Yamaha P-70-P-70S
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Manual
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Yamaha P-70-P-70S
Video review
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User reviews and opinions
| Xaaron |
4:36pm on Tuesday, October 5th, 2010 ![]() |
| Excellent Lens. Really toiled over whether to get this one or the cheaper Tamron equivalent. This eyecup replaced a DK-21 I bought to replace the original on a D-70. The original lasted several years before falling off and getting lost. | |
| luowei |
11:16pm on Wednesday, September 8th, 2010 ![]() |
| I bought my D70s in August of 2007 and all I have to say is WOW! Nice camera! The pictures are beautiful and crisp and the image quality is wonderful. I have used this camera since Sept 2005. This my first SLR Digital and absolutely love it. The pictures I have been taking have a professional look. | |
| ktully |
7:39am on Friday, August 20th, 2010 ![]() |
| The lens I should have bought sooner. Fast / accurate auto-focus","Sharp at all focal length","Strong Construction Poor in Low Light Smoothest action of any lens that I have ever owned. Quick focusing and great bokeh. A little heavy to carry and long for some storage gear. Love it; it is now my workhorse lens. If it was lighter, it could be used as a walkabout daily lens too. | |
| gohanman |
8:58pm on Monday, August 16th, 2010 ![]() |
| High performance and easy to use, the Nikon D70s offers a higher level will increase the positive experience of using a digital reflex camera. Button color outside and predecessors nikon D70 no different, including the size and color. | |
| Psyence |
11:24pm on Friday, August 6th, 2010 ![]() |
| Why does this camera have to be such a put do... Not many not many at all Not the best of quality, bulky and not much better than the original Why does this camera have to be such a put down. I have recently purchased a nikon d40, and that seemed to satisfy my needs for a good camera. | |
| Tiger-Heli |
8:35am on Thursday, July 8th, 2010 ![]() |
| Bought a second hand D70s about a year ago to prop up my Nikon collection of equipment (being my first Nikon DSLR), so I got it cheap. This was my first DSLR and i must say that it was a revelation when i got it. It is very easy to use. | |
| joe3737 |
4:16pm on Thursday, June 17th, 2010 ![]() |
| The D70s is my second Nikon. 20 yrs. ago I got my first. The camera is one tough customer. I camp, ski, bike, hike. Look at buying a 70-200 lens very kewl Very kewl camera i cant put it down. I have no regrets buying this camera, I hardly ever use my film cameras anymore. Awesome entry level Digital SLR, bought it for a trip overseas and it performed very well. | |
| iamrembo |
12:31pm on Monday, April 26th, 2010 ![]() |
| For a picture. 2)Sensor (CCD in Nikon vs CMOS in Canon). I shoot mostly wildlife/still life and landscape. So i went in for CCD (Nikon). Airframe type SLR Digital SLR cameras APS-C standard digital SLR camera Manually operated manually full support CCD sensor Sensor size 23.7 Ã- 15. | |
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Documents
92-469-2
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor Water warning
Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. Never insert or remove an electric plug with wet hands.
Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specied adaptor (PA-5D or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.
Fire warning
Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.
Do not open
Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Unplug the AC power adaptor when not using the instrument, or during electrical storms. Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. Do not place the instrument in an unstable position where it might accidentally fall over. Before moving the instrument, remove all connected adaptor and other cables. When setting up the instrument, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Use only the stand specied for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.
Location
Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disguration or damage to the internal components. Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
PRECAUTIONS Connections
Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Handling caution
Do not insert a nger or hand in any gaps on the instrument. Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualied Yamaha service personnel. Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Maintenance
When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning uids, or chemical-impregnated wiping cloths.
Yamaha cannot be held responsible for damage caused by improper use or modications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. Even when the instrument turns the power off, electricity is still owing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Accessories
Owners Manual
This manual contains complete instructions for operating your P-70.
Quick Operation Guide Yamaha PA-5D Power Adaptor * Pedal (FC5) Music Rest
* May not be included depending on your particular area. Please check with your Yamaha dealer.
