(battery)

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specied adaptor (PA-130 or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Water warning

Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualied Yamaha service personnel. Never insert or remove an electric plug with wet hands.

Fire warning

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.

Do not open

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Unplug the AC power adaptor when not using the instrument, or during electrical storms. Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. Do not attempt to recharge batteries that are not intended to be charged. When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery uid. Keep batteries away from children. If the batteries do leak, avoid contact with the leaked uid. If the battery uid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery uid is corrosive and may possibly cause loss of sight or chemical burns.

z appears here.

Knob A can now be used to adjust the lter cutoff frequency, and Knob B can be used to adjust the resonance.
Rotate Knob B to its maximum setting (all the way to the right).
Rotating the knob to the right while the volume is set to a high level can result in distortion. If this occurs, reduce the volume level.
Play with the right hand while operating Knob A with the left hand.
If you select a different keyboard voice the knobs will be reset and the ideal settings for the selected voice will be automatically recalled. In the same way, if the v STYLE FILTER effect is selected, the knobs will be reset if a different style is selected. If you create an original setting you like, it might be a good idea to save it in the instruments Registration Memory (page 80) so you can recall the same settings again at any time. You can also record performances using original sounds youve created (page 52). The chart below lists some interesting ways to use the various effects that can be assigned to the knobs.
Changing the knob settings does not immediately change the sound. Newly assigned effects will only change the sound when the knobs are rst operated after the new effect has been selected.
Some Ideas for Using the Knobs
Number/Effect Try This Select a synth-type lead or pad voice (page 106). Turn Knob B all the way up and operate Knob A while playing for some spacey, oating 1980s effects. Select a voice that sounds as though it already has reverb and chorus effects applied, and turn Knob A and Knob B all the way down to hear the direct sound of the voice. You can then turn the Knob A and Knob B settings up to add extra impact and richness to the voice. Select a piano voice, and turn Knob B all the way up and Knob A to about the 3 oclock position. This should give you a majestic, organ-like sound. The attack time is quite long so play the keys and hold them to let the sound come in fully. Ideal for slow pieces. Select style 39, Euro Trance. Turn accompaniment on and start style playback (page 34). Set Knob B to about 3 oclock, and Knob A to about 8 oclock. The overall sound of the style should be a bit mufed, with the drums emphasized for solid rhythmic impact. Play a style and/or arpeggio (page 14) and use Knob A to adjust the tempo.

z FILTER x EFFECT

v STYLE FILTER b STYLE TEMPO
This instrument includes a performance assistant technology feature that lets you play along with a song and sound like a great pianist (even though you might be making lots of mistakes)! In fact, you can play any notes and still sound good! So even if you cant play piano and cant read a note of music, you can have some musical fun. Its never too late to start learning!

Sound Effects

The sound effects are included in the drum kit voice group (voice numbers 127 and 128). When either of these voices are selected you will be able to play a range of sound effects on the keyboard.
Sound Effect Selection Procedure (refer to steps 1 and 2 on page 28)
1 Press the [VOICE] button. 2 Use the dial to select 128 SFX Kit2. 3 Try out each key and enjoy the sound effects!
As you try out the various keys youll hear the sound of a submarine, a telephone bell, a creaking door, laughter, and many other useful effects. 127 SFX Kit1 includes lightning, running water, dogs barking, and others. Some keys do not have assigned sound effects, and will therefore produce no sound. For details on the instruments included in the SFX kit voices, see SFX Kit 1 and SFX Kit 2 in the Drum Kit List on page 110.
This instrument has an auto accompaniment feature that produces accompaniment (rhythm + bass + chords) in the style you choose to match chords you play with your left hand. You can select from 165 different styles covering a range of musical genres and time signatures (see page 112 for a complete list of the available styles). In this section well learn how to use the auto accompaniment features.

Select a Style Rhythm

Most styles includes a rhythm part. You can select from a wide variety of rhythmic typesrock, blues, Euro trance, and many, many more. Lets begin by listening to just the basic rhythm. The rhythm part is played using percussion instruments only.
Press the [STYLE] button.
The style number and name will appear in the display.

Style Name

BritRock
Style Number This icon appears when a style number and name is displayed.

Select a style.

