DIGITAL EFFECT

MASTER

VOLUME

CHORUS

DSP VARIATION

MIN MAX

REPEAT MINUS PLAY ONE

PLAY/STOP

/ SYNCSTART/STOP INTRO

AUTO ACCOMPANIMENT

START/STOP

5 Display (Flssigkristallanzeige). Seite Datenrad.. Seite 9, Nummerntasten [0] bis [9] sowie 8 SONG-Teil
REC-Taste (Aufnahme).. Seite 47, PLAY/STOP-Taste (Wiedergabe/Stop).. Seite 48, 51, REPEAT PLAY-Taste (wiederholte Wiedergabe). Seite MINUS ONE-Taste (Part-Ausblendung).. Seite 75 74

PITCH BEND

Tasten [+/YES] und [/NO].. Seite 9, 13

PHONES

9 AUTO ACCOMPANIMENT-Teil
(automatische Ba/Akkordbegleitung) SYNC-START/STOP-Taste (Synchronstart/Stop).. Seite START/STOP-Taste.. Seite 35, INTRO-Taste (Einleitung).. Seite MAIN A-Taste (Hauptteil A). Seite 35, MAIN B-Taste (Hauptteil B). Seite 35, ENDING-Taste (Abschlu).. Seite ACCOMP LARGE/SMALL-Taste (groe/kleine Begleitung).. Seite TRACK ON/OFF-Taste (Spur Ein/Aus).. Seite
^ STYLE-Taste (Rhythmus).. Seite 33 & VOICE-Taste (Stimme).. Seite 12 * ONE TOUCH SETTING-Taste.. Seite 42 ( Music Cartridge-Schlitz. Seite 60 ) KEYBOARD-Teil
TOUCH RESPONSE-Taste (Anschlagdynamik).. Seite DUAL VOICE-Taste (Dual-Stimme). Seite HARMONY/ECHO-Taste. Seite SUSTAIN-Taste.. Seite 20 22
0 CURSOR-Tasten s, t, < und >.. Seite 10 ! TEMPO-Tasten s und t.. Seite 34 @ FUNCTION-Tasten s und t.. Seite 10 # REGISTRATION MEMORY-Teil
MEMORIZE-Taste (Speichern). Seite 44 Tasten 1 bis 4.. Seite 44, 45 ACCOMP FREEZE-Taste. Seite 45
$ MODE-Taste w (Spielmodus). Seite 11 % DISK-Teil
JOB SELECT-Taste.. Seite 67 EXECUTE-Taste.. Seite 65 QUIT-Taste.. Seite 68

q MULTI PADS-Teil

MULTI PADS 1 bis 4. Seite 56, 58 REC/END-TERMINATE-Taste (Aufnahmeende/Terminierung).. Seite 56, 58
49 BIG BAND 50 B B BALLAD 51 SWING 52 CHARLESTON CONTEMP JAZZ 53 COOL JAZZ 54 JAZZ BALLAD 55 JAZZ WALTZ 56 FUSION LATIN 57 FAST BOSSA 58 SLOW BOSSA 59 POP BOSSA 60 SALSA 61 SAMBA 1
62 MAMBO 63 SON 64 MERENGUE 65 BOLERO LNTO CARIBBEAN 66 POP REGGAE 67 REGGAE REGGAE 12 C&W 69 BLUEGRASS 70 C ROCK C ROCK COWBOY BOOG 73 C BALLAD 74 C SHUFFLE
75 TWO STEP 76 C WALTZ C WALTZ 2 WORLD MUSIC 78 POLKAPOLKAESPAGNOLE 81 TARANTELLA 82 MUSETTE 83 TRD WALTZ TRD WALTZ 2 MARCH 85 MARCH MARCH 6/8 MARCH 1
88 6/8 MARCH 2 BALLROOM STD 89 TANGO ARGN 90 FOXTROT 91 JIVE 92 QUICKSTEP 93 SLOWFOX 94 SLOW WALTZ 95 VIEN WALTZ BALLROOM LATIN 96 CHA CHA 97 RHUMBA 98 SAMBA CONGA 00 PASODOBLE
PIANO 01 GRAND PIANO 02 BRIGHT PNO 03 HONKY-TONK 04 FUNKY E PNO 05 DX E PIANO 06 MIDI GRAND 07 HYPER E PNO 08 DREAM E PNO 09 BELL E PNO 10 ICE E PIANO 11 TREM E PNO 12 HARPSICHORD 13 HARPSI CPL
14 CLAVI 15 WAH CLAVI 16 CELESTA MALLETS 17 VIBRAPHONE 18 MARIMBA 19 GLOCKEN 20 XYLOPHONE 21 TUBE BELLS 22 TIMPANI 23 STEEL DRUMS 24 DULCIMER 25 MUSIC BOX 26 KALIMBA ORGAN 27 JAZZ ORGAN 1

JAZZ ORGAN 2 DRAWBAR ORG FULL ORGAN CLICK ORGAN ROCK ORGAN 1 ROCK ORGAN 2 16+2 ORGAN 16+4 ORGAN CHURCH ORG REED ORGAN MUSETTE TRAD ACCORD SOFT ACCORD TANGO ACCRD BANDONEON
GUITAR 43 CLASSIC GTR 44 FOLK GUITAR 45 12ST GUITAR 46 JAZZ GUITAR 47 OCTAVE GTR 48 HAWAII GTR 49 CLEAN GTR 50 TREMOLO GTR 51 MUTE GUITAR 52 HARMONICS 53 OVRDRV GTR 54 DIST GUITAR BASS 55 ACC BASS
56 FINGER BASS 57 PICK BASS 58 FRETLESS 59 SLAP BASS 60 SY BASS SY BASS TECHNO BASS STRINGS 63 VIOLIN 64 VIOLA 65 CELLO 66 CONTRABASS 67 BANJO 68 SHAMISEN 69 KOTO
70 HARP 71 SITAR ENSEMBLE 72 STRINGS STRINGS CHAMBER STR 75 SYNTH STRS 76 SLOW STRS 77 TREMOLO STR 78 VIOLIN+STRS 79 PIZZ STR 80 CHOIR 81 CHOIR AAHS 82 CHOIR OOHS 83 SYNTH CHOIR

