Yamaha Portatone PSR-640
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Yamaha Portatone PSR-640
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Documents
Select a demo song.
Use the data dial, the [+/YES] button, the [-/NO] button or the number buttons [1]-[0] to scroll to the desired demo song.
Press the [START/STOP] button to start the selected demo song.
SONG ACMP COUNT INTRO INTRO
Set a volume level with the [MASTER VOLUME] control.
Press the [START/STOP] button again to stop the demo song.
The PSR-740/640 features a large multi-function display that shows all important settings for the instrument. The section below briefly explains the various icons and indications in the display.
e Transpose r Tempo t Measure
q Menu/message display
w Chord
y Beat indicators
u Song tracks / Accompaniment tracks
The LCDs backlight will gradually dim over a long period of use. When the display becomes dim or hard to read, contact the store where you purchased the instrument or, Yamaha directly, to have the LCD replaced. A fee will be charged for replacement.
This shows the menu for each function of the PSR-740/ 640. It also displays the relevant messages for the current operation. See the Basic Operation section (page 17) for details on the menu/message display.
Flashes at the current tempo and indicates the current beat during accompaniment and song playback.
4/4 time 1st beat 2nd beat 3rd beat 4th beat
3/4 time
Displays the current chord name during AUTO ACCOMPANIMENT playback or SONG recording/ playback (page 35).
u Song tracks/Accompaniment tracks
Root Chord type
e Transpose
Shows the current transpose value (page 30).
r Tempo
Shows the current tempo of accompaniment/ song playback (page 38).
t Measure
Indicates the current measure number during song recording and playback.
In the Song mode (page 25) and the Demo Song mode (page 15): The icons of all tracks indicate the on/off status and volume/velocity settimgs. In the Style mode (page 25): The icons of tracks 9 - 16 indicate the on/off status and volume/velocity settings for each of the eight accompaniment tracks. In the Record mode (page 25): The icons of all tracks indicate the on/off status and volume/velocity settimgs. The REC marks indicate the recording status.
This section introduces you to the basic operations common to the various functions of the PSR-740/640. In particular, youll learn how to use the menu/message display at the center of the front panel.
[Standard Kit 1]
Br us Br h T us ap h Sl ap C as ta St n ic et O ks pe n R im Si Sh de ot H St an ic k d C la p H i-H H at i-H C l H at ose i-H P d at eda O l pe C n ra sh R id Cy e C mb ym a ba l 1 Ta l1 m bo C ow u r Vi be ine br ll as la p Bo ng C o on L ga H O Ti pe m n Ag bal e o L M go ar L ac as G ui r C oS la h ve o s rt C ui c Tr a M ia u Sh ngl te ak e M er ut e
C1 C2 C3 C4 C5 C6
Se q Br Br u Cli us sh ck H h Ta Sw Sn p S ir l S a w Ba na re ir l re R Ba ss D H oll ss r u So D m ft ru S o Ba m H ft ss ar D d Sn Sn r u ar are m e Fl H M oo Ha Fl r T rd oo om rT L o Lo m H M wT id om To M id m T L C hi H om R ne igh H id se T e C C om Sp ym ym la ba ba C sh l l ra C sh C up R C ym id ym ba e C ba l ym l 2 C B ba on o l 2 ga ng H oH M C ut o Ti ng e m a ba L Ag le Sa og H m o Sa ba Ca H W ba m hi sa ba s W tle G hi H W uir stle oo o L W d B Lon oo lo g d ck C Blo H Tr uic ck ia a ng Op L le e Ji Op n ng e le n Be Be ll ll Tr ee
The Organ Flutes function lets you create your own original organ voices, just as on a traditional organ, by increasing and decreasing the flute footages, and adding percussive sounds. Your original organ voice is stored to voice number 761 (Organ Flutes) for selecting and playing.
s Parameters
q Organ Type This determines the type of organ sound or tone generation to be simulated: Sine or Vintage. The vibrato-enhanced variations provide different modulation effects. Settings: SINE1 SINE2 SINE3 SINE4 VINTAGE1 VINTAGE2 VINTAGE3 VINTAGE4 q Vibrato Speed This determines the speed of the vibrato effect (when one of the vibratoenhanced Organ Types is selected). q Attack Mode This determines how the attack (or percussive) sound is applied to the organ flutes: First or Each. When this is set to FIRST, the attack sound will only be applied to the first note in a chord or a held group of notes. When this is set to EACH, the attack sound will be applied equally to all notes. q Attack Footage This determines the level of each volume in the percussive portion of the voice. Footage settings are 4', 2-2/3', and 2'. q Length This determines the decay of the attack sound, or how long the attack portion of the sound sustains. The higher the value, the longer the decay. q Response This parameter affects the sustain portion of the organ flutes, increasing or decreasing the response time of the initial swell and release, based on the FOOTAGE parameter (below). The higher the value, the slower the swell and release. q Footage The footage settings determine the basic sound of the organ flutes. The term footage is a reference to the sound generation of traditional pipe organs, in which the sound is produced by pipes of different lengths (in feet). The longer the pipe, the lower the pitch of the sound. Hence, the 16' setting determines the lowest pitched component of the voice, while the 1' setting determines the highest pitched component. The higher the value of the setting, the greater the volume of the corresponding footage. Mixing various volumes of the footages lets you create your own distinctive organ sounds.
If DSP Insertion Effect is selected (page 54), you wont be able to set the DSP Return Level.
Adjust the DSP return level.
System Effects and Insertion Effects
The reverb, chorus and DSP effects are divided into two different types or methods or operation. There are two types of digital effects: system effects and insertion effects.
q System Effects Applies the effect to all of the parts input to the mixer. You can set the amount of effect applied with the depth and return level parameters. Reverb and chorus are both system effects. q Insertion Effects Applies the effect to only one designated part before inputting the signal to the mixer. You can effectively use the digital effects by applying the desired effect to the specific part. With the insertion effects, only the DSP depth can be set.
The illustration below with the various audio components (instruments, effect devices, and a mixer) represents the inner workings of the DSP effects of the PSR-740/640.
Insertion Effect System Effect
SEND (Depth)
RETURN
Amplifier
q Reverb All types function as system effects. q Chorus All types function as system effects. q DSP (PSR-640) Depending on the selected type, this functions either as a system effect or an insertion effect. q DSP1-3 (PSR-740) All types function as insertion effects
Mixer Speaker
Refer to About Digital Effects (page 152) and the Type List.
Multi Effects (DSP1-3) (PSR-740)
The PSR-740 has a multi effect system featuring three separate DSP effect blocks. These three blocks can be connected in any one of six different ways, providing an exceptionally flexible and powerful system for enhancing the sound of the voices.
Press any of the [DSP1] - [DSP3] buttons.
Depending on the effect setting (below), the selected DSP multi effect is applied to one of the keyboard-played voices (R1, R2, L).
When the Voice Set function is ON (page 136), the Multi Effect (DSP1-3, FAST/ SLOW) on/off status will be set automatically according to the selected R1 panel voice. Some of the song files may contain Multi Effect settings. When you play back such songs, DSP and FAST/ SLOW buttons on the panel will automatically be turned off.
Multi Effect Setting
Press the [MULTI EFFECT] button.
Specify the multi effect connection.
Use the data dial, the [+/YES] button or the [-/NO] button. There are six types as shown below.
RIGHT1 DSP1mDSP2mDSP3 DSP1mDSP2 DSP3 DSP1mDSP2 DSP1 DSP1 DSP1 DSP2 DSP2mDSP3 DSP3 DSP3 DSP2mDSP3 RIGHT2 LEFT
When the Voice Set function is ON (page 136), the multi effect connection settings may automatically change according to the selected R1 panel voice.
Select the desired multi effect system.
Use the data dial, the [+/YES] button or the [-/NO] button. DSP4 is the effect for the microphone sound (page 83).
Select the effect type for DSP1 - 3.
Use the data dial, the [+/YES] button or the [-/NO] button. Refer to the Multi Effect Type List (page 156).
The DSP 1/2/3 type settings may automatically change when a panel voice is selected for R1.
Set the effect depth for DSP1 - 3.
Use the data dial, the [+/YES] button, the [-/NO] button or the number buttons [1]-[0]. The Dry/Wet setting determines the amount of effect sound that is heard in comparison to the unprocessed sound. The word dry refers to the original sound that has no effects applied to it, while wet refers to the effect-processed sound.
q Dry/Wet [1]. Only dry sound is output. q Dry/Wet [64]. Equal balance between the dry and wet levels. q Dry/Wet [127]. Only wet sound is output.
