Avoid excessive heat, humidity, dust, and vibration
Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity such as near radiators, stoves, in direct sunlight, etc. Avoid locations which are subject to excessive dust accumulation. Extreme vibrations can cause mechanical damage.

Avoid physical shocks

Strong physical shocks can damage the unit. Handle it with care. Install the unit with plenty of space for ventilation This unit should be installed in such a way as to maintain a gap of 10cm or more between the rear of the unit and the wall. This will prevent heat build-up inside the unit and possible re hazard.
Do not open the unit, or attempt repairs or modications yourself
This product contains no user-serviceable parts. Prefer all maintenance to qualied Yamaha service personnel. Opening the unit and/or tampering with the internal circuitry will void the warranty.
Make sure the power is off before making or removing connections
Always turn the power OFF prior to connecting or disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment.

Handle cables carefully

Always plug and unplug cables including the AC cord by gripping the connector, not the cord.
Clean with a soft dry cloth
Never use solvents such as benzine or thinner to clean the unit. Wipe it clean with a soft, dry cloth.
Always use the correct power source
Make sure the power source voltage specied on the rear panel matches your local AC mains supply: US & Canadian Model: 120V AC, 60 Hz General Model: 230V AC, 50 Hz UK Model: 240V AC, 50 Hz

Back-up battery

This unit contains a long-life lithium battery which maintains the contents of user memory locations even when the unit is off. With normal use, the battery should last approximately ve years. If the battery voltage falls below a certain level, the message WARNING LOW BATTERY will appear on the screen when the power is turned on. If this occurs, have the battery replaced at a qualied Yamaha service center. Warning: DO NOT ATTEMPT TO REPLACE THE BATTERY YOURSELF. OPENING THE UNIT AND/OR TAMPERING WITH THE INTERNAL CIRCUITRY WILL VOID THE WARRANTY.
ProR3 Digital Reverberator

ii Contents

Contents
Introduction.1 Front panel.2 Rear panel.6 Basic use using a preset program .7
Connections.7 Turning the power on (off).7 Adjusting the input level.8 Selecting effect programs.8 Preset Program List.9
ERROR Messages of the ProR3. 36 Specifications. 37
Dimensions. 38 Block Diagram. 38

MIDI data format. Add-1

1. Transmitted data. Add-1 2. Receive data. Add-5
MIDI Implementation Chart. Add-9

Advanced uses (1).12

The bypass function.12 Pre-effect EQ.12 The INFINITE function.13

Advanced uses (2) Editing functions .14
How programs are organized.14 Editing procedure.15 Program parameters 1 (Primary effects).18 Reverberation (Reverb).18 Early Reflections (ER).19 User ER parameter.19 Room Simulation (RoomSim).20 Reverb + Echo (Rev + Ech).21 Reverb + Early Reflections (Rev + ER).22 Reverb + Chorus (Rev + Cho).23 Reverb + Symphonic (Rev + Sym).24 Reverb + Flanger (Rev + Flg).25 Reverb + Pitch Change (Rev + Pit).26 Reverb + Auto Pan (Rev + PAN).27 Common parameters.27 Program paramaters 2 (Secondary effects).28 DFL.28 COMP.29 EQ.30 GATE.31 LEVEL/BAL.32
Advanced uses (3) Utility functions .33
Memory protect settings.33 Input mode setting.33 MIDI channel setting.34 Setting the MIDI program change table.34 Transmitting a MIDI bulk dump.35 Assigning MIDI controllers.35 Initializing the ProR3.36

Introduction 1

Introduction
Thank you for purchasing the Yamaha ProR3 Digital Reverberator. The ProR3 marks a new era in Yamahas reverberation technology. Third-generation Yamaha digital signal processors (DSP) with 32 bit digital signal processing and high-performance 20 bit linear A/D and D/A converters provide unprecedented density and resolution, with breathtakingly dynamic impact. The ultra-high quality analog input and output circuitry achieves a dynamic range of 110 dB, providing incredibly natural reverberance with a noiseless decay. The ProR3 has 10 primary effects; reverb, early reection, room simulation, and combinations of reverb with echo, chorus, anging, pitch change, and auto pan, etc. A pre-effect EQ is provided in front of the primary effect, and following the primary effect, dynamic lter, compressor, EQ, gate, level, and balance stages are provided. In stereo input mode, full stereo reverb is provided. In addition to 90 preset programs for immediate use, 90 user memory locations are provided for your own custom settings. The stereo inputs and outputs feature both balanced XLR type and 1/4" phone jack connectors, for connection to a variety of equipment. The input and output level selectors (10 dB/+4 dB) also allow exibility in level adjustment. Programs can be selected from an external MIDI device, and bulk data dumps can also be performed. The Yamaha ProR3 digital reverberator is the result of an important step forward in digital reverberation technology. It provides a previously unattainable level of rich reverberation effects, sound quality, and operability, and is an ideal reverberator for use in any situation, from the home studio to pro audio recording and PA work. In order to take full advantage of the ProR3s functionality and enjoy years of trouble-free use, please read this manual carefully.