FUNCTION CURSOR

STYLE SONG REGIST MEMORY

801 GrandPno

REGIST RHYTHM 1 ON / OFF TEMPO BASS

SELECT DESTINATION

NORMAL SPLIT

BEAT OTS

84 VOYAGER 85 ORCH HIT BRASS 86 TRUMPET 87 FLUGEL HORN 88 MUTE TRP 89 TROMBONE 90 TRB SECTION 91 FRENCH HORN 92 TUBA 93 BRASS SECT 94 BRASS+SAX 95 BRASS+TRB 96 BRASS+TRP 97 SY BRASS 1
98 SY BRASS 2 REED 99 SOPRANO SAX 100 ALTO SAX 101 ALTO SAX BR 102 TENOR SAX 103 TEN SAX BR 104 BARI SAX 105 SAX+CLARNET 106 SAX+TRB 107 OBOE 108 ENG HORN 109 BASSOON 110 CLARINET 111 HARMONICA
112 SHANAI 113 BAGPIPE PIPE 114 PICCOLO 115 FLUTE 116 PAN FLUTE 117 RECORDER 118 BOTTLE 119 SHAKUHACHI 120 WHISTLE 121 OCARINA SYNTH LEAD 122 SQUARE LEAD 123 SAWTOOTH LD
124 VOICE LEAD 125 CRYSTAL 126 BRIGHTNESS 127 SUB AQUA 128 ANALOG LEAD 129 RAIN HOLD 130 70'S LEAD 131 SYNTH CLAVI SYNTH PAD 132 FANTASIA 133 BELL PAD 134 XENON PAD 135 ANGELS 136 TRANSFORM
137 ATMOSPHERE 138 SHINING 139 DARK MOON 140 CYBER PAD 141 SCI-FI DRUM KITS 142 STANDARD 143 ROOM 144 ROCK 145 ELECTRONIC 146 ANALOG 147 JAZZ 148 BRUSH 149 CLASSIC

TRANSPOSE

MULTI PAD DUAL VOICE SPLIT VOICE HARM/ECHO OVERALL DIGITAL EFFECT

CHORD 1

PHRASE ACCOMP MELODY 1 1

MEASURE

MELODY 2

119 dim mM 7augsus4

REPEAT

SINGLE FINGERED

MINUS ONE REVERB CHORUS DSP
TOUCH DUAL HARMONY SUSTAIN

KEYBOARD

TOUCH RESPONSE

LOAD SAVE DELETE FORMAT

VOICE VOL

1 135102117130

ACCOMP TRACK

101101

SONG TRACK

JOB SELECT

DUAL VOICE

EXECUTE

ONE TOUCH SETTING REC/END

HARMONY/ECHO

0 DISK

SUSTAIN

ENDING
* PRESS AND HOLD FOR A WHILE.

AUTO FILL

ACCOMP LARGE/SMALL MEMORIZE 1
TRACK ON/OFF 4 ACCOMP FREEZE

REGISTRATION MEMORY

MULTI PADS

TERMINATE

MIDI OUT IN

AUX OUT L+R/L

DC IN 10-12V
w PTCH BEND-Rad.. Seite 23 e PHONES-Buchse (Kopfhrer).. Seite 7 r Diskettenlaufwerk.. Seite 64

AuxiliaryJacks: Voice:

AWM 141 voices+8 Keyboard Percussion Kits Polyphony: 32 Split Voice: Volume, Octave, Reverb Level, Chorus Level, Pan, Split Point Dual Voice: Volume, Octave, Reverb Level, Chorus Level, Pan Touch Response:Touch Sensitivity Harmony/Echo: 22 types Sustain Others: Keyboard Volume, Octave, Reverb Level, Chorus Level, DSP Level, Pan DC IN 10-12V, PHONES, SUSTAIN, AUX OUT R and L+R/L, MIDI IN/OUT

Amplifiers:

6.0 W + 6.0 W (when using PA-5B AC Power adaptor) 4.5 W + 4.5 W (when using batteries) Phones output: 75 5% Impedance

Speakers:

12cm (4-3/4") x 2

PowerConsumption:

26 W (when using PA-5B AC power adaptor)

AutoAccompaniment:

100 styles Accomp Track: RHYTHM1/2, BASS, CHORD1/2, PAD, PHRASE1/2 ACCOMP LARGE/SMALL Accomp Track Settings: ON/OFF, Voice, Volume Accompaniment Control: SYNC-START/STOP, START/STOP, INTRO, MAIN A/B (AUTO FILL), ENDING Tempo Fingering (FINGERED Mode): Normal, Bass, Full Accompaniment Volume Accompaniment Split Point

Batteries:

Six SUM-1, D size, R-20 or equivalent batteries

RatedVoltage:

DC 10-12V

Dimensions(WxDxH):

973 x 397 x 146 mm (38-1/4" x 15-5/8" x 5-3/4")

Weight:

7.8 kg (17.1 lbs.) excluding batteries
SuppliedAccessories: OneTouchSetting:
400 One Touch Settings Music Cartridge Music Stand Owners Manual

OverallControls:

Transpose, Metronome, Tuning

OptionalAccessories:

Headphones HPE-3, HPE-150 AC Power Adaptor PA-5, PA-5B, PA-5C Footswitch FC4, FC5 Music Cartridge

PitchBendWheel:

Pitch Bend Range

DigitalEffect:

Reverb:12 types, Reverb Return Level Chorus: 9 types, Chorus Return Level DSP: 45 types, DSP Return Level DSP Variation

RegistrationMemory:

32 Registration Bank, 1~4, Accomp Freeze
* Specifications subject to change without notice. * nderungen ohne Vorankndigung vorbehalten. * Sous toute rserve de modification des caractristiques sans pravis. * Especificaciones sujetas a cambios sin previo aviso.
Voice List / Stimmenverzeichnis / Liste des voix / Lista
The PSR-620 is provided with the Panel Voices (voice numbers 01~151) and GM Voices (voice numbers 01~136). GM Voices are used for the accompaniment. Refer to the GM Voice List on page 97 for the accompaniment track voice editing. Polyphony The PSR-620 can play up to 32 individual notes at the same time (i.e. it has a maximum polyphony of 32). This number includes all voices used: dual, split, auto accompaniment, song, and multi pads. If the maximum polyphony of the PSR-620 is exceeded, the excess notes will be truncated (they will not sound). Another feature affecting polyphony is the fact that some PSR-620 voices actually use two voices at once, as shown in the voice list below. The effective maximum polyphony of the PSR-620 is correspondingly reduced when these voices are used.

Acoustic Bass Finger Bass Pick Bass Fretless Bass Slap Bass Synth Bass 1 Synth Bass 2 Techno Bass

Mallets

Vibraphone Marimba Glockenspiel Xylophone Tubular Bells Timpani Steel Drums Dulcimer Music Box Kalimba

Strings

Violin Viola Cello Contrabass Banjo Shamisen Koto Harp Sitar
Jazz Organ 1 Jazz Organ 2 Drawbar Organ Full Organ Click Organ Rock Organ 1 Rock Organ 2 16'+2' Organ 16'+4' Organ Church Organ Reed Organ Musette Accordion Traditional Accordion Soft Accordion Tango Accordion Bandoneon

Ensemble

Strings 1 Strings 2 Chamber Strings Synth Strings Slow Strings Tremolo Strings Violin w/Strings Pizzicato Strings Choir Choir Aahs Choir Oohs Synth Choir Voyager Orchestra Hit
Voice List / Stimmenverzeichnis / Liste des voix / Lista de voces
MIDI Voice Bank Select Program Number MSB LSB Number

