Owners Manual Bedienungsanleitung Mode demploi Manual de instrucciones

ESPAOL

FRANAIS

DEUTSCH

ENGLISH
Wichtiger Hinweis fr die Benutzung in der Bundesrepublik Deutschland.
Bescheinigung des Importeurs
Hiermit wird bescheinigt, da der/die/das
Electronic Keyboard Typ: PSR-1700/PSR-2700
(Gert, Typ, Bezeichnung) in bereinstimmung mit den Bestimmungen der VERFGUNG 1046/84 (Amtsblattverfgung) funk-entstrt ist. Der Deutschen Bundespost wurde das Inverkehrbringen dieses Gertes angezeigt und die Berechtigung zur berprfung der Serie auf Einhaltung der Bestimmungen eingerumt.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

CAUTION

HEADPHONES R AUX OUT L+R/L SAMPLE IN LINE MIC PEDAL THRU MIDI OUT
RISK OF ELECTRIC SHOCK DO NOT OPEN

WARNING:

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.

Yamaha Europa GmbH

Name des Importeurs
Model _________________________________________ Serial No. ______________________________________
This applies only to products distributed by Yamaha Europa GmbH. Dies bezieht sich nur auf die von der Yamaha Europa GmbH vertriebenen Produkte.
Purchase Date _________________________________
Entsorgung leerer Batterien (nur innerhalb Deutschlands)
Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren drfen nicht in den Hausmll. Sie knnen bei einer Sammelstelle fr Altbatterien bzw. Sondermll abgegeben werden. Informieren Sie sich bei Ihrer Kommune.
Dit produkt is gefabriceerd in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/EEG). 82/499/. Este produto est de acordo com o radio de interferencia frequente requiridos do Conselho Diretivo 82/499/EEC.

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE CLASS B LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS. LE PRESENT APPAREIL NUMERIQUE NEMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA CLASSE B PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.
This applies only to products distributed by Yamaha Canada Music Ltd. Ceci ne sapplique quaux produits distribus par Yamaha Canada Music Ltd.
Dette apparat overholder det gaeldende EF-direktiv vedrrende radiostj. Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE. Diese Gerte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/ 308/EWG. This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/EEC. Questo apparecchio conforme al D.M.13 aprile 1989 (Direttiva CEE/ 87/308) sulla soppressione dei radiodisturbi. Este producto est de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

OBSERVERA!
Apparaten kopplas inte ur vxelstrmskllan (ntet) s lnge som den ar ansluten till vgguttaget, ven om sjlva apparaten har stngts av.
ADVARSEL: Netspendingen til dette apparat er IKKE afbrudt,
slenge netledningen siddr i en stikkontakt, som er t endt ogs selvom der or slukket p apparatets afbryder.
VAROITUS: Laitteen toisiopiiriin kytketty kyttkytkin ei irroita

koko laitetta verkosta.

Congratulations!
You are the proud owner of a Yamaha PSR-1700/PSR-2700. Your PSR1700/PSR-2700 is a high-quality musical instrument that incorporates advanced Yamaha digital technology and many versatile features. In order to obtain maximum performance and enjoyment from your PSR-1700/PSR-2700, we urge you to read this Owners Manual thoroughly while trying out the various features described. Keep the Owners Manual in a safe place for later reference.

Contents

Panel Controls Taking Care of Your PortaTone Preparation

s s s s s s

5 Power Supply... 5 Installing the Backup Batteries... 5 Using Headphones... 6 Connecting to an External Sound System.. 6 Using Pedals... 6 The Music Stand... Try the Disk Demo, Too!... 8 9
Custom Accompaniment.. 47 s Realtime Custom Accompaniment Recording. 47 s Using a Custom Accompaniment.. 49 Step Recording... 50 Editing Functions... 53 s Quantization... 53 s Clearing Tracks... 54 s Changing the Recorded Settings... 55

Using Floppy Disks

Listen to the Demo!
Basic Editing Procedure Selecting & Playing the Voices

s s s s s s s s s s s

11 Orchestration... 11 Voice Assignment... 13 Volume... 14 Octave... 14 DSP Depth... 15 Pan... 15 Auto Harmony... 16 Effects.... 17 Keyboard Percussion... 18 Pitch Bend... 18 Modulation... Split Point Change... 20 Transpose... 21 Tuning.... 21 DSP Type... 22 Touch Sensitivity... Selecting a Style... 24 Setting the Auto Accompaniment Split Point.. 25 Auto Accompaniment Fingering.. 25 Tempo Control... 28 Accompaniment Control... 29 Accompaniment Volume... 32 The Track Buttons... 33 Re-voicing the Tracks... 37
56 Formatting a New Floppy Disk.. 57 Saving, Loading, & Deleting Disk Files.. 58 q Saving to Disk... 58 q Loading From Disk... 60 q Deleting a Disk File... 61 Quick Play: Disk Orchestra Collection & Standard MIDI File Disks. 62 q Minus One Playback... Connections... 63 Setting the Input Level.. 63 Setting the Sampling Frequency.. 64 Setting the Trigger Level... 65 Recording... 66 Playing the Sample Pads... 67 Editing Samples.. 68 q Clearing Samples... 68 q Tuning the Samples.. 68 q Volume, DSP Depth, & Pan Settings. 69 x Individual SAMPLE PAD Volume Settings.. 69 Playing Samples via the Keyboard.. 70 q Mapping... 70 Sample Memory Backup & Disk Storage.. 71 72

