^ [TOUCH] Button

The [TOUCH] button makes it easy to adjust the touch response of the P-120/P-120S to match your playing style. See page 23 for details.

& [TRANSPOSE] Button

The [TRANSPOSE] button allows access to the P-120/P-120Ss TRANSPOSE function (to shift the pitch of the entire keyboard up or down in semitone intervals).

HOST SELECT

Side panel

1 DC IN 16V Jack

Make sure that the [STANDBY/ON] switch of the P-120/P-120S is set to STANDBY. Connect one end of the AC cable to the PA-300 AC power adaptor. Connect the AC adaptors DC cable to the DC IN 16V jack. Plug the other end of the AC cable into an AC outlet. After turning the power OFF, simply reverse the procedure to disconnect the power.
DC cable Use ONLY a Yamaha PA-300 AC Power Adaptor (or other adaptor specically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the P-120/P-120S. Unplug the AC Power Adaptor when not using the P-120/P-120S, or during electrical storms.

AC cable

PA-300

2 [STANDBY/ON] Switch

Press the [STANDBY/ON] switch once to turn the power ON, a second time to turn the power OFF. When the power is initially turned ON, a voice selector LED will light.
Even when the switch is in the STANDBY position, electricity is still owing to the instrument at the minimum level. When you are not using the P-120/P-120S for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
3 AUX OUT Jacks : L and R Pin jacks (LEVEL FIXED),
L/L+R and R Phone Jacks The P-120/P-120S is equipped with both Pin and Phone AUX OUT jacks to deliver the output of the P-120/P-120S for connection to an instrument amplier, mixing console, PA system or recording equipment. The Pin connectors (L and R) provide easy connection to a home audio system, etc. The L/L+R Phone Jack allows connection of the P-120/P-120S to a monaural sound system. When a plug is inserted into the L/L+R jack only, the left- and right-channel signals are combined and delivered via the L/L+R jack so you dont lose any of the P-120/P-120Ss sound.

Play...

The P-120/P-120S also offers keyboard touch response, so the volume and timbre of notes played can be controlled according to how hard you play the keys. The amount of variation available depends on the selected voice.
Some voices do not have keyboard touch response. See Voice Descriptions on page 45 for details.
Add Effects As Required..
You can add or change reverb, effects and brilliance as desired by using the [REVERB] button (page 20), [EFFECT] button (page 21) and the [BRILLIANCE] control (page 22).
Playing the Demonstration Tunes
Demonstration tunes are provided that effectively demonstrate each of the P120/P-120Ss voices. There are also 50 preset songs that you can play individually, all in sequence, or in random order. Heres how you can select and play the demo tunes.
The demo or preset song mode cannot be engaged while a user song recorder (page 26) is in use. No MIDI reception occurs in the demo/preset song mode. The demo/preset song data is not transmitted via the MIDI connectors.
* Voice demo songs consist entirely of Yamaha original songs ( 2001 YAMAHA CORPORATION). * See page 48 for a complete listing of the preset songs.

Voice Demo

Engage the Demo Mode..
Press the [DEMO] button to engage the demo mode the voice selector indicators will ash in sequence.

Play a Voice Demo..

Press one of the voice selectors to start playback of all songs starting from the corresponding voice demo tune featuring the voice normally selected by that voice selector button. (If you press the SONG [START/STOP] button instead of a voice selector button, the GRAND PIANO 1 demo tune will begin playback.) The indicator of the selected voice selector button will ash during playback, and --- will appear on the LED display. You can start playback of any other voice demo tune during playback by simply pressing the corresponding voice selector. You can stop playback at any time by pressing the SONG [START/STOP] button or the voice selector of the currently playing demo.