Voice Name

Number of Notes Used 1 1

Number of Notes Used 1 2

Trumpet Flugel Horn Muted Trumpet Trombone Trombone Section French Horn Tuba Brass Section Brass+Sax Brass+Trombone Brass+Trumpet Synth Brass 1 Synth Brass 14

SynthLead

Square Lead Sawtooth Lead Voice Lead Crystal Brightness Sub Aqua Analog Lead Rain Hold 70s Lead Synth Clavi

SynthPad

Fantasia Bell Pad Xenon Pad Angels Transform Atmosphere Shining Dark Moon Cyber Pad Sci-Fi
Soprano Sax Alto Sax Breathy Alto Sax Tenor Sax Breathy Tenor Sax Baritone Sax Sax + Clarinet Sax+Trombone Oboe English Horn Bassoon Clarinet Harmonica Shanai Bagpipe

DrumKits

Piccolo Flute Pan Flute Recorder Blown Bottle Shakuhachi Whistle Ocarina

DualOnly

Organ Harmonics 51/3 Organ Harmonics 51/3+ 22/3
GM Voice List / Verzeichnis der GM-Stimmen / Liste des voix GM / Lista de voces GM
MIDI Voice Program Number Number Number MIDI Voice of Notes Program Number Number Used Piano 0 Acoustic Grand Piano Bright Acoustic Piano Electric Grand Piano Honky-tonk Piano Electric Piano 5 Electric Piano 6 Harpsichord Clavi 51 ChromaticPercussion 8 Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bells Dulcimer 59 Organ 16 Drawbar Organ Percussive Organ Rock Organ Church Organ Reed Organ Accordion Harmonica Bandoneon 67 Guitar 24 Acoustic Guitar (nylon) Acoustic Guitar (steel) Electric Guitar (jazz) Electric Guitar (clean) Electric Guitar (muted) Overdriven Guitar Distortion Guitar Guitar Harmonics 75 Bass 32 Acoustic Bass Electric Bass (finger) Electric Bass (pick) Fretless Bass Slap Bass 37 Slap Bass 38 Synth Bass 39 Synth Bass Strings 40 Violin Viola Cello Contrabass 89 Voice Name Voice Name Tremolo Strings Pizzicato Strings Orchestral Harp Timpani Number MIDI of Notes Voice Program Voice Name Used Number Number 90 Pad 3 (polysynth) 91 Pad 4 (choir) 92 Pad 5 (bowed) 93 Pad 6 (metallic) Pad 7 (halo) 95 Pad 8 (sweep) 1 SynthEffects 96 FX 1 (rain) 97 FX 2 (soundtrack) 98 FX 3 (crystal) 99 FX 4 (atmosphere) 100 FX 5 (brightness) 101 FX 6 (goblins) FX 7 (echoes) 103 FX 8 (sci-fi) 1 Ethnic 104 Sitar 105 Banjo 106 Shamisen 107 Koto 108 Kalimba 109 Bagpipe Fiddle Shanai Number of Notes Used 1 1

Strings Ensemble 1 Strings Ensemble 2 Synth Strings 1 Synth Strings 2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit
Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section Synth Brass 1 Synth Brass 2
Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet

Percussive

Tinkle Bell Agogo Steel Drums Woodblock Taiko Drum Melodic Tom Synth Drum Reverse Cymbal
Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina

SoundEffects

Guitar Fret Noise Breath Noise Seashore Bird Tweet Telephone Ring Helicopter Applause Gunshot
Lead 1 (square) Lead 2 (sawtooth) Lead 3 (calliope) Lead 4 (chiff) Lead 5 (charang) Lead 6 (voice) Lead 7 (fifth) Lead 8 (bass+Lead )
Pad 1 (new age) Pad 2 (warm)
Percussion Kit List / V erzeichnis der Schlagzeug- und Percussion* < indicates the content is the same as that of Standard Kit. * The number in parentheses ( ) after the percussion kit name is the MIDI program number. * The corresponding MIDI note numbers for the notes listed in the chart below are actually one octave lower. For example, the MIDI note number for note #36 (C1) in the chart is note #24 (C0). * Each drum/percussion voice uses one note. * The drum and percussion voices in same alternate group *16 can not be played at the same time. * GM voice numbers 129 through 136 correspond to the panel voice numbers 142 through 149 respectively. * < zeigt an, da der Inhalt identisch mit dem Standardset ist. * Bei der neben dem Namen des Percussion-Sets in Klammern ( ) gesetzten Nummer handelt es sich um die Programmnummer. * Die entsprechenden MIDI-Notennummern fr die in der unteren Tabelle aufgefhrten Noten liegen tatschlich eine Oktave tiefer. So ist beispielsweise die MIDI-Notennummer von Note #36 (C1) in der Tabelle die Note #24 (C0). * Jeder Schlagzeug/Percussion-Klang belegt eine Note. * Unterschiedliche Klnge desselben Schlaginstruments (*1 bis *6) knnen nicht gleichzeitig erzeugt werden. * Die GM-Stimmen 129 bis 136 entsprechen den Bedienfeld-Stimmen 142 bis 149.
C#0 D0 D#0 E0 F0 F#0 G0 G#0 A0 A#0 B0 C1 C#1 D1 D#1 E1 F1 F#1 G1 G#1 A1 A#1 B1 C2 C#2 D2 D#2 E2 F2 F#2 G2 G#2 A2 A#2 B2 C3 C#3 D3 D#3 E3 F3 F#3 G3 G#3 A3 A#3 B3 C4 C#4 D4 D#4 E4 F4 F#4 G4 G#4 A4 A#4 B4 C5 C#5 D5 D#5 E5 F5 F#5 G5 G#5 A5 A#5 B5 C6

MIDI Implementation Chart / Implementierungstabelle / Table
[Portable Keyboard] Model: PSR-620
MIDI Implementation Chart

Transmitted Recognized

Date: 1995. 5. 18 Version: 1.0

Function

Remarks

Basic Channel

Default Changed Default Messages Altered
1~16 CH 1~16 CH Mode 3 X ***************** 0~127 ***************** O 9nH, v=1~127 X 9nH, v=0 X X O
1~16 CH (*1) 1~16 CH (*1) (*1) X X 0~127 0~127 O 9nH, v=1~127 X 9nH, v=0 or 8nH X X O
O O O O O O O O O O O O O O O O O O O O O O Bank select MSB, LSB (*2) Modulation Data entry MSB, LSB Volume Pan Expression Sustain Sostenuto Soft pedal Harmonic content Release time Attack time Brightness Portamento control Reverb send level Chorus send level DSP send level Data increment, decrement NRPN LSB, MSB (*4) RPN LSB, MSB (*5) All sound off Reset all controllers (*7)

Note Number Velocity

: True voice Note on Note off keys Chs

After Touch

Pitch Bender Control Change
0, 6, 94 96, 97 98, 99 100, 121
O X (*3) O O O X (*3) O X (*3) X (*3) X (*3) X (*3) X (*3) X (*3) X (*3) O O O X (*3) X (*3) O O (*6) X
Program Change : True # System Exclusive System : Song Position : Song Select Common : Tune System : Clock Real Time : Commands Aux : Local ON/OFF : All Notes Off Messages : Active Sense : Reset Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY
O 0~127 ***************** O X X X O O X X O X Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO
O 0~127 0~127 (*8) O X X X O (*9) O (*9) X O O X O: Yes X: No (*10)

