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Yamaha PSR-2100/psr-1100 Installation Guide
User reviews and opinions
|ecoolcat||1:59am on Saturday, July 3rd, 2010|
|Musical Genius This is (or was for Christmas 07) the bees-knees of amateur level Yamaha keyboards. It has an enormous range of features.|
|Fightingcat||4:36am on Friday, April 23rd, 2010|
|great buy for families My daughter loves the pitch wheel!! Musical Genius This is (or was for Christmas 07) the bees-knees of amateur level Yamaha keyboards. It has an enormous range of features.|
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style les, MIDI les, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
Windows is the registered trademarks of Microsoft Corporation. The company names and product names in this Owners Manual are the trademarks or registered trademarks of their respective companies.
Formats and functions
GM System Level 1: GM System Level 1 is an addition to the MIDI standard which ensures that any
GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is afxed to all software and hardware products that support GM System Level.
XGlite: As its name implies, XGlite is a simplied version of Yamahas high-quality XG tone generation format. Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that some songs may play back differently compared to the original data, due to the reduced set of control parameters and effects. Style File: The Style File Format combines all of Yamahas auto accompaniment know-how into a single unied format.
Stereo Sampled Piano: The instrument has a special Portable Grand Piano Voicecreated by state-ofthe-art stereo sampling technology and using Yamahas sophisticated AWM (Advanced Wave memory) tone generation system.
Yamaha Education Suite 5: The instrument features the new Yamaha Education Suitea set of learning
tools that utilize the latest technology to make studying and practicing music more fun and fullling than ever before!
Touch Response: The exceptionally natural Touch Response feature, with a convenient front panel on/off
switch, gives you maximum expressive level control over the voices.
Using an AC Power Adaptor
q Make sure that the power of the instrument is off
(the backlit display is off).
Use the specied adaptor (PA-130, or an equivalent recommended by Yamaha) only. The use of other adaptors may result in irreparable damage to both the adaptor and the instrument.
w Connect the AC power adaptor to the power supply
e Plug the AC adaptor into an AC outlet.
Unplug the AC Power Adaptor when not using the instrument, or during electrical storms.
AC power adaptor AC outlet
For battery operation the instrument requires six 1.5V AA size, LR6 or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes too low for proper operation, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, make sure to replace all batteries, following the precautions listed below. If necessary, also make sure to save all important User data (see page 62), since custom panel settings are lost when the batteries are removed.
Use alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may have sudden drops of power when battery power becomes low, possibly resulting in loss of data in the ash memory. Make sure to install the batteries with the proper orientation, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, re and/or leaking of corrosive chemicals. When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time. If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible uid leakage from the battery. Please use the power adaptor when transferring data to ash memory. Batteries (including rechargeable types) can be drained rapidly by this type of operation. If the batteries do become drained during a data transfer, both the data being transferred and the data currently in the transfer destination will be lost.
q Open the battery compartment cover located on the
instruments bottom panel. w Insert the six new alkaline batteries, being careful to follow the polarity markings on the side of the compartment. e Replace the compartment cover, making sure that it locks rmly in place.
Never connect or disconnect the AC power adaptor when the batteries are installed in the instrument and the power is on. Doing so will turn the power off, possibly resulting in loss of the data being transferred and the data currently in the transfer destination during transferring or recording a data.
Make all necessary connections BEFORE turning the power on.
Audio Connections Headphones and External Equipment
Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [STANDBY/ON] switch to turn on the power. While playing the keyboard, adjust the volume level by using the [MASTER VOLUME] control. Pressing the [STANDBY/ON] switch again turns the power off. You can connect the PHONES/OUTPUT jack to a set of headphones, keyboard amplier, stereo system, mixer, tape recorder, or other line-level audio device to send the instruments output signal to that device. The internal speakers are automatically shut off when a plug is inserted into this jack. The PHONES/OUTPUT jack also functions as an external output.
When using a power adaptor, even when the power is off, a small amount of electricity is still being consumed by the instrument. When you are not using the instrument for a long time, make sure to unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.
To prevent damage to the speakers, set the volume of the external devices at the minimum setting and turn power off the devices before connecting them. Failure to observe these precautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Using the music rest
Insert the music rest into the slots as shown.
Connecting a footswitch
Removing the protective lm
The sustain function lets you produce a natural sustain as you play by pressing an optional footswitch. Plug the Yamaha FC4 or FC5 footswitch into the SUSTAIN jack and use it to switch sustain on and off.
Remove the transparent protective lm that was applied to the display prior to shipment from the factory.
Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
Turn on the power
q [STANDBY/ON] switch..page 9 w [MASTER VOLUME] control. pages 9 e [1 LISTENING 2 TIMING 3 WAITING] button. pages 32 r [KEYS TO SUCCESS] button.. pages 28 t [PHRASE REPEAT] button. pages 35 When the lesson mode y PART [L] button...page 32 [R] button...page 32 When the recording mode y [REC TRACK 2] button..page 39 [REC TRACK 1] button..page 39 u [METRONOME] button..page 14, 48 i [TEMPO/TAP] button.page 22, 52, 53 o [SONG] button... pages 16 !0 [VOICE] button.. pages 12 !1 [STYLE] button.. pages 19 !2 Number buttons , [+/YES], [-/NO].page 26 !3 [FUNCTION] button.. pages 56 !4 [DEMO] button...page 17 When the Song mode !5 [A-B REPEAT] button..page 51 !6 [REW] button..page 17 !7 [FF] button...page 17 !8 [PAUSE] button..page 17 When the Style mode !5 [ACMP ON/OFF] button..page 20 !6 [INTRO/ENDING/rit.] button..page 23 !7 [MAIN/AUTO FILL] button..page 23 !8 [SYNC START] button..page 19, 53 !9 [START/STOP] button...page 17 @0 [REC] button...page 37 @1 [PORTABLE GRAND] button..page 13 @2 [MUSIC DATABASE] button..page 36 @3 [REVERB] button..page 43 @4 [SPLIT] button...page 46 @5 [DUAL] button..page 45 @6 [HARMONY] button..page 42 @7 [TOUCH] button...page 44 @8 Drum Kit...page 15
KEYS TO SUCCESS Appears when the Keys to Success function is on (page 28). PHRASE REPEAT Appears when the Phrase Repeat function is on (page 35). Passing Status Song
The number of stars depends on the number of passed steps.
TOUCH RESPONSE Appears when Touch Response is on (page 44). REVERB Appears when Reverb is on (page 43). ACMP ON Appears when the auto accompaniment is on. SPLIT Appears when the Split function is on (page 46). DUAL Appears when the Dual function is on (page 45).
SONG/VOICE/STYLE Indicate the operating condition of the instrument.
Any notes occurring below or above the staff are indicated by 8va in the notation. For a few specic chords, not all notes may be shown in the notation section of the display. This is due to space limitations in the display.
Chord Display Indicates the name of the chord currently being played back, or the name of the chord being played on the keyboard. Measure Indicates the current measure during playback of a Song.
Song/recording track display Information related to the Song/ recording tracks is shown here. (See pages 37 and 51.)
Lit: Track contains data Unlit: Track is muted or contains no data
Flashing: Track is selected as recording track
Keyboard Display Indicates notes currently being played. Indicates the melody and chord notes of a Song when the Song lesson function is in use. Also indicates the notes of a chordeither when playing a chord or when using the Dictionary function.
Beat Display Indicates the beat of the current Style or Song with ashing arrows.
Notation Displays the melody and chord notes of a Song when the Song lesson function is in use, or the notes of chords you specify when the Dictionary function is in use. At other times the notes you play on the keyboard are displayed.
HARMONY Appears when the Harmony function is on (page 42).
You can practice the preset Songs using these lesson functions: Keys to Success, Listening, Timing, Waiting and Phrase Repeat. Keys to Success helps you master a Song, whereas Listening, Timing, Waiting helps you rst master the timing then playing the correct notes. Phrase Repeat lets you select and repeatedly practice a specic phrase in the Song. If youre using a keyboard instrument for the rst time, we suggest you start with Keys to Success.