Preset Song A-B Repeat

The A-B Repeat function can be used to continuously repeat a specied phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difcult phrases.
Specify the Beginning (A) of the Phrase.
Select and play a preset song, then press the [TEMPO/FUNCTION#] button at the beginning of the phrase you want to repeat. This sets the A point (A- will appear on the display). To set the A point at the very beginning of the song, press the [TEMPO/FUNCTION#] button before starting playback.
Specify the End (B) of the Phrase..
Press the [TEMPO/FUNCTION#] button a second time at the end of the phrase. This sets the B point (A-b will appear on the display). At this point repeat playback will begin between the specied A and B points. The metronome will sound when playback begins to give you a tempo reference. However, if playback repeats from the beginning of the song, there will be no tempo reference from metronome. To set the B point at the songs end, press the [TEMPO/ FUNCTION#] button after song playback is complete and before A- disappears from the display.

Stop Playback..

Press the SONG [START/STOP] button to stop playback while retaining the specied A and B points. A-B repeat playback will resume if the SONG [START/STOP] button is then pressed again. To cancel the A and B points press the [TEMPO/FUNCTION#] button once.
The A and B points are automatically canceled when a new song is selected. The A-B Repeat function cannot be used during ALL or rnd playback.

Preset Song Part Cancel

The 50 preset songs have separate left- and right-hand parts that can be turned on and off as required so you can practice the corresponding part on the keyboard. The right-hand part is played by [TRACK 1], and the left-hand part is played by [TRACK 2].
Turn the Desired Part Off.
Press the [TRACK 1] or [TRACK 2] button to turn the corresponding part off the corresponding indicator will go out (these buttons alternately toggle the corresponding part on and off).

The parts can be turned on or off even during playback. The Preset Song Part Cancel function cannot be used during ALL or rnd playback. The Preset Song Part Cancel Volume function described on page 36 can be used to set the canceled part so that it plays at a volume from 0 (no sound) to 20. The default setting is 5. Both parts are automatically turned ON whenever a new song is selected.

Start/Stop Playback..

Press the SONG [START/STOP] button to start and stop playback as required.

Synchro Start..

When the Synchro Start function is engaged, playback of the selected preset song will begin automatically as soon as you start playing on the keyboard. To engage the Synchro Start function press the SONG [START/STOP] button while holding the part button corresponding to the part which is ON. A dot will appear in the lower right corner of the display. (Repeat the previous operation to disengage the Syncro Start function.) Playback will then start as soon as you begin playing on the keyboard.
If you hold a track button which is OFF while pressing the SONG [START/STOP] button, that track will be turned ON and the Synchro Start mode will be engaged.

AUX PEDAL Start/Stop..

The AUX PEDAL can be assigned to start and stop preset song playback via the AUX PEDAL Mode function described on page 35.

The Dual Mode

The dual mode makes it possible to play two voices simultaneously across the entire range of the keyboard.
To activate the dual mode simply press two voice selectors at the same time (or press one voice selector while holding another). The voice indicators of both selected voices will light when the dual mode is active. To return to the normal single-voice play mode, press any single voice selector. According to the voice numbering priority as shown in the diagram on the right, lower valued voice numbers will be designated as the 1st Voice (the other voice will be designated as the 2nd Voice).

Voice numbering priority

The dual and split modes cannot be engaged at the same time. [VARIATION] in the Dual Mode The [VARIATION] buttons indicator will light if the variation is engaged for either or both of the dual-mode voices. While the dual mode is engaged, the [VARIATION] button can be used to turn the variation for both voices on or off. To turn the variation on or off for only one of the voices, hold the voice button of the other voice and press the button of the voice for which you want to change the variation then press the [VARIATION] button. [EFFECT] in the Dual Mode Depending upon the conditions one effect type will take priority over the other. Depth will be decided according to the depth default value of the voice combination. However, using function F3 (see page 32) you can change the depth value for each voice as you like. Effect depth setting via the panel controls the [/NOM] or [+/YESL] buttons while holding the [EFFECT] button see page 21) will be applied to the 1st Voice only. [REVERB] in the Dual Mode The reverb type assigned to the 1st Voice will take priority over the other. (If the reverb is set to OFF, the 2nd Voices reverb type will be in affect.) Reverb depth setting via the panel controls (i.e. pressing the [/NOM] or [+/YESL] buttons while holding the [REVERB] button see page 20) will be applied to the 1st Voice only. 7