Start, stop

dimplmentation / Grfico de implememtacin
*1 PSR-620 ordinarily functions as 16 MIDI channel multi-timbral tone generator controlled by MIDI reception data. Panel voices and the other panel settings are not affected by the MIDI message, excepting the followings: MIDI Master Tuning System Exclusive Message for controlling Reverb, Chorus and Dsp The Remote Channel can be designated by the panel settings. The designated channel on the PSR-620 can be controlled by an external device and receive all the data excepting the following control change data: Data entry, MSB, LSB Portamento control Data increment Data decrement NRPN LSB, MSB RPN LSB, MSB *2 Bank Select MSB The bank select MSB is used for melody voice and rhythm voice switching. MSB 00H: Melody voice. MSB 7FH: Rhythm voice. Transmission: Transmitted when changing the voice, style and song. Reception: All channels except10 channel receive this message. ( 10 channel is fixed at rhythm voice.). But when 10 channel is set for the remote channel or receives XG System On message, 10 channel receives this message and the rhythm voice can change to the melody voice. Bank Select LSB This message is used to correspond to the panel voice numbers higher than 128. Bank Select LSB=00H: program change numbers 0~127 correspond to the panel voice numbers 1~128. Bank Select LSB=01H: program change numbers 0~12 correspond to the panel voice numbers 129~141. Transmission: Transmitted when changing the voice, style and song. Reception: This message can be received only at the channel designated as the remote channel or the panel voice. No voice change will occur when only a bank select is received. When a program change is received the latest bank select value is used. *3 These Control Change messages are not transmitted by the PSR620 panel operation, but may be transmitted by the accompaniment style playing.

*4 NRPN transmission/reception The following parameters are supported.
NRPN MSB LSB 01H 08H 01H 01H 01H 01H 01H 01H 01H 09H 0AH 20H 21H 63H 64H 66H Data entry MSB LSB mmH - mmH - mmH - mmH - mmH - mmH - mmH - mmH - Parameter Name/Range Vibrato Rate mm : 00H - 40H - 7FH (-64 - 0 - +63) Vibrato Depth mm : 00H - 40H - 7FH (-64 - 0 - +63) Vibrato Delay mm : 00H - 40H - 7FH (-64 - 0 - +63) Filter Cutoff Freq. mm : 00H - 40H - 7FH (-64 - 0 - +63) Filter Resonance mm : 00H - 40H - 7FH (-64 - 0 - +63) EG Attack Time mm : 00H - 40H - 7FH (-64 - 0 - +63) EG Decay Time mm : 00H - 40H - 7FH (-64 - 0 - +63) EG Release TIme mm: 00H - 40H - 7FH (-64 - 0 - +63) Drum Filter Cutoff Freq. mm: 00H - 40H - 7FH (-64 - 0 - +63) Drum Filter Resonance mm: 00H - 40H - 7FH (-64 - 0 - +63) Drum EG Attack Rate mm: 00H - 40H - 7FH (-64 - 0 - +63) Drum EG Decay Rate mm: 00H - 40H - 7FH (-64 - 0 - +63) Drum Instrument Pitch Course mm: 00H - 40H - 7FH (-64 - 0 - +63) Drum Instrument Pitch Fine mm: 00H - 40H - 7FH (-64 - 0 - +63) Drum Instrument Level mm: 00H - 7FH (0 - 127) Drum Instrument Panpot mm: 00H - 40H - 7FH (L - Center - R) Drum Instrument Reverb Send Level mm: 00H - 7FH (0 - 127) Drum Instrument Chorus Send Level mm: 00H - 7FH (0 - 127) Drum Instrument DSP Send Level mm : 00H - 7FH (0 - 127) Default 40H 40H 40H 40H 40H 40H 40H 40H 40H 40H 40H 40H 40H 40H Depends on note Depends on note Depends on note Depends on note 7FH
14H rrH mmH - rr: drum instrument note number 15H rrH mmH - rr: drum instrument note number 16H rrH mmH - rr: drum instrument note number 17H rrH mmH - rr: drum instrument note number 18H rrH mmH - rr: drum instrument note number 19H rrH mmH - rr: drum instrument note number 1AH rrH mmH - rr: drum instrument note number 1CH rrH mmH - rr: drum instrument note number 1DH rrH mmH - rr: drum instrument note number 1EH rrH mmH - rr: drum instrument note number 1FH rrH mmH - rr: drum instrument note number Data entry LSB is ignored.
*5 RPN transmission/reception The following parameters are supported.
RPN MSB LSB 00H 00H 00H 00H 01H 02H Data entry MSB LSB mmH - mmH - mmH - --Parameter Name/Range Pitch bend Sensitivity mm: 00H - 02H - 0CH (0 - 2 - 12) Fine Tuning mm: 00H - 40H - 7FH (-64 - 0 - +63) Course Tuning mm: 00H - 40H - 7FH (-64 - 0 - +63) RPN Null Clears current RPN and NRPN number settings. Default 02H 40H 40H --

7FH 7FH

Data entry LSB is ignored.
*6 Not transmitted when Song and Accompaniment is playing. *7 Pitch Bend, modulation, expression, sustain, sostenuto and softpedal are returned to their defult values. Clears current RPN and NRPN number settings. Resets portament source note number. *8 129~141 voice numbers are selectable through an appropriate Bank Select setting (Refer to *2). *9 When the External Clock is turned ON by PSR-620 panel setting, Clock, Start/Stop message will be received. The start/stop of the song recording and playback will be controlled by the external device. The initial set up data is transmitted before the song playback, so that the start may be delayed.

