7 NOTE SHIFT button

For changing the key transposition setting of the instrument. (See page 15.) Also used with the MASTER TUNE button for playing the Demo song. (See page 7.)

UTILITY Controls

8 TOUCH button
For changing the touch (velocity) response of the instrument. (See page 16.) Also for changing the Device Number setting. (See page 19.) Also used with the MIDI CH button for changing the Receive Mode of the instrument. (See page 20.)
9 MIDI CH (Channel) button
For setting the MIDI Receive channel for the instrument. (See page 17.) Also for setting the MIDI OUT setting. (See page 21.) Also used with the TOUCH button for changing the Receive Mode of the instrument. (See page 20.)
10 LED display 11 DATA dial
For adjusting values or changing settings of the various parameters.
12 EQ sliders (LOW, MID, HIGH)
For making fine changes to the tonal quality of the sound. (See page 13.)

Rear Panel

1 MIDI OUT/IN terminals
For connection to other MIDI devices, such as a MIDI keyboard, tone generator, sequencer, or to a computer that has a MIDI interface. (See pages 46 for more information on MIDI connections.)

2 DC IN jack

For connection to the PA-3B AC power adaptor.
3 OUTPUT R, L/MONO jacks (Right, Left/Mono)
For connection to a stereo amplifier/speaker system. When using a mono system, connect it to the L/MONO jack.
Setting Up and Playing Your P50-m
In this section, youll learn how to set up the P50-m for use with a MIDI keyboard. Youll also learn how to set it up for use with a computer or sequencer and a second tone generator. Finally, youll learn how to play the Demo song and hear the realistic and dynamic Voices of the P50-m.

What Youll Need

t The P50-m and the included power adaptor. t A MIDI keyboard, electronic piano, or any instrument that can
output MIDI data. t An amplifier/speaker system, preferably stereo. Alternately, you can use a set of stereo headphones. t Audio connecting cables. t A MIDI cable.

Making the Connections

Before making any connections, make sure that all equipment to be connected is turned off, and that the P50-m power adaptor is not connected to an electrical outlet.

Powering Up 1. 2. 3. 4.

If you havent done so already, press the POWER/VOL control on the P50-m. Turn on the power of your MIDI keyboard. Make sure that all volume controls (on the P50-m and the connected amplifier) are turned down. Then, turn on the power of your amplifier speaker system. Finally, set the volume control on the P50-m to about the midway position initially (you can raise it later if needed), and set the volume on the amplifier to a suitable level.

Playing the Demo Song

Now that youve set everything up properly, try playing the builtin Demo Song. This showcases the high-quality Voices and the AWM2 tone generation system of the P50-m. Simultaneously press the MASTER TUNE and NOTE SHIFT buttons.
The Demo song for the selected Voice starts playing immediately and repeats indefinitely until stopped (by pressing any panel button). (The LEDs and lamps flash in a pattern during playback.) More about Demo Song There are actually two Demo Song modes. In the Single Demo Play mode (described above), the currently selected Voice is used for the Demo song. Each Voice has its own Demo song, specially programmed to suit and showcase that particular Voice. In the All Demo Play mode (described below), all Demo songs can be played back in succession.

Playing all Demo Songs

With the power off, simultaneously hold down the MASTER TUNE and NOTE SHIFT buttons and turn the power on.

Hold down

Push (power off)
Demo song number 1 (for Voice 01) starts playing immediately and is followed by the other Demo songs in succession. Playback of all songs repeats indefinitely until stopped (by pressing any panel button). (The LEDs and lamps flash in a pattern during playback.)
Using the All Demo Play mode resets the P50-m to the original factory settings. If you have made custom settings that you want to keep, make a note of them before using All Demo Play.

Operation Guide

Voice Controls

Selecting a Voice

The P50-m has 28 different piano and other keyboard Voices. (See list on page 30.) These can be selected either from the panel controls or remotely from a connected MIDI device. Range: 01 29

Press the SELECT button.

Lamp lights.
Use the DATA dial to change the Voice number.
Voice number (program number)
Play this new Voice from the connected keyboard (or other device). Try selecting other Voices and playing them as well. (For a list of all available Voices, see page 30.)
The polyphony (maximum simultaneous notes) of the P50-m is 32. However, for two-layered Voices (see page 30), this is reduced to 16.

Changing the Master Tune Setting
Master Tune is especially useful for adjusting the pitch of the P50-m when playing with other instruments. The normal setting is 440 Hz (or 00 cents). Range: Hz (cents)
Press the MASTER TUNE button.
Use the DATA dial to change the Master Tune setting.

Master Tune setting.

To switch the LED between displaying the value in Hertz (Hz) or cents, double-click the MASTER TUNE button (press it twice quickly).
Changing the Note Shift Setting
Note Shift is especially useful for instantly transposing the key of the P50-m. The normal setting is 00. Range: semitones (/+ one octave)
Press the NOTE SHIFT button.
Use the DATA dial to change the Note Shift setting.

Note Shift setting.

Utility Controls
The Utility controls, TOUCH and MIDI CH (Channel), let you access some of the other important functions of the P50-m.
Changing the Touch Sensitivity
This function lets you determine how the volume of the P50-ms Voices respond to your playing touch (velocity). Eight different Touch Sensitivity settings (or curves) are available, letting you tailor the response to your own preference. Settings: 1 8

Press the TOUCH button.

Use the DATA dial to change the Touch Sensitivity setting.
Touch Sensitivity setting.

Settings:

Normal Easy 1 Easy 2 Easy 3 Hard 1 Hard 2 Cross 1 Cross 2
The Normal (1) setting provides standard touch response. Easy 1 to 3 allow you to produce a reasonably high volume with a soft, light touch (low velocities). Hard 1 and 2 produce high volume only with a hard, strong touch (high velocities). Cross 1 and 2 produce nearly the same volume no matter how soft or hard the touch.
Changing the MIDI Receive Channel
In order to properly use the P50-m with another MIDI device, the MIDI channels on both machines must match. The MIDI Receive Channel setting allows you to set which MIDI channel the P50-m responds over. The ALL setting allows the P50-m to respond over all 16 MIDI channels. Settings: 01 16, ALL
Press the MIDI CH button.
Use the DATA dial to change the MIDI Receive Channel setting.
MIDI Receive Channel setting.

Advanced Functions

The advanced functions are special functions not generally used in normal operation, but for specific applications. These are also hidden functions, accessed by double-clicking a button or pressing two buttons together.

Program Change Table

The Program Change Table setting is for use with XG applications, specifically when using the P50-m to replace the piano sounds of a connected second tone generator. Settings: off (oFF), on Normally (and when power is turned on), this is set to oFF. When set to oFF, the P50-m responds only to program changes 0 28. All other numbers are ignored, and the last selected Voice stays active. When set to on, the P50-m functions as a XG module for piano parts only. In this case, program changes (0 5, 7) corresponding to piano parts (according to XG) will select similar Voices on the P50-m, and all other numbers select a blank silent Voice (Voice No. 29). This ensures that the P50-m will play only the piano parts in XG song data.

Receive Mode setting.

Changing the MIDI OUT Setting
The MIDI OUT setting determines what incoming MIDI data is relayed via MIDI OUT terminal on the rear panel. With ot1, all incoming MIDI data (over all MIDI channels) is relayed via the MIDI OUT terminal. With ot2, data received over the selected MIDI Receive Channel (see page 17) is filtered out, and only the data on the other channels is relayed. Generally, when connecting another tone generator to the MIDI OUT and using the P50-m with a sequencer or computer, this should be set to ot2.
If MIDI Receive Channel is set to ALL or the Voice number is set to 29 (no sound), all incoming MIDI data is relayed, regardless of the MIDI OUT setting.

Settings: ot1, ot2

Double-click the MIDI CH button (press it twice quickly).
Use the DATA dial to change the MIDI OUT setting.

MIDI OUT setting.