PSR-2700 Digital Sampling

s s s s s s s

Overall Control

s s s s s

Auto Accompaniment

s s s s s s s s

Pedal Assign MIDI
73 MIDI Reception Modes... 74 s Channel Reception Modes.. 74 s Clock Mode... 75 s Start/Stop Mode.. 75 MIDI Transmission.. 76 s MIDI Transmit Channels... 76 s Local & MIDI Output ON/OFF... 76
One Touch Setting Registration Memory Record Functions
39 Song Memory... 39 s Realtime Accompaniment Track Recording.. 40 s Realtime Melody Track Recording.. 42 s Accompaniment And Melody Playback. 43 s The [RESET] Button... 44 s Record Or Play from a Specified Measure. 44 The Multi Pads... 45 s Realtime Recording... 45 s Playback... 46
Appendix... 77 s Voice & Polyphony List... 77 s Style List... 78 s Error Messages.. 81 s System Reset Procedure... 82 s Troubleshooting.. 83 Index.... 84 Percussion Kit List... 338 MIDI Implementation Chart.. 340 Specifications.... 343
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Taking Care of Your PortaTone
Your PortaTone will give you years of playing pleasure if you follow the simple rules given below:
s Location Do not expose the instrument to the following conditions to avoid deformation, discoloration, or more serious damage. Direct sunlight (e.g. near a window). High temperatures (e.g. near a heat source, outside, or in a car during the daytime). Excessive humidity. Excessive dust. Strong vibration. s Power Supply Turn the power switch OFF when the instrument is not in use. The power cord should be unplugged from the AC outlet if the instrument is not to be used for an extended period of time. Unplug the instrument during electric storms. Avoid plugging the instrument into the same AC outlet as appliances with high power consumption, such as electric heaters or ovens. Also avoid using multi-plug adaptors since these can result in reduced sound quality and possibly damage. s Turn Power OFF When Making Connections To avoid damage to the instrument and other devices to which it is connected (a sound system, for example), turn the power switches of all related devices OFF prior to connecting or disconnecting audio and MIDI cables. s Handling and Transport Never apply excessive force to the controls, connectors or other parts of the instrument. Always unplug cables by gripping the plug firmly, not by pulling on the cable. Disconnect all cables before moving the instrument. Physical shocks caused by dropping, bumping, or placing heavy objects on the instrument can result in scratches and more serious damage.
s Cleaning Clean the cabinet and panel with a dry soft cloth. A slightly damp cloth may be used to remove stubborn grime and dirt. Never use cleaners such as alcohol or thinner. Avoid placing vinyl objects on top of the instrument (vinyl can stick to and discolor the surface). s Electrical Interference This instrument contains digital circuitry and may cause interference if placed too close to radio or television receivers. If this occurs, move the instrument further away from the affected equipment. s Service and Modification The PSR-1700/PSR-2700 contains no user serviceable parts. Opening it or tampering with it in anyway can lead to irreparable damage and possibly electric shock. Refer all servicing to qualified YAMAHA personnel. s Data Backup Internal data (e.g. Song Memory data) is retained in memory even if the power switch is turned off as long as backup batteries are installed (page 5) or the AC plug is connected. The internal memory can, however, be corrupted by incorrect operation. Be sure to save important data to floppy disk frequently so you have a backup to revert to if the data in memory is accidentally damaged. Also note that magnetic fields can damage data on floppy disks, so it is advisable to make a second backup copy of disks that contain particularly important data. Always keep backup disks in a safe place away from stray magnetic fields (e.g. those produced by speakers, appliances containing motors, etc.). More important precautions for floppy disk use are given in the Floppy Disk section beginning on page 56.

q Head Cleaning

With extended use the read/write head of the disk drive will pick up dust and other particles that will eventually cause data errors. If this occurs, clean the head with a 3.5 inch head cleaning disk available from most computer supply stores.

q Data Backup

For maximum data security we strongly recommend that you keep two copies of important data on separate floppy disks. These disks should ideally be stored in separate locations. This gives you a backup if one disk is lost or damaged.
q Protecting Your Data (Write Protect Tab)
To prevent accidental erasure of important data, slide the disks write-protect tab to the protect position (tab open). With the tab in this position data can be read from the disk but nothing can be written to it.
Write protect tab on (locked write protected)
Write protect tab off (unlocked write enabled)
s Formatting a New Floppy Disk
The PSR-1700 and PSR-2700 use only 3.5" 2DD floppy disks. Before you can use a new disk for saving data, the disk must be formatted as described below.
ZInsert the Disk To Be Formatted....
Insert a new blank disk. Make sure that the disks write protect tab is set to the write position (tab closed), and insert the new disk into the disk drive unit with the sliding door facing the drive slot and the label side of the disk facing upward. The disk should click securely into place. When an unformatted disk is properly loaded, Format? will appear on the LCD display panel, the ARE YOU SURE? indicator will flash and the PSR-1700/PSR-2700 will ask Are you sure?.

Format?

08:Showtune 001:GrandPno AccOff Format?
If an unformatted disk is already in the drive and the format operation was cancelled prior to execution, press the [FORMAT] button to reengage the format function. The [FORMAT] button can also be used when you want to re-format a formatted disk - to erase all the data it contains, for example. Unformatted Disk will appear on the display if an unformatted writeprotected disk is loaded. Make sure the disks write protect tab is in the write position before formatting.

DELETE FORMAT

XConfirm and Format....
Press the [YES] button to confirm and execute the format operation (or press [NO] to cancel). Formatting an entire disk takes a few seconds, and the progress of the operation is shown on the LCD display panel in percent formatted: 0% through 100%. When the disk has been 100% formatted the format function will be automatically disengaged.

CStop Playback.....

Press the QUICK PLAY [START/STOP] button to stop playback.
If you re-start playback after stopping it, playback will begin from the top of the song that was in progress when playback was stopped.

q Minus One Playback

This function lets you mute (turn off) various parts of a Quick Play song so you can play them yourself on the keyboard while the others are played automatically.
ZSelect the Part to Mute.....

MINUS ONE SELECT

Press the [MINUS ONE SELECT] button the currently selected part will appear on the LCD display panel. Use the [+] and [] buttons, the number buttons, the data dial, or the [MINUS ONE SELECT] button itself to specify the part you want to mute: 0: L+R mutes the left- and right-hand parts. 1: R mutes the right-hand part. 2: L mutes the left-hand part.
In the case of Disk Orchestra Collection or PianoSoft disks, the left and righthand parts will be set automatically. With other files the MIDI transmit channels corresponding to R and L will be selected.
XEngage the Minus One Mode....
Press the [MINUS ONE] button so that its indicator lights to actually mute the selected part. The Minus One mode can be engaged either before or during Quick Play playback. Press the [MINUS ONE] button again so that its indicator goes out to exit from the Minus One mode.
The Metronome function cannot be used during Quick Play.
The PSR-2700 features a built-in digital voice sampling system that lets you digitally record any sounds from a microphone or line-level source and play those sounds via the four SAMPLE PADS and/or the keyboard. The Digital Sampling system can record a maximum of 6 seconds of sound per sample pad, up to a total of 60 seconds. A sampled voice is a complete set of data for the four SAMPLE PADS.
Never interrupt the PSR-2700 power supply - either by unplugging the power cord or by turning the power switch off - during sampling, during a clear operation, while the PSR-2700 is processing sampled data (i.e. while Squeezing appears on the display), or while loading sampled voices from disk. Doing so will result in the loss of all data in the PSR-2700 wave RAM!