MIDI Implementation Chart / Implementierungstabelle / Table dimplmentation / Grfico de implememtacin
*10 Exclusive The following system exclusive parameters are supported. <GM system ON> F0H, 7EH, 7FH, 09H, 01H, F7H All parameters except MIDI master Tuning and Dsp setting are reset to their default values. Remote Channel setting is canceled. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. <DISK ORCHESTRA ON> F0H, 43H, 73H, 01H, 14H, F7H This message switches PSR-620 to Disk Orchestra defualt settings. Remote Channel setting is canceled. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. <DISK ORCHESTRA OFF> F0H, 43H, 73H, 01H, 13H, F7H This message switches Disk Orchestra ON to OFF. All parameters except MIDI master Tuning are reset to their default values. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. <MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H Allows the volume of all channels to be changed simultaneously. mm is used as the MIDI Master Volume value (ll is ignored). The defalut value for mm is 7FH. <MIDI Master Tuning> F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H mmll is used as the MIDI Master Tuning value. The tuning value is represented as follows: T=M-128 (28<=M<=228), T=-100 (M<28), T=100 (M>228) Where T is the actual tuning value in cents. M is decimal value represented by 1-byte using bits 0.3 of mm as the MSB and bits 0.3 of ll as the LSB. The default values of mm and ll are 08H and 00H resprectively. n and cc are also recognized. This value is not reset by a GM System ON or Reset All Controllers message. This value affects not only MIDI reception part but the entire system of the PSR-620.
<Panel Voice> F0H, 43H, 76H, 1BH, cc, vv, F7H This message alternately selects Panel voice or GM voice. cc: MIDI channel vv: 00=GM voice mode/01=Panel voice mode GM voice mode is defalut. This message is ignored by the remote channel. <XG System On> F0H, 43H, 1nH, 4CH, 00H, 00H, 7EH, 00H, F7H n: device number (transmission: n=0, reception: n is ignored.) All parameters except MIDI master Tuning are reset to their default values. Remote Channel setting is canceled. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. <XG Parameter Change> F0H, 43H, 1nH, 4CH, aaH, bbH, ccH, ddH.F7H n: device number(transmission: n=0, reception: n is ignored.) aa,bb,cc: address High, Mid, Low (see below) dd: data (succesive transmission and reception are possible within the amount of data shown in the following Table-1) Note: PSR-620 corresponds to XG parameters in the Table-1. But this is a part of XG parameters, PSR-620 does not perfectly correspond to XG format.

MIDI Data Format / MIDI-Datenformat / Format des dones MIDI / Formato de datos MIDI
<Table-1> Parameter Change

SYSTEM

Address Size (H) (H) 06 7D 7E 7F 1 Data (H) 0000 - 07FF Parameter MASTER TUNE Description -102.4 - +102.3[cent] 1st bit3-0 m bit15-12 2nd bit3-0 m bit11-8 3rd bit3-0 m bit7-4 4th bit3-0 m bit3-- 127 -24 - +24[semitone] 00: Drum setup 1 01: Drum setup 2 Default value(H) 00 00

00 - 7F 28 - - 00

MASTER VOLUME TRANSPOSE DRUM SETUP RESET XG SYSTEM ON ALL PARAMETER RESET

7F 40

EFFECT
Address Size (H) (H) 0A 0B 0C 0D 29 2A 2B 2C 2D 2E Data (H) 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 01-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 01-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F Parameter REVERB TYPE MSB REVERB TYPE LSB REVERB PARAMETER 1 REVERB PARAMETER 2 REVERB PARAMETER 3 REVERB PARAMETER 4 REVERB PARAMETER 5 REVERB PARAMETER 6 REVERB PARAMETER 7 REVERB PARAMETER 8 REVERB PARAMETER 9 REVERB PARAMETER 10 REVERB RETURN REVERB PAN REVERB PARAMETER 11 REVERB PARAMETER 12 REVERB PARAMETER 13 REVERB PARAMETER 14 REVERB PARAMETER 15 REVERB PARAMETER 16 CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARAMETER 1 CHORUS PARAMETER 2 CHORUS PARAMETER 3 CHORUS PARAMETER 4 CHORUS PARAMETER 5 CHORUS PARAMETER 6 CHORUS PARAMETER 7 CHORUS PARAMETER 8 CHORUS PARAMETER 9 CHORUS PARAMETER 10 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB CHORUS PARAMETER 11 CHORUS PARAMETER 12 CHORUS PARAMETER 13 CHORUS PARAMETER 14 CHORUS PARAMETER 15 CHORUS PARAMETER 16 VARIATION TYPE MSB VARIATION TYPE LSB VARIATION PARAMETER 1 MSB VARIATION PARAMETER 1 LSB VARIATION PARAMETER 2 MSB VARIATION PARAMETER 2 LSB VARIATION PARAMETER 3 MSB VARIATION PARAMETER 3 LSB VARIATION PARAMETER 4 MSB VARIATION PARAMETER 4 LSB Description Refer to Table-2 Refer to Table-2 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 -dB.0dB.+6dB(0.64.127) L63.C.R63(1.64.127) Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-2 Refer to Table-2 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 -dB.0dB.+6dB(0.64.127) L63.C.R63(1.64.127) -dB.0dB.+6dB(0.64.127) Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-2 Refer to Table-2 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Refer to Table-3 Default value(H) 01(=HALL1) 00 Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type Depends on reverb type 41(=CHORUS1) 00 Depends on chorus type Depends on chorus type Depends on chorus type Depends on chorus type Depends on chorus type Depends on chorus type Depends on chorus type Depends on chorus type Depends on chorus type Depends on chorus type 00 Depends on chorus type Depends on chorus type Depends on chorus type Depends on chorus type Depends on chorus type Depends on chorus type 05(=DELAY L,C,R) 00 Depends on variation type Depends on variation type Depends on variation type Depends on variation type Depends on variation type Depends on variation type Depends on variation type Depends on variation type

nn 11 nn nn nn nn nn nn nn nn nn nn nn nn 49 4A 4B 4C
00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F
DRY LEVEL SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE SCALE TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING TUNING

7F 40 40

* nn: MIDI Channel(00-0F)

DRUM SETUP

Address (H) 3n rr 3n rr 3n rr 3n rr 3n rr 3n rr 3n rr 3n 3n 3n 3n rr rr rr rr Size (H) 1 Data (H) 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F Parameter PITCH COARSE PITCH FINE LEVEL PAN REVERB SEND CHORUS SEND VARIATION SEND FILTER CUTOFF FREQUENCY FILTER RESONANCE EG ATTACK EG DECAY1 Description -64 - +63[semitone] -64 - +63[cent] 0 - 127 1(Left)-64(Center)-127(Right) 0 - - - 127 -64 - 63 -64 - 63 -64 - 63 -64 - 63 Default value(H) Depends on note Depends on note Depends on note 7F 7F 40 40

07 0B 0C 0D 0E

* n:Drum setup number (0H or 1H) rr:note number(18H to 54H)
<Table-2> Effect map
The following types in the boxes can be controlled by the PSR-620 settings. The numbers in the brackets are PSR-620 panel effect numbers. The blank indicates the content is the same as that of 00H. REVERB TYPE

LSB MSB

00H NO EFFECT [1]HALL1 ROOM5 STAGE3 PLATE3 NO EFFECT : NO EFFECT
00H 01H 02H 03H 04H 05H : 7FH

HALL5 ROOM6 STAGE4

[2]HALL2 [5]ROOM1 [9]STAGE1 [11]PLATE1
[3]HALL3 [6]ROOM2 [10]STAGE2 [12]PLATE2

[4]HALL4 [7]ROOM3

[8]ROOM4

CHORUS TYPE

00H NO EFFECT NO EFFECT : NO EFFECT CHORUS6 CELESTE1 FLANGER 5 NO EFFECT : NO EFFECT
00H 01H : 40H 41H 42H 43H 44H : 7FH
CHORUS7 [4]CHORUS4 [9]FLANGER4

