SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number ,the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Model Serial No. Purchase Date

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel. Use the specified adaptor (PA-3B) only. Using the wrong adaptor can result in damage to the instrument or overheating. Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. When removing the electric plug from an outlet, always hold the plug itself and not the cord. Do not connect the instrument to an electrical outlet using a multipleconnector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. Remove the adaptor plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms. All batteries should be inserted in conformity with the +/ polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage. Always replace all batteries at the same time. Do not use new batteries together with old ones. Also, do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage. If the instrument is not to be in use for an extended period of time, remove the batteries from it, in order to prevent possible fluid leakage from the battery. Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. Do not use the instrument near other electrical products such as televisions, radios, or speakers, since this might cause interference which can affect proper operation of the other products. Do not place the instrument in an unstable position where it might accidentally fall over. Before moving the instrument, remove all connected adaptor and other cables. When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do not place vinyl or plastic objects on the instrument, since this might discolor the panel or keyboard. Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. Use only the stand/rack specified for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over. Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.

STRINGS

EB MU SLA WO SYN SYN

VARIATION
Auto Accompaniment (C1~F#2) # 1 STANDBY/ON Switch (page 6) This switch is used to turn the instrument ON or OFF. 2 VOLUME Control (page 6) This slider adjusts the volume of the PSR-130. 3 START/STOP >/s Button (page 9, 13, 16) This button is used to start/stop playback of the SONG/JAM TRACK or accompaniment. 4 TEMPO w/v Button (page 9) This button controls the tempo (speed of the song) of the SONG/JAM TRACK or accompaniment. 5 SONG/JAM TRACK/STYLE Dial (page 8, 12, 15) Rotate the dial to select a SONG/JAM TRACK/ STYLE category. 6 SONG/JAM TRACK/STYLE Variation [+] Button (page 8, 12, 15) This button is used to select one of the SONG/ JAM TRACK/STYLE variations.
Using Headphones (PHONES/AUX OUT jack)
For private practicing and playing without disturbing others, connect a set of stereo headphones (Yamaha HPE-3/150 (optional) etc.) to the rear panel 0 PHONES/AUX OUT jack. Sound from the built-in speaker system is automatically cut off when you insert the headphone plug into this jack. You can also use this jack to connect the PortaTone to a stereo or other audio system and listen to the PSR-130 from the audio systems speakers. (Use a stereo phone m pin plug when connecting.)

PHONES/AUX OUT Jack

Stereo System
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Your PSR-130 can run either on batteries or on normal household current.
s Using an AC Power Adaptor

NSEMBLE

TRINGS 1 RASS ENSEMBLE ORCHESTRA HIT TRINGS 2 YNTH STRINGS IOLIN+STRINGS RASS+TRUMPET RASS+SAX AX+FLUTE AX+CLARINET
S YNTHESIZER H ARMONY VOICE S PLIT VOICE
SQUARE SAWTOOTH ANALOG LEAD FANTASIA 1 FANTASIA 2 CRYSTAL DARK MOON SYNTH BRASS SYNTH LEAD 1 SYNTH LEAD 2
PIANO E PIANO HARPSICHORD E ORGAN VIOLIN STRINGS MARIMBA TRUMPET HORN FLUTE

1 BASS 2 BASS

/PIANO /E PIANO
Use the optional PA-3B Power Adaptor.

3 BASS

/ORGAN

4 BASS

/GUITAR

5 BASS

/VIBES

ERCUSSION

RUM KIT IBRAPHONE MARIMBA YNTH CELESTA

SUSTAIN VOICE ECHO VOICE

1 PIANO 2 E PIANO 3 HARPSICHORD 4 CHURCH 9 10

ORGAN CLASSIC GUITAR FOLK GUITAR STRINGS VIBRAPHONE HARP BANJO GUITAR FOLK GUITAR JAZZ GUITAR E GUITAR HARP VIBRAPHONE MARIMBA

6 BASS

/BRASS
1 PIANO 2 E PIANO 3 HARPSICHORD 4 CLASSIC 5

7 PIANO

PSR-130

8 PIANO

/FLUTE
BASS MUTE BASS LAP BASS WOOD BASS YNTH BASS 1 YNTH BASS 2

9 PIANO

Plug the adaptors connector into the 9 DC IN 1012V jack on the back of the PSR-130. Plug the adaptor into a convenient wall outlet.

DC IN 10-12V

10 PIANO

/HARMONICA

Jack Wall outlet
Use only the optional Yamaha PA-3B adaptor. Damage caused by the use of any other AC adaptors will not be covered by the manufacturers warranty.

s Using Batteries

7 VOICE Dial (page 10) Rotate the dial to select a voice category. 8 VOICE Variation [+] Button (page 10) This button is used to select one of the VOICE variations.
Turn the PSR-130 upside-down and place it on a soft cloth. Remove the battery compartment lid. Insert four AA size batteries as shown in the illustration, making sure that the positive and negative terminals are properly aligned.
When you use headphones be careful not to damage your hearing by playing with a volume that is too high.

Replace the lid.

To prevent unwanted damage to the instrument and external audio equipment make sure that the volume is turned down on the PortaTone and any external audio devices and, all devices are turned off before making any connections.
Replace Worn Batteries as Soon as Possible. When the batteries run low and the battery voltage drops below a certain level, the instrument may not sound or function properly. As soon as this happens, replace them with a complete set of four new AA size batteries. Never mix old and new or different types of batteries (e.g. alkaline and manganese).
When the AC Power Adaptor is used, the instrument will operate on AC power, even when batteries are installed.
yyyyyyyyyyyyyyyyyyyyyyy ,,,,,,,,,,,,,,,,,,,,,,, The PSR-130s Basic operations yyyyyyyyyyyyyyyyyyyyyyy ,,,,,,,,,,,,,,,,,,,,,,, yyyyyyyyyyyyyyyyyyyyyyy ,,,,,,,,,,,,,,,,,,,,,,,
Basic operation of the PSR-130 is performed with the two Dials and two VARIATION [+] buttons.

