Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones
Yamaha Web Site (English only) http://www.yamahasynth.com Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/
This document is printed on recycled chlorine free (ECF) paper with soy ink. Auf Recycling-Umweltpapier mit Sojatinte gedruckt. Ce document a t imprim sur du papier recycl non blanchi au chlore avec de l'encre d'huile de soja. Este docmento se ha impreso reciclado en papel sin cloro alguno, con tinta de soja.
M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2002 Yamaha Corporation WA11810 308APAP2.3-05D0 Printed in Japan
Before using the P-60, be sure to read PRECAUTIONS on pages 6 -7. Achten Sie darauf, vor Einsatz des P-60 die VORSICHTSMASSNAHMEN auf Seite 6 -7 durchzulesen. Avant d'utiliser le P-60, lire attentivement la section PRECAUTIONS D'USAGE aux pages 6-7. Antes de utilizar el P-60, lea las PRECAUCIONES que debe tener en cuenta en las pginas 6-7.

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specically recommended by Yamaha.

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ve years. When replacement becomes necessary, contact a qualied service representative to perform the replacement. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
WARNING: Do not place this product in a position where anyone
could walk on, trip over ,or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number ,the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and / or accessory mounting xtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional xtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Trademarks:

Apple and Macintosh are trademarks of Apple Computer, Inc. Windows is a registered trademark of Microsoft Corporation. All other trademarks are the property of their respective holders.
P-60 About this Owners Manual

ENGLISH 3

Table of Contents

Introduction

SPECIAL MESSAGE SECTION.. 2 About this Owners Manual. 3 Application Index.. 5 PRECAUTIONS.. 6 Accessories.. 8

Appendix

Preset Song List / Liste der voreingestellten Songs / Liste des morceaux prdfinis / Lista de canciones preseleccionadas. 30 MIDI Data Format / MIDI-Datenformat / Format des donnes MIDI / Formato de datos MIDI... 31 MIDI Implementation Chart. 35 Specifications / Technische Daten / Caractristiques techniques / Especificaciones.. 36

ENGLISH

Features.. 9 Before Using the P-60. 10 Power supply connections..10 Turning the power on..10 Adjusting the volume...10 Using the [PHONES/OUTPUT] jack..11 Using the [SUSTAIN PEDAL] jack.11 Using the MIDI connectors.11 Music Rest...12

Reference

Part Names.. 14 Listening to the Demo Songs. 15 Listening to 50 Piano Preset Songs.. 16 Selecting & Playing Voices. 18 Selecting Voices..18 Adding Variations to the Sound Reverb.19 Combining Two Voices (Dual mode)..20 Transposition...21 Fine-tuning the Pitch...21 About MIDI.. 22 Connecting a Personal Computer. 23 MIDI Functions.. 24 MIDI Transmit/Receive Channel Selection.24 Local Control ON/OFF..24 Program Change ON/OFF..25 Control Change ON/OFF..25 Troubleshooting.. 26 Options.. 26 Index.. 27

P-60 Table of Contents

Application Index
Use this index to nd reference pages that may be helpful for your particular application and situation.

Listening

Listening to demo songs with different voices.. Listening to the Demo Songs on page 15 Listening to 50 Piano Preset Songs... Listening to 50 Piano Preset Songs on page 16

Playing

Using a supplied foot switch... Using the [SUSTAIN PEDAL] jack on page 11 Playing an accompaniment that matches pitch.... Transposition on page 21 Fine-tuning the pitch of the entire instrument when you play the P-60 along with other instruments or CD music...Fine-tuning the Pitch on page 21

Maintenance

When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning uids, or chemical-impregnated wiping cloths.
Yamaha cannot be held responsible for damage caused by improper use or modications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. Even when the power switch is in the STANDBY position, electricity is still owing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.