Use the dial to select the style you want to use. A list of all the available styles is provided on page 112.
An external style le loaded into style number 166 can be selected and used in the same way as the internal styles. The style le must be loaded into style number 166 after transferring it to the instrument from a computer. For details, refer to the section Loading Style Files on page 74.
Press the [START/STOP] button.
The style rhythm will start playing. Press the [START/STOP] button a second time when you want to stop playback.

Style numbers 141, 153165 have no rhythm part and therefore no rhythm will play if you use them for the above example. For these styles rst turn auto accompaniment on as described on page 34, press the [START/STOP] button, and the accompaniment bass and chord parts will begin playing when you play a key to the left of the keyboard split point.

Play Along with a Style

You learned how to select a style rhythm on the preceding page. Here well see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accompaniment that you can play along with.
Press the [STYLE] button and select the desired style. Turn automatic accompaniment on.
Press the [ACMP ON/OFF] button. Pressing this button a second time will turn automatic accompaniment off.
This icon appears when automatic accompaniment is on.
When automatic accompaniment is on. The area of the keyboard to the left of the split point (54 : F#2) becomes the auto accompaniment region and is used only for specifying the accompaniment chords.

Split point (54 : F#2)

The keyboard split point can be changed as required: refer to page 72.
Auto accompaniment region

Turn sync start on.

Press the [SYNC START] button to turn the sync start function on.
Flashes when sync start is on.
When sync start is on, the bass and chord accompaniment included in a style will start playing as soon as you play a note to left of the keyboard split point. Press the button a second time to turn the sync start function off.
Play a left-hand chord to start the style.
You can still play chords even if you dont actually know any chords. This instrument will recognize even a single note as a chord. Try playing from one to three notes at the same time to the left of the split point. The accompaniment will change according to the left-hand notes you play. Try this! Scores for some chord progressions are provided on page 36. These examples should help you get a feel for what types of chord progressions sound good with the styles.
Play a variety of left-hand chords while playing a melody with your right hand.
Press the [START/STOP] button to stop style playback when youre done.

Recording Procedure

Up to approximately 10,000 notes can be recorded for the ve user songs if you record only to the melody tracks. Up to approximately 5,500 chord changes can be recorded for the ve user songs if you record only to the style track.
Melody Track [1][5].. Record the melody parts. Style Track [A]. Records the chord part.

Melody

Chords Specify track(s) and record

Track 1

Track 2

Track 3

Track 4

Track 5

Track A
Press the [SONG] button, then use the dial to select the user song number (031035) you want to record to.

User 1

Rotate the dial to select a song number between 031 and 035.
Select the track(s) you want to record to and conrm your selection on the display.
Record a Melody Track and the Accompaniment Track Together Press the melody track button [1][5] you want to record to while holding the [REC] button. Next, press the [A] button while holding the [REC] button. The selected tracks will ash in the display.
If you record to a track that contains previously-recorded data the previous data will be overwritten and lost.
Style accompaniment is automatically turned on when you select the style track [A] for recording. Style accompaniment cannot turned on or off while recording is in progress.

Press and hold

If you use a split voice for recording, notes played to the left of the split point will not be recorded.
Record a Melody track Press the melody track button [1][5] you want to record to while holding the [REC] button. The selected track will ash in the display.
If style accompaniment is on and track [A] has not yet been recorded, the style track [A] will automatically be selected for recording when a melody track is selected. If you only want to record a melody track, be sure to turn the style track [A] off.
To cancel recording to a selected track, press that track button a second time. Style accompaniment cannot be turned on or off while recording is in progress.
Recording will start when you play on the keyboard.
You can also start recording by pressing the [ ] (START/STOP) button. The current measure will be shown on the display during recording.
If the memory becomes full during recording a warning message will appear and recording will stop automatically. Use the song clear or track clear (page 55) function to delete unwanted data and make more room available for recording, then do the recording again.

REGIST 1

This instrument has a Sleep Mode function that allows it to automatically go into a lowpower sleep mode if not operated for specied period of time. In Sleep Mode all panel indicators and the display backlight are off to conserve power. The Sleep Mode function is initially disabled (OFF) by default.
] and [ ] buttons to select the SLEEP item.

Time to Sleep Mode

Setting the Sleep Mode
3 Rotate the dial to set the desired time
until Sleep Mode begins (320 minutes). The time can be set in one-minute increments. Select OFF to disable Sleep Mode (the instrument will not go to sleep). The instrument will wake from Sleep Mode as soon as a panel control is operated, a key is pressed, or a MIDI command is received.
The Functions provide access to a range of detailed instrument parameters for tuning, setting the split point, and adjusting the voices and effects. Take a look at the function list starting on the opposite page. When you locate a function you want to set up, simply select the functions display name (shown to the right of the function name in the list) and adjust as required.
Selecting and Setting Functions 1 Find the function you want to set in the
list that begins on page 84.
2 Press the [FUNCTION] button.

3 Select a function.

Press the CATEGORY [ ] and [ ] buttons as many times as necessary until the functions display name appears in the display.

The Functions

4 Use the dial, the [+] and [-] buttons, or
the [0][9] number buttons to set the selected function as required. The [+] and [-] buttons are used to make ON/ OFF type settings: [+] = ON, [-] = OFF. In some cases the [+] button will initiate execution of the selected function, and the [-] will cancel the selection.

Direct numeric entry.

Decrement value by 1. OFF Cancel
Increment value by 1. ON Execute Press simultaneously to recall the default setting.

The selected function.

Some Function settings are stored in memory as soon as they are changed. See The Backup Parameters on page 56 for information on the function settings that are stored on the instrument. To restore all initial factor default settings perform the Backup Clear procedure described in the Initialization section on page 56.

Function Setting List

Setting Style Volume Song Volume Transpose Tuning Pitch Bend Range Item title StyleVol SongVol Transpos Tuning PBRange Range/Settings -1212 -000127 (C-2G8) 1(Soft), 2(Medium), 3(Hard) 000127 -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) Description Determines the volume of the Style. Determines the volume of the Song. Determines the pitch of the instrument by semitone increments. Sets the pitch of the instruments sound in 1-cent increments. Sets the pitch bend range in semitone increments. Determines the highest key for the Split voice and sets the Split point in other words, the key that separates the Split (lower) and Main (upper) voices. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value. When Touch Response is on, this determines the sensitivity of the feature. Determines the volume of the Main voice. Determines the octave range for the Main voice. Determines the pan position of the Main voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Main voices signal is sent to the Reverb effect. Determines how much of the Main voices signal is sent to the Chorus effect. Sets the Main voice attack time. Sets the Main voice release time. Sets the Main voice lter cutoff frequency. Sets the Main voice lter resonance. Selects the Dual voice. Determines the volume of the Dual voice. Determines the octave range for the Dual voice. Determines the pan position of the Dual voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Dual voices signal is sent to the Reverb effect. Determines how much of the Dual voices signal is sent to the Chorus effect. Sets the Dual voice attack time. Sets the Dual voice release time. Sets the Dual voice lter cutoff frequency. Sets the Dual voice lter resonance. Selects the Split voice. Determines the volume of the Split voice. Determines the octave range for the Split voice. Determines the pan position of the Split voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Split voices signal is sent to the Reverb effect. Determines how much of the Split voices signal is sent to the Chorus effect.

NOTE If the User Account Control window appears, click [Continue].
Use of the DMN (Digital Music Notebook) is governed by the SIBELIUSSCORCH LICENSE AGREEMENT, which the purchaser fully agrees to when using the application. Please read carefully the AGREEMENT at the end of this manual before using the application.
1 Insert the Accessory CD-ROM into your
computers CD-ROM drive. The start window will appear automatically showing software applications.
NOTE If the start window does not appear automatically, double click your My Computer folder to open it. Right-click the CD-ROM icon and select Open from the pop-up menu. Double click Start.exe and proceed to step 2, below.
2 Click [Musicsoft Downloader] or [Digital

Music Notebook].

3 Click the [install] button, and follow the
If a message allowing Windows to search online for driver software appears, click Dont search online. If a message prompting you to insert the disk that came with your device appears, click [Next]. The system starts the installation.
If the Windows Security window appears, conrm this software is authored by Yamaha Corporation then click [Install].
on-screen instructions to install the software. For Digital Music Notebook operating instructions see the help menu: launch the Digital Music Notebook application and click Help. For Musicsoft Downloader operating instructions see the Help menu: launch the Musicsoft Downloader application and click Help.
6 When the installation is complete, the
* You can obtain the latest version of the Musicsoft Downloader at the following Internet URL. http://music.yamaha.com/download/
IMPORTANT Only Musicsoft Downloader can be used to transfer les between this instrument and a computer. No other le transfer application can be used.
system displays the message The software for this device has been successfully installed. Click [Close].

