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Yamaha Clavinova P 140
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Yamaha cannot be held responsible for damage caused by improper use or modications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. Even when the instrument turns the power off, electricity is still owing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
2/2 P-140 Owners Manual
Thank you for purchasing the Yamaha Electronic Piano P-140/P-140S! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the P-140/P-140S. We also recommend that you keep this manual in a safe and handy place for future reference.
Graded Hammer Effect Keyboard Thanks to our experience as the worlds leading manufacturer of acoustic pianos, weve developed a keyboard with action thats virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboards sensitivity can even be adjusted to match your playing style. Dynamic Stereo Sampling The Yamaha P-140 Electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as Yamahas original AWM Dynamic Stereo Sampling tone generation technology for rich, musical voices. The Grand Piano 1, 2 and 3 voices feature totally new samples painstakingly recorded from a full concert grand piano. The Grand Piano 1 and 3 voices feature three velocity-switched samples (Dynamic Sampling), special Sustain Sampling (page 43) that samples the unique resonance of an acoustic grand pianos soundboard and strings when the sustain pedal is pressed, and Keyoff Samples that add the subtle sound produced when the keys are released. The P-140 comes much closer to the sound of a true acoustic piano.
About this Owners Manual
This manual consists of three main sections: Introduction, Reference and Appendix. Introduction (page 6): Please read this section rst. Reference (page 14): This section explains how to make detailed settings for the P-140s various functions. Appendix (page 58): This section introduces reference material.
* The illustrations and displays as shown in this owners manual are for instructional purposes only, and may appear somewhat different from those on your instrument. * Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. * The models P-140/P-140S will be referred to as the P-140 in this Owners Manual. This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style les, MIDI les, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. The company names and product names in this Owners Manual are the trademarks or registered trademarks of their respective companies.
[DC IN 12V] jack..page 12
For connecting the included power adaptor (PA-5D).
[PHONES] jack..page 13
For connecting a set of standard stereo headphones, allowing private practice.
Before Using the P-140
Turning the Power On
1. Connect the PA-5D power adaptors DC
cable to the [DC IN 12V] jack.
2. Plug the AC adaptor into an AC outlet.
Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor specically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the P-140.
Unplug the AC Power Adaptor when not using the P-140, or during electrical storms.
3. Press the [STANDBY/ON] switch to turn
the power on.
The display located in the center of the front panel lights up. When youre ready to turn off the power, press the [STANDBY/ ON] switch again.
Normally indicates tempo. Display
Even when the instrument is turned off, electricity is still owing to the instrument at the minimum level. When you are not using the P140 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
When turning off the power, press and hold down the [STANDBY/ON] switch for a short time until the power turns off. The P-140 uses this power-off procedure as a safety device to prevent the power from being inadvertently turned off during performance.
Setting the Volume
Initially set the [MASTER VOLUME] slider about halfway between the MIN and MAX settings. Then, when you start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
The level decreases.
The level increases.
The volume level of the entire keyboard sound
Using the Pedals
The depth of the effect produced by the Sustain Samples can be adjusted via the Pedal Functions (pages 37, 43) in Function.
AUX Pedal (AUX Pedal jack) This jack is for connecting an optional FC4/FC5 foot switch or an optional FC7 foot controller. A wide range of functions, including the Soft Pedal function can be assigned to this jack. For instructions on assigning the pedal, refer to pages 37, 43.
The FC7 Foot Controller can be used to control Expression (pages 37, 43).
Connect a set of headphones to one of the [PHONES] jacks. Two [PHONES] jacks are provided. You can connect two sets of standard stereo headphones. (If you are using only one set of headphones, you can plug them into either jack.) CAUTION
Sync Start standby
A-B Repeat for the 50 Preset Songs
The A-B Repeat function can be used to continuously repeat a specied phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difcult phrases.
1. Select and play a preset song. 2. Press the [TEMPO/FUNCTION] button at the beginning of the phrase you want to repeat.
This sets the A point ( will appear on the display).
The A-B Repeat function cannot be used during ALL or rnd (page 15) playback.
3. Press the [TEMPO/FUNCTION] button a second
time at the end of the phrase.
This sets the B point ( will appear on the display). At this point, repeat playback will begin between the specied A and B points.
To set the A point at the very beginning of the song, press the [TEMPO/FUNCTION] button before starting playback. You can have the B point automatically be set to the songs end, by setting the A point and letting the song play to the end.