Keys to Success
In the Keys to Success mode, you can practice individual phrases in the Song (as Steps), letting you effectively master the Song by mastering each phrase separately. Each time you nish a specic Step, your score is shown in the display. Passing one Step (with a score of 60 or better) lets you go on to next one automatically. All preset Songs other than 001003 can be used with this mode, especially the LEARN TO PLAY category Songs (004019).
When you want to turn the Phrase Repeat function on, please make sure that the Keys to Success mode is off, since Phrase Repeat is not available in the Keys to Success mode. When you want to change the Song, rst turn off the Phrase Repeat function then select the Song.
Repeat playback of this section
Play the Song and press the [PHRASE REPEAT] button at the phrase you want to repeat. The appropriate phrase number will appear in the display and, after a lead-in, repeat playback will start. Use the [+] or [-] buttons to select any phrase number in the Song, and stop repeat playback by pressing the [PHRASE REPEAT] button. The Phrase Repeat mode will be canceled and normal playback of the Song will continue.
Appears when the Phrase Repeat function is on
Changing the playback section
You can specify an extended section for repeating (including multiple phrases) by specifying a beginning phrase (point A) and ending phrase (point B), using the [A-B REPEAT] button. You can do this either during playback or while playback is stopped. Press the [A-B REPEAT] button at the beginning phrase of the section you want to repeat (point A), use the [+]/[-] buttons to select the subsequent phrases you wish to include in the repeat, then press the [A-B REPEAT] button a second time. This species the last phrase selected as the end phrase (point B) for Phrase Repeat playback. REPEAT will appear on the display and the specied A-B section of the Song will now play repeatedly. (If playback is stopped, press the [START/STOP] button to start.) Stop A-B Repeat playback by pressing the [PHRASE REPEAT] button. REPEAT will appear on the display and the currently selected phrase will playback repeatedly.
Specifying only Point A results in repeat playback between Point A and the end of the Song.
If you use Phrase Repeat function with the Lesson modes 1 Listening, 2 Timing or 3 Waiting, the evaluation function of these lesson modes are not available. When you want to turn these lesson modes off, press the [1 LISTENING 2 TIMING 3 WAITING] button a number of times to select off (Phrase number will appear in the display).
You want to play music in your favorite style, but youre not sure how to select the best voice and style for the type of music you want to play. simply select the appropriate style from the Music Database. The panel settings will automatically be adjusted for the ideal combination of sounds and style!
Press the [MUSIC DATABASE] button.
A Music Database name will appear in the display.
Select a Music Database. Referring to the Music Database category list printed on the panel, select a music database that matches the image of the song you intend to play. For example, select one from the SWING&JAZZ category (047056) if you want to play jazz.
Play the chords with your left hand and melody with your right. The jazz style will start playing when you play a left-hand chord to the left of the split point (page 47). Refer to page 25 for information about playing chords.
Press the [START/STOP] button to stop playback.
Record your own performance
You can record up to ve of your own performances as User Songs (User 15: Song numbers 103107). Think of each User Song as a kind of basket or drawer for storing your recording. Remember that you can also record a Style (containing chord changes) along with your own performance.
Press the [REC] button.
A total of approximately 10,000 notes or 5,500 chord changes can be recorded to the ve User Songs.
The lowest-numbered unrecorded User Song (Song numbers 103107) available for recording is displayed. If you want to select the Song you will be recording, select the desired Song number by using the [+] and [-] buttons.
Accompaniment cannot be turned on or off once the [REC] button is pressed.
After youve selected the desired User Song for recording, you can select a Style to be recorded as well. To do this, press the [STYLE] button and select the Style number while the ACMP indication is on. You can turn off the Record mode by pressing the [REC] button again ( and stop ashing).
If all User Songs (Song numbers 103107) contain recorded data, Song 103 will automatically be selected. In this case, you will record over and erase any previous data in Song 103, so be careful that you wont be erasing any material you want to keep!
By playing keys to the left of the Split Point when the Auto Accompaniment is set to on, the Style starts sounding and is recorded with your performance. When Auto Accompaniment is set to off, only your keyboard performance is recorded.
Start recording. When you play the keyboard, recording will begin.
Stop recording. Pressing the [START/STOP] button stops recording and writes the data to the User Song. (A Writing! message is shown.)
To playback the newly recorded performance, press the [START/ STOP] button. In order to record with the Style, turn the Auto Accompaniment to on (see Step 4 on page 20), and then record according to the instructions.
(The ACMP ON lights.)
Never attempt to turn the power off when a Writing! message is shown in the display. Doing so can damage the ash memory and result in a loss of data.
In order to record only your performance, turn the Auto Accompaniment to off and record according to the normal steps.
(The ACMP ON is unlit.)
Use the Musicsoft Downloader to backup the User Songs to a computer (page 60).
Press the [+], [-] buttons to select the User Song you want to record.
If you want to record Style playback to Track 2, press the [STYLE] button and select the desired Style.
If you want to record only the rhythm (percussion) part, press the [START/STOP] button to play just the rhythm, then add the section change by pressing the [INTO/ENDING/rit.] button or [MAIN/ AUTO FILL] button. You can record a new track while listening to a previously recorded track (the track indication will appear). You can also mute recorded tracks (the track will disappear) while recording a new track by pressing the desired track button.
Start recording Perform steps 2 and 3 on pages 3738. By playing keys to the left of the Split Point when the Auto Accompaniment is set to on, the Style starts sounding and is recorded. Only your performance is recorded by playing the keyboard (any key is OK) when the Auto Accompaniment is set to off.
Flashes when track 2 is selected for recording.
Deleting User Songs
Deleting an entire User Song.
You cannot delete a specic track from a User Song.
Press the [SONG] button and select the User Song you want to delete by using the number buttons , [+], [-].
Press and hold the [REC] button for longer than a second. The Song Delete display appears.
Hold for longer than a second.
You can cancel the delete operation by pressing the [-/NO] button.
Press the [+/YES] button. A conrmation message will appear on the display.
Press the [+/YES] button to delete the Song. Writing! message will appear while the track is being deleted.
This function erases all backup data in the instruments ash memory and restores the initial default settings. The following initialization procedures are provided. Turn the power on by pressing the [STANDBY/ON] switch while holding the highest white key on the keyboard. The backed up data will be erased and the default values restored.
When you execute the Initialization, backup parameters will be cleared.
Initialization does not delete the les transferred from the computer. If you want to delete the les, see Deleting Files below.
Parameters that are saved in backup: User Songs Style number 107 Touch Response on/off setting Passing status of Song and Step The following Function settings: Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume, Metronome Volume, Demo Cancel, Panel Sustain Although the above parameters are always backed up, and are maintained even when the power is turned off, they will be completely erased by the initialization. You can save the settings as backup data to your computer, by using the Musicsoft Downloader (MSD) software. Refer to the section Transferring a backup le from the PSR-E323/YPT-320 to a computer on page 62.
Preset Song data cannot be transmitted from the instrument by the Song Out function.
When the instrument is connected with another MIDI device, it transmits/receives performance data.
MIDI OUT MIDI IN
MIDI IN MIDI OUT
When the instrument is connected with a computer, it transmits/receives performance data.
MIDI IN MIDI OUT USB (Rear)
A USB-MIDI interface (such as the Yamaha UX16)
These settings should be made when transmitting/receiving performance data to a connected MIDI device or computer.
The PC settings instantly recongure all important MIDI settings (as shown below). The selections are PC1, PC2 and OFF.
Local Control determines whether or not notes played on the instrument are sounded by its internal tone generator system; the internal tone generator is active when local control is on, and inactive when local control is off.
On This is the normal setting in which notes played on the instruments keyboard are sounded by the internal tone generator system. Data received via the instruments MIDI terminal will also be played by the internal tone generator. Off With this setting the instrument itself produces no sound (keyboard performance, Harmony, or Style playback), but the performance data is transmitted via the MIDI terminal. Data received via the instruments MIDI terminal will also be played by the internal tone generator.