The dry/wet settings cannot be done for some of the DSP 1/2/3 types. The Dry/Wet settings for DSP 1/2/3 may automatically change when a panel voice is selected for R1.
Try some of the other connection settings and types as well.
Harmony/Echo
Selecting a Harmony/Echo type
Press the [NEXT] button to display the Digital Effect screen. Select Harmony/Echo.
Select a Harmony/Echo type.
Use the data dial, the [+/YES] button or the [-/NO] button. Refer to the Harmony/Echo Type List (page 157).
When the Voice Set function is ON (see page 136), the Harmony/Echo type may change according to the selected R1 panel voice.
Applying the Harmony/Echo effect
For this example, play a C major chord.
Harmony/Echo can not be turned on when the Full Keyboard Auto accompaniment fingering mode is selected. Harmony/Echo will be automatically turned off if the Full Keyboard fingering mode is selected while the Harmony/Echo effect is on.
Press the [HARMONY/ECHO] button.
Play some notes in the righthand range of the keyboard.
q When a Harmony type (Duet through Strum) is selected This type automatically add one or more harmony notes to a single-note melody played in the right hand. q When an Echo type is selected An echo effect is applied to the note played on the keyboard at the currently set tempo. Steps #1 - #3 above are unnecessary for this type. q When a Tremolo type is selected A tremolo effect is applied to the note played on the keyboard at the currently set tempo. Steps #1 - #3 above are unnecessary for this type. q When a Trill type is selected Two notes held on the keyboard are played alternately at the currently set tempo. Steps #1 - #3 above are unnecessary for this type.
The PSR-740/640 provides two different ways to record: Quick Recording and Multi Track Recording. In addition, comprehensive editing functions let you fine tune the recorded song data. q Quick Recording.... page 94 With this method, you can quickly and easily record a song, without having to make detailed settings. q Multi Track Recording.... page 96 With this method, you can record up to sixteen tracks independently, and even rerecord parts that have been previously recorded. Punch In/Out..... page 98 This function allows you to selectively re-record a portion of a song track (the measures between the specified punch-in and punch-out points. Start Measure.... page 98 This determines the measure at which recording starts. Set this when you desire to start the recording in the middle of the song when re-recording. Keep in mind that all previously recorded data from the starting measure is replaced. q Editing.... page 100 The four editing features below allow you to edit already recorded song data. Quantize..... page 100 This function aligns the timing of the recorded note data to a specified value. Setup Data Editing.... page 102 This function allows you to change a variety of non-note settings. Naming User Songs.... page 104 This function assigns an twelve-letter name to a recorded song. Clearing User Song Data.... page 105 This function lets you delete song data, either a specified part or the entire song. After finishing your recording of a User song, you can play it back in the same way as one of the disk songs.
User Songs are recorded on floppy disks. They cannot be recorded unless a floppy disk is inserted into the disk drive.
s Data that can be recorded to User songs
Tempo.... page 38 Time signature... page 16 Accompaniment style number... page 34 Section changes and their timing... page 36 Chord changes and their timing... page 40 Accompaniment volume... page 39 Note on/off (key press and release)... page 122 Velocity (strength of key press).. page 122 Pitch bend, pitch bend range...pages 30, 139 Modulation wheel (PSR-740)...pages 30, 139 Footswitch on/off... page 12 Foot Volume on/off... page 12 Voice Change settings*... page 89 Mixer settings*... page 90 Parameter Edit settings*... page 91 Reverb type and settings.. page 50 Chorus type and settings... page 52 DSP (including FAST/SLOW) on/off and type (PSR-640).. page 53 DSP1~3 (including FAST/SLOW) on/off and type (PSR-740). page 54 Harmony/Echo on/off and type... page 56 Scale tuning.... page 135 Sustain on/off.... page 31 Vocal Harmony settings (PSR-740)... page 82 Organ Flutes settings (PSR-740)... page 32 The maximum amount of song memory is 65,000 notes for 2DD disks and 130,000 notes for 2HD disks.
q Quantize Size Size Note 1/4 Quarter note 1/6 Quarter note triplet 1/8 Eighth note 1/12 Eighth note triplet 1/16 Sixteenth note 1/24 Sixteenth note triplet 1/32 Thirty-second note One measure of 8th notes before quantization
After quantization
Press the [NEXT] button to display the Quantize operation screen.
Press the [+/YES] button to execute the Quantize operation.
To abort the Quantize operation, press the [-/NO] button.
While the Quantize operation is being executed, never eject the floppy disk or turn the power off.
The Quantize operation is completed.
Press the [RECORD] button to exit from the Record mode.
Editing Setup Data
This function lets you make changes to various voice-related parameters (setup data) for each track of a recorded song. The following parameters can be edited:
q Voice.. Assigns a voice number to the specified track. q Volume. Sets the volume of the specified track. q Octave.. Shifts the pitch of the specified track up or down by one or two octaves. A setting of 0 produces normal pitch. q Pan.. Positions the sound of the specified track from left to right in the stereo sound field. A setting of -7 is full left, 7 is full right, 0 is center, and all other settings are corresponding positions in between. q Reverb depth.. Sets the reverb depth for the specified track, and thus the amount of reverb effect applied to that voice or track. q Chorus depth. Sets the chorus depth for the specified track, and thus the amount of chorus effect applied to that voice or track. q DSP depth. Sets the DSP depth for the specified track, and thus the amount of DSP effect applied to that voice or track.
Only one of the Setup parameters can be recorded to each track, and any parameter changes made in the middle of the song will be cancelled. However, in the case of Volume data, any Volume changes in the middle of the song are applied as an offset to the initial Setup Data setting.
Select the file (song) for which you wish to change the setup data.
Press the [NEXT] button to display the MODE selection screen. Select Edit.
Use the same operation as in Chord Match above.
Clearing User Pad Data
Select Clear.
Select the Pad number to be cleared.
Use the data dial, the [+/YES] button or the [-/NO] button. To clear the data from all four pads, select ALL PADS.
Execute the Clear operation.
Press the [+/YES] button to execute the Clear operation. To abort the Clear operation, press the [-/NO] button.
The PSR-740/640 lets you record up to three original User styles which can be used for auto accompaniment in the same way as the preset styles. User Style data can also be saved to and loaded from floppy disk (page 65). You can create a User styles by using the internal style data as a starting point. Select a preset style that is closest to the type of style you want to create, and record the auto accompaniment pattern to one track of the section.
The PSR-740/640 provides two basic ways to record styles: Style Recording Rhythm Track... page 112 Style Recording Bass/Phrase/Pad/Chord Tracks... page 114 The four editing features below allow you to edit already recorded style data. Quantize..... This function aligns the timing of the recorded note data to a specified value. Naming User Styles.... This function lets you name your original styles. Clearing User Style Data.... This function is for clearing (deleting) or part of the recorded style. CTAB Parameters... These parameters determines how the pitch of the accompaniment is converted when you play chords in the auto accompaniment section of the keyboard.
page 116 page 118 page 118 page 119
s User Style Tracks
The tracks which can be recorded to the User styles are organized as shown in the chart below.
