OCTAVE.. 82 PAN.. 82 VOLUME.. 82 DETUNE.. 82
Initial General MIDI Mode Settings.. 103
MIDI Channel & Multi Part Settings.. 104

s Normal Play Mode.. 104

Drum Voice Edit Functions (Voice group 12).. 83
s NAME/PAN/PITCH/SOFTNESS.. 83
NAME.. 83 PAN.. 83 PITCH... 83 SOFTNESS.. 83 84
Custom Accompaniment Editing. 68
s RECORD NAME/SECTION. 68

F2: Reverb/Effect

s s s s s s s s
NAME.. 68 q SECTION. 68 RECORD MEASURE/BEAT. 69 RECORD TRACK VOLUME. 69 RECORD FADER ASSIGN. 70 EDIT QUANTIZE. 70 EDIT COPY.. 71 EDIT REMOVE EVENT. 72 STORE.. 72 I/F/E Select.. 73
s REVERB TYPE & DEPTH. 84
REVERB TYPE.. 84 REVERB DEPTH. 84 s EFFECT TYPE & DEPTH.. 85 q EFFECT TYPE.. 85 q EFFECT DEPTH.. 85
CH. SETTING.. 104 TRANSMIT.. 104 RECEIVE.. 104 SPLIT TRANSMIT. 104 RHYTHM RECEIVE. 104 q SEQ. TRACK CH. 105 q MULTI PART.. 105 s DOC/GM Mode.. 106 q KEYBOARD CHANNEL. 107 q LOCAL CONTROL.. 107 q TRANSPOSE.. 107
MIDI Switch, System Settings, & Data Transmission.. 107
s MIDI SWITCH (Normal Play

Mode Only). 107

s MIDI SYSTEM (Normal Play

F3: Controller

s SUSTAIN PEDAL &
s FOOT CONTROLLER. 86 s MODULATION/EFFECT WHEEL. 86
Exiting From the Custom Accompaniment Programmer. 74 Selecting & Using a Custom Accompaniment Style.. 74

The PSR-6000 Functions

PITCH BEND WHEEL. 87 q SUSTAIN PEDAL. 87 q PITCH BEND WHEEL.. 87 s FOOT SWITCH. 88
General Function Selection & Editing Procedure.. 75

s The [EXIT] Button.. 76

F4: One Touch Setting/IA
s ONE TOUCH SETTING s INTERACTIVE
Mode Only). 108 CLOCK.. 108 q LOCAL CONTROL.. 108 q TRANSPOSE.. 108 q SPLIT SEND.. 108 s DATA TRANSMIT (Normal Play Mode Only). 109 q MIDI Bulk Dump Reception (Memory Data Receive). 110 q Receiving MIDI Bulk Dump Request Messages. 110 q Bulk Dump Error Messages. 110
SYNCHRO CHANGE.. 89 ACCOMPANIMENT. 89

Error Messages

s Custom Accompaniment

F1: Custom Voice Edit

s Sequencer Errors. 111
Standard Voice Edit Functions (voice groups 1 through 10). 77

s NAME/CONTROL.. 77

F5: Harmony Type F6: Disk

Programmer Errors.. 111

s Disk Errors. 111 s MIDI Errors. 112 s DOC/GM Mode Errors. 112 s Other Messages.. 112
NAME.. 77 q CONTROLLER.. TOUCH SENS.. PITCH BEND.. 78 s COMMON.. OCTAVE.. PAN.. 78 q MODULATION.. DEPTH.. SPEED.. 79 q TONE.. BRILLIANCE.. RESONANCE. 79 s ENVELOPE.. ATTACK.. DECAY.. RELEASE.. SUSTAIN.. 80

slower

CANCEL

e SEQUENCER/CUSTOM ACCOMPANIMENT
PROGRAMMER Buttons.. [page 49, 62] SEQUENCER, CUSTOM ACCOMP. Sequencer Track/Custom Accompaniment Programmer Track Buttons 1 through 6/CHORD 1 through 6, 7/BASS, ACCOMP./RHYTHM Sequencer/Custom Accompaniment Programmer Control Buttons RECORD, DELETE, EDIT, p (Top), r (Rewind), f (Forward)
y LEFT HOLD Button.. [page 32] u HARMONY Button.. [page 31] i SUSTAIN Button. [page 31] o REVERB Button.. [page 31] p EFFECT Button.. [page 31] Q DISK IN USE Buttons.. [page 91, 93]

FROM DISK, TO DISK

W PANEL REGISTRATION Buttons. [page 41]
MEMORY, FREEZE, 1-8, BANK
r ORCHESTRA VOICE Buttons. [page 13, 15, 77]
VOICE PART ORCH.1, VOICE PART ORCH.2, PRESET, USER SET, CUSTOM VOICE, Voice Group [1] [12] Buttons
E PITCH BEND Wheel.. [page 32] R MODULATION/EFFECT Wheel. [page 32] T Disk Drive.. [page 3, 28, 43] Y Disk Eject Button.. [page 3, 45]
t ORCHESTRATION Buttons. [page 12]
ORCH. 1, ORCH. 2+1, ORCH. 2v1
Connections & Music Stand

PHONES w

1 The PHONES Jack......
A standard pair of stereo headphones can be plugged in here for private practice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the PHONES jack.
2 The AUX OUT L/L+R and R Jacks.....
The rear-panel AUX OUT L/L+R and R jacks deliver the output of the PSR-6000 for connection to a keyboard amplifier, stereo sound system, a mixing console, or tape recorder. If you will be connecting the PSR-6000 to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only, the left- and rightchannel signals are combined and delivered via the L/L+R jack so you dont lose any of the PSR-6000 sound.

CAUTION

Stereo System

AUX OUT

To prevent damage to the internal circuitry, the AUX OUT jack signal must never be returned to the AUX IN jacks, either directly or through external equipment.
3 AUX IN L/L+R and R Jacks....

LEFT HOLD HARMONY SUSTAIN REVERB EFFECT
Sustain can be applied to the ORCH. 1 voice only, the ORCH. 2 voice only, or both voices via the SUSTAIN PEDAL ASSIGN function described on page 87.

Reverb.......

Press the [REVERB] button to apply the reverb effect specified by the REVERB TYPE and DEPTH functions described on page 84 to the ORCH. 1 and 2 voices as well as the chord and rhythm accompaniment sound. The [REVERB] button alternately turns the reverb effect on (indicator lit) or off (indicator out).
Reverb type changes will apply to the note currently being played, while reverb ON/OFF and depth changes will apply to the next note played.

Effects.......

Press the [EFFECT] button to apply the effect specified by the EFFECT TYPE and DEPTH functions described on page 85 to the ORCH. 1 and 2 voices as well as the chord accompaniment sound. The [EFFECT] button alternately turns the effect on (indicator lit) or off (indicator out).
Effect type changes will apply to the note currently being played, while effect ON/OFF and depth changes will apply to the next note played.
Expression & Effects s

Left Hold......

This function causes the left-hand (ORCH. 2) voice to be held even when the keys are released when using the AUTO BASS CHORD and ORCH. 2v1 orchestration modes. Non-decaying voices such as strings are held continuously, while decay-type voices such as piano decay more slowly (as if the sustain pedal has been pressed).
The LEFT HOLD function works only while AUTO BASS CHORD accompaniment is running. Further, LEFT HOLD is temporarily disengaged during ENDING sections and INTRO or SOLO sections that have their own chord progressions. LEFT HOLD will not function during Multi Pad (Chord Pad) playback or Sequencer ACCOMP. track playback even if the LEFT HOLD indicator is lit.

Pitch Bend Wheel.....