Song Out, Style Out and Keyboard Out can only be changed by the PC setting. They cannot be set independently. User Songs can be used with Song Out.
The chart of PC Settings
PC1 LOCAL EXTERNAL CLOCK SONG OUT** STYLE OUT*** KEYBOARD OUT**** * Off On Off Off Off PC2* Off Off Off Off On OFF On Off On On On
Set the PC mode to PC2 when using Digital Music Notebook. Digital Music Notebook is a major new multimedia platform for music tuition and performance. Visit the website below for more information on the latest version of Digital Music Notebook and how to install it. www.digitalmusicnotebook.com
You can set the Local Control in the Function Settings (page 56).
If you cant get any sound out of the instrument, Local Control may be the most likely cause. Playing the keyboard results in no sound when Local is set to OFF.
* The SMF (Standard MIDI File) format is one of the most common and widely compatible sequence formats used for storing sequence data. Most commercially available MIDI sequence data is provided in SMF Format 0.
C6: Fast forward B5: Start A5: Stop G5: Rewind F5: Top (move to the beginning of the song) E5: Metronome ON/OFF
Installing Musicsoft Downloader
You can download the Musicsoft Downloader application from the following website. Make sure that your computer has an Internet connection.
Remote control of MIDI devices will function independently of the PC2 mode.
PSR-E323/YPT-320 Panel Setting Transmission (Initial Send)
Sends the PSR-E323/YPT-320 panel settings to an external MIDI device. When recording a PSR-E323/YPT-320 performance to an external sequencer or similar equipment, you can use this function to send the current PSR-E323/YPT-320 panel settings so that when the sequence is played back the original panel settings are automatically restored. You can set Initial Send in the Function settings (page 56).
Visit the Yamaha website for more information on the latest version of Musicsoft Downloader (version 5.4.0 or higher) and how to install it.
The minimum computer requirements for Musicsoft Downloader operation are as follows: OS : Windows 2000/XP/Vista
* Only 32-bit is supported.
: 233 MHz or higher; Intel Pentium/Celeron processor family (500 MHz or more is recommended) Memory : 64 MB or more (256 MB or more is recommended) Hard Disk : at least 128 MB of free space (at least 512 MB of free space is recommended) Display : 800 x 600 HighColor (16-bit) Other : Microsoft Internet Explorer5.5 or higher
Connecting a personal computer
After installing the Musicsoft Downloader application on your computer, connect the PSR-E323/ YPT-320 as described below. A Yamaha UX16 or similar USB-MIDI interface (sold separately) will be necessary for MIDI connection between the PSR-E323/YPT-320 and a USB-equipped computer. Make sure to purchase a Yamaha UX16 or a quality USB-MIDI interface at a musical instrument store, computer store or electrical appliance store. If you use the UX16 interface, install the driver supplied with the interface on your computer.
Transferring a le from a computer
You can transmit Song les and Style Files from your computer to the Flash Memory on your instrument. Move the le from the computer to Flash Memory under Electronic Musical Instruments via the Musicsoft Downloader. For details about how to transmit Song le and Style File, refer to the Online help topic Transferring Data Between the Computer and Instrument (for unprotected data) of the Musicsoft Downloader. Data that can be loaded to the PSRE323/YPT-320 from a computer Songs : 99 Songs max (Song numbers 108) Data : 373 kilobytes Data Format : SMF Format 0 and 1 File : 09PK3.BUP (Backup le) : ***.mid (MIDI Song) : ***.sty (Style File)
The Musicsoft Downloader application may not be able to access the instrument in the following cases: During Style playback During Song playback
Use the power adaptor when transferring data. The data can be corrupted if the batteries fail during the transfer.
MIDI IN MIDI OUT (Rear)
Never turn the power off and never plug/unplug the AC power adaptor during data transmission. Not only will the data fail to be transferred and saved, but operation of the ash memory may become unstable and its contents may disappear completely when the power is turned on or off.
Close the window to exit from the Musicsoft Downloader and re-enable control of the instrument.
Transferring a backup le from the PSRE323/YPT-320 to a computer
You can transfer backup data (page 41) other than Passing status of Song and Step to a computer as a backup le by using Musicsoft Downloader. Move the le from System Drive under Electronic Musical Instruments to the computer via the Musicsoft Downloader. For details about how to transmit backup les, refer to the Online help topic Transferring Data Between the Computer and Instrument (for unprotected data) of the Musicsoft Downloader. Data that can be transferred to a computer from the PSR-E323/YPT320 Backup le (09PK3.BUP: backup data containing ve User Songs) Songs transferred from a computer
Erasing Transferred Song Data from the PSR-E323/YPT-320 Memory
To erase all Songs transferred from the computer, use ash clear function on page 41. To erase specic Songs transferred from the computer, use the Delete function on Musicsoft Downloader.
Using Transferred Songs for Lessons
In order to use Songs (only SMF format 0) transferred from a computer for lessons it is necessary to specify which channels are to be played back as the right-hand and left-hand parts. Refer to the Lesson Track (R) or Lesson Track (L) in the Function Setting List on page 57. The procedure for setting the guide track is as follows: Select a transferred Song you want to use for lessons. Press the [FUNCTION] button a number of times until the R-Part or L-Part appears in the display, and then use the number buttons  , [+], [-] to select the channel you want to play back as the specied right- or left-hand part. We recommend that you select channel 1 for the right-hand part and channel 2 for the left-hand part.
Preset Song data cannot be transmitted from the PSR-E323/ YPT-320.
The backup data, including the ve User Songs is transmitted/received as a single le. As a result, all backup data (including the ve Songs) will be overwritten every time you transmit or receive. Keep this in mind when transferring data. Do not rename the backup le on the computer. If you do so, it will not be recognized when transferred to the instrument.
Problem When the instrument is turned on or off, a popping sound is temporarily produced. When using a mobile phone, noise is produced. There is no sound even when the keyboard is played or when a Song or Style is being played back. Not all of the voices seem to sound, or the sound seems to be cut off. Playing keys in the right hand area of the keyboard does not produce any sound. The volume is too soft. The sound quality is poor. The rhythm stops unexpectedly or will not play. The recorded data of the Song, etc. does not play correctly. The LCD display suddenly goes dark, and all panel settings are reset. The Style or Song does not play back when the [START/STOP] button is pressed.
Possible Cause and Solution This is normal and indicates that the instrument is receiving electrical power. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument. Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. Check the Local Control on/off. (See page 59.) The instrument is polyphonic up to a maximum of 32 notes including Dual voice, Split Voice, auto accompaniment, song, and Metronome. Notes exceeding this limit will not sound. When using the Dictionary function (page 54), the keys in the right hand area are used only for entering the chord root and type.
The batteries are low or dead. Replace all six batteries with completely new ones, or use the optional AC adaptor.
Is External Clock set to ON? Make sure External Clock is set to OFF; refer to External Clock Settings on page 59. Make sure that the Style Volume (page 53) is set to an appropriate level. Is the Split Point set at an appropriate key for the cords you are playing? Set the Split Point at an appropriate key (page 47). Is the ACMP ON indicator showing in the display? If it is not showing press the [ACMP ON/OFF] button so that it does show.
The Style does not sound properly.
The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). Two-note ngerings will produce a chord based on the previously played chord. Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. This is not a malfunction. Style number 098106 (Pianist) have no rhythm parts, so no rhythm will play. The other parts will begin playing when you play a chord in the accompaniment range of the keyboard if auto accompaniment is turned on. The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. This is normal. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note. Always press the [STYLE] button rst when you are going to use any style-related function. The method of sounding the harmony effect (0126) differs depending on the selected type. For Types 0105, turn the Auto Accompaniment on and play it by pressing a chord in the auto accompaniment section of the keyboard, then play some keys in the right-hand side to get the harmony effect. For Types 0626, turning the Auto Accompaniment on or off has no effect. However, it is necessary to play two notes simultaneously for Types 0612.