2 Front panel

Front panel

EQ DEC

FREQ 2k 5k -15 +15 GAIN FREQ 4k 10k 2k GAIN ON COMPARE -20k -15 +15

INPUT level meters (L/R)

This is a stereo LED meter with 8 segments for each channel. The segments respectively indicate levels of 36 dB, 24 dB, 18 dB, 12 dB, 9 dB, 6 dB, 3 dB, and CLIP. Note: The level meters are located in the circuitry after the A/D converter. This means that the CLIP indicator will indicate clipping of the digital signal. Adjust the input level so that the CLIP indicator does not light.

PROGRAM number display

This is a two-digit seven-segment display that indicates the currently selected program number. If this display is blinking, a new program has been selected but its contents have not yet been recalled.

Status indicators

These are six LEDs which indicate program status and other functions of the ProR3.

STEREO, L/R MONO

The input mode of the currently selected program is shown by three indicators. The ProR3 has four input modes (Stereo, LR/Mix, R-Mono, L-Mono), selected by the UTILITY key. When both L/R Mono indicators are lit, LR/Mix mode is selected.

PRESET/USER

These indicators show the program status. Use the PROGRAM key to select the status. When the PRESET indicator is lit, preset programs are selected. When the USER indicator is lit, user programs are selected.
This indicator will light while MIDI data is being received from an external device connected to the MIDI IN connector.
This backlit LCD shows the name of the selected program and the program parameter values. Messages related to operation will also appear here.

Front panel 3

DATA/CURSOR keys
The DATA keys (INC) (DEC) are used to modify the value of the selected parameter. The CURSOR keys () () are used to select parameters displayed in the LCD. When the PROGRAM indicator is lit, the DATA keys are used to select the program that you wish to recall.

PARAMETER keys

These keys select effect parameters. Each time a key is pressed, it will cycle through the parameter pages, and will nally return to the rst page.

EQ EQ ON

GATE GATE ON

LEVEL/ BAL OTHERS

6-A MAIN key
This key accesses the main parameters. The indicator will light, and you will be able to edit the main parameters of the program.

FINE key

This key accesses secondary parameters of the program. The indicator will light, and you will be able to edit the secondary parameters of the program.

6-C EQ, EQ ON keys

The EQ key accesses the parameters of the three-band post-effect equalizer. The indicator will light, and you will be able to edit the EQ type, frequency, gain, and Q for each band. The EQ ON key turns the post-effect equalizer on/off. When the equalizer is on, the green indicator will light.
LOW Type Gain Frequency Q Peaking/Shelving 15 dB 32 Hz to 2.2 kHz 0.1 to 5.0 MID Peaking 15 dB 250 Hz to 5.6 kHz 0.1 to 5.0 HIGH Peaking/Shelving 15 dB 500 Hz to 20 kHz 0.1 to 5.0

6-D GATE, GATE ON keys

The GATE key accesses the gate parameters. The indicator will light, and you will be able to edit the level and balance, etc. The GATE ON key turns the gate on/off. When the gate is on, the green indicator will light.

LEVEL/BAL key

This key lets you adjust the effect balance (the level balance between the direct sound and the effect sound). When you press the key, the red indicator will light.

OTHERS key

This key has two functions. When you press the key, the red indicator will light. 1 Specify a program title (see page 16). 2 Select the parameters to be controlled by MIDI Control Change messages (see page 16 and 35). ProR3 Digital Reverberator
4 Front panel 7 Numeric keys
These keys are used to directly input the number of a program that you wish to recall, or to input parameter values. When you use the numeric keys to input a parameter value, the value will blink until it is nalized. Press the RECALL/ENTER key to nalize the value. To return to the original value, press the CANCEL key. Some parameters cannot be entered using the numeric keys. To specify a negative value (for example an equalizer gain of 9 dB), use the key. To specify a value with a decimal point (for example an equalizer Q of 2.5), use the. key.