ENGLISH 7
Table of Contents
Main Features....6 About this Owners Manual...7 Accessories....7 Application Index....9 Panel Controls and Terminals...10 Before Using the P-70...11 Turning the Power On... 11 Setting the Volume.... 11 Using the Pedal... 12 Using Headphones.... 12 Music Rest.... 12
Reference
Listening to the Demo Songs...13 Listening to the 50 Piano Preset Songs...14 Selecting & Playing Voices...15 Selecting Voices.... 15 Combining Voices (Dual)... 16 Adding Variations to the Sound Reverb... 17 Transposition.... 18 Fine tuning of the Pitch.... 18 Touch Sensitivity.... 19 Connecting MIDI Instruments..20 Connecting MIDI [IN][OUT] terminals.. 20 MIDIs Capability.... 20 Connecting a Personal Computer... 21 MIDI Functions...22 MIDI Transmit/Receive Channel Selection... 22 Local Control ON/OFF.... 22 Program Change ON/OFF... 23 Control Change ON/OFF... 23 Troubleshooting....24 Optional Equipment...24 Index....25
Appendix
Preset Song List...26 MIDI Data Format...27 MIDI Implementation Chart...31 Specifications...32
Application Index
Use this index to nd reference pages that may be helpful for your particular application and situation.
Listening
Listening to demo songs with different voices...Listening to the Demo Songs on page 13
Playing
Using the sustain pedal.... Using the Pedal on page 12 Changing the key of the P-70 to facilitate playing in difcult/unfamiliar key signatures. Transposition on page 18 Fine tuning the pitch of the entire instrument when you play the P-70 along with other instruments or CD music.....Fine tuning of the Pitch on page 18 Selecting a touch sensitivity type.... Touch Sensitivity on page 19
Changing voices
Viewing the list of voices....Selecting Voices on page 15 Simulating a concert hall....Adding Variations to the Sound Reverb on page 17 Combining two voices.... Combining Voices (Dual) on page 16
Connecting the P-70 to other devices
What is MIDI?.....About MIDI on page 20 Connecting a computer... Connecting a Personal Computer on page 21
ENGLISH 9
Panel Controls and Terminals
1 [STANDBY/ON] switch. page 11
For turning the power on or off.
6 [DC IN 12V] jack..page 11
For connecting the included power adaptor (PA-5D).
2 [MASTER VOLUME] slider. page 11
For adjusting the volume level of the entire sound.
7 MIDI [IN] [OUT] terminals.page 20
For connecting external MIDI devices, allowing the use of various MIDI functions.
3 [DEMO/SONG] button.. page 13, 14
For playing the demo songs and the 50 piano preset songs.
8 [PEDAL] jack..page 12
For connecting an included pedal (FC5), an optional FC3 foot pedal or FC4 foot switch.
4 [GRAND PIANO/VOICE] button.. page 15-17, 19
For selecting voices from 10 internal sounds including Grand Piano 1 and 2 (page 15). You can also combine two voices (page 16) or add reverb effects to the selected voice for your keyboard performance (page 17).
9 [PHONES] jack..page 12
For connecting a set of standard stereo headphones, allowing private practice.
5 [SELECT] button.pages 13, 14, 15
For selecting a demo song for each voice, or one of the 50 piano preset songs.
Before Using the P-70
Turning the Power On
1. Connect the PA-5D power adaptors DC
cable to the [DC IN 12V] jack.
2. Plug the AC adaptor into an AC outlet.
Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor specically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the P-70.
(The shape of plug differs depending on locale.)
Unplug the AC Power Adaptor when not using the P-70, or during electrical storms.
3. Press the [STANDBY/ON] switch to turn
the power on.
The power indicator located to the left of the [STANDBY/ON] switch lights up.
When turning off the power, press and hold down the [STANDBY/ON] switch for a short time until the power turns off. The P-70 uses this power-off procedure as a safety device to prevent the power from being inadvertently turned off during performance.
Even when the instrument is turned off, electricity is still owing to the instrument at the minimum level. When you are not using the P-70 for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
Setting the Volume
Initially set the [MASTER VOLUME] slider about halfway between the MIN and MAX settings. Then, when you start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
The level decreases.
The level increases.
TERMINOLOGY
MASTER VOLUME:
The volume level of the entire keyboard sound
Using the Pedal
[PEDAL] jack (Sustain Pedal) This jack is for connecting the included pedal (FC5). The pedal functions in the same way as a damper pedal on an acoustic piano. Connect the included pedal (FC5) to this jack and press the pedal to sustain the sound. An optional FC3 foot pedal or FC4 foot switch can also be connected to this jack.
