OUT output provides a convenient connection for a sub amp for monitoring, or for checking phase cancellation. q The PFL (Pre Fader Listen) function allows you to monitor any input channel before the channel fader. q The AFL (After Fader Listen) function allows you to monitor the output signal from ST OUT L,R, MONO OUT or AUX SEND through headphones at any time. q XLR type connectors are provided for the INPUT A jacks and phone connectors are provided for the INPUT B jacks, allowing easy connections with a variety of input sources. The inputs can accept levels ranging from microphones to line level devices. q Phantom power is provided for easy connection of condenser microphones requiring an external power supply. q Each input channel has an INPUT CH INSERT I/O jack, allowing you to connect effect devices independently for each channel. q Four AUX SEND systems and two stereo AUX RETURN systems are provided. Even when two 1-in/2-out effect devices are connected, two more AUX SEND systems are still available for use. q The TAPE IN and REC OUT jacks provide convenient connections for tape deck playback and recording.

Contents

Precautions... 1 Control panel... 2 Channel control section... 2 Master control section.. 4 Connectors... 6 Rear panel... 7 Application Example... 8 Specifications.. 9 General specifications.. 9 Input specifications... 10 Output specifications... 10 Block and level diagrams.. 11 Dimensions... 12

Precautions

1. Avoid Excessive Heat, Humidity, Dust and Vibration Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage. 2. Ventilation The unit has ventilation slots on the side and bottom panels. Do not block these vents. 3. Avoid Physical Shocks Strong physical shocks to the unit can cause damage. Handle it with care. 4. Do Not Open the Case or Attempt Repairs or Modifications Yourself This product contains no user-serviceable parts. Refer all maintenance to qualified Yamaha service personnel. Opening the case and/or tampering with the internal circuitry voids the warranty. 5. Always power off before making connections Always turn the power OFF before connecting or disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment. 6. Handle Cables Carefully Always plug and unplug cables including the AC power cord by gripping the connector, not the cord. 7. Clean With a Soft Dry Cloth Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth. 8. Always Use the Correct Power Supply Make sure that the power supply voltage specified on the rear panel matches your local AC mains supply. Also make sure that the AC mains supply can deliver more than enough current to handle all equipment used in your system.

Dette apparat overholder det gaeldende EF-direktiv vedtrrende radiostj. Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE. Diese Gerte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/308/EWG. This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/EEC. Questo apparecchio conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi. Este producto est de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE. YAMAHA CORPORATION
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT: The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.
This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.) LTD.

Control panel

s Channel control section
1 Input selector This button selects the input connector for the channel. When A ( ) is selected, the input signal will be taken from the rear panel INPUT A connector (balanced XLR type). When B ( ) is selected, the input signal will be taken from the rear panel INPUT B connector (balanced phone jack). 2 PAD switch This pad switch provides 20dB of level reduction. If the input signal level is too high and the 3 GAIN control will not reduce it sufficiently, use this pad switch. 3 GAIN control According to the level of the input signal, use this knob to adjust the input to an appropriate level. The best balance of S/N and dynamic range will be achieved if you adjust the GAIN control so that the 4 peak indicator lights occasionally. If you wish to further reduce the input level, use the 2 PAD switch. 4 PEAK indicator This indicator detects peak levels after the EQ. It will light red at 3dB before clipping to warn that clipping level has nearly been reached.

15 HIGH +15

15 MID +15
5 80Hz high-pass filter switch This switch turns on/off a high-pass filter that cuts the signal below 80Hz at 12dB/octave.
6 Equalizer The equalizer section provides 15dB of control over the high, mid and low ranges at the following frequencies. HIGH: 12kHz MID: 2.5kHz LOW: 80Hz Frequency response will be flat when the knob is at the w position.