The PITCH BEND wheel to the left of the keyboard lets you bend the pitch of notes played on the keyboard up or down. Normal pitch is restored when the PITCH BEND wheel is released. The maximum pitch bend range is preset for each voice, but can be set as required for custom voices by using the CUSTOM VOICE EDIT feature described on page 77.
PITCH BEND MODULATION/ EFFECT
Pitch bend can be applied to the ORCH. 1 voice only, the ORCH. 2 voice only, or both voices via the PITCH BEND WHEEL ASSIGN function described on page 87. Also, pitch bend is applied to harmony notes on the basis of the ORCH. 1 settings. The pitch bend wheel may have no effect when applied to notes at the upper and lower extremes of the keyboard if a CUSTOM VOICE is used. Also, sudden pitch changes may occur. Pitch bend cannot be applied to the ORCH. 2 voice when AUTO BASS CHORD is ON and the ORCH. 2v1 orchestration mode is selected. Pitch bend can be applied to notes from C-1 to C7 (i.e. MIDI note numbers 12 through 108). Pitch can not be bent down below the lowest note or up above the highest note in this range.

The CHORD Pads (pads 5 8)
Each CHORD pad can record up to approximately 80 chords played on the left-hand section of the keyboard when the AUTO BASS CHORD feature is engaged. The recorded chords can then be played back at any time.

Recording Chords......

Z Select a CHORD Pad For Recording
Press the CHORD pad you intend to record to while holding the [REC/STOP] button. The REC/STOP indicator will flash, indicating that the selected pad is ready to record. If the accompaniment is stopped when the CHORD pad is selected for recording, the SYNCHRO START mode will automatically be engaged.

REC/STOP

If AUTO BASS CHORD is OFF when a CHORD pad is selected for recording, it will automatically be turned ON. Further, if the MANUAL BASS mode is selected, the FINGERED CHORD mode will automatically be selected in its place.
X Play the Required Chords
Recording begins automatically as soon as you play a chord on the left-hand section of the keyboard, and the REC/STOP indicator will light continuously as long as recording continues.
Press the [REC/STOP] button or the pad being recorded to stop recording when youve finished playing the chords. The [REC/STOP] button indicator will go out when recording ends.
Recording will stop automatically if the CHORD pad memory becomes full (approximately 80 chords per pad); if another pad is pressed; or if the accompaniment [STOP], [START/RE-START], or [SYNCHRO START] buttons is pressed.

Chord Playback......

As long as the MULTI mode is selected and an AUTO BASS CHORD accompaniment is playing, any recorded chord sequence can be played back simply by pressing the corresponding CHORD pad. The phrase will play back at the currently set tempo. The MULTI PLAYING indicator will light while the chord sequence plays back, and playback will end automatically as soon as the end of the sequence is reached. Only one chord sequence can be played at a time. During chord pad playback the ABC indicator will go out and the left-hand section of the keyboard plays in the same way as the right-hand section. To indicate that the end of the chord sequence is approaching, the MULTI PLAYING indicator flashes during the last two measures. A chord sequence that is playing can be stopped by pressing the same chord pad again, or by pressing the [REC/STOP] button.

Tap St

If you press a CHORD pad while the accompaniment is stopped or while the AUTO BASS CHORD function is off, Engage ABC to play the chord pads! will appear on the display. Also, if AUTO BASS CHORD is on but the Manual Bass mode is selected, Select FC or SF mode to play the chord pads! will appear on the display, since chord playback will not function in the Manual Bass mode. Chord pad playback can be recorded by the PSR-6000 sequencer. Chord pad data can be saved to and loaded from disk (page 96, 97), but can not be memorized by the Panel Registration feature (page 41). Playback occurs in measure units. Playback will continue until the end of the measure even if recording was stopped prior to the end of that measure.

Subsequent measures moved back.

CREATE MEASURE

Inserts a specified number of blank measures in all tracks (including the accompaniment track) at the specified measure number. Use the TOP LCD dial to specify the number of the measure at which the blank measures are to be inserted, and the SIZE LCD dial to specify the number of blank measures to be inserted. Once the top measure number and size have been selected, press the EXECUTE LCD button to actually execute the insert operation. The Are you sure? confirmation prompt will appear on the
display: press the YES LCD button to go ahead with the create measure operation, or the NO LCD button to cancel. Executing. will appear on the display while the operation is in progress, and Completed. will appear briefly when the operation has finished.
Create measure, size 3, at measure 6.
Measure 6 moved up; 3 blank measures inserted.
Result with new measure numbers.
Create Measure affects all tracks simultaneously. The specified number of blank measures is inserted before the existing data beginning at the specified measure
number. The create measure operation has no undo function.

QUANTIZE

Aligns notes in the specified track to the nearest specified beat. Use the TRACK LCD dial to select the track you want to quantize, and the SIZE LCD dial to specify the quantize size. Once the track number and quantize size have been selected, press the EXECUTE LCD button to actually execute the quantize operation. Executing. will appear on the display while the operation is in progress, and Completed. will appear briefly when the operation has finished. Immediately after execution an UNDO LCD button will appear on the left side of the display, and that button can be used to undo the quantize operation if it was executed by mistake. The undo func3 tion is only available until the next operation is performed.
The Quantize Sizes are: 1/4 = 1/6 = 1/8 = 1/12 = 1/16 = 1/24 = 1/32 =
1/4 note 1/4 note triplet 1/8 note 1/8 note triplet 1/16 note 1/16 note triplet 1/32 note
One measure of 8th notes before quantization

After quantization

Quantization is generally used to tighten up sloppy timing. Use it judiciously, however, because timing that is too perfect can sound cold and mechanical unless, of course, youre specifically aiming for a cold, mechanical feel. Always use a quantize value that is at

SONG CLEAR

Deletes the entire song i.e. deletes all data from all sequencer tracks. Use the CLEAR SONG LCD dials to select the song to be cleared (1 6), then press the EXECUTE LCD button to execute the song clear operation. The Are you sure? confirmation prompt will appear on the display: press the YES LCD button to go ahead with the clear operation, or the NO LCD button to cancel. Completed. will appear briefly when the operation has finished.
Remember that this function deletes all data from the specified song in one operation. If you think you might want to keep the data for later use or editing, be sure to save it to floppy disk (page 91) before executing the song clear operation. Be careful with SONG CLEAR it has no undo function! The amount of sequencer memory used by each song is shown to the right of the song numbers in kilobytes (approximate). The total amount of free sequencer memory remaining is shown in parentheses under SONG CLEAR on the display.
The PSR-6000 CUSTOM ACCOMPANIMENT feature allows you to create and store up to 24 original accompaniment styles including rhythm, bass, and chords in addition to the 50+1 internal preset accompaniment styles (including preset IA style New Age). You can even create intro, fill-in, and ending patterns that can be saved with your accompaniment styles. More custom accompaniment styles can be created and saved to floppy disk (page 91). Your original accompaniment styles can be selected and played at any time, just like the presets.
Basic Programming Procedure (Normal section)
Although many of the steps outlined below do not have to be carried out in the order given, the basic programming procedure presented below will serve as useful guide to get you started.
Z Select a Suitable Accompaniment Style...
Begin by selecting one of the preset accompaniment styles that is close to the type of accompaniment you want to create. For example, select a WALTZ accompaniment style if you want to program a rhythm pattern in 3/4 time.
X Engage the Custom Accompaniment Programmer...
Press the [CUSTOM ACCOMP.] button. The CUSTOM ACCOMPANIMENT PROGRAMMER display will appear and the selected accompaniment style will begin playing, with accompaniment based on a C major chord. Also, the rhythm track will be set to the record mode (red REC indicator lit) and the Drum Kit voice will be selected. All other tracks containing data will be set to the PLAY mode (green PLAY indicator lit). PLAY tracks can be muted by pressing the corresponding track button (the green PLAY indicator will flash when the track is muted).

EDIT COPY......