If the [TEMPO/FUNCTION#] buttons [FUNCTION#] indicator is lit, press the [TEMPO/FUNCTION#] button to light the [TEMPO] indicator.
Using the User Song Recorder
The ability to record and play back what youve played on the P-120/P-120S keyboard can be an effective practice aid. You can, for example, record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part. Or, since you can record up to two tracks separately, you could record the left- and right-hand parts separately, or record both parts of a duet and hear how they sound when played back. The P-120/P-120Ss two-track Song Recorder allows the recording of three User Songs. The user song recorder actually records the following data:

I Entire Song

G Tempo G Time signature (beat) G Effect type (including OFF) G Reverb type (including OFF)

I Individual Tracks

G Notes played G Voice selection G Dual mode voices G Split mode voices G Pedal Operation (sustain, soft, sostenuto, expression) G Reverb depth G Dual balance (F3) G Dual octave shift (F3) G Split balance (F4)
G Voice variation G Effect depth G Dual detune (F3) G Split octave shift (F4)

Recording

Select a Song For Recording..
Press the [USER 1/2/3] button to select a song for recording. The indicator of the selected song will light. (A song is not selected if none of the indicators are lit.)
When in the demo song mode, the [USER 1/2/3] button can not be used to select a song.
Make All Necessary Initial Settings.
Before actually beginning to record, select the voice you want to record with (or voices if you will be using the dual or split mode). You might also want to set the volume and tempo controls.
If you want to change the tempo, time signature, reverb type, or effect type when re-recording a track or when recording to another track, do so after entering the record ready mode (step 3).
Engage the Record Ready Mode.
Press the [REC] button to engage the record ready mode (recording does not actually start yet). The record ready mode can be disengaged before recording by pressing the [REC] button a second time.
Select the Record Track..
When the record mode is engaged in the previous step, the lastrecorded track will automatically be selected for recording and its indicator i.e. the [TRACK 1] or [TRACK 2] button indicator will glow red. If you want to record on a different track, press the appropriate track button so that its indicator glows red.

The indicator of a track containing previously recorded data will glow green (unless the track is turned off as described below). When recording, the previously recorded data on the track not being recorded will be played back so you can play along with the previously recorded track. If you dont want to hear the previously recorded track as you record (when you want to record a song different from what you recorded on the previous track etc.,), press the playback track button before pressing the [REC] button (step 2, above) so that its indicator goes out. If a user song ([USER 1/2/3]) is not selected (the lamp is not lit), pressing the [REC] button will result in the [USER 1] songs [TRACK 1] being selected and the record ready mode engaged. At this time, [TRACK 2] playback will be turned off if the track contains data. Recording on a track which already contains data (the indicator glows green) will erase all previous data on that track. When the record mode is engaged the amount of memory available for recording will be shown on the LED display in approximate kilobytes (starting at 47), and the rightmost dot on the LED display will ash at the current METRONOME tempo setting.

Start Recording..

Recording will begin automatically as soon as you play a note on the keyboard or press the SONG [START/STOP] button. The current measure number will appear on the display while recording.
The AUX pedal can be assigned to start and stop recording via the AUX PEDAL Mode function described on page 35. If the metronome was on when you started recording, youll be able to keep time with the metronome while recording, but the metronome sound will not be recorded. You can record up to a maximum of about 10,000 notes on the P120/P-120S depending on pedal usage and other factors. The record track indicator will begin to ash when recorder memory is almost full. If the memory becomes full during recording, FUL will appear on the display and recording will stop automatically. (All recorded data up to that point will be retained.)

Stop Recording..

