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"Drip Disco" (Yamaha PSR 6)
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Alvarez Classic Electric, Natural Alvarez Classic Electric, Sunburst Alvarez Electric, White Alvarez Regulator, Green Bolt USA, SS, Graphic Brian Moore, I8.13, Green Brian Moore, I2.13, YellowFigured CB Strat guitar, White CC Clark, Natural Charvel 275 Deluxe, Red Charvel CX390, Black ESP EC100-QM, Red Fender Strat Spec. Ed., MIM, Candy Apple Red Fender Strat, MIJ, HSS, Black Fender Squier Showmaster Skull & Crossbones Fender Squier II, Black Relicd Fender Squier Bullet, Red w SDuncan Distortion First Act VW Garage Master SpecEd, W W pg First Act VW Garage Master Spec Ed, W B pg Godin G5000, Black (option: Roland Synth PU) Greco Hollow Body (Jap), Brown Harmony solid body electric, White Hondo H2 Reissue, Red Hondo H2 Reissue2, Red Ibanez Roadmaster, Black Ibanez Axstar, Red Kay Effector, Sunburst Martin Stinger SSX, White Michael Kelly Valor X Spalted Maple Minarik Inferno Extreme, Black Parker Nitefly, Black Peavey Customized USA LTD EVH (CC, SOS) Peavey Firenza, baby powder Green Peavey Impact1, Gun Metal Grey Peavey Impact1, Red Peavey USA LTD ST Quilted w upg HB Peavey Nitro1, Black Peavey Nitro Customized, Purple Peavey Nitro Turquoise Peavey T60, Natural Regal Dobro Resurrection custom hand made guitar Rickenbacker 620, White/yellow aged Samick Strat, Deluxe Samick Greg Bennett Malibu, White St. Moritz vintage guitar Synsonics Jr Pr (1/3 size) Taylor T5 S2, Blue Figured Top Teisco E400, Powder Blue US Masters, Vector, Red
51. US Masters, Vector, Blue 52. Vester Concert Series, Black/Gold Fractal, Upg Sinvader Bridge Hum, Dual Rail Neck 53. Washburn CT2, Black (upgraded pickups) 54. Washburn CT5, Deluxe, gorgeous figured Blue 55. Washburn_JV2, Natural 56. Washburn_JV Jr, Flourescent Orange 57. Washburn JB100, White 58. Washburn KC44V, Green/ Black design 59. Washburn MR250, Red Florentine Figured 60. Washburn N6 (needs assembly) 61. Washburn P290, Green Transluscent 62. Washburn P290, Blue Green Transluscent 63. Washburn P4 Luthier, Natural 64. Washburn Pilsen WI70, Root Beer, Paint Relicd 65. Washburn RR300, Red 66. Washburn SBT-21, Black 67. Washburn WI64DL, Black and Gold 68. Washburn WI64, Black 69. Washburn WI64, Black, Upg Carvin PUs 70. Washburn WI66NC, Ebony Figured, Boogie Bros 71. Washburn WI66 Pro, Blue Figured Top 72. Washburn WI68 Prototype, Black 73. Washburn WI68, Ebony 74. Washburn WI68, Cherry Figured 75. Washburn WM100, Blue Figured Top 76. Washburn WM4, Red Florentine Figured Top 77. Westone Pantera, Ivory 78. Westone SpectrumDX, Red 79. Westone-Electra SpectrumDX, GMGray 80. Yamaha AES820, Black 81. Yamaha AES820, Copper 82. Yamaha SE700S, Burgundy 83. Warmoth Strat Rebuild ELECTRIC BASSES 1. Aria Pro II RSB Special (Motsomoku) 2. Robin Machette 5 string bass, USA, Green 3. GTX 300 Brownish Transluscent 4. GTX (unfin), KMD pus, BluePurple Refinish 5. Ibanez Gio Soundgear 6. Ibanez SR800 7. Peavey Force ABT, Black 8. Peavey Fury USA, Red 9. Peavey T60, natural 10. Washburn RB2000 ACOUSTIC GUITARS 1. Washburn NV100, Natural 2. Takamine EG531C, Black 3. Washburn C104SCE
4. 5. 6. 7. 8. 9. 10.