[5]CHORUS5 CELESTE2

[2]CHORUS2 [6]FLANGER1

[3]CHORUS3 [7]FLANGER2

[1]CHORUS1 [8]FLANGER3

VARIATION TYPE

00H 01H 02H 03H 04H 05H 06H 07H 08H 09H 0AH 0BH 0CH : 3FH 4A 4B 4C 4D 4E 4F : 7F
NO EFFECT [1]HALL1 HALL2 [2]HALL2 [3]HALL3 ROOM5 ROOM6 ROOM7 [5]ROOM1 [6]ROOM2 STAGE3 STAGE4 [9]STAGE1 [10]STAGE2 PLATE3 [11]PLATE1 [12]PLATE2 DELAY L,C,R2 [38]DELAY LCR [39]DELAY L,R [40]ECHO [41]CROSS DELAY [13]EARLY REF1 [14]EARLY REF2 [15]GATE REVERB [16]REVERSE GATE NO EFFECT or THRU* : NO EFFECT or THRU* THRU CHORUS6 CHORUS7 [21]CHORUS5 CELESTE1 [20]CHORUS4 CELESTE2 [18]CHORUS2 [19]CHORUS3 FLANGER 5 [25]FLANGER4 [22]FLANGER1 [23]FLANGER2 SYMPHONIC2 [26]SYMPHONIC ROTARY SP6 [28]ROTARY SP1 TREMOLO3 [33]TREMOLO1 AUTO PAN2 [36]AUTO PAN [29]ROTARY SP2 [27]PHASER DISTORTION OVER DRIVE AMP SIMULATOR [42]DIST.HARD [43]DIST.SOFT 3-BAND EQ [44]EQ DISCO [45]EQ TEL 2-BAND EQ AUTO WAH2 [37]AUTO WAH THRU : THRU *No effect or Thru is determined by either Variation connection is system or insertion.

[17]CHORUS1 [24]FLANGER3

[32]ROTARY SP5
[31]ROTARY SP4 [30]ROTARY SP3

[34]TREMOLO2

[35]GTR TREMOLO
<Table-3> Effect Parameter List
Only the following parameter numbers are effective. Parameter values consists of 2-bytes. Enter 00H for MSB and appropriate value for LSB. * Parameter number 10 Dry/Wet is effective only when Variation connection is insertion.
TYPE MSB(H) Type HALL ROOM STAGE PLATE Parameter Number 5 10* 7 10* 10* 10* 5 10* Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Dry/Wet Rev Delay Density Rev/Er Balance Feedback Level Lch Delay Rch Delay Cch Delay Feedback Delay Feedback Level Cch Level High Damp Dry/Wet EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Lch Delay Rch Delay Feedback Delay 1 Feedback Delay 2 Feedback Level High Damp Dry/Wet EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Lch Delay1 Lch Feedback Level Rch Delay1 Rch Feedback Level High Damp Lch Delay2 Rch Delay2 Delay2 Level Dry/Wet EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain L->R Delay R->L Delay Feedback Level Input Select High Damp Dry/Wet EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Value 0-69 0-10 0-63 0-52 34-60 1-127 0-63 0-4 1-127 1-127 1-7200 1-7200 1-7200 1-7200 1-127 0-127 1-10 1-127 8-40 52-76 28-58 52-76 1-7200 1-7200 1-7200 1-7200 1-127 1-10 1-127 8-40 52-76 28-58 52-76 1-3600 1-127 1-3600 1-127 1-10 1-3600 1-3600 0-127 1-127 8-40 52-76 28-58 52-76 1-3600 1-3600 1-127 0-2 1-10 1-127 8-40 52-76 28-58 52-76 Description 0.3~30.0s 0.0~99.3ms Thru~8.0kHz 1.0k~Thru D63>W ~ D=W ~ D<W63 0.0~100.0ms R<E63 ~ R=E ~ R63>E -63~+63 0.1~720.0ms 0.1~720.0ms 0.1~720.0ms 0.1~720.0ms -63~+63 0.1~1.0 D63>W ~ D=W ~ D<W63 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 0.1~720.0ms 0.1~720.0ms 0.1~720.0ms 0.1~720.0ms -63~+63 0.1~1.0 D63>W ~ D=W ~ D<W63 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 0.1~360.0ms -63~+63 0.1~360.0ms -63~+63 0.1~1.0 0.1~360.0ms 0.1~360.0ms D63>W ~ D=W ~ D<W63 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 0.1~360.0ms 0.1~360.0ms -63~+63 L,R,L&R(L,R is mono mix) 0.1~1.0 D63>W ~ D=W ~ D<W63 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB CHORUS CELESTE TYPE MSB(H) 09 Type EARLY REF Parameter Number 7 10* 10* 9 10* 9 10* 9 10* 10* Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Dry/Wet Liveness Density High Damp Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Dry/Wet Liveness Density High Damp LFO Frequency LFO PM Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Input Mode LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet LFO Phase Difference Input Mode LFO Frequency LFO Depth Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet LFO Frequency LFO Depth EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Value 0-5 0-127 0-10 0-127 1-127 0-52 34-60 1-127 0-10 0-3 1-10 0-1 0-127 0-10 0-127 1-127 0-52 34-60 1-127 0-10 0-3 1-10 0-127 0-127 1-127 0-127 8-40 52-76 28-58 52-76 1-127 0-1 0-127 0-127 1-127 0-127 8-40 52-76 28-58 52-76 1-127 4-124 0-1 0-127 0-127 0-127 8-40 52-76 28-58 52-76 1-127 0-127 0-127 8-40 52-76 28-58 52-76 1-127 Description S-H, L-H, Rdm, Rvs, Plt, Spr 0~10 0.0~200.0ms -63~+63 Thru~8.0kHz 1.0k~Thru D63>W ~ D=W ~ D<W63

0.1~1.0 TypeA, TypeB

DELAY L,C,R

GATE REVERB REVERSE GATE

0.0~200.0ms -63~+63 Thru~8.0kHz 1.0k~Thru D63>W ~ D=W ~ D<W63
0.1~1.0 0.00~39.7Hz -63~+63 0.0~50.0ms 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 mono/stereo 0.00~39.7Hz -63~+63 0.0~50.0ms 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 -180~+180 (resolution 3) mono/stereo 0.00~39.7Hz 0.0~50.0ms 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 0.00~39.7Hz 50Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63

DELAY L,R

FLANGER

SYMPHONIC

CROSS DELAY

ROTARY SPEAKER

TYPE MSB(H) 46

Type TREMOLO

Parameter Number 9
Parameter LFO Frequency AM Depth PM Depth EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain LFO Phase Difference Input Mode LFO Frequency L/R Depth F/R Depth PAN Direction EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Stage Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge(Clip Curve) Drive AMP Type LPF Cutoff Output Level Dry/Wet Edge(Clip Curve) EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet
Value 0-127 0-127 0-127 8-40 52-76 28-58 52-76 4-124 0-1 0-127 0-127 0-127 0-5 8-40 52-76 28-58 52-76 0-127 0-127 0-127 1-127 8-40 52-76 28-58 52-76 1-127 6-10 0-127 8-40 52-76 34-60 0-127 28-54 52-76 10-120 1-127 0-127 0-127 0-3 34-60 0-127 1-127 0-127 52-76 28-54 52-76 10-120 52-76 8-40 28-58 8-40 52-76 28-58 52-76 0-127 0-127 0-127 10-120 8-40 52-76 28-58 52-76 1-127