7-A PROGRAM key

This key is used when selecting programs. Each time you press the key, the program status will alternate between PRESET and USER.

STORE key

This key is used to store the settings of a program that you created.

7-C CANCEL key

This key is used to cancel a value that was entered by the numeric keys.

7-D RECALL/ENTER key

This key is used to recall a program whose number was entered by the numeric keys, or to nalize a parameter value.

INFINITE key

When this key is pressed, the indicator will light, and the RevTime parameter will be dramatically lengthened. This produces the effect of a freeze-frame or stop-motion sound.

POWER switch

This switch turns the power on/off. When the power is turned on, the program that was last being used when the power was turned off will be selected.
10 INPUT level control (L, R)
The inner knob is the input level for the left channel, and the outer knob is the input level for the right channel. The knobs are coaxial for convenience when you are adjusting the level of a stereo source.

Front panel 5

11 PRE EFFECT EQ, ON controls
This is a three-band parametric equalizer that equalizes the signal before the effect. The center frequency and gain can be set for each band. The ON key turns the pre-effect equalizer on/off. When the equalizer is on, the green indicator will light.
LOW Frequency Gain 50 Hz to 700 Hz 15 dB MID 350 Hz to 5 kHz 15 dB HIGH 2 kHz to 20 kHz 15 dB

12 COMPARE key

After editing the parameters of a program, you can use this key to compare the edited sound with the sound of the program at the time it was recalled. When the red indicator is lit, you are hearing the original sound of the program.

13 UTILITY key

Use this key when you wish to make settings for system parameters such as memory protect, input mode, and MIDI parameters. When you press the key, the red indicator will light.

14 BYPASS key

When this key is pressed, the input signal will be output directly without passing through the effect, and the red indicator will light. This is a convenient way to quickly compare the unprocessed sound with the processed sound.

6 Rear panel

Rear panel
THRU OUT IN R L 10dB +4dB R L 10dB +4dB

OUTPUT

15 MIDI connectors
These are 5 pin DIN type standard MIDI IN, MIDI OUT, and MIDI THRU connectors. These connectors are used when transmitting program change messages or control change messages from an external MIDI device to the ProR3, or when transmitting program bulk dump data from the ProR3 to another device.

16 OUTPUT jacks

These are balanced output jacks which output the analog return signal to your mixer or multitrack recorder, etc. A pair of XLR-3-32 connectors and a pair of 1/4" phone jacks are provided. The level select switch selects either +4 dB or 10 dB as the nominal output level.

17 INPUT jacks

These are balanced input jacks which input the analog signal from your mixer or multi-track recorder to the ProR3. If the source is monaural, use the UTILITY key to select an appropriate input jack (see page 33). A pair of XLR-3-31 connectors and a pair of 1/4" phone jacks are provided. The level select switch selects either +4 dB or 10 dB as the nominal input level.

18 Level select switches

These switches change the level of the input/output jacks between +4 dB and 10 dB. Set them to match the level of the connected equipment.