q PSR-740 Section COUNT INTRO INTRO MAIN A MAIN B MAIN C MAIN D FILL IN A FILL IN B FILL IN C FILL IN D SIMPLE ENDING ENDING Track RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN q PSR-640 Section INTRO MAIN A MAIN B MAIN C MAIN D FILL IN A FILL IN B FILL IN C FILL IN D ENDING Track RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN
CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2
PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2
BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD
16 Rock Kit < < < < < < < < < < < < < < < < < < SD Rock H < < < Bass Drum H BD Rock < SD Rock L < SD Rock Rim Rock Tom 1 < Rock Tom 2 < Rock Tom 3 < Rock Tom 4 Rock Tom 5 < Rock Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
24 Electronic Kit < < < < < < < < < < < < < < < Reverse Cymbal < Hi Q 2 Snare L < Bass Drum H < BD Rock BD Gate < SD Rock L < SD Rock H E Tom 1 < E Tom 2 < E Tom 3 < E Tom 4 E Tom 5 < E Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < Scratch Push Scratch Pull < < < < <
25 Analog Kit < < < < < < < < < < < < < < < Reverse Cymbal < Hi Q 2 SD Rock H < Bass Drum H < BD Analog L BD Analog H Analog Side Stick Analog Snare 1 < Analog Snare 2 Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 < < < < < Analog Cowbell < < < < < Analog Conga H Analog Conga M Analog Conga L < < < < < Analog Maracas < < < < Analog Claves < < Scratch Push Scratch Pull < < < < <
27 Dance Kit < < < < < < < < < < < < < < < Reverse Cymbal < Hi Q 2 AnSD Snappy < AnBD Dance-1 AnSD OpenRim AnBD Dance-2 AnBD Dance-3 Analog Side Stick AnSD Q < AnSD Ana+Acoustic Analog Tom 1 Analog HH Closed 3 Analog Tom 2 Analog HH Closed 4 Analog Tom 3 Analog HH Open 2 Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 < < < < < Analog Cowbell < < < < < Analog Conga H Analog Conga M Analog Conga L < < < < < Analog Maracas < < < < Analog Claves < < Scratch Push Scratch Pull < < < < <
32 Jazz Kit < < < < < < < < < < < < < < < < < < SD Jazz H Light < < < < BD Jazz < SD Jazz L < SD Jazz M < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
40 Brush Kit < < < < < < < < < < < < < < < < < < Brush Slap L < < < < BD Jazz < Brush Slap < Brush Tap Brush Tom 1 < Brush Tom 2 < Brush Tom 3 < Brush Tom 4 Brush Tom 5 < Brush Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
CHORUS
Master EQ
VOICE L
Rev Send Cho Send
Vocal Harmony
When DSP type is selected as an Insertion effect
Rev Send Cho Send DSP Send DSP Return
When DSP type is selected as a System effect
s PSR-640
q Reverb (System effect) Reverb effect type/depth can be set by panel operation. When you select a different style, the appropriate reverb type will be selected accordingly. q Chorus (System effect) Chorus effect type/depth can be set by panel operation. When you select a different style, the appropriate chorus type will be selected accordingly. q DSP (System/Insertion effect) DSP effect on/off status, type and depth can be set by panel operation. DSP effect will function as either System or Insertion effect. Whether DSP effect is System or Insertion depends on the selected type. DSP effect configuration will differ between System and Insertion effects as follows:
Although not all the effect settings cannot be made by operating the PSR-640 panel manually, some of them may be accessible through MIDI. Refer to the MIDI data format for details.
Rev Send Cho Send DSP Send Chorus Return
q Reverb Type List (PSR-740/640)
Reverb Type Hall1-5 Room1-7 Stage1-4 Plate1-3 White Room Tunnel Canyon Basement No Effect System/Insertion System System System System System System System System Description Concert hall reverb. Small room reverb. Reverb for solo instruments. Simulated steel plate reverb. A unique short reverb with a bit of initial delay. Simulation of a tunnel space expanding to left and right. A hypothetical acoustic space which extends without limit. A bit of initial delay followed by reverb with a unique resonance. No effect.
q Chorus Type List (PSR-740/640)
Chorus Type Chorus1-8 Celeste1, 2 Flanger1-5 Symphonic1, 2 Phaser Ensemble Detune No Effect System/Insertion System System System System System System Description Conventional chorus program with rich, warm chorusing. A 3-phase LFO adds modulation and spaciousness to the sound. Pronounced three-phase modulation with slight metallic sound. A multi-phase version of Celeste. (PSR-740) Pronounced, metallic modulation with periodic phase change. (PSR-740) Chorus effect without modulation, created by adding a slightly pitch-shifted sound. (PSR-740) No effect.
q DSP Type List (PSR-640)
DSPType System/Insertion Hall1-5 System Room1-7 System Stage1-4 System Plate1-3 System Delay Left - Center System Right1, 2 Delay Left - Right System Echo System Cross Delay System ER1, 2 System Gate Reverb System Reverse Gate System Karaoke1-3 System Chorus1-8 System Celeste1, 2 System Flanger1-5 System Symphonic1, 2 System Rotary Speaker1-6 Insertion Tremolo1-3 Insertion Guitar Tremolo Insertion Auto Pan1, 2 Insertion Phaser1, 2 System Distortion Hard Insertion Distortion Soft Insertion Distortion Heavy Insertion Overdrive Insertion Amp Simulator Insertion EQ Disco Insertion EQ Telephone Insertion 3Band EQ (MONO) 2Band EQ (STEREO) Auto Wah1, 2 No Effect Through Insertion Insertion Insertion Description Concert hall reverb. Small room reverb. Reverb for solo instruments. Simulated steel plate reverb. Three independent delays, for the left, right and center stereo positions. Initial delay for each stereo channel, and two separate feedback delays. Stereo delay, with independent feedback level settings for each channel. Complex effect that sends the delayed repeats bouncing between the left and right channels. This effect isolates only the early reflection components of the reverb. Gated reverb effect, in which the reverberation is quickly cut off for special effects. Similar to Gate Reverb, but with a reverse increase in reverb. A delay with feedback of the same types as used for karaoke reverb. Conventional chorus program with rich, warm chorusing. A 3-phase LFO adds modulation and spaciousness to the sound. Pronounced three-phase modulation with slight metallic sound. A multi-phase version of Celeste. Rotary speaker simulation. Rich Tremolo effect with both volume and pitch modulation. Simulated electric guitar tremolo. Several panning effects that automatically shift the sound position (left, right, front, back). Pronounced, metallic modulation with periodic phase change. Hard-edge distortion. Soft, warm distortion. Heavy distortion. Adds mild distortion to the sound. A simulation of a guitar amp. Equalizer effect that boosts both high and low frequencies, as is typical in most disco music. Equalizer effect that cuts both high and low frequencies, to simulate the sound heard through a telephone receiver. A mono EQ with adjustable LOW, MID, and HIGH equalizing. A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts. Cyclically modulates the center frequency of a wah filter. No effect. Bypass without applying an effect.
There is no floppy disk inserted into the disk drive. Insert a disk.
Disk removed!
An error occured because the disk was removed during a disk operation. Never remove a disk during a disk operation since this could damage both the disk and the drive.
Disk full! Cannot continue.
The disks memory capacity is full and no additional data can be recorded. Delete one or more unneeded songs (using Delete), and attempt the operation again.
Wrong disk! Reinsert the proper disk.
When using the Copy operation, the inserted disk is different from the source or destination disk. Remove the disk and reinsert the proper Disk.
Same name on disk! Change the file name.
More than one file has the same name on the disk. Change the name.
Cannot record! Maximum of 60 songs can be recorded.
Maximum of 60 songs can be recorded. Delete one or more unneeded songs (using Delete), and attempt the song recording again.
Memory full! Cannot continue.
If the internal memory becomes full during Style/Pad recording, this message will appear on the display and recording will stop.
Memory full! Clear unnecessary data.
This message appears when executing the Quantize or Recording operations (in the Style Recording mode) when the internal memory is full.
Data not found!
This message appears when you attempt to edit, quantize or clear the track which contains no data in the Record mode.
User style full!
This message indicates that recording a new User style cannot be started when all three User styles have recorded data. Make sure to clear at least one of the three User styles before recording a new User style.
Cannot quantize the preset data.
This message appears when you attempt to edit or quantize the track (other than RHYTHM) which contains preset data in the Style Record mode.
Cannot operate during recording.
This function cannot be used during Song/Style/Pad recording.
Cannot set the MIDI function during disk operations, etc.
The MIDI function cannot be set during recording, playback, and disk operations.
Cannot turn harmony ON during Style/Pad recording.
Harmony cannot be turned on during Style/Pad recording.
Cannot turn DSP ON during Style/Pad recording.
DSP cannot be turned on during Style/Pad recording.
Cannot enter the functions during Pad recording.
This message appears to indicate you cannot enter the function when you select Multi Pad function in the Multi Pad Recording mode.
Backup error!
The backup data (page 159) is faulty. Use the data initialization function (page 159).
