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Yamaha PSR 110 demo part I.
User reviews and opinions
|deinefreunde||11:18pm on Sunday, October 3rd, 2010|
|excellent starter surround sound speakers Took a bit of a gamble on these after being very disappointed by the look and feel of the Sony and Panasonic...|
|Bob Scofield||1:08am on Sunday, August 22nd, 2010|
|will blow you away !!!!! This speaker system is pure quality ,i have mine connected up to the Yamaha rx-v363 amplifier what a winning combination .|
|Don Joe||3:13am on Tuesday, July 6th, 2010|
|excellent starter surround sound speakers Took a bit of a gamble on these after being very disappointed by the look and feel of the Sony and Panasonic... Well balanced, excellent value speakers Teamed these up with a Yamaha RX-V363 amp and some Sona speaker stands and they do a great job.|
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25 cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ve years. When replacement becomes necessary, contact a qualied service representative to perform the replacement. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and / or accessory mounting xtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional xtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
Model Serial No. Purchase Date
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
PLEASE KEEP THIS MANUAL
AC power adaptor AC outlet
Use only manganese or alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may exhibit a sudden drop in power when the batteries are low, possibly resulting in a loss of ash memory data. Be sure to install the batteries in the same direction, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, re and/or leaking of corrosive chemicals. When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time. If the instrument will not be used for an extended period of time, remove the batteries to prevent possible uid leakage. Please use the power adaptor when transferring data to ash memory. Batteries (including rechargeable types) can be drained rapidly by this type of operation. If the batteries do become drained during a data transfer, both the data being transferred and the data currently in the transfer destination will be lost.
Open the battery compartment cover located on the instruments bottom panel. Insert the six new batteries, being careful to follow the polarity markings on the inside of the compartment. Replace the compartment cover, making sure that it locks rmly in place.
NOTE Connecting the AC power adaptor automatically supplies power from the adaptor and overrides battery power, even when batteries are installed.
Make all necessary connections below BEFORE turning the power on.
Connecting Headphones (PHONES/OUTPUT Jack)
Connecting to a Computer (USB Terminal)
The PSR-E413 speakers are automatically shut off when a plug is inserted into this jack. The PHONES/OUTPUT jack also functions as an external output. You can connect the PHONES/OUTPUT jack to a keyboard amplier, stereo system, mixer, tape recorder, or other line-level audio device to send the instruments output signal to that device.
Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.
Song Category List Style Category List (page 41) (page 112) Display (page 59)
e i !1
!3 q w !2 !4
q [STANDBY/ON] switch.. page 11 w LIVE CONTROL [ASSIGN] button.. page 18 [A] and [B] knobs.. page 21 e [MASTER VOLUME] control. pages 11, 57 r [DEMO/PC] button.. page 40 t [PERFORMANCE ASSISTANT] button.. page 23 y [EASY SONG ARRANGER] button.. page 50 u [FUNCTION] button.. page 83 i LESSON [L], [R] buttons.. page 44 [START] button.. page 44 o [METRONOME] button.. page 63 !0 [TEMPO/TAP] button.. page 27 !1 SONG MEMORY [REC], , [A] buttons.. page 52
!2 ARPEGGIO [ON/OFF] button.. page 14 [TYPE] button.. page 15 !3 SONG CONTROL [ ] (REPEAT & LEARN) button. page 48 [ ] (A-B REPEAT) button. page 78 [ ] (REW) button. page 40 [ ] (FF) button.. page 40 [ ] (PAUSE) button. page 40 [ ] (START/STOP) button.pages 40, 58 !4 STYLE CONTROL [ACMP ON/OFF] button. page 34 [INTRO/ENDING/rit.] button. page 71 [MAIN/AUTO FILL] button.. page 71 [SYNC STOP] button.. page 71 [SYNC START] button. page 70 [START/STOP] button.pages 33, 58
Music Database List (page 114)
Voice Category List (page 106)
!7 !8 !9 @0
!5 Dial.. pages 58, 83 !6 CATEGORY [ ] and [ ] buttons.. pages 58, 83 !7 [SONG] button.. page 39 !8 [STYLE] button.. page 33 !9 [MUSIC DATABASE] button. page 49 @0 [VOICE] button.. page 28 @1 Number buttons , [+] and [-] buttons.. pages 58, 83 @2 [PORTABLE GRAND] button.. page 31 @3 REGIST MEMORY [MEMORY/BANK], ,  buttons. page 80 @4 VOICE CONTROL [SPLIT] button.. page 30 [DUAL] button.. page 29 [HARMONY] button.. page 60 [TOUCH] button. page 65
@5 PITCH BEND wheel.. page 66 @6 Drum Kit.. page 32
The illustrations next to each key indicate the drum and percussion instruments assigned to the keys when Standard Kit 1 is selected.
@7 USB terminal..pages 11, 87 @8 SUSTAIN jack.. page 11 @9 PHONES/OUTPUT jack. page 11 #0 DC IN 12V jack.. page 10
ck Gui ui Q
The arpeggio function lets you create arpeggios (broken chords) by simply playing the required notes on the keyboard. For example, you could play the notes of a triadthe root, third, and fthand the arpeggio function will automatically create a variety of interesting arpeggiotype phrases. By changing the arpeggio type and the notes you play it is possible to create a wide range of patterns and phrases that can be used for music production as well as performance.
Press the ARPEGGIO [ON/OFF] button to turn the arpeggio function on.
The indicator lights when the Arpeggio function is on.
Voices and the Arpeggio Function This instrument lets you select a variety of voices that you can play via the keyboard. When you select a voice number between 129 and 148 the arpeggio function will automatically be engaged so you can start playing arpeggios immediately. The arpeggio function will automatically be turned off when you select any other voice. If you want to use voices 129148 for normal performance without the arpeggio function, press the ARPEGGIO [ON/OFF] button to turn the arpeggio function off after selecting the voice.
Knob A Filter Cutoff Reverb Send Level Attack Time Filter Cutoff Tempo
Knob B Filter Resonance Chorus Send Level Release Time Filter Resonance No Effect
z Filter x Effect c EG v Style Filter b Style Tempo
The assignable knob effects are pre-programmed in the pairs listed above. It is not possible to assign different effect combinations.
Filter effects shape sound by allowing only a specied range of frequencies to pass and/or by producing a resonance peak at the lters cutoff frequency. Filter effects can be used to create a range of synthesizer-like sounds.
* Filter effects can sometimes cause distortion in the bass frequencies.