Small Hall

Large Room 20 Large Room 1 Large Room 2 Mood Room Soft Room Attack Room Reverb Reverb Reverb Reverb Rev+Pit
Medium Room 29 Medium Room 1 Medium Room 2 Dark Room Quick Room Aquarium Wood Room Chorus Room Delayed Room Comp. Chamber Reverb Reverb Reverb Reverb RoomSim RoomSim Rev+Cho RoomSim RoomSim
Small Room 36 Small Room 1 Small Room 2 Small Studio Bright Studio Kick Chamber Tiny Room Near You RoomSim Rev+Cho RoomSim Reverb RoomSim ER Rev+Pit The small room programs are extremely short reverbs created with hip-hop in mind. These are meant to be applied in small amounts, so that the sound appears either dry or to have the natural acoustics of a studio. They are especially effective on sequenced instruments, synth brass, and on instruments recorded in a dead studio.
10 Basic use using a preset program
No. Special Room 49 Plate 60 Gate 75 76
Title Power Drum Room Soft Space Droid Short Droid Long Tile Room Coliseum Opera Delay Hall Train Station Tile Bathroom Closet Motel Chorus Pitch Room Beauty Plate Arena Plate Vocal Plate 1 Vocal Plate 2 Vocalese String Plate Home Plate LA Plate Short LA Plate Long Short Perc.Plate Long Plate ER Gate 1 ER Gate 2 ER for Kick Power Gate 1 Power Gate 2 Room Gate Gated Rev 1 Gated Rev 2 Reverse Gate 1 Reverse Gate 2 Reverb Flange 1 Reverb Flange 2 Reverb Flange 3 Reverb Flange 4 Dark Moon Filter Flange
Type RoomSim Rev+Cho Reverb Reverb RoomSim Reverb Reverb EchRev Reverb ER ER ER PitRev Reverb Reverb Reverb Reverb Rev+Cho Reverb Reverb Reverb Reverb Reverb Reverb ER ER ER ER ER ER Reverb Reverb ER ER Reverb RevFlg RevFlg RevFlg RevFlg RevFlg
Description Adds a strong live ambiance to drums. Try it on sampled drums. A percussive short reverb with chorus added. Gives ambiance to drums, lead instruments, and vocals. Simulates an early and extremely expensive digital reverb unit. The bright ambiance of a tiled room. Long reverb of a wide space, simulating a coliseum. Fairly long reverb with a 52 ms delay between the early reections and the reverb. A combination of hall-type reverb and delay. Set the L and R Delay and IniDly parameters to match the tempo of the song. Try this when you need echoing footsteps in a late-night train station. These programs provide early reections alone. Try them when you wish to add room ambiance to drums, percussion, guitar, line-recorded bass, electric piano, and solo instruments. Reverb applied to a pitch change (8 cents). For vocals or chorus. Sub-reverb settings have been boosted. Try it on an electric piano. Simulates a gigantic arena like the Budokan in Tokyo. Try it on vocals. Especially nice for ballads. Reverb with a darker feel than Vocal Plate 1. Chorus is lightly applied to the reverb. Try it on guitar and keyboards. Try it on strings for an even more beautiful sound. Metal plate reverb from the good old days. Simulations of the bright and crisp plate reverb preferred in studios on the US west coast. Short and bright percussion plate. Set the IniDelay parameter according to the tempo. Longer plate reverb. Try it on organ pads etc.

Advanced uses (1)

The bypass function

When you press the BYPASS key, the circuit will be switched so that the input sound is output directly. This function provides an easy way to make a quick comparison between the sound processed by the effect program and the unprocessed sound. When the effect is bypassed, the red indicator will light.

PRE EFFECT EQ EFFECT ON

Pre-effect EQ
The PRE EFFECT EQ controls allow you to make settings for the three-band pre-effect equalizer. For each band, you can set the center frequency and the gain.
1. Press the PRE EFFECT EQ ON key to turn on the equalizer. The green indicator will light. 2. Select a band, and rotate its control knobs to adjust the gain. 3. Rotate the FREQ (frequency) control of the selected band. To hear the effect of the equalizer, rst adjust the gain level of the selected band, and then adjust the frequency. The equalizer control settings are not stored in the program memory. If the equalizer is turned on, its settings will affect all programs. Note: The pre-effect equalizer controls are located in the circuit after the INPUT level meters. This means that you need to be careful when setting gain levels, since even if the gain is raised excessively and digital clipping occurs, this will not be indicated by the meters.

Advanced uses (1) 13

The INFINITE function
The INFINITE function lets you set an extremely long reverb time. This is effective when used on the ending of a song, etc. The INFINITE key can be used in the following two ways. Press and immediately release the INFINITE key. The reverb time will be set to the maximum. Press the key once again and the reverb time will return to the original value. Press hold the INFINITE key. The reverb time will be set to the maximum as long as you continue holding the key. When you release the key, the reverb time will return to the original value. Note: For programs whose primary effect is early reection (ER) and do not have a RevTime parameter, therefore this key will have no effect.
14 Advanced uses (2) Editing functions
Advanced uses (2) Editing functions
Preset programs are ready-made programs. In contrast, user programs can be tailor-made to meet your needs. This section explains how you can edit your own programs.
How programs are organized
Each of the ProR3 program consists of two main stages; the primary effect and the secondary effects. Of these, the primary effect can be selected from one of the following ten types, and will depend on the program that you select. Single type: Compound type: Reverb, ER, Room Sim Rev+Ech, Rev+ER, Rev+Cho, Rev+Sym, Rev+Flg, Rev+Pit, Rev+PAN The + in compound type effects such as Rev+Ech means that these effects simultaneously apply both reverb (Rev) and echo (Ech). You can select the order in which these occur; i.e., whether reverb will be applied and then echo, or echo applied and then reverb. The secondary effects are supplementary, and are the following ve which are provided for each program: DFL (dynamic lter), COMP (compressor), EQ, GATE, and LEVEL/BAL. The primary effect is the decisive factor in determining the character of the entire effect, and if you know its type, you will have a good idea of how the entire program will sound. For this reason, when the program is shown in the LCD, the primary effect type used by that program will be shown along with the program number and title, and is also given in the list.