DIGITAL SAMPLING

VOICE # FREQ TRIGGER MAPPING LEVEL PITCH 0 dB 30 36

VOICE NAME 1

INPUT LEVEL 4

SAMPLE PADS

s Connections

SAMPLE IN LINE MIC

To use the Digital Sampler youll need to connect the source you intend to use to either the rear-panel SAMPLE IN LINE or MIC jack. If youll be recording via a microphone, plug the microphone into the SAMPLE IN MIC jack. If youll be recording from a line-level source such as a cassette player or other audio playback device, plug the players line output into the SAMPLE IN LINE jack. If your audio playback device has RCA pin-jack type outputs youll need to acquire a cable or connector converter that allows connection to the PSR-2700s 1/4-inch mono phone jack.

CD Player

Be sure to obtain proper permission when sampling copyrighted material.
s Setting the Input Level
For optimum sound quality youll need to match the input sensitivity on the PSR-2700 Digital Sampling system to the output level of your source. After connecting and preparing your source:
ZEngage the Level Check Mode....
Press the DIGITAL SAMPLING section [REC] button. LEVEL CHECK MODE will appear on the display and the [REC] indicator will flash.
08:Showtune 001:GrandPno ----LEVEL CHECK MODE----
XPlay the Source and Adjust the Level...

0 dB 30 36

INPUT LEVEL
Play the sound you intend to record, via microphone or line, and adjust the INPUT LEVEL control while watching the level indicators above the control. The length of the bar formed by the level indicators increases as input level increases. For optimum sound quality, your input signal should cause most of the indicators to light, but not all. If all indicators including the red 0 dB indicator light in response to the input signal youre probably overloading the input circuitry and will end up with distorted sound. At the other extreme, if none of the indicators light, or only the lowest one or two indicators light, then the input signal is too small and the level of the recorded sound will be too low.
The keyboard and other function buttons will not operate in the level check mode.

CExit.....

Once the input level has been set properly, press the DIGITAL SAMPLING [REC] button to exit from the level check mode.
s Setting the Sampling Frequency
The length of the sample you can record and its sound quality are determined by the sampling frequency. A high sampling frequency produce better sound quality but shorter samples; a low sampling frequency allow longer recording but with reduced sound quality. The PSR-2700 gives you two sampling frequency settings:
Setting 1: LOW 2: HIGH Length 6 sec. (approx.) 3 sec. (approx.) Sound Quality Low High
ZPress the [FREQ] Button....

TRANSMIT CH L R

MIDI TxCh R=
08:Showtune 001:GrandPno AccOff MIDI TxCh R=
After selecting L or R, as described above, the default transmit channel can be recalled by simultaneously pressing the [+] and [] buttons. The default L channel number is 2, and the default R channel is 1.
XSelect the Desired Transmit Channel....
Use the [+] and [] buttons, the number buttons, the data dial, or the [L] or [R] button itself to select the desired transmit channel.
The currently selected transmit channel is retained in memory even when the power switch is turned off, as long as backup batteries are installed or an AC plug is connected. To record the Song Memory data to an external sequencer, start the sequencer running in the record mode, press the [RESET] button, and then press the [PLAY/STOP] button. To record the Auto Accompaniment data to an external sequencer, start the sequencer running in the record mode, select the style you want to record, then start Auto Accompaniment playback. Notes played on the keyboard are transmitted on channel 1 or 2 (selectable), Auto Accompaniment data is transmitted on channels 10 through 16, and Song Memory data is transmitted on channels 3 through 8. Normally the Auto Accompaniment Rhythm 1 and Rhythm 2 tracks are both transmitted on channel 10. To transmit these tracks separately, hold the C1 key while turning the power on. When this is done the Rhythm 1 data will be transmitted on channel 9 and the Rhythm 2 data will be transmitted on channel 10.
s Local & MIDI Output ON/OFF
The [LOCAL/MIDI OUT] buttons and indicators below the TRANSMIT CH [L] and [R] buttons can be used to turn local control and MIDI output ON or OFF as required. The status of the LOCAL and MIDI OUT indicators changes as shown below each time the corresponding [LOCAL/MIDI OUT] button is pressed:
When LOCAL control is turned ON (indicator lit), the PSR-1700/PSR-2700 is controlled by its own keyboard. When LOCAL control is off, playing the keyboard produces no sound it can only be played by MIDI data received via the MIDI IN terminal. When MIDI OUT is turned ON (indicator lit), operating the PSR-1700/PSR-2700 produces corresponding MIDI output. When MIDI OUT is turned OFF (indicator out) no MIDI output is produced by the PSR-1700/PSR-2700. LOCAL & MIDI OUT ON/OFF controls note on/off only. All other data is always output automatically. Since LOCAL & MIDI OUT ON/OFF status is memorized in the Registration Memory, you can select the tone generator to be used (PSR-1700/PSR-2700 or an external tone generator) by changing the registration memory. Auto accompaniment will not function when Left LOCAL OFF is selected. Auto accompaniment note on/off data will not be output when Left MIDI OUT OFF is selected.

Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet
Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina

Synth Lead

Lead 1 (square) Lead 2 (sawtooth) Lead 3 (calliope) Lead 4 (chiff) Lead 5 (charang) Lead 6 (voice) Lead 7 (fifth) Lead 8 (bass+Lead )
Number MIDI Number Voice of Voices Program Voice Name of Voices Number Number Used Used 2 Synth Pad 88 Pad 1 (new age) Pad 2 (warm) Pad 3 (polysynth) 91 Pad 4 (choir) Pad 5 (bowed) Pad 6 (metallic) Pad 7 (halo) Pad 8 (sweep) Synth Effects 96 FX 1 (rain) FX 2 (soundtrack) FX 3 (crystal) 99 FX 4 (atmosphere) FX 5 (brightness) FX 6 (goblins) FX 7 (echoes) FX 8 (sci-fi) Ethnic 104 Sitar Banjo Shamisen 107 Koto Kalimba Bagpipe Fiddle Shanai Percussive 112 Tinkle Bell Agogo Steel Drums 115 Woodblock Taiko Drum Melodic Tom Synth Drum Reverse Cymbal Sound Effects 120 Guitar Fret Noise Breath Noise Seashore 123 Bird Tweet Telephone Ring 125 Helicopter 126 Applause Gunshot * The following voices use only one voice 2 in the indicated ranges: 46 (Pizzicato Strings): all notes below C#2 and above
F5. 110 (Bagpipe): all notes above A#2.

Appendix s Style List

# Name Pop
16-Beat Pop 8-Beat Pop 8-Beat Light FolkRock Detroit Pop Pop Shuffle Pop Rock Showtune 16-Beat Ballad Pop Ballad Big Ballad Piano Ballad Epic Ballad 6/8 Ballad Eurobeat Dance Pop Casa Dance Shuffle Groundbeat Synth Boogie Disco Party Disco Soul Disco Tropical Disco Funk Disco Pop Polka Pop R&B R&B Ballad Fast Gospel Gospel 6/8 Blues Blues Shuffle Soul Funk Funk Shuffle Hard Rock Rock Boogie Rock Pop Rock Shuffle 6/8 Rock Rock Ballad Rock Classical

Rhythm

16-Beat 8-Beat 8-Beat 16-Beat 12-Beat 12-Beat 12-Beat 8-Beat 16-Beat 8-Beat 8-Beat 8-Beat 8-Beat Six-Eight 16-Beat 16-Beat 16-Beat 24-Beat 24-Beat Six-Eight 16-Beat 16-Beat 16-Beat 16-Beat 16-Beat 8-Beat 8-Beat 16-Beat 8-Beat Six-Eight Six-Eight 12-Beat 8-Beat 16-Beat 24-Beat 8-Beat 12-Beat 8-Beat 12-Beat Six-Eight 8-Beat 16-Beat

Comments

Contemporary 16-beat pop. Bright piano/guitar-based 70s pop. Eight-beat easy-listening style with arpeggiated piano part. Guitar-based folk-rock. Motown-style rhythm, with modern touches. 70s European pop-shuffle. Upbeat, fast pop-rock. Try using your own chords in the Intro B and Ending B. The lead guitar part plays various phrases according to the chords chosen. Bouncy, fully orchestrated style from 40s/50s musicals. Warm, romantic American soul ballad style. Romantic pop ballad Slow ballad with full arpeggios and fancy organ fills. Piano-based ballad with slow arpeggios. Huge drum fills in Intro and Fill In 2. Pop ballad style from the 60s and 70s, featuring gentle strings accompaniment in MAIN A and full orchestra in MAIN B. Slow rock ballad with triplet feel and classical overtones. Fast, 16-beat Eurobeat sound, for disco and house music. 80s English disco sound. Italian house music. Rap/dance feel, especially for one-chord songs. Try playing with CHORD 1 & 2 off. There are two separate types for Intro B/Ending B: major and minor. Contemporary soul ballad with funky bass. PHRASE 1 adds high string lines and PHRASE 2 adds bass. Fast, machine-like 6/8 computer groove with synth bass. Big band disco party style, hugely popular in Europe. Philadelphia disco style from the 70s. Disco sound with a Latin feel echoes of American TV themes from the 80s. Late 70s New York disco style. The world-famous (and recently revived) 70s Swedish disco sound. Updated Polka style. Latin percussion in Rhythm 2. Eight-beat rhythm and blues from the 60s. Upbeat West Coast soul ballad. Bright and brassy 60s Chicago Rhythm & Blues style. Gospel ballad groove for slow tempo songs. New Orleans R&B from the 50s. Chicago-type blues shuffle. Simple-but-effective Memphis R&B groove. Oaklands East Bay funk style, with fat horn section and big finale for ending. Funky guitar and funky brass stabs in a funky organ-driven shuffle. Funky! Fast, hard-driving rock. P2 brings in cymbal crashes with every chord change. Hard-driving boogie with distorted guitar. Mid-tempo guitar-based rock. Smooth pop-rock style. Try bringing in the instrument parts one by one. Slow rock pattern with triplet feel and House of the Rising Sun-style arpeggios. Slow rock ballad. Use RHYTHM 2 to add crash cymbal at chord changes. Take out PHRASE 1 & 2 (guitars) for smoother sound. Classical instruments like harpsichord and strings over a pop music rhythm section.

Backup batteries.. 5 Beat indicator. 29 Breaks.. 30

Keyboard percussion. 18

Chord 1 mode, fingering. 26 Chord 2 mode, fingering. 27 Clear, song memory/custom accompaniment/multi pad. 54 Clock mode, MIDI.. 75 Connections for sampling (PSR-2700) 63 Connectors, MIDI.. 73 Control, MIDI.. 73 Custom accompaniment. 47
Level check mode, sampling (PSR-2700). 63 LCD display panel. 9 Load from disk.. 60 Local & MIDI output. 76
Main A and B sections.. 30 Mapping samples (PSR-2700).. 70 Measure number. 44 Melody track recording, realtime. 42 Metronome.. 28 MIDI... 73 MIDI implementation chart. 340 Minus-one playback. 62 Modulation.. 19 Multi mode, fingering.. 27 Multi pads.. 45 Music stand... 6
Data backup.. 4 Data dial.. 10 Delete disk file.. 61 Demo playback.. 7 Digital sampling (PSR-2700). 63 Disk demo.. 8 Disk operations.. 56 Disk Orchestra Collection disks. 62 DSP depth... 15 DSP depth, sample (PSR-2700). 69 DSP type.. 22 Dual mode... 12