Some hints for using the lter effects are provided on page 22.
Filter Cutoff Filter Resonance
Knob A adjusts the lters cutoff frequency, and therefore the brightness of the sound.
Level Cutoff Frequency
Frequency Frequencies in this range are passed. Frequencies in this range are cut off.
Knob B adjusts the amount of resonance applied at the lters cutoff frequency. Increasing the resonance emphasizes the frequencies at the cutoff frequency, and thus strengthens the perceived effect of the lter.
Reverb reproduces the acoustic ambience of a concert hall or club, while chorus produces a layered multi-instrument effect.
Reverb Send Level Chorus Send Level
Knob A adjusts the depth of the reverb effect, and Knob B adjusts the depth of the chorus effect.
c EG (Envelope Generator)
Envelope Generator effects determine how the level of the sound varies over time. You can make the attack faster for a more percussive sound or slower for a violin-like sound, for example. Or you can lengthen or shorten the sustain to most ideally match the music.
Attack Time Release Time
Knob A adjusts attack time (the amount of time it takes the sound to reach maximum level when a key is played). Knob B adjusts release time (the amount of time it takes for the sound to decay to silence after a key is released).
v Style Filter
In this case the knobs apply the lter effect to the style being played. Knob A and Knob B have the same functions as for z Filter described on the preceding page.
b Style Tempo
Tempo No Effect
Knob A adjusts the tempo of the style and arpeggios. Rotating the knob clockwise increases the tempo while rotating it counterclockwise decreases the tempo. The knobs center position produces the initial default tempo.
Using the Knobs
Select the voice you want to play on the keyboard.
The name of the currently selected voice will appear in the display when you press the [VOICE] button. Use the dial to select the desired voice. For this example we want to use a synth-lead type voice, so select 97 SquareLd (Square-wave Lead).
Press the [ASSIGN] button as many times as necessary to select z FILTER (z will appear in the display).
z appears here.
Knob A can now be used to adjust the lter cutoff frequency, and Knob B can be used to adjust the resonance.
Rotate Knob B to its maximum setting (all the way to the right).
Rotating the knob to the right while the volume is set to a high level can result in distortion. If this occurs, reduce the volume level.
Play with the right hand while operating Knob A with the left hand.
If you select a different keyboard voice the knobs will be reset and the ideal settings for the selected voice will be automatically recalled. In the same way, if the v STYLE FILTER effect is selected, the knobs will be reset if a different style is selected. If you create an original setting you like, it might be a good idea to save it in the instruments Registration Memory (page 80) so you can recall the same settings again at any time. You can also record performances using original sounds youve created (page 52). The chart below lists some interesting ways to use the various effects that can be assigned to the knobs.
Changing the knob settings does not immediately change the sound. Newly assigned effects will only change the sound when the knobs are rst operated after the new effect has been selected.
Some Ideas for Using the Knobs
Number/Effect Try This Select a synth-type lead or pad voice (page 106). Turn Knob B all the way up and operate Knob A while playing for some spacey, oating 1980s effects. Select a voice that sounds as though it already has reverb and chorus effects applied, and turn Knob A and Knob B all the way down to hear the direct sound of the voice. You can then turn the Knob A and Knob B settings up to add extra impact and richness to the voice. Select a piano voice, and turn Knob B all the way up and Knob A to about the 3 oclock position. This should give you a majestic, organ-like sound. The attack time is quite long so play the keys and hold them to let the sound come in fully. Ideal for slow pieces. Select style 39, Euro Trance. Turn accompaniment on and start style playback (page 34). Set Knob B to about 3 oclock, and Knob A to about 8 oclock. The overall sound of the style should be a bit mufed, with the drums emphasized for solid rhythmic impact. Play a style and/or arpeggio (page 14) and use Knob A to adjust the tempo.
* Notes enclosed in parentheses ( ) are optional; the chords will be recognized without them.
With this instrument the term song refers the data that makes up a piece of music. You can simply enjoy listening to the 30 internal songs, or use them with just about any of the many functions providedthe performance assistant technology feature, lessons, and more. The songs are organized by category. In this section well learn how to select and play songs, and briey describe the 30 songs provided.
Select and Listen to a Song
Press the [SONG] button.
The song number and name will be displayed. You can use the dial to select a different song.
The currently selected song and number are displayed
Select a song after referring to the preset song category list on page 41. Use the dial to select the song you want to listen to.
You can also play songs you have recorded yourself (User Songs) or songs that have been transferred to the instrument from a computer in the same way that you play the internal songs.
The song displayed here can be played
Built in Songs (see next page) User Songs (Songs you record yourself). Songs transferred from a computer (pages 9092)
Listen to the song.
Press the [ ] (START/STOP) button to begin playback of the selected song. You can stop playback at any time by pressing the [ ] (START/ STOP) button again.
Using the [DEMO/PC] button Press the [DEMO/PC] button to play Songs 001008 in sequence. Playback will continue repeatedly starting again from the rst Song (001). You can select a song by using the [-] and [+] buttons after pressing the [DEMO/PC] button. You can stop playback at any time by pressing the [DEMO/PC] button.
Song Fast Forward, Fast Reverse, and Pause
These are just like the transport controls on a cassette deck or CD player, letting you fast forward [ (FF), rewind [ ] (REW) and pause [ ] (PAUSE) playback of the song.
When an A-B repeat range is specied the fast reverse and forward function will only work within that range.
REW Press the fast reverse button to rapidly return to an earlier point in the song.
FF Press the fast forward button to rapidly skip ahead to a later point in the song.
PAUSE Press the pause button to pause playback.
Song List These 30 songs include songs that effectively demonstrate the instruments easy song arranger feature, songs that are ideally suited for use with the performance assistant technology feature, and more. The Suggested Uses column provides some ideas as to how the songs can most effectively used.
A conrmation message will appear on the display.
Hold for longer than a second Press and hold
Press the [+] button.
A conrmation message will appear on the display. You can cancel the clear operation by pressing the [-] button.
To execute the Song Clear function press the [+] button. Press [-] to cancel the Song Clear operation.
Press the [+] button to clear the song.
The clear-in-progress message will appear briey on the display while the song is being cleared.
Track ClearDeleting a Specified Track from a User Song
This function lets you delete a specied track from a user song.
Press the [SONG] button, then select the user song (031 035) you want to clear. Press and hold the SONG MEMORY track button (, [A]) corresponding to the track you want to clear for longer than a second.