Turn On the PSR-130

STAND BY ON
Slide the STAND BY/ON switch to the ON position, power will be supplied to the instrument.

Volume Control

Sliding the VOLUME control slider to the left (MIN), decreases the volume level. Sliding it to the right (MAX) increases the volume level.

VOLUME MIN

Turn On the Voice Guide
When the Voice Guide is ON and you select a Song/Jam Track/Style, Voice category or Variation, the Voice Guide announces the selected variation with a verbal one, two, three.
Until you are more familiar with the PSR-130s operation, it is probably a good idea to use the instruments Voice Guide.
When the Voice Guide is ON A verbal guide will announce the variation number when a category or variation is selected. When the Voice Guide is OFF A click will sound when a variation is selected. To turn the Voice Guide on, simultaneously press both the SONG/JAM TRACK/STYLE VARIATION [+] button and the VOICE VARIATION [+] button.
To turn the Voice Guide off, press both VARIATION [+] buttons once again.
The Voice Guide is always switched OFF when the instrument is turned on.
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Selecting a SONG/JAM TRACK/STYLE or VOICE
Select a SONG/JAM TRACK/STYLE Select a VOICE
JAM Rotate the SONG/ JAM TRACK/STYLE OTHERS Dial to select one of the COUNTRY &CARIBBEAN categories.

SONG/ TRACK/ STYLE

SONG 1 SONG 2
PIANO ONE TOUCH SETTING SPLIT VOICE ECHO VOICE HARMONY VOICE SUSTAIN VOICE GUITAR WIND ORGAN/ STRINGS ENSEMBLE PERCUSSION/ BASS SYNTHESIZER
Rotate the VOICE Dial to select one of the categories.
Press the SONG/ JAM TRACK/STYLE VARIATION [+] button to select a variation.
Press the VOICE VARIATION [+] button to select a variation.

TEMPO VARIATION

ex.) To select the 4 : RAP variation in the STYLE lists DANCE category.
ex.) To select the 10 : CLARINET variation in the VOICE lists WIND category.
z Rotate the SONG/JAM TRACK/STYLE Dial to select the DANCE category. As you rotate the Dial (progressing one category at a time), the Voice Guide will announce the current Variation number of the selected category. x Press the SONG/JAM TRACK/STYLE VARIATION [+] button until you hear the Voice Guide announce FOUR. Every time you press the SONG/JAM TRACK/ STYLE VARIATION [+] button the Variations will change in the following order,

z Rotate the VOICE Dial and select the WIND category. As you rotate Dial (progressing one category at a time), the Voice Guide will announce the current Variation number of the selected category. x Press the VOICE VARIATION [+] button until you hear the Voice Guide announce TEN. Every time you press the VOICE VARIATION [+] button the Variations will change in the following order,
one (1) m two (2) m three (3) m four (4) m five (5) m six (6) m seven (7) m eight (8) m nine (9) m ten (10) m one (1) m. and the Voice Guide will announce each change.
For further operations, refer to the sections listed below. Play a Selected Song (page 8) Play Along With the Selected Styles (page 12) Play Along With the Jam Tracks (page 15)
For further operations, refer to the Play a Selected Voice section. (page 10)
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Your PSR-130 contains 20 different Songs. You can listen to, or play along with one of the songs by selecting the SONG 1 or SONG 2 category using the SONG/JAM TRACK/STYLE Dial. The currently selected Song will play when playback is started. Refer to the Song Scores on page 19 and try playing the melody along with the song.

Select a Song

PIANO ONE TOUCH SETTING SPLIT VOICE ECHO VOICE HARMONY VOICE SUSTAIN VOICE
LATIN JAZZ RHYTHM &BLUES START/ STOP
Select the SONG/JAM TRACK/STYLE SONG 1 or SONG 2 category.
Rotate the SONG/JAM TRACK/STYLE Dial to select the SONG 1 or SONG 2 category. (page 7)
All SONG/JAM TRACK/STYLE/VOICE variations for all categories are set to one (1) when the instrument is turned on.

Select a Variation.

Press the SONG/JAM TRACK/ STYLE VARIATION [+] button to select a variation. (page 7)
Turning the Voice Guide on (page 6) makes it easier to select a Variation.

Start/Stop the Song

To start the song, press the START/STOP >/s button. To stop the song, press the START/STOP >/s button once again.
If you change the position of the SONG/JAM TRACK/STYLE Dial during song playback, the new selection will start from the next measure.

Play the Voice

Select a Voice you like and try playing along with a song. Also, by repeating steps 1 and 2, you can select different voices to play along with.
When you want to play on the entire keyboard, without a Auto Accompaniment, set the SONG/ JAM TRACK/STYLE Dial to the SONG 1, SONG 2, JAM TRACK 1 or , JAM TRACK 2 category. The PSR-130s maximum polyphony is 12 notes. Dual/Harmony/Echo voices, etc., produce multiple notes at the same time so, fewer note may be available.
Within the 110 Voices, the following voice types are also available.
x Dual Voices (ex. BRASS + TRUMPET, etc.)
Feature two Voices mixed together in a layer for rich ensemble sounds.

x PERCUSSION Voices

Let you play various drum and percussion sounds from the keyboard. Refer to the Percussion Assignment List shown below.

x HARMONY Voices

Add an additional one-, two-, or three-note harmony to the original Voice.

x ECHO Voices

Have an echo effect that adds delayed repeats to the original Voice.

x SPLIT Voices

Two voices that can be played separately from a different range of the keyboard.

