Table of Contents

Introduction.. 2
PRECAUTIONS... 3 Accessories... 6 About this Owners Manual and Data List. 6 Handling the Floppy Disk Drive (FDD) and Floppy Disk... 7 About the Display Messages. 8 Application Index... 12 What can you do with the PSR-2000/1000?.. 14 Setting Up the PSR-2000/1000.. 16 Panel Controls and Terminals.. 18
Reference Playing the Demos..52 Voices..54
Selecting a Voice.. 54 Layer/Left Playing Several Sounds Simultaneously.. 56 Layer Layering Two Different Voices. 56 Left Setting Separate Voices for the Left and Right Sections of the Keyboard. 57 Applying Voice Effects.. 57 PITCH BEND Wheel & MODULATION Wheel. 58 Adjusting the Octave setting.. 58

Quick Guide.. 20

Playing the Demos.. 20 Song Playback... 21 Playback of Songs..21 Playing Voices... 25 Playing a Voice...25 Playing Two Voices Simultaneously.26 Playing Different Voices with the Left and Right Hands...27 Playing Styles.. 28 Playing a style...28 Style Sections...30 One Touch Setting...32 Music Finder... 33 Using the Music Finder..33 Searching the Music Finder Records..34 Playing with the Songs.. 36 Playing Along with the PSR-2000/1000..36 Recording...37

Styles..59

Playing a style... 59 Playing a Styles Rhythm Channels only. 61 Adjusting the Volume Balance/Channel Muting. 61 Chord Fingerings.. 62 Arranging the Style Pattern (SECTIONS: MAIN A/B/C/D, INTRO, ENDING, BREAK). 64 Stopping the Style Playback While Releasing Keys (SYNC. STOP).. 65 Selecting Intro and Ending Types (INTRO/ENDING). 66 Playing Fill-in patterns automatically when changing accompaniment sections Auto Fill In. 66 Appropriate Panel Setting for the Selected Style (ONE TOUCH SETTING).. 67 Automatically Changing One Touch Settings with the Sections OTS Link.. 68 Registering the Panel Controls in One Touch Setting (ONE TOUCH SETTING).. 68 Calling Up Ideal Setups for Your Music Music Finder.. 69 Searching the Ideal Setups Music Finder Search. 70 Editing Records Music Finder Record Edit. 71
Basic Operations Organizing Your Data. 38
Example Open/Save display for Voice.39 Selecting Files and Folders.. 40 File/Folder-related Operations.. 41 Naming Files/Folders..41 Moving Files/Folders..42 Copying Files/Folders..43 Deleting Files/Folders..43 Saving Files..44 Organizing Files by Creating a New Folder.44 Displaying Upper Level pages..44 Entering Characters and Changing Icons..44 Using the [DATA ENTRY] Dial.. 46 Direct Access Instant Selection of Displays. 47 Help Messages.. 49 Using the Metronome.. 50 Adjusting the Tempo.. 50 Tap Tempo..51

The Multi Pads..73

Playing the Multi Pads.. 73 Chord Match... 73 Multi Pad Edit.. 74

Song Playback.75

Compatible Song Types... 75 Song Playback... 76 Playing the Internal Songs.. 76 Playing Back Songs on Disk.. 78 Other Playback-related Operations. 78 Muting Specific Parts Track1/Track2/Extra Tracks.. 79
Repeat Playback of a Specific Range. 79 Displaying Music Notation Score (PSR-2000 only). 80 Displaying the Lyrics... 83

For this example, FUNCTION is selected. Function Demos demonstrate each of the different functions on the PSR-2000/1000.
Voice Demos showcase the voices of the PSR-2000/ 1000. Style Demos introduce you to the rhythms and accompaniment styles of the PSR-2000/1000 (page 52).
Press any of the [A] to [J] buttons or [8M] (AUTO) button (FUNCTION page only) to select the Demo songs. For this example, press the [8M] (AUTO) button. All of the function demos are played back in sequence.
For details about the Demos, refer to page 52.
Press the [EXIT] button to exit from the demo mode and return to the MAIN display when youve nished playing the demo songs. When youre done with the Demos, you can get to know your PSR-2000/1000 even better with these functions: Song playback (page 21) Short demo playback of the selected voice (in the Voice Open display; page 26).

Song Playback

Heres where all of the amazing voices, effects, rhythms, styles and other sophisticated features of the PSR-2000/1000 come together in songs!

Reference on page 75

Song related buttons
Make sure that the Language setting for the instrument (page 151) is the same as that of the le name of the song that you are playing back.
BALANCE and CHANNEL buttons Floppy disk drive
The following songs are compatible for playback on the PSR-2000/1000. Refer to pages 75, 158 for more details on the logos.
Disks bearing this logo contain song data for voices dened in the GM standard. Disks bearing this logo contain song data using the XG format, an extension of the GM standard that provides a wider variety of voices and more comprehensive sonic control. Disks bearing this logo contain song data for voices dened in Yamahas DOC format. Songs containing a large amount of data may not be able to be read properly by the instrument, and as such you may not be able to select them. The maximum capacity is about 200 300KB, however this may differ depending on the data contents of each song.

Playback of Songs

If you want to play back a disk song, insert an appropriate disk containing song data into the disk drive.
Make sure to read the section Using the Floppy Disk Drive (FDD) and Floppy Disks on page 7.
Press the [A] button to call up the Song Open display. If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.

Music Finder data is compatible for both the PSR-2000 and the PSR-1000.
In the example above, you specied a song title, but you can also look for relevant records by keyword or music genre for example, Latin, 8-beat, etc. (page 70).

Playing with the Songs

Playing Along with the PSR-2000/1000
In this section, try using the PSR-2000/1000s song playback features to cancel or mute the right-hand melody while you play the part yourself. Its like having a very talented and versatile playing partner accompany you while you perform.
Use the same operations as in Song Playback on pages 21 - 23.
Press the [TRACK 1] button to cancel the right hand melody part.
To cancel the left hand part, press the [TRACK 2] button.
If you want to have the notation displayed as you play (PSR-2000 only), press the [C] button. If you want to see the lyrics, press the [B] button. If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
If the selected song does not contain lyric data, lyrics are not displayed.
Press the SONG [START/STOP] button and play the part. If you want, you can adjust the tempo by pressing the TEMPO[ buttons.
If you want to start the song right away without an intro, use the Sync Start function. To set Sync Start to standby, simultaneously hold down the [TOP] button and press the SONG [START/STOP] button. Song playback starts automatically the moment you start playing the melody. If you can hear the PSR-2000/1000 playing the melody part as well, check the channel setting for the melody part in the song data, and change the channel assigned to Track 1 (page 137). You can also change the song channel itself permanently (page 103).
The PSR-2000/1000 lets you record, too quickly and easily. Try out the Quick Recording feature now and capture your keyboard performance.
Select a voice for recording. Use the same operations as in Playing a Voice on pages 25, 26.
Press the [REC] and [TOP] buttons simultaneously to select New Song for recording.
REC TOP START/STOP REW FF
Simultaneously hold down the [REC] button and press the [TRACK1] button.
Recording starts as soon as you start playing the keyboard.
When youve nished recording, press the [REC] button.
To hear your newly recorded performance, return the song to the beginning by using the [TOP] button and press the SONG [START/STOP] button.
The recorded data will be lost if you turn off the power. To keep your important recordings, youll need to save them to the User drive or oppy disk.

The PSR-2000/1000 features a variety of dynamic built-in digital effects, letting you process the sound in various ways. You can use DSP to enhance the voices in subtle ways such as by applying chorus to add animation and depth, or using a symphonic effect to give the sound warmth and richness. DSP also has effects such as distortion that can completely change the character of the sound. DSP is set for the currently selected part (MAIN/LAYER/LEFT).
The DSP and VARIATION effect types and the their depth can be selected and adjusted in the MIXING CONSOLE display (page 124).

I VARIATION

This control changes the Variation effect settings, letting you alter some aspect of the effect, depending on the selected type. For example, when the Rotary Speaker effect is selected (page 124), this lets you switch the rotor speed between slow and fast.

I HARMONY/ECHO

This control adds Harmony or Echo effects to the voices played on the right hand section of the keyboard (page 143).
The Portamento effect creates a smooth pitch glide between successively played notes.

I MONO

This control determines whether the voice is played monophonically (only one note at a time) or polyphonically for each part (MAIN/LAYER/LEFT). This is set to MONO when the lamp is lit, and set to polyphonic when the lamp is off. When set to MONO, only the last note played will sound. This lets you play wind instrument voices more realistically. Depending on the selected voice, the MONO setting also lets you effectively use the Portamento effect, when playing in legato.
You can add special emphasis to melody lines you play over chords by using the Layer function with a monophonic voice. Set the Main voice to play polyphonically and set the Layer voice to play monophonically (MONO). In this case, the melody you play including the top notes of any chords sounds monophonically. Try this using the following voices. MAIN voice: Brass Section (polyphonic) + LAYER voice: Sweet Trump (monophonic)

I LEFT HOLD

This function causes the left part voice to be held even when the keys are released the same effect as when the sustain pedal is pressed. This function is especially effective when used with the auto accompaniment. For example, if you play and release a chord in the auto accompaniment section of the keyboard (with the left part on and the Left voice set to Strings), the strings part sustains, adding a natural richness to the overall accompaniment sound.