Press either the [REC] or SONG [START/STOP] button to stop recording. The indicator of the recorded track will glow green to indicate that it now contains data.
Changing the Initial Settings..
The initial voice, tempo, time signature, reverb type, reverb depth, effect type and effect depth settings made in step 2 of the recording procedure are actually recorded by the P-120/P-120S. These initial settings can be changed after the recording is nished by pressing the [REC] button to engage the record ready mode, pressing the appropriate track button, making the required changes, and then pressing the [REC] button again to exit from the record ready mode and register the changes. If you do this, be careful not to press the SONG [START/ STOP] button or a key on the keyboard, either of which will start recording and erase all previous recorded data on the selected track. It is possible to cancel the operation even after changes have been made: change tracks and then press the [REC] button to exit from the record mode.

The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be exited before EFFECT can be turned ON.

F3.7: Reset....

This function resets all dual-mode functions to their default values. Press the [+/YESL] button to reset the values. End will appear on the display when all functions have been reset.
F4: Split Mode Functions ____________________________
After selecting F4.Y, press the [+/YESL] button to engage the split-mode function submode, then use the [TEMPO/FUNCTION# M, L] buttons to select the desired split mode function, as listed below. If the Split mode is not engaged F4.- will appear instead of F4.Y and the Split mode functions cannot be selected. Also note that you must exit from the Function mode before the Split mode can be engaged.
I SHORTCUT: You can jump directly to the split-mode functions (F4) by pressing the [TEMPO/FUNCTION#] button while holding the [SPLIT] button.

F4.1: Split Point....

In addition to the split point setting method described on page 19, the split point can be set via this function. Use the [/NOM] and [+/YESL] buttons to set the split point as required, or simply press the appropriate key on the keyboard: from A-1 to C7. Press the [/NOM] and [+/YESL] buttons simultaneously to recall the default setting F#2.

F4.2: Split Balance....

The volume levels of the two voices combined in the split mode can be adjusted as required by using this function. Use the [/NOM] and [+/YESL] buttons to adjust the balance as required. The balance range is from 0 through 20. A setting of 10 produces equal balance between the two split-mode voices. Settings below 10 increase the volume of the Left Voice in relation to the Right Voice, and settings above 10 increase the volume of the Right Voice in relation to the Left Voice. Press the [/NOM] and [+/YESL] buttons simultaneously to recall the default setting (different for each voice combination).
The split balance setting is set individually for each voice combination.
F4.3: Right Voice Octave Shift... F4.4: Left Voice Octave Shift...
Depending on which voices you combine using the split mode, the combination may sound better if one of the voices is shifted up or down an octave. Use the [/NOM] and [+/YESL] buttons to set the octave of the Left or Right Voice as required. The available settings are 0 for normal pitch, 1 to shift the pitch down one octave, and 1 to shift the pitch up one octave. Press the [/NOM] and [+/YESL] buttons simultaneously to recall the default setting (different for each voice combination). Set according to the pitch extent for the song you want to play.
The octave shift settings are set individually for each voice combination.