Copies a specified measure or range of measures to a different location within the same track. Use the TRACK LCD dials to specify the track number, the TOP LCD dial to specify the number of the first measure of the range to be copied, the LAST LCD dial to specify the number of last measure of the range to be copied, and the DEST. LCD dial to specify the number of the measure to which the data is to be copied. Once the track numbers and measure numbers have been selected, press the EXECUTE LCD button to actually execute the copy operation. Completed. will appear briefly when the operation has finished. Immediately after execution an UNDO LCD button will appear on the left side of the display, and that button can be used to undo the copy operation if it was executed by mistake. The undo function is only available until the next operation is performed.
A copy operation overwrites the data from the beginning of the specified destination measure with the data from the source measure(s). Previous data in the overwritten measures is therefore lost. The COPY function cannot be used with tracks containing preset data.
Copy measures 1 through 2 to measure 5 in the same track

EDIT REMOVE EVENT.....

Removes all occurrences of the specified event type (pitch bend, modulation wheel, volume, or sustain operations) from the specified track. Use the TRACK LCD dials to set the track number and the EVENT LCD dials to set type of event to be removed. Once the track and event type have been specified, press the EXECUTE LCD button on the right side of the display to actually execute the remove event operation. Completed. will appear briefly when the operation has finished. Immediately after execution an UNDO LCD button will appear on the left side of the display, and that button can be used to undo the remove event operation if it was executed by mistake. The undo function is only available until the next operation is performed.
This function is handy if, for example, youve played some wild pitch bends that dont sound right. You can remove only the offending pitch bends without erasing the entire track. Only the VOLUME event type can be selected when the RHYTHM tracks is selected. Be careful when removing effect on/off events. If, for example, you remove a pitch bend off event in a specified measure, the pitch bend applied in a previous measure will remain in effect until the next pitch bend event is encountered. Tracks displayed in small characters (preset) or marked with an asterisk (* no data) cannot be selected for event removal.

Press the YES LCD button if you want to store the accompaniment you will automatically be taken to the STORE function display described on page 72. Press the NO LCD button if you want to exit from the Custom Accompaniment Programmer without storing the data, or the CANCEL LCD button to cancel the store operation and return to the Custom Accompaniment Programmer if you want to make a few more changes or additions to the accompaniment before storing.
Selecting & Using a Custom Accompaniment Style
Once created and stored, your original accompaniment style can be selected and used in the same way as the preset accompaniment styles. Press the [CUSTOM A] or [CUSTOM B] button and then the appropriate STYLE select button (1 12) to select a custom accompaniment style. The selected custom accompaniment style can then be operated just like any of the preset accompaniment styles it can be started and stopped as usual, and can be used in the FINGERED or SINGLE FINGER AUTO BASS CHORD modes.
Interactive Accompaniment cannot be used with custom accompaniment styles. The [VERSE 1], [VERSE 2], [CHORUS 1], [CHORUS 2] and [SOLO] buttons cannot be used with custom styles.
The PSR-6000 [FUNCTION] button selects 8 groups of functions that access a number of related parameters. Heres a list of the functions and the manual page numbers on which they are described in detail.
[F1] CUSTOM VOICE EDIT.. 77 [F2] REVERB/EFFECT... 84 [F3] CONTROLLER... 86 [F4] ONE TOUCH SETTING/IA.. 89 [F5] HARMONY TYPE... 90 [F6] DISK... 94 [F7] UTILITY....100 [F8] MIDI....102
General Function Selection & Editing Procedure
Press the [FUNCTION] button to engage the function mode.
Each of the function groups is selected by pressing the corresponding LCD button. In some cases all of the parameters included in a function group will be available in a single display page, and the various parameters can be accessed via the v and w LCD buttons as in the F3: CONTROLLER display, below.
In cases where the number of parameters included in the function group is too large to fit on a single display page, several pages may be available, selectable via the and LCD buttons as in the F8: MIDI display shown to the right. In all cases the selected parameter can be edited via the appropriated labelled or positioned LCD dial(s).

The [EXIT] Button......

The [EXIT] button can be used at any time to exit from a function and return to the normal play mode.
Some functions cannot be selected in the Sequencer, Custom Accompaniment Programmer, or DOC/GM mode. You can return to the main function display from any other function display by pressing the [FUNCTION] button.
The Custom Voice Edit mode allows you to edit any of the PSR-6000 voices to create new sounds that ideally match your own music style. 128 custom voices can be programmed, each based on the corresponding preset voice. After selecting the voice you want to edit (see NOTES below), engage the Custom Voice Edit mode by pressing the [FUNCTION] button and then the F1 CUSTOM VOICE EDIT LCD button. Use the various editing functions described below to modify the sound to suit your needs. Then press the [EXIT] button when youre finished editing to return to the normal play mode. Your custom voices can be selected and played by pressing the [CUSTOM VOICE] button and using the VOICE SELECT buttons in the normal way.

F2: Reverb/Effect s

EFFECT TYPE & DEPTH.....
q EFFECT TYPE Selects the effect to be applied when the [EFFECT] button is turned on (page 31). If the EFFECT TYPE parameters are not showing on the lower section of the display, press the TYPE LCD button. Use the GROUP LCD dials to select an effect group, and the TYPE LCD dials to select the desired effect.

The Effects

No. 1. 2. 3. 4. 5. 6. 7. 8. 9. Group Tremolo Tremolo Tremolo Chorus Chorus Flange Flange Symphonic Symphonic Type 2
Try out all of the effects to get a feel for what they can do to your sound.
q EFFECT DEPTH Independently sets the depth of the selected effect for the bass, chord 1, chord 2, orchestra 1, and orchestra 2 sound. If the EFFECT DEPTH parameters are not showing on the lower section of the display, press the DEPTH LCD button. Use the BASS, CHD2, CHD1, ORC2, and ORC1 LCD dials to set the depth of the effect as required for the corresponding orchestra parts.
Effect depth can be adjusted in 8 steps (0 7), represented by a vertical bar to the right of each parameter. The longer the bar, the greater the effect depth. If the depth setting is changed while a note is being played, the new depth setting will take effect from the next note played.
The [F3] function group includes four functions that affect how the PSR-6000 responds to control via the keyboard, a foot controller plugged into the rear-panel FOOT CONTROLLER jack, the MODULATION/EFFECT wheel, the [SUSTAIN] button and SUSTAIN footswitch, the PITCH BEND wheel, and a footswitch plugged into the rear-panel FOOT SWITCH jack.

FOOT CONTROLLER......

Determines whether a foot controller plugged into the rear-panel FOOT CONTROLLER jack will control master volume, the volume of an individual orchestra part (rhythm, ABC, etc.), or the depth of the selected effect. Use the TYPE LCD dials to select MASTER VOLUME for master volume control, INDIVIDUAL VOLUME for individual part volume control, or EFFECT for effect depth control. Individual part assignment parameters for the RHY, ABC, ORC2 and ORC1 parts will appear when the INDIVIDUAL type is selected. Use the corresponding LCD dials to turn volume control for the corresponding parts ON or OFF as required.
Normally youll want to be able to apply expression control to the orchestra voices without affecting the accompaniment and rhythm sound, so the INDIVIDUAL type should be selected and the ORC1 and/or ORC2 part turned on while the remaining parts are turned off. The EFFECT setting only applies when the panel [EFFECT] button is turned ON.