Left Voice Right Voice

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6
You can only play one note at a time with Harmony Voices. If several notes are played together, only the last note played will be heard. Also, when a STYLE, SONG or JAM TRACK is not being played back, the basic key for the harmony is always C. When a STYLE is played or the Stopped Accompaniment (page 13) function is active, the harmony changes according to the chord played with the left hand (page 14). When a SONG or JAM TRACK is played back, the harmony changes according to the chord progression of the SONG or JAM TRACK.

About the Drum Kit

If you select Variation 1 : DRUM KIT from the PERCUSSION/BASS VOICE category, you can play the following percussion voices from the keyboard. te e n
t Mu los pe 1 d al ho al t C t O l mt da lose pen mbim S mbi Ha i Ha u Pe C O Cy R Cy H H Dr ho at at at re S sh th sh th th i H Hi H Hi H ra Syn ra Syn Syn na Rim H C C S
ss ow id igh bal m m ss ow id igh te um um um um Ba L M H m ru ru Ba L M H Mu Dr s Dr e Dr e Dr om Tom Tom om Cy ss Dre Dom Tom Tom om bal T sh Ba na T h th h T ym r r T ss s la h S th nt n t Ba Ba Sna Sna Sp ynt ynth Syn Sy Sy Syn sh C S S la Sp
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Your PSR-130 features 80 different rhythm/accompaniment styles (Auto Accompaniment). The Auto Accompaniment function effectively splits the keyboard into two sections. According to the chords you play in the section to the left of < AUTO ACCOMPANIMENT (printed on the panel above the keyboard), bass and chord accompaniment is produced automatically. Select a STYLE you like, and play along with the Auto Accompaniment.

Press the START/STOP >/s button, a simple ending will be played and the accompaniment will stop.
When the accompaniment is stopped, the Auto Accompaniment is automatically set to Synchro stand-by.
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s About Multi Fingering

Multi Fingering is the manner in which you finger (play) chords for the Auto Accompaniment. With Multi Fingering, you can play chords using either the Single Finger (simplified fingering) or Fingered (conventional playing) methods. The PSR-130 will understand what chord you indicate and then automatically generate the accompaniment. Multi Fingering is automatically set when the PSR-130 is turned on. However, you can set the Auto Accompaniment to function exclusively in either the Single Finger or Fingered mode. To set the Single Finger mode Turn the power off, the hold down the VOICE VARIATION [+] button and turn the power on. To set the Fingered mode Turn the power off, the hold down the SONG/JAM TRACK/STYLE VARIATION [+] button and turn the power on. To return to the Multi Fingering mode again Turn the power off and on once again, returns the PSR-130 to Multi Fingering operation. x Single Finger Using up to three fingers, you can play major, minor, seventh and minor seventh chords with the Auto Accompaniment. Playing Single Finger Chords
x Fingered Playing chords in the Auto Accompaniment section of the keyboard, accompaniment is produced according to the selected style and the chords played. Variations for a C chord

C 7 sus4

C 7 aug
Major (M), press the root note of the chord. Minor (m), press the root note together with any black key to the left of it. Seventh (7), press the root note together with any white key to the left of it. Minor Seventh (m7), press the root note together with any white and black key to the left of it (three keys altogether).

Cdim 7

Cm 7 5

Csus 4

C1+2+5
As long as chords are played within the Auto Accompaniment section of the keyboard, the accompaniment will automatically be produced regardless of the octave in which the chord is played. For example; playing C1 (lowest C) or C2 (next higher C) will produce exactly the same auto accompaniment. Root keys shown on the keyboard.
Notes in parentheses are optional; the chords will be recognized without them. If the chord is inverted (i.e. C-E-G is played as G-E-C), it will still be recognized as a C chord. However, there are exceptions to the rule under the following conditions. For augmented and diminished 7 chords, the lowest note is recognized as the root. 7th flatted 5th chords may be played with the lowest note as the root or the 7th. Minor 6th and 1+2+5 chords are recognized only in root position. In the Fingered mode, simultaneously pressing any three consecutive notes will cancel the chord function and allow the rhythm pattern to continue.

Chord Name (Root Key)

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The PSR-130 contains 20 different Jam Tracks. The Jam Track patterns let you use the entire keyboard to jam or play along with a variety of dynamic rhythm styles and chord changes. Select a Jam Track you like and try playing along. When you play along with the Jam Track, refer to the Jam Track Chord Progression List on page 17.
Select either the JAM TRACK 1 or JAM TRACK 2 category from SONG/JAM TRACK/STYLE.
Rotate the SONG/JAM TRACK/STYLE Dial to select either the JAM TRACK 1 or JAM TRACK 2 category. (page 7)
When the VOICE Dial is set to ONE TOUCH SETTING: variation 1, and a JAM TRACK is selected, an appropriate Voice is automatically selected for playing the Jam Track with. (page 16) Turning the Voice Guide on (page 6) makes it easier to select a Variation.

Start/Stop the Jam Track

Just as in the STYLE section, press the START/STOP >/s button, and the JAM TRACK will begin to play. Try playing along with the accompaniment.
If you change the position of the SONG/ JAM TRACK/ STYLE Dial in the middle of Jam Track playback, the new selection will start from the next measure.
The selected Jam Track pattern will repeat its chord progression indefinitely. (Refer to the Jam Track Chord Progression List on page 17.) To stop the Jam Track, press the START/STOP >/s button again, a simple ending will be played and Jam Track playback will stop.
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Your PSR-130 contains a total of 80 different Styles, 20 Songs, and 20 Jam Tracks, each containing 10 different voice settings appropriate for the selected Style/Song/Jam Track. If you rotate the VOICE Dial to the ONE TOUCH SETTING position, the PSR-130 will automatically select an appropriate Voice for playing with the SONG/JAM TRACK/STYLE that you select. Rotate the VOICE Dial to the ONE TOUCH SETTING position and, an appropriate Voice (melody voice) for the SONG/JAM TRACK/STYLE you selected, will automatically be selected for you to play along with. Also, ten more setting variations can be accessed by pressing the VOICE VARIATION [+] button.

s Jam Track Chord Progression List

q JAM TRACK 1

JAZZ BLUES (q=160) l C7 l F7
q JAM TRACK 2 l l C7 l C7

l F7 l Dm7

l l G7

l l A7 l Dm7

DANCE (q=120) l Am7 l

l Em7 l Am7

JAZZ WALTZ (q=192) l C7 l

RAP (q=116) l Am7 l

l C7 l F7 l C7 l G7 l C7

l l l l l

l l l l l G#7 l

l l l l l G7 l

l l l l l l

FUNK (q=92) l C7 l F7

SOUL BALLAD (q=104) lC l l
FUSION (q=128) l Dm7 l BOSSA NOVA (q=160) l Em7 l Eb7 SAMBA (q=112) l CFG l TANGO (q=124) l E7 l SKA (q=160) l Am

l Am l Dm7 l G7

l l l Gaug

l l l l

MINOR BLUES (q=144) l Am l l

l Dm lE

l Am l Am

HEAVY METAL (q=120) lC l

BOOGIE WOOGIE (q=136) lC l l

l l lG

COUNTRY (q=120) lC lF

l G7 lC

ROCK & ROLL (q=144) lC l Am R & B (q=136) l C7 l F7 SLOW ROCK (q=88) lC l Am7
MARCH (q=116) lC l NEW AGE (q=84) lC l
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Problem When the PSR-130 is turned on, a buzzing sound is produced. The sound is distorted and sometimes cuts out. Possible Power is flowing into the PSR-130 Cause Solution This is normal and not the result of a defect Replace the batteries. The PSR-130 has a maximum polyphony limit of 12 note. That includes notes that are not only played on the keyboard but notes produced by Style, Song, and Auto Accompaniment functions. Therefore, if the total number of notes simultaneously produced exceeds the limit, some notes will be cut off or not sound at all. (page 11) Battery power is low.
Not all notes are heard when playing a number of notes simultaneously.
There is a limit to the number of notes that can be played at a single time.
The sound of the Voice changes from note to note.
The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the Voice may be slightly different from note to note.
This is normal and not the result of a defect

Song Scores

SONG 1 1

ORIGINAL SONG 1

ORIGINAL SONG 2

OH! SUSANNA

S. C. Foster

LA CUCARACHA

Mexican Folk Song

SUR LE PONT DAVIGNON

French Folk Song

LONDONDERRY AIR

Irish Folk Song

DECK THE HALLS

Sacred Song

O, VRENELI

Swiss Folk Song

HOUSE OF THE RISING SUN

American Folk Song

TROIKA

Russian Folk Song

ORIGINAL SONG 3

(D.S. time straight)

BEAUTIFUL DREAMER

WALTZ OF THE FLOWERS

Tchaikovsky

(D.S. time repeat)

TANNENBAUM

German Folk Song

SYMPHONY NO. 40

Mozart

THE LAST ROSE OF SUMMER

T. Moore

SILENT NIGHT

F. Gruber

AIR ON THE G STRING

J. S. Bach

AULD LANG SYNE

Scottish Folk Song

SONG OF JOY

Beethoven

Specifications

Keyboards Voice Style Song Auto Accmpaniment Controls 61 standard-size keys (C1C6) with touch response. AWM 110 voices 100 (including 20 Jam Tracks) 20 Multi Fingering (Single Finger / Fingerd) STAND BY/ON Switch, VOLUME Control, START/STOP >/s Button, TEMPO s/t Button, SONG/JAM TRACK/STYLE Dial, SONG/JAM TRACK/STYLE VARIATION [+] Button, VOICE Dial, VOICE VARIATION [+] Button Rear Panel Jack Amplifiers Speakers Rated Power Supply Power Consumption Dimensions (W x D x H) Weight Optional Accessories DC IN 10-12V Jack, PHONES/AUX OUT Jack 4 W (when using PA-3B power adaptor) 1.5 W (when using batteries) 10 cm (3-15/16) x 2, 4 YAMAHA PA-3B power adaptor (sold separately) Four AA size/R6P/SUM-3 (1.5V) batteries (sold separately) 8 W (when using PA-3B AC power adaptor) 895 x 287 x 106 mm (35-1/4 x 11-1/3 x 4-1/8) 3.4 kg (7 lbs. 8 oz.) (w/o batteries) AC Power Adaptor : PA-3B Headphones : HPE-3/150 Keyboard Stand : L-2C
Entsorgung leerer Batterien (nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren drfen nicht in den Hausmll. Sie knnen bei einer Sammelstelle fr Altbatterien bzw. Sondermll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.
The serial number of this product may be found on the bottom of the unit. You should note this serial number in the space provided below and retain this manual as a permanent record of your purchase to aid identification in the event of theft.

OTHER COUNTRIES

HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division
[PK] 8 Nakazawa-cho 10-1, Hamamatsu, Japan 430 Tel: 053-460-3273
M.D.G., EMI Division 1997 Yamaha Corporation VZ29000 707POCP1.4-01A0 Printed in Japan

STYLE FILE

The Style File Format is Yamahas original style le format which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types.
Congratulations and thank you for purchasing the Yamaha PSR-E413 Digital Keyboard! Please read this owners manual carefully before using the instrument in order to take full advantage of its various features. Make sure to keep this manual in a safe and handy place even after you nish reading, and refer to it often when you need to better understand an operation or function.

Included Accessories

The PSR-E413 package includes the following items. Please check that you have them all.
Owners Manual Music rest Accessory CD-ROM

Music Rest

Insert the music rest into the slots as shown.
Special Features of the PSR-E413

Creating New Sounds

Page 18
By adjusting just two knobs you can add varying degrees of distortion, sweetness, or other characteristics to a sound to change it subtly or drastically. Parameters that can be assigned to the knobs include effect, lter, envelope generator and more. You can create new sounds in real time!

Arpeggio Function

Page 14
Similar to the arpeggio functions provided on some synthesizers, this function automatically produces arpeggios (broken chords) when you simply play the appropriate notes on the keyboard. A variety of arpeggios can be produced by changing your ngering or the arpeggio type.
Performance assistant technology

Page 23

Play along with a song on the instruments keyboard and produce a perfect performance every time. even if you play wrong notes! All you have to do is play on the keyboardalternately on the left- and right-hand ranges of the keyboard, for exampleand youll sound like a pro as long as you play in time with the music.
Play a Variety of Instrument Voices

Page 28

The instrument voice that sounds when you play the keyboard can be changed to violin, ute, harp, or any of an extensive range of voices. You can change the mood of a song written for piano, for example, by using violin to play it instead. Experience a whole new world of musical variety.

Play Along with Styles

Page 33
Want to play with full accompaniment? Try the auto-accompaniment Styles. The accompaniment styles provide the equivalent of a full backing band covering a wide variety of styles from waltzes to 8-beat to euro-trance. and much more. Select a style that matches the music you want to play, or experiment with new styles to expand your musical horizons.

To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting them. Failure to observe these cautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Turning the Power On

Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [STANDBY/ON] switch to turn on the power. Press the [STANDBY/ON] switch again to turn the power OFF.
Connecting a Footswitch (SUSTAIN Jack)
The sustain function lets you produce a natural sustain as you play by pressing a footswitch. Plug the Yamaha FC4 or FC5 footswitch into this jack and use it to switch sustain on and off.
NOTE Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
Backup data in the ash memory is loaded to the instrument when the power is turned on. If no backup data exists on ash memory, all instrument settings are restored to the initial factory defaults when the power is turned on.
Even when the switch is in the STANDBY position, electricity is still owing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
Never attempt to turn the power off when a WRITING! message is shown in the display. Doing so can damage the ash memory and result in data loss.

Front Panel

Song Category List Style Category List (page 41) (page 112) Display (page 59)

e i !1

GrandPno

!3 q w !2 !4

q [STANDBY/ON] switch.. page 11 w LIVE CONTROL [ASSIGN] button.. page 18 [A] and [B] knobs.. page 21 e [MASTER VOLUME] control. pages 11, 57 r [DEMO/PC] button.. page 40 t [PERFORMANCE ASSISTANT] button.. page 23 y [EASY SONG ARRANGER] button.. page 50 u [FUNCTION] button.. page 83 i LESSON [L], [R] buttons.. page 44 [START] button.. page 44 o [METRONOME] button.. page 63 !0 [TEMPO/TAP] button.. page 27 !1 SONG MEMORY [REC], [1][5], [A] buttons.. page 52
!2 ARPEGGIO [ON/OFF] button.. page 14 [TYPE] button.. page 15 !3 SONG CONTROL [ ] (REPEAT & LEARN) button. page 48 [ ] (A-B REPEAT) button. page 78 [ ] (REW) button. page 40 [ ] (FF) button.. page 40 [ ] (PAUSE) button. page 40 [ ] (START/STOP) button.pages 40, 58 !4 STYLE CONTROL [ACMP ON/OFF] button. page 34 [INTRO/ENDING/rit.] button. page 71 [MAIN/AUTO FILL] button.. page 71 [SYNC STOP] button.. page 71 [SYNC START] button. page 70 [START/STOP] button.pages 33, 58

Music Database List (page 114)
Voice Category List (page 106)

!7 !8 !9 @0

Rear Panel
!5 Dial.. pages 58, 83 !6 CATEGORY [ ] and [ ] buttons.. pages 58, 83 !7 [SONG] button.. page 39 !8 [STYLE] button.. page 33 !9 [MUSIC DATABASE] button. page 49 @0 [VOICE] button.. page 28 @1 Number buttons [0][9], [+] and [-] buttons.. pages 58, 83 @2 [PORTABLE GRAND] button.. page 31 @3 REGIST MEMORY [MEMORY/BANK], [1], [2] buttons. page 80 @4 VOICE CONTROL [SPLIT] button.. page 30 [DUAL] button.. page 29 [HARMONY] button.. page 60 [TOUCH] button. page 65
@5 PITCH BEND wheel.. page 66 @6 Drum Kit.. page 32
The illustrations next to each key indicate the drum and percussion instruments assigned to the keys when Standard Kit 1 is selected.
@7 USB terminal..pages 11, 87 @8 SUSTAIN jack.. page 11 @9 PHONES/OUTPUT jack. page 11 #0 DC IN 12V jack.. page 10

ck Gui ui Q

Creating Arpeggios
The arpeggio function lets you create arpeggios (broken chords) by simply playing the required notes on the keyboard. For example, you could play the notes of a triadthe root, third, and fthand the arpeggio function will automatically create a variety of interesting arpeggiotype phrases. By changing the arpeggio type and the notes you play it is possible to create a wide range of patterns and phrases that can be used for music production as well as performance.
Press the ARPEGGIO [ON/OFF] button to turn the arpeggio function on.
The indicator lights when the Arpeggio function is on.
Voices and the Arpeggio Function This instrument lets you select a variety of voices that you can play via the keyboard. When you select a voice number between 129 and 148 the arpeggio function will automatically be engaged so you can start playing arpeggios immediately. The arpeggio function will automatically be turned off when you select any other voice. If you want to use voices 129148 for normal performance without the arpeggio function, press the ARPEGGIO [ON/OFF] button to turn the arpeggio function off after selecting the voice.
Voices for which the arpeggio function is automatically turned on.
Voice No. Voice Name Concerto Pizzicato Piano Ballad Synth Sequence Guitarist Pauls Bass Trance Bass SynthChords Acid Bass Funky Clavi Voice No. Voice Name ReggaeOrgan Harpeggio SalsaPIano AnalogSequence Sawtooth Piano Arpeggio Guitar Arpeggio ClubBeat R&B Loop ClubAdds
See Try Playing a Variety of Instrument Voices on page 28.

Song name

AveMaria
Song number The song displayed here will be played.
What is a Song? Of course you know the normal meaning of the word, but for this instrument the term song also refers to the data that makes up a piece of music. You can listen to the songs, use them for lessons, and use them with a range of other functions (page 39).

Press the [

] (START/STOP) button.

Adjusts volume.

Song playback will begin. The basic pattern will repeat. Listen to four measures while memorizing the basic pattern. Its your turn to play the part from the fth measure.

Play on the keyboard.

Before
Play the score on the left along with the accompaniment using both hands. You can even play the same keys over and over: C, E, G, C, E, G, C, E. Performance assistant technology will make sure that the notes will come out as if they were played according to the score on the right. Keep playing, and performance assistant technology will continue to correct the notes that you play. You can stop song playback at any time by pressing the [ STOP) button. ] (START/
Press the [PERFORMANCE ASSISTANT] button to turn the performance assistant technology feature off.
The complete score for Ave Maria is provided on page 102.
Use the Performance Assistant to Play Like a Pro!
To begin, try to feel the rhythm of the song. Then, with your hands spread as shown in the illustration, simply play the keyboard alternately with your left and right hands (any notes will do).
You will get even better results if you match your left-hand rhythm to the rhythm of the chord indicator in the display.
Sounds like youre playing the right notes!
How does it sound? Youll get acceptable results no matter where you play thanks to performance assistant technology! Next try the three playing methods illustrated below. Different ways of playing produce different results.
Play with the left and right hands at the same timingtype 1. Play with the left and right hands at the same timingtype 2. Play alternately with the left and right handstype 3.
Play 3 notes at once with your right hand.

Play 1 note at a time with your right hand (for example: index nger middle nger ring nger).
Once you get a feel for it, try playing chords with your left hand and a melody with your right. or any other combination.
To use the performance assistant technology feature it is necessary to play a song that includes chord data, or a style with auto accompaniment on. If a song includes the required data, the chords are shown on the right side of the display (page 59).
Next try playing the Chopin Nocturne.
The procedure is that same as that described for playing Ave Maria on pages 2325. Select 011 Nocturne.

Nocturne

Listen to eight measures, then begin playing from the ninth measure.
Play the keys shown in the illustration. Keep playing F, A and C with your left hand and the correct notes will sound as the song proceeds. When you get used to playing the left hand part, refer to The Easy Way to Play Piano on page 23 and try adding the right-hand part.
The complete score for Nocturne is provided on page 104.

Change the Song Tempo

When using the performance assistant technology or in other situations in which the tempo of the song is too fast or too slow for you, you can change the tempo as required. Press the [TEMPO/TAP] button. The tempo display will appear and you can use the dial, the [+] and [-] buttons, or the [0] to [9] number buttons to set to tempo to anywhere from 011 and 280 quarter-note beats per minute.

Current tempo value

You can return to the original tempo by simultaneously pressing the [+] and [-] buttons. About the Beat Display The arrow marks in the beat display ash in time with the rhythm of the song or style.
First beat of measure Second beat

Third beat Fourth beat

In addition to piano, organ, and other standard keyboard instruments, this instrument has a large range of voices that includes guitar, bass, strings, sax, trumpet, drums and percussion, sound effects a wide variety of musical sounds.
Select and Play a VoiceMAIN
This procedure selects the main voice you will play on the keyboard.

Select 092 Flute

Try selecting and playing a variety of voices.
Press the [VOICE] button.
The voice number and name will be displayed.

Voice name

Voice number Appears when the Voice mode is engaged.
Select the voice you want to play.

When an A-B repeat range is specied the fast reverse and forward function will only work within that range.
REW Press the fast reverse button to rapidly return to an earlier point in the song.
FF Press the fast forward button to rapidly skip ahead to a later point in the song.
PAUSE Press the pause button to pause playback.
Song List These 30 songs include songs that effectively demonstrate the instruments easy song arranger feature, songs that are ideally suited for use with the performance assistant technology feature, and more. The Suggested Uses column provides some ideas as to how the songs can most effectively used.
Category 1 Main Demo Voice Demo Function Demo 12 Piano Solo Piano Ensemble Piano Accompaniment 29 30
CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD
CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD
Name Elements Jessica Chillin Grand Piano Demo Sweet! Tenor Sax Demo Cool! Rotor Organ Demo Cool! Galaxy Electric Piano Demo Modern Harp & Sweet! Soprano Demo Hallelujah Chorus Ave Maria Nocturne op.9-2 For Elise Maple Leaf Rag The Last Rose of Summer Amazing Grace Die Lorelei Piano Concerto No.21 2nd mov. Scarborough Fair Old Folks at Home Ac Ballad (Against All Odds: Collins 0007403) Ep Ballad Boogie Woogie Rock Piano Salsa Country Piano Gospel R&B Medium Swing Jazz Waltz Medium Bossa SlowRock
Suggested Uses The songs in this category have been created to give you an idea of the advanced capabilities of this instrument. Theyre great for listening, or for use with the performance assistant technology feature.
These songs features some of the instruments many useful voices. They make maximum use of the characteristics of each voice, and might serve as inspiration for your own compositions.
Use these songs to experience some of the instruments advanced features: song number 9 for the easy song arranger, and songs 10 and 11 for the performance assistant technology feature.
These piano solo pieces are ideally suited for use as lesson songs.
A selection of piano ensemble songs that are also well suited for use as lesson songs.

When you need to practice backing (accompaniment) patterns, these are the songs to do it with. This is ability youll need if youre invited to play with a band. These songs allow you to practice backing parts one hand at a time, which can be the easiest way to master this important skill.

: Includes chord data.

The scores for the internal songsexcept for songs 111, and song 20 which is copyrighted, are provided in the Song Book on the CD-ROM. The scores for songs 911 are provided in this manual. Some of the classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same as the original.

Types of Songs

The following three types of songs can be used by the PSR-E413. Preset Songs (the 30 songs built into the instrument).Song numbers 001030. User Songs (recordings of your own performances).Song numbers 031035. External song les (song data transferred from a computer*).Song numbers 036.
* The Accessory CD-ROM includes a selection of 70 MIDI songs. See page 91 for instructions on how to transfer the songs to the instrument.
The chart below shows the basic PSR-E413 processes ow for using the preset songs, user songs, and external song lesfrom storage to playback.
Computer Your own performance External song le

(page 52)

Transfer
(page 91) External song les can be saved to ash memory (036134).
PSR-E413 Song Storage locations Preset Songs (001030)
The 30 songs built into the instrument.

User Songs (031035)

Stored in the internal ash memory.

Flash Memory (036134)

Save to internal ash memory. Currently available.
Different ash memory areas are used to store user songs and external song les transferred from a computer. User songs cannot be directly transferred to the external song le ash memory area, and vice versa.

Yamaha Education Suite

You can select song you like and use it for a left-hand, right-hand, or both-hands lesson. You can also use songs (only SMF format 0) downloaded from the Internet and saved to ash memory. (pages 9092) During the lesson you can play as slowly as you like, and you can even play wrong notes. Song playback will slow down to a speed you can handle. Its never too late to start learning!

You can change the number of measures the Repeat and learn function jumps back by pressing a number button [1][9] during repeat playback.
e Jump back 4 measures and repeat playback

Song playback direction

Press immediately Oops! A mistake!
Play Using the Music Database
You want to play music in your favorite style, but youre not sure how to select the best voice and style for the type of music you want to play. simply select the appropriate style from the Music Database. The panel settings will automatically be adjusted for the ideal combination of sounds and style!
Press the [MUSIC DATABASE] button.

Jude Hey

A Music Database name will appear in the display.

Select a Music Database.

Referring to the list on the panel or Music Database List on page 114 of the manual, use the dial to select a music database. Select one that matches the image of the song you intend to play. For this example select the 158 Patrol.
Music Database (MDB) les transferred from a computer can be selected and used in the same way as the internal Music Databases (MDB numbers 301). File transfer instructions are provided on page 90.

Patrol

Play the chords with your left hand and melody with your right.
The jazz style will start playing when you play a left-hand chord to the left of the split point (page 30). Refer to page 38 for information about playing chords.

Split Point

Press the [START/STOP] button to stop playback.

Change a Songs Style

In addition to each songs default style, you can select any other style to play the song with the Easy Song Arranger feature. This means that you can play a song that is normally a ballad, for example, as a bossa nova, as a hip-hop tune, etc. You can create totally different arrangements by changing the style with which a song is played. You can also change the songs melody voice and the keyboard voice for a complete change of image.
Listen to the DEMO Song for Easy Song Arranger
The Hallelujah Chorus in the preset songs lets you experience the Easy Song Arranger. Playing it.
Using the Easy Song Arranger
Press the [SONG] button, then select a 009 Hallelujah Chorus by using the dial. Press the [ ] (START/STOP) button to play it.

Halleluj

As the song progresses, you will see only the style changes while the song remains the same. Keep in mind that you can enjoy using Easy Song Arranger with other songs as wellany songs that include chord data.
Press the [EASY SONG ARRANGER] button.
The indicator lights when the Easy Song Arranger function is on.
You can use the [SONG] and [STYLE] buttons to select a song or style, respectively, while the Easy Song Arranger function is on.

Song Volume 1 Press the [FUNCTION] button. 3 Use the dial to set the song volume
NOTE Song volume can be adjusted while a song is selected.
] and [ ] buttons to select the Song Volume item.

SongVol

Song volume

A-B Repeat

You can specify a section of a songA is the start point and B is the end pointfor repeat playback.
1 Play the song (page 39) and press the
[ ] (A-B REPEAT) button at the beginning of the section you want to repeat (the A point).

2 Press the [

] (A-B REPEAT) button a second time at the end of the section you want to repeat (the B point).
3 The specied A-B section of the song
will now play repeatedly. You can stop repeat playback at any time by pressing the [ ] (A-B REPEAT) button.
NOTE The repeat start and end points can be specied in one-measure increments.
The current measure number is shown in the display during playback. If you want to set the start point A at the very beginning of the song press the [ ] (A-B REPEAT) button before starting playback of the song.
Muting Independent Song Parts
Each track of a song plays a different part of the songmelody, percussion, accompaniment, etc. You can mute individual tracks and play the muted part on the keyboard yourself, or simply mute tracks other than the ones you want to listen to. To mute a track, press the appropriate track button (TRACK [1][5], [A]) button. Press the same button a second time to disengage track muting.
Track number onTrack will playback
Track number offTrack is muted or contains no data

Change the Melody Voice

You can change a songs melody voice to any other voice you prefer.
NOTE You cannot change the melody voice of a user song.
3 Press the [VOICE] button for longer
1 Select the song and play it. 2 Rotate the dial to select the voice you
want to listen to after pressing the [VOICE] button.
than a second. SONG MELODY VOICE appears in the display for a few seconds, indicating that the voice selected in step #2 has replaced the songs original melody voice.

Sets the length of each metronome beat.

MtrVol R-Part

Determines the volume of the Metronome. Determines the guide track number for your right hand lesson. The setting is only effective for songs in SMF format 0 transferred from a computer. Determines the guide track number for your left hand lesson. The setting is only effective for songs in SMF format 0 transferred from a computer. Determines whether the Grade function is on or off. Determines whether Demo cancel is enabled or not. When this is set to ON, the Demo Song will not play, even if the [DEMO/PC] button is pressed. Sets the amount of time before the instrument will go into Sleep Mode.
Lesson Track (L) Grade Demo Cancel Sleep
L-Part Grade D-Cancel Sleep
* All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously. (The exception to this is Initial Send, which is an operation, not a setting.)
Nearly all of the electronic musical instruments made todayparticularly synthesizers, sequencers and computer music related devicesuse MIDI. MIDI is a worldwide standard that allows these devices to send and receive performance and setting data. Naturally, this instrument lets you save or send your keyboard performance as MIDI data, as well as the songs, styles and panel settings. The potential MIDI holds for your live performances and music creation/production is enormoussimply by connecting this instrument to a computer and transmitting MIDI data. In this section, youll learn the basics of MIDI and the specic MIDI functions provided by this instrument.

What Is MIDI?

No doubt you have heard the terms acoustic instrument and digital instrument. In the world today, these are the two main categories of instruments. Lets consider a grand piano and a classical guitar as representative acoustic instruments. They are easy to understand. With the piano, you strike a key, and a hammer inside hits some strings and plays a note. With the guitar, you directly pluck a string and the note sounds. But how does a digital instrument go about playing a note?
Acoustic guitar note production
Digital instrument note production
Based on playing information from the keyboard, a sampling note stored in the tone generator is played through the speakers.
As shown in the illustration above, in an electronic instrument the sampling note (previously recorded note) stored in the tone generator section (electronic circuit) is played based on information received from the keyboard. So then what is the information from the keyboard that becomes the basis for note production?

The voice number with an asterisk (*) is XGlite optional voice.

Drum Kit List

indicates that the drum sound is the same as Standard Kit 1. Each percussion voice uses one note. The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in 117: Standard Kit 1, the Seq Click H (Note# 36/Note C1) corresponds to (Note# 24/Note C0). Key Off: Keys marked O stop sounding the instant they are released. Voices with the same Alternate Note Number (*1. 4) cannot be played simultaneously. (They are designed to be played alternately with each other.)
Voice No. MSB (0127) / LSB (0127) / PC (1128) Keyboard MIDI Key Alternate
Note# Note Note# Note Off assign
117 127/000/001 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare Soft Sticks Kick Soft Open Rim Shot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bells Bell Tree
118 127/000/002 Standard Kit 2

119 127/000/009 Room Kit

120 127/000/017 Rock Kit
121 127/000/025 Electronic Kit
122 127/000/026 Analog Kit

C1 D1 E1 F1 G1

C#1 D#1

F#1 G#1

A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1
C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G
-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -5
Reverse Cymbal Snare Roll 2 Snare Soft 2 Snare Noisy Kick Tight 2 Open Rim Shot H Short Kick Tight Short Kick Short Snare Short Snare Tight H Snare Snappy Snare Tight Snappy Tom Room 1 Tom Room 2 Tom Room 3 Tom Room 4 Tom Room 5 Tom Room 6 Kick 2 Kick Gate Snare Rock Snare Rock Rim Tom Rock 1 Tom Rock 2 Tom Rock 3 Tom Rock 4 Tom Rock 5 Tom Rock 6

Reverse Cymbal

Hi Q 2 Hi Q 2 Snare Snappy Electro Snare Noisy 4 Kick 3 Kick Gate Kick Gate Heavy Snare Noisy 2 Snare Noisy 3 Tom Electro 1 Tom Electro 2 Tom Electro 3 Tom Electro 4 Tom Electro 5 Tom Electro 6 Kick Tight 2 Kick Analog Short Kick Analog Side Stick Analog Snare Analog Snare Analog 2 Tom Analog 1 Hi-Hat Closed Analog Tom Analog 2 Hi-Hat Closed Analog 2 Tom Analog 3 Hi-Hat Open Analog Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6

8. GENERAL

This Agreement shall be interpreted according to and governed by Japanese law without reference to principles of conict of laws. Any dispute or procedure shall be heard before the Tokyo District Court in Japan. If for any reason a court of competent jurisdiction nds any portion of this Agreement to be unenforceable, the remainder of this Agreement shall continue in full force and effect.

3. TERMINATION

This Agreement becomes effective on the day that you receive the SOFTWARE and remains effective until terminated. If any copyright law or provisions of this Agreement is violated, the Agreement shall terminate automatically and immediately without notice from Yamaha. Upon such termination, you must immediately destroy the licensed SOFTWARE, any accompanying written documents and all copies thereof.

9. COMPLETE AGREEMENT

This Agreement constitutes the entire agreement between the parties with respect to use of the SOFTWARE and any accompanying written materials and supersedes all prior or contemporaneous understandings or agreements, written or oral, regarding the subject matter of this Agreement. No amendment or revision of this Agreement will be binding unless in writing and signed by a fully authorized representative of Yamaha.
4. LIMITED WARRANTY ON MEDIA
As to SOFTWARE sold on tangible media, Yamaha warrants that the tangible media on which the SOFTWARE is recorded will be free from defects in materials and workmanship under normal use for a period of fourteen (14) days from the date of receipt, as evidenced by a copy of the receipt. Yamahas entire liability and your exclusive remedy will be replacement of the defective media if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days with a copy of the receipt. Yamaha is not responsible for replacing media damaged by accident, abuse or misapplication. TO THE FULLEST EXTENT PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.
SIBELIUS SCORCH LICENSE AGREEMENT
By installing and/or using this Product you (an individual or legal entity) agree with the Licensor to be bound by the terms of this License which will govern your use of the Product. If you do not accept these terms, do not install or use this Product. The Product is copyright 1987-2007 Sibelius Software, a division of Avid Technology, Inc, and its licensors.

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273
Yamaha Home Keyboards Home Page (English Only) http://music.yamaha.com/homekeyboard Yamaha Manual Library http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2007 Yamaha Corporation WM17300 XXXPOXXX.X-01A0 Printed in China