Make sure that power is OFF when connecting or disconnecting the pedal.
Using Headphones
Connect a set of headphones to one of the [PHONES] jacks. Two [PHONES] jacks are provided. You can connect two sets of standard stereo headphones. (If you are using only one set of headphones, you can plug them into either jack.) It can also connect to an amplifer/speaker system. CAUTION
On front panel
Standard stereo mini plug
To protect your hearing, avoid listening to the P-70 at a high volume level for long periods of time.
Music Rest
The P-70 includes a music rest that can be attached to the instrument by inserting it into the slot at the top of the control panel.
Listening to the Demo Songs
Demo songs are provided that effectively demonstrate each of the P-70s voices.
1. Press the [STANDBY/ON] switch to turn the power
When the power is turned ON, the power indicator located to the left of the [STANDBY/ON] switch lights up.
Refer to the voice list on page 15 for more information on the characteristics of each preset voice.
Initially set the [MASTER VOLUME] slider about half way between the MIN and MAX settings. Then, when you start playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
3. Press the [DEMO/SONG] button to
listen to the demo songs.
The GRAND PIANO 1 demo song will start. Demo songs provided for each voice and the 50 piano preset songs will play back in sequence until you press the [DEMO/SONG] button. Changing a Demo Song You can change to another demo song during playback by pressing the [SELECT] button. For selecting a demo song using the keyboard, press one of the C1A1 keys while holding down the [DEMO/SONG] button.
Demo Song List
G1 G#1
Voice Name
HARPSICHORD 1 HARPSICHORD 2 Gavotte
Invention No. 1
Composer
J.S. Bach J.S. Bach
The demonstration pieces listed above are short rearranged excerpts of the original compositions. All other songs are original ( 2005 Yamaha Corporation).
To familiarize yourself with the characteristics of the voices, listen to the demo songs for each voice (page 13).
C#1 D1 D#1
Grand Piano 2 E.Piano 1 E.Piano 2
Voice: On the P-70, the term voice means instrument sound.
E1 F1 F#1 G1 G#1 A1
Church Organ 1 Church Organ 2 Strings Harpsichord 1 Harpsichord 2 Vibraphone
When you select a voice, an appropriate reverb type will be selected automatically (page 17).
Re-adjust the [MASTER VOLUME] slider for the most comfortable listening level during your performance.
Combining Voices (Dual)
You can play voices simultaneously across the entire range of the keyboard. In this way, you can combine similar voices to create a thicker sound.
button, press two keys in the range of C1 through A1 simultaneously (or press one key while holding another) to engage Dual.
Refer to Selecting Voices on page 15 for more information on the voices that are assigned to the keys.
The voice assigned to the lower key will be designated as Voice 1, and the voice assigned to the higher key will be designated as Voice 2. You can make the following settings for Voices 1 and 2 in Dual: Setting the Octave You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual, the combination may sound better if one of the voices is shifted up or down an octave.
While holding down the [GRAND PIANO/VOICE] button, press one of the C5F5 keys.
Voice1 Voice2
Reverb in Dual
The reverb type assigned to Voice 1 will take priority. If the reverb assigned to Voice 1 is set to OFF, the reverb assigned to Voice 2 will be in effect.
Voice 1
C5 C#5 D5
Voice 2
D#5 E5 F5
Setting the Balance You can adjust the volume balance between two voices. For example, you can set one voice as the main voice with a louder setting, and make the other voice softer. While holding down the [GRAND PIANO/VOICE] button, press one of the F#5 F#6 keys. A setting of 0 produces an equal balance between the two Dual voices. Settings below 0 increase the volume of Voice 2 in relation to Voice 1, and settings above 0 increase the volume of Voice 1 in relation to Voice 2.
F#5 (-6) F#6 (+6)
C6 (0)
2. While holding down the [GRAND PIANO/VOICE]
button, press one of the C1A1 keys (or press the [GRAND PIANO/VOICE] button) to exit Dual and return to the normal single-voice play.