An automatic lead-in (to help guide you into the phrase) starts at the A point of the song.
Repeat A through B
4. Press the [STOP] button to stop playback.
A-B repeat playback will resume if you press the [PLAY/ PAUSE] button. To cancel the A and B points, press the [TEMPO/FUNCTION] button once.
The A and B points are automatically canceled when a new song is selected.
Selecting & Playing Voices
[OTHERS] button Pressing the [OTHERS] button switches among the following seven voices.
o 1 o 2 o 3 o 4 o 5 o 6 o 7
CHURCH ORGAN JAZZ ORGAN STRINGS HARPSI CHORD E. CLAVI CHORD VIBRAPHONE SPLIT
To familiarize yourself with the characteristics of the voices, listen to the demo songs for each voice (page 14). Refer to Preset Voice List on page 53 for more information on the characteristics of each preset voice.
Voice: On the P-140, the term voice means instrument sound.
For details about o 7 SPLIT, refer to page 21. Then, when you start playing, re-adjust the [MASTER VOLUME] slider for the most comfortable listening level.
You can control the loudness of a voice by adjusting the force with which you strike the keys, although different playing styles (touch sensitivities) have little or no effect with certain musical instruments. Refer to Preset Voice List on page 53.
If you select the voice via the [OTHERS] button then press another VOICE button, the voice last selected via the [OTHERS] button will be maintained. In other words, pressing the [OTHERS] button again calls up the last selected voice.
1. Select the desired voice by pressing one of the Voice
Combining Voices (Dual)
You can play voices simultaneously across the entire range of the keyboard. In this way, you can combine similar voices to create a thicker sound.
1. Press two voice buttons at the same time (or press
one voice button while holding another) to engage Dual.
The voice indicators of both selected voices will light when Dual is active. Play the keyboard.
Two voices in the [OTHERS] button cannot be engaged at the same time.
Dual is not available when SPLIT is selected via the [OTHER] button.
Press at the same time
If you want to use a voice selected via the [OTHERS] button, press the [OTHERS] button several times to call up the desired voice (other than SPLIT) while holding any other VOICE button. According to the voice numbering priority shown in the diagram below, the lower value voice number will be designated as Voice 1 (the other voice will be designated as Voice 2).
Voice numbering priority
The PIANO & STRINGS voice combines the sounds of piano and strings. Pressing the [PIANO&STRINGS] button will produce the same result as Dual. You can combine other voices with this voice; however, keep in mind that the sound may cut off unnaturally.
The P-140 Function provides access to a number of other Dual functions, such as volume balance setting and octave setting (pages 37, 41). (If you do not set the Dual functions, the appropriate setting will be set in each voice by default.)
2. Press any single voice button to return to the normal single-voice play.
Splitting the Keyboard Range and Playing Two Different Voices (Split)
Split enables you to play two different voices on the keyboard one with the left hand and another with the right hand. For example, you can play a bass part using the Wood Bass or Electric Bass voice with the left hand, and a melody with the right hand.
Split point (default setting: F#2)
1. Press the [OTHERS] button several times until o 7
is called up in the display.
The [OTHERS] button lights. As a default setting, GRAND PIANO 1 will be selected for the right-hand part and WOOD BASS will be selected for the left-hand part. The Function provides access to a number of other Split functions (pages 37, 42). (If you make no settings for the Split functions, the appropriate setting will be set in each voice by default.)
If the metronome was on when you started recording, youll be able to keep time with the metronome while recording, but the metronome sound will not be recorded.
For more recording information, see page 32.
3. Start recording.
Recording will begin automatically as soon as you play a note on the keyboard or press the [PLAY/ PAUSE] button. The current measures number will appear on the display while recording.
The function of the [PLAY/ PAUSE] button can be assigned to the AUX pedal (pages 37, 43). This allows you to start recording by pressing the Footswitch connected to the AUX jack.
Song recording can not be paused, even by pressing the [PLAY/PAUSE] button.
4. Press either [REC] or [STOP] button to stop recording.
When recording is stopped, dashes appear in the display in succession to indicate that the recorded data is being saved to the instrument automatically. After the data is saved, the song name (U01-U03) appears in the display. The recorded parts indicator will light in green to indicate that it now contains data. (Record mode is disengaged automatically.) CAUTION
Never attempt to turn the [STANDBY/ON] switch OFF while ashing dashes appear in the display (these indicate data is being written to internal memory). Turning the power off in this state results in loss of all user data.