Select a Intro Select a Ending
Play the style using the Intro or Ending section (page 30, 31).
Playing Fill-in patterns automatically when changing accompaniment sections Auto Fill In
Fill A short phrase used to add variation to the style.
Play the style and switch among the accompaniment sections as they play (page 30, 31). Fill-in patterns play automatically between each change in the Main sections.
You can also add a ll-in by pressing the selected MAIN button again.
To cancel the Auto Fill, press the [AUTO FILLIN] button again.
You can temporarily disable Auto Fill In during a performance by pressing the next Main sections button twice quickly.
Appropriate Panel Setting for the Selected Style (ONE TOUCH SETTING)
The convenient One Touch Setting function makes it easy for you to select voices and effects that are appropriate to the style youre playing. Each preset style has four pre-programmed panel setups that you can select by pressing a single button.
Press one of the ONE TOUCH SETTING buttons ([1] - [4]).
LED is red The One Touch Setting is currently selected.
As soon as you play a chord with your left hand, the auto accompaniment starts.
LED is off No One Touch Setting data. The button is not available. LED is green The One Touch Setting is not selected.
Various settings (such as voices, effects, etc.) that match the selected style can be instantly recalled. When the style is not playing, Auto Accompaniment and Sync. Start will automatically be turned on. For details about the One Touch Setting parameters, refer to the separate Data List (Parameter Chart).
Stop the Auto Accompaniment.
Try out other One Touch Setting setups. You can also create your own One Touch Setting setups (page 68).
Automatically Changing One Touch Settings with the Sections OTS Link
The convenient OTS (One Touch Setting) Link function lets you automatically have One Touch Settings change when you select a different Main section (A - D).
When you switch among the Main sections (A - D), the corresponding One Touch Setting will be called up automatically. The Main sections A, B, C, and D correspond to One Touch Settings 1, 2, 3, and 4, respectively.

The One Touch Settings can be set to change with the sections in one of two different timings (page 138): Immediately when you press a section button. At the next measure (in an accompaniment style), after you press a section button.
To cancel the OTS Link function, press the [OTS LINK] button again.
Registering the Panel Controls in One Touch Setting (ONE TOUCH SETTING)
This section covers how to create your own One Touch Setting setups (four setups per style). For a list of One Touch Setting setup parameters, refer to the separate Data List (Parameter Chart).

Select a style.

Set up the panel controls such as selecting a voice as required.
Press the [MEMORY] button.
Press one of the ONE TOUCH SETTING buttons:[1] through [4].
The items you can register in a One Touch Setting are Voice, Harmony, Multi Pad and Pedal settings.
A message prompting you to save the current style will appear. Select YES to call up the STYLE display, then save the panel settings (page 38, 44).
Unless you store the panel settings here, the registered settings will be deleted when you select a different accompaniment style.
Calling Up Ideal Setups for Your Music Music Finder
The Music Finder feature lets you instantly call up the appropriate settings for the instrument including voice, style, and One Touch Settings simply by selecting the desired song title. If you want to play a certain song but dont know which style and voice settings would be appropriate, the convenient Music Finder function will help you out. The recommended settings, which together make up a record, can also be edited and stored. This lets you create and save your own Music Finder records for future recall.
SUSTAIN HARMONY/ MONO ECHO E.PIANO ORGAN & ACCORDION BASS BRASS
The MUSIC FINDER records and its contents is just one example of the recommended panel setups. You can also create your own Music Finder settings for your favorite songs and genres.

PIANO & HARPSI. MAIN

Keep in mind that Music Finder is a performance aid in that it automatically nds appropriate accompaniment styles and voices for your playing. Even though you can specify song titles, it does not actually contain song data.
Select a record. For example, select the top record by pressing the [1LM] button to call up the recommended setups. The setting data shown here is referred to as a record.
All. Show all records. FAVORITE. Show the records that have added to the Favorite page. SEARCH1,2. Show the results by SEARCH function (page 70). Sorting the records MUSIC. The record is sorted by song title. STYLE. The record is sorted by style name. BEAT. The record is sorted by beat. TEMPO.. The record is sorted by tempo.

Select the song to be played back (page 75).
Use this button to turn on/off the additional performance parts (all but the right hand/left hand).
You can change the channel assignments for Track 1 and Track 2 (page 137), letting you specify which parts are muted when pressing the [TRACK 1]/[TRACK 2]/ [EXTRA TRACKS] buttons.
Use this button to turn on/off the right-hand part. All tracks are automatically set to on when selecting a different song.
Use this button to turn on/off the left-hand part.
Start the song. Adjust the tempo by using the TEMPO [

TOP START/STOP REW FF

] buttons (page 50).
To stop the song, press the button again.
Repeat Playback of a Specic Range
This feature allows you to specify a certain range of the song (between Point A and Point B), and play it back repeatedly.
Play back the song (page 76, 78).
You can also specify Points A and B when the song is stopped. Set Point A by pressing the [REPEAT] button, then use the [FF] button to move to the desired end location, then set Point B by pressing the [REPEAT] button again.
Press this button at the point you want the repeating phrase to start (Point A). Press this button at the point you want the repeating phrase to end (Point B).
Point B cannot be selected unless Point A has been selected rst.
n After an automatic lead-in (to help guide you into the phrase), the range from point A to point B is played back repeatedly. Regardless of whether the song is playing back or is stopped, pressing the [TOP] button returns to point A.
Specifying only Point A results in repeat playback between Point A and the end of the song.
The specied A and B points will be erased when selecting a different song number, cancelling the Repeat function, or selecting a different repeat mode such as Phrase Repeat or repeat in Song Chain Play (page 133).

Stop the song.

To cancel the Repeat function, press the button again.
Displaying Music Notation Score (PSR-2000 only)
With this feature, you can have the notation automatically shown on the display as the song plays. This can be used with your own recordings as well as the internal Demo songs.
Select the desired song (page 76, 78).
Enables/disables display of the left-hand key range. Depending on other settings, this parameter may be unavailable and may appear grayed out. If this is the case, go to the detailed setting display (shown below; use the [8LM] buttons) and set the LEFT CH. parameter to any channel except AUTO. Or, go to the SONG SETTING display in the Function menu (page 133) and set the TRACK 2 parameter to any channel except OFF.

Save the edited voice to the USER drive (Flash ROM) as a USER voice (page 44).
Press the [USER] button to select the edited voice, and play the keyboard.
Editing the voice -SOUND CREATOR-

Regular Voice Parameters

COMMON SOUND EFFECT/EQ (PSR-2000) EFFECT (PSR-1000) HARMONY Determines the common settings such as voice volume or octave. Determines the timbre/EG (Envelope Generator)/vibrato of the voice. Determines the effect depth/type and equalizer settings. Determines the Harmony/Echo settings. Keep in mind that there are certain parameters whose Sound Creator settings affect only the Main parts voice.
The following parameters are linked to the ones in each display.
Common parameter MONO PORTAMENTO TIME FILTER BRIGHTNESS FILTER HARMONIC CONTENT REVERB DEPTH CHORUS DEPTH DSP ON/OFF DSP DEPTH DSP TYPE/VARIATION EQ LOW/GAIN EQ HIGH/GAIN HARMONY/ECHO TYPE HARMONY/ECHO VOLUME HARMONY/ECHO SPEED HARMONY/ECHO ASSIGN HARMONY/ECHO CHORD NOTE ONLY HARMONY/ECHO TOUCH LIMIT Other location VOICE EFFECT (TOP PANEL) MIXING CONSOLE MIXING CONSOLE MIXING CONSOLE MIXING CONSOLE MIXING CONSOLE VOICE EFFECT (TOP PANEL) MIXING CONSOLE MIXING CONSOLE/VOICE EFFECT (TOP PANEL) MIXING CONSOLE MIXING CONSOLE HARMONY/ECHO (FUNCTION) HARMONY/ECHO (FUNCTION) HARMONY/ECHO (FUNCTION) HARMONY/ECHO (FUNCTION) HARMONY/ECHO (FUNCTION) HARMONY/ECHO (FUNCTION) page 58 page 123 page 123 page 123 page 124 page 124 page 57 page 124 page 58,124 page 121 page 121 page 143 page 143 page 143 page 143 page 143 page 143

COMMON

The explanations here apply to step #3 on page 87.
Set the volume of the current edited voice.
Set the portamento time of each part (MAIN/LAYER/VOICE) (page 123).
Determines the touch sensitivity, or how greatly the volume responds to your playing strength. 0 Produces more dramatic level drops, the more softly you play. 64 Normal response. 127 Produces high volume for any playing strength (xed)
This determines whether the voice is played monophonically (page 58).
Shift the octave range of the selected voice up or down in octaves. When the Main or Layer parts voice is used, the M/LYR parameter is available; when the Left parts voice is used, the LEFT parameter is available.
Editing the voice -SOUND CREATORSOUND
Determines the lter, EG, and vibrato settings (see below).

Vibrato On/Off Vibrato Depth Footage
Volume (VOL) Response (RESP)
Vibrato Speed (VIB. SPEED) Mode

Attack (4, 2 2/3, 2)

Length (LENG) Reverb Depth Chorus Depth DSP on/off DSP Depth DSP Type
Determines the DSP effect type to be applied to the Organ Flutes voice. Normally this will be one of the seven available Rotary Speaker effects. If any other type of effect is selected the Rotary SP Speed ([C]) button in the FOOTAGE/VOL/ATTACK display will not control rotary speaker speed. Instead, it will have the same effect as the VOICE EFFECT [VARIATION] button. Variation Value Determines whether the DSP variation will be set to Slow or Fast when the Organ Flutes voice is selected (when the Voice Set function is ON page 143). Sets the DSP variation parameter value (e.g., LFO Freq for a Rotary Speaker effect) when the DSP variation is turned on. The EQ parameters determine the Frequency and Gain of the Low and High EQ bands.