Description 0.00~39.7Hz

s GM System Level 1
The existing MIDI protocol allows performance and other data to be transferred between different instruments, even if they are from different manufacturers. This means, for example, that sequence data that was originally created to control a tone generator from manufacturer A can also be used to control a different tone generator from manufacturer B. Since the voice allocation in different devices from different manufacturers is usually different, however, appropriate program change data must be transmitted to select the right voices. The General MIDI protocol was developed to minimize confusion and the need for re-programming when playing software created by one MIDI device on another. This has been achieved by defining a standard voice allocation in which the same or similar voices are accessed by the same program change numbers or MIDI channels. The current standard recognized by the International MIDI Association is known as GM System Level 1. The PSR-620 voice allocation complies with the GM System Level 1 standard.

Use alkaline batteries for this instrument. Other types of batteries (including rechargeable batteries) may have sudden drops of power when battery power becomes low, possibly resulting in loss of data in the ash memory. Make sure to install the batteries with the proper orientation, maintaining the correct polarity (as shown). Incorrect battery installation may result in heat, re and/or leaking of corrosive chemicals. When the batteries run down, replace them with a complete set of six new batteries. NEVER mix old and new batteries. Do not use different kinds of batteries (e.g. alkaline and manganese) at the same time. If the instrument is not to be in use for a long time, remove the batteries from it, in order to prevent possible uid leakage from the battery. Please use the power adaptor when transferring data to ash memory. Batteries (including rechargeable types) can be drained rapidly by this type of operation. If the batteries do become drained during a data transfer, both the data being transferred and the data currently in the transfer destination will be lost.

Using Batteries

q Open the battery compartment cover located on the
instruments bottom panel. w Insert the six new alkaline batteries, being careful to follow the polarity markings on the side of the compartment. e Replace the compartment cover, making sure that it locks rmly in place.
Never connect or disconnect the AC power adaptor when the batteries are installed in the instrument and the power is on. Doing so will turn the power off, possibly resulting in loss of the data being transferred and the data currently in the transfer destination during transferring or recording a data.
Make all necessary connections BEFORE turning the power on.
Audio Connections Headphones and External Equipment
Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [STANDBY/ON] switch to turn on the power. While playing the keyboard, adjust the volume level by using the [MASTER VOLUME] control. Pressing the [STANDBY/ON] switch again turns the power off. You can connect the PHONES/OUTPUT jack to a set of headphones, keyboard amplier, stereo system, mixer, tape recorder, or other line-level audio device to send the instruments output signal to that device. The internal speakers are automatically shut off when a plug is inserted into this jack. The PHONES/OUTPUT jack also functions as an external output.
When using a power adaptor, even when the power is off, a small amount of electricity is still being consumed by the instrument. When you are not using the instrument for a long time, make sure to unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.

This instrument has 102 built-in Songs. For this instrument, the term Song refers to the data that makes up a piece of music. Listening to a Song.
Select and Listen to a Specic Song

Press the [SONG] button.

The Song number and name are displayed. Song number 004 is automatically selected whenever the power is turned ON.

Song number Song name

When you want to select the Song number 001003, use the number buttons [0][9], [+], [-].

Elise 1

The songs are organized by category. For details, see page 72.

Select a Song.

Select the desired song by using the number buttons [0][9], [+], [-]. Refer to the Song List on page 72.
You can play Songs recorded from the instrument or transferred from a computer. The procedure for playing these Songs is the same as that of the built-in Songs.
The Song will begin playing. You can stop playback at any time by pressing the [START/ STOP] button.
Songs can be played at any tempo you desirefast or slow (page 22).
Rewind/Fast-forward/Pause
[REW] button. Fast-reverses the Song if pressed during playback (no sound is heard during fast reverse). Decreases the measure number if pressed while playback is stopped. [FF] button. Fast-forwards the Song if pressed during playback. Increases the measure number if pressed while playback is stopped. [PAUSE] button. Temporarily stops playback. Press this button a second time to resume playback from the point at which it was stopped.

Using the [DEMO] button

Press the [DEMO] button to play Songs 001, 002, 003, in sequence, and playback will continue repeatedly starting again from the rst Song 001. You can stop playback at any time by pressing the [DEMO] button.
Press the [START/STOP] button.
Styles are rhythm/accompaniment patterns and are played by the auto accompaniment feature. You can select from a wide variety of rhythmic typesrock, blues, Euro trance, and many, many more. Here well learn how to select and play Styles using chords. While you play, you can automatically add specially created intros and endings, as well as variations in the rhythm/chord patterns, for more dynamic, professional-sounding performances.

Split Point

Auto Accompaniment range Try playing chords with your left hand.
Play a melody with your right hand.

Before Performance

Select the String Ensemble Voice as the melody Voice, referring to step 2 on page 12.
Play along with the styles
Press the [STYLE] button.
The Style number and name are displayed.

Style number Style name

8BtModrn

Select a Style.

Select the desired Style by using the number buttons [0][9], [+], [-]. Refer to the Style List on page 70.

LoveSong

Song numbers 001 to 003 cannot be used for the Lesson feature. If you select these songs, NoLesson is shown in the display.

Twinkle1

Turn Keys to Success on. Pressing the [KEYS TO SUCCESS] button turns the Keys to Success feature on, and a Step of the Song is automatically selected for your practice. The currently selected Step number and the lesson parts are shown in the display.
Appears when Keys to Success is on Current Step number
The total number of steps varies depending on the Song.
Each lesson part varies depending on the Steps.

Step01

Lesson part r :Right-hand lesson L :Left-hand lesson Lr:Both-hands lesson
You can refer to the music score in the Song Book. To obtain the Song Book, complete the user registration at the following website: http://music.yamaha.com/registration/
Start the Lesson. Press the [START/STOP] button to start Lesson. After the lead-in, Step 01 of the song starts automatically, and the appropriate notes appear in the display.
In some Steps, the lead-in may run a little slower than normal because a ritardando or fermata section is placed before the Step.
You can start playing along on the keyboard as soon as the lead-in nishes. The score marker and keyboard marker in the display will indicate the notes to play. Each time you have practiced all the way through a Step, your performance will be evaluated and your score (from 0100) is shown in the display.
You can practice the specied phrase using the Lesson modes 1 Listening, 2 Timing or 3 Waiting described on page 31. In these Lesson modes with the Keys to Success function, however, it is not possible to pass the Step. When you want to turn off these Lesson modes, press the [1 LISTENING 2 TIMING 3 WAITING] button a number of times to select off (Step number will appear in the display ).

Excellen

Displayed when youve passed the Step.