Music Database List
MDB No. MDB Name POP AlvFever DayPdise GoMyWay HowDeep! HurryLuv Imagine JustCall SultanSw WhitePle YesterPf ROCK JumpRock PickUpPc RdRiverR SatsfyGt Sheriff SmokeWtr TwistAgn VenusPop DANCE 2 of Us B Leave Back St Crockett FunkyTwn KillSoft Nine PM SingBack StrandD BALLAD AdelineB CatMemry ElvGhett Feeling Mn Rivr OnMyMnd OverRbow ReleseMe SavingLv SmokyEye WhisprSx MDB No. MDB Name R&B AmazingG BoogiePf Clock Rk CU later HappyDay RisingSn ShookUp TeddyBer SWING & JAZZ ChooChoo HighMoon InMood MistySax MoonLit New York SaintMch ShearJz TstHoney USPatrol EASY LISTENING Close2U Entrtain LuvStory MyPrince PupetStr Raindrop R'ticGtr SingRain SmallWld SpkSoft StrangeN TimeGoes WhteXmas WishStar LATIN BambaLa BeHappy! CopaLola DayNight Ipanema WondrWld MDB No. MDB Name MuchoTrp Sunshine Tico Org TrbWave COUNTRY BoxerFlt CntryRds Jambala TopWorld YlwRose BALLROOM BrazilBr CherryTp DanubeWv TangoAc Tea4Two TRADITIONAL CampRace CielPari GrndClok JinglBel MickMrch Showbiz StarMrch WashPost XmasWalz YankDood
Top Picks These demonstration songs showcase the various sounds of the instrument. Learn to Play Each of these songs has two variations: an easy one which even beginners can practice with ease, and another more challenging version. Favorite Weve collected various folk songs from around the world which have been handed down from through the generations, as well as famous classical pieces. Try playing the melody of these songs with your right hand. Favorite with Style Enjoy performing a piece with Style accompaniment (automatic accompaniment data). (Keys to Success is designed so that you master playing the melody with your right hand rst, and then learn the roots of the chords with your left hand.) Instrument Master These songs feature solo instruments other than pianoletting you enjoy playing other instrumental voices along with orchestral accompaniment. Piano Repertoire These included famous pieces from around the world along with well-known piano pieces. Enjoy the beautiful, resonant piano sound as you play solo or along with orchestral backing.
No. 033 Song Name Top Picks Demo 1 (Yamaha Original) Demo 2 (Yamaha Original) Demo 3 (Yamaha Original) Learn to Play Fr Elise (Basic) (L. v. Beethoven) Fr Elise (Advanced) (L. v. Beethoven) Twinkle Twinkle Little Star (Basic) (Traditional) Twinkle Twinkle Little Star (Advanced) (Traditional) Turkish March (Basic) (W.A. Mozart) Turkish March (Advanced) (W.A. Mozart) Ode to Joy (Basic) (L. v. Beethoven) Ode to Joy (Advanced) (L. v. Beethoven) The Entertainer (Basic) (S. Joplin) The Entertainer (Advanced) (S. Joplin) Londonderry Air (Basic) (Traditional) Londonderry Air (Advanced) (Traditional) The Last Rose of Summer (Basic) (Traditional) The Last Rose of Summer (Advanced) (Traditional) Amazing Grace (Basic) (Traditional) Amazing Grace (Advanced) (Traditional) Favorite Frre Jacques (Traditional) Der Froschgesang (Traditional) Aura Lee (Traditional) London Bridge (Traditional) Sur le pont d'Avignon (Traditional) Nedelka (Traditional) Aloha Oe (Q. Liliuokalani) Sippin Cider Through a Straw (Traditional) Old Folks at Home (S. C. Foster) Bury Me Not on the Lone Prairie (Traditional) Cielito Lindo (Traditional) Santa Lucia (A. Longo) If Youre Happy and You Know It (Traditional) Beautiful Dreamer (S. C. Foster) No. Song Name Greensleeves (Traditional) Kalinka (Traditional) Holdilia Cook (Traditional) Ring de Banjo (S. C. Foster) La Cucaracha (Traditional) Funiculi Funicula (L. Denza) Largo (From the New World) (A. Dvork) Brahms Lullaby (J. Brahms) Liebestrume Nr.3 (F. Liszt) Pomp and Circumstance (E. Elgar) Chanson du Toreador (G. Bizet) Jupiter, the Bringer of Jollity (G. Holst) The Polovetsian Dances (A. Borodin) Die Moldau (B. Smetana) Salut dAmour Op.12 (E. Elgar) Humoresques (A. Dvork) Symphony No.9 (from the New World - 4th movement) (A. Dvork) Favorite with Style O du lieber Augustin (Traditional) Mary Had a Little Lamb (Traditional) When Irish Eyes Are Smiling (E. R. Ball) Little Brown Jug (Traditional) Ten Little Indians (Traditional) On Top of Old Smoky (Traditional) My Darling Clementine (Traditional) Oh! Susanna (S. C. Foster) Red River Valley (Traditional) Turkey in the Straw (Traditional) Muffin Man (R. A. King) Pop Goes the Weasel (Traditional) Grandfathers Clock (H. C. Work) Camptown Races (S. C. Foster) When the Saints Go Marching In (Traditional) Yankee Doodle (Traditional) Battle Hymn of the Republic (Traditional) Ive Been Working on the Railroad (Traditional) American Patrol (F. W. Meacham) No. 102 Song Name Down by the Riverside (Traditional) Instrument Master Sicilienne/Faur (G. Faur) Swan Lake (P. I. Tchaikovsky) Grand March (Aida) (G. Verdi) Serenade for Strings in C major, Op.48 (P. I. Tchaikovsky) Pizzicato Polka (J. Strauss II) Romance de Amor (Traditional) Menuett BWV. Anh.114 (J. S. Bach) Ave Verum Corpus (W. A. Mozart) Radetzky Marsch (J. Strauss I) Piano Repertoire Wenn ich ein Vglein wr (Traditional) Die Lorelei (F. Silcher) Home Sweet Home (H. R. Bishop) Scarborough Fair (Traditional) My Old Kentucky Home (Traditional) Loch Lomond (Traditional) Silent Night (F. Gruber) Deck the Halls (Traditional) O Christmas Tree (Traditional) Sonata Pathtique 2nd Adagio Cantabile (L. v. Beethoven) Ave Maria/J. S. Bach - Gounod (J. S. Bach / C. F. Gounod) Jesus bleibet meine Freude (J. S. Bach) Prelude Op.28-15 Raindrop (F. Chopin) Nocturne op.9-2 (F. Chopin) Etude op.10-3 Chanson de L'adieu (F. Chopin) Romanze (Serenade K.525) (W. A. Mozart) Arabesque (J. F. Burgmller) La Chevaleresque (J. F. Burgmller) Fr Elise (L. v. Beethoven) Turkish March (W.A. Mozart) 24 Preludes op.28-7 (F. Chopin) Annie Laurie (Traditional) Jeanie with the Light Brown Hair (S. C. Foster)
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of: 1. Neglect, abuse, abnormal strain, modication or exposure to extremes in temperature or humidity. 2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha. 3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country. Please record the model and serial number of the product you have purchased in the spaces provided below. Model___________________________ Serial #________________________________ Sales Slip #________________________________
Purchased from____________________________________________________________ Date______________________________________ (Retailer)
YAMAHA CORPORATION OF AMERICA Electronic Service Division 6600 Orangethorpe Avenue Buena Park, CA 90620
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Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.