Only when REV Patch is parallel (Reverb + Chorus) Only when REV Patch is serial (Reverb Chorus, Chorus Reverb) Hall, Room, Vocal, Plate Reverb + Chorus, Chorus Reverb, Reverb Chorus
24 Advanced uses (2) Editing functions
Reverb + Symphonic (Rev + Sym)
Key MAIN REV RevTime REV IniDelay REV HighRatio REV LowRatio REV Diffusion SYM Mod Freq SYM Depth FINE SYM/REV Balance *1 REV Rev Mix *2 REV Reverb Type REV Density REV HPF REV LPF REV Space Mod REV Patch 0/100 ~ 100/~ 100% *~ 100 Thru, 40 Hz ~ 1.0 kHz 400 Hz ~ 20 kHz, Thru 0 ~ 10 *4 Level balance of reverb and symphonic Reverb amount Type of reverb tone Density of reverb Cutoff frequency of reverb high pass lter Cutoff frequency of reverb low pass lter Modulation level of reverb Connection of symphonic and reverb 0.3 ~ 99.0 s 0.1 ~ 200.0 ms X0.1 ~ X1.0 X0.1 ~ X2.~ 10 0.05 ~ 40.00 Hz 0 ~ 100% Symphonic modulation frequency Symphonic modulation depth Refer to Reverberation items on page 18 Parameter Value Description
Only when REV Patch is parallel (Reverb + Symphon) Only when REV Patch is serial (Reverb Symphon, Symphon Reverb) Hall, Room, Vocal, Plate Reverb + Symphon, Symphon Reverb, Reverb Symphon
Advanced uses (2) Editing functions 25
Reverb + Flanger (Rev + Flg)
Key MAIN REV RevTime REV IniDelay REV HighRatio REV LowRatio REV Diffusion FLA Mod Freq FLA Depth FLA Delay FLA FeedBack Gain FINE FLA/REV Balance *1 REV Rev Mix *2 REV Reverb Type REV Density REV HPF REV LPF REV Space Mod REV Patch 0/100 ~ 100/~ 100% *~ 100 Thru, 40 Hz ~ 1.0 kHz 400 Hz ~ 20 kHz, Thru 0 ~ 10 *4 Level balance of reverb and anger Reverb amount Type of reverb tone Density of reverb Cutoff frequency of reverb high pass lter Cutoff frequency of reverb low pass lter Modulation level of reverb Connection of anger and reverb 0.3 ~ 99.0 s 0.1 ~ 200.0 ms X0.1 ~ X1.0 X0.1 ~ X2.~ 10 0.05 ~ 40.00 Hz 0 ~ 100% 0.1 ~ 100.0 ms 0 ~ 100% Modulation frequency of the anger Modulation depth of anger Larger values produce modulation in the low range, and smaller values in the high range Feedback amount of the anger Refer to Reverberation items on page 18 Parameter Value Description
Only when REV Patch is parallel (Reverb + Flange) Only when REV Patch is serial (Reverb Flange, Flange Reverb) Hall, Room, Vocal, Plate Reverb + Flange, Flange Reverb, Reverb Flange
26 Advanced uses (2) Editing functions
Reverb + Pitch Change (Rev + Pit)
Key MAIN REV RevTime REV IniDelay REV HighRatio REV LowRatio REV Diffusion PIT Pitch 1 PIT Pitch 2 PIT Fine 1 PIT Fine 2 PIT Delay 1 PIT Delay 2 PIT Feedback 1 PIT Feedback 2 PIT Pan 1 PIT Pan 2 FINE PIT/REV Balance *1 REV Rev Mix *2 REV Reverb Type REV Density REV HPF REV LPF REV Space Mod PIT Pitch Balance PIT Base Key REV Patch 0/100 ~ 100/~ 100% *~ 100 Thru, 40 Hz ~ 1.0 kHz 400 Hz ~ 20 kHz, Thru 0 ~ ~ 100% OFF, C1 ~ C6 *4 Level balance of reverb and pitch change Reverb amount Type of reverb tone Density of reverb Cutoff frequency of reverb high pass lter Cutoff frequency of reverb low pass lter Modulation level of reverb Balance of direct sound and pitch shifted sound *5 Selection of effect combination 0.3 ~ 99.0s 0.1 ~ 200.0 ms X0.1 ~ X1.0 X0.1 ~ X2.~ 10 Oct ~ Oct Oct ~ Oct 100 ~ +100 cent 100 ~ +100 cent 0.1 ~ 300.0 ms 0.1 ~ 300.0 ms 0 ~ 99% 0 ~ 99% L16 ~ R16 L16 ~ R16 Shift amount of pitch 1 Shift amount of pitch 2 Fine adjustment to shift amount of pitch 1 Fine adjustment to shift amount of pitch 2 Pitch 1 delay time Pitch 2 delay time Pitch 1 feedback amount Pitch 2 feedback amount Pitch 1 pan position Pitch 2 pan position Refer to Reverberation items on page 18 Parameter Value Description