Alvarez 5480N Fender DG-11E Ventura Vstring NY Pro, Tak Copy, Black Burswood, Natural Hummingbird Copy Stargazer size
AMPLIFIERS 1. Acoustic 370 Head (400 watt) 2. Alamo Embassy 3. Alamo Embassy (remade cab) 4. Alamo Embassy Head 5. Alamo 2560 Capri 6. Alamo 2560 Capri 7. Alamo 2560 Capri 8. Alamo 2560 Capri 9. Alamo 2562 Challenger 10. Alamo 2562 Challenger 11. Alamo 2564 Jet 12. Alamo 2566 Fury Bass Amp 13. Bogen Challenger 35 Tube (Guit or PA) 14. Carvin AG100D 15. Carvin XV112 16. Carvin XT112 17. Crate GX15R 18. Crate CA30S 19. Crate TurboValve TV-120 20. EL84 X 2 Harp Tube Amp 21. Epiphone 10 22. Fender Deville 410, original (not reissue) 23. Fender Squier 15 24. Fender Sidekick Keyboard (30) 25. Fender Sidekick 35 Bass 26. Gibson GA-5 WT 27. Gibson GA30 Chasis & Amp only 28. Johnson Marquis JM60 29. Kustom KBA65 Bass (& KB) 30. Marshall Artist 3203 Head U33316 31. Marshall G100RCD Halfstack w JCM165A_410 32. Mesa Boogie Nomad Fourty Five 33. Multivox Premeir 5530 34. Multivox Premier P50 35. Multivox Premier P50R 36. Muntz Vintage Audio Tube Amp 37. Peavey Bandit Transtube 112 Special 38. Peavey Classic 30 39. Peavey Classic Speed Queen 40. Peavey Classic VTX 41. Peavey Classic VT Series 42. Peavey Classic 50 212
43. 44. 45. 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56.
Peavey Deuce Peavey Delta Blues 210 Peavey Rage 158 Rocktron Replitone 212 Roland Mini Cube Sears XL40 Sundown Rocky 12S Sundown Rocky 12S (#2) Selmer Auditorium Varitone SWR Workingmans 12 Bass (banged up a bit) Teisco Checkmate 10 VOX 15 Yamaha B100-115 III Bass Yamaha HY10G
CABINETS 1. PA - Soundtech PA12 2. PA - Flite 1452 PA- 3 way X 2 3. PA - Fender PA-115 X 2 4. 112 Cabinet with Celestion Vintage 30 5. Peavey 210 Cab X 2 6. Peavey UUS-20 (12 Scorpion) 7. Marshall JCMC410A (1965A Lead) 8. Epiphone 412 Retro 9. BCabinet, 400w, 8 ohm 10. BCabinet (LG-412V) 400,8 11. 12 Cab with Peavey Scorpion 12. Vintage 12 2-way Cabinet PEDALS AND EFFECTS 1. VG99 2. GR33 / VG88 Combo 3. GNX4 4. Behringer FCB1010 (Midi Control) 5. Digitech RP7 (with 12AX7 tube) 6. Digitech RP300A 7. Zoom BFX-708 Bass Effects 8. Snarling Dogs Very-Tone Dog 9. Yamaha NE-1 10. Washburn Bad Dog Stereo Chorus 11. DOD Ice Box 64 Stereo Chorus 12. Dunlop Rotovibe JD4S (Vintage) 13. Metal Zone MT2 14. Danelectro Chili Dog 15. Cry Baby Wah 16. Marshall BluesBreaker 17. Behringer Tube Overdrive 18. Behringer Noise Reducer NR100 KEYBOARDS 1. Casio WK-1630
2. 3. 4. 5. 6. 7.
Casio WK-1630 Yamaha PSR-500 Yamaha PSR-293 Yamaha PSR-78 Yamaha PSR-88 Antique Pump Organ
PA & MIXERS & MIC 1. Yamaha EM1600 Powered Mixer 2. Samson MDR1064 Mixer 3. Mackie 1202 Mixer 4. Studio Projects B1 Mic 5. Senheisser e8155 Mic 6. Nady SP-9 7. Shure PM58 Mic 8. Realistic Stereo Electret 9. Shure PE3 Mic 10. Shure PE3 Mic RECORDING (other) 1. Audix 1A Monitors (2) 2. Samson Resolve 65a Pow Monitor 3. Alesis Proactive 2.0 Pow Monitor 4. Samson Resovl 5A X 2 5. Quattro 4X4 PERCUSSION 1. Fiberglass Congas w Stand 2. DP Conga 3. GP Bongos 4. Ion IED01Elec Drum Kit PICKUPS Humbuckers SETS 1. Set PRS McCarty (N&B) 2. Set GHS Dream 180; Bridge (Black); Neck (White) 3. Set Gibson SG (490T, XXX) 4. Set Carvin (C22N; H227) 5. Set EMG 81/85 6. Set EMG 81/89 7. Nelsonic Humbucker Set 8. Set Brian Moore iM 9. Set Washburn Headhunters 10. Set Washburn 623/621 SINGLES 1. EMG 89 2. S.Duncan JB (SH4) 3. S.Duncan Custom 4. Bill Lawrence L500
5. GHS Crusade (White) 6. S.D. Distortion (older) 7. Fender 8. Jackson Single Coil/ P90 SET 1. S.Duncan P90 Set 2. S.Duncan Strat (Middle, Neck; counterbalanced) SINGLE 1. GFS P90 2. Lace Sensor (White) 3. Dual Rail Strat Size Bass 1. Set: EMG Active Bass (SJ5, LJ5) 2. Set: KMD (240; 260; from GTX USA) 3. Sing: Bass Line Quarterpound SJB3n(Neck) (34 Total) PARTS Neck: US Masters birdseye maple with rosewood fretboard Danelectro neck Washburn neck Washburn neck Newly Departed