Variation

EQ Low EQ High
Recording Your Performances and Creating Songs

Song Creator

With these powerful yet easy-to-use song creating features, you can record your own keyboard performances and store them for future recall. Several different recording methods are available: Quick Recording (page 93), which lets you record easily and quickly; Multi Recording (page 94), which lets you record several different parts; and Step Recording (page 96), which lets you enter notes one by one. Songs can include not only the voice settings for the keyboard performance (Main, Layer, Left), but also the effects, vocal harmony and auto accompaniment parts. The recorded song can be stored to internal memory or oppy disk (page 38, 44).
EXTRA TRACKS TRACK 2 TRACK 1 REPEAT METRONOME

About Song Recording

I Quick Recording (page 93)
This is the easiest recording method, and lets you quickly record the piano song you are practicing. You can select from four parts: right hand, left hand and auto accompaniment/multi pad. For example, you can record only your right hand performance, or you can simultaneously record both your right hand and the auto accompaniment.
The internal memory capacity of the PSR-2000/1000 is about 580KB (PSR-2000) / 260KB (PSR1000). Memory capacity for 2DD and 2HD oppy disks is about 720KB and 1.44MB, respectively. When you store data to these locations, all le types of the PSR-2000/ 1000 (Voice, Style, Song, Registration, etc.) are stored together. The microphone input signal (PSR2000 only) cannot be recorded. Songs recorded on the PSR-2000/ 1000 are automatically recorded as SMF (Standard MIDI File format 0) data. For details on SMF, see page 159. Playback of the recorded song data can be transmitted from MIDI OUT, letting you play the sounds of a connected external tone generator (page 146). The volume level of each channel of the song can be adjusted from the Mixing Console and the settings can be saved. Moreover, even after youve set a voice for your keyboard play during recording, you can record voice selections, so that the voice changes automatically during playback (page 104).

Entering Chords and Sections (Chord Step)
For example, you can input the following chord progression by the procedure described below.

MAIN A BREAK MAIN B

Enter the chords by using the currently selected chord ngering method in the Auto Accompaniment section of the keyboard.
Press the MAIN [A] button to specify the section, and enter the chords as shown at right.

MAIN A

001:1:000

001:3:000

Select this note value and play the chords indicated at right.

002:1:000

Press the [BREAK] button to specify the Break section, and enter the chords as shown at right.

MAIN A BREAK

002:3:000

002:4:000

Press the MAIN [B] button to specify the section and enter the chord indicated at right.

MAIN B

003:1:000
I Play back the newly created chord progression Use the [C] ( L ) button to move the cursor to the beginning of the song, and press the
SONG [START/STOP] button to hear the newly entered notes. To actually enter the recorded data, press the [EXIT] button. The entered data can be edited from the SONG CREATOR (CHD) display (page 106). Finally, press the [F] (EXPAND) button from the SONG CREATOR (CHD) display in order to convert the input data into song data.
To enter a ll-in, press the [AUTO FILL IN] button and press one of the MAIN [A] [D] buttons.
END Mark An END mark is shown in the display, indicating the end of the song data. The actual position of the End mark differs depending on the section that is input at the end of the song. When an Ending section is input, the End mark automatically follows the Ending data. When a section other than Ending is input, the End mark is set two measures after the nal section. The End mark can be freely set to any position desired.
Select the Recording Options: Starting, Stopping, Punching In/Out Rec Mode
From this display you can set up how recording is started and stopped for either Quick Recording or Multi Recording. To call up these settings, select the REC MODE display by using the [BACK][NEXT] button, after performing operation steps 1 - 3 on page 96.
These settings determine how recording will start. Normal Pressing the SONG [START/STOP] button enables Synchro standby and overwrite recording starts as soon as you start playing the keyboard. First Key On Overwrite recording starts as soon as you start playing the keyboard. This setting also preserves the previous lead-in data, letting you record over the original lead-in without erasing it. Punch In At The song plays back normally up to the indicated Punch In measure (set by the [3LM] buttons), then starts overwrite recording at that Punch In measure. Determines the measure at which Punch In overwrite recording starts (when PUNCH IN AT is selected).

Determines whether Touch and Modulation Wheel controls are on or not for the corresponding parts.

Transpose Assign

This determines which aspect of the instrument is affected by the [TRANSPOSE] button. Transpose Allows you to shift the pitch of the keyboard-played voices, accompaniment style playback, and song data in semitone units.
Press one of the [TRANSPOSE] buttons.
A TRANSPOSE pop-up window, selected via TRANSPOSE ASSIGN, appears.
KEYBOARD For this setting, Transpose affects the pitch of the keyboard-played voices (Main, Layer, and Left) and the accompaniment styles. SONG For this setting, Transpose affects only the pitch of the songs. MASTER For this setting, Transpose affects the pitch of the entire instrument (keyboard voices, accompaniment styles, and songs).
Adjust the value by using the [TRANSPOSE] buttons. Close the TRANSPOSE windows by pressing the [EXIT] button.
The transpose function does not affect the Drum Kit or SFX Kit voices.
Selectively Transposing Keyboard/Song These settings can be used to match both the song and your keyboard performance to a certain key. For example, lets say you wish to play and sing along with a certain recorded song. The song data is in F, but you feel most comfortable singing in D, and you are accustomed to playing the keyboard part in C. To match up the keys, keep the Master Transpose setting at 0, set the Keyboard Transpose to 2, and set Song Transpose to -3. This brings the keyboard part up in pitch and the song data down to your comfortable singing key.
Specifying the Order for Calling Up Registration Memory Presets Registration Sequence
You can save your custom panel settings to the Registration Memory presets, and call them up by pressing the appropriate REGISTRATION MEMORY buttons [1] - [8]. The convenient Registration Sequence function lets you call up the presets in any order you specify, by simply using the [BACK]/[NEXT] buttons or the pedal as you play.
Indicates the le name of the selected Registration Memory bank.
Determines which pedal is used to advance (increment) through the sequence. Determines which pedal is used to reverse (decrement) through the sequence.
Setting Registration Sequence Enable to ON overrides any other Pedal settings (for pedals assigned to Regist (+) Pedal and Regist (-) Pedal here). These include the pedal settings on page 139, and in Voice Set on page 143.
When both Regist (+) Pedal and Regist (-) Pedal are set to OFF, the pedals cannot be used to step through the Registration Sequence; only the [BACK]/ [NEXT] buttons can be used in the MAIN display.

Fade In Time, Fade Out Time, Fade Out Hold Time.148 [FADE IN / OUT] button..18, 65 FAVORITE...71 [FF] button...18, 78 File....39 File/Folder-related Operations..41 Files/folders in a floppy disk..42 Fill...66 Filter...89, 107, 123 FILTER BRIGHT (Sound Creator)..89 FILTER HARMO. (Sound Creator)..89 Fine...113 FINGERED...62 FINGERED ON BASS..62 First Key On..101 FLOPPY DISK drive...39 FLOPPY DISK SONG AUTO OPEN.150 Floppy disk drive..19, 7 FOOT PEDAL 1/2 jack...153 FOOTAGE (Organ Flutes)...91 Footage (Organ Flutes)...91 [FOOT PEDAL 1 (SWITCH) ] jack..19, 153 [FOOT PEDAL 2] jack...19, 153 Formatting a Disk...150 [FREEZE] button..19, 86 Freeze...86, 142 FULL KEYBOARD...62 [FUNCTION] button...18, 133
ECHO... 58, 143 Edit... 111 Edit the Created Accompaniment Style. 113 Editing a Recorded Song... 102 Editing Channel-related Parameters. 102 Editing Chord Events... 106 Editing Note Events.. 105 Editing Records... 71 Editing System Events.. 106 Editing the Channel Data.. 115 Editing Voices... 87 [EFFECT] button... 19, 128 Effect Block.. 125 Effect Connections.. 126 Effect Structure.. 126 EFFECT/EQ... 90 EFFECT/EQ (Organ Flutes).. 91 Effects... 124 EG... 89 EG ATTACK (Sound Creator).. 89 EG DECAY (Sound Creator).. 89 EG RELES. (Sound Creator)... 89 Embellish and enhance your melodies with the automatic Harmony and Echo effects. 29 END Mark... 100 ENDING... 66 [ENDING / rit.] button... 18, 30, 65 [ENTER] button.. 19, 46 Entering Characters... 45 Entering Chords and Sections (Chord Step).. 99 Entering miscellaneous characters (marks).. 45 Entering numbers... 45 Entering special character marks (umlaut, accent, Japanese and ).. 45 Entering Your Name and Language Preference. 151 EQ... 121, 127 EQ High (Organ Flutes)... 91 EQ Low (Organ Flutes).. 91 Equal Temperament.. 136 ESEQ.... 159 Example Keyboard Data... 157 [EXIT] button... 19, 40 exit from small pop-up windows.. 40 Expand/Compress... 114 [EXTRA TRACKS (STYLE)] button. 18, 79
Gate Time....97 GENRE...70, 72 GENRE NAME...72 GM System Level 1..17, 159 Groove...113 Groove parameters...113 GROUP SELECT...84
Handling the Floppy Disk Drive (FDD) and Floppy Disk.7 Harmonic Content...89 HARMONY..58, 90, 143 Harmony Assignments...144 Harmony Types...144 [HARMONY / ECHO] button..19, 58 Headphones...152 Help messages can be displayed in any one of the following languages...49 [HELP] button...18, 49 High Key....117 [HOST SELECT] switch..19, 153 Hz...135
ICON...46 ICON SELECT...46 [INPUT VOLUME] knob..19, 152 Inputting and Editing Lyrics..107 Instant Selection of Displays..47 INTRO....66 [INTRO] button..18, 31, 64