LEVEL/BAL

Here you can set the output level. You can also adjust the balance between the direct sound and the effect sound.
LEVEL/BAL Effect Balance Output Level 0 ~ 100% , 50 ~ +6 dB Ratio of effect sound and direct sound Output level adjustment
Advanced uses (3) Utility functions 33
Advanced uses (3) Utility functions
Heres how to make settings for system parameters such as memory protect, input mode, and MIDI parameters.

Memory protect settings

1. Press the UTILITY key to access the memory protect page. The red indicator will light.

Memory Protect ON

2. Press the INC or DEC key to turn the setting ON or OFF. This function protects the data in USER program memory from being accidentally overwritten. ON: Write prohibit OFF: Write permit

Input mode setting

The ProR3 has four input modes; Stereo, LR-Mix, R-Mono, and L-Mono. 1. Press the UTILITY key to access the input mode page. 2. Press the INC or DEC key to select the input mode.

Input Mode LR-Mix

LR-MIX: The left and right input signals will be mixed and processed. The effect sound will be of higher quality than for STEREO. STEREO: The left and right input signals will be processed separately, and the stereo placement of the input sound will be reected in the effect sound as well. L-Mono: Only the left input signal will be processed, and the bypass signal will be output to left and right. R-Mono: Only the right input signal will be processed, and the bypass signal will be output to left and right.
34 Advanced uses (3) Utility functions

MIDI channel setting

Heres how to set the MIDI transmit and receive channel. 1. Press the UTILITY key to access the MIDI channel setting page.

MIDI Channel OMNI

2. Press the INC or DEC key to set the channel. OMNI: All channels 116 will be received, and the transmit channel will be 1. 116: Transmission and reception will take place on the specied channel. OFF: MIDI data will be neither transmitted nor received.
Setting the MIDI program change table
You can make settings for each of the four MIDI program change table banks of the ProR3. With the factory preset settings, MIDI program numbers 190 correspond to USER program numbers 190, and MIDI program numbers 91128 correspond to PRESET program numbers 138. 1. Repeatedly press the UTILITY key until the MIDI program change table page appears.

MIDI PGM Change Table BANK:A PGM 1= ProR U01
2. Use the CURSOR keys () () to select a parameter. 3. Press the INC or DEC key to set the parameter. You can also use the numeric keys to directly enter a MIDI program number.
BANK PGM AD 1128 U01U90, P01P90 ProR --Specify the program change bank The MIDI program number This is the ProR3 program number which will be recalled when the MIDI program number is received. U01U90 and P01P90 respectively indicate USER and PRESET program numbers. With a setting of., nothing will be recalled. * * --- also can be input by CANCEL key.
Advanced uses (3) Utility functions 35
Transmitting a MIDI bulk dump
The ProR3 allows you to transmit any type of data as a bulk dump; memory, program memory (all programs or a specied program), banks, user ER, or system memory. 1. Repeatedly press the UTILITY key until the MIDI Bulk Out page appears.
MIDI Bulk Out All Press ENTER
2. Use the CURSOR keys () () to select a parameter. 3. Press the INC or DEC key to select the value.
All Program Bank UserER System U01U90, All AD, All AD, All All data (Program, Bank, UserER, System) The data of the specied USER program. If All is selected, data for all USER programs. The data of the specied Bank program change table. If All is selected, data for all Bank data. The specied User ER data If All is selected, all User ER data. System data settings made for utility functions such as Input Mode, etc.
4. Press the RECALL/ENTER key to execute the bulk dump. Before you begin transmission, make sure that the MIDI device to which the ProR3 is connected is ready to receive a bulk dump.
Assigning MIDI controllers
Heres how to assign MIDI control numbers to the two controllers. The ProR3 can respond to two controllers, and a separate page is provided to make settings for each controller. 1. Repeatedly press the UTILITY key until one of the controller assign pages appears.