Factory Set
This function restores the original factory settings of the P50-m. When you make changes to the various controls of the P50-m, the new settings automatically replace the original factory settings and are retained in memory even when power is turned off. Use Factory Set to cancel your own settings and restore the factory settings.
Keep in mind that this function completely alters any changes you have made to the settings. If you want to keep your custom settings, make a note of them before using Factory Set.
Simultaneously hold down the SELECT button and turn the power on. (The message FAc appears in the display.)
Hold down Push (power on)
Factory Set resets the following parameters and values:
Voice Number Brightness Reverb Send Master Tune Note Shift Touch MIDI Channel Program Change Table Device Number Receive Mode MIDI OUT Mode (all voices) (varies according to the Voice) 440 (Hz) 01 off ALL ALL ot1

Troubleshooting

Even though the P50-m is exceptionally easy to use, it may occasionally not function as you expect it to. If that happens, check the possible problems and solutions below before assuming that the instrument is faulty.

Problem No power.

Possible Cause and Solution If you are using an AC adaptor, check that the adaptor is properly plugged into both the AC outlet and the P50-m (See page 4.) Check that: The panel volume control is set to an appropriate level. All connections have been properly made, including the PHONES jack (if used), external amplifier/speaker system, and MIDI. The MIDI channel settings on the P50-m match those of the connected device. One of the valid Voices (numbers 028) has been selected. Voice number 29 has no sound, and the P50-m has no Voices beyond 29. Check all MIDI connections, making sure that the MIDI OUT of the external device is connected to the MIDI IN of the P50-m, and that the MIDI IN of the external device is connected to the MIDI OUT of the P50-m. (See pages 45.) Also, make sure that you have turned on the connected MIDI instrument or computer before turning on the P50-m. If you havent, simply turning the P50-m off and back on again may solve the problem. Try setting the MIDI OUT setting to ot2.

No sound.

No sound when playing the P50-m from a computer, sequencer or external keyboard.
Devices connected to MIDI OUT do not sound.
Problem Sound is distorted.
Possible Cause and Solution Check all volume settings, especially on the external amplifier/speaker system. Check that incoming volume and expression data is set appropriately (not at or near minimum). Check: The program change messages on your MIDI software. The Bright and EQ settings on the P50-m. Check the Master Tune and Note Shift settings. Also, make sure that there are no incoming MIDI detune messages. The maximum polyphony of the P50-m may be exceeded. The P50-m can play no more than 32 notes at once; for the two-layered Voices, this is reduced to 16 (see page 27). Check that appropriate Reverb return and Chorus return messages are being sent.

Volume is too low.

Sound is incorrect or unexpected.

Pitch is incorrect.

Notes are cut off or omitted.
Cannot set Reverb and Chorus effects via MIDI.

Error Messages

The battery voltage (for internal memory backup) may be too low. Bring the unit to your local Yamaha dealer or any other autorized Yamaha service personnel.

Factory Set.. 22

MASTER TUNE button. 2, 7, 14 Master Tune.. 14 MIDI CH button.. 2, 17, 20, 21 MIDI Data Format.. 33 MIDI Implementation Chart. 42 MIDI IN/OUT terminals. 3, 46 MIDI OUT setting.. 6, 21 MIDI Receive Channel. 4, 6, 17 Utility controls.. 16
VOICE SELECT button. 1, 9, 18 Voice controls.. 9 Voice List.. 30 Voice, selecting.. 9 Voices, selecting from MIDI keyboard. 10
NOTE SHIFT button.. 2, 7, 15 Note Shift... 15

Voice List

PGM NO. VOICE NAME STEREO/MONO (Note 1) Layer (Note 2) Example of the Program Change Table setting (Note 3) BANK NUMBER (LSB) 27 PROGRAM CHANGE NUMBER 7 8`
29 (Note 1) (Note 2) (Note 3)

BRIGHTPIANO

STEREO* STEREO MONO* MONO

DARKPIANO GRAND PIANO

STEREO STEREO* STEREO MONO* MONO
DANCE HONKYTONK HYBRIDPIANO CP80
STEREO STEREO MONO MONO MONO*
CP80 WITH CHORUS DXEP DX PAD DX EP WITH CHORUS ROADS ROADSWITHCHORUS SOFTROADS HARDROADS DYNO RESONANTDYNO DYNO WITH CHORUS WURLI CLAVI CLAVI WITH WAH (no sound)
MONO MONO MONO MONO MONO MONO MONO MONO MONO MONO MONO MONO MONO MONO

*: stretch-tuned

The polyphony of the P50-m is 32. However, for two-layered voices, this is reduced to 16. The setting samples when the Program Change Table is set to on. (See page 18.)

E ff e c t L i s t s

Effect Type List

REVERB

Exclusive MSB LSB Effect Type NOEFFECT HALL1 HALL2 ROOM1 ROOM2 ROOM3 STAGE1 STAGE2 PLA TE WHITE ROOM TUNNEL BASEMENT Description Effect turned off. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb appropriate for a solo instrument. Reverb appropriate for a solo instrument. Reverb simulating a metal plate reverb unit. A unique short reverb with a bit of initial delay. Simulation of a tunnel space expanding to left and right. A bit of initial delay followed by reverb with a unique resonance.

CHORUS

Exclusive MSB LSB Effect Type NOEFFECT CHORUS1 CHORUS2 CHORUS3 CHORUS4 CELESTE1 CELESTE2 CELESTE3 CELESTE4 FLANGER1 FLANGER2 FLANGER3 Description Effect turned off. Conventional chorus program that adds natural spaciousness. Conventional chorus program that adds natural spaciousness. Conventional chorus program that adds natural spaciousness. Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound. A 3-phase LFO adds modulation and spaciousness to the sound. A 4-phase LFO adds modulation and spaciousness to the sound. A 5-phase LFO adds modulation and spaciousness to the sound. CELESTE with stereo input. The pan setting specified for the Part will also apply to the effect sound. Adds a jet-airplane effect to the sound. Adds a jet-airplane effect to the sound. Adds a jet-airplane effect to the sound. *LSB=0 selects the basic type.

table#6 Reverb Width; Depth; Height (meter)
Data 42 Value 0.5 0.8 1.0 1.3 1.5 1.8 2.0 2.3 2.6 2.8 3.1 3.3 3.6 3.9 4.1 4.4 4.6 4.9 5.2 5.4 5.7 5.9 6.2 6.5 6.7 7.0 7.2 7.5 7.8 8.0 8.3 8.6 8.8 9.1 9.4 9.6 9.9 10.2 10.4 10.7 11.0 11.2 11.5 Data 85 Value 11.8 12.1 12.3 12.6 12.9 13.1 13.4 13.7 14.0 14.2 14.5 14.8 15.1 15.4 15.6 15.9 16.2 16.5 16.8 17.1 17.3 17.6 17.9 18.2 18.5 18.8 19.1 19.4 19.7 20.0 20.2 20.5 20.8 21.1 21.4 21.7 22.0 22.4 22.7 23.0 23.3 23.6 23.9 Data 104 Value 24.2 24.5 24.9 25.2 25.5 25.8 26.1 26.5 26.8 27.1 27.5 27.8 28.1 28.5 28.8 29.2 29.5 29.9 30.2

MIDI Data Format

1. Channel voice messages

1.1 Note Off

1000nnnn 0kkkkkkk 0vvvvvvv 8n kk vv Status Note No. Velocity n=channel number k=0 (C-2)~127 (G8) v=0~127 1.4.4 Data Entry Cntrl No. parameter 6 Data Entry MSB 38 Data Entry LSB Data Range 0~127 0~127 Used to set the value of the parameter specified by RPN and NRPN. 1.4.5 Main Volume Cntrl No. parameter 7 Main Volume
Velocity is not received. Not received when the Part Parameter setting Rcv NOTE MESSAGE = OFF.