To execute the Track Clear function press the [+] button. Press [-] to cancel the Track Clear operation.
Press the [+] button to clear the track.
The clear-in-progress message will appear briey on the display while the track is being cleared.
The following settings are always backed up, and are maintained even when the power is turned off. If you want to initialize the settings, use the Initialize operation as explained below.
The Backup Parameters User Songs Style 166 Touch Response on/off Registration Memory FUNCTION Settings: Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume, Metronome Volume, Grade, Demo Cancel, Master EQ type, Sleep
This function erases all backup data in the instruments ash memory and restores the initial default settings. The following initialization procedures are provided.
To clear data backed up to the internal ash memorypanel user setting, registration memory, user songs, style le 166turn the power on by pressing the [STANDBY/ON] switch while holding the highest white key on the keyboard. The backed up data will be erased and the default values restored.
To clear song, style and music database les that have been transferred to the internal ash memory from a computer, turn the power on by pressing the [STANDBY/ON] switch while simultaneously holding the highest white key on the keyboard and the three highest black keys.
When you execute the Flash Clear operation, data you have purchased will also be cleared. Be sure to save data you want to keep to a computer.
Overall PSR-E413 control is based on the following simple operations.
1 Press a button to select a basic function. 2 Use the dial to select an item or value. 3 Start a function.
3 Start a function.
2 Select an item or value.
Display (page 59)
1 Select a basic function.
Adjusts the volume of the sound heard via the instruments speakers or a pair of headphones plugged into the PHONES jack.
The Press & Hold Symbol
The symbol that appears next to some buttons indicates that the button can be pressed and held for longer than a second to call up a related function. This provides convenient direct access to a range of functions.
Rotate counterclockwise to lower the volume.
Rotate clockwise to increase the volume.
Press a button to select a basic function.
Select a song you want to listen to or a song you want to use for a lesson. Select an auto-accompaniment style.
Select a voice you want to play on the keyboard.
Use the dial to select an item or value.
When you select a basic function, the item corresponding to that function will be displayed. You can then use the dial or the number buttons  to select the desired item.
This portion of the display indicates the name and number of the currently selected song, voice and style. It also displays the name and current setting/ value of other functions.
] and [
Rotate the dial clockwise to increase the value of the selected item, or counterclockwise to decrease its value. Rotate the dial continuously to continuously increase or decrease the value.
When selecting a song, style, or voice, you can use these buttons to jump to the rst item in the next or previous category. The CATEGORY [ ] and [ ] buttons are useful for selecting categorized items, as in the example below.
Example: VOICE SELECT
[+] and [-] Buttons
Press the [+] button briey to increment the value by 1, or press the [-] button briey to decrement the value by 1. Press and hold either button to continuously increment or decrement the value in the corresponding direction.
Jump to the rst item in the next or previous category.
Press briey to decrement. Press briey to increment.
The rst voice in the selected category is selected.
Number Buttons 
The number buttons can be used to directly enter a song number or parameter value. Hundreds or tens digits that are 0 can be omitted (see below).
2 Press and hold the [TOUCH] button for
longer than a second so that the Touch Sensitivity item appears. TouchSns appears in the display for a few seconds, and the currently selected touch sensitivity will be displayed.
The pitch bend wheel can be used to add smooth pitch variations to notes you play on the keyboard. Roll the wheel upward to raise the pitch, or downward to lower the pitch. If you use this feature with a voice such as the 040 Overdriven guitar voice, you can produce remarkably realistic string-bending effects.
Large Pitch Changes (Transpose) The overall pitch of the instrument can by shifted up or down by a maximum of 1 octave in semitone increments. Small Pitch Changes (Tuning) The overall tuning of the instrument can by shifted up or down by a maximum of 100 cents in 1-cent increments (100 cents = 1 semitone).
] and [ ] buttons to select the Transpose item.
] and [ ] buttons to select the Tuning item.
3 Use the dial to set the transpose value
between -12 and +12 as required.
NOTE The pitch of Drum Kits voices cannot be changed.
3 Use the dial to set the tuning value
between -100 and +100 as required.
Controlling Arpeggio Volume with Keyboard Dynamics 1 Press the [FUNCTION] button. 3 Use the dial to select 2 Thru.
When 1 Original is selected the arpeggio volume is the same regardless of changes in keyboard velocity.
2 Press the CATEGORY [
] and [ ] buttons as many times as necessary to select the arpeggio velocity function ARP Velo. ARP Velo will be shown in the display for a few seconds, then the currently selected arpeggio velocity setting will appear.
The currently selected arpeggio velocity.
One Touch Setting
Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting feature automatically selects a well-balanced voice for you when you select a style or song. Simply select voice number 000 to activate this feature.
1 Select voice number 000 (steps 1 to 2
on page 28).
4 Use the dial to change songs, then play
the keyboard and listen to the voice.
Use the dial to select voice number 000.
2 Select and play back any song (steps 1
to 3 on page 39).
3 Play the keyboard and remember the
sound of the voice.
You should hear a different keyboard voice than you played in step 3. Press the [VOICE] button after changing songs to see the name of the voice being used.
NOTE About major chords: Simple major chords are usually indicated only by the root note. For example, C refers to C major. However, when specifying major chords here, make sure to select M (major) after pressing the root note.
4 Try playing a chord in the auto accom-
paniment section of the keyboard, checking the indications in the display. When youve played the chord properly, a bell sound signals your success and the chord name in the display ash.
Song Volume 1 Press the [FUNCTION] button. 3 Use the dial to set the song volume
NOTE Song volume can be adjusted while a song is selected.
] and [ ] buttons to select the Song Volume item.
You can specify a section of a songA is the start point and B is the end pointfor repeat playback.
1 Play the song (page 39) and press the
[ ] (A-B REPEAT) button at the beginning of the section you want to repeat (the A point).
2 Press the [
] (A-B REPEAT) button a second time at the end of the section you want to repeat (the B point).
3 The specied A-B section of the song
will now play repeatedly. You can stop repeat playback at any time by pressing the [ ] (A-B REPEAT) button.
NOTE The repeat start and end points can be specied in one-measure increments.
The current measure number is shown in the display during playback. If you want to set the start point A at the very beginning of the song press the [ ] (A-B REPEAT) button before starting playback of the song.
Muting Independent Song Parts
Each track of a song plays a different part of the songmelody, percussion, accompaniment, etc. You can mute individual tracks and play the muted part on the keyboard yourself, or simply mute tracks other than the ones you want to listen to. To mute a track, press the appropriate track button (TRACK , [A]) button. Press the same button a second time to disengage track muting.