The song name (U01 to U03)
The record part indicator will begin to ash when the recorder memory is almost full. If the memory becomes full during recording, Fu will appear on the display and recording will stop automatically. (All recorded data up to that point will be retained.)
Pressing the [PLAY/PAUSE] button to start recording, then pressing the [STOP] button to stop recording will erase all previously recorded data on the selected part.
5. Play back the recorded performance.
Press the [PLAY/PAUSE] button to play back the recorded performance. To stop playback in the middle of a song, press the [STOP] button.
Re-recording a previously recorded song
If you are not satised with the recording, you can record it again. Using the following operation.
1. Select a voice or voices (and other settings) for
recording, if necessary.
Repeat step 1 on page 28 if you wish to change the previous settings.
2. Press the [REC] button again to re-engage Record
The selected parts indicator lights in red. Follow the procedure from step 3 in Recording a performance quickly on page 29 to re-record.
If you want to change the tempo, time signature, reverb type, or effect type when re-recording a part or when recording to another part, do so after engaging the Record Ready mode.
You cannot re-record in the middle of a song.
Recording to RIGHT/LEFT
This lets you record the right and left parts separately. Since you can record the left part while playing back the right, this is useful for independently recording both parts of a duet.
Same as step 1 in Recording a performance quickly on page 28.
2. Select a song to record.
Press the [SONG SELECT] button so that the USER indicator lights then press the [/NO][+/YES] buttons to select a song for recording. CAUTION
Part button indications Off: Contains no data On (green): Contains data On (red): Part is enabled for recording
3. Engage the Record Ready mode.
Press the [REC] button and press the [RIGHT]/[LEFT] button to engage the Record Ready mode. Recording does not actually start yet. The amount of memory available for recording will be shown on the display in approximate kilobytes. This value is expressed in kilobytes and indicates how much space remains available for recording on the P-140. You can record up to a maximum of about 11,000 notes on the P-140 depending on pedal usage and other factors. The [PLAY/PAUSE] indicator will ash at the current METRONOME tempo setting. Record Ready mode can be disengaged before recording by pressing the [REC] button again.
If you want to change the tempo, time signature, reverb type, or effect type when rerecording a part or when recording to another part, do so after entering the Record Ready mode.
If you dont want to hear the previously recorded part while you record (for example, when you want to record a song different from what you recorded on the previous part), press the playback part button before pressing the [REC] button so that its indicator is turned off.
For more information on recording, see page 32.
4. Start and stop recording.
Same as steps 3-5 in Recording a performance quickly on page 29.
1. Make all the initial settings.
The user song recorder records the following data:
Data in addition to the notes and voices you play is recorded. This data includes Individual Parts and Entire Song. See below. Individual Parts Notes played Voice selection Pedal (Sustain/Soft/Sostenuto/Expression) [REVERB] depth [EFFECT] depth Dual voices Dual balance (F3) Dual detune (F3) Dual octave shift (F3) Split voices (F4) Split balance (F4) Split octave shift (F4) Entire Song Tempo Time signature (beat) [REVERB] type (including OFF) [EFFECT] type (including OFF)
If the metronome is being used during playback, the metronome will automatically stop when playback is stopped.
SMF (Standard MIDI File) Formats 0 and 1
The SMF format is one of the most common and widely compatible sequence formats used for storing sequence data. There are two variations: Format 0 and Format 1. A large number of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI sequence data is provided in SMF Format 0. The SMF format for sequence les allows you to exchange song data between different sequencers.
If the REVERB type is changed via the panel controls during playback, both the playback and keyboard reverb effects will be changed.
If the EFFECT type is changed via the panel controls during playback, the playback effect may be switched off in some cases.
Playing Back User Songs/External Songs on the P-140
1. Press the [SONG SELECT] button
(the USER indicator lights).
2. Press the [/NO] [+/YES] buttons to
select a song.
The User songs are displayed as Uxx* and External songs in the instrument are displayed as xxx*. * The U indication in the User song name means User. The letters xx represent the song number.
3. Press the [PLAY/PAUSE] button to start playback.
The current measure number appears on the display during playback.
User song playback cannot be started when the recorder contains no data.
You can play the keyboard while the P-140 is playing back a song. You can also play the notes with a voice different from the playback voice by selecting a voice from the panel. Adjust the tempo You can use the [TEMPO/FUNCTION , +] buttons to adjust the playback tempo as required before or during playback. The default tempo (the songs original tempo) is set when you press the  and [+] buttons simultaneously.
You can also enjoy playing duets with yourself by recording one part of a duet or a song for two pianos, then playing the other part while the recorded part plays back.
4. Press the [STOP] button or [PLAY/PAUSE] button to
Setting range: ON/OFF Default setting: ON
F8.5: Control Change ON/OFF
Normally the P-140 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other control settings received from the controlling device (the keyboard voice is not affected). The P-140 also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the P-140s pedal and other controls can be operated without affecting an external MIDI device.
See page 61 for a list of the Panel Data Contents transmitted by this function. Receiving the transmitted data: 1. Connect the P-140 via MIDI to the device to which the setup data was transmitted previously. 2. Start sending the setup data from the device. The P-140 automatically receives the setup data, which will be reected in the panel settings. (For the data to be accepted, the P-140 that receives the setup data should be the same model as the one that transmitted the setup data to the sequencer.) For more information on transmitting and receiving setup data via MIDI, refer to the owners manual for the connected MIDI device.
F8.7: Initial Setup Send
This function lets you send the data of the panel settings to a computer. By transmitting the panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the instrument will be automatically restored to the same settings when the performance is played back. You can also use this function to change the settings of a connected tone generator to the same settings as the instrument. 1. Set up the panel controls as desired. 2. Connect the P-140 to a sequencer via MIDI, and set up the sequencer so it can receive the setup data. 3. Engage the Function and select. 4. Press the [+/YES] button to transmit the panel/status data. will appear on the display when the data has been successfully transmitted. The following data can be sent. Voice selection [REVERB] type [REVERB] depth [EFFECT] type [EFFECT] depth Split point Tuning (F1) Dual detune (F3.2)
This is normal, and is no cause for concern.
Foot Pedal (FC3/FC4/FC5/FC7) Keyboard Stand (L-140/L-140S)
Preset Voice List
: Yes : No
Recorded samples from a full concert grand piano. Also includes three levels of dynamic sampling, sustain samples, and key-off samples for exceptionally realistic acoustic grand piano sound. Perfect for classical compositions as well as any other style that requires acoustic piano.
GRAND PIANO 1
GRAND PIANO 3 PIANO & STRINGS ELECTRIC PIANO 1
Warm and mellow piano. Good for classical compositions. A Dual voice combining grand piano and strings perfect for slow, orchestral piano music. An electronic piano sound created by FM synthesis. Exceptional musical response with varying timbre according to keyboard dynamics. Good for standard popular music. The sound of an electric piano using hammer-struck metallic tines. Soft tone when played lightly, and an aggressive tone when played hard. A slightly different electric piano sound often heard in rock and popular music. This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. The sound of a tonewheel type electric organ. Often heard in jazz and rock idioms. Stereo-sampled, large-scale strings ensemble with realistic reverb. Try combining this voice with piano in the DUAL. The denitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. There is, however, a characteristic additional sound when the keys are released. A hammer-struck keyboard instrument that utilizes an electric pickup that is often heard in funk and soul music. Its tone is noted for the unique sound produced when the keys are released. Vibraphone played with relatively soft mallets. The tone becomes more metallic the harder you play. *3 *3 *3 *3 Split lets you play two parts at the same time a bass part with the left hand, and a melody with the right hand.
ELECTRIC PIANO 2 ELECTRIC PIANO 3 CHURCH ORGAN
12 E. CLAVICHORD
13 VIBRAPHONE 14 SPLIT
*1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument. *2. Contains a very subtle sample that is produced when the keys are released. *3. Depends on the assigned voice.
GRAND PIANO 2
Spacious and clear piano with bright reverb. Good for popular music.
Split Left Voice List
Voice Name WOOD BASS BASS & CYMBAL E. BASS 1 E. BASS 2
An upright bass played ngerstyle. Ideal for jazz and Latin music. Adds a soft ride cymbal to the bass sound. Ideal for walking bass lines in jazz tunes. Electric bass for a wide range of music styles, jazz, rock, popular, and more. A fretless bass. Ideal for styles such as jazz, fusion, etc.
Some devices use a 0 to 127 numbering system for program change messages. Since the P-140 uses a 1 to 128 numbering system, you will need to subtract 1 from the transmitted program change numbers to select the appropriate sound: e.g. to select P.C.#1 in the list above, transmit program change number 0.
Panel data send requests cannot be received.
8. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive)
(1) Universal Realtime Message
5. PITCH BEND CHANGE
[EnH] -> [ccH] -> [ddH] ccH = LSB ddH = MSB
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume
Simultaneously changes the volume of all channels. When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0~F, whichever is received. X = irrelevant 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive
6. SYSTEM REALTIME MESSAGES
[rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing
Data F8H FAH
Transmission Transmitted every 96 clocks Song start
Reception Received as 96-clock tempo timing when MIDI clock is set to External. Song start Not received when the MIDI clock is set to Internal. Song stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received.
Transmitted every 200 milliseconds
Caution: If an error occurs during MIDI reception, the Sustain, Sostenuto, and Soft effects for all channels are turned off and an All Note Off message occurs.
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H]
F0H = 7EH = 7FH = 09H = 01H = F7H = or F0H = 7EH = XnH = Exclusive status Universal Non-Realtime ID of target device Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On End of Exclusive
10. SYSTEM EXCLUSIVE MESSAGES (P-140 MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]
F0H = 43H = 73H = 01H = nnH = nn 02H 03H F7H = Exclusive status Yamaha ID P-140 ID Product ID (CLP common) Substatus Control Internal MIDI clock External MIDI clock End of Exclusive
Date : 08-APR-2005 Version : 1.0 Remarks
************** 0 - 127 **************
Note Number : True voice Velocity
0 - - 127
Note ON 9nH,v=1-127 Note OFF Key's Ch's
After Touch Pitch Bend Control Change
0 - 24 semi Bank Select Modulation Main Volume Panpot Expression Data Entry Portamento Control Effect Depth RPN Inc,Dec RPN LSB,MSB
0,11 6,38 64,66,91,94 96-97 100-101
0 - 127 **************
0 - 127
System Exclusive Common
: Song Pos. : Song Sel. : Tune
System : Clock Real Time : Commands Aux : : : Mes- : sages: : Notes: All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset
(120,126,127) (121) (122) (123-125)
Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO
Specications / Technische Daten / Caractristiques techniques / Especicaciones
Keyboard Sound Source Polyphony (Max.) Voice Selection Effect Volume Controls Recording/Playback Pedal Demo Songs Jacks/Connectors Memory Device Main Ampliers Speakers Dimensions (W D H) (with music rest) Weight Accessories GH keyboard 88 keys (A-1 C7) AWM Dynamic Stereo Sampling 3 variations for each voice (Bright/Normal/Mellow) Reverb, Effect Master Volume Dual, Split, Metronome, Transpose, Touch (Hard/Medium/Soft/Fixed), Functions 2-part recording/playback (three User songs), Tempo Adjustment, Sync Start SUSTAIN PEDAL (Can be used with half pedal effect), AUX PEDAL (Assignable to various functions) 14 voice Demo Songs, 50 preset Songs MIDI (IN/OUT), PHONES 2, AUX OUT (LEVEL FIXED) (L, R), DC IN 12V, SUSTAIN PEDAL, AUX PEDAL (for saving User songs): 65 KB (for saving External songs): 352 KB 6W 2 (12 cm 6 cm) 2 1,334 mm 351 mm 140 mm [52-1/2" x 13-13/16" x 5-1/2"] (1,334 mm 357 mm 332 mm) [52-1/2" x 14-1/16" x 13-1/16"] 17.8 kg (39lbs., 4oz) Owners Manual, Yamaha PA-5D power adaptor, Pedal (FC3), Music Rest
* Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. * Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behlt sich das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankndigung zu verndern oder zu modizieren. Da die technischen Daten, das Gert selbst oder Sonderzubehr nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Hndler in Verbindung. * Les caractristiques techniques et les descriptions du mode demploi ne sont donnes que pour information. Yamaha Corp. se rserve le droit de changer ou modier les produits et leurs caractristiques techniques tout moment sans aucun avis. Du fait que les caractristiques techniques, les quipements et les options peuvent diffrer dun pays lautre, adressez-vous au distributeur Yamaha le plus proche. * Las especicaciones y descripciones de este manual del propietario tienen slo el propsito de servir como informacin. Yamaha Corp. se reserva el derecho a efectuar cambios o modicaciones en los productos o especicaciones en cualquier momento sin previo aviso. Puesto que las especicaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite informacin a su distribuidor Yamaha.
Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021
Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
YS Copenhagen Liaison Ofce Generatorvej 6A DK-2730 Herlev, Denmark Tel: 49 00
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311
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Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700
Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70
Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 oor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626
Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000
Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177
OTHER ASIAN COUNTRIES
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317
Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312
Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111
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