1. 2. 3. 4. 5. 6. 7. 8. Marshal JCMSL-X G&L Tribute, Honey Natural US Masters Bass, USA, Brownish Transluscent Gibson Ace Frehley LP (good knockoff) Washburn WI67, Ebony Phiga (Phil Gawen) Hybrid Epiphone LP Jr, Black Yamaha SE110, Fuscia
Peavey Nitro Turq2
Peavey Nitro Turq
Peavey Limited ST+ USA Quilt SBurst5
Peavey Limited ST+ USA Quilt SBurst2
Peavey Limited USA ST+ Quilt SBurst
Peavey Limited USA Quilt SBurst3
Peavey Limited USA Quilted SBurst
Peavey Limited USA+
Peavey Limited USA
BrianMoore_i813 3Voice (3)
CB Strat (1)
CB Strat (2)
CC Clark_Guitar 2
Charvel _X390 DkBl
Charvel _X390 DkBl_1
Charvel _X390 DkBl_2
Samick Malibu 2
Samick Malibu 3
USMasters_Vector Red 2
USMasters_Vector Red 3
Washburn CT2 and P290
Washburn_CT2 blk (1)
Washburn_CT2 blk (2)
Washburn_CT2 blk (3)
Washburn_CT2 blk (4)
Washburn_CT2 blk (5)
Washburn_WM4 Red Tranluscent
Washburn_WM4 Red Tranluscent 1
Washburn_WM4 Red Tranluscent 3
Westone Spectrum GMG
Westone Spectrum GMG2
Westone Spectrum GMG3
Yamaha_ AES820 Copper w HSC
Yamaha_AES820 Blk 3
Yamaha_AES820 Blk 4
Yamaha_AES820 Copper 2
Peavey Nitro Turq5
Peavey Nitro Turq4
Peavey Nitro Turq3
Acoutic 370 Head
ALAMO 2562 CHALLENGER
ALAMO CHALLENGER 2562 Nice
ALAMO CHALLENGER 2562 Nice2
Alamo Fury 2566 Bass
Alamo Fury 2566 Bass (1)
Bogen Challenger 35 & Other
Cab_Epiphone Triggerman 412 Stereo
Cab_Oak Head Cab Peavey etc
Cabinet and Carvin ADG100
Celestion V30 112
CrateHead1 and TubeWrks
Fender Deville 410 back
Fender Sidekick KeyBoard
FenderFrontman15B & SP10
Marshall G100RCD & JCM410A
MultiVox Premier 5530
MultiVox Premier 5530_
MultiVox Premier 5530a
MultiVox Premier 5530b
MultiVox Premier 5530c
MultiVox Premier 5530d
MultiVox Premier P50
MultiVox Premier P50a
MultiVox Premier P50b
MultiVox Premier P50c
MultiVox Premier P50d
Peavey Classic50 4x10 SpeedQueen
Peavey Classic50 4x10 SpeedQueen2
Peavey Classic50 4x10 SpeedQueen3
Peavey Classic50 4x10 SpeedQueen4
Peavey Classic50 4x10 SpeedQueen5
Peavey Classic50 4x10 SpeedQueen6
Peavey Deuce 120
Peavey Deuce 120 (1)
Peavey TT Bandit 112 S
Sundown Rocky R12S Amp
Sundown Rocky R12S
Robin USA 5 string
Ibanez Gio Soundgear Bass
Ibanez SR-800 (1)
Ibanez SR-800 (2)
Ibanez SR-800 (3)
Ibanez SR-800 (4)
Peavey T40 Bass
Peavey T40 Bass 1
Peavey T40 Bass 2
Peavey T40 Bass 3
PU_Nelsonic Humbuckers ArtDeco
PU_Roland GKof 2
Washburn Wwonderof 2
EMG PU + Set
EMG PU Set
Moser Custom Pickups
Moser Custom Pickups_b
Pedal_SamsonMix&RolandV G99 GR33a Quattro
M-Audio Quattro 4X4 USB Midi Interface
Mixer_Samson MDR1064 Mixer
Pedal Digitech GNX4
Pedal Digitech RP7
Pedal Roland VG88 & GR33
Pedal Rolls MidiBuddy mp128
Pedal VG-88 & GR33
Pedal ZOOM 3030 Effects
PA_Flight 2 way
Audix 1A Monitors
Cab B52 LG412V 400, 8
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specically recommended by Yamaha. WARNING: Do not place this product in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25 cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ve years. When replacement becomes necessary, contact a qualied service representative to perform the replacement. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and / or accessory mounting xtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional xtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
Composition Title: Against All Odds Composers Name: Collins 0007403 Copyright Owners Name: EMI MUSIC PUBLISHING LTD AND HIT & RUN MUSIC LTD
All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style les, MIDI les, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.
