Owners Manual

SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
Model Serial No. Purchase Date

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ve years. When replacement becomes necessary, contact a qualied service representative to perform the replacement.

PLEASE KEEP THIS MANUAL

92-BP (bottom)
PSR-E303/YPT-300 Owners Manual

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

Water warning

Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. Never insert or remove an electric plug with wet hands.

Fire warning

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.

Do not open

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Unplug the AC power adaptor when not using the instrument, or during electrical storms. Do not connect the instrument to an electrical outlet using a multipleconnector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. Do not attempt to recharge batteries that are not intended to be charged. When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery uid. Keep batteries away from children. If the batteries do leak, avoid contact with the leaked uid. If the battery uid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery uid is corrosive and may possibly cause loss of sight or chemical burns.

Battery

Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, re, or battery uid leakage. Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, re, or battery uid leakage. Do not dispose of batteries in re.

Front Panel Song List (page 21)

!4 !5 !6 !7

Style List (page 74)

Rear Panel

@8 MIDI IN/OUT terminals..page 58 @9 SUSTAIN jack..page 9 #0 PHONES/OUTPUT jack...page 9 #1 DC IN 12V jack..page 8

Display (page 32)

Voice List (page 65)

!2 r t y

001 GrandPno

u i o !0

@4 @5 @6 @7

GrandPno

Try playing a variety of instrument Voices
In addition to the piano Voice, a wide variety of other instrument Voices can be selected and played, including guitar, trumpet and ute. The Voice selected here becomes the Main Voice.
Press the [VOICE] button.
The Voice number and name are displayed.

Voice number Voice name

Appears when the Voice mode.

Select a Voice.

Select the desired Voice by using the number buttons [0]-[9], [+], [-]. Refer to the Voice List on page 65.
The Voice shown here becomes the Main Voice for the instrument.

Play the keyboard.

Try selecting and playing different Voices.
Playing Two Voices SimultaneouslyDual

Quick Guide

13 You can select a second Voice which will play in addition to the Main Voice selected on the previous page. This second Voice is known as the Dual Voice.
Two Voices sound at the same time

Play the Dual Voice

Press the [DUAL ON/OFF] button to turn the Dual function on.
When Dual is on, you can play a Dual Voice in a layer with the Main Voice. To turn the Dual Voice off and play only the Main Voice, press the [DUAL ON/OFF] button again.

Appears when Dual is on.

Selecting a Dual Voice
The best-suited Dual Voice is automatically selected whenever you turn Dual on, but you can select any of the available Dual Voices.
Press and hold the [DUAL ON/OFF] button for longer than a second.
D. Voice appears in the display for a few seconds, then the Dual Voice will appear.
Currently selected Dual Voice

Marimba

You can also access the Dual Voice setting display by pressing the [FUNCTION] button several times, then selecting Dual Voice.
Hold for longer than a second.

Select a Dual Voice.

Select the desired Dual Voice by using the number buttons [0][9], [+], [-]. Refer to the Voice List on page 65.
Step 1 Changing the Voices
Playing Different Voices with the Left and Right HandsSplit
In the Split mode you can play different Voices to the left and right of the keyboard Split Point. The main and Dual Voices can be played to the right of the Split Point, while the Voice played to the left of the Split Point is known as the Split Voice

Starting the metronome

Turn the metronome on and start it by pressing the [METRONOME ON/ OFF] button.
To stop the metronome, press the [METRONOME ON/OFF] button again.
Displays the current beat.
Setting the metronome tempo
Press the [TEMPO/TAP] button to display the tempo.

Tempo value

Set the metronome tempo by using the number buttons [0]-[9], [+], [-].
The tempo can be adjusted between 32-280.
Setting the Metronome Time Signature
A chime will sound on the rst beat of each measure, while a metronome click will sound on all others. You can also set the time signature to 00, in which case the chime will not sound and the click sound will be heard on all beats.
Press and hold the [METRONOME ON/OFF] button for longer than a second
The time signature appears in the display.