This applies only to products distributed by Yamaha Music U.K. Ltd. (2 wires)
COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620 Telephone : 714-522-9011 Type of Equipment : Digital Keyboard Model Name : PSR-E413 This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: 1) this device may not cause harmful interference, and 2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC)
Apparaten kopplas inte ur vxelstrmskllan (ntet) s lnge som den ar ansluten till vgguttaget, ven om sjlva apparaten har stngts av. ADVARSEL: Netspendingen til dette apparat er IKKE afbrudt, slenge netledningen siddr i en stikkontakt, som er t endt ogs selvom der or slukket p apparatets afbryder. VAROITUS: Laitteen toisiopiiriin kytketty kyttkytkin ei irroita koko laitetta verkosta.
Entsorgung leerer Batterien (nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren drfen nicht in den Hausmll. Sie knnen bei einer Sammelstelle fr Altbatterien bzw. Sondermll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Handy Performance Features
Panel Controls and Terminals
Front Panel... 12 Rear Panel... 13
Creating Arpeggios Create Original Sounds 14 18
The Metronome... 63 Setting the Number of Beats per Measure, and the Length of Each Beat.. 64 Adjusting the Metronome Volume.. 64 Tap Start... 65 Touch Response Sensitivity.. 65 Pitch Bend... 66 Pitch Controls... 66 Controlling Arpeggio Volume with Keyboard Dynamics. 67 One Touch Setting... 68 Adjusting the Harmony Volume.. 69 Select an EQ Setting for the Best Sound.. 69
Style (Auto-accompaniment) Functions
Assigning Effects to the Knobs.. 18 Using the Knobs.. 21
The Easy Way to Play Piano
Play with Both Hands... 23 Change the Song Tempo... 27
Try Playing a Variety of Instrument Voices
Pattern Variation (Sections).. 70 Adjusting the Style Volume.. 72 Setting the Split Point... 72 Play a Style with Chords but No Rhythm (Stop Accompaniment)... 73 Loading Style Files... 74 Chord Basics.. 75 Looking Up Chords Using the Chord Dictionary. 77
Select and Play a VoiceMAIN.. 28 Play Two Voices SimultaneouslyDUAL.. 29 Play Different Voices with the Left and Right Hands SPLIT... 30 Play the Grand Piano Voice.. 31
Song Volume.. 78 A-B Repeat... 78 Muting Independent Song Parts.. 79 Change the Melody Voice.. 79
Drum Kits.... 32 Sound Effects... 32
Memorize Your Favorite Panel Settings
Saving to the Registration Memory.. 80 Recalling a Registration Memory... 81
Select a Style Rhythm... 33 Play Along with a Style... 34 Playing Auto-accompaniment Chords.. 38
Setting the Sleep Mode The Functions Connecting to a Computer
Selecting and Setting Functions.. 83
Select and Listen to a Song.. 39 Song Fast Forward, Fast Reverse, and Pause.. 40 Types of Songs... 42
Select a Song For a Lesson
Lesson 1Waiting... 43 Lesson 2Your Tempo.. 46 Lesson 3Minus One.. 47 Practice Makes PerfectRepeat and Learn. 48
What Is MIDI?... 86 Connecting a Personal Computer.. 87 Transferring Performance Data to and from a Computer.. 88 Remote Control of MIDI Devices.. 89 Initial Send... 90 Transferring Data between the Computer and Instrument. 90
Assigning Effects to the Knobs
Repeatedly press the [ASSIGN] button to sequentially select the ve effect combinations provided: z x c v b z . etc. The currently selected combination is shown in the display.
zc affect the main and dual voices only. Split voices will not be affected. Styles and songs will also not be affected. vb affect styles only.
Knob A Filter Cutoff Reverb Send Level Attack Time Filter Cutoff Tempo
Knob B Filter Resonance Chorus Send Level Release Time Filter Resonance No Effect
z Filter x Effect c EG v Style Filter b Style Tempo
The assignable knob effects are pre-programmed in the pairs listed above. It is not possible to assign different effect combinations.
Filter effects shape sound by allowing only a specied range of frequencies to pass and/or by producing a resonance peak at the lters cutoff frequency. Filter effects can be used to create a range of synthesizer-like sounds.
* Filter effects can sometimes cause distortion in the bass frequencies.
Some hints for using the lter effects are provided on page 22.
Filter Cutoff Filter Resonance
Knob A adjusts the lters cutoff frequency, and therefore the brightness of the sound.
Level Cutoff Frequency
Frequency Frequencies in this range are passed. Frequencies in this range are cut off.
Knob B adjusts the amount of resonance applied at the lters cutoff frequency. Increasing the resonance emphasizes the frequencies at the cutoff frequency, and thus strengthens the perceived effect of the lter.
Reverb reproduces the acoustic ambience of a concert hall or club, while chorus produces a layered multi-instrument effect.
Reverb Send Level Chorus Send Level
Knob A adjusts the depth of the reverb effect, and Knob B adjusts the depth of the chorus effect.
c EG (Envelope Generator)
Envelope Generator effects determine how the level of the sound varies over time. You can make the attack faster for a more percussive sound or slower for a violin-like sound, for example. Or you can lengthen or shorten the sustain to most ideally match the music.
Changing the knob settings does not immediately change the sound. Newly assigned effects will only change the sound when the knobs are rst operated after the new effect has been selected.
Some Ideas for Using the Knobs
Number/Effect Try This Select a synth-type lead or pad voice (page 106). Turn Knob B all the way up and operate Knob A while playing for some spacey, oating 1980s effects. Select a voice that sounds as though it already has reverb and chorus effects applied, and turn Knob A and Knob B all the way down to hear the direct sound of the voice. You can then turn the Knob A and Knob B settings up to add extra impact and richness to the voice. Select a piano voice, and turn Knob B all the way up and Knob A to about the 3 oclock position. This should give you a majestic, organ-like sound. The attack time is quite long so play the keys and hold them to let the sound come in fully. Ideal for slow pieces. Select style 39, Euro Trance. Turn accompaniment on and start style playback (page 34). Set Knob B to about 3 oclock, and Knob A to about 8 oclock. The overall sound of the style should be a bit mufed, with the drums emphasized for solid rhythmic impact. Play a style and/or arpeggio (page 14) and use Knob A to adjust the tempo.
z FILTER x EFFECT
v STYLE FILTER b STYLE TEMPO
This instrument includes a performance assistant technology feature that lets you play along with a song and sound like a great pianist (even though you might be making lots of mistakes)! In fact, you can play any notes and still sound good! So even if you cant play piano and cant read a note of music, you can have some musical fun. Its never too late to start learning!
Refer to page 25 for more information on using performance assistant technology to help you play.
Play with Both Hands
Press the [PERFORMANCE ASSISTANT] button.
The indicator lights when the performance assistant technology feature is on.
Press the [PERFORMANCE ASSISTANT] button to turn the function on or off.
Select a song.
Press the [SONG] button, and the song number and name will be displayed. You can use the dial or other selection controls to select a different song. For this example try selecting the 010 AveMaria.
Song number The song displayed here will be played.
What is a Song? Of course you know the normal meaning of the word, but for this instrument the term song also refers to the data that makes up a piece of music. You can listen to the songs, use them for lessons, and use them with a range of other functions (page 39).
Press the [
] (START/STOP) button.
Song playback will begin. The basic pattern will repeat. Listen to four measures while memorizing the basic pattern. Its your turn to play the part from the fth measure.
Play on the keyboard.
Play the score on the left along with the accompaniment using both hands. You can even play the same keys over and over: C, E, G, C, E, G, C, E. Performance assistant technology will make sure that the notes will come out as if they were played according to the score on the right. Keep playing, and performance assistant technology will continue to correct the notes that you play. You can stop song playback at any time by pressing the [ STOP) button. ] (START/
Press the [PERFORMANCE ASSISTANT] button to turn the performance assistant technology feature off.
The complete score for Ave Maria is provided on page 102.
Use the Performance Assistant to Play Like a Pro!
To begin, try to feel the rhythm of the song. Then, with your hands spread as shown in the illustration, simply play the keyboard alternately with your left and right hands (any notes will do).
You will get even better results if you match your left-hand rhythm to the rhythm of the chord indicator in the display.
Sounds like youre playing the right notes!
