NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
Model Serial No. Purchase Date

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ve years. When replacement becomes necessary, contact a qualied service representative to perform the replacement.

PLEASE KEEP THIS MANUAL

92-BP (bottom)
PSR-E323/YPT-320 Owners Manual

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
2. IMPORTANT: When connecting this product to

Play along with the styles... 19 Changing the tempo of the Style.. 22 Pattern Variation (Sections).. 23 Playing chords along with score of the Song. 24 Chords... 25
Select the item and change the value. 56
Front Panel.. 10 Rear Panel... 10
Adding Harmony.. 42 Adding Reverb.. 43 Adding Chorus.. 43 Adding Panel Sustain... 44 Touch Response Sensitivity. 44 Playing Two Voices SimultaneouslyDual. 45 Playing Different Voices with the Left and Right HandsSplit... 46 Setting the Split Point... 47 Adjusting the Voice volume.. 47 Setting the Metronome Beats per Measure, and the Length of Each Beat. 48 Setting the Metronome Volume. 48 Octave... 49 Transpose... 49 Tuning... 50 One Touch Setting.. 50
Be sure to do the following operations BEFORE turning on the power.

Power Requirements

Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
Using an AC Power Adaptor
q Make sure that the power of the instrument is off
(the backlit display is off).
Use the specied adaptor (PA-130, or an equivalent recommended by Yamaha) only. The use of other adaptors may result in irreparable damage to both the adaptor and the instrument.
w Connect the AC power adaptor to the power supply
e Plug the AC adaptor into an AC outlet.
Unplug the AC Power Adaptor when not using the instrument, or during electrical storms.
AC power adaptor AC outlet
For battery operation the instrument requires six 1.5V AA size, LR6 or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes too low for proper operation, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, make sure to replace all batteries, following the precautions listed below. If necessary, also make sure to save all important User data (see page 62), since custom panel settings are lost when the batteries are removed.
Use alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may have sudden drops of power when battery power becomes low, possibly resulting in loss of data in the ash memory. Make sure to install the batteries with the proper orientation, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, re and/or leaking of corrosive chemicals. When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time. If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible uid leakage from the battery. Please use the power adaptor when transferring data to ash memory. Batteries (including rechargeable types) can be drained rapidly by this type of operation. If the batteries do become drained during a data transfer, both the data being transferred and the data currently in the transfer destination will be lost.

Using Batteries

q Open the battery compartment cover located on the
instruments bottom panel. w Insert the six new alkaline batteries, being careful to follow the polarity markings on the side of the compartment. e Replace the compartment cover, making sure that it locks rmly in place.
Never connect or disconnect the AC power adaptor when the batteries are installed in the instrument and the power is on. Doing so will turn the power off, possibly resulting in loss of the data being transferred and the data currently in the transfer destination during transferring or recording a data.
Make all necessary connections BEFORE turning the power on.
Audio Connections Headphones and External Equipment
Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [STANDBY/ON] switch to turn on the power. While playing the keyboard, adjust the volume level by using the [MASTER VOLUME] control. Pressing the [STANDBY/ON] switch again turns the power off. You can connect the PHONES/OUTPUT jack to a set of headphones, keyboard amplier, stereo system, mixer, tape recorder, or other line-level audio device to send the instruments output signal to that device. The internal speakers are automatically shut off when a plug is inserted into this jack. The PHONES/OUTPUT jack also functions as an external output.
When using a power adaptor, even when the power is off, a small amount of electricity is still being consumed by the instrument. When you are not using the instrument for a long time, make sure to unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.
To prevent damage to the speakers, set the volume of the external devices at the minimum setting and turn power off the devices before connecting them. Failure to observe these precautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Press the [START/STOP] button to stop playback.
Record your own performance
You can record up to ve of your own performances as User Songs (User 15: Song numbers 103107). Think of each User Song as a kind of basket or drawer for storing your recording. Remember that you can also record a Style (containing chord changes) along with your own performance.

Press the [REC] button.

User 1
A total of approximately 10,000 notes or 5,500 chord changes can be recorded to the ve User Songs.
The lowest-numbered unrecorded User Song (Song numbers 103107) available for recording is displayed. If you want to select the Song you will be recording, select the desired Song number by using the [+] and [-] buttons.

Flashes

Accompaniment cannot be turned on or off once the [REC] button is pressed.
After youve selected the desired User Song for recording, you can select a Style to be recorded as well. To do this, press the [STYLE] button and select the Style number while the ACMP indication is on. You can turn off the Record mode by pressing the [REC] button again ( and stop ashing).
If all User Songs (Song numbers 103107) contain recorded data, Song 103 will automatically be selected. In this case, you will record over and erase any previous data in Song 103, so be careful that you wont be erasing any material you want to keep!
By playing keys to the left of the Split Point when the Auto Accompaniment is set to on, the Style starts sounding and is recorded with your performance. When Auto Accompaniment is set to off, only your keyboard performance is recorded.
Start recording. When you play the keyboard, recording will begin.
Stop recording. Pressing the [START/STOP] button stops recording and writes the data to the User Song. (A Writing! message is shown.)
To playback the newly recorded performance, press the [START/ STOP] button. In order to record with the Style, turn the Auto Accompaniment to on (see Step 4 on page 20), and then record according to the instructions.

(The ACMP ON lights.)

Never attempt to turn the power off when a Writing! message is shown in the display. Doing so can damage the ash memory and result in a loss of data.
In order to record only your performance, turn the Auto Accompaniment to off and record according to the normal steps.

(The ACMP ON is unlit.)

Use the Musicsoft Downloader to backup the User Songs to a computer (page 60).
Recording to a specied track
The User Songs are organized into two tracks: Track 1 and Track 2. You can specify the track you want to record to.

About track recording

If you start recording by specifying a track, the track will be overwritten (existing data in the track is deleted and replaced with the new recording).

User Song

Data that can be recorded to Track 2

You can also access the Reverb Type setting display by pressing the [FUNCTION] button several times.
Press and hold the [REVERB] button for longer than a second. REVERB appears in the display for a few seconds, followed by the Reverb Type.
Select a desired Chorus Type by using the number buttons [0][9], [+], [-]. Refer to the Chorus Type list on page 73 for details. You can adjust the Chorus depth independently for the Main, Dual and Split Voices in the Function Settings (page 56).

Adding Panel Sustain

This function adds a xed sustain to the keyboard Voices.
Touch Response Sensitivity

Touch Response

Press the [FUNCTION] button a number of times until the Sustain item appears.

Sustain

Appears when Touch Response is on.

Current setting

Press the [+] button to turn the Panel Sustain on. Panel Sustain will be added to the notes you play on the keyboard when the Panel Sustain is on. To turn it off, press the [-] button.
Press the [TOUCH] button to turn Touch Response on. When Touch Response is on, you can control the volume of notes according to how hard you play the keys. Touch Response is normally on. Press the [TOUCH] button again to turn the Touch Response off. When Touch Response is off, the same volume will be produced no matter how hard you play the keys.
See the section Connecting a footswitch on page 9 for information on applying sustain with the optional footswitch.
The Touch Response function cannot be used for some Voices (such as organ), even if the Touch Response icon appears in the display.
Setting the Touch Sensitivity
When Touch Response is on, you can adjust the sensitivity of the keyboard in response to keyboard dynamics in three steps. Higher values produce greater (easier) volume variation in response to keyboard dynamicsin other words, greater sensitivity.
Press and hold the [TOUCH] button for longer than a second. TouchSns appears in the display for a few seconds, followed by the current Touch Sensitivity value.

Medium

Currently selected Touch Sensitivity
Select a Touch Sensitivity setting between 1 and 3 by using the number buttons [0][9], [+], [-].
Playing Two Voices SimultaneouslyDual
You can select a second Voice which will play in addition to the Main Voice selected on the previous page. This second Voice is known as the Dual Voice.

Selecting a Dual Voice

The best-suited Dual Voice is automatically selected whenever you turn Dual on, but you can select any of the available Dual Voices.
Press and hold the [DUAL] button for longer than a second. D. Voice appears in the display for a few seconds, then the Dual Voice will appear.
Currently selected Dual Voice
Two Voices sound at the same time

Marimba

Play the Dual Voice
Press the [DUAL] button to turn the Dual function on. When Dual is on, you can play a Dual Voice in a layer with the Main Voice. To turn the Dual Voice off and play only the Main Voice, press the [DUAL] button again.
You can also access the Dual Voice setting display by pressing the [FUNCTION] button several times, then selecting Dual Voice.

Appears when Dual is on.

Select a Dual Voice. Select the desired Dual Voice by using the number buttons [0][9], [+], [-]. Refer to the Voice List on page 64.
Playing Different Voices with the Left and Right HandsSplit
In the Split mode you can play different Voices to the left and right of the keyboard Split Point. The main and Dual Voices can be played to the right of the Split Point, while the Voice played to the left of the Split Point is known as the Split Voice

Select a Split Voice

You can select a different Split Voice by following the procedure outlined below.
Press and hold the [SPLIT] button for longer than a second. S. Voice appears in the display for a few seconds, then the Split Voice will appear.
The currently selected Split Voice

FngrBass

Split Voice
Main Voice and Dual Voice

Play the Split Voice

Press the [SPLIT] button to turn the Split function on. When Split is on you can play a Split Voice to the left of the Split Point. When you dont want to play a Split Voice, press the [SPLIT] button to turn Split off.
You can also access the Split Voice setting display by pressing the [FUNCTION] button several times, then selecting the Split Voice.
Select a Split Voice Select the desired Split Voice by using the number buttons [0][9], [+], [-]. Refer to the Voice List on page 64.
Appears when Split is on.
The Split Point setting can be changed as required (page 47).

Setting the Split Point

The Split Point setting can be changed as desired.
Split Pointdefault setting: 54 (F#2)
Adjusting the Voice volume
The Voice volume can be individually adjusted for the Main, Dual, and Split Voices.

Press the [FUNCTION] button a number of times until the required Voice volume item appears. Select M.Volume for Main Voice volume, D.Volume for Dual Voice volume, or S.Volume for Split Voice volume.
The initial default Split Point is key number 54 (the F#2 key), but you can change it to another key. When you change the Split Point, the auto accompaniment range also changes.

M.Volume

Press the [FUNCTION] button a number of times until SplitPnt appears.
Currently selected Split Point Split Point
Set the Voice volume by using the number buttons [0][9], [+], [-].

SplitPnt

Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting. The default setting varies depending on the Voice.
Set the Split Point by using the number buttons [0][9], [+], [-].
Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (54 or F#2).
Setting the Metronome Beats per Measure, and the Length of Each Beat
In this example well set up a 3/4 time signature.
Setting the Metronome Volume
Press the [FUNCTION] button a number of times until MetroVol appears.
Press and hold the [METRONOME] button for longer than a second to select the number of beats per measure function TimeSigN.

MetroVol

Metronome Volume Hold for longer than a second. Number of beats per measure.
Set the metronome volume by using the number buttons [0][9], [+], [-].

TimeSigN

Use the number buttons [0][9], [+], [-] to select the number of beats per measure. A chime will sound on the rst beat of each measure while the other beats will click. All beats will simply click with no chime at the beginning of each measure if you set this parameter to 00. The available range is from 0 through 60. Select 3 for this example.
The metronome time signature will synchronize to a style or song that is playing, so these parameters cannot be changed while a style or song is playing.
Press the [FUNCTION] button a number of times to select the beat length function TimeSigD. The currently selected beat length will be displayed.

TimeSigD

The length of one beat.
Use the [+], [-] to select the beat length. Select the required length for each beat: 2, 4, 8, or 16 (half note, quarter note, eighth note, or 16th note). Select 4 for this example.

Octave

The pitch of a note can be shifted upward or downward in steps of an octave for the Main, Dual, and Split Voices.

Transpose

The instruments Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difcult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to 5, playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the instrument will transpose it to the key of F.
Press the [FUNCTION] button a number of times until the required Voice octave item appears. Select M. Octave for Main Voice octave, D. Octave for Dual Voice octave, S. Octave for Split Voice octave.

M.Octave

Press the [FUNCTION] button a number of times until the Transpos appears.

Current octave value

Transpos
Set the octave by using the number buttons [0][9], [+], [-].

Current transpose value

Use the number buttons [0][9], [+], [-] to set the Transpose value between -12 and +12 as required.
Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (0).
Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (00).
The pitch of the Drum Kits Voices (Voice numbers 109121) cannot be changed.

Tuning

You can ne tune the pitch of the entire instrument. The overall tuning of the instrument can be shifted up or down by a maximum of 100 cents in 1-cent increments (100 cents = 1 semitone).

One Touch Setting

Sometimes selecting the ideal Voice to play with a Song or Style can be confusing. The One Touch Setting feature automatically selects the most suitable Voice for you when you select a Style or Song. Simply select Voice number 000 to activate this feature.
Press the [FUNCTION] button a number of times until Tuning appears.
Press the [VOICE] button, and then select Voice number 000 by using the number buttons [0][9], [+], [-].

Current tuning value

SprnoSax
Use the number buttons [0][9], [+] and [-] to set the Tuning value between -100 and +100 as required.
Appears when One Touch Setting is on.
This turns the One Touch Setting feature on. One Touch Setting will be turned off if you select any other Voice number.
The pitch of the Drum Kits Voices (Voice numbers 109121) cannot be changed. Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (000).
The Song is made up by several tracks. You can mute Track 1 or Track 2 during Song playback. You can turn the left- and right-hand parts on or off as desired, allowing you to listen to the corresponding part (the part that is turned on), or practice the corresponding part (the part that is turned off) on the keyboard. Track 1 can be muted by pressing the [REC TRACK 1] button during Song playback. Track 2 or style track can be muted by pressing the [REC TRACK 2] button during Song playback. You can cancel the mute function by pressing the corresponding track buttons, [TRACK 1] or [TRACK 2] again during Song playback, or by selecting any other Song.

Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (100).

Tap Start

Set the Tempo by using the number buttons [0] [9], [+], [-]. After selecting a song, you can set the Tempo by simply tapping the [TEMPO/TAP] button at the required tempofour times for time signatures in 4, and three times for time signatures in 3. You can change the Tempo during Song playback by pressing the [TEMPO/TAP] button just twice.
The selected Voice sounds when you play the keyboard. If a Song has played through and stopped during this procedure, press the [START/ STOP] button to start playback again.
Press and hold the [VOICE] button for longer than a second. SONG MELODY VOICE appears in the display for a few seconds, indicating that the Voice selected in Step 2 has replaced the Songs original melody Voice.

Starting Style playback

The following two methods can be used to start Style playback. In either case you will need to press the [ACMP ON/OFF] button to turn auto accompaniment on before actually starting Style playback. Synchro Start (Chord Start) Press the [SYNC START] button and the beat arrows will begin ashing, indicating that the Sync Start standby mode has been engaged. The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard. Tap Start You can supply a count-in at any tempo you like to start playback. Simply tap the [TEMPO/TAP] button at any tempo4 times for time signatures in 4, and 3 times for time signatures in 3and the selected Style rhythm will begin playing at the tapped tempo. The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard.
Adjusting the Style Volume
This procedure allows you to adjust the balance between Style playback and the notes you play on the keyboard by setting the volume of the playback sound.

Sync Start standby

Current Style volume setting

Accompaniment range

StyleVol
Style playback begins when you play a chord
Set the Style volume by using the number buttons [0][9], [+], [-].
The Sync Start standby mode will be cancelled when Style playback starts.
If you press the [SYNC START] button during Style playback, playback will stop immediately and the Sync Start standby mode will be engaged (beat arrows will ash).

Preset Song data cannot be transmitted from the PSR-E323/ YPT-320.
The backup data, including the ve User Songs is transmitted/received as a single le. As a result, all backup data (including the ve Songs) will be overwritten every time you transmit or receive. Keep this in mind when transferring data. Do not rename the backup le on the computer. If you do so, it will not be recognized when transferred to the instrument.

Troubleshooting

Problem When the instrument is turned on or off, a popping sound is temporarily produced. When using a mobile phone, noise is produced. There is no sound even when the keyboard is played or when a Song or Style is being played back. Not all of the voices seem to sound, or the sound seems to be cut off. Playing keys in the right hand area of the keyboard does not produce any sound. The volume is too soft. The sound quality is poor. The rhythm stops unexpectedly or will not play. The recorded data of the Song, etc. does not play correctly. The LCD display suddenly goes dark, and all panel settings are reset. The Style or Song does not play back when the [START/STOP] button is pressed.
Possible Cause and Solution This is normal and indicates that the instrument is receiving electrical power. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument. Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. Check the Local Control on/off. (See page 59.) The instrument is polyphonic up to a maximum of 32 notes including Dual voice, Split Voice, auto accompaniment, song, and Metronome. Notes exceeding this limit will not sound. When using the Dictionary function (page 54), the keys in the right hand area are used only for entering the chord root and type.
The batteries are low or dead. Replace all six batteries with completely new ones, or use the optional AC adaptor.
Is External Clock set to ON? Make sure External Clock is set to OFF; refer to External Clock Settings on page 59. Make sure that the Style Volume (page 53) is set to an appropriate level. Is the Split Point set at an appropriate key for the cords you are playing? Set the Split Point at an appropriate key (page 47). Is the ACMP ON indicator showing in the display? If it is not showing press the [ACMP ON/OFF] button so that it does show.
The Style does not sound properly.
The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). Two-note ngerings will produce a chord based on the previously played chord. Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. This is not a malfunction. Style number 098106 (Pianist) have no rhythm parts, so no rhythm will play. The other parts will begin playing when you play a chord in the accompaniment range of the keyboard if auto accompaniment is turned on. The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. This is normal. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note. Always press the [STYLE] button rst when you are going to use any style-related function. The method of sounding the harmony effect (0126) differs depending on the selected type. For Types 0105, turn the Auto Accompaniment on and play it by pressing a chord in the auto accompaniment section of the keyboard, then play some keys in the right-hand side to get the harmony effect. For Types 0626, turning the Auto Accompaniment on or off has no effect. However, it is necessary to play two notes simultaneously for Types 0612.

No rhythm accompaniment plays when the [START/STOP] button is pressed after selecting Style number 098106 (Pianist). The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds. The sound of the voice changes from note to note. The ACMP ON indicator does not appear when the [ACMP ON/OFF] button is pressed.
The harmony doesnt sound.

Voice List

Maximum Polyphony
The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).

Panel Voice List

Bank Select

Voice No.

The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device. Program Numbers 001 to 128 directly relate to MIDI Program Change Numbers 000 to 127. That is, Program Numbers and Program Change Numbers differ by a value of 1. Remember to take this into consideration. Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.

MSB (0127) 0 0

LSB (0127) 113 113

045 046

MIDI Program Voice Name Change# (1128) PIANO 1 Grand Piano 2 Bright Piano 7 Harpsichord 4 Honky-tonk Piano 3 MIDI Grand Piano 3 CP 80 E.PIANO 5 Cool! Galaxy Electric Piano 6 Hyper Tines 5 Funky Electric Piano 6 DX Modern Electric Piano 6 Venus Electric Piano 8 Clavi ORGAN 17 Jazz Organ Jazz Organ Rock Organ 19 Purple Organ 18 Click Organ 17 Bright Organ 19 Theater Organ 20 16'+2' Organ 20 16'+4' Organ 20 Chapel Organ 20 Church Organ 21 Reed Organ ACCORDION 22 Musette Accordion 22 Traditional Accordion 24 Bandoneon 23 Harmonica GUITAR 25 Classical Guitar 26 Folk Guitar 27 Jazz Guitar 28 60s Clean Guitar 26 12Strings Guitar 28 Clean Guitar 27 Octave Guitar 29 Muted Guitar 30 Overdriven Guitar 31 Distortion Guitar BASS 34 Finger Bass 33 Acoustic Bass 35 Pick Bass 36 Fretless Bass 37 Slap Bass 39 Synth Bass 39 Hi-Q Bass 40 Dance Bass