Time signature

TimeSig
Set the time signature by using the number buttons [0]-[9], [+], [-].
The metronome can be set for time signatures of 0 to 15 beats.
The time signature cannot be changed for Songs and Styles, because each has a xed time signature.
Setting the Metronome Volume
Press the [FUNCTION] button a number of times until MetroVol appears.

MetroVol

Metronome Volume
Set the metronome volume by using the number buttons [0]-[9], [+], [-].
Step 3 Play With The Metronome
Select and Listen to a Specic Song
This instrument has 102 built-in Songs. Listening to a Song

Press the [SONG] button.

The Song number and name are displayed.

Song number Song name

Castaway
Appears when the Song mode is active.
Select the desired Song by using the number buttons [0]-[9], [+], [-].
Refer to the Song List on next page.

001-102 103-107 108-

Built in Songs (see next page) User Songs (Songs you record yourself). Songs transferred from a computer on page 63
Press the [START/STOP] button.
The Song will begin playing. You can stop playback at any time by pressing the [START/ STOP] button.
You can play Songs recorded from the instrument or transferred from a computer. The procedure for playing these Songs is the same as that of the built-in Songs.

Other Operations

[REW] button. Fast-reverses the Song if pressed during playback (no sound is heard during fast reverse). Decreases the measure number if pressed while playback is stopped. [FF] button. Fast-forwards the Song if pressed during playback. Increases the measure number if pressed while playback is stopped. [PAUSE] button. Temporarily stops playback. Press this button a second time to resume playback from the point at which it was stopped.

Step 4 Playing Songs

Selecting a rhythm of a Style
The Style feature provides backing and rhythm parts in a wide variety of musical categories, including rock, blues, techno and much more. Heres how to play a rhythm of a Style. The rhythm sound consists of percussion instruments.
Press the [STYLE] button.
The Style number and name are displayed.

Style number Style name

8BtModrn
Appears when the Style mode is active.

Select a Style.

Select the desired Style by using the number buttons [0]-[9], [+], [-]. Refer to the Style List on page 74.

HH Light

The Style rhythm will start. You can stop playback at any time by pressing the [START/ STOP] button.
Since the Pianist category Styles (098-106) have no rhythm parts, no sound will be produced if you start rhythm-only playback. To use these Styles, turn on the auto accompaniment and play the keyboard as described on pages 23-24. (The bass and chord accompaniment parts will sound.)

Playing with a Style

23 On the previous page, youve learned how to select your favorite rhythm of a Style. Here, youll learn how to expand on that rhythm with bass and chord backing, and use all of it as your accompaniment as you play.
Press the [STYLE] button and then select a Style.
Turn auto accompaniment on.
Press the [ACMP ON/OFF] button. Press the [ACMP ON/OFF] button again to turn the auto accompaniment off.

001 8BtModrn

Appears when auto accompaniment is on
When auto accompaniment is on.
The keys to the left of the Split Point (54; F#2) will play only chords. This is known as the Auto Accompaniment range.

Split Point (54; F#2)

You can change the Split Point. Refer to Setting the Split Point on page 44.

Auto Accompaniment range

Turn SYNC START on.
Press the [SYNC START] button.
Flashes when Sync Start is on.
When the Sync Start standby mode is engaged, Style playback will begin as soon as you play a chord in the accompaniment range of the keyboard. You can turn off Sync Start standby mode by pressing the [SYNC START] button.

Step 5 Play with a Style

Keep holding down the keys.
Harmony type 20-26 (Echo)
Harmony type 06-12 (Trill)
Keep holding down the keys. Hold down two keys.
You can adjust the Harmony Volume in the Function Settings (page 56).

Adding Reverb

Reverb adds the ambience of a room or concert hall to the sound that you play on the keyboard.

To add Reverb

Press the [REVERB ON/OFF] button to turn Reverb on. Reverb is normally on. You can check how the selected Reverb Type sounds by playing the keyboard. To turn Reverb off, press the [REVERB ON/OFF] button again.
Appears when Reverb is on.