IA Sensitivity IA Part One Touch Setting Mode Reverb On/Off Reverb Type & Depth Effect On/Off Effect Type & Depth Memory Backup On/Off MIDI Transmit Ch MIDI Receive Ch MIDI Split Send Ch MIDI Rhythm Receive Ch MIDI Sequencer Ch MIDI Multi Part Ch MIDI Multi Part Volume MIDI Multi Part Voice MIDI Switch (Control Change, Pitch Bend, Program Change, System Exclusive) MIDI Clock MIDI Local On/Off MIDI Transpose Add Note MIDI Split Send On/Off, Enable
* The above data will be retained in memory for about one week even if the power is not turned on. To retain the backed up data for longer periods, turn the power switch ON for a few minutes at least once a week. * The default setting for this parameter is OFF.
Data Backed Up At All Times (MEMORY BACKUP ON or OFF) Sequencer Song Data Custom Style Data Custom Voice Data Disk Style Data Panel Registration Memory Data Multi Pad Data Tempo Change Data Percussion Pad Data One Touch Setting Data
The data backed up (retained in memory even when the power is turned off) by the PSR-6000 are listed above. When memory backup is turned OFF, the initial factory settings are automatically recalled whenever the power is turned on.
q REGISTRATION FREEZE Determines whether Panel Registration [FREEZE] button (page 42) freezes the accompaniment or voice settings. Use the REGISTRATION FREEZE LCD dials to select ACCOMP. FREEZE or VOICE FREEZE as required.

RECALL PRESET DATA.....

Recalls the specified initial factory settings. Use any of the LCD dials to select the type of factory preset data you want to recall (see list below), then press the EXECUTE LCD button the Are you sure? confirmation display will appear. If you want to execute the recall preset data operation press the YES LCD button (or press the NO LCD button to cancel the operation). Executing. will appear while the data is being initialized, Completed. will appear briefly when the job is finished.
Data initialized by the RECALL PRESET DATA function:
ALL DATA CUSTOM VOICE PANEL REGIST ONE TOUCH S. PAD DATA SPLIT POINT HARMONY TYPE CONTROLLER ABC & IA All of the below. Custom voice data. Panel registration data. One touch setting data. Multi, Tempo, and Percussion pad assignment data. The split point key. The harmony type. All controller settings (F3 function group). Auto Bass Chord & Interactive Accompaniment data, preset IA style New Age (No.12 button). Reverb type, depth. Effect type, depth. All MIDI data.

3 Ways To Select the GENERAL MIDI Mode Insert a General MIDI disk (the GM mode is automatically selected). Press the [DISK ORCHESTRA/GENERAL MIDI] button. Receive a MIDI exclusive Switch To GM Mode message from an external MIDI device.

ABOUT GENERAL MIDI

The existing MIDI protocol allows performance and other data to be transferred between different instruments, even if they are from different manufacturers. This means, for example, that sequence data that was originally created to control a tone generator from manufacturer A can also be used to control a different tone generator from manufacturer B. Since the voice allocation in different devices from different manufacturers is usually different, however, appropriate program change data must be transmitted to select the right voices. The General MIDI protocol was developed to minimize confusion and the need for re-programming when playing software created by one MIDI device on another. This has been achieved by defining a standard voice allocation in which the same or similar voices are accessed by the same program change numbers or MIDI channels. The current standard recognized by the International MIDI Association is known as GM System Level 1. The PSR-6000 voice allocation complies with the GM System Level 1 standard when it is switched to the GM mode. See the Voice List on page 116 for details.
q Initial General MIDI Mode Settings When the General MIDI mode is selected, the parameters listed below are initialized as shown.
General MIDI System Level 1 Mode Initial Settings
Program Change# Pitch Bend Volume Pan Modulation Expression Hold (Sustain) Pitch Bend Sense Fine Tune Coarse Tune RPN 0 (Grand Piano) 0 (Center) 100 Voice Preset 0 (Off) 127 (Max.) 0 (Off) 02H/00H (2 semitones) 40H/00H 0 40H/00H 0 NULL
MIDI Channel & Multi Part Settings
The contents of this display are different depending on whether the normal play mode or the DOC/GM mode is selected.

Normal Play Mode

q CH. SETTING Sets the basic transmit, basic receive, split transmit, and rhythm receive channels.
Use the TRANSMIT LCD dials to select the basic transmit channel (1 16), and the RECEIVE LCD dials to select the basic receive channel (1 16, All). The SPLIT TRANSMIT LCD dials select the split (left-hand) transmit channel (1 16), and the RHYTHM RECEIVE LCD dials select the rhythm receive channel (1 16). TRANSMIT This setting determines the basic channel on which all PSR-6000 data will be transmitted in the normal play mode. RECEIVE The receive channel is the basic channel on which the PSR-6000 will receive all MIDI data. If set to All, data can be received via all 16 MIDI channels. SPLIT TRANSMIT The split transmit channel functions only in the normal play mode. This is the channel on which left-hand performance data (i.e. data produced by playing keys to the left of the split point) will be transmitted. Right-hand performance data is transmitted on the basic transmit channel. RHYTHM RECEIVE This setting specifies an independent MIDI channel via which the PSR-6000s rhythm (drums and percussion) can be controlled. This means you can, for example, play the selected voice via the basic receive channel while simultaneously playing the rhythm instruments via a different channel

The bar graph roughly indicates the progress of the bulk dump receive operation. Completed. will appear on the display when the data has been successfully received.
q Receiving MIDI Bulk Dump Request Messages When the normal play mode is selected and the
PSR-6000 receives a MIDI bulk dump request message from an external device, The display appears and a bulk data transmission is performed. Progress of the transmission is shown in bar-graph form on the display.
q Bulk Dump Error Messages If an error is encountered during bulk reception, a System Exclusive Error error message will appear for a few seconds and the receive operation will be terminated. In most cases the data will be replaced up until the point at which the error occurred. Data being received at the time the error occurred will be initialized. All other data is not affected.
Broken cables and other external problems can also cause a System Exclusive Error message.
If you attempt to perform an illegal operation or some other problem occurs, the PSR-6000 will usually warn you with an error message that provides an idea of what caused the problem and how it can be rectified. The following are the error messages youre most likely to see during normal operation. Some of the error displays automatically revert to the previous display after a few seconds, while others require that the CANCEL LCD button be pressed to exit from the error display. If a damaged disk is used the data countdown during FROM DISK or TO DISK operations may stop and the load or save operation may get hung up. In this case, eject the disk from the drive even though the DISK IN USE lamp may be on. Discard the damaged disk.

Sequencer Errors.....

Time signature conflict! Playback not possible. Data error! Playback stopped. Memory full! Recording stopped. Too much data! Operation cancelled. You have attempted to play back a sequence using a different time signature from the one with which it was recorded. A data error has been encountered during playback which makes continued playback impossible. The sequencer memory is full and no more data can be recorded. You may have to clear songs or data to make room. Save data you want to keep to floppy disk, then clear it from the PSR-6000 memory. There is too much data for the specified edit operation. Simplify the sequence and try again.
Custom Accompaniment Programmer Errors...
Memory full! Cannot store data. Work area full! Recording stopped. Preset track! Cannot record. Edited data not stored! Not enough memory is available to store all the data. Simplify the accompaniment to reduce the amount of data, then try storing the data again. The work area memory used during custom accompaniment recording is full and recording cannot continue. Simplify the accompaniment so that it fits in the available work area. This message will appear if you attempt to set a track which contains preset data to the record mode. You have attempted to exit from the Custom Accompaneiment Programmer or change styles without first saving the edited data. Press the appropriate LCD button to continue.

Disk Errors......

Disk error! Cannot continue. Disk full! Cannot continue. Bad file name. A data error has occurred during a save, load, delete, or format operation. Press the CANCEL LCD button to clear this error message. The floppy disk does not have enough remaining capacity to carry out the specified operation. Press the CANCEL LCD button to clear this error message. The file name is all spaces and cannot be recognized by the PSR-6000.
Not enough memory. Not a user disk! Cannot continue. Wrong disk type/format! Cannot continue. Wrong disk type/format! Format disk? (All data will be erased!) Disk write protected! Cannot continue. Disk not found. Please insert disk. File not found!
Not enough memory to load the specified sequencer file from disk. You have attempted to perform a save, rename, delete, format, or disk free area operation while a pre-programmed (non-user) disk is in the drive. The disk in the drive has not been formatted or the disk is the wrong type or has the wrong format. The current disk is write protected so no format option is provided with this error message (see below). The disk in the drive has not been formatted or the disk is the wrong type or has the wrong format. In this case the current disk can be written to, so a format option is provided with the error message. The disk write protect tab is in the write disable position, so the specified operation cannot be performed. No disk in drive. Insert an appropriate disk and try again. The disk does not contain any files saved by the user.