F5.2: Sustain Sample Depth..
The GRAND PIANO 1 and 2 voices feature special Sustain Samples that recreate the unique resonance produced by an acoustic grand pianos soundboard and strings when its damper pedal is pressed. The effect is can be controlled with the P-120/P-120Ss sustain pedal or the AUX PEDAL to which the sustain function has been assigned. This function lets you adjust the depth of this effect. The effect depth range is from 0 through 20. A setting of 0 produces no effect, while a setting of 20 produces maximum effect depth. Press the [/ NOM] and [+/YESL] buttons simultaneously to recall the default setting of 12.
F5.3: Soft Pedal Effect Depth...
This function sets the depth of the soft pedal effect. The effect depth range is from 1 to 5. A setting of 1 produces minimum effect depth while a setting of 5 produces maximum effect depth. Press the [/NOM] and [+/YESL] buttons simultaneously to recall the default setting of 3.
F5.4: SUSTAIN PEDAL Type... F5.5: AUX PEDAL Type...
Depending upon the pedal that is connected to the SUSTAIN PEDAL jack or AUX PEDAL jack, the effect produced by operating the pedal (ON/OFF, dynamics, etc.) might be reversed. If that is the case, use this setting to correct pedal operation. The setting range is from 1 to 2. Press the [/NOM] and [+/YESL] buttons simultaneously to recall the default setting of 1.
Make sure that the power is switched OFF when connecting or disconnecting the pedal. If the SUSTAIN PEDAL type is set to 2, disconnecting the sustain pedal while the power is switched on may leave the sustain active, causing notes to sustain indenitely. In this case, switch the power OFF then back ON.
F6: Metronome Volume______________________________
I SHORTCUT: You can jump directly to the metronome functions by pressing the [TEMPO/FUNCTION#] button while holding the METRONOME [START/ STOP] button.
The volume of the metronome sound can be changed. After selecting F6, use the [/NOM] and [+/YESL] buttons to set the metronome volume as required. The volume range is from 1 through 20. A setting of 1 produces minimum sound, while a setting of 20 produces maximum metronome volume. Press the [/NOM] and [+/YESL] buttons simultaneously to recall the default setting 10.
F7: Preset Song Part Cancel Volume __________________
This function sets the volume at which a canceled part is played during preset song playback (see page 17 for information on the preset song part cancel function). Use the [/NOM] and [+/YESL] buttons to set the volume as required. The volume range is from 0 through 20. A setting of 0 produces no sound, while a setting of 20 produces maximum volume. Press the [/NOM] and [+/YESL] buttons simultaneously to recall the default setting 5. Adjust the part volume to a comfortable level to use the canceled part as a guide to play along with. Set to 0 if you dont want to hear the part.
F8: MIDI Functions _________________________________

All dual mode, split mode, reverb, effect, touch sensitivity, tuning settings, and the settings affected by the Backup Functions can be restored to their original factory preset values by holding the C7 key (rightmost key on the keyboard) while turning the [STANDBY/ON] switch ON. This also erases all user song recorder data, and sets all Backup on/off settings (F9) to OFF.
The factory setting list is found on page 49.

Troubleshooting

If you encounter what appears to be a malfunction, please check the following points before assuming that your P-120/P-120S is faulty. 1. No Power Is the AC adaptors DC plug connected to the main unit? Is the AC cable plugged into the AC adaptor and an AC wall outlet? Please check all connections. (page 10) 2. No Sound or Sound Output is Low Is the MASTER VOLUME control turned up to a reasonable listening level? Make sure a pair of headphones is not connected to the headphones jack (when the SPEAKER switch is set to the NORMAL position). If the SPEAKER switch is set to the OFF position set it to NORMAL or ON (page 11). Also make sure that the Local Control (page 38) is ON. 3. The speakers do not switch off when a pair of headphones is connected. The SPEAKER switch may be switched ON. Set the SPEAKER switch to the NORMAL position (page 11). 4. The P-120/P-120S Reproduces Radio or TV Sound This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer. 5. Intermittent Static Noise This is usually due to turning ON or OFF a household appliance or other electronic equipment which is fed by the same AC mains line as your P-120/P120S.
6. Interference Appears On Radio or TV Sets Located Near the P-120/P-120S The P-120/P-120S contains digital circuitry which can generate radio-frequency noise. The solution is to move the P-120/P-120S further away from the affected equipment, or vice versa. 7. Distorted Sound When the P-120/P-120S is Connected to An External Amplier/ Speaker System. If the P-120/P-120S is connected to a stereo system or instrument amplier and the sound is distorted, reduce the P-120/P-120Ss [MASTER VOLUME], and/or the volume of the external equipment to a level at which the distortion ceases. 8. Noise is heard from the speakers or headphones. The noise may be due to interference caused by the use of a mobile phone in close proximity to the P120/P-120S. Turn off the mobile phone, or use it further away from the P-120/P-120S. G If Scn appears on the display an internal malfunction has occurred. In this case, contact your Yamaha dealer.