Index K

Kbd.Vel... 97 KEY SIGNATURE... 81 Keyboard Percussion.. 55 Keyboard Touch... 141 Keyboard/Panel... 141 KEYWORD... 70, 71 Kirnberger... 136 MODULATION..18, 58, 141 [MONO] button..19, 58 MONO POLY (Sound Creator)...88 Moving Files/Folders...42 MULTI FINGER...62 MULTI PAD [1] - [4] buttons..18, 73 Multi Pads....14 Multi Recording...94 [MUSIC FINDER] button..15, 19, 33, 69 Music Finder Record Edit..71 Music Finder Search...70 Music Stand...17 Muting Specific Parts..79

Cutting Noise Cutting Noise 2 String Slap
Phone Call Door Squeak Door Slam Scratch Cut Scratch H 3 Wind Chime Telephone Ring 2

Flute Key Click

Car Engine Ignition Car Tires Squeal Car Passing Car Crash Siren Train Jet Plane Starship Burst Roller Coaster Submarine
Shower Thunder Wind Stream Bubble Feed
Laugh Scream Punch Heart Beat Foot Steps

Dog Horse Bird Tweet 2

Machine Gun Laser Gun Explosion Firework

Ghost Maou

Style List Liste der Styles Liste des styles Lista de estilos (PSR-2000/1000)
Category Pop&Rock Style Name HeartBeat 60'sGtrPop 60's8Beat 8Beat1 8Beat2 OffBeat 60'sRock1 60'sRock2 BritPop HardRock Rock+HalfTime RockShuffle RootRock 8BeatRock PopShuffle1 PopShuffle2 GuitarPop 16BtUptempo KoolShuffle FunkyFusion JazzRock Soul DetroitPop1 Twist 60'sRock&Roll GospelBrothers 6-8Soul CrocoTwist Rock&Roll SoulBeat DetroitPop2 SoulShuffle BoogieWoogie 6-8Blues AmazingGospel Country8Beat1 CountryPop1 CountryRock CountrySwing1 Country2-4 CowboyBoogie Country8Beat2 CountryPop2 CntryBrothers CountryShuffle Hoedown FingerPickin SingrSngWriter 8BeatModern OrganBallad Unplugged 8BeatAdria PianoBallad LoveSong AcousticBallad 6-8ModernEP 6-8Orchestral 6-8SlowRock1 6-8SlowRock2 RockBallad 16Beat Ballad Category Style Name PopBallad 16BeatBallad1 16BeatBallad2 Slow&Easy AnalogBallad R&B ModCntryPop CountryBallad SecretService BigBandFast1 BigBandMid1 BigBandFast2 BigBandMid2 CatGroove BigBandBallad MoonlightBallad BigBandShfl1 BigBandShfl2 JazzClub Swing1 Swing2 JazzBallad1 GypsySwing Dixieland1 Ragtime1 Bebop Charleston EuroTrance Ibiza HouseMusik SwingHouse TechnoPolis Clubdance ClubLatin Garage1 Garage2 TechnoParty UKPop HipHopGroove HipHopLight ModernR&B HipShuffle HipHopPop 70'sDisco1 70'sDisco2 70'sDisco3 LatinDisco DiscoPhilly SaturdayNight DiscoChocolate DiscoHands DiscoFunk DiscoSamba DiscoParty DiscoFox FunkyDisco VienneseWaltz EnglishWaltz Slowfox Foxtrot Quickstep

Swing&Jazz

Ballad

Ballroom

Multi Pad Bank List Multi-Pad-Bank-Liste Liste des banques multi-pads Lista de bancos de Multi Pad

Effect Name HALL1 HALL2 HALL3 HALL4 HALL5 HALL M HALL L ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 ROOM S ROOM M ROOM L STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 GM PLATE WHITE ROOM TUNNEL CANYON BASEMENT CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 GM CHORUS1 GM CHORUS2 GM CHORUS3 GM CHORUS4 FB CHORUS CELESTE1 CELESTE2 SYMPHONIC1 SYMPHONIC2 ENS DETUNE (ENSEMBLE DETUNE) KARAOKE1 KARAOKE2 KARAOKE3 ER1 ER2 GATE REVERB REVERS GATE EQ DISCO EQ TEL 2BAND EQ 3BAND EQ HM ENHANCE1 (HARMONIC ENHANCER 1) HM ENHANCE2 (HARMONIC ENHANCER 2) FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 GM FLANGER DELAY LCR1 DELAY LCR2 DELAY LR ECHO CROSS DELAY TEMPO DELAY TEMPO ECHO TEMPO CROSS DIST HEAVY ST DIST (STEREO DISTORTION) COMP+DIST1 (COMPRESSOR+DISTORTION 1) COMP+DIST2 (COMPRESSOR+DISTORTION 2) OVERDRIVE ST OD (STEREO OVER DRIVE) DIST HARD (DISTORTION HARD) DIST SOFT (DISTORTION SOFT) ST DIST HARD (STEREO DISTORTION HARD) ST DIST SOFT (STEREO DISTORTION SOFT) V_DIST HARD (V DISTORTION HARD) Type MSB 98 Type LSB 0

XG Effect Type

Reverb Type
Effect Name HALL1 HALL2 HALL3 HALL4 HALL5 HALL M HALL L ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 ROOM S ROOM M ROOM L STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 GM PLATE WHITE ROOM TUNNEL CANYON BASEMENT NO EFFECT Type MSB Type LSB 0 0

Chorus Type

Effect Name CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 GM CHORUS1 GM CHORUS2 GM CHORUS3 GM CHORUS4 FB CHORUS CELESTE1 CELESTE2 FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 GM FLANGER SYMPHONIC1 SYMPHONIC2 PHASER1 ENS DETUNE (ENSEMBLE DETUNE) NO EFFECT : CVP-209/207, PSR-2000 only Type MSB Type LSB 0 0
Effect Name V_DIST SOFT (V DISTORTION SOFT) AMP SIM (AMP SIMULATOR) ST AMP1 (STEREO AMP SIMIULATOR 1) ST AMP2 (STEREO AMP SIMIULATOR 2) ST AMP3 (STEREO AMP SIMIULATOR 3) DST+DELAY1 (DISTORTION+DELAY 1) DST+DELAY2 (DISTORTION+DELAY 2) OD+DELAY1 (OVERDRIVE+DELAY 1) OD+DELAY2 (OVERDRIVE+DELAY 2) CMP+DST+DLY1 (COMPRESSOR+DISTORTION+DELAY 1) CMP+DST+DLY2 (COMPRESSOR+DISTORTION+DELAY 2) CMP+OD+DLY1 (COMPRESSOR+OVERDRIVE+DELAY 1) CMP+OD+DLY2 (COMPRESSOR+OVERDRIVE+DELAY 2) V_DST H+DLY (V DISTORTION HARD+DELAY) V_DST S+DLY (V DISTORTION SOFT+DELAY) DST+TDLY (DISTORTION+TEMPO DELAY) OD+TDLY (OVERDRIVE+TEMPO DELAY) CMP+DST+TDL (COMPRESSOR+DISTORTION+TEMPO DELAY) CMP+OD+TDLY (COMPRESSOR+OVERDRIVE+TEMPO DELAY) V_DST H+TDLY (V DISTORTION HARD+TEMPO DELAY) V_DST S+TDLY (V DISTORTION SOFT+TEMPO DELAY) COMPRESSOR NOISE GATE VCE CANCEL AMBIENCE TALKING MOD LO-FI PHASER1 PHASER2 EP PHASER1 EP PHASER2 EP PHASER3 PITCH CHG1 (PITCH CHANGE 1) PITCH CHG2 (PITCH CHANGE 2) PITCH CHG3 (PITCH CHANGE 3) ROTARY SP1 ROTARY SP2 ROTARY SP3 ROTARY SP4 ROTARY SP5 ROTARY SP6 2WAY ROT SP (2WAY ROTARY SP) DST+ROT SP (DISTORTION+ROTARY SP) DST+2ROT SP (DISTORTION+2WAY ROTARY SP) OD+ROT SP (OVERDRIVE+ROTARY SP) OD+2ROT SP (OVERDRIVE+2WAY ROTARY SP) AMP+ROT SP (AMP SIMULATOR+ROTARY SP) AMP+2ROT SP (AMP SIMULATOR+2WAY ROTARY SP) DUAL ROT SP1 (DUAL ROTOR SPEAKER 1) DUAL ROT SP2 (DUAL ROTOR SPEAKER 2) AUTO PAN1 AUTO PAN2 EP AUTOPAN TREMOLO1 TREMOLO2 TREMOLO3 EP TREMOLO GT TREMOLO1 GT TREMOLO2 AUTO WAH1 AUTO WAH2 AT WAH+DST1 (AUTO WAH+DISTORTION 1) AT WAH+DST2 (AUTO WAH+DISTORTION 2) AT WAH+OD1 (AUTO WAH+OVERDRIVE 1) AT WAH+OD2 (AUTO WAH+OVERDRIVE 2) TOUCH WAH1 TOUCH WAH2 TC WAH+DST1 (TOUCH WAH+DISTORTION 1) TC WAH+DST2 (TOUCH WAH+DISTORTION 2) TC WAH+OD1 (TOUCH WAH+OVERDRIVE 1) TC WAH+OD2 (TOUCH WAH+OVERDRIVE 2) CLAVI TC WAH (CLAVI TOUCH WAH) EP TC WAH (EP TOUCH WAH) WH+DST+DLY1 (WAH+DISTORTION+DELAY 1) WH+DST+DLY2 (WAH+DISTORTION+DELAY 2) WH+DST+TDLY (WAH+DISTORTION+TEMPO DELAY) WH+OD+DLY1 (WAH+OVERDRIVE+DELAY 1) WH+OD+DLY2 (WAH+OVERDRIVE+DELAY 2) WH+OD+TDLY (WAH+OVERDRIVE+TEMPO DELAY) THRU NO EFFECT