ENGLISH 7

Accessories

Owners Manual

This manual contains complete instructions for operating your P-60.
Quick Operation Guide Sustain Pedal Music Rest ENGLISH Yamaha PA-5D power adaptor

P-60 Accessories

Features
The Yamaha P-60 electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as Yamahas original AWM Stereo Sampling tone-generation technology for rich, musical voices, and a special Graded Hammer keyboard that provides graded key weight and response throughout the keyboard range. The Grand Piano 1 and 2 voices feature totally new samples painstakingly recorded from a full concert grand piano. The E. Piano 1 voice features a single velocity-switched sample and E. Piano 2 voice features two velocity-switched sample. The P-60 sounds much closer to a true acoustic piano.
A set of standard stereo headphones can be plugged in here for private practice. You can also output P-60 sound from an audio system connected here. (page 11).

PHONES/ OUTPUT

STANDBY /

DC IN 12V

[SUSTAIN PEDAL]
Connect the supplied foot switch here to switch sustain effects on and off (page 11).

MIDI [IN/OUT]

Connect a MIDI device to this connector to use various MIDI functions (page 23). (About MIDIpage 22)
IN MIDI OUT SUSTAIN PEDAL

MASTER VOLUME

PIANO 2 PIANO 1 EP 1 EP 2 HARPSI 1 HARPSI 2 VIBE C. ORGAN 2 C. ORGAN 1 STRINGS

ELECTRONIC PIANO

PRESET SONG

[MASTER VOLUME]

Adjust the volume level using this control (page 10).

[VOICE]

Select voices from 10 internal sounds, including Grand Piano 1 and 2 (page 18). You can also combine two voices simultaneously (page 20), select various reverb effects (page 19), etc.

[DEMO]

Playback of a demo song and 50 preset songs is available (page 15).

P-60 Features

ENGLISH 9

[PHONES/OUTPUT]

Connectors (rear panel)

Before Using the P-60

Power supply connections
1. Make sure that the [STANDBY/ON] switch of the P-60 is set to STANDBY. 2. Connect the AC adaptors DC cable to the [DC IN 12V] jack. 3. Plug the AC adaptor into an AC outlet. After turning the power OFF, simply reverse the procedure to disconnect the power.

Standard stereo phone plug

SUSTAIN PEDAL

Connect the P-60 to external equipment only after turning off power for all devices. Failure to observe these cautions may result in electric shock or equipment damage. To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting them.
Using the [SUSTAIN PEDAL] jack
This jack is for connecting a supplied foot switch or an optional foot pedal to the P-60. When you press the foot switch or the foot pedal, the notes you play have a longer sustain. The supplied foot switch is an on/off switch for sustain. For the optional foot pedal FC3, the further down the pedal is pressed, the longer the sound will be sustained (can be used like a half pedal effect).
Connect or disconnect the foot switch or the foot pedal when the power is off. Do not turn on the power to the unit while pressing the foot switch or foot pedal. Otherwise, the switch or pedal polarity (on/off) will be reversed.
PHONES/ OUTPUT STANDBY / ON DC IN 12V
Using the MIDI connectors
The MIDI IN connector receives MIDI data from an external MIDI device (such as a MIDI sequencer) which can be used to control the P-60. The MIDI OUT connector transmits MIDI data generated by the P-60 (e.g. note and velocity data produced by playing the P-60 keyboard). More details on MIDI are given in About MIDI on page 22.

IN MIDI OUT

Music Rest
You can use the supplied music rest by inserting it in the slot on the top panel of the P-60.
Part Names... 14 Listening to the Demo Songs.. 15 Listening to 50 Piano Preset Songs. 16 Selecting & Playing Voices.. 18
Selecting Voices... 18 Adding Variations to the Sound Reverb. 19 Combining Two Voices (Dual mode).. 20 Transposition... 21 Fine-tuning the Pitch.. 21
This section explains how to make detailed settings for the P60s various functions.
About MIDI.. 22 Connecting a Personal Computer.. 23 MIDI Functions... 24
MIDI Transmit/Receive Channel Selection.. 24 Local Control ON/OFF.. 24 Program Change ON/OFF... 25 Control Change ON/OFF.. 25
Troubleshooting.. 26 Options... 26 Index... 27

Part Names

[POWER].. P10 [MASTER VOLUME].. P11 [DEMO].. P15 [VOICE].P1820
[PHONES/OUTPUT].. P11 [STANDBY/ON].. P10 [DC IN 12V].. P10 MIDI [IN] [OUT].. P22 [SUSTAIN PEDAL]. P11

P-60 Part Names

Listening to the Demo Songs
Demo songs are provided that effectively demonstrate each of the P-60s voices.