Voice Descriptions

Voice Descriptions/Beschreibung der Stimmen/Descriptions des voix/ Descripciones de las voces

Voice Name

Stereo Sampling
Touch Dynamic Key-off Response Sampling*1 Sampling*2
Voice Descriptions Newly-recorded samples from a full concert grand piano. Also includes three levels of dynamic sampling, sustain samples, and key-off samples for exceptionally realistic acoustic grand piano sound. Perfect for classical compositions as well as any other style that requires acoustic piano. Neu aufgezeichnete Samples eines echten Konzertgels. Mit dreistugem Dynamic Sampling, Sustain Samples und Key-off Samples fr einen auergewhnlich realistischen Konzertgelklang. Perfekt fr klassische Kompositionen sowie jede andere Musikrichtung, fr die ein akustischer Klavierklang wichtig ist. chantillons nouvellement enregistrs partir dun vrai piano queue de concert. Comprend galement des chantillons dynamiques, des chantillons de sustain et des chantillons touches silencieuses destins produire une sonorit acoustique raliste dun vrai piano queue de concert. Convient parfaitement pour les compositions classiques comme pour tout autre style ncessitant la sonorit dun piano acoustique. Muestras nuevas grabadas en un piano de cola para conciertos. Incluyen tambin tres niveles de muestras dinmicas, muestras de sostenido, y muestras de soltado de cuerdas para ofrecer un sonido de piano de cola acstico muy realista. Son perfectas para composiciones clsicas as como para otros estilos que requieren piano acstico. A brighter sounding piano than GRAND PIANO 1. Good for popular music. Ein hellerer Klavierklang als GRAND PIANO 1. Gut fr Pop-Musik. Sonorit de piano plus brillante GRAND PIANO 1. Excellent pour la musique populaire. Piano que suena con mayor claridad que GRAND PIANO 1. Es bueno para msica popular. A very bright piano sound good for rock music. Ein sehr heller Pianoklang, der sich gut fr Rock eignet. Sonorit de piano trs brillante convenant parfaitement pour la musique de rock. Sonido de piano muy claro para msica rock. A honky-tonk piano sound that is an enjoyable variation from the grand piano voices. Ein Honky-Tonk-Pianosound, eine angenehme Abwechslung vom Konzertgelklang. Sonorit de piano honky-tonk qui est une variation agrable des voix du piano queue. Sonido de piano honky-tonk que es una variacin divertida de las voces de piano de cola. An electronic piano sound created by FM synthesis. Extremely "musical" response with varying timbre according to keyboard dynamics. Good for standard popular music. Der auf FM-Synthese basierende Klang eines elektrischen Pianos. Extrem musikalische Ansprache mit anschlagdynamischen Timbrevariationen. Gut fr normale Populrmusik. Sonorit de piano lectronique cre par synthse FM. Rponse extrmement musicale avec un timbre variant en proportion de la dynamique du clavier. Excellent pour la musique populaire ordinaire. Sonido de piano electrnico creado con sntesis de FM. Tiene una respuesta muy musical con variacin del timbre de acuerdo con la dinmica del teclado. Es bueno para msica popular normal. A synth-generated type electronic piano sound often heard in popular music. Used in the DUAL mode it blends well with an acoustic piano voice. Ein synthesizerartiger E-Piano-Klang, dem man in der Pop-Musik oft begegnet. Im DUAL-Modus harmoniert er gut mit einer akustischen Klavierstimme. Sonorit synth de piano lectronique que lon entend souvent dans la musique populaire. Utilise en mode DUAL, elle se mlange bien avec une voix de piano acoustique. Sonido de piano electrnico generado con sintetizacin que se escucha normalmente en la msica popular. Cuando se emplea en el modo DUAL, se combina bien con una voz de piano acstico. The sound of an electric piano using hammer-struck metallic "tines". Soft tone when played lightly, and an aggressive tone when played hard. Der Sound eines elektrischen Pianos mit metallischen Hammeranschlag-Spitzen. Bei leichtem Anschlagen erhlt man einen weichen Klang, mit zunehmender Anschlagstrke einen aggressiveren Sound. Sonorit de piano lectrique se servant de pointes mtalliques de frappe de marteau. Sonorit attnue lorsque les touches sont frappes lgrement et sonorit agressive lorsque le jeu est plus dur. Sonido de piano elctrico que usa los tonos metlicos de golpe de martillo. Es un tono suave cuando se toca con delicadeza, y es un tono agresivo cuando se toca con fuerza. A slightly different electric piano sound often heard in rock and popular music. Ein etwas anderer E-Piano-Sound, im Rock- und Pop-Geschehen weit verbreitet. Sonorit lectrique de piano lgrement diffrente que lon entend souvent dans la musique de rock et la musique populaire. Sonido de piano elctrico un poco distinto que se oye frecuentemente en la msica rock y popular. The denitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released. Cembalo, das magebliche Instrument der Barockmusik. Da die Saiten bei diesem Instrument angezupft werden, spricht diese Stimme nicht auf Anschlagdynamik an. Beim Freigeben der Tasten ist jedoch ein zustzlicher charakteristischer Klang zu hren. Linstrument dnitif pour la musique baroque. tant donn que la harpe se sert de cordes pincer, il nexiste aucune rponse de touche. Cependant, cette sonorit supplmentaire caractristique est obtenue lorsque les touches sont relches. El instrumento perfecto para msica barroca. Puesto que el clavicordio emplea cuerdas de punteado, no hay respuesta a la pulsacin. Sin embargo, hay un sonido caracterstico adicional al soltar las teclas. Mixes the same voice an octave higher for a more brilliant tone. Mischt dieselbe, um eine Oktave gehobene Stimme dazu, um einen brillanteren Klang zu erzeugen. Mlange la mme voix une octave plus haut pour obtenir une tonalit plus brillante. Mezcla la misma voz una octava ms alta para conseguir un tono ms brillante.