Select a Reverb Type

The ideal type is automatically selected whenever you select a Song or Style, but you can select any of the available Reverb Types.
Press and hold the [REVERB ON/OFF] button for longer than a second. REVERB appears in the display for a few seconds, followed by the Reverb Type.
Currently selected Reverb Type
Select the desired Reverb Type by using the number buttons [0]-[9], [+], [-]. Refer to the Reverb Type list on page 75 for details. You can adjust the Reverb depth in the Function Settings (page 56).
You can also access the Reverb Type setting display by pressing the [FUNCTION] button several times.

Adding Chorus

This effect makes the Voice sound richer, warmer and more spacious. The best-suited Chorus type is automatically selected whenever you select a Voice; however, you can select any of the available types.
Press the [FUNCTION] button a number of times until the Chorus appears. Chorus appears in the display for a few seconds, followed by the Chorus Type.

Chorus1

Currently selected Chorus Type
Select a desired Chorus Type by using the number buttons [0]-[9], [+], [-]. Refer to the Chorus Type list on page 75 for details. You can adjust the Chorus depth independently for the Main, Dual and Split Voices in the Function Settings (page 56).

Adding Panel Sustain

This function adds a xed sustain to the keyboard Voices.
Press the [FUNCTION] button a number of times until the Sustain item appears.

Sustain

Current setting
Press the [+] button to turn the Panel Sustain on. Panel Sustain will be added to the notes you play on the keyboard when the Panel Sustain is on. To turn it off, press the [-] button.
See the section Connecting a footswitch (SUSTAIN Jack) on page 9 for information on applying sustain with the optional footswitch.
Touch Response Sensitivity
Appears when Touch Response is on.
The Touch Response function cannot be used for some Voices (such as organ), even if the Touch Response icon appears in the display.
Press the [TOUCH ON/OFF] button to turn Touch Response on. When Touch Response is on, you can control the volume of notes according to how hard you play the keys. Touch Response is normally on. Press the [TOUCH ON/OFF] button again to turn the Touch Response off. When Touch Response is off, the same volume will be produced no matter how hard you play the keys.

Easy Chords Standard Chords

Easy Chords

This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.
Root notes and the corresponding keys
To play a major chord Press the root note of the chord.
To play a seventh chord Press the root note together with the nearest white key to the left of it. To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
To play a minor chord Press the root note together with the nearest black key to the left of it.

Standard Chords

This method lets you produce accompaniment by playing chords using normal ngerings in the accompaniment range of the keyboard.

C 6 (9)

CM 7 (9)

CM7 (#11)

C (b5)

CM7 b5

Csus 4

CM 7 aug

Cm (9)

Cm 7 (9)

Cm 7 (11)

CmM 7 (9)

Cm 7 b5

CmM 7 b5

Cdim 7

C 7 (b9)

C 7 (b13)

C 7 (9)

C 7 (#11)

C 7 (13)

C 7 (#9)

C 7 b5

C 7 aug

C 7 sus4

C 1+2+5
* Notes enclosed in parentheses are optional; the chords will be recognized without them.
Recognized Standard Chords Chart
Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Normal Voicing 1-3-5 1-2-3-- (3) - 5 - - 2 - 3 - (5) - - 3 - (5) - 7 or 1 - (3) - 5 - - 2 - 3 - (5) - 7 Chord (C) C C(9) C6 C6(9) CM7 CM7(9) CM7(#11) C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C1+2+5 Display C C(9) C6 C6(9) * CM7 CM7(9) * CM7(#11)* Cb5 * CM7b5 * Csus4 Caug CM7aug * Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) * CmM7 CmM7(9) * Cm7b5 CmM7b5 * Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 * C7aug C7sus4 C*
Notes in parentheses can be omitted. Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. A perfect fth (1+5) produces accompaniment based only on the root and fth which can be used with both major and minor chords. The chord ngerings listed are all in root position, but other inversions can be usedwith the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), 1+2+5 Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted. The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). Two-note ngerings will produce a chord based on the previously played chord.