*2 (PSR-740 ONLY) ; v = 0 - 127 *1 ; v = 0 - 127 *1 ; v = 0 - 127 ; v = 0 - 127 ; v = 0 - 127 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0:-64 - 64:0 - 127:+63 *2 (PSR-740 ONLY) ; v = 0:-64 - 64:0 - 127:+63 ; v = 0:-64 - 64:0 - 127:+63 *2 (PSR-740 ONLY) ; v = 0 - 127 ; v = 0 - 127 ; v = 0 - 127 (When only Connection = 1[System]) Refer to (3-4)NON-REGISTERED PARAMETER NUMBER Refer to (3-4)NON-REGISTERED PARAMETER NUMBER Refer to (3-3)REGISTERED PARAMETER NUMBER Refer to (3-3)REGISTERED PARAMETER NUMBER
; v = 0:XG NORMAL, 64:SFX NORMAL, 126:XG SFX KIT, 127:XG DRUM ; v = 0 - 127 ; v = 0 - 127
SYSTEM EXCLUSIVE MESSAGE <YAMAHA MIDI FORMAT> <UNIVERSAL> UNIVERSAL REALTIME F0H 7FH..F7H UNIVERSAL NON-REALTIME F0H 7EH..F7H <XG STANDARD> XG PARAMETER CHANGE F0H 43H 1nH 4CH aaH aaH aaH ddH..ddH F7H XG BULK DUMP F0H 43H 0nH 4CH bbH bbH aaH aaH aaH ddH..ddH ccH F7H PARAMETER REQUEST F0H 43H 3nH 4CH aaH aaH aaH F7H DUMP REQUEST F0H 43H 2nH 4CH aaH aaH aaH F7H SPECIAL OPERATORS Others SYSTEM REALTIME MESSAGE MIDI CLOCK START STOP ACTIVE SENSING
(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES (3-1-1) NOTE OFF (Receive only) STATUS 1000nnnn(8nH) NOTE NUMBER 0kkkkkkk VELOCITY 0vvvvvvv (3-1-2) NOTE ON/OFF STATUS NOTE NUMBER VELOCITY
c = 32 c= 1 c= 5 c= 6 c = 38 c= 7 c = 10 c = 11 c = 64 c = 65 c = 66 c = 67 c = 71 c = 72 c = 73 c = 74 c = 84 c = 91 c = 93 c = 94 c = 96 c = 97 c = 98 c = 99
BANK SELECT LSB MODULATION PORTAMENTO TIME DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION SUSTAIN PORTAMENTO SOSTENUTO SOFT PEDAL HARMONIC CONTENT RELEASE TIME ATTACK TIME BRIGHTNESS PORTAMENT CONTROL REVERB SEND LEVEL CHORUS SEND LEVEL VARIATION SEND LEVEL DATA INCREMENT DATA DECREMENT NRPN LSB NRPN MSB RPN LSB RPN MSB
n = 0 - 15 VOICE CHANNEL NUMBER k = 0 (C-2) - 127 (G8) v: ignored
1001nnnn(9nH) 0kkkkkkk 0vvvvvvv 00000000
n = 0 - 15 VOICE CHANNEL NUMBER k = 0 (C-2) - 127 (G8) (v0) NOTE ON (v=0) NOTE OFF n = 0 - 15 VOICE CHANNEL NUMBER p = 0 - 127
c = 100 c = 101
; v = 0:XG NORMAL, 64:SFX NORMAL, 126:XG SFX KIT, 127:XG DRUM ; v = 0 - 127 ; v = 0 - 127 *2 ; v = 0 - 127 *2 ; v = 0 - 127 *1 ; v = 0 - 127 *1 ; v = 0 - 127 ; v = 0 - 127 ; v = 0 - 127 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0 - 127 *2 ; v = 0 - 127 ; v = 0 - 127 ; v = 0 - 127 (When only Connection=1[System]) ; v = 0 - 127 *1 ; v = 0 - 127 *1 Refer to (3-4)NON-REGISTERED PARAMETER NUMBER Refer to (3-4)NON-REGISTERED PARAMETER NUMBER Refer to (3-3)REGISTERED PARAMETER NUMBER Refer to (3-3)REGISTERED PARAMETER NUMBER
0A 0B 0C 0D TOTAL SIZE 0E 15 TOTAL SIZE 01
2A 2B 2C 2D 2E TOTAL SIZE 0F 35 TOTAL SIZE 6 01
Address (H) Size (H) Data (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 01.7F 00.7F 00.7F 00.01 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Prameter Name Variation Type MSB Variation Type LSB Vari. Param. 1 MSB Vari. Param. 1 LSB Vari. Param. 2 MSB Vari. Param. 2 LSB Vari. Param. 3 MSB Vari. Param. 3 LSB Vari. Param. 4 MSB Vari. Param. 4 LSB Vari. Param. 5 MSB Vari. Param. 5 LSB Vari. Param. 6 MSB Vari. Param. 6 LSB Vari. Param. 7 MSB Vari. Param. 7 LSB Vari. Param. 8 MSB Vari. Param. 8 LSB Vari. Param. 9 MSB Vari. Param. 9 LSB Vari. Param. 10 MSB Vari. Param. 10 LSB Variation Return Variation Pan Send Vari. To Reverb Send Vari. To Chorus Variation Connection Variation Part MW Vari. Ctrl Depth PB Vari. Ctrl Depth CAT Vari. Ctrl Depth Not Used Not Used Variation Parameter 11 Variation Parameter 12 Variation Parameter 13 Variation Parameter 14 Variation Parameter 15 Variation Parameter 16 Description Refer to the Ef. Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.64.127) L63.C.R63(1.64.127) -.0.+6dB(0.64.127) -.0.+6dB(0.64.127) 0:insertion,1:system part1.16(0.15),AD1(64),off(16.63,65.127) -64.+63 -64.+63 -64.+63 Default Value (H) 05(=DELAY L,C,R) 00 Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type 00 7F 40
48 4A 4C 4E 54
5A 5B 5C 5D 5E 5F 60 TOTAL SIZE TOTAL SIZE 6 01
option Parameter option Parameter option Parameter option Parameter option Parameter option Parameter
Depend on Variation Type Depend on Variation Type Depend on Variation Type Depend on Variation Type Depend on Variation Type Depend on Variation Type
< Table 1-5 > MIDI Parameter Change table (MULTI EQ)(PSR-740 ONLY)
Address (H) 00 Size (H) 1 Data (H) 34.4C Prameter Name EQ Type Description 0:FLAT 1:JAZZ 2:POPS 3:ROCK 4:CLASSIC -12.+12[dB] 32.2000[Hz] 0.1.12.0 00:Shelving,01:Peaking -12.+12[dB] 0.1.10[KHz] 0.1.12.0 -12.+12[dB] 0.1.10[KHz] 0.1.12.0 -12.+12[dB] 0.1.10[KHz] 0.1.12.0 -12.+12[dB] 0.5.16.0[KHz] 0.1.12.0 00:Shelving,01:Peaking Default Value (H) 00
09 0A 0B 0C 0D 0E 0F 14 TOTAL SIZE 15
34.4C 04.28 01.78 00.01 34.4C 0E.36 01.78 34.4C 0E.36 01.78 34.4C 0E.36 01.78 34.4C 1C.3A 01.78 00.01
EQ Gain1 EQ Frequency1 EQ Q1 EQ Shape1 EQ Gain2 EQ Frequency2 EQ Q2 Not Used EQ Gain3 EQ Frequency3 EQ Q3 Not Used EQ Gain4 EQ Frequency4 EQ Q4 Not Used EQ Gain5 EQ Frequency5 EQ Q5 EQ Shape5
40 0C 40 1C 40 2E 00
< Table 1-6 > MIDI Parameter change table (Effect2)(PSR-740 ONLY)
Address (H) 03 0n 00 Size (H) 1 Data (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Prameter Name Insertion Type MSB Insertion Type LSB Insertion Parameter1 Insertion Parameter2 Insertion Parameter3 Insertion Parameter4 Insertion Parameter5 Insertion Parameter6 Insertion Parameter7 Insertion Parameter8 Insertion Parameter9 Insertion Parameter10 Insertion Part MW INS CTRL DPT BEND INS CTRL DPT CAT INS CTRL DPT Not Used Not Used Insertion Parameter11 Insertion Parameter12 Insertion Parameter13 Insertion Parameter14 Insertion Parameter15 Insertion Parameter16 Description Default Value (H) Refer to the Ef. Type List 49(=DISTORTION) 00 : basic type 00 Refer to the Ef. Parameter List Depend on Insertion Type Refer to the Ef. Parameter List Depend on Insertion Type Refer to the Ef. Parameter List Depend on Insertion Type Refer to the Ef. Parameter List Depend on Insertion Type Refer to the Ef. Parameter List Depend on Insertion Type Refer to the Ef. Parameter List Depend on Insertion Type Refer to the Ef. Parameter List Depend on Insertion Type Refer to the Ef. Parameter List Depend on Insertion Type Refer to the Ef. Parameter List Depend on Insertion Type Refer to the Ef. Parameter List Depend on Insertion Type Part1.16,OFF 7F 40
0A 0B 0C 0D 0E 0F TOTAL SIZE TOTAL SIZE 06 0n
Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List
Depend on Insertion 1 Type Depend on Insertion 1 Type Depend on Insertion 1 Type Depend on Insertion 1 Type Depend on Insertion 1 Type Depend on Insertion 1 Type

Registration Memory saves your favorite panel settings for instant recall when needed (page 57).
Minus-one and Repeat functions are ideal for learning new songs and polishing your keyboard technique (page 79). Virtual Arranger feature lets you add chord progressions to any of the auto-accompaniment styles for more musical, refined accompaniment (page 29).
Digital effects (reverb, chorus, DSP and harmony) add depth and ambiance to your sound (page 42).
One Touch Setting feature automatically selects appropriate voice, effect, and other settings for the selected accompaniment style all you have to do is select a style and play (page 40).
The Multi Effect function lets you combine two digital effects (page 48).
With the Digital Equalizer you can fine tune the sound of your performance on five different frequency bands (page 51).
AD TI P MUL
Multi Pads record and play short rhythmic and melodic sequences that can be used to add impact and variety to your performances (page 106).
User Song recording feature makes it easy to record and playback four melody tracks with an accompaniment track (page 83).
The floppy disk drive plays XG disks and lets you easily manage User Song, User Style, User Pad and Registration data (page 64).
A total of sixteen tracks can be recorded with the Multi recording function, including keyboard, harmony and accompaniment (page 88).
A range of MIDI functions for expanded musical enjoyment (XG format compatible), and a TO HOST terminal for easy connection to a personal computer (page 121)
Create original accompaniment styles with the User Style feature (you can also establish your own rules for changing pitch based on chord changes (page 98).
MIDI templates for easy MIDI settings (page 129).
GM System Level 1
GM System Level 1 is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is affixed to all software and hardware products that support the GM System Level 1. PSR-730/630 supports GM System Level 1.
Voice Number (R1 Voice) The currently selected R1 voice number (page 17) appears here. XG Appears when one of the PSR-730/ 630s XG voices is selected (page 16).
324 347
RHYTHM RHYTHM BASS CHORD 1 CHORD 2 PAD PHRASE PHRASE 1 2
ACCOMPANIMENT TRACKS These icons display the on/off status and volume/velocity settings for each of the 8 accompaniment tracks. They are also used to specify tracks when using the REVOICE function (page 110). When doing Multi recording/playback of songs, the on/off status and volume settings are shown for tracks 1-8 (page 89).
MELODY MELODY MELODY MELODY ACMP
MELODY TRACKS 1 4, ACCOMPANIMENT TRACK In Song Quick Record mode, the recording track is indicated(page 86). When doing Multi recording/playback of songs, the on/off status and volume settings are shown for tracks 9-13 (page 89).
TEMPO Shows the current tempo of accompaniment/song playback (page 26). TRANSPOSE The current transpose value (page 56). ACMP/SONG VOLUME In Song/Style Mode (page 11), the accompaniment or song volume is displayed (pagse 29,78). REPEAT Indicates the A and B repeat points when programming a repeat section, and whether REPEAT PLAY is on or off (page 80). ONE TOUCH SETTING Appears when the ONE TOUCH SETTING feature is engaged (page 41). REGISTRATION (Registration Memory) Indicates the currently selected REGISTRATION MEMORY or ONE TOUCH SETTING number (page 57). FREEZE Appears when the REGISTRATION MEMORY FREEZE function is on (page 60). MEASURE Indicates the current measure number during song recording and playback (page 78). BEAT Flashes at the current tempo and indicates the current beat during accompaniment and song playback. (page 26)
DIGITAL EQ (PSR-730) Appears when the DIGITAL EQUALIZER is turned on (page 51). MULTI EFFECT (PSR-730) Appears when the MULTI EFFECT is turned on (page 49). REVERB Appears when the PSR-730/630 REVERB effect is turned on (page 43). CHORUS Appears when the CHORUS effect is turned on (page 44). DSP Appears when the DSP effect is turned on (page 45). DSP VARIATION Appears when the DSP VARIATION effect is turned on (page 46). HARMONY Appears when the HARMONY effect is turned on (page 47). SYNC STOP Appears when AUTO ACCOMPANIMENT SYNC STOP function is engaged (page 28). FINGERING Shows the currently selected fingering mode (page 32). CHORD Displays the current chord name during AUTO ACCOMPANIMENT playback or SONG recording/playback (page 25). GROOVE & DYNAMICS (PSR-730) Appears when the GROOVE & DYNAMICS function is engaged (page 36).
MULTI PAD Indicates the currently playing MULTI PAD numbers (page 62).
VOICE VOICE VOICE
Keyboard Settings (VOICE R1/VOICE R2/VOICE L) These icons indicate the on/off status and volume settings for the L, R2, and R1 voices when the DUAL VOICE and/or SPLIT VOICE functions are used (pages 19,20). They are also used to specify tracks when using the REVOICE function (page 110). During Multi recording/playback of songs, they indicate the on/off status, volume/velocity and voice settings for tracks 14-16 (page 86).
VOICE VOICE
2 Select a Panel Voice
The PSR-730/630 voices can be selected by using the [] and [+] buttons, the number buttons, the data dial, or the [VOICE] button. q The [] and [+] Buttons When the VOICE menu is selected these buttons step up or down through the PSR730/630s voices. Press either button briefly to step to the next voice in the corresponding direction, or hold the button to scroll rapidly through the voices in the corresponding direction.
Bri ghtPiano
q The Number Buttons The number buttons can be used to directly enter the number of the desired voice, thereby immediately selecting that voice without having to step through a number of other voices. To select voice number 109, for example, press the [1], [0], and [9] number buttons in sequence.
Str ings
* The above illustration shows the display of the PSR-730.
One- or two-digit voice numbers can be entered without leading zeros. To select voice number 23, for example, simply press the [2] button and then the [3] button. The bars below the voice number on the display will flash for a few seconds, and then disappear when the selected voice number has been recognized by the PSR730/630.
Xyl ophone
One- or two-digit voice numbers can also be entered with leading zeroes: e.g. 23 can be entered as 023 by pressing the [0], [2], and [3] buttons. In this case the specified voice number will be immediately recognized by the PSR-730/630. q The Data Dial Simply rotate the dial clockwise to increment the voice number, or counterclockwise to decrement the voice number.
q The [VOICE] Button Pressing the [VOICE] button increments the voice number. Press briefly to increment by one, or hold for continuous incrementing.
3 Play & Adjust Volume
You can now play the selected voice on the PSR-730/630 keyboard. Use the [MASTER VOLUME] control to adjust the overall volume level. If the Voice Set function (page 116) is turned on, whenever a panel voice is selected appropriate R2 and L voices (i.e. DUAL VOICE and SPLIT VOICE modes) as well as digital effects, etc., will be automatically selected at the same time.
When a XG voice is selected the XG icon will appear below the voice number. Refer to page 133 for a complete list of the panel and XG voices.
x Keyboard Percussion
When one of the 12 panel DRUM KIT voices are selected you can play different drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols below the keys.
The HARMONY effect (page 47) cannot be turned on while a drum kit is selected for the R1 voice, and will automatically be turned off if a drum kit is selected while HARMONY is on. The TRANSPOSE parameter (page 56) has no effect on the drum kit voices. See page 140 for a complete listing of the keyboard percussion drum instrument assignments.
You can save PSR-730/630 user styles, user pad (banks 37-40) and registration memory data (banks 01-32) on floppy disks.
1 Insert a Formatted Floppy Disk.
If a disk has not been already inserted in the drive, insert a formatted floppy disk.
2 Select a Save Function
Use the MENU [v] and [w] buttons to select the Disk function so that the triangular indicator in the display appears next to DISK to the left of the display.
Use the SUB MENU [v] and [w] buttons so that Save To Disk? YES appears on the display.
Save To
3 Select the File Type
Press the [+] (YES) button, and the file type select screen File Type: All will appear on the display.
File Typ e:
If the DISK menu is selected when there is no floppy disk inserted into the disk drive, - - - will be displayed at the top of the display, and disk operations wont be possible. Although all User Style (101-104), User Pad (bank 37-40), and Registration Memory (bank 01-32) data can be saved gathered into one single file, the data can be recalled individually when loaded back into the PSR730/630.
Use the [] and [+] buttons or the Data Dial to select the file type for the data you want to save. Refer to the file type list below:
All Style Pad Regist Style + Reg. Pad + Regist Style + Pad Save all User Style (101-104), User Pad (bank 37-40), and Registration Memory (bank 01-32) data into one single file. Save all User Style (101-104) data gathered together into one single file. Save all User Pad (bank 37-40) data gathered together into one single file. Save all Registration Memory (bank 01-32) data gathered together into one single file. Save all User Style (101-104) and Registration Memory (bank 01-32) data gathered together into one single file. Save all User Pad (bank 37-40), and Registration Memory (bank 01-32) data gathered together into one single file. Save all User Style (101-104) and User Pad (bank 37-40) data gathered together into one single file.