Adding Variations to the Sound Reverb
This control enables you to select four different types of reverb effect that add extra depth and expression to the sound to create a realistic acoustic ambience.
C2 C#2 D2 D#2 E2
Reverb Type
Room Hall1 Hall2 Stage Off
This setting adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room. For a bigger reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. Simulates the reverb of a stage environment. No effect is applied.
Selecting a Reverb Type While holding down the [GRAND PIANO/VOICE] button, press one of the C2 E2 keys to select a reverb type.
Adjusting Reverb Depth While holding down the [GRAND PIANO/VOICE] button, press one of the C3 G#4 keys to adjust the reverb depth for the selected voice.
G#4: Depth 20
Reverb depth range: 0 (no effect) 20 (maximum depth)
C3: Depth 0
The depth value increases as you press higher keys.
While holding down the [GRAND PIANO/VOICE] button, press the A4 key to set the reverb to the depth most suitable for the selected voice.
The default reverb type (including OFF) and depth settings are different for each voice.
Transposition
The P-70s Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difcult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to +5, playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the P-70 will transpose it to the key of F.
Setting the Touch Sensitivity Type While holding down the [GRAND PIANO/VOICE] button, press one of the A6 C7 keys to select the desired touch sensitivity.
The touch sensitivity settings may have little or no effect with Church Organ 1, 2 and Harpsichord 1, 2 voices that are not normally responsive to keyboard dynamics. Default setting: B6
Connecting MIDI Instruments
The P-70 features MIDI IN/OUT terminals, allowing you to connect the P-70 to other instruments and devicesincluding computersand take advantage of the various performance and recording capabilities in MIDI applications.
Connecting MIDI [IN][OUT] terminals
Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the MIDI Implementation Chart to nd out what MIDI data and commands your devices can transmit or receive. The P-70s MIDI Implementation Chart appears on page 27.
MIDI [IN] [OUT] terminals
Use MIDI cables to connect external MIDI devices to these connectors.
About MIDI
MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/reception. It enables the transfer of performance data and commands between MIDI devices and personal computers. Using MIDI, you can control a connected MIDI device from the P-70, or control the P-70 from a connected MIDI device or computer.
MIDIs Capability
MIDI functions enable you to transfer performance data between MIDI devices.
Before connecting the instrument to other electronic components, turn off the power of all the components.
You cannot transmit the voice demo songs and the 50 piano preset songs from the P-70 to another MIDI device. For MIDI connections, use a standard (optional) MIDI cable, available at most musical instrument stores.
Transferring performance data to and from another MIDI device
MIDI [OUT] terminal MIDI [IN] terminal MIDI cables (optional) MIDI [OUT] terminal MIDI [IN] terminal
Instrument
Transferring MIDI data to and from a computer
MIDI [IN] terminal MIDI [OUT] terminal USB terminal
Computer USB interface
Connecting a Personal Computer
By connecting a computer to the MIDI terminals, you can transfer data between the P-70 and the computer via MIDI.
While holding down the [DEMO/SONG] and [GRAND PIANO/VOICE] buttons, press the C6 key. Pressing the C6 key repeatedly toggles between Local Control On and Off.
Default setting: ON
Program Change ON/OFF
Normally the P-70 will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the same numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The P-70 will normally also send a MIDI program change number whenever one of its voices is selected, causing the same numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the P-70 without affecting the external MIDI device.
While holding down the [DEMO/SONG] and [GRAND PIANO/VOICE] buttons, press the C#6 key. Pressing the C#6 key repeatedly toggles between Program Change On and Off.
C#6 C7
For information on program change numbers for each of the P-70s voices, refer to MIDI Data Format on page 27. Default setting: ON
Control Change ON/OFF
Normally the P-70 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other control settings received from the controlling device (the keyboard voice is not affected). The P70 also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the P-70s pedal and other controls can be operated without affecting an external MIDI device.
While holding down the [DEMO/SONG] and [GRAND PIANO/VOICE] buttons, press the D6 key. Pressing the D6 key repeatedly toggles between Control Change On and Off.
For information on control changes that can be used with the P-70, refer to MIDI Data Format on page 27. Default setting: ON
Troubleshooting
Problem
The P-70 does not turn on.