1.2 Note On / Note Off

1001nnnn 0kkkkkkk 0vvvvvvv 9n kk vv Status Note No. Velocity n= channel number k=0 (C-2)~127 (G8) v=0: Note off, v=1~127: Note on

Data Range 0~127

Volume is not received when the Part Parameter setting Rcv VOLUME = OFF. 1.4.6 Pan Cntrl No. 10
Velocity is received only for Note On. Not received when the Part Parameter setting Rcv NOTE MESSAGE = OFF.

parameter Pan

1.3 Polyphonic Aftertouch
1010nnnn 0kkkkkkk 0vvvvvvv An kk vv Status Note No. Value n= channel number k=0 (C-2)~127 (G8) v=0~127 1.4.7
0 is left, 127 is right. Pan is not received when the Part Parameter setting Rcv PAN = OFF. Expression Cntrl No. parameter 11 Expression
With the default settings, has no function. Polyphonic Aftertouch is not received when the Part Parameter setting Rcv POLYPHONIC AFTER TOUCH = OFF. The effect will apply only to the range of note numbers 36~97.
Expression is not received when the Part Parameter setting Rcv EXPRESSION = OFF. 1.4.8 Hold1 Cntrl No. 64

parameter Hold1

Data Range 0~127 (0-63:off, 64-127:on)

1.4 Control Changes

1011nnnn 0ccccccc Bn cc Status n= channel number Control No. The range of possible values for c is described in section 1.4.1 and following. Control Value v=0~127
Hold1 is not received when the Part Parameter setting Rcv HOLD1 = OFF. 1.4.9 Portamento Cntrl No. parameter 65 Portamento

0vvvvvvv

Control Changes are not received when the Part Parameter setting Rcv CONTROL CHANGE = OFF. 1.4.1 Bank Select Cntrl No. parameter 0 Bank Select MSB 32 Bank Select LSB

2.4 Omni Off

1011nnnn Bn 7C 00 Status n= channel number Control No. Control Value
Program Change messages are not received when the Part Parameter setting Rcv PROGRAM CHANGE = OFF. When MIDI PROGRAM CHANGE TABLE = OFF, values other than 0~28 are ignored.
This performs the same processing as when All Note Off is received.
2.5 Omni On 1.6 Channel Aftertouch
1101nnnn 0vvvvvvv Dn vv Status Value n= channel number v=0~127 1011nnnn Bn 7D 00 Status n= channel number Control No. Control Value
With the default settings, this has no function. Channel Aftertouch messages are not received when the Part Parameter setting Rcv CHANNEL AFTER TOUCH = OFF.

2.6 Mono

1011nnnn Bn 7E 00 Status n= channel number Control No. Control Value

1.7 Pitch Bend Change

1110nnnn 0lllllll 0mmmmmmm En ll mm Status Value LSB Value MSB n= channel number
Pitch Bend Change messages are not received when the Part Parameter setting Rcv PITCH BEND CHANGE = OFF.
This performs the same processing as when All Sound Off is received, and if the 3rd byte (the mono number) is in the range 0~16, sets the instrument to Mode 4 (m=1).

2.7 Poly

2. Channel Mode Messages

2.1 All Sound Off

1011nnnn Bn Status n= channel number Control No. Control Value
1011nnnn 01111111 00000000

Bn 7E 00

Status n= channel number Control No. Control Value
This performs the same processing as when All Sound Off is received, and sets the instrument to Mode 3.
All sounding notes on the corresponding channel will be silenced. However the status of channel messages such as Note On and Hold On will be maintained.
3. System Exclusive Messages

3.1 Parameter Changes

This instrument receives the following parameter changes. [ UNIVERSAL REALTIME MESSAGE ] 1) Master Volume [ UNIVERSAL NON REALTIME MESSAGE ] 1) General MIDI Mode On [ XG NATIVE ]
2.2 Reset All Controllers
The values of the following controllers will change. Controller Pitch Bend Range Channel Aftertouch Polyphonic Aftertouch Modulation Expression Hold Portamento Sostenuto Soft Pedal Portamento Control RPN NRPN Setting value +/0 (center) 0 (off) 0 (off) 0 (off) 127(maximum) 0 (off) 0 (off) 0 (off) 0 (off) Reset the Portamento Source Note number that was received Number un-specified, internal data not changed. Number un-specified, internal data not changed.

3.2 Bulk Dump

This instrument receives the following bulk data. [ XG NATIVE ] 1) XG System Data 2) Multi Effect1 Data 3) Part Data [ P50-m NATIVE ] 1) P50-m System data 3.2.1 XG Native Bulk Dump 11110000 F0 Exclusive status YAMAHA ID 0000nnnn 0n Device No. 01001100 4C XG Model ID 0bbbbbbb bb Byte Count 0bbbbbbb bb Byte Count 0aaaaaaa aa Address High 0aaaaaaa aa Address Mid 0aaaaaaa aa Address Low Data | | 0ccccccc cc Check-sum 11110111 F7 End of Exclusive For the Address and Byte Count, refer to the accompanying tables. Check sum is the value which produces a lower 7 bits of zero when the Start Address, Byte Count, and Check-sum itself are added.
513 bytes or more shall not be received at one time. Thus, if a dump request for 513 bytes or more is received, the data must be divided into packets of 512 bytes or less, and the packets transmitted with an appropriate time interval (120 msec or more). 3.2.1.1 XG System Data bulk dump Refer to tables <1-1> and <1-2>. 3.2.1.2 Multi Effect1 Data bulk dump Refer to tables <1-1> and <1-3>. 3.2.1.3 Part Data bulk dump Refer to tables <1-1> and <1-4>. 3.2.2 P50-m Native bulk dump 11110000 F0 Exclusive status YAMAHA ID 0000nnnn 0n Device No. P50-m Model ID 0bbbbbbb bb Byte Count 0bbbbbbb bb Byte Count 0aaaaaaa aa Address High 0aaaaaaa aa Address Mid 0aaaaaaa aa Address Low Data | | 0ccccccc cc Check-sum 11110111 F7 End of Exclusive For the Address and Byte Count, refer to the accompanying tables. Check sum is the value which produces a lower 7 bits of zero when the Start Address, Byte Count, and Check-sum itself are added. 513 bytes or more shall not be received at one time. Thus, if a dump request for 513 bytes or more is received, the data must be divided into packets of 512 bytes or less, and the packets transmitted with an appropriate time interval (120 msec or more). 3.2.2.1 P50-m System Data bulk dump Refer to tables <2-1> and <2-2>.

5.2 When MIDI OUT=ot2

Data other than Key ON/OFF messages of the receive channel specified by MIDI CH will be re-transmitted (thru out). However if the Receive Channel is set to ALL, or if the voice number is 29 (Silence), all data will be re-transmitted (thru out) without change. When the setting is changed from ot1 to ot2, the change is made simply, without performing any management of notes which may be currently on. In some cases this can cause problems; switching the setting to ot2 while notes are on can cause stuck notes on a tone generator connected to MIDI OUT.

00-7F 00-7F 00-7F 00-7F 00-7F 00-7F
REVERB PARAMETER 11 [L2-OP] refer to Effect Parameter List REVERB PARAMETER 12 [L2-OP] " REVERB PARAMETER 13 [L2-OP] " REVERB PARAMETER 14 [L2-OP] " REVERB PARAMETER 15 [L2-OP] " REVERB PARAMETER 16 [L2-OP] "
depends on reverb type " " " " "
2A 2B 2C 2D 2E TOTAL SIZE
00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 01-7F 00-7F
CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARAMETER 1 CHORUS PARAMETER 2 CHORUS PARAMETER 3 CHORUS PARAMETER 4 CHORUS PARAMETER 5 CHORUS PARAMETER 6 CHORUS PARAMETER 7 CHORUS PARAMETER 8 CHORUS PARAMETER 9 CHORUS PARAMETER 10 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB
refer to Effect Program List 00 : basic type refer to Effect Parameter List " " " " " " " " " dB0dB+6dB(064127) L63.C.R63(1.64.127) dB0dB+6dB(064127)
depends on voice number 00 depends on chorus Type " " " " " " " " " depends on voice number depends on voice number depends on voice number
00-7F List depends on chorus Type 00-7F 00-7F 00-7F 00-7F 00-7F TOTAL SIZE 6
CHORUS PARAMETER 11 [L2-OP] CHORUS PARAMETER 12 [L2-OP] CHORUS PARAMETER 13 [L2-OP] CHORUS PARAMETER 14 [L2-OP] CHORUS PARAMETER 15 [L2-OP] CHORUS PARAMETER 16 [L2-OP]
refer to Effect Parameter " " " " " " " " " "
When the voice number is changed, EFFECT 1 will have the value that is preset for the new voice number.