GM System Level 1
GM System Level 1 is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is afxed to all software and hardware products that support GM System Level.
As its name implies, XGlite is a simplied version of Yamahas high-quality XG tone generation format. Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that some songs may play back differently compared to the original data, due to the reduced set of control parameters and effects.
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with peripheral Devices. It allows hot swapping (connecting peripheral devices while the power to the computer is on).
Stereo Sampled Piano
The instrument has a special Portable Grand Piano Voicecreated by state-of-the-art stereo sampling technology and using Yamahas sophisticated AWM (Advanced Wave memory) tone generation system.
The exceptionally natural Touch Response feature, with a convenient front panel on/off switch, gives you maximum expressive level control over the voices. It also works in conjunction with the Dynamic Filter, which dynamically adjusts the timbre or tone of a voice according to your playing strengthjust a like a real musical instrument!
The Style File Format is Yamahas original style le format which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types.
Congratulations and thank you for purchasing the Yamaha PSR-E413 Digital Keyboard! Please read this owners manual carefully before using the instrument in order to take full advantage of its various features. Make sure to keep this manual in a safe and handy place even after you nish reading, and refer to it often when you need to better understand an operation or function.
Handy Performance Features
Panel Controls and Terminals
Front Panel... 12 Rear Panel... 13
Creating Arpeggios Create Original Sounds 14 18
The Metronome... 63 Setting the Number of Beats per Measure, and the Length of Each Beat.. 64 Adjusting the Metronome Volume.. 64 Tap Start... 65 Touch Response Sensitivity.. 65 Pitch Bend... 66 Pitch Controls... 66 Controlling Arpeggio Volume with Keyboard Dynamics. 67 One Touch Setting... 68 Adjusting the Harmony Volume.. 69 Select an EQ Setting for the Best Sound.. 69
Style (Auto-accompaniment) Functions
Assigning Effects to the Knobs.. 18 Using the Knobs.. 21
The Easy Way to Play Piano
Play with Both Hands... 23 Change the Song Tempo... 27
Try Playing a Variety of Instrument Voices
Pattern Variation (Sections).. 70 Adjusting the Style Volume.. 72 Setting the Split Point... 72 Play a Style with Chords but No Rhythm (Stop Accompaniment)... 73 Loading Style Files... 74 Chord Basics.. 75 Looking Up Chords Using the Chord Dictionary. 77
Select and Play a VoiceMAIN.. 28 Play Two Voices SimultaneouslyDUAL.. 29 Play Different Voices with the Left and Right Hands SPLIT... 30 Play the Grand Piano Voice.. 31
Song Volume.. 78 A-B Repeat... 78 Muting Independent Song Parts.. 79 Change the Melody Voice.. 79
Drum Kits.... 32 Sound Effects... 32
Memorize Your Favorite Panel Settings
Saving to the Registration Memory.. 80 Recalling a Registration Memory... 81
Select a Style Rhythm... 33 Play Along with a Style... 34 Playing Auto-accompaniment Chords.. 38
Setting the Sleep Mode The Functions Connecting to a Computer
Selecting and Setting Functions.. 83
Select and Listen to a Song.. 39 Song Fast Forward, Fast Reverse, and Pause.. 40 Types of Songs... 42
Select a Song For a Lesson
Lesson 1Waiting... 43 Lesson 2Your Tempo.. 46 Lesson 3Minus One.. 47 Practice Makes PerfectRepeat and Learn. 48
Open the battery compartment cover located on the instruments bottom panel. Insert the six new batteries, being careful to follow the polarity markings on the inside of the compartment. Replace the compartment cover, making sure that it locks rmly in place.
NOTE Connecting the AC power adaptor automatically supplies power from the adaptor and overrides battery power, even when batteries are installed.
Make all necessary connections below BEFORE turning the power on.
Connecting Headphones (PHONES/OUTPUT Jack)
Connecting to a Computer (USB Terminal)
The PSR-E413 speakers are automatically shut off when a plug is inserted into this jack. The PHONES/OUTPUT jack also functions as an external output. You can connect the PHONES/OUTPUT jack to a keyboard amplier, stereo system, mixer, tape recorder, or other line-level audio device to send the instruments output signal to that device.
Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.