Try playing a chord in the auto accompaniment section of the keyboard, checking the indications in the display. When youve played the chord properly, a bell sound signals your success and the chord name in the display ashes.

About chords

Playing two or more notes together simultaneously creates a chord. Playing a note together with two other notes spaced three notes (steps) apartsuch as the notes C, E and Gcreates a harmonious sound. Chords like these are called triads and they play an important role in most music.
Taking the chord above as an example, the lowest note of this triad is called the root note. This is the central note sound, and it supports or anchors the rest of the notes chord. Youll notice that the middle note of the chord above (E) is the third step in the succession of scale notesC, D, then E. There are two types of thirds in chords: major thirds and minor thirds.
Major thirdfour half steps from the root Minor thirdthree half steps from the root
Well also alter the top note of our original chord and make three additional chords, as shown below. (The captions indicate the intervals between each of the notes.)

Major chord

Minor chord

Augmented chord

Diminished chord

Minor 3rd

Major 3rd
The basic characteristics of the chord sound are same, no matter if we change the order of the notes from bottom to top, or if we add other same name notes in different octaves. Beautiful sounding harmonies can be built in this manner, and emotional music can be created by playing different chords one after the other according to commonly accepted rules. Harmony determines the nature of chords, and music is created based on harmony.

Chord names

From the chord name, you can tell at a glance what type of chord it is and which notes make up the chord. Understanding the basic structure of chords is very usefulonce youre familiar with this, youll be quickly and easily play chords by looking at the names that appear above the notation.
Root note Chord type Major 7 th
Chord types (These chords are among those that can be recognized by the Fingered method.)

Suspended 4 th

C sus4

Minor 7 th

Perfect 5th

Perfect 4th

Flatted 7 th

Major chord

Minor chord

Major 7 th

Minor/major 7 th

7 th, atted 5 th

Minor 7 th, atted 5 th

7 th, suspended 4 th

C 7sus4

Major 7th

Flatted 5 th

7 th chord

Minor 7 th chord

Suspended 4 th chord

Function Settings
The [FUNCTION] button gives you access to a variety of operations related to adjusting or enhancing the sound and making settings for connection to external devices.
Select the item and change the value
There are 32 different items that can be set.
Press the [FUNCTION] button a number of times until desired item appears. Each time the [FUNCTION] button is pressed 32 function items are displayed in sequence. The description and display sample is provided on the Function Setting List on page 56-57.

Function item

Set the value by using the number buttons [0]-[9], [+], [-]. For on/off settings or the PC Mode setting, use [+]/[-] buttons.
If necessary, hold the [FUNCTION] button for longer than a second to save your settings to ash memory. (Refer to Backup on page 29)

Function Setting List

Item Style Volume Song Volume Transpose Tuning Split Point Display StyleVol SongVol TransPos Tuning SplitPnt Range/settings 000-127 000-127 -120012 -100000100 000-127 (C-2G8) Description Determines the volume of the Style. Determines the volume of the Song. Determines the pitch of the instrument by semitone increments. Sets the pitch of the instruments sound in 1-cent increments. Determines the highest key for the Split Voice and sets the Split pointin other words, the key that separates the Split (lower) and Main (upper) Voices. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value.

Item Touch Sensitivity

Display TouchSns
Range/settings 1 (Soft) 2 (Medium) 3 (Hard) 000-127 -202 000-127 001-482 000-127 -202 000-127 001-482 000-127 -202 000-127 01-10 000-127 1-5 ON/OFF

The Style does not sound properly.
No rhythm accompaniment plays when the [START/STOP] button is pressed after selecting Style number 098-106 (Pianist).
Not all of the voices seem to sound, or the sound seems to be cut off. The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds. The sound of the voice changes from note to note. The ACMP ON indicator does not appear when the [ACMP ON/OFF] button is pressed.
The harmony doesnt sound.
The part indications, such as Right, Left and Both Hands, do not appeareven when pressing the [R] or [L] buttons for the Lesson.

Voice List

Maximum Polyphony
The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).
The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device. Program Numbers 001 to 128 directly relate to MIDI Program Change Numbers 000 to 127. That is, Program Numbers and Program Change Numbers differ by a value of 1. Remember to take this into consideration. Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.

Panel Voice List

Voice No. Bank Select MIDI Program MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) PIANO Grand Piano Bright Piano Honky-tonk Piano MIDI Grand Piano CP 80 Harpsichord Galaxy Electric Piano Funky Electric Piano DX Modern Electric Piano Hyper Tines Venus Electric Piano Clavi ORGAN Jazz Organ 1 Jazz Organ 2 Click Organ Bright Organ Rock Organ Purple Organ 16'+2' Organ 16'+4' Organ Theater Organ Church Organ Chapel Organ Reed Organ Traditional Accordion Musette Accordion Bandoneon Harmonica Classical Guitar Folk Guitar Voice Name Voice No. Bank Select MIDI Program MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) Voice Name 12Strings Guitar Jazz Guitar Octave Guitar Clean Guitar 60s Clean Guitar Muted Guitar Overdriven Guitar Distortion Guitar BASS Acoustic Bass Finger Bass Pick Bass Fretless Bass Slap Bass Synth Bass Hi-Q Bass Dance Bass String Ensemble Chamber Strings Synth Strings Slow Strings Tremolo Strings Pizzicato Strings Violin Cello Contrabass Banjo Harp Orchestra Hit CHOIR Choir Vocal Ensemble Vox Humana Air Choir

E.PIANO

STRINGS

ACCORDION

GUITAR

Voice No.

MIDI Program MSB LSB Change# (0 - 127) (0 - 127) (1 - 128)
Bank Select SAXOPHONE 14 115

Voice Name

Voice No. 121

Bank Select 113 Celesta

103 104
Tenor Sax Alto Sax Soprano Sax Baritone Sax Breathy Tenor Sax Oboe Clarinet English Horn Bassoon Trumpet Muted Trumpet Trombone Trombone Section French Horn Tuba Brass Section Big Band Brass Mellow Horns Synth Brass 80s Brass Techno Brass FLUTE Flute Piccolo Pan Flute Recorder Ocarina Square Lead Sawtooth Lead Voice Lead Star Dust Brightness Analogon Fargo Fantasia Bell Pad Xenon Pad Equinox Dark Moon Vibraphone Marimba Xylophone Steel Drums
Music Box Tubular Bells Timpani Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electronic Kit Analog Kit Dance Kit Jazz Kit Brush Kit Symphony Kit SFX Kit 1 SFX Kit 2 Sound Effect Kit

DRUM KITS

TRUMPET
XGlite Voice/XGlite Optional Voice* List
Voice No. Bank Select MIDI Program MSB LSB Change# (0 - 127) (0 - 127) (1 - 128) PIANO *Grand Piano Grand Piano KSP Piano Strings Dream Bright Piano Bright Piano KSP Electric Grand Piano Electric Grand Piano KSP Detuned CP80 Honky-tonk Piano Honky-tonk Piano KSP Electric Piano 1 Electric Piano 1 KSP Chorus Electric Piano 1 Electric Piano 2 Electric Piano 2 KSP Chorus Electric Piano 2 DX + Analog Electric Piano Harpsichord Harpsichord KSP Harpsichord 3 Clavi Clavi KSP Voice Name