MIDI Errors......

System exclusive error. MIDI receive buffer overflow. An error has been encountered while receiving MIDI system exclusive data e.g. during a MIDI bulk dump operation. The MIDI receive buffer cannot handle the amount of data being received. Reduce the complexity of the data being received and try again.

DOC/GM Mode Errors.....

Wrong disk type! (Operation cancelled.) File not found! (Operation cancelled.) Disk load error! Operation cancelled. The loaded disk does not contain DOC or GM song files recognizable by the PSR-6000. The specified song file cannot be found on the currently loaded disk. An error was encountered while loading data from the disk.

Other Messages......

Back up time limit exceeded! All data was initialized. The PSR-6000 retains all data in memory for up to approximately one week if the power is not turned on during this time. This message will appear if a longer period of time has elapsed since the last time the power was turned on. In this case all data will be initialized to the factory-preset values. This message will also appear when all internal data is initialized by turning on the power while holding the [EXIT] and [DEMO] buttons.

Troubleshooting

w Connect the AC power adaptor to the power supply
e Plug the AC adaptor into an AC outlet.
Unplug the AC Power Adaptor when not using the instrument, or during electrical storms.
AC power adaptor AC outlet
For battery operation the instrument requires six 1.5V AA size, LR6 or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes too low for proper operation, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, make sure to replace all batteries, following the precautions listed below. If necessary, also make sure to save all important User data (see page 62), since custom panel settings are lost when the batteries are removed.
Use alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may have sudden drops of power when battery power becomes low, possibly resulting in loss of data in the ash memory. Make sure to install the batteries with the proper orientation, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, re and/or leaking of corrosive chemicals. When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time. If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible uid leakage from the battery. Please use the power adaptor when transferring data to ash memory. Batteries (including rechargeable types) can be drained rapidly by this type of operation. If the batteries do become drained during a data transfer, both the data being transferred and the data currently in the transfer destination will be lost.

Using Batteries

q Open the battery compartment cover located on the
instruments bottom panel. w Insert the six new alkaline batteries, being careful to follow the polarity markings on the side of the compartment. e Replace the compartment cover, making sure that it locks rmly in place.
Never connect or disconnect the AC power adaptor when the batteries are installed in the instrument and the power is on. Doing so will turn the power off, possibly resulting in loss of the data being transferred and the data currently in the transfer destination during transferring or recording a data.

Specifying only Point A results in repeat playback between Point A and the end of the Song.

Phrase number

If you use Phrase Repeat function with the Lesson modes 1 Listening, 2 Timing or 3 Waiting, the evaluation function of these lesson modes are not available. When you want to turn these lesson modes off, press the [1 LISTENING 2 TIMING 3 WAITING] button a number of times to select off (Phrase number will appear in the display).
You want to play music in your favorite style, but youre not sure how to select the best voice and style for the type of music you want to play. simply select the appropriate style from the Music Database. The panel settings will automatically be adjusted for the ideal combination of sounds and style!
Press the [MUSIC DATABASE] button.

AlvFever

A Music Database name will appear in the display.
Select a Music Database. Referring to the Music Database category list printed on the panel, select a music database that matches the image of the song you intend to play. For example, select one from the SWING&JAZZ category (047056) if you want to play jazz.

MoonLit

Play the chords with your left hand and melody with your right. The jazz style will start playing when you play a left-hand chord to the left of the split point (page 47). Refer to page 25 for information about playing chords.
Press the [START/STOP] button to stop playback.
Record your own performance
You can record up to ve of your own performances as User Songs (User 15: Song numbers 103107). Think of each User Song as a kind of basket or drawer for storing your recording. Remember that you can also record a Style (containing chord changes) along with your own performance.

Press the [REC] button.

User 1
A total of approximately 10,000 notes or 5,500 chord changes can be recorded to the ve User Songs.
The lowest-numbered unrecorded User Song (Song numbers 103107) available for recording is displayed. If you want to select the Song you will be recording, select the desired Song number by using the [+] and [-] buttons.

Flashes

Accompaniment cannot be turned on or off once the [REC] button is pressed.
After youve selected the desired User Song for recording, you can select a Style to be recorded as well. To do this, press the [STYLE] button and select the Style number while the ACMP indication is on. You can turn off the Record mode by pressing the [REC] button again ( and stop ashing).

Appears when Reverb is on.

Chorus1

Select a Reverb Type
The ideal type is automatically selected whenever you select a Song or Style, but you can select any of the available Reverb Types.
Currently selected Chorus Type
Currently selected Reverb Type
Select the desired Reverb Type by using the number buttons [0][9], [+], [-]. Refer to the Reverb Type list on page 73 for details. You can adjust the Reverb depth in the Function Settings (page 56).
You can also access the Reverb Type setting display by pressing the [FUNCTION] button several times.
Press and hold the [REVERB] button for longer than a second. REVERB appears in the display for a few seconds, followed by the Reverb Type.
Select a desired Chorus Type by using the number buttons [0][9], [+], [-]. Refer to the Chorus Type list on page 73 for details. You can adjust the Chorus depth independently for the Main, Dual and Split Voices in the Function Settings (page 56).

Adding Panel Sustain

This function adds a xed sustain to the keyboard Voices.
Touch Response Sensitivity

Touch Response

Press the [FUNCTION] button a number of times until the Sustain item appears.

Sustain

Appears when Touch Response is on.

Current setting

Press the [+] button to turn the Panel Sustain on. Panel Sustain will be added to the notes you play on the keyboard when the Panel Sustain is on. To turn it off, press the [-] button.
Press the [TOUCH] button to turn Touch Response on. When Touch Response is on, you can control the volume of notes according to how hard you play the keys. Touch Response is normally on. Press the [TOUCH] button again to turn the Touch Response off. When Touch Response is off, the same volume will be produced no matter how hard you play the keys.
See the section Connecting a footswitch on page 9 for information on applying sustain with the optional footswitch.
The Touch Response function cannot be used for some Voices (such as organ), even if the Touch Response icon appears in the display.
Setting the Touch Sensitivity
When Touch Response is on, you can adjust the sensitivity of the keyboard in response to keyboard dynamics in three steps. Higher values produce greater (easier) volume variation in response to keyboard dynamicsin other words, greater sensitivity.
Press and hold the [TOUCH] button for longer than a second. TouchSns appears in the display for a few seconds, followed by the current Touch Sensitivity value.

Medium

Currently selected Touch Sensitivity
Select a Touch Sensitivity setting between 1 and 3 by using the number buttons [0][9], [+], [-].
Playing Two Voices SimultaneouslyDual
You can select a second Voice which will play in addition to the Main Voice selected on the previous page. This second Voice is known as the Dual Voice.

Selecting a Dual Voice

The best-suited Dual Voice is automatically selected whenever you turn Dual on, but you can select any of the available Dual Voices.
Press and hold the [DUAL] button for longer than a second. D. Voice appears in the display for a few seconds, then the Dual Voice will appear.
Currently selected Dual Voice
Two Voices sound at the same time

Marimba

Play the Dual Voice
Press the [DUAL] button to turn the Dual function on. When Dual is on, you can play a Dual Voice in a layer with the Main Voice. To turn the Dual Voice off and play only the Main Voice, press the [DUAL] button again.
You can also access the Dual Voice setting display by pressing the [FUNCTION] button several times, then selecting Dual Voice.