Possible Cause and Solution
The P-70 has not been plugged in properly. Securely insert the female plug into the socket on the P-70, and the male plug into a proper AC outlet (page 11). The noise may be due to interference caused by the use of a mobile phone in close proximity to the P-70. Turn off the mobile phone, or use it further away from the P-70. The Master Volume is set too low; set it to an appropriate level using the [MASTER VOLUME] control. Make sure a pair of headphones is not connected to the headphones jack (page 12). Make sure that Local Control (page 22) is ON. The pedal cable/plug may not be properly connected. Make sure to securely insert the pedal plug into the proper jack (page 12).
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number) kk = Note number: 00H7FH = C-2G8) vv = Velocity
2. CONTROL CHANGE
BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H.7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Main Volume ccH Parameter 07H Volume MSB Data Range (vvH) 00H.7FH
(3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specied channel. Any notes being held by the sustain or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. When Control Change is turned OFF, Control Change messages will not be transmitted or received. Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with All Note Off transmission). When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. Poly mode is always active. This mode will not change when the instrument receives a MONO/POLY mode message.
(3) Expression (reception only) ccH Parameter Data Range (vvH) 0BH Expression MSB 00H.7FH (4) Sustain ccH Parameter 40H Sustain MSB Data Range (vvH) 00H.7FH
(5) Sostenuto (reception only) ccH Parameter Data Range (vvH) 42H Sostenuto 00H.3FH:off, 40H.7FH:on (6) Soft Pedal (reception only) ccH Parameter Data Range (vvH) 43H Soft Pedal 00H.3FH:off, 40H.7FH:on (7) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H.7FH Adjusts the reverb send level.
(8) Effect4 Depth (Variation Effect Send Level) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H.7FH (9) RPN 65H RPN MSB 64H RPN LSB 06H Data Entry MSB 26H Data Entry LSB 60H Data Increment 61H Data Decrement * Parameters that are controllable with RPN: Coarse Tune Fine Tune Pitch Bend Range
4. PROGRAM CHANGE
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number
P-70 Grand Piano 1 Grand Piano 2 E.Piano 1 E.Piano 2 Church Organ 1 Church Organ 2 Strings Harpsichord 1 Harpsichord 2 Vibraphone MSB LSB # P.C.# 7 12
7. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume
Simultaneously changes the volume of all channels. When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When received, n=0F. X = irrelevant 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive (2) Universal Non-Realtime Message (GM On)
When program change reception is turned OFF, no program change data is transmitted or received. When you specify a program change as a number in the range of 0127, specify a number that is one less than the program change number listed above. For example, to specify program change number 1, you would specify a value of 0.
5. Pitch Bend Change (reception only)
[EnH] -> [ccH] -> [ddH] ccH = LSB ddH = MSB
6. SYSTEM REALTIME MESSAGES
[rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing
General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H]
F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0F. X = irrelevant 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufcient time should be allowed before the next message is sent.
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->.-> [ccH] -> [F7H]
F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0F. When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufcient time for processing to execute (about 50 msec) before sending the P-70 another message. XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). For information about the Address and Byte Count values, refer to Table 1 below. Note that the tables Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address.
9. SYSTEM EXCLUSIVE MESSAGES (Digital Piano MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H]
F0H = 43H = 73H = 01H = xxH = nn 02H 03H 06H F7H = Exclusive status Yamaha ID Digital Piano ID Product ID (digital piano common) Substatus Control Internal MIDI clock External MIDI clock Bulk Data (the bulk data follows 06H) End of Exclusive
<Table 1>
MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 020C05F4(*1) 1 7E 7F TOTAL SIZE 07 007F Parameter MASTER TUNE Description -50+50[cent] 1st bit 30 bit 1512 2nd bit 30 bit 118 3rd bit 30 bit 74 4th bit 30 bit 00=XG sytem ON 00=ON (receive only) Default value (H) 400
MASTER VOLUME XG SYSTEM ON RESET ALL PARAMETERS
*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.