(8) Poly (reception only)
ccH 7FH Parameter Poly Data Range (vvH) 00H
Adjusts the reverb send level.
(8) Effect4 Depth (Variation Effect Send Level)
ccH 5EH Parameter Effect4 Depth Data Range (vvH) 00H.7FH
When control change reception is turned OFF in the Function mode, control change data will not be transmitted or received except for Bank Select and Mode messages. Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with All Note Off transmission). When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. The Multi-timbre and Poly modes are always active. No change occurs when OMNI ON, OMNI OFF, MONO, or POLY mode messages are received.
4. PROGRAM CHANGE Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number) ppH = Program change number
Voice Name GRAND PIANO 1 VARIATION GRAND PIANO 2 VARIATION E.PIANO 1 VARIATION E.PIANO 2 VARIATION HARPSICHORD VARIATION E.CLAVICHORD VARIATION VIBRAPHONE VARIATION CHURCH ORGAN VARIATION JAZZ ORGAN VARIATION STRINGS VARIATION CHOIR VARIATION GUITAR VARIATION WOOD BASS VARIATION E.BASS VARIATION P.C.#=Program Change number MSB LSB P.C.# 113 33
6. SYSTEM EXCLUSIVE MESSAGES (Yamaha MIDI Format)

Panel Data Transmit

Data format: [F0H] -> [43H] -> [0nH] -> [7CH] ->. -> [F7H]
F0H, 43H, 0nH, 7CH (n: channel number) 00H, 2DH (data length) 43H, 4CH, 20H, 20H (CL) 43H, 4CH, 50H, 27H, 30H, 31H (CLP01) 30H, 30H (version x, y) [PANEL DATA] [CHECK SUM (1byte)] = 0-(43H+4CH+20H+.+Data end) F7H Panel Data Contents
(1) 1'st Voice (2) Dual On/Off (3) Dual Voice (4) Dual Balance (5) Dual Detune (6) Dual Voice1 Octave (7) Dual Voice2 Octave (8) Dual Voice1 Effect Depth (9) Dual Voice2 Effect Depth (10) Split On/Off (11) Split Voice (12) Split Point (13) Split Balance (14) Split Voice1 Octave (15) Split Voice2 Octave (16) Split Voice1 Effect Depth (17) Split Voice2 Effect Depth (18) Split Dumper Mode (19) AUX Pedal Mode (20) Reverb Type 1 (21) Reverb Type 2 (22) Reverb Depth 1 (23) Reverb Depth 2 (24) Effect Type 1 (25) Effect Type 2 (26) Effect Depth (27) Variation On/Off (28) Touch Sensitivity (29) Fixed Data (30) AUX Pedal (31) Soft Pedal Depth (32) Absolute tempo low byte (33) Absolute tempo high byte