Controller-1 Assign OFF

2. Press the INC or DEC key to specify the control number. The parameter selected in Setting MIDI control parameters of page 16 can be controlled in realtime by receiving the specied control change message.
36 ERROR Messages of the ProR3

Initializing the ProR3

If you wish to restore the ProR3 to the factory settings, use the following procedure to initialize it. 1. Hold down the STORE key and press the POWER switch to turn the power on. The following message will appear in the display; Press [ENTER] to initialize ProR3. 2. Press the RECALL/ENTER key to execute initialization. Pressing any other key will cancel the procedure. Warning: When you initialize, all user data will be erased. All settings of user programs, the program change tables, and system-related settings will return to the factory default settings. Before you press RECALL/ENTER, check once again that you really want to execute initialization.

ERROR Messages of the ProR3

Program Number Error

* * Data Error ****** ****** ** Store Number Error ** ** MEMORY PROTECTED ! **

LOW BATTERY

Selected a program number greater than 90. General data error. If necessary, re-initialize the ProR3. Selected a program number greater than 90. Memory protection command of the UTILITY function is ON. The internal battery is low. Take the unit to a Yamaha service center to have the battery replaced.

Specifications 37

Specications
Frequency response Dynamic range Audio Characteristics Hum and noise *1 Distortion Number of channels Nominal level Input Maximum level Impedance Number of channels Nominal level Output Maximum level Impedance A/D convertors A/D and D/A Convertors D/A convertors Sampling frequency Preset programs Program Memory User programs MIDI Control Power Requirements General Power Consumption Dimensions (W D H) Weight 35W 480 398.mm 5.5 kg INPUT Level Controls PRE EFFECT EQ - FREQ 3 (LOW, MID, HIGH) PRE EFFECT EQ - GAIN 3 (LOW, MID, HIGH) ON (PRE EFFECT EQ) *3, (left CURSOR button), (right CURSOR button), INC (DATA button) DEC (DATA button), COMPARE *3, MAIN *3 FINE *3, EQ *3, EQ ON *3, GATE *3, GATE ON *3 LEVEL/BAL *3, OTHERS *3, Numeric keypad (including - and. buttons), PROGRAM *3, STORE, CANCEL RECALL/ENTER, INFINITE *3, UTILITY *3, BYPASS *3 POWER 24 character 2 lines LCD 8-segment LED INPUT level meters 2 7-segment LED PROGRAM number 6-segment LED Status indicators Button LED indicators 14 INPUT L/R (XLR-3-31 2) and (1/4 phone jacks 2) OUTPUT L/R (XLR-3-32 2) and (1/4 phone jacks 2) MIDI IN, OUT, THRU (5P DIN 3) Level switch (+4/10) 2 230V AC, 50 Hz 1 ~ 90 Program change, Control change, Bulk dump, Note ON, Parameter change USA and Canada 120V AC, 60 Hz +24 dB (with level switch at +4 dB) *20-bit linear 20-bit linear 44.1 kHz 1 ~ 90 +24 dB (with level switch at +4 dB) *k 2 (balanced signal) +4 dB / 10 dB *2 less than 80 dB *2 less than 0.007% (1 kHz, maximum level) 2 (balanced signal) +4 dB / 10 dB *Hz ~ 20 kHz, +1.0 dB, 1.5 dB 110 dB (typical), not less than 104 dB

DATA NAME BANK No. DATA

"L" "M" Space Space "8" "A" "8" "3" "T" z=1-4 Bank Program change (256bytes)