Troubleshooting

The driver cannot be installed.
Is the USB cable connected correctly? Check the USB cable connection. Disconnect the USB cable, then connect it again. Is the USB function enabled on your computer? When you connect the instrument to the computer for the rst time, if the Add New Hardware Wizard does not appear, the USB function on the computer may be disabled. Perform the following steps. Are you using the latest USB-MIDI driver? The latest driver can be downloaded from the following web site. http://music.yamaha.com/download/
Playback response is delayed.

Music Database List

MDB No. 61 MDB Name ALL TIME HITS Jude Hey New UK MyLoving All OK Buttercp JustCall CheepChp Daddys Dance? GetBack GtrWheel HighTide IWasBorn Sailing BluJeans Holiday Imagine LoveMe LetItBld LdyMdona YelowSub Marriage MovinOut My Shell NowNever DoLoveMe TcktRide SeeClear Masachus Hard Day USA Pie Norway YesterBd MODERN POP Watches SoundMPH Hold Us Unfound NeedSome PrtTmLvr MoonShdw NikitSng Sure of Off Day Tell Her GirlsMne NeedLove POP CLASSICS Standing RainLaff Sunshine ForNamdo ThankFor ManPiano CoinLane LovesYou Tmbourin Alone GldField Raindrop SultanSw LifesWk TopWorld MDB No. 122 MDB Name WatchGrl POP BALLAD WnderLnd CanIStop EvryTime IvoryAnd TheWorld LovWoman Dolannes Madigan Paradise Whisper BALLAD AllOdds AtonalFl Hero Woman RunToYou LoveOfAl CndleWnd Cavatina Cherish ToLoveMe YouKnow Evrythng EyesOfBl Hello BeThere FlyAway LoveYou NeverLet JustOnce IfYouGo SavingAl InTheDrk LovePwr Vision Beautifl AllAlone Opposite BeHonest SayYou SayNthng Stranger OneDay TheBayou ThisSong Distance ThisWay LoveGone Inspirng TrueColr ROCK & ROLL ShakenUp Beethovn HurryLov BeCruel Jumping Countdwn SuePeggy Champion Jailhous BlueShoe Rockin24 MDB No. MDB Name Shouting Rock&Rll HonkyTnk OLDIES Daydream Sumertme Dianas Uptown Apache IGotIt Tonight MyPillow NoRain FInalDance SlpnLion Ghetto LipsLcky PrettyWm TikiGtr TurnThre Sherry DANCE & DISCO Babylon Goodbye Catch22 DISCO Survival TheNavy DontHide Celebrat LondonRU 10,2 Sun ShakeYou Believe BoySumer ImSexy StuffHot SWING & JAZZ Patrol Charles GiveLove Rhythm LOVE LeroyBad Caraban Misbehav Safari Smiling SoWhatIs TimeGone TasteHny Sandman Tunisian TwoFoot MyBaby R&B AsPlayed BabyGrov Highwy66 SweetCHI JustU&Me ManLoves OurLove Wish I

MDB No. 241 242

MDB Name COUNTRY OnTheRd Breathe InMyMind ContryHw GreenGrs EverNeed Lonesone Lucille HomeRng Tennesse LATIN Bananabt DanceMng DntWorry Jamaica FleaSpa ImPola MamboJm OneNote PasoCani SayNoMor Beguine Tijuana Picture ENTERTAINMENT OnTheHil Barnacle Califrag DadClock DanceLd DnceFire BigCntry Cabaret OdeToJoy Mi-Re-Do MyPrince Necesary NoBuiz NoisyOld Sleigh RockBasy Magnifiq Magnfcnt SilentNt Nabucco Standing SummerPl Christms Favorite Tubbie Turkish 12OClock WALTZ & TRADITIONAL Blk&Whte CanCan Charmain Musicbox Clementn Doodah! Dreamer EnterRag Birthday MaryLamb

MDB No. 299 300

MDB Name Donalds MoonWlz MoulinHt Sunshine PieceOf GreenSlv TakeFour TexRose ThePolka Scarboro Edelweis AroundWd Whatever Yankees WORLD Hawaii Damor ElCondor GoodbyRm ILandOn ItalyBel Cucarumb Puntuali Cielito ItalySun SantaLuc Trumpetr VanMass PIANIST ItalySun BeGood Birdland BlueRose Chaies Highwy66 Leaves Miload Cabaret Wonderfl Imagine LtleStar MapleRag Mi-Re-Do NoBuiz OhBlah Charades Sallys Nabucco SunnyStr MistyFln LdnBridg GrndClck Importnc Snowman Favorite SongForU SugerSpn ThisWay WenSmile ZipperD

Songs Provided On the Supplied CD-ROM
File Name 001Nutcr.mid 002Orphe.mid 003Slavo.mid 004Prima.mid 005Medit.mid 006Guill.mid 007Fruhl.mid 008Ungar.mid 009Fruhl.mid 010Dolly.mid 011Cande.mid 012Arabe.mid 013Pasto.mid 014Petit.mid 015Innoc.mid 016Progr.mid 017Taren.mid 018Cheva.mid 019Etude.mid 020Marci.mid 021Turki.mid 022Valse.mid 023Menue.mid 024Momen.mid 025Enter.mid 026Prelu.mid 027Violl.mid 028Angel.mid 029Saraf.mid 030Ameri.mid 031Brown.mid 032Lomon.mid 033Bonni.mid 034Londo.mid 035Banjo.mid 036Vogle.mid 037Lorel.mid 038Funic.mid 039Turke.mid 040Campt.mid 041Jingl.mid 042Muss.mid 043Liebe.mid 044Jesu.mid 045Joy.mid 046Pearl.mid 047Gavot.mid 048Seren.mid 049Menue.mid 050Canon.mid 051Vogel.mid 052Piano.mid 053Surpr.mid 054WildR.mid 055Chans.mid 056Babbi.mid 057RowRo.mid 058Smoky.mid 059WeWis.mid 060ImMai.mid 061Chris.mid 062MaryH.mid 063TenLi.mid 064PopGo.mid 065Twink.mid 066Close.mid 067Cucko.mid 068Augus.mid 069Londo.mid 070Three.mid Song Name Danse des Mirlitons from The Nutcracker Orphe aux Enfers Ouverture Slavonic Dances op.72-2 La Primavera (from Le Quattro Stagioni) Mditation (Thas) Guillaume Tell Frhlingslied Ungarische Tnze Nr.5 Frhlingsstimmen Dollys Dreaming and Awakening La Candeur Arabesque Pastorale Petite Runion Innocence Progrs Tarentelle La Chevaleresque Etude op.10-3 Chanson de ladieu Marcia alla Turca Turkish March Valse op.64-1 Petit Chien Menuett Moments Musicaux op.94-3 The Entertainer Prelude (Wohltemperierte Klavier 1-1) La Viollette Angels Serenade Krasnyj Sarafan America the Beautiful Little Brown Jug Loch Lomond My Bonnie Londonderry Air Ring de Banjo Wenn ich ein Vglein wr ? Die Lorelei Funiculi Funicula Turkey in the Straw Camptown Races Jingle Bells Muss i denn Liebestrume Nr.3 Jesu, Joy Of Mans Desiring Ode to Joy Pearl Fisher Gavotte Serenade/Haydn Menuett BWV. Anh.114 Canon in D Der Vogelfnger Bin Ich Ja Die zauberflte Piano Sonate No.14 op.27-2 Mondschein The Surprise Symphony No.94 To a Wild Rose Chanson du Toreador O Mio Babbino Caro Row Row Row Your Boat (DUET) On Top of Old Smoky (DUET) We Wish You A Merry Christmas (DUET) Im Mai (DUET) O Christmas Tree (DUET) Mary Had a Little Lamb (DUET) Ten Little Indians (DUET) Pop Goes The Weasel (DUET) Twinkle Twinkle Little Star (DUET) Close Your Hands, Open Your Hands (DUET) The Cuckoo (DUET) O du lieber Augustin (DUET) London Bridge (DUET) Three Blind Mice (DUET) Composer P.I. Tchaikovsky J. Offenbach A. Dvork A. Vivaldi J. Massenet G. Rossini F. Mendelssohn J. Brahms J. Strauss II T.Oesten J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller F.Chopin L.v. Beethoven W.A. Mozart F.Chopin L. Boccherini F. Schubert S. Joplin J.S. Bach L.Streabbog Traditional Traditional S.A. Ward Traditional Traditional Traditional Traditional S.C. Foster Traditional F. Silcher L. Denza Traditional S.C. Foster J.S. Pierpont F. Silcher F. Liszt J.S. Bach L.v. Beethoven G. Bizet F.J. Gossec F.J. Haydn J.S. Bach J. Pachelbel W.A. Mozart L.v. Beethoven F.J. Haydn E.A. MacDowell G. Bizet G. Puccini Traditional Traditional Traditional Traditional Traditional Traditional S. Winner Traditional Traditional J.J. Rousseau Traditional Traditional Traditional Traditional