<Table 2>
MIDI Parameter Change table (EFFECT 1)
Refer to the Effect MIDI Map for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 00 Size (H) 2 Data (H) 007F 007F Parameter REVERB TYPE MSB REVERB TYPE LSB Description Refer to Effect MIDI Map 00 : basic type Refer to Effect MIDI Map 00 : basic type Default value (H) 01 (=HALL1) (=Effect off) 00
Electronic Piano
P-70/P-70S
Owners Manual Bedienungsanleitung Mode demploi Manual de instrucciones
EN DE FR ES
ESPAOL
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SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25 cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ve years. When replacement becomes necessary, contact a qualied service representative to perform the replacement. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and / or accessory mounting xtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional xtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
Model Serial No. Purchase Date
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
92-BP (bottom)
PLEASE KEEP THIS MANUAL
P-70 Manual de instrucciones
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:
1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply. 2. Main Power Supply Verication: Yamaha products are manufactured specically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verication and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. 3. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. 4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specically recommended by Yamaha. 5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25 cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. 6. Ventilation: Electronic products, unless specically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. 7. Temperature considerations: Electronic products should be installed in locations that do not signicantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. 9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. 10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical storm activity. 11. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist. 12. Electrical/electronic products should be serviced by a qualied service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged. 13. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualied service personnel. 14. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. 15. Some Yamaha products may have benches and/or accessory mounting xtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional xtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
1. NOTE ON/OFF
Data format: [9nH] -> [kk] -> [vv]
9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H78H = A-2C8 / Receive: 00H7FH = C-2G8) vv = Velocity (Key ON = 01H7FH, Key OFF = 00H)
3. MODE MESSAGES
Data format: [BnH] -> [cc] -> [vv]
BnH = Control event (n = channel number) cc = Control number vv = Data Range (1) All Sound Off ccH Parameter 78H All Sound Off (2) Reset All Controllers ccH Parameter 79H Reset All Controllers Resets controllers as follows. Controller Expression Sustain Pedal Sostenuto Soft Pedal Data Range (vvH) 00H Data Range (vvH) 00H Value 127 (max) 0 (off) 0 (off) 0 (off)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number) kk = Note number: 00H7FH = C-2G8) vv = Velocity
2. CONTROL CHANGE
BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H.7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Main Volume ccH Parameter 07H Volume MSB Data Range (vvH) 00H.7FH
(3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specied channel. Any notes being held by the sustain or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. When Control Change is turned OFF, Control Change messages will not be transmitted or received. Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with All Note Off transmission). When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. Poly mode is always active. This mode will not change when the instrument receives a MONO/POLY mode message.
(3) Expression (reception only) ccH Parameter Data Range (vvH) 0BH Expression MSB 00H.7FH (4) Sustain ccH Parameter 40H Sustain MSB Data Range (vvH) 00H.7FH
(5) Sostenuto (reception only) ccH Parameter Data Range (vvH) 42H Sostenuto 00H.3FH:off, 40H.7FH:on (6) Soft Pedal (reception only) ccH Parameter Data Range (vvH) 43H Soft Pedal 00H.3FH:off, 40H.7FH:on (7) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H.7FH Adjusts the reverb send level.
(8) Effect4 Depth (Variation Effect Send Level) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H.7FH (9) RPN 65H RPN MSB 64H RPN LSB 06H Data Entry MSB 26H Data Entry LSB 60H Data Increment 61H Data Decrement * Parameters that are controllable with RPN: Coarse Tune Fine Tune Pitch Bend Range
4. PROGRAM CHANGE
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number
P-70 Grand Piano 1 Grand Piano 2 E.Piano 1 E.Piano 2 Church Organ 1 Church Organ 2 Strings Harpsichord 1 Harpsichord 2 Vibraphone MSB LSB # P.C.# 7 12
7. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume
Simultaneously changes the volume of all channels. When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When received, n=0F. X = irrelevant 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive (2) Universal Non-Realtime Message (GM On)
When program change reception is turned OFF, no program change data is transmitted or received. When you specify a program change as a number in the range of 0127, specify a number that is one less than the program change number listed above. For example, to specify program change number 1, you would specify a value of 0.
5. Pitch Bend Change (reception only)
[EnH] -> [ccH] -> [ddH] ccH = LSB ddH = MSB
6. SYSTEM REALTIME MESSAGES
[rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing
General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H]
F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0F. X = irrelevant 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufcient time should be allowed before the next message is sent.