Connect the instruments USB terminal to the USB terminal of a computer, and you can transfer performance data and song les between the two (page 87). To use the USB data-transfer features youll need to do the following:
First, make sure the POWER switch on the instrument is set to OFF, then use an AB type USB cable to connect the instrument to the computer. After making the connections, turn on the power of the instrument. Install the USB-MIDI driver on your computer.
Installation of the USB-MIDI driver is described on page 95.
NOTE Make sure to purchase a quality USB cable at a musical instrument store, computer store or electrical appliance store.
To prevent damage to the speakers, set the volume of the external devices at the minimum setting before connecting them. Failure to observe these cautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Turning the Power On
Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [STANDBY/ON] switch to turn on the power. Press the [STANDBY/ON] switch again to turn the power OFF.
Connecting a Footswitch (SUSTAIN Jack)
The sustain function lets you produce a natural sustain as you play by pressing a footswitch. Plug the Yamaha FC4 or FC5 footswitch into this jack and use it to switch sustain on and off.
NOTE Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power.
ck Gui ui Q
The arpeggio function lets you create arpeggios (broken chords) by simply playing the required notes on the keyboard. For example, you could play the notes of a triadthe root, third, and fthand the arpeggio function will automatically create a variety of interesting arpeggiotype phrases. By changing the arpeggio type and the notes you play it is possible to create a wide range of patterns and phrases that can be used for music production as well as performance.
Press the ARPEGGIO [ON/OFF] button to turn the arpeggio function on.
The indicator lights when the Arpeggio function is on.
Voices and the Arpeggio Function This instrument lets you select a variety of voices that you can play via the keyboard. When you select a voice number between 129 and 148 the arpeggio function will automatically be engaged so you can start playing arpeggios immediately. The arpeggio function will automatically be turned off when you select any other voice. If you want to use voices 129148 for normal performance without the arpeggio function, press the ARPEGGIO [ON/OFF] button to turn the arpeggio function off after selecting the voice.
Voices for which the arpeggio function is automatically turned on.
Voice No. Voice Name Concerto Pizzicato Piano Ballad Synth Sequence Guitarist Pauls Bass Trance Bass SynthChords Acid Bass Funky Clavi Voice No. Voice Name ReggaeOrgan Harpeggio SalsaPIano AnalogSequence Sawtooth Piano Arpeggio Guitar Arpeggio ClubBeat R&B Loop ClubAdds
See Try Playing a Variety of Instrument Voices on page 28.
Select an arpeggio type.
The most suitable arpeggio type is automatically selected when you select a voice, but you can easily select any other arpeggio type.
Press the ARPEGGIO [TYPE] button and the name of the current arpeggio type will appear in the display. Rotate the dial to select the desired arpeggio type. A list of the available arpeggio types is provided on page 113.
The currently selected arpeggio type
Play the keyboard.
The sound of the arpeggio produced will change according to the number of notes you play and the area of the keyboard you play in. You can save the instruments settings at this point and then recall them at any time you want to repeat your performance (page 80). You can also record your performance (page 52). The arpeggio function applies only to the main and dual voices, and does not affect split voices. The arpeggio function cannot be used at the same time as the harmony function.
Make sure that you are not pressing any of the keyboards keys while turning the arpeggio function on or off.
When you have nished playing with the arpeggio function, press the ARPEGGIO [ON/OFF] button to turn it off.
Playing the Chord Progressions
Play the scores with the left hand. Before playing the scores follow steps 1 through 3 of Play Along with a Style on page 34.
* The scores provided here are not standard song scores, but rather simplied scores that indicate which notes to play to produce the chord progressions.
Play to the left of the split point.
039 Euro Trance
Dance music with simple chords
Press the [INTRO/ENDING/rit.] button.
This is a simple-but-effective chord progression. When you play through to the end of the score, start again from the beginning. When youre ready to stop playing press the [INTRO/ENDING/rit.] button and the auto accompaniment function will create a perfect ending.
158 Piano Boogie
This progression provides varied harmonic backing with just three chords. When you get a feel for the progression in the score, try changing the order of the chords!
101 Bossa Nova
Bossa nova with jazz-style chords
This progression includes jazzy two-ve (II-V) changes. Try playing it through several times. When youre ready to stop playing press the [INTRO/ENDING/rit.] button.
Playing Auto-accompaniment Chords
There are two ways of playing auto-accompaniment chords:
Easy Chords Standard Chords
The instrument will automatically recognize the different chord types. This function is called Multi Fingering.
Press the [ACMP ON/OFF] button to turn auto-accompaniment on (page 34). The keyboard to the left of the split point (default: 54/F#2) becomes the accompaniment range. Play the accompaniment chords in this area of the keyboard.
Split point (default: 54/F#2)
F# G# Bb
C D E F GA B C D E F
Accompaniment range Root notes and the corresponding keys
This method lets you produce accompaniment by playing chords using normal ngerings in the accompaniment range of the keyboard.
How to play Standard Chords [Example for C chords]
This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.
To play a major chord Press the root note of the chord.
To play a minor chord Press the root note together with the nearest black key to the left of it. To play a seventh chord Press the root note together with the nearest white key to the left of it.
To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
* The Accessory CD-ROM includes a selection of 70 MIDI songs. See page 91 for instructions on how to transfer the songs to the instrument.
The chart below shows the basic PSR-E413 processes ow for using the preset songs, user songs, and external song lesfrom storage to playback.
Computer Your own performance External song le
(page 91) External song les can be saved to ash memory (036134).
PSR-E413 Song Storage locations Preset Songs (001030)
The 30 songs built into the instrument.
User Songs (031035)
Stored in the internal ash memory.
Flash Memory (036134)
Save to internal ash memory. Currently available.
Different ash memory areas are used to store user songs and external song les transferred from a computer. User songs cannot be directly transferred to the external song le ash memory area, and vice versa.
Yamaha Education Suite
You can select song you like and use it for a left-hand, right-hand, or both-hands lesson. You can also use songs (only SMF format 0) downloaded from the Internet and saved to ash memory. (pages 9092) During the lesson you can play as slowly as you like, and you can even play wrong notes. Song playback will slow down to a speed you can handle. Its never too late to start learning!
Lesson Flow: Select a song from the Piano Solo, Piano Ensemble category!
Select the song you want to learn. Select the part you want to work on (right hand, left hand, both hands). Select lesson 1, 2, or 3. Lesson start!
The practice methods:
Lesson 1.Learn to play the correct notes. Lesson 2.Learn to play the correct notes with the correct timing. Lesson 3.Learn to play the correct notes at the correct timing along with the song.
In this lesson, try playing the correct notes. Play the note shown in the display. The song will wait until you play the right note.
Select a song for your lesson.
Press the [SONG] button, and rotate the dial to select the song you want to use for your lesson. As listed on page 42 there are a variety of song types. For this example try selecting the 012 ForElise.
Select the part you want to practice.
Press the [R] button for a right-hand lesson, [L] button for a left-hand lesson, or press both the [R] and [L] buttons simultaneously for a bothhands lesson. The currently selected part is shown in the display.
Start Lesson 1.
Press the LESSON [START] button to select Lesson 1. Each time the LESSON [START] button is pressed the lesson modes are selected in sequence: Lesson 1 Lesson 2 Lesson 3 Off Lesson 1. The currently selected mode is shown in the display.
Indicates that performance assistant technology is turned on. (see page 23) This display allows you to visually conrm parameters assigned to the knobs. (see page 18)
Indicates that Accompaniment is turned on. (see page 34)
Indicates that SYNC STOP is turned on. (see page 71)
erenc ef R
This feature adds harmony notes to the main voice.
1 Press the [HARMONY] button to turn
Harmony feature on. To turn Harmony off, press the [HARMONY] button again.
When you press the [HARMONY] button to turn this feature on, the appropriate harmony type for the currently selected main voice is automatically selected.
2 Press and hold the [HARMONY] button
for longer than a second so that the Harmony Type item appears. HarmType appears in the display for a few seconds, and the currently selected harmony type will be displayed. Use the dial to select a different harmony type.
Hold for longer than a second.
3 Use the dial to select a harmony type.
When harmony is on the harmony icon will appear in the display.
Refer to the Effect Type List on page 117 for information about the available harmony types. Try playing the keyboard with the harmony function. The effect and operation of each Harmony Type is different-refer to the below section How to sound each Harmony Type as well as the Effect Type List for details.
NOTE The harmony notes can be added only to the Main Voice, not to Dual or Split Voices.
The keys left of the Split Point of the keyboard produce no harmony notes when the auto accompaniment is on (ACMP ON is lit).
The currently selected harmony type
How to sound each Harmony Type
Harmony type 01 to 05
Harmony type 13 to 19 (Tremolo)
Keep holding down the keys.
Press the right-hand keys while playing chords in the auto accompaniment range of the keyboard when the Auto Accompaniment is on (page 34).
Harmony type 20 to 26 (Echo)
Harmony type 06 to 12 (Trill)
Hold down two keys.
You can adjust the Harmony Volume in the Function Settings (page 69).
Reverb lets you play with a rich concert hall type ambience. When you select a style or song the optimum reverb type for the voice used is automatically selected. If you want to select a different reverb type, use the procedure described below.
If you have stopped playback at some point during this procedure press the [ ] (START/STOP) button to start playback again.
Adjusting the Harmony Volume 1 Press the [FUNCTION] button. 3 Use the dial to set the harmony volume
between 000 and 127.
] and [ ] buttons to select the Harmony Volume item.
Select an EQ Setting for the Best Sound
Five different master equalizer (EQ) settings are provided to give you the best possible sound when listening through different reproduction systemsthe instruments internal speakers, headphones, or an external speaker system.
The currently selected function will appear in the display.
] and [ ] buttons as many times as necessary to select the master EQ type function MasterEQ. MasterEQ will be shown in the display for a few seconds, then the currently selected EQ type will appear.
The currently selected master EQ type.
3 Use the dial to select the desired Master
EQ setting. Five settings are available: 15. Settings 1 and 2 are best for listening via the instruments built-in speakers, setting 3 is for headphones, and settings 4 and 5 are ideal for listening via external speakers.
Basic operation of the Style (auto-accompaniment) feature is described on page 33 of the Quick Guide. Here are some other ways you can play the styles, the style volume adjustment procedure, how you can play chords using the styles, and more.
Pattern Variation (Sections)
The PSR-E413 features a wide variety of style sections that allow you to vary the arrangement of the accompaniment to match the song you are playing.
Intro Main A/B
INTRO section This is used for the beginning of the Song. When the intro nishes playing, accompaniment shifts to the main section. The length of the intro (in measures) differs depending on the selected Style. MAIN section This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats indenitely until another sections button is pressed. There are two variations on the basic pattern (A and B), and the Style playback sound changes harmonically based on the chords you play with your left hand. Fill-in section This is automatically added before changing to section A or B. ENDING section This is used for the ending of the Song. When the ending is nished, the auto accompaniment stops automatically. The length of the ending (in measures) differs depending on the selected Style.
1 Press the [STYLE] button. 2 Press and hold the [ACMP ON/OFF] for
longer than a second so that the Split point item appears.
3 Use the dial to set the split point to any
key from 000 through 127.
NOTE When you change the split point the auto-accompaniment split point also changes.
The split point cannot be changed during a song lesson.
NOTE You can also access the Split Point item by pressing the [FUNCTION] button and using the CATEGORY [ ] and [ ] buttons to locate the item (page 83).
Play a Style with Chords but No Rhythm (Stop Accompaniment)
When auto accompaniment is on (the ACMP ON icon is showing) and Synchro Start is off, you can play chords in the left-hand accompaniment range of the keyboard while the style is stopped and still hear the accompaniment chords. This is Stop Accompaniment, and any of the chord ngerings recognized by the instrument can be used (page 38). Press the [STYLE] button to engage the style function, then press the [ACMP ON/ OFF] button to turn the auto accompaniment on.
Appears when auto accompaniment is on
Loading Style Files
This instrument features 165 internal styles, but other styles, such as those provided on the CD-ROM and others that can be obtained from the internet (only styles with the.sty sufx), can be loaded into style number 166 and used in the same way as the internal styles. In order to use the style le load function, the le must already have been transferred from the computer to the instrument. The procedure for transferring les from a computer to the instrument is described on page 90 (Transferring Data between the Computer and Instrument). The procedure described below loads a style le that has already been transferred from a computer to the instrument into style number 166.
3 Execute the load operation.
With the name of the style le you want to load shown in the display, press the number  button.
] and [ ] buttons as many times as necessary to select the style le load function Sff Load.
4 A conrmation message for the load
operation will appear. Press the [+/YES] button to actually load the le.
After about 2 seconds the name of a loadable style le will appear in the display. If multiple loadable style les have been transferred to the instrument, you can use the dial or the [+] and [-] buttons to select the other les in sequence.
Two or more notes played together constitute a chord. The most basic chord type is the triad consisting of three notes: the root, third, and fth degrees of the corresponding scale. A C major triad, for example, is made up of the notes C (the root), E (the third note of the C major scale), and G (the fth note of the C major scale).
In the C major triad shown above, the lowest note is the root of the chord (this is the chords root position. using other chord notes for the lowest note results in inversions). The root is the central sound of the chord, which supports and anchors the other chord notes. The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.
Did you install the driver? (page 95) Is the USB cable connected correctly? Are the volume settings of the instrument, playback device, and application program set to the appropriate levels? Have you selected an appropriate port in the sequence software?
A message asking you to restart your computer in order to complete the uninstall procedure will appear. Driver removal will be complete when you have restarted your computer.
Problem When the instrument is turned on or off, a popping sound is temporarily produced. When using a mobile phone, noise is produced. Possible Cause and Solution This is normal and indicates that the instrument is receiving electrical power. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument. Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. Check the Local Control on/off. (See page 88.) Playing keys in the right hand area of the keyboard does not produce any sound. The volume is too soft. The sound quality is poor. The rhythm stops unexpectedly or will not play. The recorded data of the song, etc. does not play correctly. The LCD display suddenly goes dark, and all panel settings are reset. The style or song does not play back when the [START/STOP] button is pressed. When using the Dictionary function (page 77), the keys in the right hand area are used only for entering the chord root and type.