L PAN R

RESPONSE (dB)

+15 +10 +20

FREQUENCY (Hz)
7 AUX14 controls These knobs control the level of the signals sent to the AUX buses. The AUX1 and AUX2 controls are pre-fader, and the signal levels sent to the AUX 1 and 2 buses will be unaffected by the channel fader setting. The AUX3 and AUX 4 controls are post-fader, and the signal levels sent to the AUX 3 and 3 buses will be affected by the channel fader setting. 8 PAN (panpot) control This knob assigns the signal of each channel to the STEREO L, R bus, determining the stereo position of the sound. 9 Channel ON switch When this switch is on, the signal of each channel will be sent to the STEREO L, R bus and the AUX14 buses. When this switch is off, the output signal to each bus will be muted completely. This switch should be turned off for unused channels.
0 Channel PFL switch This switch allows you to monitor the pre-fader channel input signal through headphones. It is convenient to use PFL when you wish to check the sound of the input signal, or when troubleshooting a specific channel. A Channel fader This fader controls the output level of the input channel signal, determining the volume balance between channels. The channel fader should be lowered for unused channels.
PHANTOM OFF ON (INPUT A) PHANTOM INPUT CH INSERT I/O 0dB 1-* (+48V) PEAK

(PHANTOM)

INPUT A 1-* PAD INPUT B 1-* A B HA HPF 80

3BAND EQ

PAN AUX 1

AUX 2 AUX 3

*=8,12,16,24

(+V) PFL

L R STEREO AUX PFL AFL PFL CTRL AFL

s Master control section

1 STEREO ON switch This switch turns the ST OUT output on/off. When this switch is off, levels will not be displayed in the ST meters. The MONO OUT signal will be sent regardless of this switch. 2 STEREO L, R master faders These faders adjust the final level of the combined signals from all channels, and send them from the STEREO OUT connectors. The ST meters allow you to monitor the L and R outputs. 3 MONO ON switch This switch turns the MONO OUT on/off. 4 MONO AFL switch When this switch is on, the signal being output to MONO OUT can be monitored in the headphones. 5 MONO fader This fader adjusts the output level of the MONO OUT connector. 6 AUX SEND 14 AFL switches When you wish to monitor the output signals being sent to AUX SEND 14, press the appropriate switch. The level of the AUX SEND whose switch is on will be indicated by the PFL/AFL meter. 7 AUX SEND faders These faders adjust the level of the output signals sent from AUX SEND 14. The 8 METER SELECT switch can be set so that these AUX SEND signals are monitored in the level meters. 8 AUX RETURN 1, 2 controls <LEVEL> The LEVEL knobs control the level at which signals from effect units etc. connected to the L/MONO, R jacks of AUX RETURN 1, 2 are sent to the L, R bus. If a plug is inserted into only the L/MONO jack, the same signal will be sent to both L and R buses. <AUX1 (AUX2)> The AUX1 knobs control the level at which signals from effect units etc. connected to the L/MONO, R jacks of AUX RETURN 1, 2 are sent to the AUX SEND 1 (2) fader. After being adjusted at the fader, the signal is output from the rear panel AUX SEND 1 (2). <LOW> This knob is a low frequency equalizer that provides 80Hz shelving equalization of the signal input at AUX RETURN.

+6 +4 +HIGH +HIGH +LOW +LOW +AUX 10 AUX 2 L ST AUX R 2 +6 +4 +00 MONO PFL/AFL 3 AUX 4 METER SELECT LEVEL LEVEL
PHANTOM PFL TAPE IN REC OUT

D E 9 0

AFL AFL AFL AFL
<HIGH> This knob is a high frequency equalizer that provides 12kHz shelving equalization of the signal input at AUX RETURN.