4 Save File Confirmation
Use the SUB MENU [w] button so that Save File. appears on the display, showing the new file the data will be saved to.
Save Fil e: UF0 0001.USR
To overwrite the data already saved to an existing file, use the [] and [+] buttons or the Data Dial to select the file you want to overwrite.
6 Execute the Load Operation
Press the [+] (YES) button, and the load operation will start. Once started, the operation cant be canceled. As the file is loading, Now Loading will appear on the top line of the display.
Now Load ing.E -001.USR
When the load operation is finished, the display will return to the Load From Disk? YES sub menu. If you arent going to load, press the [] (NO) button instead of the [+] (YES) button, or eject the disk. The display will return back to the previous Load From Disk? YES.
When data is loaded from a floppy disk to the PSR-730/630, the data already in the memory of the instrument will be replaced by the data on the disk. Save important data into a disk file before doing the load operation. While data is loading (Now Loading is displayed), never eject the floppy disk or turn the power off. Not Enough Memory!! may appear on the display, if a problem occurs that prevents the data from being loaded (the capacity of the PSR-730/630 [RAM] is exceeded, something is wrong with the floppy disk, or the data from the disk is corrupted, etc.).
Disk Copy
You can copy the entire data saved on a floppy disk onto another one using the disk copy feature. Its a good idea to use disk copy to create backup disks of your important data.
1 Insert the Disk to Copy From (Source Disk) into the Disk Drive
Insert the disk that you want to copy from (source disk) into the disk drive.
2 Select a Disk Copy Function
Use the MENU [v] and [w] buttons to select the Disk function so that the triangular indicator in the display appears next to DISK to the left of the display. Use the SUB MENU [v] and [w] buttons so that Disk Copy? YES appears on the display.
Disk Cop y?
Gra nd PiYES
3 Press the [+] (YES) Button
Make sure that the disk you wish to copy from (source disk) is inserted in the disk drive, then press the [+] (YES) button. Now Reading will appear on the display.
Now Read ing.
nd PiYES
While data is copying (Now Copying or Now Reading is displayed), never eject the floppy disk or turn the power off.
The contents of the disk will be copied to the PSR-730/630, and when reading is finished, Insert Copy Disk will be displayed.
Insert C opy Dis kd PiYES
If you want to cancel the Disk Copy function in this step, press the [] (NO) button to cancel the operation, returning to Disk Copy? YES display.
4 Insert the Destination Disk into the Floppy Drive
Insert the destination disk for the copy operation into the disk drive. Now Copying will appear on the display.
Now Copy ing.
Data will be copied from the PSR-730/630 to the destination disk, and when copying is finished, the display will return to the Disk Copy? YES. If the quantity of data is large, it may be necessary for the data to be copied in parts. In such a case, Insert Source Disk will appear again on the display.
Entering the Song Mode automatically selects the following settings: Auto Accompaniment Off, Synchro Start Off, Synchro Stop Off, and Registration Memory Freeze On. These settings cannot be altered in Song Mode.
When playing back a song recorded on a floppy disk, insert the disk into the disk drive.
Inserting the disk will cause the PSR-730/630 to automatically change to the SONG menu, and the name and number of the currently selected song will appear on the left of the top line of the display. The PSR-730/630 will switch to Song Mode, lighting the SONG icon on the display, and the (floppy disk icon) will be shown.
Inserting the disk containing no song data wont automatically select the SONG menu.
2 Enter the Song Number
Use the [] and [+] buttons, [1][0] number buttons, or the Data Dial to select the song to be played back. The SONG button can also be pushed to increment the song number, and holding it down will cause the number to increment continuously.
Always
The songs will be displayed in sequence, as follows:
Demo Song (001) m Disk Song (001) m Demo Song (001).
q Selecting a Disk Song Quickly When selecting a Demo Song, hold the [3] button down until the icon lights, then enter the Disk Song number using the [1][0] number buttons.
Example) Selecting Disk Song number 2 Press [3] and hold until the DISK icon lights Press [2]
Song data of a certain commercially available song disk may use the voices which are not built in the PSR-730/630. In this case nothing will be shown on the voice number display of the appropriate track.
3 Select Play Mode
Press the SUB MENU [v] and [w] buttons so that Play Mode appears on the display. On the right of the top line of the display, the current play mode will be displayed. Use the [] and [+] buttons, or the Data Dial to select the play mode for playback.
Selecting All here cancels the Next song setting (see page 82).
Play Mod e:
Sin gle
Single.. Play through the selected song, then stop. All.. Continue playback through all the songs on the floppy disk. If there is no floppy disk inserted in the drive, this setting will be ignored.
4 Start/Stop the Song
Press the [START/STOP] button, and start playback of the song. To stop playback part way through the song, press the [START/STOP] button one more time.
s Song Volume Control
The volume of song playback can be adjusted for the best balance in relation to notes from the keyboard. While in Song Mode (the SONG icon is lit) press the ACMP/ SONG VOLUME [v] and [w] buttons. When either button is pressed the current song volume setting will appear on the top line of the display for a few seconds. The song volume is also shown on the display when in the Song Mode (the SONG icon is lit).
SongVolu me
Press the ACMP/SONG VOLUME [v] or [w] buttons to button to decrease or increase the volume within a range of 0-127. Press briefly to single step, or hold for continuous decrementing/incrementing.
[EX.] Two Multi Effect types set in series for R1 1. Multi Effect is turned on and 10 measures are recorded for R1 on track 1. 2. Recording is started for R1 on track 2 with Multi effect off, and then it is turned on at the fifth measure.
When you play back the song recorded with the above conditions, the first four measures will be played back with the Multi Effect applied only to track 1, and the remaining six measures, from the fifth through the end, with Multi Effect applied only to track 2.
Punch In/Punch Out
The data recorded on tracks for keyboard playing (R1/R2/L) can be re-recorded in parts with the Punch In/Punch Out feature.
Punch In/Punch Out recording is available only when Multi record mode is engaged. When in the Quick record-ready mode, Punch In: - - - or Punch Out: - - - appears on the display and Punch In/ Punch Out recording is not accessible. If you select the tracks set as the Accompaniment or Harmony, Punch In: - - - or Punch Out: - - - appears on the display and Punch In/ Punch Out recording is not accessible.
q Before re-recording
Recording start (Punch In)
Recording stop (Punch Out)
q After Re-recording
Previously played data
Newly played data
1 In the Record Ready Mode (page 88) for the track you will re-record or in the
Rehearsal Mode, use the SUB MENU [v] and [w] buttons so that Punch In:Off appears on the display.
Punch In :
You can use Punch In/Punch Out to rerecord multiple tracks at the same time. Punch In/Punch Out cannot be used for songs that have no data recorded in them. Punch In: - - - will be shown on the display.
Use the [] and [+] buttons, [1][0] number buttons, or the Data Dial to enter the measure number for using the Punch In feature.
2 Use the SUB MENU [w] button so that Punch Out:Off appears on the display.
Punch Ou t: 5
Use the [] and [+] buttons, [1][0] number buttons, or the Data Dial to enter the measure number for using the Punch Out feature.
3 Start and Stop Recording
Start recording as usual. Even though you start playing from the beginning, only the data played within the Punch In/Punch Out range will be re-recorded.
The Punch Out measure number cannot be set lower than the Punch In measure number.
Quantize
With the Quantize feature, the timing of data recorded in a user songs can be adjusted.
1 In the Record Ready Mode for the track you want to quantize (page 88) or in the
Rehearsal Mode, use the SUB MENU [v] and [w] buttons so that Quantize: YES appears on the display.
Quantize ?
Quantize setting is available only when Multi record-ready mode is engaged. When in the Quick record-ready mode, Quantize? - - - appears on the display and Quantize setting is not accessible.
Example 1) When you want to create a user style with 8 beats in 4/4 time, select style number Beat Pop.
If none of the preset styles is appropriate, select one that has the same time signature and number of measures as the one you want to create, then use the All Clear function (page 105) to clear all preset data before entering your own. If you select a blank user style to begin with (101 104), the style will be in 4/4 time and all sections except FILL will be 2 measures long. FILL will be 1 measure long.
Example 2) When you want to create a user style with 3/4 waltz time, select user style 099 Vien. Waltz.
Vien. Wa ltz
2 Engage the Record Ready Mode
Press the [RECORD] button to engage the record ready mode. The [RECORD] button indicator will light, and the SONG, STYLE, and MULTI PAD [1] [4] icons will flash, indicating that you must select one of the corresponding record modes.