Appears when Dual is on.

Select a Dual Voice. Select the desired Dual Voice by using the number buttons [0][9], [+], [-]. Refer to the Voice List on page 64.
Playing Different Voices with the Left and Right HandsSplit
In the Split mode you can play different Voices to the left and right of the keyboard Split Point. The main and Dual Voices can be played to the right of the Split Point, while the Voice played to the left of the Split Point is known as the Split Voice

Select a Split Voice

You can select a different Split Voice by following the procedure outlined below.
Press and hold the [SPLIT] button for longer than a second. S. Voice appears in the display for a few seconds, then the Split Voice will appear.
The currently selected Split Voice

FngrBass

Split Voice
Main Voice and Dual Voice

Play the Split Voice

Press the [SPLIT] button to turn the Split function on. When Split is on you can play a Split Voice to the left of the Split Point. When you dont want to play a Split Voice, press the [SPLIT] button to turn Split off.

You can also access the Split Voice setting display by pressing the [FUNCTION] button several times, then selecting the Split Voice.
Select a Split Voice Select the desired Split Voice by using the number buttons [0][9], [+], [-]. Refer to the Voice List on page 64.
Appears when Split is on.
The Split Point setting can be changed as required (page 47).

Setting the Split Point

The Split Point setting can be changed as desired.
Split Pointdefault setting: 54 (F#2)
Adjusting the Voice volume
The Voice volume can be individually adjusted for the Main, Dual, and Split Voices.
Press the [FUNCTION] button a number of times until the required Voice volume item appears. Select M.Volume for Main Voice volume, D.Volume for Dual Voice volume, or S.Volume for Split Voice volume.
The initial default Split Point is key number 54 (the F#2 key), but you can change it to another key. When you change the Split Point, the auto accompaniment range also changes.

M.Volume

Press the [FUNCTION] button a number of times until SplitPnt appears.
Currently selected Split Point Split Point
Set the Voice volume by using the number buttons [0][9], [+], [-].

SplitPnt

Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting. The default setting varies depending on the Voice.
Set the Split Point by using the number buttons [0][9], [+], [-].
Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (54 or F#2).
Setting the Metronome Beats per Measure, and the Length of Each Beat
In this example well set up a 3/4 time signature.
Setting the Metronome Volume
Press the [FUNCTION] button a number of times until MetroVol appears.
Press and hold the [METRONOME] button for longer than a second to select the number of beats per measure function TimeSigN.

MetroVol

Metronome Volume Hold for longer than a second. Number of beats per measure.
Set the metronome volume by using the number buttons [0][9], [+], [-].

TimeSigN

Use the number buttons [0][9], [+], [-] to select the number of beats per measure. A chime will sound on the rst beat of each measure while the other beats will click. All beats will simply click with no chime at the beginning of each measure if you set this parameter to 00. The available range is from 0 through 60. Select 3 for this example.
The metronome time signature will synchronize to a style or song that is playing, so these parameters cannot be changed while a style or song is playing.
Press the [FUNCTION] button a number of times to select the beat length function TimeSigD. The currently selected beat length will be displayed.

TimeSigD

The length of one beat.

Touch Sensitivity

TouchSns
1 (Soft) 2 (Medium) 3 (Hard) 001nnn 000127 -202 000127
Style Register Main Voice Volume Main Voice Octave Main Voice Chorus Send Level
StyleReg M.Volume M.Octave M.Chorus
Item Dual Voice Dual Voice Volume Dual Voice Octave Dual Voice Chorus Send Level Split Voice Split Voice Volume Split Voice Octave Split Voice Chorus Send Level Reverb Type Reverb Level Chorus Type Panel Sustain
Display D.Voice D.Volume D.Octave D.Chorus S.Voice S.Volume S.Octave S.Chorus Reverb RevLevel Chorus Sustain
Range/settings --15 ON/OFF Selects the Dual Voice.
Description Determines the volume of the Dual Voice. Determines the octave range for the Dual Voice. Determines how much of the Dual Voices signal is sent to the Chorus effect. Selects the Split Voice. Determines the volume of the Split Voice. Determines the octave range for the Split Voice. Determines how much of the Split Voices signal is sent to the Chorus effect. Determines the Reverb type, including off (10). Refer to the Reverb Type list on page 73. Determines how much of the Voices signal is sent to the Reverb effect. Determines the Chorus Type, including off (05). Refer to the Chorus Type list on page 73. Determines whether or not Panel Sustain is always applied to the Main/Dual/Split Voices. Panel Sustain is applied continuously when ON, or not applied when OFF. Determines the Harmony Type. Refer to the Harmony Type list on page 73. Determines the volume of the Harmony effect when Harmony type 15 is selected. Optimizes the MIDI settings when you connect to a computer (page 59). Determines whether the instruments keyboard controls the internal tone generator (ON) or not (OFF). Determines whether the instrument synchronizes to the internal clock (OFF) or an external clock (ON). Lets you send the data of the panel settings to a computer. Use the [+] button to transmit the data. Determines the time signature of the Metronome. Sets the length of each metronome beat.
Harmony Type Harmony Volume PC Mode Local On/Off External Clock Initial Setup Send Time Signature Numerator Time Signature Denominator Metronome Volume Lesson Track (R)
HarmType HarmVol PC0mode Local ExtClock InitSend TimeSigN TimeSigD
OFF/PC1/PC2 ON/OFF ON/OFF YES/NO 0060 Half note, Quarter note, Eighth note, Sixteenth note 000127 0116

MetroVol R-Part

Determines the volume of the Metronome. Determines the guide track number for your right hand lesson. The setting is only effective for Songs in SMF format 0 transferred from a computer. Refer to the section Using Transferred Songs for Lessons on page 62. Determines the guide track number for your left hand lesson. The setting is only effective for Songs in SMF format 0 transferred from a computer. Refer to the section Using Transferred Songs for Lessons on page 62 Determines whether Demo cancel is enabled or not. When this is set to ON, the Demo Song will not play, even if the [DEMO] button is pressed.

Local Settings

Local Control determines whether or not notes played on the instrument are sounded by its internal tone generator system; the internal tone generator is active when local control is on, and inactive when local control is off.
On This is the normal setting in which notes played on the instruments keyboard are sounded by the internal tone generator system. Data received via the instruments MIDI terminal will also be played by the internal tone generator. Off With this setting the instrument itself produces no sound (keyboard performance, Harmony, or Style playback), but the performance data is transmitted via the MIDI terminal. Data received via the instruments MIDI terminal will also be played by the internal tone generator.
Song Out, Style Out and Keyboard Out can only be changed by the PC setting. They cannot be set independently. User Songs can be used with Song Out.

The chart of PC Settings

PC1 LOCAL EXTERNAL CLOCK SONG OUT** STYLE OUT*** KEYBOARD OUT**** * Off On Off Off Off PC2* Off Off Off Off On OFF On Off On On On
Set the PC mode to PC2 when using Digital Music Notebook. Digital Music Notebook is a major new multimedia platform for music tuition and performance. Visit the website below for more information on the latest version of Digital Music Notebook and how to install it. www.digitalmusicnotebook.com
You can set the Local Control in the Function Settings (page 56).
If you cant get any sound out of the instrument, Local Control may be the most likely cause. Playing the keyboard results in no sound when Local is set to OFF.
Press and hold the [DEMO] button for longer than a second to call up the PC Mode.

External Clock Settings

These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to a clock signal from an external device (ON).
On The instruments time based functions will be synchronized to the clock from an external device connected to the MIDI terminal. Off The instrument uses its own internal clock (default).