Procedure

1. Turn on the power.
(In case the power is not turned ON) Press the [STANDBY/ON] switch. When you start playing, adjust the [MASTER VOLUME] control to the most comfortable listening level.

Description

Recorded samples from a full concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. Spacious and clear piano with bright reverb. Good for popular music. An electronic piano sound created by FM synthesis. Good for popular music. The sound of an electric piano using hammer-struck metallic tines. Soft tone when played lightly, and an aggressive tone when played hard. The denitive instrument for baroque music. Since harpsichord uses plucked strings, there is no touch response. Mixes the same voice an octave higher for a more brilliant tone. Vibraphone played with relatively soft mallets. It has a tremolo effect that is typical for vibraphone. This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). Good for sacred music from the Baroque period. This is the organs full coupler sound, often associated with Bachs Toccata and Fugue. Spacious and large-scale string ensemble. Try combining this voice with piano in DUAL mode.
Selecting a voice automatically engages the best-suited reverb type and depth (page 19) for that particular voice.
P-60 Selecting & Playing Voices
Adding Variations to the Sound Reverb
This control enables you to select various digital reverb effects that add extra depth and expression to the sound to create a realistic acoustic ambience.
When you select a reverb, the reverb is automatically turned on. While holding down the [VOICE] button, press one of the C2E2 keys to select a reverb type.

C2 D2 E2

C2 C2 D2 D2 E2

Reverb Type

Room Hall1 Hall2 Stage Off
This setting adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room. For a bigger reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. Simulates the reverb of a stage environment. No effect is applied.
Adjusting Reverb Depth Adjust the reverb depth for the selected voice by pressing one of the C3G 4 keys while holding down the [VOICE] button. The depth range is from 0 through 20.

G 4: depth 20

The default reverb type (including OFF) and depth settings are different for each voice.

C3: depth 0

depth 0: depth 20:
no effect maximum reverb depth

The depth value increases as you press higher keys.
Combining Two Voices (Dual mode)
You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody duet or combine two similar voices to create a thicker sound.

1. Engage Dual mode.

While holding down the [VOICE] button, press two of the C1A1 keys at simultaneously (or press one key while holding another). Refer to the voice list on page 18 for available voices.
You cannot assign the same voice to Voice 1 and Voice 2 simultaneously in Dual mode.
Reverb in Dual Mode The reverb type assigned to Voice 1 will take priority over the other. (If the reverb is set to OFF, Voice 2 reverb type will be in effect.) Reverb depth setting (page 19) will be applied only to Voice 1.
According to the voice priority shown in the voice list (page 18), the voice assigned to the lower keyboard will be designated as Voice 1 (the other voice will be designated as Voice 2). You can make the following settings only in Dual mode: Setting the Octave You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual mode, the combination may sound better if one of the voices is shifted up or down an octave. While holding down the [VOICE] button, press one of the C5F5 keys.
For setting the octave. (C5F5)
C5 key: 1 (Voice 1), C 5 key: 0 (Voice 1), D5 key: +1(Voice 1), D 5 key: 1 (Voice 2), E5 key: 0 (Voice 2), F5 key: +1(Voice 2) Setting the Balance You can set one voice as the main voice, and another voice as a softer, mixed voice. While holding down the [VOICE] button, press one of the F 5F 6 keys. A setting of 0 produces an equal balance between the two Dual mode voices. Settings below 0 increases the volume of Voice 2 in relation to Voice 1, and settings above 0 increases the volume of Voice 1 in relation to Voice 2.

-6 -4 -2

+1 +3 +6

-5 -3 -+2 +4 +5

For setting the balance. (F 5F 6)
2. Exit Dual mode and return to normal play mode.
While holding down the [VOICE] button, press one of the C1A1 keys.

Transposition

The P-60s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of six semitones, and lets you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to 5, playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the P-60 will transpose it to the key of F.
While holding down the A-1 andC 0 keys, press one of the F 2F 3 keys to set the desired amount of transposition.

A-1 C 0 C1

In Dual mode, Voice 1 data is transmitted on its specied channel and Voice 2 data is transmitted on the next greater channel number relative to the specied channel. In this mode, no data is transmitted if the transmit channel is set to OFF. E5 F5
ALL: A Multi-timbre Receive mode is available. It allows simultaneous reception of different parts on all 16 MIDI channels, enabling the P-60 to play multichannel song data received from a music computer or sequencer. 1+2: A 1+2 Receive mode is available. It allows simultaneous reception on channels 1 and 2 only, enabling the P-60 to play 1 and 2 channel song data received from a music computer or sequencer.

15 1+2

For setting the transmit channels. (C1D 2) OFF
For setting the receive channels. (C4F5) For ALL mode

Local Control ON/OFF

Local Control refers to the fact that, normally, the P-60 keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is Local Control On, since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the P-60 keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector.
Program change and other like channel messages received will not affect the P-60s panel settings or the notes you play on the keyboard.
While holding down the A-1 and C 0 keys, press the C6 key.

A-1 C 0 C6

The P-60 does not receive MIDI data when it is in Demo or Preset Song mode.

P-60 MIDI Functions

Program Change ON/OFF
Normally the P-60 will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly-numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The P-60 will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly-numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the P-60 without affecting the external MIDI device.

3. MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]
BnH = Control event (n = channel number) cc = Control number vv = Data Range (1) All Sound Off ccH Parameter Data Range (vvH) 78H All Sound Off 00H Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages. (2) Reset All Controllers ccH Parameter 79H Reset All Controllers Resets controllers as follows. Controller Expression Damper Pedal Sostenuto Soft Pedal Data Range (vvH) 00H Value 127 (max) 0 (off) 0 (off) 0 (off)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number) kk = Note number: 00H ~ 7FH = C-2 ~ G8 vv = Velocity * If received value exceeds the supported range for the selected voice, the note is adjusted by the necessary number of octaves.

2. CONTROL CHANGE

BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H.7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Main Volume (reception only) ccH Parameter Data Range (vvH) 07H Volume MSB 00H.7FH (3) Expression (reception only) ccH Parameter Data Range (vvH) 0BH Expression MSB 00H.7FH (4) Damper ccH Parameter 40H Damper MSB Data Range (vvH) 00H.7FH
(3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specied channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. When control change reception is turned OFF, control change data will not be transmitted or received except for Bank Select and Mode messages. Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with All Note Off transmission). When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. The Multi-timbre and Poly modes are always active. No change occurs when OMNI ON, OMNI OFF, MONO, or POLY mode messages are received.

(5) Sostenuto (reception only) ccH Parameter Data Range (vvH) 42H Sostenuto 00H-3FH:off, 40H-7FH:on (6) Soft Pedal (reception only) ccH Parameter Data Range (vvH) 43H Soft Pedal 00H-3FH:off, 40H-7FH:on (7) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H.7FH Adjusts the reverb send level. (8) Effect4 Depth (Variation Effect Send Level) (reception only) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H.7FH

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number
P-60 Grand Piano 1 Grand Piano 2 E.Piano 1 E.Piano 2 Harpsichord 1 Harpsichord 2 Vibraphone Church Organ 1 Church Organ 2 Strings MSB LSB P.C.# 19 48
6. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume
Simultaneously changes the volume of all channels. When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0~F, whichever is received. X = dont care 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive (2) Universal Non-Realtime Message (GM On)
When program change reception is turned OFF, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received.
5. SYSTEM REALTIME MESSAGES
[rrH] FEH: Active sensing

Transmission

Reception If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received.
Transmitted every 200 milliseconds
General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H]
F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0~F. X = dont care 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufcient time should be allowed before the next message is sent.
Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs.

7. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
9. SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H]
F0H = 43H = 73H = 7FH = 2FH = 11H = 0nH = cc = vv = F7H = Exclusive status Yamaha ID Electronic Piano ID Extended Product ID Product ID Special control Control MIDI change (n=channel number) Control number Value End of Exclusive
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] -> [F7H]
F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When the XG System On message is received, the MIDI system will be reset to its default settings. The message requires approximately 50ms to execute, so sufcient time should be allowed before the next message is sent. (2) XG Native Bulk Data (reception only)
ccH vvH 43H (Sets the Detune value for each channel) 00H-7FH Voice Reserve ch: 00H-0FH 45H 00H : Reserve off 7FH : on* * When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal.
Control Channel Channel Detune ch: 00H-0FH
10. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0~F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = dont care (under 7FH) F7H = End of Exclusive
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->.-> [ccH] -> [F7H]
F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufcient time for processing to execute (about 50 msec) before sending the P-60 another message. XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). For information about the Address and Byte Count values, refer to Table 1 below. Note that the tables Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address.

8. SYSTEM EXCLUSIVE MESSAGES (Electronic Piano MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H]
F0H = Exclusive status 43H = Yamaha ID 73H = Electronic Piano ID 01H = Product ID (electronic piano common) or 7F= Extended Product ID 2FH = Product ID nnH = Substatus nn Control 02H Internal MIDI clock 03H External MIDI clock 06H Bulk Data (the bulk data follows 06H) F7H = End of Exclusive * When nn=02H or 03H, Electronic common ID (01H) is rec-ognized as well as 75H.

<Table 1>

MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 020C - 05F4(*1) 1 7E 7F TOTAL SIZE - 7F 34 - 4C(*2) Parameter MASTER TUNE Description -50 - +50[cent] 1st bit 3 - 0 bit 15 - 12 2nd bit 3 - 0 bit 11 - 8 3rd bit 3 - 0 bit 7 - 4 4th bit 3 - 0 bit 3 - - 127 -12 - +12[semitones] 00=XG sytem ON 00=ON (receive only) Default value (H) 400
MASTER VOLUME TRANSPOSE XG SYSTEM ON RESET ALL PARAMETERS
*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. *2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.

<Table 2>

MIDI Parameter Change table (EFFECT 1)
Refer to the Effect MIDI Map for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 00 Size (H) 2 Data (H) 00-7F 00-7F Parameter REVERB TYPE MSB REVERB TYPE LSB Description Refer to Effect MIDI Map 00 : basic type Refer to Effect MIDI Map 00 : basic type Default value (H) 01(=HALL1) 00 00(=Effect off) 00
00-7F VARIATION TYPE MSB 00-7F VARIATION TYPE LSB VARIATION refers to the EFFECT on the panel.

<Table 3>

MIDI Parameter Change table (MULTI PART)
Address (H) Size (H) 08 nn nn = Part Number Data (H) 00 - 7F Parameter DRY LEVEL Description 0 - 127 Default value (H) 7F

Effect MIDI Map

REVERB ROOM HALL 1 HALL 2 STAGE EFFECT CHORUS PHASER TREMOLO DELAY MSB 42H 48H 46H 05H LSB 10H 10H 10H 10H MSB 02H 01H 01H 03H LSB 10H 10H 11H 10H
MIDI Implementation Chart
Function Basic Channel Default Changed Default Messages Altered - X ***************** 9 - 120 *****************
YAMAHA [Electronic Piano] Model: P-60 MIDI Implementation Chart

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

OBSERVERA!

Apparaten kopplas inte ur vxelstrmskllan (ntet) s lnge som den ar ansluten till vgguttaget, ven om sjlva apparaten har stngts av.
ADVARSEL: Netspendingen til dette apparat er IKKE
afbrudt, slenge netledningen siddr i en stikkontakt, som er t endt ogs selvom der or slukket p apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty kyttkytkin ei irroita koko laitetta verkosta.