2BAND EQ HIGH LOW

The signals input to each input channel and processed through the 3-band EQ and the INPUT CH INSERT I/ O jack (Turn on a channel PFL switch.) The signal output to MONO OUT (Turn on the MONO OUT AFL switch.) The AUX signals output from each AUX SEND 14 jack (Turn on an AUX SEND 14 AFL switch.) C METER SELECT switch and meter section The meters are dual-function LED meters that indicate signal levels as selected by the METER SELECT switch. <When METER SELECT is OFF> STEREO L,R. displays the output levels of the STEREO OUT jacks. MONO OUT level. displays the output level of the MONO OUT jack. PFL/AFL level. displays the input level of the channel whose PFL switch is on, or the output level of the ST, MONO OUT, or AUX SEND jack whose AFL switch (master control section 4, 6) is on. <When METER SELECT is ON> AUX SEND 14. displays the level of the AUX signals output to the AUX SEND 14 jacks. D PHANTOM indicator This indicator will be lit when the PHANTOM switch (rear panel 2) is on. E PFL indicator This indicator will be lit when any of the channel PFL switches (channel control section 0) is on. At this time, the PFL/AFL meter in the meter section will indicate the level of the channel whose PFL switch is on.

AUX RETURN 1 +4dB

2BAND EQ SUM

INV LEVEL AUX 1

9 REC OUT control This knob adjusts the output level of the REC OUT jacks (connector 5) connected to a tape deck, etc. 0 TAPE IN control This knob adjusts the monitor volume of a tape deck etc. connected to the TAPE IN jacks. A PHONES control This knob adjusts the volume of a set of headphones connected to the headphone jack (PHONES). B PHONES jack Connect the headpones here. You can monitor the following signals: Signals available for monitoring The main signal output to the ST OUT jacks (Turn off all PFL and AFL switches.)

(METER) SUM INV L STEREO OUT +4dB SUM INV ON (PHONES) L R REC OUT (METER) SUM INV ON (+V) AFL SUM INV (METER) AUX SEND 1-4 +4dB MONO OUT +4dB REC OUT -10dBv R

(+V) AFL

(ST OUT) (METER)

SUM PFL

INV PHONES

s Connectors

L L 10dB REC OUT

R STEREO OUT +4dB

+4dB MONO OUT

AUX SEND +4dB

MICROPHONE CABLES AND MICROPHONES CONNECTION TO PREVENT HAZARD OR DAMAGE, ENSURE THAT ONLY MICROPHONE CABLES AND MICROPHONES DESIGNED TO THE IEC268-15A STANDARD ARE CONNECTED.
1 INPUT A These are XLR type connectors. (1: sleeve, 2: hot, 3: cold) Microphones of 50600 or 600 line level devices can be connected here. When the PHANTOM switch (rear panel 2) is turned on, DC+48V will be supplied to pins 2 and 3 of these connectors. 2 INPUT B These are balanced phone connectors. (T: hot, R: cold, S: sleeve) Microphones of 50600 or 600 line level devices can be connected here. Unbalanced phone plugs can also be connected, however, noise may occur with long cables, or cables subjected to strong electromagnetic fields caused by radio and TV broadcasts. 3 INPUT CH INSERT I/O 0dB These are input/output jacks located between the head amp and the equalizer of the input channel section. The nominal input level and impedance is 0dB/600, and the nominal output level and impedance is 0dB/10k. These jacks allow you to insert your own graphic equalizers, compressors, noise filters, or other devices.

INSERT OUT

In this case, the final output level is adjusted by the REC OUT control (master control section 9), and the STEREO L,R fader settings will have no affect. 6 STEREO OUT (L, R) This is the stereo output of the combined audio signals. Connect these jacks to the power amp that drives your main speakers. Alternatively, you can record the output from these jacks if you wish to use the STEREO L,R faders to adjust the audio level being recorded. 7 MONO OUT This is the MONO OUT output jack. The MONO OUT can be used for simple recordings of a live performance, for driving a sub power amp, or to check for phase cancellation. An internal jumper can be reconnected to change the location of the MONO OUT to post-ST fader. If this is done, the MONO OUT signal will be affected by the STEREO ON switch. Internal jumper wires can be changed to move the MONO OUT signal so that it is taken after the ST fader. If you would like this change to be made, consult with your dealer.
SUM INV L STEREO OUT SUM INV ON R

INSERT IN

4 TAPE IN Your DAT or cassette deck can be directly connected here for convenient monitoring. Use the TAPE IN control (master control section 0) to adjust the level. 5 REC OUT Your DAT or cassette deck can be connected here to record the audio signal from STEREO OUT.