< Table 1-4 >

MIDI Parameter Change table ( PART ) [XG]
Address (H) 06 Size (H) 1 Data (H) 00 - 7F 00 - 7F 00 - 1C 00 - - - 02 Parameter NOT USED BANK SELECT MSB BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL MONO/POLY MODE SAME NOTE NUMBER KEY ON ASSIGN NOT USED NOTE SHIFT DETUNE Description 0 - - - - 16,ALL 0:MONO 1:POLY 0:SINGLE 1:MULTI 12 - +12[semitones] 12.8 - +12.7[Hz] 1st bit3-0bit7-4 2nd bit3-0bit3-- - - 127 0/random, 1/L63 - 64/C - 127/R63 C-2 - G8 C-2 - G- - - +- +- +- - +- +- +- +- +24[semitones] 9600 - +9450[cent] 64 - +- - - - +24[semitones] 9600 - +9450[cent] 64 - +- +100[%] 100 - +100[%] 100 - +100[%] Default value (H) 01 00
0A 0B 0C 0D 0E 0F 1A 1B 1C 1D 1E 1F 1

34 - 4C 00 - FF

00 (80) 00 7F 40 0A 40 40
00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F

VOLUME VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PAN NOTE LIMIT LOW NOTE LIMIT HIGH NOT USED CHORUS SEND REVERB SEND NOT USED VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQUENCY FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE TIME MW PITCH CONTROL MW FILTER CONTROL MW AMPLITUDE CONTROL MW LFO PMOD DEPTH MW LFO FMOD DEPTH MW LFO AMOD DEPTH [L3-80] BEND PITCH CONTROL BEND FILTER CONTROL BEND AMPLITUDE CONTROL BEND LFO PMOD DEPTH BEND LFO FMOD DEPTH BEND LFO AMOD DEPTH [L3-80]
TOTAL SIZE 39 3A 3B 3C 3D 3E 3F 4A
00 - - - - - - - - - - - - - - - - - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F
Rcv PITCH BEND [L2-OP] Rcv CH AFTER TOUCH(CAT) [L2-OP] Rcv PROGRAM CHANGE [L2-OP] Rcv CONTROL CHANGE [L2-OP] Rcv POLY AFTER TOUCH(PAT) [L2-OP] Rcv NOTE MESSAGE [L2-OP] Rcv RPN [L2-OP] Rcv NRPN [L2-OP] Rcv MODURATION [L2-OP] Rcv VOLUME [L2-OP] Rcv PAN [L2-OP] Rcv EXPRESSION [L2-OP] Rcv HOLD1 [L2-OP] Rcv PORTAMENTO [L2-OP] Rcv SOSTENUTO [L2-OP] Rcv SOFT PEDAL [L2-OP] Rcv BANK SELECT [L2-OP] SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING C [L2-OP] C# [L2-OP] D [L2-OP] D# [L2-OP] E [L2-OP] F [L2-OP] F# [L2-OP] G [L2-OP] G# [L2-OP] A [L2-OP]
0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent]
Address (H) Size (H) 00 4B 4C 00 4D 4E 4F 5A 5B 5C 5D 5E 5F 1 3F
Data (H) 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 01 - 7F
Parameter SCALE TUNING A# [L2-OP] SCALE TUNING B [L2-OP] CAT PITCH CONTROL [L2-OP] CAT FILTER CONTROL [L2-OP] CAT AMPLITUDE CONTROL [L2-OP] CAT LFO PMOD DEPTH [L2-OP] CAT LFO FMOD DEPTH [L2-OP] CAT LFO AMOD DEPTH [L3-80] PAT PITCH CONTROL [L2-OP] PAT FILTER CONTROL [L2-OP] PAT AMPLITUDE CONTROL [L2-OP] PAT LFO PMOD DEPTH [L2-OP] PAT LFO FMOD DEPTH [L2-OP] PAT LFO AMOD DEPTH [L3-80] AC1 CONTROLLER NUMBER [L2-OP] AC1 PITCH CONTROL [L2-OP] AC1 FILTER CONTROL [L2-OP] AC1 AMPLITUDE CONTROL [L2-OP] AC1 LFO PMOD DEPTH [L2-OP] AC1 LFO FMOD DEPTH [L2-OP] AC1 LFO AMOD DEPTH [L3-80] AC2 CONTROLLER NUMBER [L2-OP] AC2 PITCH CONTROL [L2-OP] AC2 FILTER CONTROL [L2-OP] AC2 AMPLITUDE CONTROL [L2-OP] AC2 LFO PMOD DEPTH [L2-OP] AC2 LFO FMOD DEPTH [L2-OP] AC2 LFO AMOD DEPTH [L3-80] PORTAMENTO SWITCH [L2-OP] PORTAMENTO TIME [L2-OP] PITCH EG INITIAL LEVEL [L2-OP] PITCH EG ATTACK TIME [L2-OP] PITCH EG RELEASE LEVEL [L2-OP] PITCH EG RELEASE TIME [L2-OP] VELOCITY LIMIT LOW [L2-OP] VELOCITY LIMIT HIGH [L2-OP]

Description 0 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 127

Default value (H) 30

< Table 2-3 >
MIDI Parameter Change table ( REMOTE SWITCH ) [P50-m]
Address (H) 0A 0A 0A 0A 0A 0A 0A 0A 0A 0A 0A 00 0A 0A 00 0B 0A 00 0C 0A 00 0D 0A 00 0E 0A 0A 0A TOTAL SIZE Size (H) 13 Data (H) 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-7F 00-FF 00-7F 00-7F 00-7F Parameter VOICE SELECT switch BRIGHTNESS switch MASTER TUNE switch TOUCH switch REVERB SEND switch NOTE SHIFT switch MIDI CHANNEL switch MIDI OUT switch DEVICE NUMBER switch PROGRAM CHANGE TABLE switch RECEIVE MODE switch DEMO switch MASTER TUNE CHANGE switch DATA inc/dec DATA set EQ LOW slider EQ MID slider EQ HIGH slider Description 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0:OFF, 1:ON 0/DEC,1/INC 1st bit0bit7 2nd bit6-0bit6-- +12 [dB] 12 - +12 [dB] 12 - +12 [dB]

YAMAHA

MIDI Implementation Chart
[ Piano Tone Generator ] Date:09-APR-1996 Model P50-m MIDI Implementation Chart Version : 1.1 +----------------------------------------------------------------------+ : : Transmitted : Recognized : Remarks : : Function. : : : : :-------------------+----------------+----------------+----------------: :Basic Default : x : 1 - 16 : : :Channel Changed : x : 1 - 16 : : :-------------------+----------------+----------------+----------------: : Default : x : 3 : : :Mode Messages : x : 3,4(m = 1) *2 : : : altered : ************** : x : : :-------------------+----------------+----------------+----------------: :Note : x : 0 - 127 : : :Number : True voice: ************** : 0 - 127 : : :-------------------+----------------+----------------+----------------: :Velocity Note ON : x : o 9nH,v=1-127 : : : Note OFF : x : x : : :-------------------+----------------+----------------+----------------: :After Key's : x : o *1 : : :Touch Ch's : x : o *1 : : :-------------------+----------------+----------------+----------------: :Pitch Bender : x : o 0-24 semi *1 : : :-------------------+----------------+----------------+----------------: : 0,32 : x : o *1 :Bank Select : : 1,5,7,10,11 : x : o *1 : : : 6,38 : x : o *1 :Data Entry : : 64-67 : x : o *1 : : : Control 71-74 : x : o *1 :Sound Controller: : 84 : x : o *1 :Portamento Cntrl: : Change 91,93,94 : x : o *1 :Effect Depth : : 96-97 : x : o *1 :RPN Inc,Dec : : 98-99 : x : o *1 :NRPN LSB,MSB : : 100-101 : x : o *1 :RPN LSB,MSB : : 120 : x : o :All Sound Off : : 121 : x : o :Reset All Cntrls: : : : : :
:-------------------+----------------+----------------+----------------: :Prog : x : o 0 - 28 *3 : : :Change : True # : *********** : : : :-------------------+----------------+----------------+----------------: :System Exclusive : x : o : : :-------------------+----------------+----------------+----------------: : : Song Pos. : x : x : : :common : Song Sel. : x : x : : : : Tune : x : x : : :-------------------+----------------+----------------+----------------: :System :Clock : x : x : : :Real Time :Commands: x : x : : :-------------------+----------------+----------------+----------------: :Aux :Local ON/OFF : x : x : : : :All Notes OFF: x : o(123-127) : : :Mes- :Active Sense : x : o : : :sages:Reset : x : x : : :-------------------+----------------+----------------+----------------: :Note: *1 ; receive if switch is on. : : *2 ; m is always treated as 1 regardless of its value. : : *3 ; extent is 0-127 if program change table switch is on. : : : : : +-------------------+----------------+----------------+----------------+ Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

FCC INFORMATION (U.S.A)

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the your local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
* The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

ADVARSEL!