CHECK SUM EOX

MIDI data format Add-3
#3 User ER Pattern bulk data
This data can be transmitted on the currently selected MIDI channel. This data is transmitted when you select a User ER pattern in the Utility Bulk Out display and execute, or when a User ER Pattern Bulk Dump Request message is received. Also, if the User ER number is A11, data for patterns 14 (A through D) will be transmitted consecutively. STATUS ID No. SUB STATUS FORMAT No. BYTE COUNT BYTE COUNT 11110000(F0H) 01000011(43H) 0000nnnn(0nH) 01111110(7EH) 00000011(03H) 01010010(52H) 01001100(4CH) 01001101(4DH) 00100000(20H) 00100000(20H) 01000001(41H) 00111000(38H) 00110011(33H) 01000101(45H) 0zzzzzzz 0ddddddd : : 0ddddddd 0eeeeeee 11110111(F7H)
DATA NAME PATTERN No. DATA
"L" "M" Space Space "8" "A" "8" "3" "E" z=1-4 User ER pattern memory (480bytes)
Add-4 MIDI data format #4 System Setup bulk data
This data can be transmitted on the currently selected MIDI channel. This data is transmitted when you select System Setup in the Utility Bulk Out display and execute, or when a System Setup Bulk Dump Request message is received. STATUS ID No. SUB STATUS FORMAT No. BYTE COUNT BYTE COUNT 11110000(F0H) 01000011(43H) 0000nnnn(0nH) 01111110(7EH) 00000000(00H) 00011010(1AH) 01001100(4CH) 01001101(4DH) 00100000(20H) 00100000(20H) 00111000(38H) 01000001(41H) 00111000(38H) 00110011(33H) 01010011(53H) 00100000(20H) 0ddddddd : : 0ddddddd 0eeeeeee 11110111(F7H)

DATA NAME

"L" "M" Space Space "8" "A" "8" "3" "S" space System setup memory (16bytes)

#5 Parameter Change data

This data can be transmitted on the currently selected MIDI channel. This data is transmitted when ProR3 receives a Parameter Value Request message is received. STATUS ID No. SUB STATUS FORMAT No. DEVICE CODE PARAMETER No. DATA 11110000(F0H) 01000011(43H) 0001nnnn(1nH) 00011110(1EH) 00000101(05H) 0ppppppp 0ppppppp 0ddddddd : : 0ddddddd 11110111(F7H)

n=0-15 "L" "M" Space Space "8" "A" "8" "3" "T" z=1-4

DATA NAME BANK No. EOX

#3 User ER Pattern bulk dump request
This message can be received on the currently selected MIDI channel. When this message is received, the data for the ER Pattern of the specied number will transmitted as bulk data. STATUS ID No. SUB STATUS FORMAT No. 11110000(F0H) 01000011(43H) 0010nnnn(2nH) 01111110(7EH) 01001100(4CH) 01001101(4DH) 00100000(20H) 00100000(20H) 00111000(38H) 01000001(41H) 00111000(38H) 00110011(33H) 01000101(45H) 0zzzzzzz 11110111(F7H)
n=0-15 "L" "M" Space Space "8" "A" "8" "3" "E" z=1-4
DATA NAME PATTERN No. EOX

MIDI data format Add-7

#4 System Setup bulk dump request
This message can be received on the currently selected MIDI channel. When this message is received, the System Setup data will transmitted as bulk data. STATUS ID No. SUB STATUS FORMAT No. 11110000(F0H) 01000011(43H) 0010nnnn(2nH) 01111110(7EH) 01001100(4CH) 01001101(4DH) 00100000(20H) 00100000(20H) 00111000(38H) 01000001(41H) 00111000(38H) 00110011(33H) 01010011(53H) 00100000(20H) 11110111(F7H)
n=0-15 "L" "M" Space Space "8" "A" "8" "3" "S" Space

DATA NAME EOX

#5 Bank Change request
This message can be received on the currently selected MIDI channel. When this message is received, the specied bank will be selected. STATUS ID No. SUB STATUS FORMAT No. 11110000(F0H) 01000011(43H) 0010nnnn(2nH) 01111110(7EH) 01001100(4CH) 01001101(4DH) 00100000(20H) 00100000(20H) 00111000(38H) 01000001(41H) 00111000(38H) 00110011(33H) 01010101(55H) 0zzzzzzz 11110111(F7H)
n=0-15 "L" "M" Space Space "8" "A" "8" "3" "U" z=1-4

#6 Program bulk dump

The transmitted data is identical to Program bulk data.
#7 Bank/Program Change Table bulk data
The transmitted data is identical to Bank/Program Change Table bulk data.

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