There is no sound even when the keyboard is played or when a song or style is being played back.
The batteries are low or dead. Replace all six batteries with completely new ones, or use the optional AC adaptor.
Is External Clock set to ON? Make sure External Clock is set to OFF; refer to External Clock on page 88. Make sure that the Style Volume (page 84) is set to an appropriate level.
The style does not sound properly.
Is the split point set at an appropriate key for the cords you are playing? Set the split point at an appropriate key (page 72). Is the ACMP ON indicator showing in the display? If it is not showing press the [ACMP ON/OFF] button so that it does show. This is not a malfunction. Style number 141 and style numbers 153165 (Pianist) have no rhythm parts, so no rhythm will play. The other parts will begin playing when you play a chord in the accompaniment range of the keyboard if style playback is turned on. The instrument is polyphonic up to a maximum of 32 notes. If the Dual voice or Split voice is being used and a style or song is playing back at the same time, some notes/sounds may be omitted (or stolen) from the accompaniment or song. You have exceeded 32 simultaneous notes, which is the maximum polyphony (the maximum number of notes that can be played simultaneously) of the instrument. The instrument will play normally as long as no more than 32 notes are being played at once, both on the keyboard and by any automatic playback functions. The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. This is normal. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note. Perhaps the performance assistant technology is turned on. Press the [PERFORMANCE ASSISTANT] button to turn it off. Is the [STYLE] button lit? Always press the [STYLE] button rst when you are going to use any style-related function. The harmony effects (0126) behave differently according to their type. Types 0105 function when style playback is on, chords are played in the accompaniment range of the keyboard, and a melody is played in the right-hand range. Types 0626 will function whether style playback is on or off. For types 06 = 12 you need to play two notes at the same time.
No rhythm accompaniment plays when the [START/ STOP] button is pressed after selecting style number 141 or a style between 153 and 165 (Pianist).
Not all of the voices seem to sound, or the sound seems to be cut off.
Some notes dont sound when playing multiple notes simultaneously on the keyboard, or some notes dont sound when playing arpeggios. The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds. The sound of the voice changes from note to note.
The wrong notes sound when the keyboard is played. The ACMP ON indicator does not appear when the [ACMP ON/OFF] button is pressed.
There is no harmony sound.
This demo is an example of how the Easy Song Arranger can be used to change styles throughout a piece.
Song No. 9 q =123
(Function Demo for Easy Song Arranger)
This score is provided with the intent that the pitch will be corrected by the performance assistant technology feature. If you play the Play These Notes part using the performance assistant technology feature, the part will be corrected and played so that it matches the backing part.
Song No. 10 q =61
(Function Demo for performance assistant technology)
Repeatedly Play the Same Key.
Song No. 11 q =108
You Can Even Play the Same Keys!
Maximum Polyphony The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).
Panel Voice List
MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) PIANO 1 Grand Piano 2 Bright Piano 7 Harpsichord 4 Honky-tonk Piano 3 MIDI Grand Piano 3 CP 80 E.PIANO 5 Cool! Galaxy Electric Piano 6 Hyper Tines 5 Funky Electric Piano 6 DX Modern Electric Piano 6 Venus Electric Piano 8 Clavi ORGAN 19 Cool! Organ 19 Cool! Rotor Organ 17 Jazz Organ Jazz Organ Rock Organ 19 Purple Organ 18 Click Organ 17 Bright Organ 19 Theater Organ 20 16'+2' Organ 20 16'+4' Organ 20 Chapel Organ 20 Church Organ 21 Reed Organ ACCORDION 22 Musette Accordion 22 Traditional Accordion 24 Bandoneon 23 Modern Harp 23 Harmonica GUITAR 25 Classical Guitar 26 Folk Guitar 27 Jazz Guitar 28 60s Clean Guitar 26 12Strings Guitar 28 Clean Guitar 27 Octave Guitar 29 Muted Guitar 30 Overdriven Guitar 31 Distortion Guitar BASS 34 Finger Bass 33 Acoustic Bass 35 Pick Bass 36 Fretless Bass 37 Slap Bass 39 Synth Bass 39 Hi-Q Bass 40 Dance Bass
Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011
Yamaha Musique France BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000
Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
Yamaha Musica Italia S.P.A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
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CENTRAL & SOUTH AMERICA
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Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 080-004-0022
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Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900
Yamaha Scandinavia AB J. A. Wettergrens Gata 1, Box 30053 S-Gteborg, Sweden Tel: 34 00
Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021
Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
YS Copenhagen Liaison Ofce Generatorvej 6A, DK-2730 Herlev, Denmark Tel: 49 00
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311
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