LithiumbatteriEksplosionsfare ved fejlagtig hndtering. Udskiftning m kun ske med batteri af samme fabrikat og type. Levr det brugte batteri tilbage til leverandoren.

NEDERLAND NETHERLAND

q Dit apparaat bevat een lithium batterij voor geheugen back-up. q This apparatus contains a lithium battery for memory back-up. q Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat aan het einde van de levensduur afdankt of de volgende Yamaha Service Afdeiing: Yamaha Music Nederland Service Afdeiing Kanaalweg 18-G, 3526 KL UTRECHT Tel. 030-2828425 q For the removal of the battery at the moment of the disposal at the end of the service life please consult your retailer or Yamaha Service Center as follows: Yamaha Music Nederland Service Center Address : Kanaalweg 18-G, 3526 KL UTRECHT Tel : 030-2828425 q Gooi de batterij niet weg, maar lever hem in als KCA. q Do not throw away the battery. Instead, hand it in as small chemical waste.

VARNING

Explosionsfara vid felaktigt batteribyte. Anvnd samma batterityp eller en ekvivalent typ som rekommenderas av apparattillverkaren. Kassera anvnt batteri enligt fabrikantens instruktion.

VAROITUS

Paristo voi rjht, jos se on virheellisesti asennettu. Vaihda paristo ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hvit kytetty paristo valmistajan ohjeiden mukaisesti.

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. This Product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This Product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix old batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this Product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, Please contact Yamaha directly. NAME PLATE LOCATION: The name Plate is located on the top of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

MASTER TUNE; Taste.. 2, 7, 14 MIDI CH; Taste. 2, 17, 20, 21

Voice List

PGM NO. VOICE NAME STEREO/MONO (Note 1) Layer (Note 2) Example of the Program Change Table setting (Note 3) BANK NUMBER (LSB) 27 PROGRAM CHANGE NUMBER 7 8`
29 (Note 1) (Note 2) (Note 3)

BRIGHTPIANO

STEREO* STEREO MONO* MONO

DARKPIANO GRAND PIANO

STEREO STEREO* STEREO MONO* MONO
DANCE HONKYTONK HYBRIDPIANO CP80
STEREO STEREO MONO MONO MONO*
CP80 WITH CHORUS DXEP DX PAD DX EP WITH CHORUS ROADS ROADSWITHCHORUS SOFTROADS HARDROADS DYNO RESONANTDYNO DYNO WITH CHORUS WURLI CLAVI CLAVI WITH WAH (no sound)
MONO MONO MONO MONO MONO MONO MONO MONO MONO MONO MONO MONO MONO MONO

*: stretch-tuned

The polyphony of the P50-m is 32. However, for two-layered voices, this is reduced to 16. The setting samples when the Program Change Table is set to on. (See page 18.)

E ff e c t L i s t s

Effect Type List

REVERB

Exclusive MSB LSB Effect Type NOEFFECT HALL1 HALL2 ROOM1 ROOM2 ROOM3 STAGE1 STAGE2 PLA TE WHITE ROOM TUNNEL BASEMENT Description Effect turned off. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a hall. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb simulating the resonance of a room. Reverb appropriate for a solo instrument. Reverb appropriate for a solo instrument. Reverb simulating a metal plate reverb unit. A unique short reverb with a bit of initial delay. Simulation of a tunnel space expanding to left and right. A bit of initial delay followed by reverb with a unique resonance.

CHORUS

Exclusive MSB LSB Effect Type NOEFFECT CHORUS1 CHORUS2 CHORUS3 CHORUS4 CELESTE1 CELESTE2 CELESTE3 CELESTE4 FLANGER1 FLANGER2 FLANGER3 Description Effect turned off. Conventional chorus program that adds natural spaciousness. Conventional chorus program that adds natural spaciousness. Conventional chorus program that adds natural spaciousness. Chorus with stereo input. The pan setting specified for the Part will also apply to the effect sound. A 3-phase LFO adds modulation and spaciousness to the sound. A 4-phase LFO adds modulation and spaciousness to the sound. A 5-phase LFO adds modulation and spaciousness to the sound. CELESTE with stereo input. The pan setting specified for the Part will also apply to the effect sound. Adds a jet-airplane effect to the sound. Adds a jet-airplane effect to the sound. Adds a jet-airplane effect to the sound. *LSB=0 selects the basic type.
MSB and LSB values are in hexadecimal.

Effect Parameter List

CHORUS1,2,3,4,CELESTE1,2,3,4
No. Parameter LFO Frequency LFO PM Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Range 0.00~39.7Hz 0~127 63~+63 0~12a7 50Hz~2.0kHz 12~+12dB 500Hz~16.0kHz 12~+12dB D63>W~D=W~D<W63 Value 0-127 0-63 1-127 0-127 8-40 52-76 28-58 52-76 1-127 P * * Control table#1

HALL1,HALL2, ROOM1,ROOM2,ROOM3, STAGE1,STAGE2, PLATE
No. Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Range 0.3~30.0s 0~10 0~63 Thru~8.0kHz 1.0k~Thru Value 0-69 0-10 0-63 0-52 34-60 P * * Control table#4 table#5 table#3 table#3
table#2 table#3 table#3 q

Input Mode

mono/stereo
Dry/Wet Rev Delay Density Er/Rev Balance High Damp Feedback Level
D63>W~D=W~D<W63 0~63 0~3 E63>R~E=R~E<R63 0.1~1.0 63~+63
1-127 0-63 0-3 1-127 1-10 1-127

q table#5

FLANGER1,2,3
No. Parameter LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Range 0.00~39.7Hz 0~127 63~+63 0~63 50Hz~2.0kHz 12~+12dB 500Hz~16.0kHz 12~+12dB D63>W~D=W~D<W63 Value 0-127 0-127 1-127 0-63 8-40 52-76 28-58 52-76 1-127 P * * Control table#1
WHITE ROOM, TUNNEL, BASEMENT
No. Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Width Heigt Depth Wall Vary Dry/Wet Rev Delay Density Er/Rev Balance Feedback Level Range 0.3~30.0s 0~10 0~63 Thru~8.0kHz 1.0k~Thru 0.5~10.2m 0.5~20.2m 0.5~30.2m 0~30 D63>W~D=W~D<W63 0~63 0~3 E63>R~E=R~E<R63 63~+63 Value 0-69 0-10 0-63 0-52 34-60 0-37 0-73 0-104 0-30 1-127 0-63 0-3 1-127 1-127 P * * Control table#4 table#5 table#3 table#3 table#11 table#11 table#11 q table#5
LFO Phase Difference 180~+180deg

resolution = 30deg.

q: Indicates that AC1 (Assignable Controller 1) can be used to control the parameter value. No.*: Corresponds to parameter number given in Appended Table 1-3 on page 38. P32**: Refer to the Effect-Data Assignment Table.
Effect-Data Assignment Table
table#1 LFO Frequency (Hz)
Data 42 Value 0.00 0.04 0.08 0.12 0.16 0.21 0.25 0.29 0.33 0.37 0.42 0.46 0.50 0.54 0.58 0.63 0.67 0.71 0.75 0.79 0.84 0.88 0.92 0.96 1.00 1.05 1.09 1.13 1.17 1.22 1.26 1.30 1.34 1.38 1.43 1.47 1.51 1.55 1.59 1.64 1.68 1.72 1.76 Data 85 Value 1.80 1.85 1.89 1.93 1.97 2.01 2.06 2.10 2.14 2.18 2.22 2.27 2.31 2.35 2.39 2.43 2.48 2.52 2.56 2.60 2.65 2.69 2.77 2.86 2.94 3.02 3.11 3.19 3.28 3.36 3.44 3.53 3.61 3.70 3.86 4.03 4.20 4.37 4.54 4.71 4.87 5.04 5.21 Data Value 5.38 5.55 5.72 6.05 6.39 6.72 7.06 7.40 7.73 8.07 8.41 8.74 9.08 9.42 9.75 10.0 10.7 11.4 12.1 12.7 13.4 14.1 14.8 15.4 16.1 16.8 17.5 18.1 19.5 20.8 22.2 23.5 24.8 26.2 27.5 28.9 30.2 31.6 32.9 34.3 37.0 39.7
table#2 Modulation Delay Offset (msec)

Bank Select messages are not received when PROGRAM CHANGE TABLE = OFF, and Rcv BANK SELECT = OFF. Bank Select processing is suspended until a Program Change message is received. 1.4.2 Modulation Cntrl No. parameter 1 Modulation
Modulation is not received if the Part Parameter setting Rcv MODULATION = OFF. 1.4.3 Portamento Time Cntrl No. parameter 5 Portamento Time
1.4.9 When Portamento = ON, this adjusts the speed of the pitch change. A value of 0 is the shortest portamento time, and 127 is the longest portamento time.
1.4.13 Release Time Cntrl No. parameter 72 Release Time
Data Range 0~127 (0:64, 64:+0, 127:+63)
This adjusts the Envelope Release Time specified by the voice. Since it is a relative change parameter, it produces an increase or decrease relative to a mid-point of 64. 1.4.14 Attack Time Cntrl No. parameter 73 Attack Time
These messages increment/decrement the MSB values of Pitch Bend Sensitivity, Fine Tune, or Coarse Tune in steps of 1. When the value being incremented/decremented reaches is maximum/minimum value, further change will not occur. (Nor will incrementing Fine Tune to the maximum value cause the Coarse Tune to be incremented, etc.) 1.4.20 NRPN (Non-registered Parameter Numbers) Cntrl No. parameter Data Range 98 NRPN LSB 0~NRPN MSB 0~127 NRPN is not received if the Part Parameter setting Rcv NRPN = OFF. First transmit the NRPN MSB and NRPN LSB to specify the parameter which is to be controlled, then specify the parameter which is to be controlled, and then use Data Entry to set the value of the specified parameter. Now the next NRPN can be received. NRPN Data entry MSB 01H 01H 01H 01H 01H 01H 01H 01H LSB 08H 09H 0AH 20H 21H 63H 64H 66H MSB Parameter name and range of values mmH Vibrato Rate mm : 00H~40H~7FH (64~0~+63) mmH Vibrato Depth mm : 00H~40H~7FH (64~0~+63) mmH Vibrato Delay mm : 00H~40H~7FH (64~0~+63) mmH Filter Cutoff Frequency mm : 00H~40H~7FH (64~0~+63) mmH Filter Resonance mm : 00H~40H~7FH (64~0~+63) mmH EG Attack Time mm : 00H~40H~7FH (64~0~+63) mmH EG Decay Time mm : 00H~40H~7FH (64~0~+63) mmH EG Release Time mm : 00H~40H~7FH (64~0~+63)
This parameter adjusts the Envelope Attack Time specified by the voice. Since it is a relative change parameter, it produces an increase or decrease relative to a mid-point of 64. 1.4.15 Brightness Cntrl No. parameter 74 Brightness
This parameter adjusts the Cutoff Frequency specified by the voice. Since it is a relative change parameter, it produces an increase or decrease relative to a mid-point of 64. Decreasing the value will make the sound more mellow. For some voices, the effective range may be narrower than the range of settings. Since this parameter is remembered for each voice, the Brightness value is stored for the currently selected voice number, and when you change the voice number the Brightness value will also change. Since the Brightness which can be adjusted from the panel is an absolute adjustment, it will not match the value set using this parameter. When a Brightness value of 64(+0) is received, the value indicated on the panel will be the ideal value for the currently selected voice. 1.4.16 Portamento Control Cntrl No. parameter 84 Portamento Control

When transmitting Portamento Control, you specify a currently-sounding Note On key. The value 0~127 specifies the Portamento Source Key number. When Portamento Control is received, the currently sounding note will change at a Portamento Time of 0 to the key of the Note On that is received next on the same channel. This is received even if Rcv PORTAMENTO = OFF. 1.4.17 Effect1 Depth (Reverb Send Level) Cntrl No. parameter Data Range 91 Effect1 Depth 0~127 This sets the send level to the Reverb effect. Since this parameter is remembered independently for each voice, the Reverb Send Level value of the currently selected voice number will be stored, and when the voice number is changed the Reverb Send Level value will also change. 1.4.18 Effect3 Depth ( Chorus Send Level ) Cntrl No. parameter Data Range 93 Effect3 Depth 0~127 This sets the send level to the Chorus effect. When the voice number is changed, this will change to the value that is preset for each voice number. 1.4.19 Data Increment/Decrement (for RPN) Cntrl No. parameter Data Range 96 RPN Increment 0~RPN Decrement 0~127 The data bytes are ignored.
1.4.21 RPN (Registered Parameter Numbers) Cntrl No. parameter Data Range 100 RPN LSB 0~RPN MSB 0~127 Default:LSB=127, MSB=127 This is not received by a Part if its Part Parameter setting Rcv RPN = OFF. The next RPN can be received. RPN MSB LSB 00H 00H Data entry MSB LSB mmH Parameter name and range of values Pitch Bend Sensitivity mm:00~18H(0~2 semitones) Settable in semitone steps up to 2 octaves Default:02H The LSB value is ignored. Fine Tuning mm:00H~40H~7FH (64~0~+63) Coarse Tuning mm:28H~40H~58H (24~+24 semitones) The LSB value is ignored. RPN null

mmH 11H

This message specifies a condition in which RPN and NRPN numbers are un-set. Values of internal settings will not change.

1.5 Program Change

1100nnnn 0ppppppp Cn pp Status n= channel number Program No. p=0~127

2.4 Omni Off

1011nnnn Bn 7C 00 Status n= channel number Control No. Control Value
Program Change messages are not received when the Part Parameter setting Rcv PROGRAM CHANGE = OFF. When MIDI PROGRAM CHANGE TABLE = OFF, values other than 0~28 are ignored.
This performs the same processing as when All Note Off is received.
2.5 Omni On 1.6 Channel Aftertouch
1101nnnn 0vvvvvvv Dn vv Status Value n= channel number v=0~127 1011nnnn Bn 7D 00 Status n= channel number Control No. Control Value
With the default settings, this has no function. Channel Aftertouch messages are not received when the Part Parameter setting Rcv CHANNEL AFTER TOUCH = OFF.

2.6 Mono

1011nnnn Bn 7E 00 Status n= channel number Control No. Control Value

3.2 Bulk Dump

This instrument receives the following bulk data. [ XG NATIVE ] 1) XG System Data 2) Multi Effect1 Data 3) Part Data [ P50-m NATIVE ] 1) P50-m System data 3.2.1 XG Native Bulk Dump 11110000 F0 Exclusive status YAMAHA ID 0000nnnn 0n Device No. 01001100 4C XG Model ID 0bbbbbbb bb Byte Count 0bbbbbbb bb Byte Count 0aaaaaaa aa Address High 0aaaaaaa aa Address Mid 0aaaaaaa aa Address Low Data | | 0ccccccc cc Check-sum 11110111 F7 End of Exclusive For the Address and Byte Count, refer to the accompanying tables. Check sum is the value which produces a lower 7 bits of zero when the Start Address, Byte Count, and Check-sum itself are added.
513 bytes or more shall not be received at one time. Thus, if a dump request for 513 bytes or more is received, the data must be divided into packets of 512 bytes or less, and the packets transmitted with an appropriate time interval (120 msec or more). 3.2.1.1 XG System Data bulk dump Refer to tables <1-1> and <1-2>. 3.2.1.2 Multi Effect1 Data bulk dump Refer to tables <1-1> and <1-3>. 3.2.1.3 Part Data bulk dump Refer to tables <1-1> and <1-4>. 3.2.2 P50-m Native bulk dump 11110000 F0 Exclusive status YAMAHA ID 0000nnnn 0n Device No. P50-m Model ID 0bbbbbbb bb Byte Count 0bbbbbbb bb Byte Count 0aaaaaaa aa Address High 0aaaaaaa aa Address Mid 0aaaaaaa aa Address Low Data | | 0ccccccc cc Check-sum 11110111 F7 End of Exclusive For the Address and Byte Count, refer to the accompanying tables. Check sum is the value which produces a lower 7 bits of zero when the Start Address, Byte Count, and Check-sum itself are added. 513 bytes or more shall not be received at one time. Thus, if a dump request for 513 bytes or more is received, the data must be divided into packets of 512 bytes or less, and the packets transmitted with an appropriate time interval (120 msec or more). 3.2.2.1 P50-m System Data bulk dump Refer to tables <2-1> and <2-2>.