PC mode

Select PC1, PC2, or OFF by using the [+], [-] buttons.
You can set the External Clock in the Function Settings (page 56).
If External Clock is ON and no clock signal is being received from an external device, the Song, Style, and metronome functions will not start.
Determines whether Song data is transmitted (ON) via MIDI or not (OFF) during Song playback. *** Determines whether Style data is transmitted (ON) via MIDI or not (OFF) during Style playback. **** Determines whether keyboard performance data of the instrument is transmitted (ON) or not (OFF).

Remote Control of MIDI Devices
You can also use this instrument as a remote control device for the Digital Music Notebook application on your computer (via the MIDI connection) controlling playback, stop and transport functions from the panel. Remote control keys PSR-E323/YPT-320: To use the remote control functions, simultaneously hold down the lowest two keys on the keyboard (C1 and C#1) and press the appropriate key (shown below).
Transferring data between the PSRE323/YPT-320 and a computer
The PSR-E323/YPT-320 includes 102 preset Songs and 106 Styles, but you can load other Songs and Styles from your computer and use them in the same way as the preset Songs and Styles as long as the loaded Song is SMF format 0* or the loaded Style is SFF (Style File Format). Loaded Song data will be stored to Song numbers beginning with 108 and one of the loaded style/s can be registered as the 107th style. In order to perform the operations described in this section you will need to use a computer connected to the Internet to download the free Musicsoft Downloader application.
* The SMF (Standard MIDI File) format is one of the most common and widely compatible sequence formats used for storing sequence data. Most commercially available MIDI sequence data is provided in SMF Format 0.
C6: Fast forward B5: Start A5: Stop G5: Rewind F5: Top (move to the beginning of the song) E5: Metronome ON/OFF
Installing Musicsoft Downloader
You can download the Musicsoft Downloader application from the following website. Make sure that your computer has an Internet connection.
http://music.yamaha.com/download/
Remote control of MIDI devices will function independently of the PC2 mode.
PSR-E323/YPT-320 Panel Setting Transmission (Initial Send)
Sends the PSR-E323/YPT-320 panel settings to an external MIDI device. When recording a PSR-E323/YPT-320 performance to an external sequencer or similar equipment, you can use this function to send the current PSR-E323/YPT-320 panel settings so that when the sequence is played back the original panel settings are automatically restored. You can set Initial Send in the Function settings (page 56).

The harmony doesnt sound.

Voice List

Maximum Polyphony
The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).

Panel Voice List

Bank Select

Voice No.

The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device. Program Numbers 001 to 128 directly relate to MIDI Program Change Numbers 000 to 127. That is, Program Numbers and Program Change Numbers differ by a value of 1. Remember to take this into consideration. Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.

MSB (0127) 0 0

LSB (0127) 113 113

045 046

MIDI Program Voice Name Change# (1128) PIANO 1 Grand Piano 2 Bright Piano 7 Harpsichord 4 Honky-tonk Piano 3 MIDI Grand Piano 3 CP 80 E.PIANO 5 Cool! Galaxy Electric Piano 6 Hyper Tines 5 Funky Electric Piano 6 DX Modern Electric Piano 6 Venus Electric Piano 8 Clavi ORGAN 17 Jazz Organ Jazz Organ Rock Organ 19 Purple Organ 18 Click Organ 17 Bright Organ 19 Theater Organ 20 16'+2' Organ 20 16'+4' Organ 20 Chapel Organ 20 Church Organ 21 Reed Organ ACCORDION 22 Musette Accordion 22 Traditional Accordion 24 Bandoneon 23 Harmonica GUITAR 25 Classical Guitar 26 Folk Guitar 27 Jazz Guitar 28 60s Clean Guitar 26 12Strings Guitar 28 Clean Guitar 27 Octave Guitar 29 Muted Guitar 30 Overdriven Guitar 31 Distortion Guitar BASS 34 Finger Bass 33 Acoustic Bass 35 Pick Bass 36 Fretless Bass 37 Slap Bass 39 Synth Bass 39 Hi-Q Bass 40 Dance Bass

MSB (0127) 0

LSB (0127) 115
MIDI Program Voice Name Change# (1128) STRINGS 49 String Ensemble 50 Chamber Strings 50 Slow Strings 45 Tremolo Strings 51 Synth Strings 46 Pizzicato Strings 41 Violin 43 Cello 44 Contrabass 47 Harp 106 Banjo 56 Orchestra Hit CHOIR 53 Choir 53 Vocal Ensemble 55 Air Choir 54 Vox Humana SAXOPHONE 67 Tenor Sax 66 Alto Sax 65 Soprano Sax 68 Baritone Sax 67 Breathy Tenor Sax 72 Clarinet 69 Oboe 70 English Horn 71 Bassoon TRUMPET 57 Trumpet 58 Trombone 58 Trombone Section 60 Muted Trumpet 61 French Horn 59 Tuba BRASS 62 Brass Section 62 Big Band Brass 63 80s Brass 62 Mellow Horns 63 Techno Brass 63 Synth Brass FLUTE 74 Flute 73 Piccolo 76 Pan Flute 75 Recorder 80 Ocarina SYNTH 81 Square Lead 82 Sawtooth Lead 82 Analogon

110 127/0/2 Standard Kit 2

111 127/0/9 Room Kit

112 127/0/17 Rock Kit
113 127/0/25 Electronic Kit
Reverse Cymbal Hi Q 2 Snare L Bass Drum H Open Rim Shot 2 Bass Drum 2 Snare M 2 Snare H Hard 2 SD Room L SD Room H Room Tom 1 Room Tom 2 Room Tom 3 Room Tom 4 Room Tom 5 Room Tom 6 Bass Drum H BD Rock SD Rock L SD Rock Rim Rock Tom 1 Rock Tom 2 Rock Tom 3 Rock Tom 4 Rock Tom 5 Rock Tom 6 BD Rock BD Gate SD Rock L SD Rock H E Tom 1 E Tom 2 E Tom 3 E Tom 4 E Tom 5 E Tom 6

Snare H Soft 2

SD Rock H
Scratch Push Scratch Pull

114 127/0/26 Analog Kit

115 127/0/28 Dance Kit

116 127/0/33 Jazz Kit

117 127/0/41 Brush Kit
118 127/0/49 Symphony Kit

119 126/0/1 SFX Kit 1

120 126/0/2 SFX Kit 2
121 126/0/113 Sound Effect Kit
Reverse Cymbal Reverse Cymbal Hi Q 2 AnSD Snappy AnBD Dance-1 AnSD OpenRim AnBD Dance-2 AnBD Dance-3 Analog Side Stick AnSD Q AnSD Ana+Acoustic Analog Tom 1 Analog HH Closed 3 Analog Tom 2 Analog HH Closed 4 Analog Tom 3 Analog HH Open 2 Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 Drum Loop SD Jazz H Light Brush Slap L Bass Drum L Gran Cassa Gran Cassa Mute Marching Sn M String Slap Analog Snare 2 Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 SD Jazz M Jazz Tom 1 Jazz Tom 2 Jazz Tom 3 Jazz Tom 4 Jazz Tom 5 Jazz Tom 6 Brush Tap Brush Tom 1 Brush Tom 2 Brush Tom 3 Brush Tom 4 Brush Tom 5 Brush Tom 6 Marching Sn H Jazz Tom 1 Jazz Tom 2 Jazz Tom 3 Jazz Tom 4 Jazz Tom 5 Hand Cym. L Jazz Tom 6 Hand Cym.Short L Flute Key Click Car Engine Ignition Car Tires Squeal Car Passing Car Crash Siren Train Jet Plane Starship Burst Roller Coaster Submarine
Hi Q 2 SD Rock H Bass Drum H
BD Analog L BD Analog H Analog Side Stick Analog Snare 1

BD Jazz SD Jazz L

BD Jazz Brush Slap
Cutting Noise Cutting Noise 2
Phone Call Door Squeak Door Slam Scratch Cut Scratch Wind Chime Telephone Ring 2
Analog Cowbell Analog Cowbell Hand Cym. H Hand Cym.Short H
Heartbeat Footsteps Door Squeak Door Slam Applause Camera Horn Hiccup Cuckoo Clock Stream Frog Rooster Dog Cat Owl Horse Gallop Horse Neigh Cow Lion Scratch Yo! Go! Get up! Whoow!
Analog Conga H Analog Conga M Analog Conga L Analog Conga H Analog Conga M Analog Conga L
Shower Thunder Wind Stream Bubble Feed Laugh Scream Punch Heartbeat Footsteps

Huuaah!