How does it sound? Youll get acceptable results no matter where you play thanks to performance assistant technology! Next try the three playing methods illustrated below. Different ways of playing produce different results.
Play with the left and right hands at the same timingtype 1. Play with the left and right hands at the same timingtype 2. Play alternately with the left and right handstype 3.
Play 3 notes at once with your right hand.
Play 1 note at a time with your right hand (for example: index nger middle nger ring nger).
Once you get a feel for it, try playing chords with your left hand and a melody with your right. or any other combination.
To use the performance assistant technology feature it is necessary to play a song that includes chord data, or a style with auto accompaniment on. If a song includes the required data, the chords are shown on the right side of the display (page 59).
Next try playing the Chopin Nocturne.
The procedure is that same as that described for playing Ave Maria on pages 2325. Select 011 Nocturne.
Listen to eight measures, then begin playing from the ninth measure.
Play the keys shown in the illustration. Keep playing F, A and C with your left hand and the correct notes will sound as the song proceeds. When you get used to playing the left hand part, refer to The Easy Way to Play Piano on page 23 and try adding the right-hand part.
The complete score for Nocturne is provided on page 104.
Change the Song Tempo
When using the performance assistant technology or in other situations in which the tempo of the song is too fast or too slow for you, you can change the tempo as required. Press the [TEMPO/TAP] button. The tempo display will appear and you can use the dial, the [+] and [-] buttons, or the  to  number buttons to set to tempo to anywhere from 011 and 280 quarter-note beats per minute.
(Song Lesson off)
Song playback will begin automatically when you select Lesson 1.
Start the lesson!
Play the note shown in the display. When you play the correct note, the next note you need play is shown. The song will wait until you play the correct note.
In this case r1 indicate that right-hand lesson 1 has been selected.
(In the case of a right-hand lesson)
Stop the Lesson mode.
You can stop the Lesson mode at any time by pressing the [ (START/STOP) button. Once youve mastered Lesson 1, move on to Lesson 2. ]
See How Youve Done
Excellent Very Good Good OK
~~~~~~~~ ~~~~~~ ~~~~ ~~
When the lesson song has played all the way through your performance will be evaluated in 4 levels: OK, Good, Very Good, or Excellent. Excellent! is the highest evaluation.
After the evaluation display has appeared, the lesson will start again from the beginning.
The evaluation feature can be turned off via the FUNCTION Grade item (page 85).
Lesson 2Your Tempo
Learn to play the correct notes with the correct timing. Song playback tempo will vary to match the speed you are playing at. The song will slow down when you play wrong notes, so you can learn at your own pace.
Select the song and part you want to practice (steps 1 and 2 on pages 43, 44).
Start Lesson 2.
Each time the LESSON [START] button is pressed the lesson modes are selected in sequence: Lesson 1 Lesson 2 Lesson 3 Off Lesson 1.
In this case r2 indicate that righthand lesson 2 has been selected.
Song playback will begin automatically when Lesson 2 is selected.
Play the note shown in the display. Try to play the notes at the correct timing. As you learn to play the right notes at the right timing the tempo will increase until eventually youll be playing at the songs original tempo.
Left-hand part Right-hand part
You can stop the Lesson mode at any time by pressing the [ (START/STOP) button. Once youve mastered Lesson 2, move on to Lesson 3. ]
Lesson 3Minus One
Heres where you can perfect your technique. The song will play at the normal tempo, minus the part you have chosen to play. Play along while listening to the song.
Start Lesson 3.
In this case r3 indicate that righthand lesson 3 has been selected.
Song playback will begin automatically when Lesson 3 is selected.
Play the note shown in the display.
You can stop the Lesson mode at any time by pressing the [ (START/STOP) button. ]
Overall PSR-E413 control is based on the following simple operations.
1 Press a button to select a basic function. 2 Use the dial to select an item or value. 3 Start a function.
3 Start a function.
2 Select an item or value.
Display (page 59)
1 Select a basic function.
Adjusts the volume of the sound heard via the instruments speakers or a pair of headphones plugged into the PHONES jack.
The Press & Hold Symbol
The symbol that appears next to some buttons indicates that the button can be pressed and held for longer than a second to call up a related function. This provides convenient direct access to a range of functions.
Rotate counterclockwise to lower the volume.
Rotate clockwise to increase the volume.
Press a button to select a basic function.
Select a song you want to listen to or a song you want to use for a lesson. Select an auto-accompaniment style.
Select a voice you want to play on the keyboard.
Use the dial to select an item or value.
When you select a basic function, the item corresponding to that function will be displayed. You can then use the dial or the number buttons  to select the desired item.
This portion of the display indicates the name and number of the currently selected song, voice and style. It also displays the name and current setting/ value of other functions.
] and [
Rotate the dial clockwise to increase the value of the selected item, or counterclockwise to decrease its value. Rotate the dial continuously to continuously increase or decrease the value.
When selecting a song, style, or voice, you can use these buttons to jump to the rst item in the next or previous category. The CATEGORY [ ] and [ ] buttons are useful for selecting categorized items, as in the example below.
Example: VOICE SELECT
[+] and [-] Buttons
Press the [+] button briey to increment the value by 1, or press the [-] button briey to decrement the value by 1. Press and hold either button to continuously increment or decrement the value in the corresponding direction.
Jump to the rst item in the next or previous category.
Press briey to decrement. Press briey to increment.
The rst voice in the selected category is selected.
Number Buttons 
The number buttons can be used to directly enter a song number or parameter value. Hundreds or tens digits that are 0 can be omitted (see below).
Example: Song number 003 can be entered in three ways.      (003 will appear on the display after a brief delay)  (003 will appear on the display after a brief delay)
C M7 C
C sus4 C aug C M7aug Cm Cm
C m6 C m7 C m7 C m7
C mM7 C mM7 C m7
(b5) (b5) (9)
C mM7 C dim C dim7 C7 C7 C7
C7 C7 C7
C 7b5 C 7aug C 7sus4 C sus2
* These chords are not shown in the Dictionary function.
NOTE Notes in parentheses can be omitted.
Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. A perfect fth (1+5) produces accompaniment based only on the root and fth which can be used with both major and minor chords. The chord ngerings listed are all in root position, but other inversions can be usedwith the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), sus2.
NOTE Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted.
The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). Two-note ngerings will produce a chord based on the previously played chord.
Looking Up Chords Using the Chord Dictionary
The Dictionary function is essentially a built-in chord book that shows you the individual notes of chords. It is ideal when you know the name of a certain chord and want to quickly learn how to play it.
1 Press and hold the LESSON [START]
button for longer than a second.
3 Press the M7 (major seventh) key in
the section of the keyboard labeled CHORD TYPE. (The note doesnt sound.) The notes you should play for the specied chord (root note and chord type) are shown in the display, both as notation and in the keyboard diagram.
2 As an example, well learn how to play a
GM7 (G major seventh) chord. Press the G key in the section of the keyboard labeled ROOT. (The note doesnt sound.) The root note you set is shown in the display.
Notation of chord
Chord name (root and type)
Individual notes of chord (keyboard)
To call up possible inversions of the chord, press the [+]/[-] buttons.
NOTE About major chords: Simple major chords are usually indicated only by the root note. For example, C refers to C major. However, when specifying major chords here, make sure to select M (major) after pressing the root note.
4 Try playing a chord in the auto accom-
paniment section of the keyboard, checking the indications in the display. When youve played the chord properly, a bell sound signals your success and the chord name in the display ash.
select a voice, accompaniment style, etc.
2 Press the [MEMORY/BANK] button. A
bank number will appear in the display when you release the button.
3 Use the dial or the  number but-
tons to select a bank number from 1 to 8.
4 Press the REGIST MEMORY  or 
button while holding the [MEMORY/ BANK] button to store the current panel settings to the specied registration memory.
NOTE If you select a Registration Memory number that already contains data, the previous data is deleted and overwritten by the new data.