3 Select the Style Record Mode
Press the [STYLE] button to select the Style record mode. The STYLE menu will automatically be selected and a user style number will appear on the top line of the display. The beat indicator dots will flash at the currently set tempo, indicating that the record ready (synchro start) mode is engaged. Also, the indicators for the auto-accompaniment section buttons (INTRO, MAIN A, MAIN B, and ENDING) will flash, indicating that a section and track must be selected before recording can begin.
The icons of tracks which already contain data will appear continuously rather than flashing when the style record mode is selected. If the style record mode is selected while a preset style is selected, a user style which does not contain any recorded data will automatically be selected. If all user styles already contain data, however, user style number 101 (user style number 1) will be selected. If the style record mode is engaged when a user style has already been selected, that user style number will be used for recording. The following panel setting changes will occur when the style record mode is engaged:
The measure number will be reset to 1. If the Metronome function is on (page 116), the metronome will sound at the current tempo. The Synchro Stop function will be turned off.
RHYTHM RHYTHM BASS CHORD 1 CHORD 2 PAD PHRASE PHRASE MELODY 2
4 If Necessary, Select a User Style Number 5 Select a Section to Record
If the desired user style is not already selected, use the [] and [+] buttons, [1][0] number buttons, or the Data Dial to select it.
You cannot enter Revoice Mode when one of the Record Modes is engaged. With Style Revoice, the octave and the DSP depth cannot be changed. When using Style Revoice for the RHYTHM1 track, only drum kit voices (see page 19) can be selected. When using Style Revoice for the RHYTHM2 track, any of the voices can be selected but no chord changes will occur when using Auto Accompaniment.
Reverb Depth
RevDepth
Chorus Depth
ChoDepth
DSP Depth
DspDepth
Revoicing the R1, R2, and L Voices
1 Select the VOICE REVOICE Mode
While the VOICE menu is selected, press the [REVOICE] button (actually, the order here is not important: you can also press the [VOICE] button after pressing the [REVOICE] button). The [REVOICE] button indicator will light and the R1 voice track will be bracketed by two horizontal bars (i.e. the R1 voice is initially selected for revoicing).
The VOICE REVOICE mode will automatically be selected if the [REVOICE] button is pressed while any menu other than STYLE or SONG is selected. The VOICE REVOICE mode cannot be selected while one of the record modes is engaged.
2 If Necessary Select a Voice to Revoice
Use the three rightmost TRACK buttons to select the voice you want to revoice: L, R2, or R1. The selected tracks will be bracketed by two horizontal bars.
The TRACK button below the selected voice can be used to turn the voice on or off. Make sure that the voice is turned on if you want to monitor the sound while revoicing (the R1 voice cannot be turned off).
3 Select and Edit the Revoice Parameters
Use the SUB MENU [v] and [w] buttons to select the desired parameter. The name of the selected parameter will appear on the top line of the display to the right of the parameters current value. Use the [] and [+] buttons, the number buttons, or the data dial to set the parameters value as required. Refer to the Revoice Parameters chart on page 111.
You can jump directly to the REVOICE R2 VOICE display by pressing and holding the [DUAL VOICE] button for a few seconds. You can jump directly to the REVOICE L VOICE display by pressing and holding the [SPLIT VOICE] button for a few seconds.
R1Voice: 001 Gra nd Piano R1Volume : R1Octave : R1Pan: : 70 26
R1RevDep th: R1ChoDep th: R1DspDep th:
Minus settings for the Octave and Pan parameters can be directly entered by pressing the appropriate number button while holding the [] button. When the DSP type is set as insertion, the DSP depth parameter cannot be changed. The REVOICE mode will automatically be exited if the MENU [v ] and [w ] buttons are used to select any of the menus to the left of the display. Save any revoice settings you want to keep to the PSR-730/630 REGISTRATION MEMORY (page 57). The revoice setting are temporary and will be lost if the power is turned off, a different R1 panel voice is selected while the Voice Set function is on, or a REGISTRATION MEMORY is recalled.
GROOVE & DYNAMICS (PSR-730)
BeatGroove... Beat groove template selection.. 36 GROOVE & DYNAMICS Button MeasGroove... Measure groove template selection.. 37 Dynamics.. Dynamics template selection. 38 DynamcsRate... Dynamics rate setting.. 39 ExpandRate... Expand rate setting.. 39 BoostRate... Boost rate setting.. 40
Sub-menu items with have shortcut access (press and hold the specified button for a few seconds to jump directly to the associated sub-menu function). In addition to the shortuts listed above, the [DUAL VOICE] button can be held to jump to the R2 voice revoice function, and the [SPLIT VOICE] button can be held to jump to the L voice revoice function.
Voice List
s Maximum Polyphony
The PSR-730 has 64-note maximum polyphony and the PSR-630 has 32. Auto Accompaniment uses a number of the available notes, so when Auto Accompaniment is used the total number of notes that can be played on the keyboard is correspondingly reduced. The same applies to the Dual Voice, Split Voice, Multi Pad, and Song functions. When the maximum polyphony is exceeded, notes are played using lastnote priority. [PSR-730] Panel Voice List
Voice Number Bank Select MSB 0 MIDI Program Voice Name Change LSB Number Piano Grand Piano BrightPiano Honky Tonk Midi Grand CP 4 Galaxy EP Super DX DX Modern Funk EP Modern EP Hyper Tines New Tines Venus EP Tremolo EP Rock Piano Clavi Wah Clavi Harpsichord GrandHarpsi Chromatic Percussion Vibraphone Jazz Vibes Marimba Xylophone Steel Drums Celesta Glocken Music Box TubularBells Kalimba Timpani Dulcimer Organ Jazz Organ16 Jazz Organ17 Click Organ Dance Organ Drawbar Org Mellow Draw Bright Draw Rock Organ18 Rock Organ18 Purple Org 60s Organ Blues Organ Mellow Org Perc.Organ 16+1 Organ 16+2 Organ 16+4 Organ Elec.Organ TheatreOrg17 TheatreOrg2 Voice Number Bank Select MSB LSB 112 112
The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the PSR-730/630 via MIDI from an external device. When the sustain or sostenuto pedal functions are being used (page 117), some voices may sound continuously or have a long decay after the notes have been released while the pedal is held.
MIDI Program Voice Name Change Number 19 Pipe Organ 19 ChapelOrgan 20 Reed Organ Accordion 21 Musette 21 Accordion 21 Trad. Accrd 23 Tango Accrd 23 Bandoneon 21 Soft Accrd 22 Harmonica Guitar 24 Classic Gtr 24 Spanish Gtr 25 Folk Guitar 25 12StrGuitar 26 Jazz Guitar 26 Octave Gtr 26 HawaiianGtr 27 BrightClean 27 SolidGuitar 27 CleanGuitar 27 Elec.12Str 27 Tremolo Gtr 27 Slap Guitar 28 Funk Guitar 28 MutedGuitar 29 FeedbackGtr 29 Overdrive 30 Distortion 27 PedalSteel 25 Mandolin Bass 32 Aco.Bass 32 Bass&Cymbal 33 FingerBass 34 Pick Bass 35 Fretless 35 Jaco Bass 17 Organ Bass 36 Slap Bass 37 Funk Bass 36 Fusion Bass 38 Synth Bass 39 Analog Bass 39 Dance Bass 38 Hi Q Bass 38 Rave Bass Solo Strings 40 Solo Violin 40 Soft Violin 110 Fiddle 41 Viola 42 Cello
(3-2-3) ALL NOTES OFF (Recive only) (CONTROL NUMBER = 7BH , DATA VALUE = 0)
Switches off all of the channels on notes. However, any notes being held by SUSTAIN or SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off.
(3-5-2) START
STATUS 11111010 (FAH) Transmission: Transmitted when instruments Rhythm or Song playback is started. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start.
(3-2-4) OMNI OFF (Recive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0)
Same processing as for All Notes Off.
(3-2-5) OMNI ON (Recive only) (CONTROL NUMBER = 7DH , DATA VALUE = 0)
Same processing as for All Notes Off. Omni On is not executed.
(3-5-3) STOP (3-2-6) MONO (Recive only) (CONTROL NUMBER = 7EH , DATA VALUE = 0)
Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding channel will be changed to Mode 4 (m=1). STATUS 11111100 (FCH) Transmission: Transmitted when instruments Rhythm or Song playback is stopped. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop.
(3-2-7) POLY (Recive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0)
Same processing as for All Sounds Off and the corresponding channel will be changed to Mode 3.