Analog Maracas
Analog Claves Analog Claves

Some songs have been edited for length or for ease in learning, and may not be exactly the same as the original. A Song Book is available that includes scores for all internal songs (excepting Songs 13). To obtain the Song Book, complete the user registration at the following website. http://music.yamaha.com/registration/

Effect Type List

Harmony Types
No. Harmony Type Duet Trio Block Country Octave Trill 1/4 note Trill 1/6 note Trill 1/8 note Trill 1/12 note Trill 1/16 note Trill 1/24 note Trill 1/32 note Tremolo 1/4 note Tremolo 1/6 note Tremolo 1/8 note Tremolo 1/12 note Tremolo 1/16 note Tremolo 1/24 note Tremolo 1/32 note Echo 1/4 note Echo 1/6 note Echo 1/8 note Echo 1/12 note Echo 1/16 note Echo 1/24 note Echo 1/32 note
Description If you want to sound one of the harmony types 0105, play keys to the right side of the Split Point while playing chords in the left side of the keyboard after turning Auto Accompaniment on. One, two or three notes of harmony are automatically added to the note you play. When playing back a Song that includes chord data, harmony is applied whichever keys are played.
If you keep holding down two different notes, the notes alternate (in a trill) continuously.
If you keep holding down a single note, the note is repeated continuously. (The repeat speed differs depending on the selected type.)
If you keep holding down a note, echo is applied to the note played. (The echo speed differs depending on the selected type.)

Reverb Types

No. 10 Hall 13 Room 12 Stage 12 Plate 12 Off Reverb Type Concert hall reverb. Small room reverb. Reverb for solo instruments. Simulated steel plate reverb. No effect. Description

Chorus Types

No. 5 Chorus 12 Flanger 12 Off Chorus Type Description Conventional chorus program with rich, warm chorusing. This produces a rich, animated wavering effect in the sound. No effect.

Specications

Keyboards 61 standard-size keys (C1C6), with Touch Response Display LCD display (backlit) Setup STANDBY/ON MASTER VOLUME: MINMAX Panel Controls [L]/[REC TRACK 2], [R]/[REC TRACK 1], [1 LISTENING 2 TIMING 3 WAITING], [KEYS TO SUCCESS], [PHRASE REPEAT], [A-B REPEAT]/[ACMP ON/OFF], [REW]/ [INTRO/ENDING/rit.], [FF]/[[MAIN/AUTO FILL], [TEMPO/TAP], [REC], [PAUSE]/[SYNC START], [START/STOP], [SONG], [STYLE], [VOICE], [FUNCTION], [PORTABLE GRAND], [MUSIC DATABASE], [REVERB], [DEMO], [METRONOME], [SPLIT], [DUAL], [HARMONY], [TOUCH], number buttons [0][9], [+/ YES], [-/ NO] Voice 108 panel voices + 12 drum kits + 1 sound effect kit + 359 XGlite voices + 2 XGlite optional voices Polyphony: 32 DUAL SPLIT Style 106 preset Styles + ash memory Style Control: ACMP ON/OFF, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL Fingering: Multi ngering Style Volume Style Register Education Feature Chord Dictionary KEYS TO SUCCESS 1 LISTENING, 2 TIMING, 3 WAITING Phrase Repeat Function Style Volume, Song Volume, Transpose, Tuning, Split Point, Touch Sensitivity, Style Register, Main voice (Volume, Octave, Chorus Send Level), Dual voice (Voice, Volume, Octave, Chorus Send Level), Split voice (Voice, Volume, Octave, Chorus Send Level), Reverb Type, Reverb level, Chorus Type, Panel Sustain, Harmony Type, Harmony Volume, PC mode (PC1/PC2/Off), Local On/Off, External Clock, Initial Setup Send, Time Signature (Numerator, Denominator), Metronome Volume, Lesson Track (R), Lesson Track (L), Demo Cancel Effects Reverb: 9 types Chorus: 4 types Harmony: 26 types Song 102 Preset Songs + 5 User Songs + Flash Memory Song Clear Song Volume Music Database 100 Recording Song User Song: 5 Songs Recording Tracks: 1, 2 MIDI Local On/Off Initial Setup Send External Clock PC mode Auxiliary jacks PHONES/OUTPUT, DC IN 12V, MIDI IN/OUT, SUSTAIN Amplier 2.5W + 2.5W Speakers 12cm x 2 Power Consumption 10W (When using PA-130 power adaptor) Power Supply Adaptor: Yamaha PA-130 or an equivalent Batteries: Six AA size, LR6 or equivalent batteries Dimensions (W x D x H) 945 x 369 x 132 mm (37-3/16" x 14-1/2" x 5-3/16") Weight 4.9kg (10 Ibs. 13 oz.) (not including batteries) Supplied Accessories Music Rest Owners Manual My Yamaha Product User Registration

CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mxico S.A. de C.V. Calz. Javier Rojo Gmez #1149, Col. Guadalupe del Moral C.P. 09300, Mxico, D.F., Mxico Tel: 55-5804-0600

SPAIN/PORTUGAL

Yamaha Msica Ibrica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

GREECE

Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577

BRAZIL

Yamaha Musical do Brasil Ltda. Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, CEP 04534-013 Sao Paulo, SP. BRAZIL Tel: 011-3704-1377

SWEDEN

Yamaha Scandinavia AB J. A. Wettergrens Gata 1, Box 30053 S-Gteborg, Sweden Tel: 34 00
Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 080-004-0022

ARGENTINA

Yamaha Music Latin America, S.A. Sucursal de Argentina Olga Cossettini 1553, Piso 4 Norte Madero Este-C1107CEK Buenos Aires, Argentina Tel: 011-4119-7000

DENMARK

YS Copenhagen Liaison Ofce Generatorvej 6A, DK-2730 Herlev, Denmark Tel: 49 00

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900

FINLAND

F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

NORWAY

Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1, N-1345 sters, Norway Tel: 77 70

SINGAPORE

Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374

EUROPE

THE UNITED KINGDOM/IRELAND
Yamaha Music U.K. Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland Tel: 525 5000

TAIWAN

Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688

RUSSIA

Yamaha Music (Russia) Ofce 4015, entrance 2, 21/5 Kuznetskii Most street, Moscow, 107996, Russia Tel: 0660

GERMANY

Yamaha Music Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030

THAILAND

Siam Music Yamaha Co., Ltd. 4, 6, 15 and 16th oor, Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, Thailand Tel: 02-215-2626

OTHER EUROPEAN COUNTRIES

Yamaha Music Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH Branch Switzerland in Zrich Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990

OTHER ASIAN COUNTRIES

AFRICA

Yamaha Corporation,

Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

AUSTRIA

Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317
CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA
Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025

OCEANIA

AUSTRALIA
Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111

MIDDLE EAST

TURKEY/CYPRUS

POLAND

Yamaha Music Europe GmbH Branch Sp.z o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57

NEW ZEALAND

Music Works LTD P.O.BOX 6246 Wellesley, Auckland 4680, New Zealand Tel: 9-634-0099

OTHER COUNTRIES

Yamaha Music Gulf FZE LOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab Emirates Tel: +971-4-881-5868
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN