Yamaha PSR-310 Psr-210
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Manual
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(Japanese)Yamaha PSR-310/psr-210 - ƈµö¾ (摜f[^), size: 478 KB |
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Yamaha PSR-310 Psr-210
User reviews and opinions
| newedge2001 |
6:56am on Monday, October 18th, 2010 ![]() |
| This past week I had the opportunity to test out the new Creative Zen Mosaic. While it is similar to the Zen V on the inside. This product does a good job of holding my Zen in the clear case which makes it great to use at the gym. However. The case itself and the armband are great. The belt clip is flimsy, so you really have to be careful with it. | |
| lauramarx |
3:16pm on Sunday, October 17th, 2010 ![]() |
| Bought it. Loaded songs onto it which was not user friendly. Stopped working 1 month after i loaded it up. This is a great mp3 player. This is the second Creative Lab mp3 player I have purchased, my fiance took over my first one. | |
| Ponder_Stibbons |
3:56pm on Tuesday, October 12th, 2010 ![]() |
| Type flash memory 8GB storage capacity of MP3 digital companion view quotation PC interface type USB 2. Enjoy the exceptional value of this incredibly fun, uniquely stylish, and fully featured MP3 player. Carry your treasured music collection. Design innovation implementation. In 2008. | |
| Barnardo |
4:48pm on Sunday, July 25th, 2010 ![]() |
| I like the size of this product, the display is big enough and displays information nicely, the sound quality is really good. | |
| eloderma |
3:22pm on Saturday, July 3rd, 2010 ![]() |
| The ZEN Mozaic is Creative latest portable media player. Due to its similar specs, it is said to be developed to replace the aging ZEN V series. | |
| The Newly Converted |
12:37pm on Friday, June 4th, 2010 ![]() |
| None yet I have never been able to enjoy this product, as it does nothing but skip. Tried reformatting and it did not help. dad really loves it none works never skips like my ip*d did once | |
| chow yun mui |
12:59pm on Wednesday, June 2nd, 2010 ![]() |
| A must have for the gym. Doesnt weigh down your shorts, bounces and doesnt break when you drop it because its so light. A must have for the gym. Doesnt weigh down your shorts, bounces and doesnt break when you drop it because its so light. The speaker on the outside was absolutly fant... When I first got it the Mozaic was fantastic. But a few months later it froze constantly. | |
| john.egger |
11:11am on Tuesday, April 20th, 2010 ![]() |
| zen Its pretty good, the only thing is that it does not have a button to lock it. It WOULD be great but... I got this mp3 player after having a Zen (not an MX. | |
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Documents
(4)-11
Before moving the instrument, remove all connected adaptor and other cables. When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still owing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. Use only the stand specied for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over.
Maintenance
When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning uids, or chemical-impregnated wiping cloths.
Handling caution
Do not insert a nger or hand in any gaps on the instrument. Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualied Yamaha service personnel. Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Connections
Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Yamaha cannot be held responsible for damage caused by improper use or modications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. When using a power adaptor, even when the power switch is in the STANDBY position, electricity is still owing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. Make sure to discard used batteries according to local regulations.
Using the MIDI Terminals
The PSR-E213/YPT-210 speakers are automatically shut off when a plug is inserted into this jack. The PHONES/OUTPUT jack also functions as an external output. You can connect the PHONES/OUTPUT jack to a keyboard amplier, stereo system, mixer, tape recorder, or other line-level audio device to send the instruments output signal to that device.
Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.
other MIDI instrument
The instrument also features MIDI terminals, allowing you to interface the instrument with other MIDI instruments or computers. (For more information, see page 50.)
MIDI cables (sold separately) must be used for connecting to MIDI devices. They can be bought at music stores, etc.
Turn on the power
To prevent damage to the speakers, set the volume of the external devices at the minimum setting and turn power off the devices before connecting them. Failure to observe these precautions may result in electric shock or equipment damage. Also, be sure to set the volumes of external devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Press the [STANDBY/ON] switch to turn on the power. Pressing the switch again turns the power off. When you rst turn on the power, make sure to turn down the volume of the instrument by pressing the MASTER VOLUME [-] button several times. While playing the keyboard, adjust the volume level by using the MASTER VOLUME [+] and [-] buttons.
Connecting a footswitch (SUSTAIN Jack)
All panel settings as well as the settings made via the display are reset to their default values whenever the power is turned off. The sustain function lets you produce a natural sustain as you play by pressing an optional footswitch. Plug the Yamaha FC4 or FC5 footswitch into this jack and use it to switch sustain on and off.
When using a power adaptor, even when the power is off, a small amount of electricity is still being consumed by the instrument. When you are not using the instrument for a long time, make sure to unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
Front Panel
q [STANDBY/ON] switch.page 9, 24 w MASTER VOLUME [+] button.. pages 9, 24 [-] button... pages 9, 24 e LESSON PART [L] button...page 28 [R] button...page 28 r [LISTEN & LEARN] button..page 28 t [TIMING] button...page 29 y [WAITING] button..page 30 u [FUNCTION] button.. pages 48, 25 i [SONG] button.. pages 19, 25 o [STYLE] button.. pages 21, 25 !0 [VOICE] button.. pages 13, 25 !1 Number buttons [0][9], [+], [-]..page 25 !2 [DEMO] button...page 20 !3 [METRONOME ON/OFF] button..page 17 When the Song mode !4 [A-B REPEAT] button..page 33 !5 [REW] button..page 20 !6 [FF] button...page 20 !8 [PAUSE] button..page 20 When the Style mode !4 [ACMP ON/OFF] button..page 22 !5 [INTRO/ENDING/rit.] button..page 41 !6 [MAIN/AUTO FILL] button..page 41 !8 [SYNC START] button...page 22 !7 [TEMPO/TAP] button..page 38 !9 [START/STOP] button...page 24 @0 [PORTABLE GRAND] button..page 14 @1 [SOUND EFFECT KIT] button..page 16 @2 [REVERB ON/OFF] button..page 34 @3 Drum Kit...page 15
Front Panel Song List (page 20)
!4 !5 !6 !7
Rear Panel
@4 MIDI IN/OUT terminals..page 50 @5 SUSTAIN jack..page 9 @6 PHONES/OUTPUT jack...page 9 @7 DC IN 12V jack..page 8
Style List (page 62)
Voice List (page 54)
Display (page 26)
001 GrandPno
u i o !0 !1
!3 @0 @1 @2
GrandPno
Turn the power on and adjust the volume
Turning the power on
Press the [STANDBY/ON] switch to turn on the power. Press the [STANDBY/ON] switch again to turn the power off.
Adjusting the volume
When turning the power on, bars appear at the left side in the display to indicate the value of the master volume.
The volume increases as indicated by the bars in the display.
When you rst turn on the power, make sure to turn down the volume of the instrument by pressing the MASTER VOLUME [-] button several times. While playing the keyboard, adjust the volume level by using the MASTER VOLUME [+] and [-] buttons.
Press the [+] button to increase the volume.
The value of master volume cannot be saved.
Press the [-] button to lower the volume.
When the power is turned on, the initial value is automatically set to 12 (indicated by six bars in the display). If you are using the instrument in a quiet place and want a lower volume setting to start with, simultaneously hold down the MASTER VOLUME [-] button and turn on the power with the [STANDBY/ON] switch. This automatically sets the value to 4 (indicated by two bars).
Try playing a variety of instrument Voices
Quick Guide
13 In addition to the piano Voice, a wide variety of other instrument Voices can be selected and played, including guitar, trumpet and ute. The Voice selected here becomes the Main Voice.
Press the [VOICE] button.
The Voice number and name are displayed.
Voice number Voice name
Appears when the Voice mode.
Select a Voice.
Select the desired Voice by using the number buttons [0][9], [+], [-]. Refer to the Voice List on page 54.
The Voice shown here becomes the Main Voice for the instrument.
Play the keyboard.
Try selecting and playing different Voices.
Step 1 Changing the Voices
Playing the Grand Piano Voice
When you simply want to play a piano Voice, all you have to do is press one convenient button.
Press the [PORTABLE GRAND] button.
The Voice Grand Pianowill automatically be selected as the Main Voice.
Drum kits
Drum kits are collections of drum and percussion instruments. When drum kits (Voice number 130142) are selected, you can play different percussion sounds directly from the keyboard.
Select the desired Drum kit.
Select one of the Voice numbers from 130142 by using the number buttons [0][9], [+], [-].
Example: 130 Standard Kit 1
Std.Kit1
Br h Ta p h Sl ap
Drum Kit List
Jazz Kit
Rock Kit
Brush Kit
Room Kit
SFX Kit 2
SFX Kit 1
Dance Kit
Analog Kit
Electronic Kit
Try out each key.
Symphony Kit Standard Kit 2 Sound Effect Kit
Standard Kit 1
Example: 130 Standard Kit 1 To check which Standard Kit 1 percussion sounds are assigned to each key, look at the icons printed above the keys.
Youll hear bongo drums, congas, maracas, and morea comprehensive variety of drum and percussion sounds. Details on the instruments and key assignments of each drum kit can be found in the Drum Kit List on page 59.
ne St t ick s O pe n R im Sh Si ot de St ic H an k d C la p H i-H at C H i-H los ed at P H i - H eda l at O pe n C ra sh C R ym id e ba C ym l 1 ba Ta l1 m bo u C ow rine be ll Vi br as la p Bo ng o L C on ga H O pe Ti m n ba le Ag L og o L M ar ac as G ui ro Sh C o la ve rt s
S Ta wir l p Sn Sw ir Sn are l Ba are Rol ss H l Ba Dr Sof ss um t So D ru m ft Ba Ha ss rd D ru m Sn Sna ar re e H M Fl H oo ar d r Fl Tom oo rT L om Lo H w M To id m T M om id L To C H mH hi ig n h R ese To id C m e C ym y Sp mb bal la al C C sh C up ra sh ym ba C y R id mb l e C al 2 ym ba C Bo l 2 on ng ga o H H M C ute on Ti ga m L ba l Ag e H og o Sa C H m ba ab Sa W asa h m ba istl W eH h G istle W uiro L oo L d on W Blo g oo ck d B H C loc ui ca k L Tr O ia ng pe n le Ji Op ng en le B Be ells ll T re e
Step 4 Playing Songs
Other Operations
[REW] button. Fast-reverses the Song if pressed during playback (no sound is heard during fast reverse). Decreases the measure number if pressed while playback is stopped. [FF] button. Fast-forwards the Song if pressed during playback. Increases the measure number if pressed while playback is stopped. [PAUSE] button. Temporarily stops playback. Press this button a second time to resume playback from the point at which it was stopped.
Using the [DEMO] button
Press the [DEMO] button to play Songs 001, 002, 003, 059, 072, 004, 024, 043 in sequence, and playback will continue repeatedly starting again from the rst Song 001. You can stop playback at any time by pressing the [DEMO] button.
Song List
No. 033 Song Name TOP PICKS Cruisin Winter Serenade Castaway ORCHESTRA Danse des Mirlitons from The Nutcracker (P.I. Tchaikovsky) Orphe aux Enfers Ouverture (J. Offenbach) Slavonic Dances No.10 (A. Dvork) La Primavera (from Le Quattro Stagioni) (A. Vivaldi) Mditation (Thas) (J. Massenet) Guillaume Tell (G. Rossini) Frhlingslied (F. Mendelssohn) Ungarische Tnze Nr.5 (J. Brahms) PIANIST Dollys Dreaming and Awakening (T. Oesten) La Candeur (J.F. Burgmller) Arabesque (J.F. Burgmller) Pastorale (J.F. Burgmller) Petite Runion (J.F. Burgmller) Innocence (J.F. Burgmller) Progrs (J.F. Burgmller) Tarentelle (J.F. Burgmller) La Chevaleresque (J.F. Burgmller) Etude op.10-3 Chanson de ladieu (F. Chopin) Marcia alla Turca (L.v. Beethoven) Turkish March (W.A. Mozart) Valse op.64-1 Petit Chien (F. Chopin) Menuett (L. Boccherini) Nocturne op.9-2 (F. Chopin) Moments Musicaux op.94-3 (F. Schubert) The Entertainer (S. Joplin) Prelude (Wohltemperierte Klavier 1-1) (J.S. Bach) La Viollette (Streabbog) Fr Elise (L.v. Beethoven) PRACTICE America the Beautiful (S.A. Ward) Londonderry Air (Traditional) No. Song Name Ring de Banjo (S.C. Foster) Wenn ich ein Vglein Wr ? (Traditional) Die Lorelei (F. Silcher) Funiculi Funicula (L. Denza) Turkey in the Straw (Traditional) Old Folks at Home (S.C. Foster) Jingle Bells (J.S. Pierpont) Muss i denn (F. Silcher) Liebestrume Nr.3 (F. Liszt) Jesu, Joy Of Mans Desiring (J.S. Bach) Ode to Joy (L.v. Beethoven) Song of the Pearl Fisher (G. Bizet) Gavotte (F.J. Gossec) String Quartet No.17 2nd mov. Serenade (F.J. Haydn) Menuett (J.S. Bach) Canon (J. Pachelbel) From The Magic Flute (W.A Mozart) Piano Sonate op.27-2 Mondschein (L.v. Beethoven) The Surprise Symphony (F.J. Haydn) To a Wild Rose (E.A. MacDowell) Chanson du Toreador (G. Bizet) O Mio Babbino Caro (G. Puccini) DUET Row Row Row Your Boat (Traditional) On Top of Old Smoky (Traditional) We Wish You A Merry Christmas (Traditional) Scarborough Fair (Traditional) Im Mai (Traditional) O Christmas Tree (Traditional) Mary Had a Little Lamb (Traditional) Ten Little Indians (Septimus Winner) Pop Goes The Weasel (Traditional) Twinkle Twinkle Little Star (Traditional) Close Your Hands, Open Your Hands (J.J. Rousseau) The Cuckoo (Traditional) No. 102 Song Name O du lieber Augustin (Traditional) London Bridge (Traditional) CHORD LESSON Bill Bailey (Wont You Please Come Home) (H. Cannon) When Irish Eyes Are Smiling (E.R. Ball) Down by the Riverside (Traditional) When the Saints Go Marching In (Traditional) Frhlingsstimmen (J. Strauss II) Camptown Races (S.C. Foster) Little Brown Jug (Joseph Winner) Loch Lomond (Traditional) Oh! Susanna (S.C. Foster) Greensleeves (Traditional) Aura Lee (G. Poulton) Silent Night (F. Gruber) The Danube Waves (I. Ivanovici) Twinkle Twinkle Little Star (Traditional) Close Your Hands, Open Your Hands (J.J. Rousseau) The Cuckoo (Traditional) O du lieber Augustin (Traditional) London Bridge (Traditional) American Patrol (F.W. Meacham) Beautiful Dreamer (S.C. Foster) Battle Hymn of the Republic (Traditional) Home Sweet Home (H. Bishop) Valse Des Fleurs (From The Nutcracker) (P.I. Tchaikovsky) Aloha Oe (Traditional) Ive Been Working On The Railroad (Traditional) My Darling Clementine (Traditional) Auld Lang Syne (Traditional) Grandfathers Clock (H.C. Work) Amazing Grace (Traditional) My Bonnie (H.J. Fulmer) Yankee Doodle (Traditional) Joy to the World (G.F. Hndel) Ave Maria (F. Schubert)
Not sure how to play chords? No problem! This instrument is capable of playing chords even if you only play one key. Try playing one, two or three keys (any notes will do) in the auto accompaniment range of the keyboard. Different keys will produce different results. Refer to page 44 for detailed instructions for playing chords.
Split Point
Try playing other chords with your left hand and play a melody with your right hand.
You can stop playback at any time by pressing the [START/STOP] button.
Basic Operation
Turning the power on Press the [STANDBY/ON] switch to turn on the power. Press the [STANDBY/ON] switch again to turn the power OFF. Adjusting the volume Pressing the MASTER VOLUME [+] and [-] buttons.
About the [START/STOP] button Press the [START/STOP] button after pressing the [SONG] or [STYLE] button to start playback of the selected Song or Style (rhythm).
The Press & Hold Symbol The Press & Hold symbol that appears next to some buttons indicates that the button can be pressed and held for longer than a second to call up a related or different function.
Press a button to select a basic function When you select a basic function, the name and number of the currently selected Song, Style and Voice is shown. From this display, you can select the desired Song, Style or Voice.
Press the [SONG] button to select a Song. Press the [STYLE] button to select a Style. Press the [VOICE] button to select a Voice.
Set the number or value Number buttons [0][9] The number buttons can be used to directly enter a Song, Style or Voice number or parameter value. For numbers that start with one or two zeroes, the rst zeroes can be omitted
Example: Selecting Voice 002, Grand Piano2.
GrandPn2
Press number buttons [0], [0], [2].
Function Settings (page 48) The [FUNCTION] button contains 16 settings. Each time you press the [FUNCTION] button, the setting item is selected in sequence, and the value of the selected item can be changed in the display. [+], [-] buttons Press the [+] button briey to increase the value by 1, or press the [-] button briey to decrease the value by 1. Press and hold either button to continuously increase or decrease the value in the corresponding direction.
Press briey to decrease.
Press briey to increase.
Display
The Main display shows all of the current basic settings for Song, Style and Voice. It also includes a range of indicators that show the on/off status for various functions.
Notation
Song track display
Displays the melody and chord notes of a Song when the Song lesson function is in use, or the notes of chords you specify when the Dictionary function is in use. At other times the notes you play on the keyboard are displayed.
Tuning
You can ne tune the pitch of the entire instrument. The overall tuning of the instrument can be shifted up or down by a maximum of 100 cents in 1cent increments (100 cents = 1 semitone).
Press the [FUNCTION] button a number of times until Tuning appears.
Currently tuning value
Use the number buttons [0][9], [+] and [-] to set the Tuning value between -100 and +100 as required.
The pitch of the Drum Kits Voices (Voice numbers 130142) cannot be changed. Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (000).
One Touch Setting
Sometimes selecting the ideal Voice to play with a Song or Style can be confusing. The One Touch Setting feature automatically selects the most suitable Voice for you when you select a Style or Song. Simply select Voice number 000 to activate this feature.
Press the [VOICE] button, and then select Voice number 000 by using the number buttons [0][9], [+], [-].
Appears when One Touch Setting is on.
SprnoSax
This turns the One Touch Setting feature on. One Touch Setting will be turned off if you select any other Voice number.
Changing the tempo of the Song/Style
Songs and Styles can be played at any tempo you desirefast or slow.
Press the [TEMPO/TAP] button to call up the Tempo setting in the display after selecting a Style/Song.
Current Tempo value
Set the Tempo by using the number buttons [0][9], [+], [-]. You can also set the Tempo by simply tapping the [TEMPO/TAP] button at the required tempofour times for time signatures in 4, and three times for time signatures in 3. You can change the Tempo during Style/Song playback by pressing the [TEMPO/TAP] button just twice.
Press the [+] and [-] buttons simultaneously to instantly reset the value to the default tempo of a Style or Song.
Adjusting the Main Voice Parameters
The volume and octave (the pitch of the instrument can be shifted by up or down in octaves) for the main voice can be adjusted. Main Voice Parameters (page 49)
MAIN section
This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats indenitely until another sections button is pressed. There are two variations on the basic pattern (A and B), and the Style playback sound changes harmonically based on the chords you play with your left hand.
Fill-in section
This is automatically added before changing the section A and B.
ENDING section
This is used for the ending of the Song. When the ending is nished, the auto accompaniment stops automatically. The length of the ending (in measures) differs depending on the selected Style.
Press the [STYLE] button and then select a Style. Turn auto accompaniment on. Press the [ACMP ON/OFF] button.
Turn SYNC START on. Press the [SYNC START] button.
Press the [MAIN/AUTO FILL] button.
MAIN A
The name of the selected sectionMAIN A or MAIN Bwill be displayed
Press the [INTRO/ENDING/rit.] button.
INTROA
As soon as you play a chord with your left hand, the Intro of the selected Style starts. For this example, play a C major chord (as shown below). For information on how to enter chords, see Playing Auto Accompaniment Chords on page 44.
FILL AB
When the ll-in is nished, it leads smoothly into the selected main section A/B.
ENDING
This switches to the ending section. When the ending is nished, the auto accompaniment stops automatically. You can have the ending gradually slow down (ritardando) by pressing the [INTRO/ENDING/rit.] button again while the ending is playing back.
Adjusting the Style Volume
This procedure allows you to adjust the balance between Style playback and the notes you play on the keyboard by setting the volume of the playback sound.
Press the [STYLE] button. Press the [FUNCTION] button a number of times until the StyleVol appears.
Current Style volume setting Style Volume
StyleVol
Set the Style volume by using the number buttons [0] [9], [+], [-].
Youve learned in the section Play with a Style (Accompaniment) on page 21 that the feel of the Style changes every time you play a chord on the left-hand side of the keyboard. Here, youll learn the types of the chords and how to play them in greater detail. The examples of chords are given here in the key of C. There are two basic ways (below) you can play the chords on the left-hand side of the keyboard, while playing the Style (page 22)
Easy Chords Standard Chords
Easy Chords
This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.
Root notes and the corresponding keys
To play a major chord Press the root note of the chord.
To play a seventh chord Press the root note together with the nearest white key to the left of it. To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
To play a minor chord Press the root note together with the nearest black key to the left of it.
Standard Chords
This method lets you produce accompaniment by playing chords using normal ngerings in the accompaniment range of the keyboard.
C 6 (9)
CM 7 (9)
CM7 (#11)
C (b5)
CM7 b5
Csus 4
CM 7 aug
Cm (9)
Cm 7 (9)
Cm 7 (11)
CmM 7 (9)
Cm 7 b5
CmM 7 b5
Cdim 7
C 7 (b9)
C 7 (b13)
C 7 (9)
C 7 (#11)
C 7 (13)
C 7 (#9)
C 7 b5
C 7 aug
C 7 sus4
C 1+2+5
* Notes enclosed in parentheses are optional; the chords will be recognized without them.
Recognized Standard Chords Chart
Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Normal Voicing 1-3-5 1-2-3-- (3) - 5 - - 2 - 3 - (5) - - 3 - (5) - 7 or 1 - (3) - 5 - - 2 - 3 - (5) - 7 Chord (C) C C(9) C6 C6(9) CM7 CM7(9) CM7(#11) C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C1+2+5 Display C C(9) C6 C6(9) * CM7 CM7(9) * CM7(#11)* Cb5 * CM7b5 * Csus4 Caug CM7aug * Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) * CmM7 CmM7(9) * Cm7b5 CmM7b5 * Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 * C7aug C7sus4 C*
Notes in parentheses can be omitted. Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. A perfect fth (1+5) produces accompaniment based only on the root and fth which can be used with both major and minor chords. The chord ngerings listed are all in root position, but other inversions can be usedwith the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), 1+2+5 Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted. The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). Two-note ngerings will produce a chord based on the previously played chord.
About chords
Playing two or more notes together simultaneously creates a chord. Playing a note together with two other notes spaced three notes (steps) apartsuch as the notes C, E and Gcreates a harmonious sound. Chords like these are called triads and they play an important role in most music.
Taking the chord above as an example, the lowest note of this triad is called the root note. This is the central note sound, and it supports or anchors the rest of the notes chord. Youll notice that the middle note of the chord above (E) is the third step in the succession of scale notesC, D, then E. There are two types of thirds in chords: major thirds and minor thirds.
Major thirdfour half steps from the root Minor thirdthree half steps from the root
Well also alter the top note of our original chord and make three additional chords, as shown below. (The captions indicate the intervals between each of the notes.)
Major chord
Minor chord
Augmented chord
Diminished chord
Minor 3rd
Major 3rd
The basic characteristics of the chord sound are same, no matter if we change the order of the notes from bottom to top, or if we add other same name notes in different octaves. Beautiful sounding harmonies can be built in this manner, and emotional music can be created by playing different chords one after the other according to commonly accepted rules. Harmony determines the nature of chords, and music is created based on harmony.
Chord names
From the chord name, you can tell at a glance what type of chord it is and which notes make up the chord. Understanding the basic structure of chords is very usefulonce youre familiar with this, youll be quickly and easily play chords by looking at the names that appear above the notation.
Root note Chord type Major 7 th
Chord types (These chords are among those that can be recognized by the Fingered method.)
Suspended 4 th
C sus4
Minor 7 th
Perfect 5th
Voice No. 115 116
Bank Select MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) 76 Pan Flute 75 Recorder 77 Blown Bottle 78 Shakuhachi 79 Whistle 80 Ocarina SYNTH LEAD 81 Square Lead 82 Sawtooth Lead 83 Calliope Lead 84 Chiff Lead 85 Charang Lead 86 Voice Lead 87 Fifths Lead 88 Bass & Lead SYNTH PAD 89 New Age Pad 90 Warm Pad 91 Poly Synth Pad 92 Choir Pad 93 Bowed Pad 94 Metallic Pad 95 Halo Pad 96 Sweep Pad PERCUSSION 12 Vibraphone 13 Marimba 14 Xylophone 115 Steel Drums 9 Celesta 11 Music Box 15 Tubular Bells 48 Timpani 10 Glockenspiel 113 Tinkle Bell 114 Agogo 116 Woodblock 117 Taiko Drum 118 Melodic Tom 119 Synth Drum 120 Reverse Cymbal SYNTH EFFECTS 97 Rain 98 Sound Track 99 Crystal 100 Atmosphere 101 Brightness 102 Goblins 103 Echoes 104 Sci-Fi WORLD 105 Sitar 16 Dulcimer 106 Banjo 107 Shamisen
Voice No. 165
Bank Select MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) 108 Koto 109 Kalimba 110 Bagpipe 111 Fiddle 112 Shanai SOUND EFFECTS 121 Fret Noise 122 Breath Noise 123 Seashore 124 Bird Tweet 125 Telephone Ring 126 Helicopter 127 Applause 128 Gunshot DRUM KITS
Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electronic Kit Analog Kit Dance Kit Jazz Kit Brush Kit Symphony Kit SFX Kit 1 SFX Kit 2 Sound Effect Kit Grand Piano KSP Bright Piano KSP Electric Grand Piano KSP Honky-tonk Piano KSP Electric Piano 1 KSP Electric Piano 2 KSP Harpsichord KSP Clavi KSP Vibraphone KSP Marimba KSP Stereo Strings Stereo Slow Strings Stereo Choir Mellow Synth Bass French Horn Solo Square Lead 2 Sawtooth Lead 2 Slow Violin Slow Tremolo Strings Slow Strings Legato Strings LM Square Thick Sawtooth
Voice No. 214 215
Bank Select MIDI Program MSB LSB Change# (0127) (0127) (1128)
Voice Name
Voice No. 264 265
Sequenced Bass Synth Drum Comp Popcorn Big & Low Finger Dark Click Synth Bass Trombone 2 Soft Brass Hollow Dynamic Sawtooth Tiny Bells Warm Atmosphere Synth Bass 2 Dark Shroud Digital Sawtooth Hollow Release Resonant Synth Brass Big Lead 70's Percussive Organ Prologue Muted Pick Bass Muted Banjo Detuned CP80 Chorus Electric Piano 1 Chorus Electric Piano 2 Detuned Drawbar Organ Detuned Percussive Organ Church Organ 3 Harmonica 2 Jazz Amp Chorus Guitar Fretless Bass 2 Punch Thumb Bass Mellow Choir Warm Trumpet French Horn 2 Detuned Sitar 60's Drawbar Organ 1 Light Organ Fretless Bass 3 60's Drawbar Organ 2 Fretless Bass 4 Harpsichord 3 Dulcimer 2 70's Drawbar Organ 1 Church Organ 2 12-string Guitar 60's Strings Orchestra Hit 2 Trumpet & Trombone Section
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700
Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70
THAILAND
Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 oor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626
ICELAND
Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000
IRELAND
Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
OTHER ASIAN COUNTRIES
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317
GERMANY
Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990
AFRICA
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312
OCEANIA
AUSTRALIA
Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111
AUSTRIA
Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900
MIDDLE EAST
TURKEY/CYPRUS
NEW ZEALAND
Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099
CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH, Branch Austria, CEE Department Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025
OTHER COUNTRIES
Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
POLAND
Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57
HEAD OFFICE
[PK] 38
Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273
Yamaha Home Keyboards Home Page (English Only) http://music.yamaha.com/homekeyboard Yamaha Manual Library http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2007 Yamaha Corporation WH70640 XXXPOTYX.X-01A0 Printed in China
Owners Manual
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SUSTAIN PEDAL
HEADPHONES/ AUX OUT
DC 10-12V IN
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# $ % ^
& * (
r t y u
MASTER VOLUME
PSR-310
+ 8 9
PSR-210
00: 01: 02: 03: 04: 05:
m m m m m m m m
C D E F G A B C
C D E F G A B C D E F
C7 sus4
C 7 b5
b b b b b b
Cm 7 b5
b b b b
C 1+2+5
SOUND EFFECT PADS 3 4
# # # #
MIDI OUT
MIDI IN
C1 D1 E1 F1 G1 A1 B1 C2 D2 E2
15 ALL
M.D.G., EMI Division Yamaha Corporation 1993
Tags
DUO-stereo AS600 957DF EB 261 Lexmark C522 Fostex X-55 DMC-LS75 TLS693C P G Little Disk Gunship Dreamweaver 3310 MAX Portastudio Datatraveler I Dvdr5350H Cubase LE CQ-C3301N EW628 100 G2 HVR-Z5J VP-DX105I IP2500 QW-2738 Hydra DN40 Valencia CD52 RL400 340S2 SSC-1000 KMX 100 Review C1000 4 2 TX16W X 7 Estate HMT75M P4R800-VM MS450H 108 T Easyshare C315 KH 830 Motorola I560 DCT6200 Output-2007 DVP-S535D OT-E225 Fantasy X KXF90 Payne Color 3000 Seiko 6M25 CFX12 CCD-VX3 H27F36DT NAD T512 KX-FP141G IC-737A BBA 2594 DN-C680 WTC1061K DCR-DVD505E TM-H6000 III Coolpix S51C Hagenuk DUO Manager CDU-701 AVR-2307CI Opti 3209 CP220C Flox1R 6260VF 42WM03ST Microtac CS-E9jkew EB-X400 Lexmark 3400 120SF Multi ICN CS 2186 DXC930 Fisibles AC-90 Photosmart 370 LDA-531 HEM-711 Dimage F200 Blade RR-QR200 PV-L453 Supply KV-32FQ75 U M6774MPW1 M3820 1230 FAX TX-32LE8P 24040 DV-S939 KDL-26E4000 DSC-P7 CP-800
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