(3-5-4) ACTIVE SENSING
STATUS 11111110 (FEH) Transmission: Transmitted approximately once every 200msec. Reception: Sensing is started once this Code is received. If Status or Data is not received within 400ms, the MIDI Receive Buffer will be cleared, and all notes, including those being sustained, will be cut OFF. Also, all control values will be reset to their factory defaults.
(3-3) REGISTERED PARAMETER NUMBER (RPN)
STATUS RPN LSB RPN LSB NUMBER RPN MSB RPN MSB NUMBER DATA ENTRY MSB DATA VALUE DATA ENTRY LSB DATA VALUE 1011nnnn (BnH) 01100100 (64H) 0ppppppp 01100101 (65H) 0qqqqqqq 00000110 (06H) 0mmmmmmm 00100110 (26H) 0lllllll n = 0 - 15 VOICE CHANNEL NUMBER p = RPN LSB(refer to the list below) q = RPN MSB(refer to the list below) m = Data Value l = Data Value
NOISE GATE (variation, insertion block)
No. Parameter Attack Release Threshold Output Level 140ms 10680ms -72-30dB 0127 Value See Table table#8 table#9 Control
TOUCH WAH 1 (variation, insertion block), TOUCH WAH+DIST (variation block)
No. Parameter Sensitive Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive 1.012.0 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<WValue 0127 See Table Control q
< Table 1-11 > Effect Data Value Assign Table
Table#1 LFO Frequency
Data Value Data Value Data Value Data Value 0.1.2.8.41 0.1.2.8.75 0.1.2.9.08 0.1.2.9.42 0.1.3.9.76 0.1.3.10.1 0.1.3.10.8 0.1.3.11.4 0.1.3.12.1 0.1.3.12.8 0.1.3.13.5 0.1.3.14.1 0.1.3.14.8 0.1.3.15.5 0.1.4.16.2 0.1.4.16.8 0.2.4.17.5 0.2.4.18.2 0.2.4.19.5 0.2.4.20.9 0.2.5.22.2 0.2.5.23.6 0.2.5.24.9 0.2.5.26.2 1.2.5.27.6 1.2.6.28.9 1.2.6.30.3 1.2.6.31.6 1.2.7.33.0 1.2.7.34.3 1.2.7.37.0 1.2.8.39.7
Table#4 Reverb time
Data Value Data Value Data Value 0.3.17.0 0.3.18.0 0.3.19.0 0.3.20.0 0.3.25.0 0.4.30.0 0.4.1 1.4.2 1.4.3 1.4.4 1.4.5 1.4.6 1.4.7 1.4.8 1.4.9 1.5.0 1.5.5 2.6.0 2.6.5 2.7.0 2.7.5 2.8.0 2.8.5 2.9.0 2.9.5 2.10.0 2.11.0 3.12.0 3.13.0 3.14.0 3.15.0 3.16.0
Table#7 Delay Time(400.0ms)
Data Value Data Value Data Value Data Value 0.100.201.302.4 3.104.204.305.5 6.107.207.308.7 9.110.211.311.8 12.113.214.315.0 15.116.217.318.1 19.119.220.321.3 22.122.223.324.4 25.126.226.327.6 28.129.230.330.7 31.132.233.333.9 34.135.236.337.0 37.138.239.340.2 41.141.242.343.3 44.144.245.346.5 47.148.248.349.6 50.151.252.352.8 53.154.255.355.9 56.157.258.359.1 59.160.261.362.2 63.163.264.365.4 66.167.267.368.5 69.170.270.371.7 72.173.274.374.8 75.176.277.378.0 78.179.280.381.1 82.182.283.384.3 85.185.286.387.4 88.189.289.390.6 91.192.292.393.7 94.195.296.396.9 97.198.299.400.0
Table#11 Reverb Width;Depth;Height
Data Value Data Value Data Value Data Value 0.8.17.27.5 0.9.17.28.1 1.9.18.28.5 1.9.18.28.8 1.9.18.29.2 1.10.19.29.5 2.10.19.29.9 2.10.19.30.2 2.11.20.0 2.11.20.2 3.11.20.5 3.11.20.8 3.12.21.1 3.12.21.4 4.12.21.7 4.12.22.0 4.13.22.4 4.13.22.7 5.13.23.0 5.14.23.3 5.14.23.6 5.14.23.9 6.14.24.2 6.15.24.5 6.15.24.9 7.15.25.2 7.15.25.5 7.16.25.8 7.16.26.1 8.16.26.5 8.17.26.8 8.17.27.1
Table#2 Modulation Delay Offset
Stand by/ON Master Volume : MIN MAX
User Pad Set : 4 (101 104) Naming Pad Clear, Bank Clear
Control & Number Buttons
MENU vw, VOICE, STYLE, SONG, SUB MENU vw, [1] [0], [+] (YES), [] (NO)
Transmit Settings Receive Settings Local Control Clock Initial Data Send MIDI Template
Disk Drive Demo
15 Songs
Digital Effect
Reverb : 13 types Chorus : 10 types DSP (system/insertion) : 46 types Multi Effect : 42 types x 2 Digital Equalizer : 5 types + 1 User Setting Harmony : 16 types
PSR-Panel Voices +12 Drum Kits + 480 XG Voices Polyphony : 64 PSR-Panel Voices +12 Drum Kits + 480 XG Voices Polyphony : 32 Voice Set R1/R2/L Voices Revoice : Voice, Volume, Octave, Pan, Reverb Depth, Chorus Depth, DSP Depth Split Voice Mode Dual Voice Mode
Auxiliary Jacks
DC IN 10-12V, PHONES, SUSTAIN, FOOT VOL, AUX OUT R, L+R/L, MIDI IN/OUT, TO HOST
32 Regist Bank : Naming Accompaniment Freeze
Amplifiers
6 W + 6 W (when using PA-6 power adaptor) 4 W + 4 W (when using batteries)
Multi Pads
36 Multi Pad Sets 4 Pads + STOP Chord Match Naming
Speakers
12 cm (4-3/4 ) x 2
Power Consumption
24 W (when using PA-6 AC power adaptor)
100 Styles Auto Accompaniment ON/OFF Accompaniment Track : RHYTHM1/2, BASS, CHORD1/2, PAD, PHRASE1/2 Accompaniment Track Settings : ON/OFF Accompaniment Control : SYNC START, SYNC STOP, START/STOP, INTRO, MAIN A/B (AUTO FILL), ENDING Beat Indicator Accompaniment Volume Revoice : Voice, Volume, Pan, Reverb Depth, Chorus Depth Virtual Arranger
Song Recording/Playback Format Save Load Disk Copy Song Copy Delete File
Batteries
Six SUM-1, D size, R-20 or equivalent batteries
Rated Voltage
DC 10-12V
Dimensions (W x D x H)
973 x 397 x 155 mm (38-1/4 x 15-5/8 x 6-1/8 )
Song Volume Minus One Practice Repeat Play Song Repeat Next Song
Weight
Tags
SRU160-10 RZ-29FB55RX DNS-323 VOD102 Trickster 128 L PM-A840 WD-10151TP 3210Z B3191-4-M Euro 524698 RM2291 Chauffe-EAU HMB406 Kodak M853 CP-S310 Kameleon 6 EY6220 Simulator DSP-AX420 Aspire-E500 SC-HDV600 32PW9615 XT660-2007 CB 579 Silverado-2007 Magnia 3310 AIR3G OPH 1004 4matic 2022I Server Explorer 042511 Hunter XC Blender Streetpilot III 7 AE Adapter KDL-46D3000 Corby TXT Fakir 1800 IC-A23 DCR-DVD205E 32LG5030 RS-AZ7 Review GM-190B Pmc II R540-JA01 Stylus C67 300 AE Nokia 6102 EB-GD87 Deskjet 5940 ICD-SX46 GT-I9000 S3 IS DSC-W320 1800-400 TX-SR575 Hdplus M2N-E QT4020 LC-15L1E RH277HB RTI A3 Satellite A210 GZ-MG555U Bx1500LCD GC-309BVS WA12V5 HP 110 CDX-F5000C SGH-B110L Icarus 2020 Juno-106 2100 MAX Coolpix L5 RDM 169 RR-QR120 V-C7770CER IC-245E EWF2004 PSR19 Powershot TX1 X10 Mini DBP-2010 3M X90W Roland GK-2 VPL-PX35 PS-5000 D Logitech Z10 DMR-EH59 Mini320 MM-L4 P5VD1-X CFD-S47L Hx191 SRT4127W LF850
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