MSB = 08

Value 1-7430 1-3550 1-7430 1-3550 1-127 0-2 1-10 See Table Control
Feedback Level Input Select High Damp

Dry/Wet

D63>W~D=W~D<W63
Dry/Wet Rev Delay Density Er/Rev Balance High Damp (*1) Feedback Level
D63>W~D=W~D<W63 0.1mS~99.3mS 0~4 (rev, var, ins1-4 block) 0~2 (ins5 block) E63>R~E=R~E<R63 0.1~1.0 -63~+63
1-127 0-63 0-4 0-2 1-127 1-10 1-127 table#5
EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain
32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB

4-40 52-76 28-58 52-76

table#3 table#3
EARLY REF1, EARLY REF2 (variation, Insertion1-4 block)*11
No. Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Display S-H, L-H, Rdm, Rvs, Plt, Spr 0.1~7.0 0~10 0.1mS~200.0mS -63~+63 Thru~8.0kHz 1.0k~Thru

MSB = 09

Value 0-5 0-44 0-10 0-127 1-127 0-52 34-60 See Table table#6 table#5 table#3 table#3 Control
DELAY L,C,R (variation, insertion block)
No. Lch Delay Rch Delay Cch Delay Feedback Delay Feedback Level Cch Level High Damp Parameter Display 0.1~1486.0ms (*2) 0.1~715.0ms (*3) 0.1~1486.0ms (*2) 0.1~715.0ms (*3) 0.1~1486.0ms (*2) 0.1~715.0ms (*3) 0.1~1486.0ms (*2) 0.1~715.0ms (*3) -63~+63 0~127 0.1~1.0

MSB = 05

Value 1-14860 1-7150 1-14860 1-7150 1-14860 1-7150 1-14860 1-7150 1-127 0-127 1-10 See Table Control
Dry/Wet Liveness Density High Damp
D63>W~D=W~D<W63 0~10 0~3 0.1~1.0

1-127 0-10 0-3 1-10

GATE REVERB REVERSE GATE (variation, Insertion1-4 block)*11
No. EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 4-40 52-76 28-58 52-76 table#3 table#16 Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff TypeA,TypeB 0.1~7.0 0~10 0.1mS~200.0mS -63~+63 Thru~8.0kHz 1.0k~Thru Display

MSB = 10 MSB = 11

Value 0-1 0-44 0-10 0-127 1-127 0-52 34-60 See Table table#6 table#5 table#3 table#3 Control
DELAY L, R (variation, insertion block)
No. Lch Delay Rch Delay Feedback Delay 1 Feedback Delay 2 Feedback Level High Damp Parameter Display 0.1~1486.0ms (*2) 0.1~715.0ms (*3) 0.1~1486.0ms (*2) 0.1~715.0ms (*3) 0.1~1486.0ms (*2) 0.1~715.0ms (*) 0.1~1486.0ms (*2) 0.1~715.0ms (*3) -63~+63 0.1~1.0

AUTO WAH+DIST AUTO WHA+ODRV (variation, Insertion1-4 block)*5
No. Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive EQ Low Gain(distortion) EQ Mid Gain(distortion) LPF Cutoff Output Level 0.00Hz~39.7Hz 0~127 0~127 1.0~12.0 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W~D=W~D<W63 0~127 -12~+12dB -12~+12dB 1.0kHz~thru 0~127 Display
MSB = 78, LSB = 1, 17 MSB = 78, LSB = 2, 18
Value 0-127 0-127 0-127 10-120 4-40 52-76 28-58 52-76 1-127 0-127 52-76 52-76 34-60 0-127 See Table table#1 Control
TOUCH WAH 2 (variation, insertion block)*1 TOUCH WAH+ODRV (variation, Insertion1-4 block)*1
No. Parameter Sensitive Cutoff Frequency Offset Resonance 0~127 0~127 1.0~12.0 Display
MSB = 82, LSB = 8 MSB = 82, LSB = 2, 17, 18, 19
Value 0-127 0-127 10-120 See Table Control
EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive EQ Low Gain(distortion) EQ Mid Gain(distortion) LPF Cutoff Output Level Release
32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W~D=W~D<W63 0~127 (var/ins1-4 block) -12~+12dB (var/ins1-4 block) -12~+12dB(var/ins1-4 block) 1.0kHz~thru(var/ins1-4 block) 0~127(var/ins1-4 block) 10~680mS(var/ins1-4 block)
4-40 52-76 28-58 52-76 1-127 0-127 52-76 52-76 34-60 0-127 52-67

table#3 table#12

PITCH CHANGE 1 (variation, Insertion1-4 block)*5
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level -24~+24 0.1mS~400.0mS -50~+50 -50~+50 -63~+63 Display

MSB = 80, LSB = 0, 16

Value 40-88 0-127 14-114 14-114 1-127 See Table table#7 Control
COMPRESSOR (variation, insertion block)*1
No. Parameter Attack Release Threshold Ratio Output Level 1~40ms 10~680ms -48~-6dB 1.0~20.0 0~127 Display

MSB = 83

Value 0-19 0-15 79-121 0-7 0-127 See Table table#8 table#9 table#10 Control
Dry/Wet Pan 1 Output Level 1 Pan 2 Output Level 2
D63>W~D=W~D<W63 L63~R63 0~127 L63~R63 0~127
1-127 1-127 0-127 1-127 0-127
PITCH CHANGE 2 (variation, Insertion1-4 block)*5
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level -24~+24 0.1mS~400.0mS -50~+50cent -50~+50cent -63~+63 Display

MSB = 80, LSB = 1

NOISE GATE (variation, insertion block)*1
No. Parameter Attack Release Threshold Output Level 1~40ms 10~680ms -72~-30dB 0~127 Display

MSB = 84

Value 0-19 0-15 55-97 0-127 See Table table#8 table#9 Control
HARMONIC ENHANCER (variation, Insertion block)*1
No. HPF Cutoff Drive Mix Level Parameter 500Hz~16.0kHz 0~127 0~127 Display

MSB = 81

Value 28-58 0-127 0-127 See Table Control
VOICE CANCEL (variation, Insertion1-4 block)*5
No. Low Adjust High Adjust 0~26 0~26 Parameter Display

MSB = 85

X X O O X X X X X X X X X X X X X X X X X X X X O X X X X X X X X X O X X O
X X X X X X X X X X X X X X X X X X X X X X X X X X O O O O X O O X X X X X
Effects Effects Effects Effects Voice Voice -
X X O X X O X X O X X O O X O O O O O O X O X X X O O O O O O O O X X X X X
Guide Setting Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Mic. Setting Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice -
X X X X X X O X X X X X X X X X X X X X X O X X X X X X X X X X X X X X X X
X X X X X X X X O X X O O X X O X O O O X X X X X O O O O O O O O X X X X X
O O O O O O X X O X X O O O O O O O O O X O O O X O O O O O O O O X X X O X

Split Split -

PSR only
The data that is saved to Regist./OTS is not actual Voice, but Program Change. PSR only
CVP Main Part is always on.
PSR only CVP-209/207/205, PSR-2000 only
For songs that have no channel on/off message, all are set to on.
PSR only PSR only CVP only
Filter settings when registering Registration.

O X X X O O O O O

X X X X X X X X X
X X X X X O O X X O O X X O
Guide Setting Guide Setting Lyrics Language
X X X X X X X X X X X X X X
X O O O X X X X X X X X X X

Scale Scale Scale -

Reset to its default setting when song data doesn't include this data. Reset to its default setting when song data doesn't include this data.
O X O X Mic>MicSetup>VH Song Track O X X X O X -
O O O O O MainWindow MainWindow

X X X X X

Parameter

System SetUp

Voice Set Group

Song Setup Group

Registration Regist Freeze/Memory Group Style -

Param Lock Group

ChordFingering FingeringType TutorRoot TutorType Controller Pedal PedalType PedalSettings PedalTypeDefaultSetting PedalPolarity Keyboard/Panel TouchSense TouchOffLevel TouchOnOff ModulationWheel(PSR) TransposeAssign Regist.Sequence/Freeze/VoiceSet RegistrationSequence RegistSequenceData RegistSequenceEnable Regist(+)Pedal Regist(-)Pedal SequenceEnd Freeze FreezeGroupSetting VoiceSet VoiceSetEnable Main VoiceSetEnable Layer VoiceSetEnable Left Harmony/Echo Type Volume Speed Assign ChordNoteOnly TouchLimit Utility Configuration Speaker DisplayVoiceNumber MetronomeVolume MetronomeSound TimeSignature ParameterLock TapCountPercussion TapCountVelocity LCDContrast(CVP-209/207) LCDBrightness FadeInTime FadeOutTIme FadeOutHoldTime Disk FloppyDiskSongAutoOpen Owner OwnerName Language MainPicture SystemReset FactoryResetSetting MIDI System Local Control Clock Transmit Clock Receive Transpose Receive Start/Stop SysEx Transmit SysEx Receive Chord SysEx Transmit Chord SysEx Receive Transmit Part (Ch1~16) Filter (Ch1~16) Receive Mode(Ch1~32) Filter (Ch1~32) Root Chord Detect MIDI Template Template No. Template Name VideoOut(CVP-209/207/205) NTSC/PAL Size(CVP-205) ScreenContent(CVP-209/207) CharactrorColor(CVP-205) BackgroundColor(CVP-205) Lyrics BackGround(Panel Setting) BackGround(Song Setting) MusicScore (CVP-209/207/205, PSR-2000) Left on/off Right on/off Lyric on/off Chord on/off NoteName on/off Size

X O O X X X X O O O O O O O O O O X X X X X X X
X X X X X X X X X X X X X X X X X X X X X X X X
X X X O X X O X X X X X X X X X X X X O X O O O
Mic. Setting Mic. Setting Mic. Setting Mic. Setting
O(On) X X X O(On) X X X X X X X X X X X X X X X X X X X
O X X O X X X X X X X X X X X X X X X O X O O X

Mic Mic Mic Mic

Current VH Type settings and Type name
O X O X O X O X O X O X O X O X O X O X O X O X X X X X X X X X X X X X X X BalancePoup>MicVolume O O O O O O O O X X X X X X X X -
X X X X X X X X X X X X X X O X X X X

Mic. Setting -

X X X X X X X X X X X X X X X X X X X
X X X X X X X X X X X X O O O O O O X
Mic Mic Mic Mic Mic Mic -
X X X X X X X X O O O O X X X X
Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice -
X X X X X X X X X X X X X X X X
X X X X X X X X O O O O O O X X
Voice Style Voice Style Voice Style -
X O Voice X O Voice X O Voice X O Voice X O Voice X O Voice X O Voice X O Voice Voice Effect DigitalStudio>Mixing Console Controller-Pedal Controller-Pedal DigitalStudio>Mixing Console DigitalStudio>Mixing Console X O Voice Voice X O X O Voice X O Voice X O Voice X O Voice X O Voice X O Voice X O Voice X O Voice X O Voice X O Voice DigitalStudio>Mixing Console DigitalStudio>Mixing Console Voice Effect DigitalStudio>Mixing Console X O Voice X X X X Voice Effect X X X O O O X O O O Voice Effect Effect Effects Effects EQ

CVP only CVP only

O O O O O O O O O O O O
Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice

X X X X X X X X X X X X

Voice Style Voice Style Voice Style Voice Style Voice Style Voice Style

O O O O X O O O

Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice

X X X X X X X X

Voice Style Voice Style Voice Style Voice

PSR only PSR only

Memorized only when Sound Creator opened
CVP-209/207, PSR-2000 only

System SetUp X X X

Voice Set Group EQ EQ EQ
Registration Regist Freeze/Memory Group Style Voice Style
EQ Low Freq(Left) EQ Low Gain EQ High Freq(Main,Layer) EQ High Freq(Left) EQ High Gain Harmony/Echo Type Volume Speed Assign ChordNoteOnly TouchLimit Natural Voice Reverb Type(Main,Layer) Natural Voice Reverb Type(Left) Natural Voice Chorus Type(Main,Layer) Natural Voice Chorus Type(Left) Natural Voice DSP Type(Main,Layer) Natural Voice DSP Type(Left) Natural Voice Brilliance Type(Main,Layer) Natural Voice Brilliance Type(Left) Natural Voice VibeSustain Natural Voice VibeRotorSpeed(Main,Layer) Natural Voice VibeRotorSpeed(Left) Natural Voice Piano SR Depth Natural Voice Piano SS Depth Piano Tuning Curve Organ Flutes Footage(Main,Layer) Organ Flutes Footage(Left) Organ FlutesType(Main,Layer) Organ FlutesType(Left) Organ Vib On/Off(Main,Layer) Organ Vib On/Off(Left) Organ Flutes Attack Footage(Main,Layer) Organ Flutes Attack Footage(Main,Layer) Organ Flutes Attack Mode(Main,Layer) Organ Flutes Attack Mode(Left) Organ Flutes Attack length(Main,Layer) Organ Flutes Attack length(Left) Organ Flutes Response(Main,Layer) Organ Flutes Response(Left) Organ Flutes Volume(Main,Layer) Organ Flutes Volume(Left) DigitalStudio>Mixing Console Auto Revoice On/Off Setup Volume Style Part Song Part Main,Layer Left Acmp(Offset) Song(Offset) Multi Pad Mic Voice Acmp Part Song Part PanPot Acmp Part Song Part Main,Layer Left Acmp(Offset) Song(Offset) Multi Pad Mic Brightness Acmp Part Song Part Main,Layer Left Harmonic Contents Acmp Part Song Part Main,Layer Left Octave Main,Layer Left Tune Main,Layer Left Portament Time Main,Layer Left Pitch Bend Range Main,Layer Left Transpose Master Song Keyboard Reverb Type Reverb Return Level

Keyboard Voice Keyboard Voice Keyboard Voice
CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only
DigitalStudio>Mixing Console
DigitalStudio>Mixing Console Harmony/Echoe Harmony/Echoe Harmony/Echoe Harmony/Echoe Harmony/Echoe X O X X X X X X X O X X O O O X X X X X X X X X X X X X X X X O O O O O O O X O O X X X O O O O O O O O O O O O O O O O
Effects Effects Effects Effects Effects Effects EQ EQ Effects Effects Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice
O O O O O O O O X O O X X X O O O O O O O O O O O O O O O O
Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice
Voice Style Voice Style Voice Style Voice Style Voice Style Voice Style Voice Style Voice Style Voice Style Voice Style Voice Style Voice Style Voice Style
CVP only CVP only CVP only CVP only CVP only CVP only CVP only CVP only CVP only CVP only CVP only CVP only CVP only CVP only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only CVP-209/207, PSR-2000 only

X X O X

X X X X

Style -

X X O X X O Volume MainWindow>BalancePopup>MainVolume/LayerVolume MainWindow>BalancePopup>LeftVolume MainWindow>BalancePopup>StyleVolume MainWindow>BalancePopup>SongVolume MainWindow>BalancePopup>M.PadVolume MainWindow>BalancePopup>MicVolume X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X O O X X O O O O X X O O X X X X X X X Voice Voice Voice Voice Voice Voice Voice Voice Voice Voice X O O O O O X X X O X O O O X O O O O O O O O O X X X X X X X Voice Pan Keyboard Voice Keyboard Voice Mic. Setting Filter Keyboard Voice Keyboard Voice Filter Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice Keyboard Voice -
O X O X X X X X X X O X X X O X X X X X X X X X X X X X X O X
X X X X O O X X X X X X O O X X O O O O O O O O X X X X X X X
O X O X O O O X O O O X O O O X O O O O O O O O O O O O O O O

The MULTI EQ Parameter cannot be reset to its factory setting with XG SYSTEM ON.
MIDI Parameter Change table (EFFECT2)
CVP-203 CVP-205 CVP-207 CVP-209 PSR-1000 PSR-2000 Address (H) 03 n 00 X X O O X O Size Data (H) (H) 2 00-7F INSERTION EFFECT TYPE MSB 00-7F INSERTION EFFECT TYPE LSB 00-7F INSERTION EFFECT PARAMETER 1 00-7F INSERTION EFFECT PARAMETER 2 00-7F INSERTION EFFECT PARAMETER 3 00-7F INSERTION EFFECT PARAMETER 4 00-7F INSERTION EFFECT PARAMETER 5 00-7F INSERTION EFFECT PARAMETER 6 00-7F INSERTION EFFECT PARAMETER 7 00-7F INSERTION EFFECT PARAMETER 8 00-7F INSERTION EFFECT PARAMETER 9 00-7F INSERTION EFFECT PARAMETER 10 00-7F INSERTION EFFECT PART NUMBER Refer to Effect Parameter List Parameter Description Corresponding Voice/Part Regular/ Mic/Vocal Organ Voice Harmony O O Natural Voice X MIDI Reception (effective or not for each part) Song Main Keyboard Layer Left O Style Extra MIDI Transmission (generated data) Panel (main generation method) O (Mixing Console) M.Pad X Style X Song O MIDI X
O (*Depends on Insertion Type )

0D 0E 0F TOTAL SIZE 20

00-7F 00-7F 00-7F 00-7F 00-7F 12
Reception: Part1.16(0.15) Transmission: Part1.16(0.15) AD(64) OFF(127) MW INSERTION CONTROL -64.0.+63 DEPTH BEND INSERTION -64.0.+63 CONTROL DEPTH CAT INSERTION CONTROL -64.0.+63 DEPTH AC1 INSERTION CONTROL -64.0.+63 DEPTH AC2 INSERTION CONTROL -64.0.+63 DEPTH
O (Mixing Console *Depends on Insertion Type) O (Mixing Console *Depends on Insertion Type) O (Mixing Console *Depends on Insertion Type) O (Mixing Console *Depends on Insertion Type) O (Mixing Console *Depends on Insertion Type) O (Mixing Console *Depends on Insertion Type) O (Mixing Console *Depends on Insertion Type) O (Mixing Console *Depends on Insertion Type) O (Mixing Console *Depends on Insertion Type) O (Mixing Console *Depends on Insertion Type) O (Mixing Console)
00-7F INSERTION EFFECT PARAMETER 11 00-7F INSERTION EFFECT PARAMETER 12 00-7F INSERTION EFFECT PARAMETER 13 00-7F INSERTION EFFECT PARAMETER 14 00-7F INSERTION EFFECT PARAMETER 15 00-7F INSERTION EFFECT PARAMETER 16 6