SYNTH LEAD

SYNTH PAD

PERCUSSION

Bank Select CHROMATIC Celesta

Voice No. 235 236

Bank Select Accordion
Voice Name Puff Organ Harmonica Harmonica 2 Tango Accordion Tango Accordion 2 Nylon Guitar Velocity Guitar Harmonics Ukulele Steel Guitar 12-string Guitar Nylon & Steel Guitar Steel Guitar with Body Sound Mandolin Jazz Guitar Jazz Amp Clean Guitar Chorus Guitar Muted Guitar Funk Guitar 1 Muted Steel Guitar Jazz Man Overdriven Guitar Guitar Pinch Distortion Guitar Feedback Guitar Feedback Guitar 2 Guitar Harmonics Guitar Feedback Guitar Harmonics 2

189 190

Glockenspiel Music Box Orgel Vibraphone Vibraphone KSP Marimba Marimba KSP Sine Marimba Balimba Log Drums Xylophone Tubular Bells Church Bells Carillon Dulcimer Dulcimer 2 Cimbalom Santur Drawbar Organ Detuned Drawbar Organ 60s Drawbar Organ 1 60s Drawbar Organ 2 70s Drawbar Organ 1 60s Drawbar Organ 3 16+2'2/3 Organ Bass 70s Drawbar Organ 2 Cheezy Organ Drawbar Organ 3 Percussive Organ 70s Percussive Organ Detuned Percussive Organ Light Organ Percussive Organ 2 Rock Organ Rotary Organ Slow Rotary Fast Rotary Church Organ Church Organ 3 Church Organ 2 Notre Dame Organ Flute Tremolo Organ Flute Reed Organ
BASS Acoustic Bass Jazz Rhythm Velocity Crossfade Upright Bass Finger Bass Finger Dark Bass & Distorted Electric Guitar Finger Slap Bass Finger Bass 2 Modulated Bass Pick Bass Muted Pick Bass Fretless Bass Fretless Bass 2 Fretless Bass 3 Fretless Bass 4 Slap Bass 1

Effect map

* When a Type LSB value is received that corresponds to no effect type, a value corresponding to the effect type (coming the closest to the specied value) is automatically set. * The numbers in parentheses in front of the Effect Type names correspond to the number indicated in the display.

REVERB

TYPE MSB 4 5.127 TYPE LSB 0 No Effect (01)Hall1 Room Stage Plate No Effect (06)Stage1 (08)Plate1 (02)Hall2 (03)Hall3 (04)Room1 (07)Stage2 (09)Plate2 (05)Room20

CHORUS

TYPE MSB 0.67 68.127 TYPE LSB 0 No Effect Thru Chorus Celeste Flanger No Effect (3)Flanger1 (2)Chorus2 (1)Chorus1 (4)Flanger20

Specications

Keyboards 61 standard-size keys (C1-C6), with Touch Response Display LCD display (backlit) Setup STANDBY/ON MASTER VOLUME: MIN-MAX Panel Controls [L]/[REC TRACK 2], [R]/[REC TRACK 1], [LISTEN & LEARN], [TIMING], [WAITING], [A-B REPEAT]/[ACMP ON/OFF], [REW]/[INTRO/ENDING/rit.], [FF]/[[MAIN/AUTO FILL], [TEMPO/TAP], [REC], [PAUSE]/[SYNC START], [START/STOP], [SONG], [STYLE], [VOICE], [FUNCTION], [PORTABLE GRAND], [SOUND EFFECT KIT], [REVERB ON/OFF], [DEMO], [METRONOME ON/OFF], [SPLIT ON/OFF], [DUAL ON/OFF], [HARMONY ON/OFF], [TOUCH ON/OFF], number buttons [0]-[9], [+/ YES], [-/ NO] Voice 108 panel voices + 12 drum kits + 1 sound effect kit + 359 XGlite voices + 2 XGlite optional voices Polyphony: 32 DUAL SPLIT Style 106 preset Styles Style Control: ACMP ON/OFF, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL Fingering: Multi ngering Style Volume Education Feature Chord Dictionary Lesson 1-3 Function Style Volume, Song Volume, Transpose, Tuning, Split Point, Touch Sensitivity, Main voice (Volume, Octave, Chorus Send Level), Dual voice (Voice, Volume, Octave, Chorus Send Level), Split voice (Voice, Volume, Octave, Chorus Send Level), Reverb Type, Reverb level, Chorus Type, Panel Sustain, Harmony Type, Harmony Volume, PC mode (PC1/PC2/Off), Local On/Off, External Clock, Initial Setup Send, Time Signature, Metronome Volume, Lesson Track (R), Lesson Track (L), Demo Cancel Effects Reverb: 9 types Chorus: 4 types Harmony: 26 types Song 102 Preset Songs + 5 User Songs + Flash Memory Song Clear Song Volume Recording Song User Song: 5 Songs Recording Tracks: 1, 2 MIDI Local On/Off Initial Setup Send External Clock PC mode Auxiliary jacks PHONES/OUTPUT, DC IN 12V, MIDI IN/OUT, SUSTAIN Amplier 2.5W + 2.5W Speakers 12cm x 2 Power Consumption 10W (When using PA-3C power adaptor) Power Supply Adaptor: Yamaha PA-3B/3C AC power adaptor Batteries: Six AA size, LR6 or equivalent batteries Dimensions (W x D x H) 945 x 370 x 128 mm (37-1/4" x 14-5/8" x 5-1/16") Weight 4.9kg (10 lbs. 13 oz.) (not including batteries) Supplied Accessories Music Rest Owners Manual