Optional Accessories AC Power Adaptor: Yamaha PA-130 or an equivalent USB-MIDI Interface: UX16 Footswitch: FC4/FC5 Keyboard Stand: L-2C/L-2L Headphones: HPE-150/HPE-30
* Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
09, +, -... 26 1LISTENING 2TIMING 3WAITING.. 31
Harmony... 42 Harmony Type List.. 73 Harmony Volume.. 57
AB Repeat... 51 AC Power Adaptor.. 8 ACMP ON/OFF.. 20 Auto Accompaniment.. 18, 20 Auto accompaniment range.. 18, 20
Initial Send... 57 Initialization... 41 Intro... 23
Backup... 41, 62 Backup File... 62 Battery... 8 Beat Display... 27
Keyboard Display.. 27 KEYS TO SUCCESS.. 28
Left.... 32 Lesson.. 28, 3234 Lesson track R/L for transferred songs. 57, 62 Listening... 33 Local... 57, 59
Cancel.. 40 Chord... 2425 Chord Dictionary.. 54 Chord Display.. 27 Chorus.. 43 Chorus Send Level (Main, Dual and Split). 43, 5657 Chorus Type List... 73 Computer... 58
Main/Auto fill... 23 Master Volume Control.. 9 Measure... 27 Melody Voice... 52 Metronome... 14, 48 Metronome Volume... 48 MIDI... 58 MIDI IN/OUT.. 58 Music Database... 36 Music Rest... 9 Mute... 51
DC IN 12V.. 8 Delete (File)... 41 Delete (User Song)... 40 Demo... 17 Display... 27 Drum Kit... 15 Drum Kit List... 68 Dual... 45
NO... 40 Notation... 27 Number buttons... 26
Ending.. 23 External Clock... 57, 59
FF... 17 Flash Memory.. 61 Footswitch (Sustain jack).. 9 Function... 56 Function Setting List.. 5657
Octave (Dual)... 57 Octave (Main).. 56 Octave (Split)... 57 One Touch Setting.. 50 Option... 74

Grade... 34

Part.... 32 Passing Status.. 27, 30 Pause... 17 PC setting.. 59 PHONES/OUTPUT... 9 Phrase... 35 Phrase Repeat.. 28, 35 Press and Hold for a while... 26
Tempo.. 22 TEMPO/TAP.. 22 Time Signature... 48 Timing.. 33 Touch Response.. 44 Touch sensitivity... 44 Track.. 27, 38, 51 Track Rec... 3839 Transfer... 60 Transpose.. 49 Tuning.. 50
Recording... 3739 Remote Control... 60 Reverb.. 43 Reverb Level.. 57 Reverb Type List... 73 Rew... 17 Rhythm... 18 Right... 32 rit.(ritardando).. 23 Root... 25, 54

User Song.. 38

Voice... 12, 42 Voice List.. 64 Volume (Song)... 52 Volume (Style)... 53 Volume (Voice)... 47
Save data to computer.. 62 Section.. 23 SMF Format 0.. 60 Song... 16, 51 Song List... 72 Song Volume... 52 Split... 46 Split Point... 4647 STANDBY/ON.. 9 START/STOP.. 17 Step... 28 Style... 18, 53 Style File.. 55, 61 Style Volume... 53 Supplied Accessories.. 5, 74 Sustain (Footswitch).. 9 Sustain (Panel)... 44 Synchro Start... 19, 53

Yamaha Music Europe Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040
THE PEOPLES REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd. 2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: 021-6247-2211

FRANCE

Yamaha Musique France BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000

U.S.A.

Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

HONG KONG

Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
Yamaha Musica Italia S.P.A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
Yamaha Music India Pvt. Ltd. 5F Ambience Corporate Tower Ambience Mall Complex Ambience Island, NH-8, Gurgaon-122001, Haryana, India Tel: 0124-466-5551
CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mxico S.A. de C.V. Calz. Javier Rojo Gmez #1149, Col. Guadalupe del Moral C.P. 09300, Mxico, D.F., Mxico Tel: 55-5804-0600

SPAIN/PORTUGAL

Yamaha Msica Ibrica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

GREECE

Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577

BRAZIL

Yamaha Musical do Brasil Ltda. Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, CEP 04534-013 Sao Paulo, SP. BRAZIL Tel: 011-3704-1377

SWEDEN

Yamaha Scandinavia AB J. A. Wettergrens Gata 1, Box 30053 S-Gteborg, Sweden Tel: 34 00
Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 080-004-0022

ARGENTINA

Yamaha Music Latin America, S.A. Sucursal de Argentina Olga Cossettini 1553, Piso 4 Norte Madero Este-C1107CEK Buenos Aires, Argentina Tel: 011-4119-7000

DENMARK

YS Copenhagen Liaison Ofce Generatorvej 6A, DK-2730 Herlev, Denmark Tel: 49 00

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900

FINLAND

F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES

(9) (9)

This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.
To play a major chord Press the root note of the chord.

C sus4

To play a minor chord Press the root note together with the nearest black key to the left of it. To play a seventh chord Press the root note together with the nearest white key to the left of it.

C M7aug

To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).

C dim7

C 7aug

C 7sus4

C sus2
* Notes enclosed in parentheses ( ) are optional; the chords will be recognized without them.
With this instrument the term song refers the data that makes up a piece of music. You can simply enjoy listening to the 30 internal songs, or use them with just about any of the many functions providedthe performance assistant technology feature, lessons, and more. The songs are organized by category. In this section well learn how to select and play songs, and briey describe the 30 songs provided.
Select and Listen to a Song

Listen

Lesson

Record

Press the [SONG] button.
The song number and name will be displayed. You can use the dial to select a different song.
The currently selected song and number are displayed
Select a song after referring to the preset song category list on page 41. Use the dial to select the song you want to listen to.
You can also play songs you have recorded yourself (User Songs) or songs that have been transferred to the instrument from a computer in the same way that you play the internal songs.

ForElise

The song displayed here can be played
Built in Songs (see next page) User Songs (Songs you record yourself). Songs transferred from a computer (pages 9092)

Listen to the song.

Press the [ ] (START/STOP) button to begin playback of the selected song. You can stop playback at any time by pressing the [ ] (START/ STOP) button again.

Song start!

Using the [DEMO/PC] button Press the [DEMO/PC] button to play Songs 001008 in sequence. Playback will continue repeatedly starting again from the rst Song (001). You can select a song by using the [-] and [+] buttons after pressing the [DEMO/PC] button. You can stop playback at any time by pressing the [DEMO/PC] button.

Listen to the DEMO Song for Easy Song Arranger
The Hallelujah Chorus in the preset songs lets you experience the Easy Song Arranger. Playing it.
Using the Easy Song Arranger
Press the [SONG] button, then select a 009 Hallelujah Chorus by using the dial. Press the [ ] (START/STOP) button to play it.