Track number onTrack will playback
Track number offTrack is muted or contains no data
Change the Melody Voice
You can change a songs melody voice to any other voice you prefer.
NOTE You cannot change the melody voice of a user song.
3 Press the [VOICE] button for longer
1 Select the song and play it. 2 Rotate the dial to select the voice you
want to listen to after pressing the [VOICE] button.
than a second. SONG MELODY VOICE appears in the display for a few seconds, indicating that the voice selected in step #2 has replaced the songs original melody voice.
This instrument has a Registration Memory feature that lets you save your favorite settings for easy recall whenever theyre needed. Up to 16 complete setups can be saved (8 banks of two setups each).
until Sleep Mode begins (320 minutes). The time can be set in one-minute increments. Select OFF to disable Sleep Mode (the instrument will not go to sleep). The instrument will wake from Sleep Mode as soon as a panel control is operated, a key is pressed, or a MIDI command is received.
The Functions provide access to a range of detailed instrument parameters for tuning, setting the split point, and adjusting the voices and effects. Take a look at the function list starting on the opposite page. When you locate a function you want to set up, simply select the functions display name (shown to the right of the function name in the list) and adjust as required.
Selecting and Setting Functions 1 Find the function you want to set in the
list that begins on page 84.
2 Press the [FUNCTION] button.
3 Select a function.
Press the CATEGORY [ ] and [ ] buttons as many times as necessary until the functions display name appears in the display.
4 Use the dial, the [+] and [-] buttons, or
the  number buttons to set the selected function as required. The [+] and [-] buttons are used to make ON/ OFF type settings: [+] = ON, [-] = OFF. In some cases the [+] button will initiate execution of the selected function, and the [-] will cancel the selection.
Direct numeric entry.
Decrement value by 1. OFF Cancel
Increment value by 1. ON Execute Press simultaneously to recall the default setting.
The selected function.
Some Function settings are stored in memory as soon as they are changed. See The Backup Parameters on page 56 for information on the function settings that are stored on the instrument. To restore all initial factor default settings perform the Backup Clear procedure described in the Initialization section on page 56.
Function Setting List
Setting Style Volume Song Volume Transpose Tuning Pitch Bend Range Item title StyleVol SongVol Transpos Tuning PBRange Range/Settings -1212 -000127 (C-2G8) 1(Soft), 2(Medium), 3(Hard) 000127 -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) Description Determines the volume of the Style. Determines the volume of the Song. Determines the pitch of the instrument by semitone increments. Sets the pitch of the instruments sound in 1-cent increments. Sets the pitch bend range in semitone increments. Determines the highest key for the Split voice and sets the Split point in other words, the key that separates the Split (lower) and Main (upper) voices. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value. When Touch Response is on, this determines the sensitivity of the feature. Determines the volume of the Main voice. Determines the octave range for the Main voice. Determines the pan position of the Main voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Main voices signal is sent to the Reverb effect. Determines how much of the Main voices signal is sent to the Chorus effect. Sets the Main voice attack time. Sets the Main voice release time. Sets the Main voice lter cutoff frequency. Sets the Main voice lter resonance. Selects the Dual voice. Determines the volume of the Dual voice. Determines the octave range for the Dual voice. Determines the pan position of the Dual voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Dual voices signal is sent to the Reverb effect. Determines how much of the Dual voices signal is sent to the Chorus effect. Sets the Dual voice attack time. Sets the Dual voice release time. Sets the Dual voice lter cutoff frequency. Sets the Dual voice lter resonance. Selects the Split voice. Determines the volume of the Split voice. Determines the octave range for the Split voice. Determines the pan position of the Split voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Split voices signal is sent to the Reverb effect. Determines how much of the Split voices signal is sent to the Chorus effect.
There is no sound even when the keyboard is played or when a song or style is being played back.
The batteries are low or dead. Replace all six batteries with completely new ones, or use the optional AC adaptor.
Is External Clock set to ON? Make sure External Clock is set to OFF; refer to External Clock on page 88. Make sure that the Style Volume (page 84) is set to an appropriate level.
The style does not sound properly.
Is the split point set at an appropriate key for the cords you are playing? Set the split point at an appropriate key (page 72). Is the ACMP ON indicator showing in the display? If it is not showing press the [ACMP ON/OFF] button so that it does show. This is not a malfunction. Style number 141 and style numbers 153165 (Pianist) have no rhythm parts, so no rhythm will play. The other parts will begin playing when you play a chord in the accompaniment range of the keyboard if style playback is turned on. The instrument is polyphonic up to a maximum of 32 notes. If the Dual voice or Split voice is being used and a style or song is playing back at the same time, some notes/sounds may be omitted (or stolen) from the accompaniment or song. You have exceeded 32 simultaneous notes, which is the maximum polyphony (the maximum number of notes that can be played simultaneously) of the instrument. The instrument will play normally as long as no more than 32 notes are being played at once, both on the keyboard and by any automatic playback functions. The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. This is normal. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note. Perhaps the performance assistant technology is turned on. Press the [PERFORMANCE ASSISTANT] button to turn it off. Is the [STYLE] button lit? Always press the [STYLE] button rst when you are going to use any style-related function. The harmony effects (0126) behave differently according to their type. Types 0105 function when style playback is on, chords are played in the accompaniment range of the keyboard, and a melody is played in the right-hand range. Types 0626 will function whether style playback is on or off. For types 06 = 12 you need to play two notes at the same time.
No rhythm accompaniment plays when the [START/ STOP] button is pressed after selecting style number 141 or a style between 153 and 165 (Pianist).