INV ON

MONO OUT

L STEREO OUT

8 AUX SEND (1, 2, 3, 4) These are unbalanced jacks with a nominal output and impedance of +4dB/600. (AUX 1 and 2 are pre-fader, and AUX 3 and 4 are post-fader.) 9 AUX RETURN (1L/MONO, 1R, 2L/MONO, 2R) These are unbalanced jacks with a nominal input level and impedance of +4dB/10 k. These jacks are usually used to receive the audio returned from an effect unit such as reverb or delay, but they can also be used as supplementary inputs. If a plug is inserted only in L/MONO, the same signal will be sent to both the L and R buses.

Rear panel

1 POWER switch This switch turns on the power of the mixer. When turning off the power of audio equipment, it is important to start with the device closest to the speakers. (Normally, this will be the power amp.) 2 PHANTOM switch This switch turns on/off the phantom power supply for all channels. Use this switch when you are using condenser microphones. When this switch is turned on, DC +48V will be supplied to pins 2 and 3 of each INPUT A XLR connector. If you do not need phantom power, be sure to leave this turned off. * It is safe to connect balanced dynamic microphones or line level devices even if this switch is left on, but connecting unbalanced devices or devices whose transformers are center-grounded will cause hum or malfunctions.
POWER ON OFF PHANTOM ON OFF

Application Example

Effects processor
AUX SEND2 AUX SEND1 AUX SEND3 AUX SEND4 AUX RTN2 AUX RTN1 STEREO OUT

TAPE IN REC OUT

Cassette Deck or DAT

Specifications

s General specifications
Maximum output level +24dB (STEREO L/R) @600, 0.5% THD at 1kHz +24dB (MONO OUT) @600, 0.5% THD at 1kHz +20dB (AUX SEND) @600, 0.5% THD at 1kHz < 0.1% @+14dB 20Hz20kHz (ST L/R, MONO, AUX SEND @600) 20Hz20kHz +1dB, 2dB (ST L/R, MONO, AUX SEND @600) 127dB 95dB 95dB equivalent input noise residual output noise (STEREO L/R, MONO) residual output noise (AUX SEND 14) Master fader at nominal level, and all channel assign switches off. Master fader and one channel fader at nominal level. AUX SEND master fader at nominal level, and all channel assign switches off. AUX SEND master fader and one channel AUX at nominal level.

Total harmonic distortion Frequency response Hum and noise (Average, Rs=150) (Measured with DIN AUDIO)
88dB (STEREO, MONO) 63dB (67dB S/N) (STEREO, MONO) 78dB (AUX SEND 14) 63dB (67dB S/N) (AUX SEND 14) Maximum voltage gain
84dB CH IN to STEREO OUT 84dB CH IN to MONO OUT 80dB CH IN to AUX SEND 1, 2 90dB CH IN to AUX SEND 3, 4 16dB AUX RETURN 1, 2 to STEREO OUT 16dB AUX RETURN 1, 2 to AUX SEND 1, 2 28dB TAPE In 1, 2 to STEREO OUT 70dB between input channels 70dB between output channels 44dB variable (60 16dB) 0/20dB 15dB maximum boost or cut HIGH: 12kHz shelving MID: 2.5kHz peaking LOW: 80Hz shelving * Turnover/rolloff frequencies: located 3dB below maximum boost/cut 10-segment LED 4 POWER () STEREO L/AUX SEND 1 (switchable) STEREO R/AUX SEND 2 (switchable) MONO/AUX SEND 3 (switchable) PFL or AFL/AUX SEND 4 (switchable) An indicator for each channel turns on when the pre-channel fader signal is 3dB below clipping. +48V, DC
Crosstalk at 1kHz Gain control (input channel) Pad switch (input channel) Input channel equalization