Halleluj

As the song progresses, you will see only the style changes while the song remains the same. Keep in mind that you can enjoy using Easy Song Arranger with other songs as wellany songs that include chord data.
Press the [EASY SONG ARRANGER] button.
The indicator lights when the Easy Song Arranger function is on.
You can use the [SONG] and [STYLE] buttons to select a song or style, respectively, while the Easy Song Arranger function is on.

Select a Song.

Press the [SONG] button, then select the song you want to arrange.
Press the [ ] (START/STOP) button to begin playback of the song. Move on to the next step while the song is playing.
When playing song numbers 010, 011 and 020 to 030 while using the Easy Song Arranger, melody tracks will be automatically muted and no melody will sound. In order to hear the melody tracks you will need to press the SONG MEMORY buttons [3] to [5].
Press the [STYLE] button and then rotate the dial to hear how the song sounds with different styles. As you select different styles the song will remain the same while only the styles change. When you have selected a suitable style move on to the next step while the song is still playing.
Because the Easy Song Arranger uses song data you cant specify chords by playing in the accompaniment range of the keyboard. The [ACMP ON/ OFF] button will not function. If the time signature of the song and style are different, the time signature of the song will be used.
Select a voice you want to play as a song melody.
Press the [VOICE] button. The currently selected voice number and name will be displayed. Use the dial to select a different voice.
The currently selected voice number and name are displayed here.
Change the songs melody voice.
Press and hold the [VOICE] button for longer than a second. After SONG MELODY VOICE appears on the display the voice you selected in step 5 becomes the songs melody voice.

SONG MEL

Press the [EASY SONG ARRANGER] button to turn the function off.
The indicator will go out.
You can record up to 5 of your own performances and save them as user songs 031 through 035. The recorded song can be played back on the instrument.
Recordable Data You can record to a total of 6 tracks: 5 melody tracks and 1 style (chord) track. Each track can be recorded individually. To record your own performance, rst use the SONG MEMORY [1][5] and [A] buttons to specify the track(s) you want to record on.

Track Mute This instrument allows you to choose whether recorded tracks will play back while you are recording or playing back other tracks (page 79).

Recording Procedure

Up to approximately 10,000 notes can be recorded for the ve user songs if you record only to the melody tracks. Up to approximately 5,500 chord changes can be recorded for the ve user songs if you record only to the style track.
Melody Track [1][5].. Record the melody parts. Style Track [A]. Records the chord part.

Melody

Chords Specify track(s) and record

Track 1

Track 2

Track 3

Track 4

Track 5

Track A
Press the [SONG] button, then use the dial to select the user song number (031035) you want to record to.

User 1

Rotate the dial to select a song number between 031 and 035.
Select the track(s) you want to record to and conrm your selection on the display.
Record a Melody Track and the Accompaniment Track Together Press the melody track button [1][5] you want to record to while holding the [REC] button. Next, press the [A] button while holding the [REC] button. The selected tracks will ash in the display.
If you record to a track that contains previously-recorded data the previous data will be overwritten and lost.
Style accompaniment is automatically turned on when you select the style track [A] for recording. Style accompaniment cannot turned on or off while recording is in progress.

Press and hold

If you use a split voice for recording, notes played to the left of the split point will not be recorded.
Record a Melody track Press the melody track button [1][5] you want to record to while holding the [REC] button. The selected track will ash in the display.
If style accompaniment is on and track [A] has not yet been recorded, the style track [A] will automatically be selected for recording when a melody track is selected. If you only want to record a melody track, be sure to turn the style track [A] off.

3 Start a function.

2 Select an item or value.

Display (page 59)

1 Select a basic function.

Volume Adjustment

Adjusts the volume of the sound heard via the instruments speakers or a pair of headphones plugged into the PHONES jack.
The Press & Hold Symbol
The symbol that appears next to some buttons indicates that the button can be pressed and held for longer than a second to call up a related function. This provides convenient direct access to a range of functions.
Rotate counterclockwise to lower the volume.
Rotate clockwise to increase the volume.
Press a button to select a basic function.
Select a song you want to listen to or a song you want to use for a lesson. Select an auto-accompaniment style.
Select a voice you want to play on the keyboard.
Use the dial to select an item or value.
When you select a basic function, the item corresponding to that function will be displayed. You can then use the dial or the number buttons [0][9] to select the desired item.
This portion of the display indicates the name and number of the currently selected song, voice and style. It also displays the name and current setting/ value of other functions.

Changing Values

] and [
Rotate the dial clockwise to increase the value of the selected item, or counterclockwise to decrease its value. Rotate the dial continuously to continuously increase or decrease the value.

Decrease Increase

CATEGORY [

] buttons

When selecting a song, style, or voice, you can use these buttons to jump to the rst item in the next or previous category. The CATEGORY [ ] and [ ] buttons are useful for selecting categorized items, as in the example below.

Example: VOICE SELECT

[+] and [-] Buttons
Press the [+] button briey to increment the value by 1, or press the [-] button briey to decrement the value by 1. Press and hold either button to continuously increment or decrement the value in the corresponding direction.
Jump to the rst item in the next or previous category.

SweetFlt

Press briey to decrement. Press briey to increment.
The rst voice in the selected category is selected.

Number Buttons [0][9]

The number buttons can be used to directly enter a song number or parameter value. Hundreds or tens digits that are 0 can be omitted (see below).

StyleVol

Use the CATEGORY [ ] and [ ] buttons to select the Reverb Type item. Reverb appears in the display for a few seconds, and the currently selected reverb type will be displayed.

Selected reverb type

Refer to the Effect Type List on page 117 for information about the available reverb types. Adjusting the Reverb Send Level You can individually adjust the amount of reverb that is applied to the main, dual, and split voices. (See page 84).

Reverb

The currently selected reverb type

Adding Chorus

The chorus effect creates a thick sound that is similar to many of the same voices being played in unison. When you select a style or song the optimum chorus type for the voice used is automatically selected. If you want to select a different chorus type, use the procedure described below.
3 Use the dial to select a chorus type.
You can check how the selected chorus type sounds by playing on the keyboard.

2 Use the CATEGORY [

] and [ ] buttons to select the Chorus Type item. Chorus appears in the display for a few seconds, and the currently selected chorus type will be displayed.

Chorus2

Selected chorus type
Refer to the Effect Type List on page 117 for information about the available chorus types. Adjusting the Chorus Send Level You can individually adjust the amount of chorus that is applied to the main, dual, and split voices. (See page 84).

Chorus

Chorus1
The currently selected chorus type

The Metronome

The instrument includes a metronome with adjustable tempo and time signature. Use it to set the tempo that is most comfortable for you.

Start the metronome

Turn the metronome on and start it by pressing the [METRONOME] button. To stop the metronome, press the [METRONOME] button again.
Adjusting the Metronome Tempo
1 Press the [TEMPO/TAP] button to call

up the tempo setting.