-64.0.+63(0.127)

0B 0C 0D 0E 0F TOTAL SIZE 14
L63>H.L=H.L<H63 (1.64.127) AD(64), OFF(0.63, 65.127) -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63

X X X X X X X

O O X X X X X
O (MicSetting) O (Vocal Harmony Sw) X X X X X

TOTAL SIZE 20

0Hz(0), 0.1.12.7Hz(1.127)

0.2.54sec(0.127)

25 TOTAL SIZE
The SPECIAL EFFECT Parameter cannot be reset to its factory setting with XG SYSTEM ON.
MIDI Parameter Change table (MULTI PART)
CVP-203 CVP-205 CVP-207 CVP-209 PSR-1000 PSR-2000 Address (H) 08 nn 0A 0B 0C 0D 0E 0F 1A 1B 1C 1D 1E 1F 28 TOTAL SIZE 3A 3B 3C 3D 3E 3F 4A 4B 4C 4D 4E 4F 54 O O O O O O Size Data (H) (H) 00-20 ELEMENT RESERVE 0.32 0.127 Parameter Description XG Default (H) part10=00, other parts=02 part10=7F, other parts =00 Part No. part10=02, other parts=Corresponding Voice/Part Regular/ Mic/Vocal Organ Voice Harmony O O O O O O O O O O X X X X X X X X X X Natural Voice X O O O X X X O O O MIDI Reception (effective or not for each part) Song O O O O O O O O O O Main Keyboard Style Layer Left X O O O X X X X O O X X X X X X X X X X X O O O X X O X O O MIDI Transmission (generated data) Song O O O O O O O O O O MIDI X X X X X X X X X X
Extra Panel (main generation M.Pad Style method) X O O O X X X X O O X X X X X X X O (Drum Voice) X X X X X X X X X X X X X X X X X X X X X X

00-7F BANK SELECT MSB

1 00-7F BANK SELECT LSB 1 00-7F PROGRAM NUMBER 1 00-0F,7F Rcv CHANNEL 1 00-01 MONO/POLY MODE 1 00-02 SAME NOTE NUMBER KEY ON ASSIGN 1 00-03 PART MODE 00-7F 00-0F 00-0F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 29 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F
0.127 0.127 1.16, OFF MONO, POLY SINGLE, MULTI, INST (for Drum) NORMAL, DRUM, DRUMS1.2 CHANNEL TRANSPOSE -24.0.+24[semitones] DETUNE -12.8.0.+12.7[Hz] 1st bit3-0bit7-4 2nd bit3-0bit3-0 VOLUME 0.127 VELOCITY SENSE DEPTH 0.127 VELOCITY SENSE 0.127 OFFSET PAN RND, L63.C.R63 NOTE LIMIT LOW C-2.G8 NOTE LIMIT HIGH C-2.G8 DRY LEVEL 0.127 CHORUS SEND 0.127 REVERB SEND 0.127 VARIATION SEND 0.127 VIBRATO RATE -64.0.+63 VIBRATO DEPTH -64.0.+63 VIBRATO DELAY -64.0.+63 FILTER CUTOFF -64.0.+63 FREQUENCY FILTER RESONANCE -64.0.+63 EG ATTACK TIME -64.0.+63 EG DECAY TIME -64.0.+63 EG RELEASE TIME -64.0.+63 MW PITCH CONTROL -24.0.+24[semitones] MW LOW PASS FILTER -9600.0.+9450[cent] CONTROL MW AMPLITUDE -100.0.+100[%] CONTROL MW LFO PMOD DEPTH 0.127 MW LFO FMOD DEPTH 0.127 MW LFO AMOD DEPTH 0.127 BEND PITCH CONTROL -24.0.+24[semitones] BEND LOW PASS FILTER -9600.0.+9450[cent] CONTROL BEND AMPLITUDE -100.0.+100[%] CONTROL BEND LFO PMOD DEPTH 0.127 BEND LFO FMOD DEPTH 0.127 BEND LFO AMOD DEPTH 0.127

MIDI Transmission (generated data) Song X X X X X X X X X X X X X X X X X X O O X X X X X X MIDI X X X X X X X X X X X X X X X X X X X X X X X X X X
Extra Panel (main generation M.Pad Style method) X X X X X X X X X X X X X X X X X X O O X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
00-7F PAT AMPLITUDE CONTROL 00-7F PAT LFO PMOD DEPTH 00-7F PAT LFO FMOD DEPTH 00-7F PAT LFO AMOD DEPTH 00-5F AC1 CONTROLLER NUMBER 28-58 AC1 PITCH CONTROL 00-7F AC1 LOW PASS FILTER CONTROL 00-7F AC1 AMPLITUDE CONTROL 00-7F AC1 LFO PMOD DEPTH 00-7F AC1 LFO FMOD DEPTH 00-7F AC1 LFO AMOD DEPTH 00-5F AC2 CONTROLLER NUMBER 28-58 AC2 PITCH CONTROL 00-7F AC2 LOW PASS FILTER CONTROL 00-7F AC2 AMPLITUDE CONTROL 00-7F AC2 LFO PMOD DEPTH 00-7F AC2 LFO FMOD DEPTH 00-7F AC2 LFO AMOD DEPTH 00-01 PORTAMENTO SWITCH 00-7F PORTAMENTO TIME 00-7F PITCH EG INITIAL LEVEL 00-7F PITCH EG ATTACK TIME 00-7F PITCH EG RELEASE LEVEL 00-7F PITCH EG RELEASE TIME 01-7F VELOCITY LIMIT LOW 01-7F VELOCITY LIMIT HIGH 3F NOT USED NOT USED 00-7F EQ BASS GAIN 00-7F EQ TREBLE GAIN 04
-100.0.+100[%] 0.127 0.127 0.127 0.95 -24.0.+24[semitones] -9600.0.+9450[cent] -100.0.+100[%] 0.127 0.127 0.127 0.95 -24.0.+24[semitones] -9600.0.+9450[cent] -100.0.+100[%] 0.127 0.127 0.127 OFF, ON 0.127 -64.0.+63 -64.0.+63 -64.0.+63 -64.0.+63 1.127 1.127

-12dB.+12dB -12dB.+12dB

O (*2) O (*2)

O *2) O (*2)

O (*2) O (*2) O (Mixing Console) (*2) O (*2) O (*2) O (Mixing Console) (*2)
NOT USED NOT USED 04-28 EQ BASS FREQUENCY 32.2.0k[Hz] 1C-3A EQ TREBLE FREQUENCY 500.16.0k[Hz] NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED 0C

0C 36 -

O (*2) O (*2) -
O (*2) O (Sound Creator) (*2) O (*2) O (Sound Creator) (*2) -
nn = PART NUMBER If there is a Drum Voice assigned to the part, the following parameters are ineffective. BANK SELECT LSB MONO/POLY MODE SCALE TUNING PORTAMENTO PITCH EG FILTER MODULATION DEPTH (FMOD DEPTH) AMPLITUDE MODULATION DEPTH (AMOD DEPTH) *2 On CVP-203/205, PSR-2000, the following parameters are not accepted, or are not transmitted by the Panel operations. EQ BASS GAIN EQ TREBLE GAIN EQ BASS FREQUENCY EQ TREBLE FREQUENCY
MIDI Parameter Change table (A/D PART)
CVP-203 CVP-205 CVP-207 CVP-209 PSR-1000 PSR-2000 Address (H) 0A 0B 0C 0D 0E 0F X O O O X O Size Data (H) (H) 1 00-01 INPUT GAIN 1 00-7F BANK SELECT MSB 1 00-7F BANK SELECT LSB 1 00-7F PROGRAM NUMBER 1 00-1F,7F Rcv CHANNEL 1 NOT USED 1 NOT USED 1 NOT USED 1 NOT USED 1 NOT USED 1 NOT USED 1 00-7F VOLUME 1 NOT USED 1 NOT USED 1 01-7F PAN 1 NOT USED 1 NOT USED 1 00-7F DRY LEVEL MIC, LINE 0.127 0.127 0.127 1.16,OFF Parameter Description Corresponding Voice/Part Regular/ Mic/Vocal Organ Voice Harmony X X X X X X X X X X X X O O O O Natural Voice X X X X X X X X MIDI Reception (effective or not for each part) Song X X X X X X X X Main Keyboard Layer Left X X X X X X X X X X X X X X X X Style X X X X X X X X MIDI Transmission (generated data) Style X X X X X X X X Song X X X X O O O O MIDI X X X X X X X X

O: available MIDI Reception MIDI Transmission (generated data) (affecting the Panel M.Pad Style Song MIDI panel) (main generation method) O (Section LED) O (Section Sw) X X O X

Tempo Control

F7E 00000001 0ttttttt 0ttttttt 0ttttttt 0ttttttt 11110111

O (Tempo indication)

O (Tempo Sw)