Number buttons.. 10

Tempo control.. 28 Touch sensitivity.. 23 Track buttons. 33 Transmit channels, MIDI. 76 Transpose... 21 Trigger level, sampling (PSR-2700). 65 Troubleshooting.. 83 Tuning.. 21 Tuning samples (PSR-2700). 68
Editing procedure.. 9 Editing samples (PSR-2700). 68 Effects.. 17 Ending.. 31 Error messages.. 81 Expression.. 72
Octave.. 14 One touch setting.. 36 Orchestration.. 11 Overall control.. 20
Pan.. 15 Pan, sample (PSR-2700). 69 Panel Controls. 2 Pedal assign.. 72 Percussion kit list.. 338 Pitch bend... 18 Power supply.. 5
Voice & polyphony list.. 77 Voice assignment.. 13 Volume... 14 Volume, accompaniment. 32 Volume, sample (PSR-2700). 69
Fade-in & Fade-out.. 32 File extension. 58 File name.. 59 File types.. 58 Fill-ins.. 30 Fingering, auto accompaniment. 25 Floppy disks, using.. 56 Formatting disks.. 57 Freeze.. 38 Full mode, fingering. 28 Function button.. 9
Quantization.. 53 Quick play... 62

Yes/no confirmation. 10

Percussion Kit List
* < indicates the content is the same as that of Standard Kit. * Only 1 note can be played at a time when Keyboard Percussion is engaged. * The number in parentheses () after the percussion kit name is the MIDI program number. * The corresponding MIDI note numbers for the notes listed in the chart below are actually one octave lower. For example, the MIDI note number for note #36 (C1) in the chart is note #24 (C0).

100 101

C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 C#6 D6 D#6 E6 F6

1: Standard (0)

Click (Square wave) Brush Tap Brush Swirl Brush Slap Brush Swirl W/Attack Snare Roll Castanet Snare H Soft Sticks Bass Drum H Soft Open Rim Shot Bass Drum L Bass Drum H Hard Closed Rim Shot Snare L Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree Voice One Voice Two Voice Three Voice Four Voice Are You Sure?

2: Room (8)

< < < < < < < Snare Room L < Bass Drum Room L < Bass Drum Room M Bass Drum Room H < Snare Room M < Snare Room H Room Tom 1 < Room Tom 2 < Room Tom 3 < Room Tom 4 Room Tom 5 < Room Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <

3: Rock (16)

< < < < < < < Snare Rock L < Bass Drum Rock L < Bass Drum Rock M Bass Drum Rock H < Snare Rock M < Snare Rock H Rock Tom 1 < Rock Tom 2 < Rock Tom 3 < Rock Tom 4 Rock Tom 5 < Rock Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <

4: Electronic (24)

< < < < Reverse Cymbal < Hi-Q Snare Gate L < Bass Drum Gate L < Bass Drum Gate M Bass Drum Gate H < Snare Gate M < Snare Gate H Electronic Tom 1 < Electronic Tom 2 < Electronic Tom 3 < Electronic Tom 4 Electronic Tom 5 < Electronic Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < Scratch H Scratch L < < < < < < < < < <

Note Number Velocity

: True voice Note on Note off keys Chs

After Touch

Pitch Bender Control Change 0, 6, 97 100, 121
O (*3) O O O O O O X O X O X X O (*6) O X O 0~127 ***************** O (*10) X X X O O (*12) X O O X Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO
Program Change : True # System Exclusive System : Song Position : Song Select Common : Tune
System : Clock Real Time : Commands Aux : Local ON/OFF : All Notes Off Messages : Active Sense : Reset
Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY
*1. The following modes can be set individually for each channel via the panel control: Mode 00: Reception OFF. Mode 01: Direct tone generator control. Mode 02: Same as keyboard note on/off operation. Mode 03: Same as auto-accompaniment chord fingering. Mode 04: Same as the lowest-note (bass note) played in the auto-accompaniment chord fingerings. *2. Channel pressure handled as vibrato. *3. For bank selection transmission only the MSB changes. The LSB is fixed at 00H. *4. Bank select reception. The bank select MSB is used for melody voice and rhythm voice switching. The bank select LSB is ignored. MSB 00H: GM melody voice. MSB 01H: Sample voice (PSR-2700). MSB 7FH: GM rhythm voice. The default for all the channels excepting channel 10 is 00H. Bank select reception with channel 10 is not possible since channel 10 is assigned to the rhythm accompaniment. However, bank select reception with channel 10 will be possible when you do the following operation: turning the POWER back on while holding the C1 key down. When the bank select MSB is 01H 7EH, all subsequent key-ons received will be ignored. No voice change will occur when only a bank select is received. When a program change is received the latest bank select value is used. *5. Portamento control is effective only when Reception is set in the Multi mode. *6. A pitch bend sensitivity message is transmitted when a panel pitch bend range setting is made. Pitch bend sensitivity: BnH, 64H, 00H, 65H, 00H *7. RPN receives the following data: Pitch bend sensitivity: BnH, 64H, 00H, 65H, 00H Default: 02H, 00H Fine tuning: BnH, 64H, 01H, 65H, 00H Default: 40H, 00H Coarse tuning: BnH, 64H, 02H, 65H, 00H Default: 40H, 00H Null: BnH, 64H, 7FH, 65H, 7FH *8. Reset all controllers. Pitch bend, channel pressure, modulation, expression, sustain, and sostenuto are returned to their default values. All RPN data is set to NULL. Portamento is reset.

Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, including connection to the main supply. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha.
12. Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain; or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged.
WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.
Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided.