5.2 When MIDI OUT=ot2

Data other than Key ON/OFF messages of the receive channel specified by MIDI CH will be re-transmitted (thru out). However if the Receive Channel is set to ALL, or if the voice number is 29 (Silence), all data will be re-transmitted (thru out) without change. When the setting is changed from ot1 to ot2, the change is made simply, without performing any management of notes which may be currently on. In some cases this can cause problems; switching the setting to ot2 while notes are on can cause stuck notes on a tone generator connected to MIDI OUT.

2A 2B 2C 2D 2E TOTAL SIZE
00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 01-7F 00-7F
CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARAMETER 1 CHORUS PARAMETER 2 CHORUS PARAMETER 3 CHORUS PARAMETER 4 CHORUS PARAMETER 5 CHORUS PARAMETER 6 CHORUS PARAMETER 7 CHORUS PARAMETER 8 CHORUS PARAMETER 9 CHORUS PARAMETER 10 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB
refer to Effect Program List 00 : basic type refer to Effect Parameter List " " " " " " " " " dB0dB+6dB(064127) L63.C.R63(1.64.127) dB0dB+6dB(064127)
depends on voice number 00 depends on chorus Type " " " " " " " " " depends on voice number depends on voice number depends on voice number
00-7F List depends on chorus Type 00-7F 00-7F 00-7F 00-7F 00-7F TOTAL SIZE 6
CHORUS PARAMETER 11 [L2-OP] CHORUS PARAMETER 12 [L2-OP] CHORUS PARAMETER 13 [L2-OP] CHORUS PARAMETER 14 [L2-OP] CHORUS PARAMETER 15 [L2-OP] CHORUS PARAMETER 16 [L2-OP]
refer to Effect Parameter " " " " " " " " " "
When the voice number is changed, EFFECT 1 will have the value that is preset for the new voice number.

< Table 1-4 >

MIDI Parameter Change table ( PART ) [XG]
Address (H) 06 Size (H) 1 Data (H) 00 - 7F 00 - 7F 00 - 1C 00 - - - 02 Parameter NOT USED BANK SELECT MSB BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL MONO/POLY MODE SAME NOTE NUMBER KEY ON ASSIGN NOT USED NOTE SHIFT DETUNE Description 0 - - - - 16,ALL 0:MONO 1:POLY 0:SINGLE 1:MULTI 12 - +12[semitones] 12.8 - +12.7[Hz] 1st bit3-0bit7-4 2nd bit3-0bit3-- - - 127 0/random, 1/L63 - 64/C - 127/R63 C-2 - G8 C-2 - G- - - +- +- +- - +- +- +- +- +24[semitones] 9600 - +9450[cent] 64 - +- - - - +24[semitones] 9600 - +9450[cent] 64 - +- +100[%] 100 - +100[%] 100 - +100[%] Default value (H) 01 00
0A 0B 0C 0D 0E 0F 1A 1B 1C 1D 1E 1F 1

34 - 4C 00 - FF

00 (80) 00 7F 40 0A 40 40
00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F
VOLUME VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET PAN NOTE LIMIT LOW NOTE LIMIT HIGH NOT USED CHORUS SEND REVERB SEND NOT USED VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQUENCY FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE TIME MW PITCH CONTROL MW FILTER CONTROL MW AMPLITUDE CONTROL MW LFO PMOD DEPTH MW LFO FMOD DEPTH MW LFO AMOD DEPTH [L3-80] BEND PITCH CONTROL BEND FILTER CONTROL BEND AMPLITUDE CONTROL BEND LFO PMOD DEPTH BEND LFO FMOD DEPTH BEND LFO AMOD DEPTH [L3-80]

TOTAL SIZE 39 3A 3B 3C 3D 3E 3F 4A
00 - - - - - - - - - - - - - - - - - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F
Rcv PITCH BEND [L2-OP] Rcv CH AFTER TOUCH(CAT) [L2-OP] Rcv PROGRAM CHANGE [L2-OP] Rcv CONTROL CHANGE [L2-OP] Rcv POLY AFTER TOUCH(PAT) [L2-OP] Rcv NOTE MESSAGE [L2-OP] Rcv RPN [L2-OP] Rcv NRPN [L2-OP] Rcv MODURATION [L2-OP] Rcv VOLUME [L2-OP] Rcv PAN [L2-OP] Rcv EXPRESSION [L2-OP] Rcv HOLD1 [L2-OP] Rcv PORTAMENTO [L2-OP] Rcv SOSTENUTO [L2-OP] Rcv SOFT PEDAL [L2-OP] Rcv BANK SELECT [L2-OP] SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING C [L2-OP] C# [L2-OP] D [L2-OP] D# [L2-OP] E [L2-OP] F [L2-OP] F# [L2-OP] G [L2-OP] G# [L2-OP] A [L2-OP]
0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 0/OFF,1/ON 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent] 64 - +63[cent]
Address (H) Size (H) 00 4B 4C 00 4D 4E 4F 5A 5B 5C 5D 5E 5F 1 3F
Data (H) 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 5F 28 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 01 - 7F 01 - 7F
Parameter SCALE TUNING A# [L2-OP] SCALE TUNING B [L2-OP] CAT PITCH CONTROL [L2-OP] CAT FILTER CONTROL [L2-OP] CAT AMPLITUDE CONTROL [L2-OP] CAT LFO PMOD DEPTH [L2-OP] CAT LFO FMOD DEPTH [L2-OP] CAT LFO AMOD DEPTH [L3-80] PAT PITCH CONTROL [L2-OP] PAT FILTER CONTROL [L2-OP] PAT AMPLITUDE CONTROL [L2-OP] PAT LFO PMOD DEPTH [L2-OP] PAT LFO FMOD DEPTH [L2-OP] PAT LFO AMOD DEPTH [L3-80] AC1 CONTROLLER NUMBER [L2-OP] AC1 PITCH CONTROL [L2-OP] AC1 FILTER CONTROL [L2-OP] AC1 AMPLITUDE CONTROL [L2-OP] AC1 LFO PMOD DEPTH [L2-OP] AC1 LFO FMOD DEPTH [L2-OP] AC1 LFO AMOD DEPTH [L3-80] AC2 CONTROLLER NUMBER [L2-OP] AC2 PITCH CONTROL [L2-OP] AC2 FILTER CONTROL [L2-OP] AC2 AMPLITUDE CONTROL [L2-OP] AC2 LFO PMOD DEPTH [L2-OP] AC2 LFO FMOD DEPTH [L2-OP] AC2 LFO AMOD DEPTH [L3-80] PORTAMENTO SWITCH [L2-OP] PORTAMENTO TIME [L2-OP] PITCH EG INITIAL LEVEL [L2-OP] PITCH EG ATTACK TIME [L2-OP] PITCH EG RELEASE LEVEL [L2-OP] PITCH EG RELEASE TIME [L2-OP] VELOCITY LIMIT LOW [L2-OP] VELOCITY LIMIT HIGH [L2-OP]
Description 64 - +63[cent] 64 - +63[cent] 24 - +24[semitones] 9600 - +9450[cent] 64 - +- - - - +24[semitones] 9600 - +9450[cent] 64 - +- - - - - +24[semitones] 9600 - +9450[cent] 64 - +- - - - - +24[semitones] 9600 - +9450[cent] 64 - +- - - 127 0/OFF,1/ON 0 - - +- +- +- +- - 127

Default value (H) 01 7F

00 6A 00 6B 00 6C 00 6D 00 6E TOTAL SIZE
If a Stereo voice is not selected, setting PAN to random will produce the same result as center.