Data F8H FAH
Transmission Transmitted every 96 clocks Song start
Song stop
Transmitted every 200 milliseconds
Reception Received as 96-clock tempo timing when MIDI clock is set to External. Song start Not received when the MIDI clock is set to Internal. Song stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received.
If an error occurs during MIDI reception, the Sustain, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs.
8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
10. SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H]
F0H = 43H = 73H = 7FH = 4BH = 11H = 0nH = cc = vv = F7H = Exclusive status Yamaha ID Digital Piano ID Extended Product ID Product ID Special control Control MIDI change (n=channel number) Control number Value End of Exclusive
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] -> [F7H]
F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0F. When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When the XG System On message is received, the MIDI system will be reset to its default settings. The message requires approximately 50ms to execute, so sufcient time should be allowed before the next message is sent. (2) XG Native Bulk Data (reception only)
Control Channel ccH vvH Channel Detune ch: 00H0FH 43H (Sets the Detune value for each channel) 00H7FH Voice Reserve ch: 00H0FH 45H 00H : Reserve off 7FH : on* * When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal.
11. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = irrelevant (under 7FH) F7H = End of Exclusive
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->.-> [ccH] -> [F7H]
F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0F. When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufcient time for processing to execute (about 50 msec) before sending the P-70 another message. XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). For information about the Address and Byte Count values, refer to Table 1 below. Note that the tables Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address.
9. SYSTEM EXCLUSIVE MESSAGES (Digital Piano MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H]
F0H = 43H = 73H = 01H = xxH = nn 02H 03H 06H F7H = Exclusive status Yamaha ID Digital Piano ID Product ID (digital piano common) Substatus Control Internal MIDI clock External MIDI clock Bulk Data (the bulk data follows 06H) End of Exclusive
<Table 1>
MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 020C05F4(*1) 1 7E 7F TOTAL SIZE 07 007F Parameter MASTER TUNE Description -50+50[cent] 1st bit 30 bit 1512 2nd bit 30 bit 118 3rd bit 30 bit 74 4th bit 30 bit 00=XG sytem ON 00=ON (receive only) Default value (H) 400
MASTER VOLUME XG SYSTEM ON RESET ALL PARAMETERS
*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.
<Table 2>
MIDI Parameter Change table (EFFECT 1)
Refer to the Effect MIDI Map for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 00 Size (H) 2 Data (H) 007F 007F Parameter REVERB TYPE MSB REVERB TYPE LSB Description Refer to Effect MIDI Map 00 : basic type Refer to Effect MIDI Map 00 : basic type Default value (H) 01 (=HALL1) (=Effect off) 00
007F VARIATION TYPE MSB 007F VARIATION TYPE LSB VARIATION refers to the EFFECT on the panel.
<Table 3>
MIDI Parameter Change table (MULTI PART)
Address (H) Size (H) 08 nn nn = Part Number Data (H) 007F Parameter DRY LEVEL Description 0127 Default value (H) 7F
Effect MIDI Map
REVERB ROOM HALL 1 HALL 2 STAGE OFF EFFECT CHORUS PHASER TREMOLO ROTARY SP OFF MSB 42H 48H 46H 47H 00H LSB 10H 10H 10H 10H 00H MSB 02H 01H 01H 03H 00H LSB 10H 10H 11H 10H 00H
MIDI Implementation ] Chart YAMAHA [ Electronic Piano
Model P-70 MIDI Implementation Chart Function Basic Channel Mode Default Changed Default Messages Altered Transmitted 1 - 16
Date : 08-APR-2005 Version : 1.0 Recognized Remarks
1 - - 16 3
************** 0 - 127 **************
Note Number : True voice Velocity
0 - - 127
Note ON 9nH,v=1-127 Note OFF Key's Ch's
9nH,v=1-127
After Touch Pitch Bend Control Change
0 - 24 semi Bank Select Modulation Main Volume Panpot Expression Data Entry Sustain Portamento Control Effect Depth RPN Inc,Dec RPN LSB,MSB
0,11 6,66,91,94 96-97 100-101
Prog Change
True #
0 - 127 **************
0 - 127
System Exclusive Common
: Song Pos. : Song Sel. : Tune
System : Clock Real Time : Commands Aux : : : Mes- : sages: : Notes: All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset
(120,126,127) (121) (122) (123-125)
Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO
: Yes : No
Specications / Technische Daten / Caractristiques techniques / Especicaciones
Keyboard Sound Source Polyphony (Max.) Voice Selection Effect Volume Controls Pedal Demo Songs Jacks/Connectors Main Ampliers Speakers Dimensions (W D H) Weight Accessories