Dictionary Lesson 13, Repeat & Learn
8 banks x 2 types
VOLUME: OVERALL: MAIN VOICE: DUAL VOICE: SPLIT VOICE:
EFFECT: HARMONY: Style Volume, Song Volume Tuning, Transpose, Split Point, Touch Sensitivity, Pitch Bend Range Volume, Octave, Pan, Reverb Level, Chorus Level, Attack Time, Release Time, Filter Cutoff, Filter Resonance Voice, Volume, Octave, Pan, Reverb Level, Chorus Level, Attack Time, Release Time, Filter Cutoff, Filter Resonance Voice, Volume, Octave, Pan, Reverb Level, Chorus Level, Attack Time, Release Time, Filter Cutoff, Filter Resonance Reverb Type, Chorus Type, Master EQ Type Harmony Type, Harmony Volume
Local On/Off, External Clock, Initial Send, Keyboard Out, Style Out, Song Out METRONOME: Time Signature Numerator, Time Signature Denominator, Metronome Volume LESSON: Lesson Track (R), Lesson Track (L) UTILITY: Grade, Demo Cancel, Sleep
ARPEGGIO: SFF Load: PC: MIDI:
Arpeggio Type, Arpeggio Velocity Style File Load PC Mode
Panel controls and terminals
+, -.. 13, 58.. 57 (REPEAT & LEARN). 12, 48 (A-B REPEAT). 12, 78 (REW).. 12, 40 (FF)... 12, 40 (PAUSE). 12, 40 (START/STOP). 12, 58 09.. 13, 58 ACMP ON/OFF.. 12, 34 ARPEGGIO ON/OFF.. 12, 14 ARPEGGIO TYPE.. 12, 15 ASSIGN... 12, 18 CATEGORY [ ] and [ ].. 13, 58 DC IN 12V.. 10, 13 DEMO/PC.. 12, 40 Dial.. 13, 58 DUAL.. 13, 29 EASY SONG ARRANGER.. 12, 50 FUNCTION. 12, 83 HARMONY.. 13, 60 INTRO/ENDING/rit.. 12, 71 KNOB A, B. 12, 18 LESSON L, R.. 12, 44 LESSON START.. 12, 44 MAIN/AUTO FILL. 12, 71 MASTER VOLUME. 12, 24 MEMORY/BANK, 1, 2.. 13, 80 METRONOME.. 12, 63 MUSIC DATABASE. 13, 49 PERFORMANCE ASSISTANT. 12, 23 PHONES/OUTPUT.. 11, 13 PITCH BEND wheel.. 13, 66 PORTABLE GRAND.. 13, 31 REC, 15, A.. 12, 52 REGIST MEMORY.. 13, 80 SONG.. 13, 39 SONG MEMORY. 12, 52 SPLIT.. 13, 30 STANDBY/ON.11-12 STYLE.. 13, 33 SUSTAIN.. 11, 13 SYNC START. 12, 70 SYNC STOP.. 12, 71 TEMPO/TAP.. 12, 27 TOUCH.. 13, 65 USB.. 13, 87 VOICE.. 13, 28
A-B Repeat..78 Accessories..7 ACMP...34 Arpeggio..14 Arpeggio List..113 Arpeggio Type..15 Arpeggio Velocity..67 Attack..20 Auto Accompaniment Range.34 Auto-Accompaniment.34 AWM..6
Flash Memory.. 42 Foot Switch.. 11 Function.. 83-84
Harmony.. 60 Harmony Type.. 60 Harmony Volume.. 69 Headphones.. 11
Initial Send.. 85, 90 Initialization... 56
CD-ROM...93 Channel Message..87 Chord.. 36, 38, 75-76 Chord Dictionary..77 CHORD ROOT.77 CHORD TYPE..77 Chorus..19, 62 Chorus Type..62, 117 Computer...87 Cutoff..19
Keyboard Out.. 88
Lesson.. 43 Load SFF... 74 Local... 88 L-Part... 92
Default Setting..83 Delete (Song Track)..55 Delete (User Song).55 Demo..40 Demo Cancel..85 Display..59 Drum Kit..32 Drum Kit List..110 Dual Voice..29 Dual Voice Chorus Level.84 Dual Voice Octave..84 Dual Voice Pan..84 Dual Voice Reverb Level.84 Dual Voice Volume..84
How to use this manual Before using the PSR-E323/YPT-320, be sure to read the PRECAUTIONS section on pages 45. Follow the instructions described in Setting Up, then try out the simple operations in Quick Guide. Reference provides detailed descriptions and procedures for getting the most out of the instrument. After youve read the manual, keep it safe and handy for future reference. Data List The Data List contains MIDI related information. The Data List is available for downloading from the Yamaha Manual Library at: http://www.yamaha.co.jp/manual/
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.
Do not open
Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Unplug the AC power adaptor when not using the instrument, or during electrical storms. Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disguration or damage to the internal components. Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. Do not place the instrument in an unstable position where it might accidentally fall over. Before moving the instrument, remove all connected adaptor and other cables. When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still owing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. Use only the stand specied for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.
The Voice Grand Piano will automatically be selected as the Main Voice.
Percussion and drum icons
Using the Metronome
The instrument features a built-in metronome (a device that keeps an accurate tempo) that is convenient for practicing.
Press the [METRONOME] button to start the metronome. To stop the metronome, press the [METRONOME] button again.
If you want to adjust the metronome tempo, press the [TEMPO/ TAP] button to call up the Tempo setting in the display, then press the [+] button to raise the tempo, or press the [-] button to lower it. You can also set the tempo using the number buttons on the front panel.
You can set the time signature (page 48).
Current Tempo value
Playing the Drum Kit Voice
When Voice number 109 (Drum Kit) is selected in step 2 on page 13, you can play different percussion sounds directly from the keyboard. To check which percussion sounds are assigned to each key when you select Voice number 109, look at the icons printed above the keys. You can select and play the desired Drum Kit from 12 preset Drum Kits (Voice number 109121). Details on the instruments and key assignments of each Drum Kit can be found in the Drum Kit List on page 68.
This instrument has 102 built-in Songs. For this instrument, the term Song refers to the data that makes up a piece of music. Listening to a Song.
Select and Listen to a Specic Song
Press the [SONG] button.
The Song number and name are displayed. Song number 004 is automatically selected whenever the power is turned ON.
Song number Song name
When you want to select the Song number 001003, use the number buttons , [+], [-].
The songs are organized by category. For details, see page 72.
Select a Song.
Select the desired song by using the number buttons , [+], [-]. Refer to the Song List on page 72.
You can play Songs recorded from the instrument or transferred from a computer. The procedure for playing these Songs is the same as that of the built-in Songs.
The Song will begin playing. You can stop playback at any time by pressing the [START/ STOP] button.
Songs can be played at any tempo you desirefast or slow (page 22).
[REW] button. Fast-reverses the Song if pressed during playback (no sound is heard during fast reverse). Decreases the measure number if pressed while playback is stopped. [FF] button. Fast-forwards the Song if pressed during playback. Increases the measure number if pressed while playback is stopped. [PAUSE] button. Temporarily stops playback. Press this button a second time to resume playback from the point at which it was stopped.