IMPORTANT:

When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to
This applies only to products distributed by Yamaha Corporation of America.
IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.
This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.
Dit produkt is gefabriceerd in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/EEG). 82/499/. Este produto est de acordo com o radio de interferencia frequente requiridos do Conselho Diretivo 82/499/EEC. Dette apparat overholder det gaeldende EF-direktiv vedrrende radiostj. Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE. Diese Gerte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/ 308/EWG. This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/EEC. Questo apparecchio conforme al D.M.13 aprile 1989 (Direttiva CEE/87/ 308) sulla soppressione dei radiodisturbi. Este producto est de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.
M.D.G., EMI Division 1993 Yamaha Corporation VQ 64120 JDBBR0PO1.3CP

Im Stimmenverzeichnis sind auch die MIDI-Programmnummern aufgefhrt, mit denen die einzelnen Stimmen des PSR-1700/PSR-2700 von einem externen MIDI-Gert aufgerufen werden knnen. Bei Verwendung von Sampling-Stimmen stehen im PSR-weitere Noten zur Verfgung. Diese Polyphonieerweiterung gilt jedoch nur fr Sampling-Stimmen.
Stimmenname Stimmenname Tremolo Strings Pizzicato Strings Orchestral Harp Timpani Anzahl MIDI Anzahl Einzel- Stimmen- ProgrammStimmenname Einzelstimmen nummer nummer stimmen 2 Synth Pad 88 Pad 1 (new age) Pad 2 (warm) Pad 3 (polysynth) 91 Pad 4 (choir) Pad 5 (bowed) Pad 6 (metallic) Pad 7 (halo) Pad 8 (sweep) Synth Effects 96 FX 1 (rain) FX 2 (soundtrack) FX 3 (crystal) 99 FX 4 (atmosphere) FX 5 (brightness) FX 6 (goblins) FX 7 (echoes) FX 8 (sci-fi) Ethnic 104 Sitar Banjo Shamisen 107 Koto Kalimba Bagpipe Fiddle Shanai Percussive 112 Tinkle Bell Agogo Steel Drums 115 Woodblock Taiko Drum Melodic Tom Synth Drum Reverse Cymbal Sound Effects 120 Guitar Fret Noise Breath Noise Seashore 123 Bird Tweet Telephone Ring Helicopter Applause Gunshot * Bei den folgenden Stimmen wird in den angegebe2 nen Bereichen lediglich eine Einzelstimme gespielt: (PIZZICATO STRINGS), alle Noten unterhalb 2 C#2 und oberhalb F5; 110 (BAGPIPE), alle Noten
MIDI Stimmen- Programmnummer nummer 43 44
Anzahl Stimmen- MIDI ProgrammEinzelnummer nummer stimmen Piano 0 Acoustic Grand Piano Bright Acoustic Piano Electric Grand Piano Honky-tonk Piano Electric Piano 5 Electric Piano 6 Harpsichord Clavi 52 Chromatic Percussion 8 Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bells Dulcimer 60 Organ 16 Drawbar Organ Percussive Organ Rock Organ Church Organ Reed Organ Accordion Harmonica Tango Accordion 68 Guitar 24 Acoustic Guitar (nylon) Acoustic Guitar (steel) Electric Guitar (jazz) Electric Guitar (clean) Electric Guitar (muted) Overdriven Guitar Distortion Guitar Guitar Harmonics 76 Bass 32 Acoustic Bass Electric Bass (finger) Electric Bass (pick) Fretless Bass Slap Bass 37 Slap Bass 38 Synth Bass 39 Synth Bass Strings 40 Violin Viola Cello Contrabass 1

Ensemble

Strings Ensemble 1 Strings Ensemble 2 Synth Strings 1 Synth Strings 2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit
Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section Synth Brass 1 Synth Brass 2

Netzanschlu.. 89 Notenstnder.. 90 Nummerntasten. 94
Editieren von Samples (PSR-2700). 152 Editierverfahren. 93 Effekte.. 101 Ein- und Ausblendung. 116 Eingangspegel, Sampling (PSR-2700) 147 Einleitung (INTRO).. 114 Empfangsmodus fr Start/Stop-Befehle, MIDI.. 159
Oktavenversetzung. 98 One Touch Setting.. 120 Orchestrierung.. 95
Panorama.. 119 Panorama, Sample (PSR-2700). 153 Pedal-Funktionszuordnung.. 156 Pegel-Prfmodus, Sampling (PSR-2700). 147 Pitch-Bend.. 102 Programmierbare Begleitautomatik. 131
Taktanzeige.. 113 Taktnummer.. 128 Taktsteuerungsmodus, MIDI.. 159 Tastatur-Splitpunkt fr automatische Ba/Akkordbegleitung.. 109 Tastatur-Splitpunkt, Einstellung.. 104 Tasten + und .. 94 Technische Daten. 343 Tempo-Einstellung.. 112 Transponierung.. 105
Fehlermeldungen.. 165 Floppy-Disketten, Gebrauch.. 140 Formatieren einer neuen Diskette. 141 Freeze-Funktion.. 122 Full-Begleitungsmodus.. 112 Funktionstaste.. 93
Quantisierung.. 137 Quick Play.. 146
Wiedergabe mit Partausblendung. 146 Whlrad.. 94
Gate Time.. 135 GM System Level 1.. 342 Grundlegende Einstellungen. 104

YES/NO-Besttigung.. 94

Percussion Kit List / Verzeichnis der Schlagzeug- und Percussion-Sets /
* < indicates the content is the same as that of Standard Kit. * Only 1 note can be played at a time when Keyboard Percussion is engaged. * The number in parentheses () after the percussion kit name is the MIDI program number. * The corresponding MIDI note numbers for the notes listed in the chart below are actually one octave lower. For example, the MIDI note number for note #36 (C1) in the chart is note #24 (C0). * < zeigt an, da der Inhalt identisch mit dem Standardset ist. * Bei aktivierter Keyboard Percussion-Funktion kann zu einem Zeitpunkt jeweils nur eine Note gespielt werden. * Bei der neben dem Namen des Percussion-Sets in Klammern ( ) gesetzten Nummer handelt es sich um die Programmnummer. * Die entsprechenden MIDI-Notennummern fr die in der unteren Tabelle aufgefhrten Noten liegen tatschlich eine Oktave tiefer. So ist beispielsweise die MIDI-Notennummer von Note #36 (C1) in der Tabelle die Note #24 (C0).

100 101

C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6 C#6 D6 D#6 E6 F6

1: Standard (0)

Click (Square wave) Brush Tap Brush Swirl Brush Slap Brush Swirl W/Attack Snare Roll Castanet Snare H Soft Sticks Bass Drum H Soft Open Rim Shot Bass Drum L Bass Drum H Hard Closed Rim Shot Snare L Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree Voice One Voice Two Voice Three Voice Four Voice Are You Sure?