Do not turn off the power while saving settings to the registration memory, otherwise the data may be damaged or lost.
NOTE Data cannot be saved to the registration memory during song playback.
Recalling a Registration Memory 1 Press the [MEMORY/BANK] button. A
Settings That Can be Saved to the Registration Memory
Style settings* Style number, Auto Accompaniment ON/OFF, Split Point, Style settings (Main A/B), Style Volume, Tempo Voice settings Main Voice setting (Voice number, Volume, Octave, Pan, Reverb Send Level, Attack Time, Release Time, Filter Cutoff, Filter Resonance, Chorus Send Level), Dual Voice settings (Dual ON/OFF, Voice number, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level, Attack Time, Release Time, Filter Cutoff, Filter Resonance), Split Voice settings (Split ON/OFF, Voice number, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level) Effect settings Reverb Type, Chorus Type Arpeggio settings Arpeggio Type, Arpeggio ON/OFF Harmony settings Harmony ON/OFF, Harmony Type, Harmony Volume Other settings Transpose, Pitch Bend Range, Knob Assign
* Style settings are not available for Registration Memory when using the Song features.
Use the dial or the  number buttons to select bank you want to recall.
3 Press the REGIST MEMORY button, 
or , containing the settings you want to recall. The recalled REGIST MEMORY number appears in the display for a few seconds. The panel controls will be instantly set accordingly.
This instrument has a Sleep Mode function that allows it to automatically go into a lowpower sleep mode if not operated for specied period of time. In Sleep Mode all panel indicators and the display backlight are off to conserve power. The Sleep Mode function is initially disabled (OFF) by default.
] and [ ] buttons to select the SLEEP item.
Time to Sleep Mode
Setting the Sleep Mode
3 Rotate the dial to set the desired time
until Sleep Mode begins (320 minutes). The time can be set in one-minute increments. Select OFF to disable Sleep Mode (the instrument will not go to sleep). The instrument will wake from Sleep Mode as soon as a panel control is operated, a key is pressed, or a MIDI command is received.
The Functions provide access to a range of detailed instrument parameters for tuning, setting the split point, and adjusting the voices and effects. Take a look at the function list starting on the opposite page. When you locate a function you want to set up, simply select the functions display name (shown to the right of the function name in the list) and adjust as required.
Selecting and Setting Functions 1 Find the function you want to set in the
list that begins on page 84.
2 Press the [FUNCTION] button.
3 Select a function.
Press the CATEGORY [ ] and [ ] buttons as many times as necessary until the functions display name appears in the display.
4 Use the dial, the [+] and [-] buttons, or
the  number buttons to set the selected function as required. The [+] and [-] buttons are used to make ON/ OFF type settings: [+] = ON, [-] = OFF. In some cases the [+] button will initiate execution of the selected function, and the [-] will cancel the selection.
Direct numeric entry.
Decrement value by 1. OFF Cancel
Increment value by 1. ON Execute Press simultaneously to recall the default setting.
The selected function.
Some Function settings are stored in memory as soon as they are changed. See The Backup Parameters on page 56 for information on the function settings that are stored on the instrument. To restore all initial factor default settings perform the Backup Clear procedure described in the Initialization section on page 56.
Function Setting List
Setting Style Volume Song Volume Transpose Tuning Pitch Bend Range Item title StyleVol SongVol Transpos Tuning PBRange Range/Settings -1212 -000127 (C-2G8) 1(Soft), 2(Medium), 3(Hard) 000127 -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) Description Determines the volume of the Style. Determines the volume of the Song. Determines the pitch of the instrument by semitone increments. Sets the pitch of the instruments sound in 1-cent increments. Sets the pitch bend range in semitone increments. Determines the highest key for the Split voice and sets the Split point in other words, the key that separates the Split (lower) and Main (upper) voices. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value. When Touch Response is on, this determines the sensitivity of the feature. Determines the volume of the Main voice. Determines the octave range for the Main voice. Determines the pan position of the Main voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Main voices signal is sent to the Reverb effect. Determines how much of the Main voices signal is sent to the Chorus effect. Sets the Main voice attack time. Sets the Main voice release time. Sets the Main voice lter cutoff frequency. Sets the Main voice lter resonance. Selects the Dual voice. Determines the volume of the Dual voice. Determines the octave range for the Dual voice. Determines the pan position of the Dual voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Dual voices signal is sent to the Reverb effect. Determines how much of the Dual voices signal is sent to the Chorus effect. Sets the Dual voice attack time. Sets the Dual voice release time. Sets the Dual voice lter cutoff frequency. Sets the Dual voice lter resonance. Selects the Split voice. Determines the volume of the Split voice. Determines the octave range for the Split voice. Determines the pan position of the Split voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Split voices signal is sent to the Reverb effect. Determines how much of the Split voices signal is sent to the Chorus effect.
MDB No. 299 300
MDB Name Donalds MoonWlz MoulinHt Sunshine PieceOf GreenSlv TakeFour TexRose ThePolka Scarboro Edelweis AroundWd Whatever Yankees WORLD Hawaii Damor ElCondor GoodbyRm ILandOn ItalyBel Cucarumb Puntuali Cielito ItalySun SantaLuc Trumpetr VanMass PIANIST ItalySun BeGood Birdland BlueRose Chaies Highwy66 Leaves Miload Cabaret Wonderfl Imagine LtleStar MapleRag Mi-Re-Do NoBuiz OhBlah Charades Sallys Nabucco SunnyStr MistyFln LdnBridg GrndClck Importnc Snowman Favorite SongForU SugerSpn ThisWay WenSmile ZipperD
Songs Provided On the Supplied CD-ROM
File Name 001Nutcr.mid 002Orphe.mid 003Slavo.mid 004Prima.mid 005Medit.mid 006Guill.mid 007Fruhl.mid 008Ungar.mid 009Fruhl.mid 010Dolly.mid 011Cande.mid 012Arabe.mid 013Pasto.mid 014Petit.mid 015Innoc.mid 016Progr.mid 017Taren.mid 018Cheva.mid 019Etude.mid 020Marci.mid 021Turki.mid 022Valse.mid 023Menue.mid 024Momen.mid 025Enter.mid 026Prelu.mid 027Violl.mid 028Angel.mid 029Saraf.mid 030Ameri.mid 031Brown.mid 032Lomon.mid 033Bonni.mid 034Londo.mid 035Banjo.mid 036Vogle.mid 037Lorel.mid 038Funic.mid 039Turke.mid 040Campt.mid 041Jingl.mid 042Muss.mid 043Liebe.mid 044Jesu.mid 045Joy.mid 046Pearl.mid 047Gavot.mid 048Seren.mid 049Menue.mid 050Canon.mid 051Vogel.mid 052Piano.mid 053Surpr.mid 054WildR.mid 055Chans.mid 056Babbi.mid 057RowRo.mid 058Smoky.mid 059WeWis.mid 060ImMai.mid 061Chris.mid 062MaryH.mid 063TenLi.mid 064PopGo.mid 065Twink.mid 066Close.mid 067Cucko.mid 068Augus.mid 069Londo.mid 070Three.mid Song Name Danse des Mirlitons from The Nutcracker Orphe aux Enfers Ouverture Slavonic Dances op.72-2 La Primavera (from Le Quattro Stagioni) Mditation (Thas) Guillaume Tell Frhlingslied Ungarische Tnze Nr.5 Frhlingsstimmen Dollys Dreaming and Awakening La Candeur Arabesque Pastorale Petite Runion Innocence Progrs Tarentelle La Chevaleresque Etude op.10-3 Chanson de ladieu Marcia alla Turca Turkish March Valse op.64-1 Petit Chien Menuett Moments Musicaux op.94-3 The Entertainer Prelude (Wohltemperierte Klavier 1-1) La Viollette Angels Serenade Krasnyj Sarafan America the Beautiful Little Brown Jug Loch Lomond My Bonnie Londonderry