Touch Sensitivity Main Voice Volume Main Voice Octave Main Voice Pan
TouchSns M.Volume M.Octave M.Pan
Main Voice Reverb Level Main Voice Chorus Level Main Voice Attack Time Main Voice Release Time Main Voice Filter Cutoff Main Voice Filter Resonance Dual Voice Dual Voice Volume Dual Voice Octave Dual Voice Pan
M.Reverb M.Chorus M.Attack M.Releas M.Cutoff M.Reso. D.Voice D.Volume D.Octave D.Pan
Dual Voice Reverb Level Dual Voice Chorus Level Dual Voice Attack Time Dual Voice Release Time Dual Voice Filter Cutoff Dual Voice Filter Resonance Split Voice Split Voice Volume Split Voice Octave Split Voice Pan
D.Reverb D.Chorus D.Attack D.Releas D.Cutoff D.Reso. S.Voice S.Volume S.Octave S.Pan
Split Voice Reverb Level Split Voice Chorus Level

S.Reverb S.Chorus

Setting Reverb Type Chorus Type

Item title Reverb Chorus

Range/Settings Speaker1, Speaker2, Headphone, Line Out1, Line Out1 (Original), 2 (Thru) 001nnn PC1/PC2/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF YES/NO 0060 Half note, Quarter note, Eighth note, Sixteenth note 000127 GuideTrack 116 GuideTrack 116 ON/OFF ON/OFF 320, OFF
Description Determines the Reverb type, including off (10). (See the list on page 117) Determines the Chorus type, including off (05). (See the list on page 117)

Master EQ Type

Sets the equalizer applied to the speaker output for optimum sound in different listening situations.
Harmony Type Harmony Volume Arpeggio Type Arpeggio Velocity Style File Load PC mode Local On/Off External Clock Keyboard Out Style Out Song Out Initial Send Time Signature Numerator Time Signature Denominator Metronome Volume Lesson Track (R)
HarmType HarmVol ARP Type ARP Velo Sff Load PC mode Local ExtClock KbdOut StyleOut SongOut InitSend TimesigN
Determines the Harmony type. (See the list on page 117) Determines the volume of the Harmony effect. Determines the Arpeggio type. (See the list on page 14) Sets the velocity mode for arpeggio playback. Loads a Style le. Optimizes the MIDI settings when you connect to a computer (page 89). Determines whether the instruments keyboard controls the internal tone generator (ON) or not (OFF). (page 88) Determines whether the instrument synchronizes to the internal clock (OFF) or an external clock (ON). (page 88) Determines whether keyboard performance data of the instrument is transmitted (ON) or not (OFF). Determines whether Style data is transmitted (ON) via USB or not (OFF) during Style playback. Determines whether User Song is transmitted (ON) via USB or not (OFF) during Song playback. Lets you send the data of the panel settings to a computer. Press [+] to send, or press [-] to cancel. Determines the time signature of the Metronome.

The supplied CD-ROM also includes a Musicsoft Downloader application that allows you to transfer song les from your computer to the instruments ash memory. For instructions about how to install Musicsoft Downloader and how to transfer song les, see page 91.

PSR-E413 USB cable

Transferring Performance Data to and from a Computer
By connecting the instrument to a computer, the instruments performance data can be used on the computer, and performance data from the computer can be played on the instrument. When the instrument is connected with computer, it transmits/receives performance data.
USB terminal USB terminal

PSR-E413

USB cable

MIDI settings

These settings pertain to performance data transmission and reception.
Item Local Range/Settings ON/OFF Description Local control determines whether or not notes played on the instrument are sounded by its internal tone generator system: the internal tone generator is active when local control is on, and inactive when local control is off. These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to a clock signal from an external device (ON). These settings determine whether keyboard performance data of the instrument is transmitted (ON) or not (OFF). These settings determine whether Style data is transmitted (ON) or not (OFF) during Style playback. These settings determine whether User Song is transmitted (ON) or not (OFF) during Song playback.
External Clock Keyboard Out Style Out Song Out
ON/OFF ON/OFF ON/OFF ON/OFF
If you cant get any sound out of the instrument, this may be the most likely cause.
] and [ ] buttons to select the item you want to change its value.
If External Clock is ON and no clock signal is being received from an external device, the song, style, and metronome functions will not start.
1 Press the [FUNCTION] button. 3 Use the dial to select ON or OFF.

PC Mode

1 Press and hold the [DEMO/PC] button
A number of MIDI settings need to be made when you want to transfer performance data between the computer and the instrument. The PC Mode item can conveniently make multiple settings for you in one operation. Three settings are available: PC1, PC2, and OFF. This setting is not necessary when transferring song or backup les between the computer and the instrument.

* Set the PC mode to PC2 when using Digital Music Notebook.
PC1 Local External Clock Song Out Style Out Keyboard Out OFF ON OFF OFF OFF PC2* OFF OFF OFF OFF ON OFF ON OFF OFF OFF ON
for longer than a second so that the PC Mode item appears.

PC mode

2 Use the dial to select PC1, PC2, or OFF.
NOTE When the PC2 setting is selected the instruments style, song, demo, song recording, and lesson features cannot be used. NOTE You can also access the PC Mode item by rst pressing the [FUNCTION] button and then using the CATEGORY [ ] and [ ] buttons to locate it (page 83).
Remote Control of MIDI Devices
You can also use this instrument as a remote control device for the Digital Music Notebook application on your computer (via the USB connection)controlling playback, stop and transport functions from the panel.

Remote control keys

To use the remote control functions, simultaneously hold down the lowest two keys on the keyboard (C1 and C#1) and press the appropriate key (shown below).
C6: Fast forward B5: Start A5: Stop G5: Rewind F5: Top (move to the beginning of the song) E5: Metronome ON/OFF
NOTE Remote control of MIDI devices will function independently of the PC2 mode.

Initial Send

This function lets you send the panel setup data to a computer. Before you record performance data to a sequencer application running on your computer, it is a good idea to rst send and record the panel setup data before the actual performance data.
3 Press [+/YES] to send, or press [-/NO]

to cancel.