6: Jazz (32)

< < < < < < < < < < < < < < < < < Natural Tom 1 Dark Hi-Hat Closed Natural Tom 2 Dark Hi-Hat Pedal Natural Tom 3 Dark Hit Hat Open Natural Tom 4 Natural Tom 5 < Natural Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <

7: Brush (40)

< < < < < < < Brush Slap L < < < < < < Brush Slap H < Brush Tap Brush Tom 1 Dark Hi-Hat Closed Brush Tom 2 Dark Hi-Hat Pedal Brush Tom 3 Dark Hit Hat Open Brush Tom 4 Brush Tom 5 < Brush Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <

8: Classic (48)

< < < < < < < Snare Classic L < Gran Casa L < Gran Casa M Gran Casa H < Snare Classic M < Snare Classic H Natural Tom 1 Dark Hi-Hat Closed Natural Tom 2 Dark Hi-Hat Pedal Natural Tom 3 Dark Hit Hat Open Natural Tom 4 Natural Tom 5 Hand Cymbal Long L Natural Tom 6 Hand Cymbal Short L < < < < < Hand Cymbal Long H < Hand Cymbal Short H < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
MIDI Implementation Chart / Implementierungstabelle / Table
[Portable Keyboard] Model: PSR-1700/PSR-2700
MIDI Implementation Chart
Date: 1993. 11. 1 Version: 1.00

Function

Transmitted

Recognized

Remarks

Basic Channel

Default Changed Default Messages Altered
1~16 CH 1~16 CH Mode 3 X ***************** 0~127 ***************** O 9nH, v=1~127 X 9nH, v=0 X X O
1~16 CH (*1) 1~16 CH (*1) (*1) X X 0~127 0~127 O 9nH, v=1~127 X 9nH, v=0 or 8nH X O (*2) O O (*4) O O O O O O O O (*5) O O O O O (*7) O O (*8) O 0~127 0~127 (*9) O (*10) X X X O (*11) O (*12) X O O X O: Yes X: No Bank select MSB, LSB Modulation depth Data entry MSB, LSB Volume Pan Expression Sustain Sostenuto Portamento control Reverb send level RPN data increment RPN data decrement RPN MSB, LSB All sound off Reset all controllers

Note Number Velocity

: True voice Note on Note off keys Chs

After Touch

Pitch Bender Control Change 0, 6, 97 100, 121
O (*3) O O O O O O X O X O X X O (*6) O X O 0~127 ***************** O (*10) X X X O O (*12) X O O X Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO
Program Change : True # System Exclusive System : Song Position : Song Select Common : Tune System : Clock Real Time : Commands Aux : Local ON/OFF : All Notes Off Messages : Active Sense : Reset
Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY
dimplmentation / Grfico de implememtacin
*1. The following modes can be set individually for each channel via the panel control: Mode 00: Reception OFF. Mode 01: Direct tone generator control. Mode 02: Same as keyboard note on/off operation. Mode 03: Same as auto-accompaniment chord fingering. Mode 04: Same as the lowest-note (bass note) played in the auto-accompaniment chord fingerings. *2. Channel pressure handled as vibrato. *3. For bank selection transmission only the MSB changes. The LSB is fixed at 00H. *4. Bank select reception. The bank select MSB is used for melody voice and rhythm voice switching. The bank select LSB is ignored. MSB 00H: GM melody voice. MSB 01H: Sample voice (PSR-2700). MSB 7FH: GM rhythm voice. The default for all the channels excepting channel 10 is 00H. Bank select reception with channel 10 is not possible since channel 10 is assigned to the rhythm accompaniment. However, bank select reception with channel 10 will be possible when you do the following operation: turning the POWER back on while holding the C1 key down. When the bank select MSB is 01H 7EH, all subsequent key-ons received will be ignored. No voice change will occur when only a bank select is received. When a program change is received the latest bank select value is used. *5. Portamento control is effective only when Reception is set in the Multi mode. *6. A pitch bend sensitivity message is transmitted when a panel pitch bend range setting is made. Pitch bend sensitivity: BnH, 64H, 00H, 65H, 00H *7. RPN receives the following data: Pitch bend sensitivity: BnH, 64H, 00H, 65H, 00H Default: 02H, 00H Fine tuning: BnH, 64H, 01H, 65H, 00H Default: 40H, 00H Coarse tuning: BnH, 64H, 02H, 65H, 00H Default: 40H, 00H Null: BnH, 64H, 7FH, 65H, 7FH *8. Reset all controllers. Pitch bend, channel pressure, modulation, expression, sustain, and sostenuto are returned to their default values. All RPN data is set to NULL. Portamento is reset.
*9. GM melody voices 0 through 127 become panel voices 1 through 128. Sample voices 0 through 127 become panel sample voices 1 through 128. (PSR-2700) Rhythm voices 0, 8, 16, 24, 25, 32, 40, and 48 become panel voices 1 through 8. *10. Exclusive. <GM1 System ON> F0H, 7EH, 7FH, 09H, 01H, F7H All parameters except MIDI Master Tuning are reset to their default values. <MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H Allows the volume of all channels to be changed simultaneously (universal system exclusive). mm is used as the MIDI Master Volume value (ll is ignored). The default value for mm is 7FH. This message is receive-only. <MIDI Master Tuning> F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H Allows the pitch of all channels to be changed simultaneously (panel tuning). mmll is used as the MIDI Master Tuning value, an the actual tuning is shown by the expression: T=Mx200/256-100 Where T is the actual tuning value in cents. M is decimal value represented by 1-byte using bits 03 of mm as the MSB and bits 03 of ll as the LSB. The default values of mm and ll are 07H and 0FH, respectively. n and cc are also recognized. This value is not reset by a GM System ON or Reset All Controllers message. This message is transmitted and received. <DOC On> F0H, 43H, 73H, 01H, 14H, F7H Reception only. MIDI IN channels 1 through 16 apply to the DOC data. The panel voice assignments are not affected. <Panel Control> Dual data change: Dual ON/OFF: Harmony/Effect: DSP type: Chord/Bass: F0H, 43H, 76H, 17H, 04H, <Data>, F7H F0H, 43H, 76H, 17H, 05H, <Data>, F7H F0H, 43H, 76H, 17H, 0EH, <Data>, F7H F0H, 43H, 76H, 17H, 0EH, 00H, 01H, <Data>, F7H F0H, 43H, 76H, 17H, 0BH, <Data>, F7H