< Table 2-1>

Parameter Base Address Model ID = 55 [P50-m] Parameter Change Address Address (H) (M) (L) P50-m SYSTEM 00 System 0A Switch Remote REMOTE SWITCH

< Table 2-2 >

MIDI Parameter Change table ( SYSTEM ) [P50-m]
Address (H) 02 Size (H) 4 Data (H) 00-1C 00-01 0000-07FF Parameter PROGRAM NUMBER MASTER TUNE DISPLAY MODE MASTER TUNE Description 1 - 29 0:Hz, 1:cent 100.0 - +100.0[cent] 1st bit3-0bit15-12 2nd bit3-0bit11-8 3rd bit3-0bit3-0 4th bit3-0bit3-- +12[semitones] 1-- 16, ALL 0:ALL, 1:EVEN, 2:ODD 0:ot1, 1:ot2 0:OFF, 1:ON 64 - - - 63 Default value (H) 00 00

0A 0B 0C 0D 0E

34-4C 00-06 00-10 00-02 00-01 00-01 00-7F 00-7F 00-7F
NOTE SHIFT TOUCH CURVE MIDI RECEIVE CHANNEL RECEIVE MODE MIDI OUT MODE PROGRAM CHANGE TABLE VOICE 1 BRIGHTNESS VOICE 1 REVERB SEND VOICE 2 BRIGHTNESS
Address (H) 0F 1A 1B 1C 1D 1E 1F 2A 2B 2C 2D 2E 2F 3A 3B 3C 3D 3E 3F TOTAL SIZE

Size (H) 1 44

Data (H) 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F
Parameter VOICE 2 REVERB SEND VOICE 3 BRIGHTNESS VOICE 3 REVERB SEND VOICE 4 BRIGHTNESS VOICE 4 REVERB SEND VOICE 5 BRIGHTNESS VOICE 5 REVERB SEND VOICE 6 BRIGHTNESS VOICE 6 REVERB SEND VOICE 7 BRIGHTNESS VOICE 7 REVERB SEND VOICE 8 BRIGHTNESS VOICE 8 REVERB SEND VOICE 9 BRIGHTNESS VOICE 9 REVERB SEND VOICE 10 BRIGHTNESS VOICE 10 REVERB SEND VOICE 11 BRIGHTNESS VOICE 11 REVERB SEND VOICE 12 BRIGHTNESS VOICE 12 REVERB SEND VOICE 13 BRIGHTNESS VOICE 13 REVERB SEND VOICE 14 BRIGHTNESS VOICE 14 REVERB SEND VOICE 15 BRIGHTNESS VOICE 15 REVERB SEND VOICE 16 BRIGHTNESS VOICE 16 REVERB SEND VOICE 17 BRIGHTNESS VOICE 17 REVERB SEND VOICE 18 BRIGHTNESS VOICE 18 REVERB SEND VOICE 19 BRIGHTNESS VOICE 19 REVERB SEND VOICE 20 BRIGHTNESS VOICE 20 REVERB SEND VOICE 21 BRIGHTNESS VOICE 21 REVERB SEND VOICE 22 BRIGHTNESS VOICE 22 REVERB SEND VOICE 23 BRIGHTNESS VOICE 23 REVERB SEND VOICE 24 BRIGHTNESS VOICE 24 REVERB SEND VOICE 25 BRIGHTNESS VOICE 25 REVERB SEND VOICE 26 BRIGHTNESS VOICE 26 REVERB SEND VOICE 27 BRIGHTNESS VOICE 27 REVERB SEND VOICE 28 BRIGHTNESS VOICE 28 REVERB SEND

:-------------------+----------------+----------------+----------------: :Prog : x : o 0 - 28 *3 : : :Change : True # : *********** : : : :-------------------+----------------+----------------+----------------: :System Exclusive : x : o : : :-------------------+----------------+----------------+----------------: : : Song Pos. : x : x : : :common : Song Sel. : x : x : : : : Tune : x : x : : :-------------------+----------------+----------------+----------------: :System :Clock : x : x : : :Real Time :Commands: x : x : : :-------------------+----------------+----------------+----------------: :Aux :Local ON/OFF : x : x : : : :All Notes OFF: x : o(123-127) : : :Mes- :Active Sense : x : o : : :sages:Reset : x : x : : :-------------------+----------------+----------------+----------------: :Note: *1 ; receive if switch is on. : : *2 ; m is always treated as 1 regardless of its value. : : *3 ; extent is 0-127 if program change table switch is on. : : : : : +-------------------+----------------+----------------+----------------+ Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
Yamaha Musica Italia S.P.A., Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771

HONG KONG

Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 730-1098
Yamaha-Hazen Electronica Musical, S.A. Jorge Juan 30, 28001, Madrid, Spain Tel: 91-577-7270

U.S.A.

Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577

PORTUGAL

Valentim de Carvalho CI SA Estrada de Porto Salvo, Pao de Arcos 2780 Oeiras, Portugal Tel: 01-443-3398/4030/1823

MIDDLE & SOUTH AMERICA

MEXICO

Yamaha De Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33

GREECE

Philippe Nakas S.A. Navarinou Street 13, P.Code 10680, Athens, Greece Tel: 01-364-7111
Cosmos Corporation #131-31, Neung-Dong, Sungdong-Ku, Seoul, Korea Tel: 02-466-0021~5

SWEDEN

Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-Gteborg, Sweden Tel: 34 00

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd. 16-28, Jalan SS 2/72, Petaling Jaya, Selangor, Malaysia Tel: 3-717-8977

BRASIL

Yamaha Musical Do Brasil LTDA. Ave. Reboucas 2636, So Paulo, Brasil Tel: 011-853-1377

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

DENMARK

YS Copenhagen Liaison Office Generatorvej 8B, DK-2730 Herlev, Denmark Tel: 49 00

PANAMA

Yamaha De Panama S.A. Edificio Interseco, Calle Elvira Mendez no.10, Piso 3, Oficina #105, Ciudad de Panama, Panama Tel: 507-69-5311

FINLAND

Warner Music Finland OY/Fazer Music Aleksanterinkatu 11, P.O. Box 260 SF-00101 Helsinki, Finland Tel: 0435 011

SINGAPORE

Yamaha Music Asia Pte., Ltd. Blk 17A Toa Payoh #01-190 Lorong 7 Singapore 1231 Tel: 354-0133
OTHER LATIN AMERICAN COUNTRIES AND CARIBBEAN COUNTRIES
Yamaha Music Latin America Corp. 6101 Blue Lagoon Drive, Miami, Florida 33126, U.S.A. Tel: 305-261-4111

NORWAY

Narud Yamaha AS Grini Nringspark 17 N-1345 sters, Norway Tel: 47 90

TAIWAN

Kung Hsue She Trading Co., Ltd. No. 322, Section 1, Fu Hsing S. Road, Taipei 106, Taiwan. R.O.C. Tel: 02-709-1266

EUROPE

THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

THAILAND

Siam Music Yamaha Co., Ltd. 865 Phornprapha Building, Rama I Road, Patumwan, Bangkok 10330, Thailand Tel: 2-215-3443

IRELAND

Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH. Siemensstrae 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030
THE PEOPLES REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES

Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2317
GERMANY/SWITZERLAND Yamaha Europa GmbH.
Siemensstrae 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

AFRICA

Yamaha Corporation, International Marketing Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312

OCEANIA

AUSTRALIA
Yamaha Music Australia Pty. Ltd. 17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388

AUSTRIA

Yamaha Music Austria Schleiergasse 20, A-1100 Wien Austria Tel: 0222-60203900

NEW ZEALAND

THE NETHERLANDS
Yamaha Music Nederland Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411

MIDDLE EAST

TURKEY/CYPRUS
Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

BELGIUM

Yamaha Music Belgium Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
FRANCE Yamaha Musique France, Division Professionnelle
BP 70-77312 Marne-la-Vale Cedex 2, France Tel: 01-64-61-4000

OTHER COUNTRIES

Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2312

HEAD OFFICE

Yamaha Corporation, Electronic Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-2445