] and [ ] buttons to select the Initial Send item.
Transferring Data between the Computer and Instrument
Songs, styles, or Music Database les residing on a computer or the supplied CD-ROM, can be transferred to the instrument. Backup les can also be transferred from the instrument to the computer and back. In order to transfer les between your computer and the instrument you will need to install the Musicsoft Downloader application and the USBMIDI Driver included on the Accessory CD-ROM on your computer. Refer to the Accessory CDROM Installation Guide on page 93 for installation details.
Data that can be transferred from a computer to this instrument. Data Capacity: 373 KB 256 les total for the Song, Style and Music Database. Data Format Song: (.mid) SMF format 0/1 Style: (.sty) Music Database: (.mfd) Backup File: 08PK61.bup What is SMF (Standard MIDI File)? The SMF (Standard MIDI File) format is one of the most common and widely compatible sequence formats used for storing sequence data. There are two variations: Format 0 and Format 1. A large number of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI sequence data is provided in SMF Format 0.

q MSD_

Digital Music Notebook
DMN_FlashDemo Digital Music Notebook Flash Demo Song Book USB-MIDI Driver (Windows 2000/XP) USB-MIDI Driver (Windows Vista/XP x64) SongData SampleData StyleData MDB MIDI 70 songs 5 style les 5 music database les

e SongBook

USBdrv2k_

USBdrvVista_

These songs, styles, or music database can be transferred to the instrument and played or used with the instrument functions.
In order to view PDF scores, you will need to install Adobe Reader in your computer. You can download the Adobe Reader. Please check the following URL: http://www.adobe.com/

Using the CD-ROM

4 Connect the instrument to the com-
Please read the Software License Agreement on page 121 before opening the CD-ROM package.
puter. The connection procedure is described on page 87. Musicsoft Downloader: See page 97.
1 Check the system requirements to
make sure that the software will run on your computer. CD-ROM drive. The start window should appear automatically. puter. Refer to Installing the USB-MIDI Driver on page 95 for installation and setup instructions.
5 Install the software. 6 Launch the software.
For further software operation refer to the online help supplied with the software. Refer to the Troubleshooting on page 98 when you have trouble with installing the driver.
3 Install the USB-MIDI driver to the com-

System Requirements

Application/Data OS Windows 2000/XP Home Edition/XP Professional/ Vista
* Only 32-bit is supported.
CPU 233 MHz or higher; Intel Pentium/Celeron Processor family (500 MHz or higher is recommended) 166 MHz or higher; Intel Pentium/Celeron Processor family 800 MHz or higher; Intel Pentium /Celeron Processor family or Intel 64 compatible processor
400 MHz or higher processor clock speed (Intel Pentium/Celeron Processor family, or compatible processor recommended)
Memory 64 MB or more (256 MB or more is recommended) 32 MB or more (64 MB or more is recommended)
Hard Disk at least 128 MB of free space (at least 512 MB of free space is recommended) at least 3 MB of free space

No rhythm accompaniment plays when the [START/ STOP] button is pressed after selecting style number 141 or a style between 153 and 165 (Pianist).
Not all of the voices seem to sound, or the sound seems to be cut off.
Some notes dont sound when playing multiple notes simultaneously on the keyboard, or some notes dont sound when playing arpeggios. The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds. The sound of the voice changes from note to note.
The wrong notes sound when the keyboard is played. The ACMP ON indicator does not appear when the [ACMP ON/OFF] button is pressed.
There is no harmony sound.

Scores

This demo is an example of how the Easy Song Arranger can be used to change styles throughout a piece.

Song No. 9 q =123

(Function Demo for Easy Song Arranger)

Hallelujah Chorus

This score is provided with the intent that the pitch will be corrected by the performance assistant technology feature. If you play the Play These Notes part using the performance assistant technology feature, the part will be corrected and played so that it matches the backing part.

Song No. 10 q =61

(Function Demo for performance assistant technology)

Ave Maria

P.A.T.

Type =CHORD

Your Turn.
Repeatedly Play the Same Key.

Song No. 11 q =108

Nocturne op.9-2
You Can Even Play the Same Keys!

Voice List

Maximum Polyphony The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).

Panel Voice List

Voice No.
MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) PIANO 1 Grand Piano 2 Bright Piano 7 Harpsichord 4 Honky-tonk Piano 3 MIDI Grand Piano 3 CP 80 E.PIANO 5 Cool! Galaxy Electric Piano 6 Hyper Tines 5 Funky Electric Piano 6 DX Modern Electric Piano 6 Venus Electric Piano 8 Clavi ORGAN 19 Cool! Organ 19 Cool! Rotor Organ 17 Jazz Organ Jazz Organ Rock Organ 19 Purple Organ 18 Click Organ 17 Bright Organ 19 Theater Organ 20 16'+2' Organ 20 16'+4' Organ 20 Chapel Organ 20 Church Organ 21 Reed Organ ACCORDION 22 Musette Accordion 22 Traditional Accordion 24 Bandoneon 23 Modern Harp 23 Harmonica GUITAR 25 Classical Guitar 26 Folk Guitar 27 Jazz Guitar 28 60s Clean Guitar 26 12Strings Guitar 28 Clean Guitar 27 Octave Guitar 29 Muted Guitar 30 Overdriven Guitar 31 Distortion Guitar BASS 34 Finger Bass 33 Acoustic Bass 35 Pick Bass 36 Fretless Bass 37 Slap Bass 39 Synth Bass 39 Hi-Q Bass 40 Dance Bass

Voice No. *300 301

Bank Select MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) 27 Jazz Guitar 27 Jazz Amp 28 Clean Guitar 28 Chorus Guitar 29 Muted Guitar 29 Funk Guitar 29 Muted Steel Guitar 29 Jazz Man 30 Overdriven Guitar 30 Guitar Pinch 31 Distortion Guitar 31 Feedback Guitar 31 Feedback Guitar Guitar Harmonics 32 Guitar Feedback 32 Guitar Harmonics 2 BASS 33 Acoustic Bass 33 Jazz Rhythm 33 Velocity Crossfade Upright Bass 34 Finger Bass 34 Finger Dark 34 Bass & Distorted Electric Guitar 34 Finger Slap Bass 34 Finger Bass Modulated Bass 35 Pick Bass 35 Muted Pick Bass 36 Fretless Bass 36 Fretless Bass Fretless Bass Fretless Bass Slap Bass Punch Thumb Bass 38 Slap Bass Velocity Switch Slap 39 Synth Bass Techno Synth Bass 40 Synth Bass Mellow Synth Bass 40 Sequenced Bass 40 Click Synth Bass 40 Synth Bass 2 Dark 40 Modular Synth Bass 40 DX Bass STRINGS 41 Violin 41 Slow Violin 42 Viola 43 Cello 44 Contrabass 45 Tremolo Strings 45 Slow Tremolo Strings 45 Suspense Strings 46 Pizzicato Strings 47 Orchestral Harp 47 Yang Chin 48 Timpani ENSEMBLE 49 Strings Stereo Strings 49 Slow Strings 49 60s Strings 49 Orchestra 49 Orchestra Tremolo Orchestra 49 Velocity Strings 50 Strings Stereo Slow Strings 50 Legato Strings 50 Warm Strings 50 Kingdom 51 Synth Strings 1