*11. Internal/external clock selectable. *12. Operation when a start/stop command is received is determined by the RECEIVE CHANNEL, CLOCK, AND COMMAND panel settings. 0. Start/stop command ignored. 1. Auto-accompaniment start/stop. 2. Song memory start/stop. Continue neither transmitted nor received.

s GM System Level 1

The existing MIDI protocol allows performance and other data to be transferred between different instruments, even if they are from different manufacturers. This means, for example, that sequence data that was originally created to control a tone generator from manufacturer A can also be used to control a different tone generator from manufacturer B. Since the voice allocation in different devices from different manufacturers is usually different, however, appropriate program change data must be transmitted to select the right voices. The General MIDI protocol was developed to minimize confusion and the need for re-programming when playing software created by one MIDI device on another. This has been achieved by defining a standard voice allocation in which the same or similar voices are accessed by the same program change numbers or MIDI channels. The current standard recognized by the International MIDI Association is known as GM System Level 1. The PSR-1700/PSR2700 voice allocation complies with the GM System Level 1 standard. Le protocole MIDI existant permet le transfert des donnes dexcution et autres entre plusieurs instruments, mme sils ne sont pas de la mme marque. Ceci signifie, par exemple, quun gnrateur de marque A peut tre utilis pour commander un gnrateur de sons de marque B. Du fait que lassignation des voix est gnralement diffrente dune marque lautre, il est ncessaire de transmettre des donnes de changement de programme appropries pour slectionner la voix qui convient. Le protocole General MIDI a t mis au point pour liminer la confusion et la ncessit de reprogrammer en cas de reproduction sur un appareil MIDI dun logiciel cr sur un autre appareil. Ceci a t ralis en dfinissant une assignation de voix standard dans laquelle des voix identiques ou similaires sont accdes par les mmes numros de changement de programme ou de canal MIDI. La norme actuelle, reconnue par lassociation MIDI internationale, est appele GM System Level 1. Lassignation des voix du PSR-1700/PSR-2700 est conforme la norme GM System Level 1.

Specifications / Technische Daten / Spcifications / Especificaciones

Keyboards:

61 standard-size keys (C1~C6) with touch response.

REGISTRATION MEMORY:

MEMORIZE 1~8 FREEZE

Auxiliary Jacks:

MIDI IN/OUT/THRU, PEDAL 1/2, SAMPLE IN (MIC/LINE: PSR-2700), AUX OUT (L+R/L, R), HEADPHONES

VOICE:

AWM128 voices: 01~128 Polyphony: 28 KEYBOARD PERCUSSION: 1~8 VOL: 00~24 OCTAVE: -2~2 DSP DEPTH: 00~15 PAN: 7~7 ONE TOUCH SETTING ORCHESTRATION: R1/R2/L1/L2 HARMONY: TYPE 01~10, ON/OFF EFFECT: TYPE 01~12, ON/OFF

MULTI PADS:

STOP 1~4 (including 2 chord-match types).

Main Amplifiers:

8W x 2 AUX OUT output: 680 impedance.
SONG #: Chain Play, 1~8 (8 songs) START/STOP

Speakers:

12cm (4-3/4") x 2
Backup Batteries: SONG MEMORY:
MEASURE # TRACK: ACCOMP, MELODY 1~6 Four SUM-3, AA size, R6P or equivalent batteries
Dimensions (W x D x H): Setup:
POWER: ON/OFF MASTER VOLUME: MIN~MAX
RESET (STEP BWD), PLAY/STOP (STEP FWD)
1045mm x 412mm x 164mm (41-1/8" x 16-1/4" x 6-1/2")

Weight: PEDAL ASSIGN:

RECORDING:
REC, REWRITE SETTING, CLEAR, STEP REC, QUANTIZE, GATE TIME,
12.0kg (26.4 lbs.) excluding batteries

Supplied Accessories:

OVERALL CONTROL:
TEMPO METRONOME: ON/OFF SPLIT POINT TRANSPOSE: -12~12 TUNING: -16~16 DSP TYPE: 1~8 TOUCH: SENSE 1~5, TOUCH RESPONSE ON/OFF PITCH BEND: -12~12 MODULATION: 1~3

STEP SIZE

DIGITAL SAMPLING (PSR-2700):
VOICE #: 01~128 (26-note polyphony), VOICE NAME, FREQ, TRIGGER LEVEL, PITCH, MAPPING, REC, CLEAR, INPUT LEVEL
PSR-1700/2700 Demonstration Disk Demo Songs (4 songs): 01~04 Styles (8 styles with registration data): 05~12 Multi Pads (8 sets): 13~20 Sound Effects (4 sets): 21~24 PSR-2700 Demonstration Disk (PSR-2700) Demo Songs (2 songs with sampled voices): 01~02 Music Stand Owners Manual

SAMPLE PADS (PSR-2700):

DISK: AUTO ACCOMPANIMENT:
100 styles: 00~99 (00: Custom Accompaniment) AUTO ACCOMP: ON/OFF FINGERING: 1~5 ACCOMP VOLUME: 00~24 REVOICE TRACK: RHYTHM 1/2, BASS, RHYTHMIC CHORD 1/2, PAD CHORD, PHRASE 1/2 ACCOMPANIMENT CONTROL: SYNCSTART/STOP, START/STOP, FADE IN/ OUT, INTRO, FILL IN 1, FILL IN 2, BREAK, ENDING, VARIATION A/B FILE #, SAVE PART, MINUS ONE SELECT, LOAD, SAVE, DELETE, FORMAT

Optional Accessories:

s s s s
Headphones Foot switch Foot controller Keyboard stand
HPE-3, HPE-150 FC4, FC5 FC7 L-2C

QUICK PLAY:

START/STOP, MINUS ONE

ARE YOU SURE ?:

YES, NO

LCD Display Panel:

Number Buttons: [+], [], [0]~[9], [+/] Data Dial
RECEIVE CH/CL/COM, TRANSMIT CH L/R (LOCAL/MIDI OUT) * Specifications subject to change without notice.
M.D.G., EMI Division 1993 Yamaha Corporation VQ 64140 408POCP3.3-03C0 Printed in Japan