LED meters

Channel peak indicators Phantom power Power supply/Power consumption US and Canadian model General model British model
MX200-8 120V AC 60Hz 45W, MX200-16 120V AC 60Hz 65W, MX200-8 230V AC 50Hz 45W, MX200-16 230V AC 50Hz 65W, MX200-8 240V AC 50Hz 45W, MX200-16 240V AC 50Hz 65W,
MX200-12 120V AC 60Hz 55W MX200-24 120V AC 60Hz 80W MX200-12 230V AC 50Hz 55W MX200-24 230V AC 50Hz 80W MX200-12 240V AC 50Hz 55W MX200-24 240V AC 50Hz 80W

Dimensions (W H D)

449 124.6 461.7 mm 569 124.6 461.7 mm 689 124.6 461.7 mm 929 124.6 461.7 mm 9.5kg 11kg 13.5kg 17kg MX200-8 MX200-12 MX200-16 MX200-24
MX200-8 MX200-12 MX200-16 MX200-24

Weight

0dB=0.775 Vrms

s Input specifications

Input connectors PAD Gain trim CH Input OFF (0dB) 16 ON (20dB) AUX RETURN (1, 2) INSERT IN TAPE IN 10k 5k 10k 600 line 600 line 60 4k Input impedance Nominal impedance Sensitivity 50600 mic & 80dB (77.5V) 36dB (12.3mV) 16dB (123mV) 12dB (195mV) 20dB (77.5mV) 26dBV (50.1mV) Nominal level 60dB (775V) 16dB (123mV) +4dB (1.23V) +4dB (1.23V) 0dB (775mV) 10dBV (316mV) Input level Max. before clipping 40dB (7.75mV) +4dB (1.23V) +24dB (12.3V) +20dB (7.75V) +20dB (7.75V) Connector type INPUT A XLR 3-31 type balanced INPUT B Phone jack (TRS) T=hot, R=cold, S=GND Unbalanced phone jack Phone jack (TRS) T=OUT,R=IN, S=GND RCA pin jack 0dB=0.775 Vrms 0dBV=1 Vrms

10.08.2004

SKB-3026 Universal Mixer Safe
Interior Dimensions: 29 W x 26 D x 8 H
75.57cm W x 66.68cm D x 20.32cm H
Fits the following mixers: Allen & Heath GL2200-412, 416 Behringer DDX 3216 Behringer DDX3216 Behringer MX 2442A Crate Audio CPM8FX Crate Audio CSX12 Korg DX16XD Mackie CFX-16 Mackie CFX-20 Mackie Hui control Panasonic DA7 Peavey RQ 1606M Peavey RQ 2318 Peavey Unity 1002-12 Peavey Unity 2002-12,RQ Peavey Unity 2002-16,RQ Peavey XR 1600 F Peavey XR-1200D Peavey XR-680C Peavey XR-800D Peavey XR-886 Phonic 1202B Phonic Impact II 12 Phonic Impact II 8 Phonic PMC-1202A Phonic PMC-802A Phonic PMC-802B Phonic Powerpod 2280 Ramsa WR-S4412 Ramsa WR-S4412S Ramsa WR-S4416S Roland VM-C7200 Roland VS-2480/CD
Spirit Digital 328 Spirit Live 32 (12 & 16 Ch.) Spirit Live 42 (12 Ch.) Spirit LX7 (16 Ch.) Spirit Powerstation 1200 Spirit Powerstation 600 Studiomaster Club 2000-182 Studiomaster Diamond 12-2 Studiomaster Diamond 16-2 Studiomaster Diamond 16-3 Studiomaster Horizon 1208 Studiomaster Horizon 1216 Studiomaster PRO2-203 Studiomaster Showmix 16-2 Studiomaster Trilogy 206 Studiomaster Vision 708 Studiomaster Vision 712 Studiomaster Vision 8, 12, 16 Tascam DM-24 Tascam M-1516 Tascam TM-D 4000 Yamaha 01V Yamaha EMX 2200 Yamaha EMX 5000-12 Yamaha EMX 5000-20 Yamaha GF 12/12 Yamaha GF 16/12 Yamaha MX 20/6 Yamaha MX20/6 Yamaha MX200-12 Yamaha MX200-16 Yamaha MX400-12
SKB-3423 Universal Mixer Safe
Interior Dimensions: 34 5/8 W x 22 5/8 D x 8 H
87.95cm W x 57.47cm D x 20.96cm H
Fits the following mixers:
Mackie SR24-4 Mackie SR24-4VLZPro Peavey RQ 2314 Phonic Impact II 16 Phonic M1642 Phonic MRS 1-20 Phonic PMC-1602A Phonic PMC-1602B
Ramsa WR-C4512 Ramsa WR-S4416 Spirit LX7 (24 Ch.) Studiomaster Diamond 16-4-3 Studiomaster Showmix 16-4-2 Studiomaster Trilogy 326 Yamaha MG24/14FX
(fits in the case but has minimal room for inputs) (For operation inside the case use SKB-3331)
SKB-3331 Universal Mixer Safe
Interior Dimensions: 33 W x 31 D x 8 H
83.82cm W x 78.74cm D x 20.32cm H
Fits the following mixers: Mackie 16-8 Mackie 24E Spirit Live 42 (16 Ch.) Yamaha EMX 5000-20
Yamaha EMX-2300 Yamaha MC1204II Yamaha MX400-16 Yamaha RM 800-16
SKB-4031 Universal Mixer Safe
Interior Dimensions: 40 1/8 W x 31 1/8 D x 9 H 101.92cm W x 79.06cm D x 22.86cm H Fits the following mixers: Allen & Heath GL2200-424 Ramsa WR-S4424S Behringer MX8000A Soundcraft K1 (24 Ch.) Mackie 32-4VLZPro Spirit Live 32 (24 Ch.) Mackie Digital 8 bUS Spirit Studio (16 Ch.) Peavey Unity 2002-24, RQ Studiomaster Showmix 16-8-2 Peavey XR1600D Yamaha GF24/12 Phonic MR3243 Yamaha MC1604II Ramsa WR-C4520 Yamaha MX200-24 Ramsa WR-S4424

SKB-19-P12

Interior Dimensions: Pop up 12U mixer safe allows 5
(12.7cm) in rackmountable depth.
Fits the following rackmountable mixers: Behringer (rack mount kits included by Behringer) Eurorack UB1002 Eurorack UB1202 Eurorack UB1204FX Eurorack UB1204-Pro Eurorack UB1622FX-Pro Eurorack UB1832FX-Pro Eurorack UB2222FX-Pro Pro Mixer DX1000 Crate (with optinoal rack mount kit) Crate Audio CMX52 Crate Audio CMX62 Crate Audio CSX8 Gemini CS-19 CS-19R PMX-1100 PMX-1400 PMX-1800 PMX-2400 PS700i PS-900i Mackie CFX 12 1604vlz pro

Numark PPD9000 DM1295 DM1200 DM1090X CM200 CM100 Phonic (rack mount kit included by Phonic) MM1202A MM1705A MM1805X MM2005 MR1202XP MR1843X MR2443a MR2643XD Roland MV8000 Stanton RM-100 RM-80 RM-22 Vestax PMC-250 PCV-150 Yamaha MV800 MX12/4