Using the [DEMO] button
Press the [DEMO] button to play Songs 001, 002, 003, in sequence, and playback will continue repeatedly starting again from the rst Song 001. You can stop playback at any time by pressing the [DEMO] button.
Press the [START/STOP] button.
Styles are rhythm/accompaniment patterns and are played by the auto accompaniment feature. You can select from a wide variety of rhythmic typesrock, blues, Euro trance, and many, many more. Here well learn how to select and play Styles using chords. While you play, you can automatically add specially created intros and endings, as well as variations in the rhythm/chord patterns, for more dynamic, professional-sounding performances.
Auto Accompaniment range Try playing chords with your left hand.
Play a melody with your right hand.
Select the String Ensemble Voice as the melody Voice, referring to step 2 on page 12.
Play along with the styles
Press the [STYLE] button.
The Style number and name are displayed.
Style number Style name
Select a Style.
Select the desired Style by using the number buttons , [+], [-]. Refer to the Style List on page 70.
Since the Pianist category Styles (098106) have no rhythm parts, no sound will be produced if you start rhythm-only playback. To use these Styles, turn on the auto accompaniment and play the keyboard as described on pages 20 (The bass and chord accompaniment parts will sound.)
Turn SYNC START on.
Press the [SYNC START] button.
Flashes when Sync Start is on.
You can also select commercially available Style Files. To do this load the Style Files from the computer to the instrument, and then register the style data starting with to style number 107. (Refer to the information on transferring data on page 61 and registering styles on page 55.) If the Style File has not been registered, No Data will be displayed when selecting style number 107.
Turn auto accompaniment on.
Press the [ACMP ON/OFF] button. Press the [ACMP ON/OFF] button again to turn the auto accompaniment off.
If you press the [START/ STOP] button while the auto accompaniment is off, only the rhythm (percussion) parts will start.
Appears when auto accompaniment is on
When auto accompaniment is on.
The keys to the left of the Split Point (54; F#2) will play only chords. This is known as the Auto Accompaniment range.
Play the melody on the staff with your right hand, and chords with your left hand. Find the appropriate chords on the next page and play them as illustrated.
Chord names From the chord name, you can tell at a glance what type of chord it is and which notes make up the chord. Understanding the basic structure of chords is very usefulonce youre familiar with this, youll be quickly and easily play chords by looking at the names that appear above the notation.
Root note Chord type
Taking the chord above as an example, the lowest note of this triad is called the root note. This is the central note sound, and it supports or anchors the rest of the notes chord. Upper case letters (including sharps or ats) at the left of the chord name shows root note. The chord name is determined by a root note and chord type like as major or minor, and so on.
For users who are new to chords, this chart features common chords. Since there are many useful chords and many different ways to use them musically, refer to commercially available chord books for further details.
indicates the root note. Major Minor Seventh Minor Seventh Major Seventh
Inversions can be used as well as in root positionwith the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), sus2 Inversion of the 7sus4 and m7(11) chords are not recognized if the notes are omitted. sus2 chords are indicated by the root name only.
This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.
For root C
To play a major chord Press the root note () of the chord.
To play a minor chord Press the root note together with the nearest black key to the left of it.
To play a seventh chord Press the root note together with the nearest white key to the left of it.
To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
Basic Operation and Displays
Press a button to select a basic function: Voice, Song or Style.
3 Start a function.
Display (page 27)
1 Select a basic
2 Select an item or
Press the [SONG] button to access the SONG functions (printed above the buttons), and press the [STYLE] button to access the STYLE functions (printed below).
Number buttons  The number buttons can be used to directly enter a Song, Style or Voice number or parameter value. For numbers that start with one or two zeroes, the rst zeroes can be omitted.
Example: Selecting Voice 002, Bright Piano. Press number buttons , , .
The Press & Hold Symbol Buttons having this indication can be used to call up an alternate function when the relevant button is pressed and held. Hold down this button until the function calls up. 26
[+], [-] buttons Press the [+] button briey to increase the value by 1, or press the [-] button briey to decrease the value by 1. Press and hold either button to continuously increase or decrease the value in the corresponding direction.
Press briey to decrease.
Press briey to increase.
The Main display shows all of the current basic settings for Song, Style and Voice. It also includes a range of indicators that show the on/off status for various functions.
KEYS TO SUCCESS Appears when the Keys to Success function is on (page 28). PHRASE REPEAT Appears when the Phrase Repeat function is on (page 35). Passing Status Song
The number of stars depends on the number of passed steps.
TOUCH RESPONSE Appears when Touch Response is on (page 44). REVERB Appears when Reverb is on (page 43). ACMP ON Appears when the auto accompaniment is on. SPLIT Appears when the Split function is on (page 46). DUAL Appears when the Dual function is on (page 45).
SONG/VOICE/STYLE Indicate the operating condition of the instrument.
Any notes occurring below or above the staff are indicated by 8va in the notation. For a few specic chords, not all notes may be shown in the notation section of the display. This is due to space limitations in the display.
Chord Display Indicates the name of the chord currently being played back, or the name of the chord being played on the keyboard. Measure Indicates the current measure during playback of a Song.
Song/recording track display Information related to the Song/ recording tracks is shown here. (See pages 37 and 51.)
Lit: Track contains data Unlit: Track is muted or contains no data
Flashing: Track is selected as recording track
Keyboard Display Indicates notes currently being played. Indicates the melody and chord notes of a Song when the Song lesson function is in use. Also indicates the notes of a chordeither when playing a chord or when using the Dictionary function.
Beat Display Indicates the beat of the current Style or Song with ashing arrows.
You can start playing along on the keyboard as soon as the lead-in nishes. The score marker and keyboard marker in the display will indicate the notes to play. Each time you have practiced all the way through a Step, your performance will be evaluated and your score (from 0100) is shown in the display.
You can practice the specied phrase using the Lesson modes 1 Listening, 2 Timing or 3 Waiting described on page 31. In these Lesson modes with the Keys to Success function, however, it is not possible to pass the Step. When you want to turn off these Lesson modes, press the [1 LISTENING 2 TIMING 3 WAITING] button a number of times to select off (Step number will appear in the display ).
Displayed when youve passed the Step.
Score of 60100
You passed! The next Step begins automatically.
You can select another Step as desired by using the [+]/[-] buttons. All songs have a nishing step, and in that step, you will practice all the way thorough the song which you have selected as a lesson Song in the step 1. When you pass all Steps, the Keys to Success mode will automatically be turned off and playback stops.
If the specied part is both hands, you cannot pass the Step until you play both hands, even if you play one of the hands well. Only a message such as L-part is Nice appears in the display.
Stop Lesson. You can stop the Lesson at any time by pressing the [KEYS TO SUCCESS] button.
When you want to select another Song during a lesson, press the [SONG] button to call up the currently selected Song name in the display (for three seconds), then select the Song as required using the [+]/[-] buttons or number buttons while the Song name appears. When you select the new Song, the lowest number Step not yet passed of the Song will automatically be selected for the Lesson.
Score of 059
Try the same Step again. The same Step begins automatically.
Entering and Clearing the Passing Status
Entering Passing status will automatically be entered and shown in the display when the Step or Song is selected. You can recognize at a glance whether or not youve passed the selected Step or Song.
When Step is selected
Passed No information: Not yet passed
When Song is selected
: There are one or more Steps not yet passed in addition : Only last Step passed : All Steps passed other than last Step : All Steps passed Clearing You can clear existing passing status entries. Select the desired Song or Step for clearing the passing status and hold the [KEYS TO SUCCESS] button for longer than three seconds. After the passing status has been cleared, a Cleared message will appear on the display. Once the operation has been completed, no information will appear even when selecting the Song or Step.
When the melody Voice of the Song is changed, the key position shown in the display may be shifted (in octave units), depending on the Voice selected.
LISTEN TIMING WAITING Chevaler
Start Lesson. Song playback will begin automatically when you select Lesson mode, and the appropriate notes appear in the display.
You cannot use Dual or Split Voices during lessons. The Split Point is xed and it cannot be changed. For the left-hand lesson, it is xed at 59 or B2; for the left-hand chord lesson, it is xed at 54 or F#2.
1 Listening Theres no need to play the keyboard in this mode. The model melody/chords (in other words, the musical material you should learn) of the part you selected will sound. Listen to it carefully and learn it well.
The notation and key positions of the model melody are shown in the display.
Lesson 2 Timing will begin as soon as you press the [1 LISTENING 2 TIMING 3 WAITING] button.
Lesson 3 Waiting will begin as soon as you press the [1 LISTENING 2 TIMING 3 WAITING] button.
3 Waiting In this mode, try playing the correct notes. The notes you should play appear in the score and the keyboard on the display. The Song pauses until you play the right note.
2 Timing In this mode, try playing the notes with the correct timing. Simply concentrate on playing each note in time with the rhythmic accompaniment. The correct notes sound even if you play wrong notes as long as you play in time with the rhythm. Play the notes shown in the display.
You can select Lesson modes by pressing the [1 LISTENING 2 TIMING 3 WAITING] button respectively.
Stop the Lesson mode. You can stop the Lesson mode at any time by pressing the [START/ STOP] button.
When the lesson Song has played all the way through in Lesson mode 2 Timing or 3 Waiting, your performance will be evaluated in four levels: OK, Good, Very Good, or Excellent.
OK Good Very0Good! Excellent! Reference
This function allows you to repeatedly practice difcult phrases, by selecting a phrase and repeatedly play it back. You can also mute one of the parts, and practice just the other part repeatedly. The specied phrase can also be practiced along with the Lesson modes 1 Listening, 2 Timing or 3 Waiting described on page 31.
When you want to turn the Phrase Repeat function on, please make sure that the Keys to Success mode is off, since Phrase Repeat is not available in the Keys to Success mode. When you want to change the Song, rst turn off the Phrase Repeat function then select the Song.
Repeat playback of this section
Play the Song and press the [PHRASE REPEAT] button at the phrase you want to repeat. The appropriate phrase number will appear in the display and, after a lead-in, repeat playback will start. Use the [+] or [-] buttons to select any phrase number in the Song, and stop repeat playback by pressing the [PHRASE REPEAT] button. The Phrase Repeat mode will be canceled and normal playback of the Song will continue.
Appears when the Phrase Repeat function is on
Changing the playback section
You can specify an extended section for repeating (including multiple phrases) by specifying a beginning phrase (point A) and ending phrase (point B), using the [A-B REPEAT] button. You can do this either during playback or while playback is stopped. Press the [A-B REPEAT] button at the beginning phrase of the section you want to repeat (point A), use the [+]/[-] buttons to select the subsequent phrases you wish to include in the repeat, then press the [A-B REPEAT] button a second time. This species the last phrase selected as the end phrase (point B) for Phrase Repeat playback. REPEAT will appear on the display and the specied A-B section of the Song will now play repeatedly. (If playback is stopped, press the [START/STOP] button to start.) Stop A-B Repeat playback by pressing the [PHRASE REPEAT] button. REPEAT will appear on the display and the currently selected phrase will playback repeatedly.
Specifying only Point A results in repeat playback between Point A and the end of the Song.
If you use Phrase Repeat function with the Lesson modes 1 Listening, 2 Timing or 3 Waiting, the evaluation function of these lesson modes are not available. When you want to turn these lesson modes off, press the [1 LISTENING 2 TIMING 3 WAITING] button a number of times to select off (Phrase number will appear in the display).
You want to play music in your favorite style, but youre not sure how to select the best voice and style for the type of music you want to play. simply select the appropriate style from the Music Database. The panel settings will automatically be adjusted for the ideal combination of sounds and style!
Press the [MUSIC DATABASE] button.
A Music Database name will appear in the display.
Select a Music Database. Referring to the Music Database category list printed on the panel, select a music database that matches the image of the song you intend to play. For example, select one from the SWING&JAZZ category (047056) if you want to play jazz.
Press the [TOUCH] button to turn Touch Response on. When Touch Response is on, you can control the volume of notes according to how hard you play the keys. Touch Response is normally on. Press the [TOUCH] button again to turn the Touch Response off. When Touch Response is off, the same volume will be produced no matter how hard you play the keys.
See the section Connecting a footswitch on page 9 for information on applying sustain with the optional footswitch.
The Touch Response function cannot be used for some Voices (such as organ), even if the Touch Response icon appears in the display.
Setting the Touch Sensitivity
When Touch Response is on, you can adjust the sensitivity of the keyboard in response to keyboard dynamics in three steps. Higher values produce greater (easier) volume variation in response to keyboard dynamicsin other words, greater sensitivity.
Press and hold the [TOUCH] button for longer than a second. TouchSns appears in the display for a few seconds, followed by the current Touch Sensitivity value.
Currently selected Touch Sensitivity
Select a Touch Sensitivity setting between 1 and 3 by using the number buttons , [+], [-].
Playing Two Voices SimultaneouslyDual
You can select a second Voice which will play in addition to the Main Voice selected on the previous page. This second Voice is known as the Dual Voice.
Selecting a Dual Voice
The best-suited Dual Voice is automatically selected whenever you turn Dual on, but you can select any of the available Dual Voices.
Press and hold the [DUAL] button for longer than a second. D. Voice appears in the display for a few seconds, then the Dual Voice will appear.
Currently selected Dual Voice
Two Voices sound at the same time
Play the Dual Voice
Press the [DUAL] button to turn the Dual function on. When Dual is on, you can play a Dual Voice in a layer with the Main Voice. To turn the Dual Voice off and play only the Main Voice, press the [DUAL] button again.
You can also access the Dual Voice setting display by pressing the [FUNCTION] button several times, then selecting Dual Voice.
Appears when Dual is on.
Select a Dual Voice. Select the desired Dual Voice by using the number buttons , [+], [-]. Refer to the Voice List on page 64.
Playing Different Voices with the Left and Right HandsSplit
In the Split mode you can play different Voices to the left and right of the keyboard Split Point. The main and Dual Voices can be played to the right of the Split Point, while the Voice played to the left of the Split Point is known as the Split Voice
In this example well set up a 3/4 time signature.
Setting the Metronome Volume
Press the [FUNCTION] button a number of times until MetroVol appears.
Press and hold the [METRONOME] button for longer than a second to select the number of beats per measure function TimeSigN.
Metronome Volume Hold for longer than a second. Number of beats per measure.
Set the metronome volume by using the number buttons , [+], [-].
Use the number buttons , [+], [-] to select the number of beats per measure. A chime will sound on the rst beat of each measure while the other beats will click. All beats will simply click with no chime at the beginning of each measure if you set this parameter to 00. The available range is from 0 through 60. Select 3 for this example.
The metronome time signature will synchronize to a style or song that is playing, so these parameters cannot be changed while a style or song is playing.
Press the [FUNCTION] button a number of times to select the beat length function TimeSigD. The currently selected beat length will be displayed.
The length of one beat.
Use the [+], [-] to select the beat length. Select the required length for each beat: 2, 4, 8, or 16 (half note, quarter note, eighth note, or 16th note). Select 4 for this example.
The pitch of a note can be shifted upward or downward in steps of an octave for the Main, Dual, and Split Voices.
The instruments Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difcult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to 5, playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the instrument will transpose it to the key of F.
Press the [FUNCTION] button a number of times until the required Voice octave item appears. Select M. Octave for Main Voice octave, D. Octave for Dual Voice octave, S. Octave for Split Voice octave.
Press the [FUNCTION] button a number of times until the Transpos appears.
Current octave value
Set the octave by using the number buttons , [+], [-].
Current transpose value
Use the number buttons , [+], [-] to set the Transpose value between -12 and +12 as required.
Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (0).
Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (00).
The pitch of the Drum Kits Voices (Voice numbers 109121) cannot be changed.
Panel Voice List
The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device. Program Numbers 001 to 128 directly relate to MIDI Program Change Numbers 000 to 127. That is, Program Numbers and Program Change Numbers differ by a value of 1. Remember to take this into consideration. Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.
MSB (0127) 0 0
LSB (0127) 113 113
MIDI Program Voice Name Change# (1128) PIANO 1 Grand Piano 2 Bright Piano 7 Harpsichord 4 Honky-tonk Piano 3 MIDI Grand Piano 3 CP 80 E.PIANO 5 Cool! Galaxy Electric Piano 6 Hyper Tines 5 Funky Electric Piano 6 DX Modern Electric Piano 6 Venus Electric Piano 8 Clavi ORGAN 17 Jazz Organ Jazz Organ Rock Organ 19 Purple Organ 18 Click Organ 17 Bright Organ 19 Theater Organ 20 16'+2' Organ 20 16'+4' Organ 20 Chapel Organ 20 Church Organ 21 Reed Organ ACCORDION 22 Musette Accordion 22 Traditional Accordion 24 Bandoneon 23 Harmonica GUITAR 25 Classical Guitar 26 Folk Guitar 27 Jazz Guitar 28 60s Clean Guitar 26 12Strings Guitar 28 Clean Guitar 27 Octave Guitar 29 Muted Guitar 30 Overdriven Guitar 31 Distortion Guitar BASS 34 Finger Bass 33 Acoustic Bass 35 Pick Bass 36 Fretless Bass 37 Slap Bass 39 Synth Bass 39 Hi-Q Bass 40 Dance Bass
MSB (0127) 0
LSB (0127) 115
MIDI Program Voice Name Change# (1128) STRINGS 49 String Ensemble 50 Chamber Strings 50 Slow Strings 45 Tremolo Strings 51 Synth Strings 46 Pizzicato Strings 41 Violin 43 Cello 44 Contrabass 47 Harp 106 Banjo 56 Orchestra Hit CHOIR 53 Choir 53 Vocal Ensemble 55 Air Choir 54 Vox Humana SAXOPHONE 67 Tenor Sax 66 Alto Sax 65 Soprano Sax 68 Baritone Sax 67 Breathy Tenor Sax 72 Clarinet 69 Oboe 70 English Horn 71 Bassoon TRUMPET 57 Trumpet 58 Trombone 58 Trombone Section 60 Muted Trumpet 61 French Horn 59 Tuba BRASS 62 Brass Section 62 Big Band Brass 63 80s Brass 62 Mellow Horns 63 Techno Brass 63 Synth Brass FLUTE 74 Flute 73 Piccolo 76 Pan Flute 75 Recorder 80 Ocarina SYNTH 81 Square Lead 82 Sawtooth Lead 82 Analogon
MSB (0127) 126 126
LSB (0127) 0 0
MIDI Program Voice Name Change# (1128) 82 Fargo 99 Star Dust 86 Voice Lead 101 Brightness 92 Xenon Pad 95 Equinox 89 Fantasia 90 Dark Moon 101 Bell Pad PERCUSSION 12 Vibraphone 13 Marimba 14 Xylophone 115 Steel Drums 9 Celesta 11 Music Box 15 Tubular Bells 48 Timpani DRUM KITS 1 Standard Kit Standard Kit Room Kit 17 Rock Kit 25 Electronic Kit 26 Analog Kit 113 Dance Kit 33 Jazz Kit 41 Brush Kit 49 Symphony Kit 1 SFX Kit SFX Kit Sound Effect Kit
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