Voice No. 370

Bank Select MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) 52 Synth Strings Choir Aahs 53 Stereo Choir 53 Mellow Choir 53 Choir Strings 54 Voice Oohs 55 Synth Voice 55 Synth Voice Choral 55 Analog Voice 56 Orchestra Hit 56 Orchestra Hit Impact BRASS 57 Trumpet 57 Warm Trumpet 58 Trombone 58 Trombone Tuba 60 Muted Trumpet 61 French Horn 61 French Horn Solo 61 French Horn Horn Orchestra 62 Brass Section 62 Trumpet & Trombone Section 63 Synth Brass Resonant Synth Brass 64 Synth Brass Soft Brass 64 Choir Brass REED 65 Soprano Sax 66 Alto Sax 66 Sax Section 67 Tenor Sax 67 Breathy Tenor Sax 68 Baritone Sax 69 Oboe 70 English Horn 71 Bassoon 72 Clarinet PIPE 73 Piccolo 74 Flute 75 Recorder 76 Pan Flute 77 Blown Bottle 78 Shakuhachi 79 Whistle 80 Ocarina SYNTH LEAD 81 Square Lead 81 Square Lead LM Square 81 Hollow 81 Shroud 81 Mellow 81 Solo Sine 81 Sine Lead 82 Sawtooth Lead 82 Sawtooth Lead Thick Sawtooth 82 Dynamic Sawtooth 82 Digital Sawtooth 82 Big Lead 82 Sequenced Analog 83 Calliope Lead 83 Pure Lead 84 Chiff Lead 85 Charang Lead 85 Distorted Lead 86 Voice Lead

Voice No. 439

Bank Select MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) 87 Fifths Lead 87 Big Five 88 Bass & Lead 88 Big & Low 88 Fat & Perky 88 Soft Whirl SYNTH PAD 89 New Age Pad 89 Fantasy 90 Warm Pad 91 Poly Synth Pad 92 Choir Pad 92 Itopia 93 Bowed Pad 94 Metallic Pad 95 Halo Pad 96 Sweep Pad SYNTH EFFECTS 97 Rain 97 African Wind 97 Carib 98 Sound Track 98 Prologue 99 Crystal 99 Synth Drum Comp 99 Popcorn 99 Tiny Bells 99 Round Glockenspiel 99 Glockenspiel Chimes 99 Clear Bells 99 Chorus Bells 99 Soft Crystal 99 Air Bells 99 Bell Harp 99 Gamelimba 100 Atmosphere 100 Warm Atmosphere 100 Hollow Release 100 Nylon Electric Piano 100 Nylon Harp 100 Harp Vox 100 Atmosphere Pad 101 Brightness 102 Goblins 102 Goblins Synth 102 Creeper 102 Ritual 102 To Heaven 102 Night 102 Glisten 102 Bell Choir 103 Echoes 104 Sci-Fi WORLD 105 Sitar 105 Detuned Sitar 105 Sitar Tamboura 106 Banjo 106 Muted Banjo 106 Rabab 106 Gopichant 106 Oud 107 Shamisen 108 Koto 108 Taisho-kin 108 Kanoon 109 Kalimba 110 Bagpipe 111 Fiddle 112 Shanai PERCUSSIVE 113 Tinkle Bell

Backup..56

Initial Send.. 85, 90 Initialization... 56
CD-ROM...93 Channel Message..87 Chord.. 36, 38, 75-76 Chord Dictionary..77 CHORD ROOT.77 CHORD TYPE..77 Chorus..19, 62 Chorus Type..62, 117 Computer...87 Cutoff..19

Keyboard Out.. 88

Lesson.. 43 Load SFF... 74 Local... 88 L-Part... 92
Default Setting..83 Delete (Song Track)..55 Delete (User Song).55 Demo..40 Demo Cancel..85 Display..59 Drum Kit..32 Drum Kit List..110 Dual Voice..29 Dual Voice Chorus Level.84 Dual Voice Octave..84 Dual Voice Pan..84 Dual Voice Reverb Level.84 Dual Voice Volume..84
Main Voice.. 28 Main Voice Chorus Level.. 84 Main Voice Octave.. 84 Main Voice Pan. 84 Main Voice Reverb Level.. 84 Main Voice Volume.. 84 Master EQ Type.. 69 Measure.. 59 Melody Voice.. 51, 79 Metronome.. 63 MIDI... 86 MIDI Data Format.. 120 MIDI Implementation Chart. 118 Music Database. 49 Music Database List.. 114 Music Rest... 7 Mute... 79
Easy Chords..38 Easy Song Arranger..50 Effect Map..120 Effect Type List..117 External Song..42

Notation.. 59

Filter..19 Filter (Style)..20

One Touch Setting. 68

PC Mode.. 89 Performance assistant technology. 23 Pitch Bend Range.. 84 Power Adaptor.. 10 Preset Song..39, 41-42
Recording.. 52 Registration Memory.. 80 Release.. 20 Remote control.. 89 Repeat... 48 Resonance.. 19 Reverb.. 19, 61 Reverb Type.. 117 R-Part... 92
Touch Response.65 Touch Sensitivity..65 Track.. 52-55 Track Clear..55 Transfer.. 90-92 Transpose...66 Troubleshooting (Installation).98 Troubleshooting (Instrument)..99 Tuning...66
USB..87 USB-MIDI Driver.. 96-97 User Song..52
Voice...28 Voice List..106
Save (Backup File). 92 Save (Panel Setting).. 80 Score..100-105 Sleep... 82 SMF (Standard MIDI File). 90 Software Licensing Agreement.. 121 Song.. 39 Song Clear.. 55 Song List.. 41, 116 Song Memory.. 52 Song Out.. 88 Song Volume.. 78 Specifications.. 123 Split Point.. 30, 72 Split Voice.. 30 Split Voice Chorus Level. 84 Split Voice Octave. 84 Split Voice Pan.. 84 Split Voice Reverb Level. 84 Split Voice Volume.. 84 Standard Chords.. 38 Style..33-37, 70 Style File... 74 Style List.. 112 Style Out.. 88 Style Tempo... 20 Style Volume.. 72 Sustain (Footswitch).. 11 Synchro Start.. 34, 36, 70 Synchro Stop.. 71 System Message.. 87

XGlite...6

Tempo.. 27 Time Denominator. 64 Time Numerator.. 64 Time Signature.. 63

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:

IRELAND

Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

RUSSIA

Yamaha Music (Russia) Ofce 4015, entrance 2, 21/5 Kuznetskii Most street, Moscow, 107996, Russia Tel: 0660

OTHER ASIAN COUNTRIES

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317

GERMANY

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990

AFRICA

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

OCEANIA

AUSTRALIA
Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111

AUSTRIA

Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900

NEW ZEALAND

Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

MIDDLE EAST

TURKEY/CYPRUS
CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH, Branch Austria, CEE Department Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

OTHER COUNTRIES

Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868

POLAND

Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273
Yamaha Home Keyboards Home Page (English Only) http://music.yamaha.com/homekeyboard Yamaha Manual Library http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2007 Yamaha Corporation WM17300 XXXPOXXX.X-01A0 Printed in China