SKB-2219P velcro pop up

Interior Dimensions: 16 1/2 W x 22 D x 6 H
41.91cm W x 55.88cm D x 17.15cm H
Fits the following Mixers: Alesis Studio 32 Behringer Eurorack UB1002 Behringer Eurorack UB1202 Behringer Eurorack UB2442FX-Pro Behringer Eurorack UB502 Behringer Eurorack UB802 Behringer Eurorack UBB1002 Crate Audio CMX32 Crate Audio CMX42FX Crate Audio CMX52 Crate Audio CMX62 Mackie 1642VLZPro Mackie CFX 12 Phonic 1805X Phonic Power Pod 1860 II Phonic Powerpod 1860 II PhonicMM 2005 PhonicMR1843X
PhonicMR2443A PhonicMR2643X(D) PhonicMR7X Roland Discover 5M Roland MC 909 Roland MV 8000 Roland SI-24 Roland VM-C7100 Roland VS-2000CD Roland VS-2400CD Yamaha EMX-2000 Yamaha MG 12/4 Yamaha MG 16/4 Yamaha MX12/4 Yamaha MX12/6 Yamaha O1v96 Yamaha RM1X Yamaha RS 7000
1SKB-R1717 Universal Mixer
Interior Dimensions: 18.25" L x 17.25" W x 4" - 2" Depth Slant
46.36cm L x 43.82cm W x 10.16cm - 5.08cm
Fits the following mixers: Mackie 1402 VLZ Pro Mackie CFX 12 Mackie DFX 12
Mackie DFX 6 Yamaha MG16/4 Yamaha MG16/6FX

SKB-1714

Interior Dimensions: 16 W x 14 D x 5 H
41.28cm W x 36.83cm D x 13.97cm H
Fits the following mixers: American Audio CDI-500 (w/touch CD player) Behringer Eurorack UB 1622-FX Behringer Eurorack UB1832-FX-Pro Behringer Eurorack UB2222FX-Pro Mackie Baby Hui control unit Mackie DFX 12
Mackie DFX 6 Numark Axis-2 Numark Axis-9 Phonic MM1705A Pioneer CDJ-800

SKB-1615

Interior Dimensions: 14 W x 13 D x 6 H
37.47cm W x 33.66cm D x 15.24cm H
Fits the following mixers: Alesis Multi Mix 12 FX Alesis Multi Mix 12 FXD Alesis Multi Mix 16 FXD Alesis Multi Mix 6 FX Alesis Multi Mix 8 FX American Audio CDS-1 American Audio Pro-DJ Behringer Eurorack UB Behringer Eurorack UB Behringer Eurorack UB1002 Behringer Eurorack UB1202 Behringer Eurorack UB1204-FX Behringer Eurorack UB1204-Pro Behringer Eurorack UB502 Behringer Eurorack UB802 Behringer Eurorack UBB1002 Crate Audio CMX32 Crate Audio CMX42FX Crate Audio CMX42P Crate Audio CMX52
Crate Audio CMX62 Denon-DN-S3000 Denon-DN-S5000 CD/MP3 player Gemini CD-1800X table top cd player Gemini CDJ-15 Gemini CDJ-20 Korg Electribe M,A,R,S, workstations Korg Electribe MX Korg Electribe SX1 Korg EMX-1 Korg ESX-1 Mackie 1202VLZPro Mackie 1402VLZPro Mackie DFX 6 Phonic 1705A Phonic1202XP Pioneer DMP-555 Stanton S-250 Technics SL DZ1200 Yamaha MG10/2

1SKB-MX-1

Mixer Bag Interior Dimensions: 20.5 L x 13 W x 11.7 H
52.07cm L x 33.02cm W x 29.72cm H
Fits the following mixers: Mackie PPM 406M Mackie PPM 808M

Mackie PPM 808S

1SKB-MX-2
Mixer Bag InteriorDimension: 18 15/16" L x 12 7/8" W x 12" H
48.1cm L x 32.7cm W x 30.48cm H
Fits the following mixers: Behringer PMX2000 Yamaha EMX62M Yamaha EMX66M
Yamaha EMX68S Yamaha EMX88S