* * * *
88 keys (A-1C7) AWM Stereo Sampling Reverb Master Volume Dual, Transpose, Touch (Hard/Medium/Soft/Fixed) SUSTAIN PEDAL* 10 voice Demo Songs, 50 preset Songs MIDI (IN/OUT), PHONES 2, DC IN 12V, PEDAL 6W2 (12 cm 6 cm) 2 1,330 mm 355 mm 133 mm [52-3/8" 14" 5-1/4"] (1,330 mm 402 mm 319 mm) [52-3/8" 15-13/16" 12-9/16"] 13 kg (28 lbs. 11 oz.) Owners Manual, Yamaha PA-5D power adaptor, Pedal (FC5), Music Rest
When an optional FC3 Foot Pedal is connected, the half-damper pedal effect can be used. Wenn ein optionales Fupedal FC3 angeschlossen wird, kann der Halbdmpferpedal-Effekt verwendet werden. Lorsqu'une pdale au pied FC3 en option est connecte, vous pouvez utiliser l'effet de pdale mi-course. Cuando est conectado un pedal FC3 opcional, se puede utilizar el efecto de medio pedal amortiguador.
* Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. * Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behlt sich das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankndigung zu verndern oder zu modizieren. Da die technischen Daten, das Gert selbst oder Sonderzubehr nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Hndler in Verbindung. * Les caractristiques techniques et les descriptions du mode demploi ne sont donnes que pour information. Yamaha Corp. se rserve le droit de changer ou modier les produits et leurs caractristiques techniques tout moment sans aucun avis. Du fait que les caractristiques techniques, les quipements et les options peuvent diffrer dun pays lautre, adressez-vous au distributeur Yamaha le plus proche. * Las especicaciones y descripciones de este manual del propietario tienen slo el propsito de servir como informacin. Yamaha Corp. se reserva el derecho a efectuar cambios o modicaciones en los productos o especicaciones en cualquier momento sin previo aviso. Puesto que las especicaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite informacin a su distribuidor Yamaha.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/ uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
(class B)
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
OBSERVERA! Apparaten kopplas inte ur vxelstrmskllan (ntet) s lnge som den ar ansluten till vgguttaget, ven om sjlva apparaten har stngts av. ADVARSEL:Netspendingen til dette apparat er IKKE afbrudt, slenge netledningen siddr i en stikkontakt, som er t endt ogs selvom der or slukket p apparatets afbryder. VAROITUS:Laitteen toisiopiiriin kytketty kyttkytkin ei irroita koko laitetta verkosta.
(standby)
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous gurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
THE NETHERLANDS/ BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH, Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040
THE PEOPLES REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211
U.S.A.
Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011
FRANCE
Yamaha Musique France BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000
HONG KONG
Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
Yamaha Musica Italia S.P.A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
INDONESIA
PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de Mxico S.A. de C.V. Calz. Javier Rojo Gmez #1149, Col. Guadalupe del Moral C.P. 09300, Mxico, D.F., Mxico Tel: 55-5804-0600
SPAIN/PORTUGAL
Yamaha-Hazen Msica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888
Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0660
BRAZIL
Yamaha Musical do Brasil Ltda. Av. Reboucas 2636-Pinheiros CEP: 05402-400 Sao Paulo-SP. Brasil Tel: 011-3085-1377
GREECE
Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900
SWEDEN
Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-Gteborg, Sweden Tel: 34 00
ARGENTINA
Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021
PHILIPPINES
Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
DENMARK
YS Copenhagen Liaison Ofce Generatorvej 6A DK-2730 Herlev, Denmark Tel: 49 00
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311
SINGAPORE
Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374
FINLAND
F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
TAIWAN
Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700
NORWAY
Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70
THAILAND
Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 oor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626
ICELAND
Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000
IRELAND
Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177
OTHER ASIAN COUNTRIES
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317
GERMANY
Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
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