Air Ring de Banjo Wenn ich ein Vglein wr ? Die Lorelei Funiculi Funicula Turkey in the Straw Camptown Races Jingle Bells Muss i denn Liebestrume Nr.3 Jesu, Joy Of Mans Desiring Ode to Joy Pearl Fisher Gavotte Serenade/Haydn Menuett BWV. Anh.114 Canon in D Der Vogelfnger Bin Ich Ja Die zauberflte Piano Sonate No.14 op.27-2 Mondschein The Surprise Symphony No.94 To a Wild Rose Chanson du Toreador O Mio Babbino Caro Row Row Row Your Boat (DUET) On Top of Old Smoky (DUET) We Wish You A Merry Christmas (DUET) Im Mai (DUET) O Christmas Tree (DUET) Mary Had a Little Lamb (DUET) Ten Little Indians (DUET) Pop Goes The Weasel (DUET) Twinkle Twinkle Little Star (DUET) Close Your Hands, Open Your Hands (DUET) The Cuckoo (DUET) O du lieber Augustin (DUET) London Bridge (DUET) Three Blind Mice (DUET) Composer P.I. Tchaikovsky J. Offenbach A. Dvork A. Vivaldi J. Massenet G. Rossini F. Mendelssohn J. Brahms J. Strauss II T.Oesten J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller F.Chopin L.v. Beethoven W.A. Mozart F.Chopin L. Boccherini F. Schubert S. Joplin J.S. Bach L.Streabbog Traditional Traditional S.A. Ward Traditional Traditional Traditional Traditional S.C. Foster Traditional F. Silcher L. Denza Traditional S.C. Foster J.S. Pierpont F. Silcher F. Liszt J.S. Bach L.v. Beethoven G. Bizet F.J. Gossec F.J. Haydn J.S. Bach J. Pachelbel W.A. Mozart L.v. Beethoven F.J. Haydn E.A. MacDowell G. Bizet G. Puccini Traditional Traditional Traditional Traditional Traditional Traditional S. Winner Traditional Traditional J.J. Rousseau Traditional Traditional Traditional Traditional
Disclaimer of Liability
In consideration of the fact that the Product is licensed hereunder free of charge, (a) the Licensor disclaims any and all warranties with respect to the Product, whether expressed or implied, including without limitation any warranties that the Product is free from defects, will perform in accordance with the Documentation, is merchantable, or is t for any particular purpose, and (b) the Licensor shall not have or incur any liability to you for any loss, cost, expense or claim (including without limitation any liability for loss or corruption of data and loss of prots, revenue or goodwill and any type of special, indirect or consequential loss) that may arise out of or in connection with your installation and use of the Product.
In this License the following words and expressions have the following meanings: License: this agreement between you and the Licensor and, if permitted by the context, the conditional license granted to you in this agreement. Licensor: Avid Technology, Inc., of Avid Technology Park, One Park West, Tewksbury, MA 01876 USA, through its division Sibelius Software, of 20-23 City North, Fonthill Road, London N4 3HF, UK Product: the Software and the Documentation. Software: the Sibelius Scorch web browser plug-in, Opus, Helsinki, Inkpen2 and Reprise font families, any other programs or les supplied by the Licensor which are included in or with the Sibelius Scorch installer, and the Sibelius Scorch installer. Documentation: any documentation in any form relating to the Software supplied to you with the Software or by the Licensor.
This License shall terminate automatically upon your destruction of the Product. In addition, the Licensor may elect to terminate this License in the event of a material breach by you of any condition of this License or of any of your representations, warranties, covenants or obligations hereunder. Upon notication of such termination by the Licensor, you will immediately delete the Software from your computer and destroy the Documentation.
The Licensor grants to you a non-exclusive non-transferable license to use this Software in accordance with the Documentation on any number of computers. Title to the Product is not transferred to you. Ownership of the Product remains vested in the Licensor and its licensors, subject to the rights granted to you under this License. All other rights are reserved. You may make one printout for your own use of any part of the Documentation provided in electronic form. You shall not make or permit any third party to make any further copies of any part of the Product whether in eye or machine-readable form. You shall not, and shall not cause or permit any third party to, (1) translate, enhance, modify, alter or adapt the Product or any part of it for any purpose (including without limitation for the purpose of error correction); (2) create derivative works based on the Product, or cause the whole or any part of the Product to be combined with or incorporated into any other program, le or product, for any purpose; or (3) use the Software to create les in any format (other than temporary les created and required by your computers operating system or web browser), including without limitation screen capture les, les generated from the Softwares playback, graphics les and print les, for any purpose, except for creating MIDI les (if permitted by the Software) for private non-commercial use. You shall not, and shall not cause or permit any third party to, decompile, decode, disassemble or reverse engineer the Software in whole or in part for any purpose. You shall not, and shall not cause any third party to, translate, convert, decode or reverse engineer any le capable of being read by any copy or version of the Software or any data transmitted to or from any copy or version of the Software, in whole or in part for any purpose. The Product or any part of it must not be used to infringe any right of copyright or right of privacy, publicity or personality or any other right whatsoever of any other person or entity.
(License v5.0 (DMN), 30 July 2007)
61 standard-size keys (C1C6), with Touch Response.
Reverb: Chorus: Harmony: Arpeggio: 9 types 4 types 26 types 100 types
LCD display (backlit)
STANDBY/ON MASTER VOLUME: MINMAX
30 Preset Songs + 5 User Songs + Accessory CD-ROM Songs (70) Song Clear, Track Clear Song Volume Song Control: REPEAT & LEARN, A-B REPEAT, PAUSE, REW, FF, START/STOP
VOICE CONTROL: [SPLIT], [DUAL], [HARMONY], [TOUCH] LIVE CONTROL: [ASSIGN] STYLE CONTROL: [ACMP ON/OFF], [INTRO/ENDING/rit.], [MAIN/AUTO FILL], [SYNC STOP], [SYNC START], [START/ STOP] SONG CONTROL: [ ] (REPEAT & LEARN), [ ] (A-B REPEAT), [ ] (REW], [ ] (FF), [ ] (PAUSE), [ ] (START/STOP) REGIST MEMORY: [MEMORY/BANK], ,  SONG MEMORY: [REC], -, [A] LESSON: [START], [L], [R] ARPEGGIO: [ON/OFF], [TYPE] [DEMO/PC], [PERFORMANCE ASSISTANT], [FUNCTION], [MUSIC DATABASE], [METRONOME], [PORTABLE GRAND], [SONG], [EASY SONG ARRANGER], [STYLE], [VOICE], Dial, CATEGORY[ ]/[ ], -, [+]/[-], [TEMPO/ TAP]
Performance assistant technology Recording
Song User Song: 5 Songs Recording Tracks: 1, 2, 3, 4, 5, STYLE
Local On/Off Keyboard Out Initial Send Style Out External Clock Song Out
PHONES/OUTPUT, DC IN 12V, USB, SUSTAIN
2.5W + 2.5W
Pitch Bend Wheel Nobs A, B A: Cutoff, Reverb, Attack, Style Cutoff, Style Tempo B: Resonance, Chorus, Release, Style Resonance
12cm x 2 + 3cm x 2
116 panel voices + 12 drum/SFX kits + 361 XGlite voices + 20 arpeggio voices Polyphony: 32 DUAL SPLIT
Adaptor: PA-130 or an equivalent recommended by Yamaha Batteries: Six AA size, LR6 or equivalent batteries
Dimensions (W x D x H)
952 x 388 x 146 mm (37-1/2" x 15-1/4" x 5-3/4")
165 Preset Styles + External files Style Control: ACMP ON/OFF, SYNC STOP, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL Fingering: Multi Finger Style Volume
7.0kg (15 lbs. 7 oz.) (not including batteries)
Music Rest Accessory CD-ROM Owners Manual
300 + External files
AC Power Adaptor: PA-130 or an equivalent recommended by Yamaha Footswitch: FC4/FC5 Keyboard Stand: L-2C/L-2L Headphones: HPE-150 * Specifications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
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