When program change reception is turned OFF in the Function mode, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received.
Panel data send requests cannot be received.
7. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive)
(1) Universal Realtime Message
5. SYSTEM REALTIME MESSAGES
[rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing
Data F8H FAH FCH Transmission Transmitted every 96 clocks Recorder start Recorder stop Reception Received as 96-clock tempo timing when MIDI clock is set to External Recorder start Not received when the MIDI clock is set to Internal. Recorder stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received.
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H]

MIDI Master Volume

Simultaneously changes the volume of all channels. When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0~F, whichever is received. X = dont care 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive
Transmitted every 200 milliseconds
Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs.
(2) Universal Non-Realtime Message (GM On) General MIDI Mode On
Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H]
F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0~F. X = dont care 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufcient time should be allowed before the next message is sent.
9. SYSTEM EXCLUSIVE MESSAGES (Clavinova MIDI Format) Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H]

Damper Level

ch: 00H-0FH
Channel Detune ch: 00H-0FH Voice Reserve ch: 00H-0FH
* When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal.
11. SYSTEM EXCLUSIVE MESSAGES (Others) Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H 43H 1nH = Exclusive Status = Yamaha ID = When received, n=0~F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = dont care (under 7FH) F7H = End of Exclusive

<Table 1>

MIDI Parameter Change table (SYSTEM)
Address (H) 06 7E 7F TOTAL SIZE Size (H) 4 Data (H) 020C - 05F4(*1) Parameter MASTER TUNE Description -50 - +50[cent] 1st bit 3 - 0 bit 15 - 12 2nd bit 3 - 0 bit 11 - 8 3rd bit 3 - 0 bit 7 - 4 4th bit 3 - 0 bit 3 - - 127 -12 - +12[semitones] 00=XG sytem ON 00=ON (receive only) Default value (H) 400
00 - 7F 34 - 4C(*2) 00 00
MASTER VOLUME TRANSPOSE XG SYSTEM ON RESET ALL PARAMETERS
*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. *2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.

<Table 2>

MIDI Parameter Change table (EFFECT 1)
Refer to the Effect MIDI Map for a complete list of Reverb, Chorus and Variation type numbers. Address (H) Size (H) Data (H) 00-7F 00-7F 00-7F 00-7F Parameter REVERB TYPE MSB REVERB TYPE LSB VARIATION TYPE MSB VARIATION TYPE LSB Description Refer to Effect MIDI Map 00 : basic type Refer to Effect MIDI Map 00 : basic type Default value (H) 01(=HALL1) 00 00(=Effect off) 00
VARIATION refers to the EFFECT on the panel.

<Table 3>

MIDI Parameter Change table (MULTI PART)
Address (H) 08 nn 11 Size (H) 1 Data (H) 00 - 7F Parameter DRY LEVEL Description 0 - 127 Default value (H) 7F

nn = Part Number

G Effect MIDI Map

REVERB

ROOM HALL 1 HALL 2 STAGE Sound board MSB 02H 01H 01H 03H 03H LSB 10H 10H 11H 10H 12H

2. IMPORTANT: When connecting this product to accessories
and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with
the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

OBSERVERA!
Apparaten kopplas inte ur vxelstrmskllan (ntet) s lnge som den ar ansluten till vgguttaget, ven om sjlva apparaten har stngts av.
ADVARSEL: Netspendingen til dette apparat er IKKE afbrudt,
slenge netledningen siddr i en stikkontakt, som er t endt ogs selvom der or slukket p apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty kyttkytkin ei irroita koko laitetta verkosta.

(standby)

For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous gurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
Yamaha Musica Italia S.P.A., Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771