The easy song arranger can only be used with songs that include chord data.

Effect Type List

Harmony Types
No. Duet Trio Block Country Octave Trill 1/4 note

Harmony Type

Description
Harmony types 0105 are pitch-based and add one-, two- or three-note harmonies to the single-note melody played in the right hand. These types sound when chords are played in the auto accompaniment range of the keyboard. These Harmony types will also work when playing songs that contain chord data.
Trill 1/6 note Trill 1/8 note
Trill 1/12 note Trill 1/16 note
Types 626 are rhythm-based effects and add embellishments or delayed repeats in time with the auto accompaniment. These types sound whether the auto accompaniment is on or not; however, the actual speed of the effect depends on the Tempo setting (page 27). The individual note values in each type let you synchronize the effect precisely to the rhythm. Triplet settings are also available: 1/6 = quarter-note triplets, 1/12 = eighth-note triplets, 1/24 = sixteenth-note triplets. The Trill effect Types (0612) create two-note trills (alternating notes) when two notes are held. The Tremolo effect Types (1319) repeat all held notes (up to four). The Echo effect Types (2026) create delayed repeats of each note played.
Trill 1/24 note Trill 1/32 note Tremolo 1/4 note
Tremolo 1/6 note Tremolo 1/8 note
Tremolo 1/12 note Tremolo 1/16 note
Tremolo 1/24 note Tremolo 1/32 note Echo 1/4 note
Echo 1/6 note Echo 1/8 note
Echo 1/12 note Echo 1/16 note
Echo 1/24 note Echo 1/32 note

Reverb Types

No. 10 Hall 13 Room 12 Stage 12 Plate 12 Off Reverb Type Concert hall reverb. Small room reverb. Reverb for solo instruments. Simulated steel plate reverb. No effect. Description

Chorus Types

No. 05 Chorus 12 Flanger 12 Off Chorus Type Description Conventional chorus program with rich, warm chorusing. Pronounced three-phase modulation with a slight metallic sound. No effect.

YAMAHA PSR-E413 Transmitted Recognized Remarks MIDI Implementation Chart
Date:10-OCT-2007 Version : 1.0
Function. 1 - 16 x 3 x ************** 0 - - 127 o 9nH,v=1-127 x x x o 0-24 semi Bank Select *1 Data Entry 3 x x 1 - 16 x

Basic Channel

Default Changed

Default Messages Altered

Note Number o 9nH,v=1-127 x 9nH,v=0 x x o 0-24 semi
0 - 127 : True voice **************

Velocity

Note ON Note OFF

After Touch

Keys Chs
MIDI Implementation Chart

Control

Change
0,32 1,11,84 6,38 7,71-74 91,93 96-97 100-101

o x o o o o o x o

o o o o o o o o o
Sustain Sound Controller Effect Depth RPN Inc,Dec RPN LSB,MSB

Prog Change o o

o 0 - 127

: True #

o 0 - 127 **************

System Exclusive

Common o o x x x x o x o(120,126,127) o(121) o(122) o(123-125) o x o o
: Song Pos. : Song Sel. : Tune
System : Clock Real Time: Commands
:All Sound OFF :Reset All Cntrls :Local ON/OFF :All Notes OFF Mes- :Active Sense sages:Reset
*1 Refer to #2 on page 120. Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO

o : Yes x : No

MIDI Data Format
NOTE: 1 By default (factory settings) the instrument ordinarily functions as a 16-channel multi-timbral tone generator, and incoming data does not affect the panel voices or panel settings. However, the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs. MIDI Master Tuning System exclusive messages for changing the Reverb Type and Chorus Type. 2 Messages for these control change numbers cannot be transmitted from the instrument itself. However, they may be transmitted when playing the accompaniment, song or using the Harmony effect. 3 Exclusive <GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H This message automatically restores all default settings for the instrument, with the exception of MIDI Master Tuning. <MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H This message allows the volume of all channels to be changed simultaneously (Universal System Exclusive). The values of mm is used for MIDI Master Volume. (Values for ll are ignored.) <MIDI Master Tuning> F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H This message simultaneously changes the tuning value of all channels. The values of mm and ll are used for MIDI Master Tuning. The default value of mm and ll are 08H and 00H, respectively. Any values can be used for n and cc. <Reverb Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH, llH, F7H mm : Reverb Type MSB ll : Reverb Type LSB Refer to the Effect Map (page 120) for details. <Chorus Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH, llH, F7H mm : Chorus Type MSB ll : Chorus Type LSB Refer to the Effect Map (page 120) for details. 4 When the accompaniment is started, an FAH message is transmitted. When accompaniment is stopped, an FCH message is transmitted. When the clock is set to External, both FAH (accompaniment start) and FCH (accompaniment stop) are recognized. 5 Local ON/OFF <Local ON> Bn, 7A, 7F <Local OFF> Bn, 7A, 00 Value for n is ignored.

Default Setting..83 Delete (Song Track)..55 Delete (User Song).55 Demo..40 Demo Cancel..85 Display..59 Drum Kit..32 Drum Kit List..110 Dual Voice..29 Dual Voice Chorus Level.84 Dual Voice Octave..84 Dual Voice Pan..84 Dual Voice Reverb Level.84 Dual Voice Volume..84
Main Voice.. 28 Main Voice Chorus Level.. 84 Main Voice Octave.. 84 Main Voice Pan. 84 Main Voice Reverb Level.. 84 Main Voice Volume.. 84 Master EQ Type.. 69 Measure.. 59 Melody Voice.. 51, 79 Metronome.. 63 MIDI... 86 MIDI Data Format.. 120 MIDI Implementation Chart. 118 Music Database. 49 Music Database List.. 114 Music Rest... 7 Mute... 79
Easy Chords..38 Easy Song Arranger..50 Effect Map..120 Effect Type List..117 External Song..42

Notation.. 59

Filter..19 Filter (Style)..20

One Touch Setting. 68

PC Mode.. 89 Performance assistant technology. 23 Pitch Bend Range.. 84 Power Adaptor.. 10 Preset Song..39, 41-42
Recording.. 52 Registration Memory.. 80 Release.. 20 Remote control.. 89 Repeat... 48 Resonance.. 19 Reverb.. 19, 61 Reverb Type.. 117 R-Part... 92
Touch Response.65 Touch Sensitivity..65 Track.. 52-55 Track Clear..55 Transfer.. 90-92 Transpose...66 Troubleshooting (Installation).98 Troubleshooting (Instrument)..99 Tuning...66
USB..87 USB-MIDI Driver.. 96-97 User Song..52
Voice...28 Voice List..106
Save (Backup File). 92 Save (Panel Setting).. 80 Score..100-105 Sleep... 82 SMF (Standard MIDI File). 90 Software Licensing Agreement.. 121 Song.. 39 Song Clear.. 55 Song List.. 41, 116 Song Memory.. 52 Song Out.. 88 Song Volume.. 78 Specifications.. 123 Split Point.. 30, 72 Split Voice.. 30 Split Voice Chorus Level. 84 Split Voice Octave. 84 Split Voice Pan.. 84 Split Voice Reverb Level. 84 Split Voice Volume.. 84 Standard Chords.. 38 Style..33-37, 70 Style File... 74 Style List.. 112 Style Out.. 88 Style Tempo... 20 Style Volume.. 72 Sustain (Footswitch).. 11 Synchro Start.. 34, 36, 70 Synchro Stop.. 71 System Message.. 87

XGlite...6

Tempo.. 27 Time Denominator. 64 Time Numerator.. 64 Time Signature.. 63

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:

PSR SERIES OF DIGITAL KEYBOARD
If during the rst 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor. If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements. THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES. Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you. This warranty gives you specic legal rights. You may also have other rights which vary from state to state.
CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities: 1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below. 2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty. 3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely. *Repaired units will be returned PREPAID if warranty service is required within the rst 90 days. IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed. 4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.