Chord Control

F7E tt d1 d2 d3 d4 F7 Type 1 (tt=2) 11110000 F0 = Exclusive status = YAMAHA ID 01111110 7E = Style = type 1 0ddddddd d1 = chord root(cr) 0ddddddd d2 = chord type(ct) 0ddddddd d3 = bass note(bn) 0ddddddd d4 = bass type(bt) 11110111 F7 = End of Exclusive cr: Chord Root 0fffnnnn fff: b or #, nnnn: note(root) 0000nnnn 0n bbb 0001nnnn 1n bb 0010nnnn 2n b 0011nnnn 3n natural 0100nnnn 4n # 0101nnnn 5n ## 0110nnnn 6n ### ct: Chord Type 0 - 34,Maj 1 MajMajMaj7(#11) 4 Maj(9) 5 Maj7(9) 6 Maj6(9) 7 aug 8 min 9 min0A 10 min0B 11 min7b0C 12 min(9) 00001101 0D 13 min7(9) 00001110 0E 14 min7(11) 00001111 0F 15 minMajminMaj7(9) 17 dim bn : On Bass Chord bt : Bass Chord

O (Chord indication)

O (Keyboard)
0fff0000 0fff0001 0fff0010 0fff0011 0fff0100 0fff0101 0fff0110 0fff00100001 00100010
x0 x1 x2 x3 x4 x5 x6 x19 1A 1B 1C 1D 1E 1F 22
reserved C D E F G A B 34 dim7 7th 7sus4 7b5 7(9) 7(#11) 7(13) 7(b9) 7(b13) 7(#9) Maj7aug 7aug 1+8 1+5 sus4 1+2+5 cc
Same as Chord root 127:No bass chord Same as Chord type 127:No bass chord
* Not received when Receive Chord System Exclusive Message is set to off. * Not transmitted when Transmit Chord System Exclusive Message is set to on. Type2 (tt=3) 0ddddddd 0ddddddd 0ddddddd : 0ddddddd 11110111 F7E 03 dd dd dd = Exclusive status = YAMAHA ID = Style = type 2 = note1 = note2 = note3 : dd =. note10 F7 = End of Exclusive O (Chord indication) X X X X X
System Exclusive Messages (Universal Realtime messages)
MIDI Event Data Format Corresponding Voice/Part Regular/ Mic/Vocal Organ Voice Harmony Master Volume F0 7F 7F 0lllllll 0mmmmmmm 11110111 or F0 7F XN 01111111 0xxxnnnn 0lllllll 0mmmmmmm ll mm F7 F0 = Exclusive status 7F = Universal Real Time 7F = ID of target device 04 = Sub-ID #1=Device Control Message 01 = Sub-ID #2=Master Volume ll = Volume LSB mm= Volume MSB F7 = End of Exclusive 01 F0 7F XN ll mm F7 = Exclusive status = Universal Real Time = When N is received N=0-F, whichever is received. X=ignored 04 = Sub-ID #1=Device Control Message 01 = Sub-ID #2=Master Volume ll = Volume LSB mm= Volume MSB F7 = End of Exclusive O Natural Voice O MIDI Reception (effective or not for each part) Song Main Keyboard Style Layer Left X X X Extra MIDI Reception MIDI Transmission (generated data) (affecting the Panel M.Pad Style Song MIDI panel) (main generation method) X X X X X (Output as XG Master Volume ) X
System Exclusive Messages (Universal Non Realtime messages)

MIDI Event Data Format Corresponding Voice/Part Regular/ Mic/Vocal Organ Voice Harmony General MIDI F0 7E 7F 09 System On or F0 7E XN 01111110 0xxxnnnn 01 F0 7E 7F FF0 7E XN F7 = Exclusive status = Universal Non-Real Time = ID of target device = Sub-ID #1=General MIDI Message = Sub-ID #2=General MIDI On = End of Exclusive O Natural Voice O MIDI Reception (effective or not for each part) Song Main Keyboard Style Layer Left X X X Extra MIDI Reception MIDI Transmission (generated data) (affecting the Panel M.Pad Style Song MIDI panel) (main generation method) O (Mixing Console) X X X O X
F7 = Exclusive status = Universal Non-Real Time = When N is received N=0-F,whichever is received. X=ignored = Sub-ID #1=General MIDI Message = Sub-ID #2=General MIDI On 11110111 F7 = End of Exclusive
System Exclusive Messages (XG)
MIDI Event Data Format Corresponding Voice/Part Regular/ Mic/Vocal Natural Song Main Keyboard Style Extra Organ Voice Harmony Voice Layer Left XG Parameter Change F1n 4C 0001nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 0ddddddd : 11110111 F0n 4C 0000nnnn 01001100 0aaaaaaa 0bbbbbbb 0hhhhhhh 0mmmmmmm 0lllllll 0ddddddd : 0ddddddd 0ccccccc 11110111 F3n 4C 0011nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 11110111 F2n 4C 0010nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 11110111 hh F1n mm ll dd. F7 = Exclusive status = YAMAHA ID = Device Number n=always 0 (when transmit), n=0-F (when recieve) 4C = Model ID hh = Address High mm= Address Mid ll = Address Low dd = Data : F7 = End of Exclusive aa bb hh mm ll dd. dd cc F7 F0 = Exclusive status 43 = YAMAHA ID 0n = Device Number n=always 0 (when transmit), n=0-F (when recieve) 4C = Model ID aa = Byte Count MSB bb = Byte Count LSB hh = Address High mm= Address Mid ll = Address Low dd = Data : dd = Data cc = Checksum F7 = End of Exclusive hh ll F7 F0 = Exclusive status 43 = YAMAHA ID 3n = Device Number n=always 0 (when transmit), n=0-F (when recieve) 4C = Model ID hh = Address High mm= Address Mid ll = Address Low F7 = End of Exclusive hh mm ll F7 F0 = Exclusive status 43 = YAMAHA ID 2n = Device Number n=always 0 (when transmit), n=0-F (when recieve) 4C = Model ID hh = Address High mm= Address Mid ll = Address Low F7 = End of Exclusive *Refer to Parameter Change Table *Refer to Parameter Change Table MIDI Reception (effective or not for each part) MIDI Reception MIDI Transmission (generated data) (affecting the Panel M.Pad Style Song MIDI panel) (main generation method) *Refer to Parameter Change Table O (When receiving the XG Parameter Request)

Natural Voice Variation Type
F31 0n 02 dd F01 = Model ID (Clavinova common ID) = Natural Voice Exclusive data 0000nnnn 0n = Channel No. (Always 00) = Natural Voice Variation Type Substatus 0ddddddd dd = data (00H:DelayLCR, 01H:DelayLR, 02H:Echo, 03H:CrossDelay, 04H:Symphonic, 05H:RotarySpeaker, 06H:Tremolo, 07H:VibeRotor, 08H:AutoPan, 09H:Phaser, 0AH:AutoWah, 0BH:SoundBoardRev, 0CH:Off) CVP-203 CVP-205 CVP-207 CVP-209 PSR-1000 PSR-2000 O O O O X X
Natural Voice Vibe Rotor Control
F31 0n 08 dd F01 = Model ID (Clavinova common ID) = Natural Voice Exclusive data 0000nnnn 0n = Channel No. (Always 00) = Natural Voice Vibe Rotor Control Substatus 0ddddddd dd = data (00H:Off, 7FH:On) CVP-203 CVP-205 CVP-207 CVP-209 PSR-1000 PSR-2000 O O O O X X
O (If the Type is set to Vibe Rotor)
Regular/ Mic/Vocal Natural Song Main Keyboard Style Organ Voice Harmony Voice Layer Left Natural Voice Variation Send Level F0n 00 dd F01 = Model ID (Clavinova common ID) = Common Model data = Song Track related 0000nnnn 0n = Channel No. = Natural Voice Variation Send Level Substatus 0ddddddd dd = data (00H~7FH) CVP-203 CVP-205 CVP-207 CVP-209 PSR-1000 PSR-2000 Natural Voice Dry Level O O O O X X X X O O O X O X X O O O X O
MIDI Reception MIDI Transmission (generated data) (affecting the Panel M.Pad Style Song MIDI panel) (main generation method) O O (Mixing Console) (Mixing Console) X O O X
F0n 01 dd F01 = Model ID (Clavinova common ID) = Common Model data = Song Track related 0000nnnn 0n = Channel No. = Natural Voice Dry Level Substatus 0ddddddd dd = data (00H~7FH) CVP-203 CVP-205 CVP-207 CVP-209 PSR-1000 PSR-2000 O O O O X X
O O (Mixing Console) (Mixing Console)
System Exclusive Messages Special Operators
MIDI Event Data Format Corresponding Voice/Part Regular/ Mic/Vocal Organ Voice Harmony Volume & Expression & Pan Realtime control off (Voice Reserve) F11 0n 45 dd FF0 = Exclusive status = YAMAHA ID = Clavinova ID = Model ID (Clavinova common ID) = Special Operators 0000nnnn 0n = Channel No. = Volume & Expression Control No. Substatus 0ddddddd dd = data (00H : Realtime On, 7FH : Realtime Off) 11110111 F7 = End of Exclusive F11 0n 47 dd FF0 = Exclusive status = YAMAHA ID = Clavinova ID = Model ID (Clavinova common ID) = Special Operators 0000nnnn 0n = Channel No. = MIDI Key LED Mode On Off Substatus 0ddddddd dd = data 00H : Key LED Mode Off 01H : Key LED Mode On+no notes sound 02H : Key LED Mode On+notes sound 11110111 F7 = End of Exclusive When Key LED Mode is set to On, key note on messages via designated channnel turns the LED on/off. 9n, note, Vel=0 : off 9n, note, Vel=1 : flush 9n, note, Vel=2~: on When selecting whether notes sound or not, you should turn off the Key LED Mode once. O Natural Voice O MIDI Reception (effective or not for each part) Song Main Keyboard Style Layer Left X X X Extra MIDI Reception MIDI Transmission (generated data) (affecting the Panel M.Pad Style Song MIDI panel) (main generation method) X X X X O X