(standby)

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.
Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous gurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH, Branch Belgium Rue de Geneve (Genevastraat) 10, 1140 - Brussels, Belgium Tel: 02-726 6032

HONG KONG

Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688

U.S.A.

Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

FRANCE

Yamaha Musique France BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
Yamaha Musica Italia S.P.A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 55-5804-0600
Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0660

SPAIN/PORTUGAL

Yamaha-Hazen Msica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900

BRAZIL

Yamaha Musical do Brasil LTDA. Av. Rebouas 2636, So Paulo, Brasil Tel: 011-3085-1377

GREECE

Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160

ELECTRONIC PIANO

P-60/P-60S

Color: Black

Exceptional Sound and Touch in an Affordable 88-Key Digital Piano
The P-60/P-60S puts Yamahas highly acclaimed piano voices and hammer action keyboard within your reach. It features an ultra realistic piano feel and a highquality selection of piano and keyboard voices you use mostwithout the bells and whistles you dont need. Perfect for those who crave authentic piano sound and touch in an affordable package, the P-60/P-60S is a welcome addition to the P series line.

Color: Silver

Realistic Piano Touch
The P-60/P-60S uses Yamahas highly acclaimed Graded Hammer Effect keyboard, the same keyboard used in the P-250 and P-120. Crafted so that the keys in the lower registers have a heavier touch than those in the top, this stateof-the-art keyboard realistically reproduces the true feel of an acoustic grand piano.

Stereo Sampling

The P-60/P-60S Piano 1 and Piano 2 presets feature brandnew piano samples taken from a full-sized concert grand piano. These voices have been digitally recorded in stereo to faithfully reproduce the rich, spatial tone of a real acoustic piano.
A Fine Selection of Essential Keyboard Sounds
In addition to superb piano voices, the P-60/P-60S features a number of commonly used sounds, including electric pianos, organs, harpsichords and strings. All of the onboard sounds have been recorded using Yamahas own AWM sampling technology to achieve the highest standards of sound quality. This assures that the subtlest harmonics of the actual instrument are accurately reproduced with stunning realism. To select a voice, press a note on the keyboard (C2A2) while holding down the VOICE button. Reverb, MIDI control and other keyboard settings can also be accessed this way.
High-Quality Speaker System
The P-60/P-60S is ready to play whenever you feel like practicing, thanks to a powered speaker system built into its compact, stylish chassis.
50 Piano Songs at Your Fingertips
A collection of 50 piano songs is provided for your listening enjoyment. To select a song, simply press a note on the keyboard while holding down the DEMO button. Then play along, or simply sit back and listen.

Specifications

Keyboard Tone Generator Polyphony Voices Effects Volume Control Pedal Demo Songs Connectors Amplifier Speakers Power Source Dimensions Weight Included Accessories Optional Accessories 88 keys (A1 C7) AWM Stereo Sampling Max. 32 notes 10: Grand Piano 1, Grand Piano 2, E. Piano 1, E. Piano 2, Harpsichord 1, Harpsichord 2, Vibraphone, Church Organ 1, Church Organ 2, Strings Reverb Master volume Dual, Transpose Sustain One for each voice, 50 piano songs Phones, Output, DC IN, MIDI (IN/OUT), Sustain Pedal 8Wx2 Oval (12 x 6 cm) x 2 PA-5D power adapter (or equivalent recommended by Yamaha) 1342 (W) x 354 (D) x 138 (H) mm (52-4/5" x 13-9/10" x 5-2/5") 16 kg (35.3 lbs) Music Rest, Sustain Pedal, AC Power Adapter* Keyboard Stand (L-60W), Foot Pedal (FC3)

Optional Accessories

Keyboard Stand
* Included or optional depending on locale

Foot Pedal

Design and specifications are subject to change without prior notice. All trademarks and registered trademarks are the property of their respective holders.
For details please contact:

www.yamahasynth.com

This document is printed on chlorine-free (ECF) paper with soy ink.
P-60/P-60S RCK-0203 (P10001129) Printed in Japan