Optional Accessories AC Power Adaptor: PA-3B/PA-3C USB-MIDI Interface: UX16 Footswitch: FC4/FC5 Keyboard Stand: L-2C/L-2L Headphones: HPE-150/HPE-30
* Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
A-B REPEAT button.. 39 ACMP ON/OFF button... 23 DEMO button... 21 DUAL ON/OFF button... 13 FF button... 21 FUNCTION button... 31, 56 HARMONY ON/OFF button. 40 INTRO/ENDING/rit. Button.. 49 L button... 34 LISTEN & LEARN button.. 34 MAIN/AUTO FILL button.. 49 MASTER VOLUME control.. 9, 30 METRONOME ON/OFF button. 18 number buttons 0-9, +/YES, -/NO.. 31 PAUSE button.. 21 PORTABLE GRAND button. 15 R button... 34 REC button... 25 REC TRACK 1 button.. 27 REC TRACK 2 button.. 27 REVERB ON/OFF button... 41 REW button... 21 SONG button.. 20, 31 SOUND EFFECT KIT button.. 17 SPLIT ON/OFF button... 14 STANDBY/ON switch.. 9, 30 START/STOP button.. 30 STYLE button.. 22, 31 SYNC START button.. 23 TEMPO/TAP button.. 46 TIMING button... 35 TOUCH ON/OFF button.. 43 VOICE button.. 12, 31 WAITING button.. 36 DC IN 12V jack... 8 MIDI IN/OUT terminal... 58 PHONES/OUTPUT jack... 9 SUSTAIN jack... 9

Alphabetical Order

AB Repeat... 39 AC Power Adaptor.. 8 ACMP ON/OFF.. 23 Auto Accompaniment.. 23 Auto accompaniment range.. 23-24
Backup.. 29 Backup Clear.. 29 Battery... 8 Beat Display... 32
Cancel... 28 Chord.. 24, 52-53, 55 Chord Dictionary... 54 Chord Display.. 32, 53 Chorus.. 42 Chorus Send Level (Dual).. 57 Chorus Send Level (Main)... 57 Chorus Send Level (Split).. 57 Chorus Type List... 75 Computer... 59-63
Delete (Song)... 28 Demo... 21 Display... 32 Drum Kit... 15 Drum Kit List... 71 Dual... 13
Ending... 48, 50 External Clock.. 57, 60
FF... 21 Flash Clear... 29 Flash Memory.. 63 Footswitch (Sustain jack).. 9 Function Setting List.. 56-57

Grade... 35

Harmony... 40-41 Harmony Type List.. 75 Harmony Volume.. 57
Initial Send... 57 Initialization... 29 Intro... 47, 50