Score of 60100

You passed! The next Step begins automatically.
You can select another Step as desired by using the [+]/[-] buttons. All songs have a nishing step, and in that step, you will practice all the way thorough the song which you have selected as a lesson Song in the step 1. When you pass all Steps, the Keys to Success mode will automatically be turned off and playback stops.
If the specied part is both hands, you cannot pass the Step until you play both hands, even if you play one of the hands well. Only a message such as L-part is Nice appears in the display.

Select the desired Song for your lesson. For instructions on how to select a Song, see page 16. If you want to practice a Song youve transferred from a computer, select one of the Songs beginning from Song number 108.
User Songs cannot be used for the lesson.

Chevaler

The instrument includes 102 built in Songs. Some Songs (as shown below) are intended for use as right-hand lessons, and cannot be used for left-hand or both-hands lessons. Songs for right-hand lesson Song numbers: 020050, 071076, 079
Select the part you want to practice. Press the [R] button for a right-hand lesson, [L] button for a left-hand lesson, or press both the [R] and [L] buttons simultaneously for a bothhands lesson. The selected part is displayed.
Left-hand lesson Right-hand lesson

Both-hands lesson

BothHand
A No LPart message is shown in the display if you select the left part in one of the Songs intended for right-hand lesson, which do not have left part data. These Songs cannot be used for left-hand or both-hands lessons.
For songs transferred from a computer, the No LPart indication does not appear, even when there is no left hand part in the song.

No LPart

Select the lesson mode. Each time the [1 LISTENING 2 TIMING 3 WAITING] button is pressed the lesson modes are selected in sequence: 1 Listening 2 Timing 3 Waiting Off 1 Listening.etc. The currently selected lesson mode is shown in the display. For this example select 1 Listening.
When the melody Voice of the Song is changed, the key position shown in the display may be shifted (in octave units), depending on the Voice selected.
LISTEN TIMING WAITING Chevaler

1 Listening

2 Timing

3 Waiting

Start Lesson. Song playback will begin automatically when you select Lesson mode, and the appropriate notes appear in the display.
You cannot use Dual or Split Voices during lessons. The Split Point is xed and it cannot be changed. For the left-hand lesson, it is xed at 59 or B2; for the left-hand chord lesson, it is xed at 54 or F#2.

Specifying only Point A results in repeat playback between Point A and the end of the Song.

Phrase number

If you use Phrase Repeat function with the Lesson modes 1 Listening, 2 Timing or 3 Waiting, the evaluation function of these lesson modes are not available. When you want to turn these lesson modes off, press the [1 LISTENING 2 TIMING 3 WAITING] button a number of times to select off (Phrase number will appear in the display).
You want to play music in your favorite style, but youre not sure how to select the best voice and style for the type of music you want to play. simply select the appropriate style from the Music Database. The panel settings will automatically be adjusted for the ideal combination of sounds and style!
Press the [MUSIC DATABASE] button.

AlvFever

A Music Database name will appear in the display.
Select a Music Database. Referring to the Music Database category list printed on the panel, select a music database that matches the image of the song you intend to play. For example, select one from the SWING&JAZZ category (047056) if you want to play jazz.

MoonLit

Play the chords with your left hand and melody with your right. The jazz style will start playing when you play a left-hand chord to the left of the split point (page 47). Refer to page 25 for information about playing chords.
Press the [START/STOP] button to stop playback.
Record your own performance
You can record up to ve of your own performances as User Songs (User 15: Song numbers 103107). Think of each User Song as a kind of basket or drawer for storing your recording. Remember that you can also record a Style (containing chord changes) along with your own performance.

Press the [REC] button.

User 1
A total of approximately 10,000 notes or 5,500 chord changes can be recorded to the ve User Songs.
The lowest-numbered unrecorded User Song (Song numbers 103107) available for recording is displayed. If you want to select the Song you will be recording, select the desired Song number by using the [+] and [-] buttons.

Flashes

Accompaniment cannot be turned on or off once the [REC] button is pressed.
After youve selected the desired User Song for recording, you can select a Style to be recorded as well. To do this, press the [STYLE] button and select the Style number while the ACMP indication is on. You can turn off the Record mode by pressing the [REC] button again ( and stop ashing).
If all User Songs (Song numbers 103107) contain recorded data, Song 103 will automatically be selected. In this case, you will record over and erase any previous data in Song 103, so be careful that you wont be erasing any material you want to keep!
By playing keys to the left of the Split Point when the Auto Accompaniment is set to on, the Style starts sounding and is recorded with your performance. When Auto Accompaniment is set to off, only your keyboard performance is recorded.

Start recording. When you play the keyboard, recording will begin.
Stop recording. Pressing the [START/STOP] button stops recording and writes the data to the User Song. (A Writing! message is shown.)
To playback the newly recorded performance, press the [START/ STOP] button. In order to record with the Style, turn the Auto Accompaniment to on (see Step 4 on page 20), and then record according to the instructions.

(The ACMP ON lights.)

Never attempt to turn the power off when a Writing! message is shown in the display. Doing so can damage the ash memory and result in a loss of data.
In order to record only your performance, turn the Auto Accompaniment to off and record according to the normal steps.

(The ACMP ON is unlit.)

Use the Musicsoft Downloader to backup the User Songs to a computer (page 60).
Recording to a specied track
The User Songs are organized into two tracks: Track 1 and Track 2. You can specify the track you want to record to.

About track recording

If you start recording by specifying a track, the track will be overwritten (existing data in the track is deleted and replaced with the new recording).

User Song

Data that can be recorded to Track 2
Style playback* (including chord changes) or your own keyboard performance
Data that can be recorded to Track 1
Your own keyboard performance only
Record following the steps in the previous page, and your performance will be recorded to Track 1 and the Style (if you are playing one) will be recorded to Track 2.

* When playing the Style

You cannot record the Reverb Level, metronome click, or the Transpose and Tuning settings. The settings and buttons below cannot be changed, or if changed, the new settings cannot be recorded if entered during the recording process. ACMP ON/OFF, split point, reverb type, chorus type, harmony type, [FUNCTION] button, [PORTABLE GRAND] button.
Recording to the specied track
Only your keyboard performance can be recorded to Track 1. Either a Style or your performance can be recorded to Track 2, resulting in a User Song like that depicted below.
Track 2 Style Track 1 Your own keyboard Track 2 Your own keyboard

Track 1 Your own keyboard

performance

Specifying track recording
Turn ACMP (auto accompaniment) on or off, depending on what you want to record. If you want to record Style playback, turn ACMP on. If you want to record only your own keyboard performance, turn ACMP off. Specify the track you want to record. Specify the track 2 when you want to record the Style. When you want to record your own keyboard performance, you can specify either track.
Recording to Track 1 While holding the [REC] button, press the [REC TRACK 1] button.
Keep in mind that both Tracks 1 and 2 will be overwritten with new data if you record without specifying the tracks. The both L and R ashes, this indicates that you have specied Track 1 when the Auto Accompaniment is on. If you want to record your own performance, press the [TRACK 2] button to stop the L ashing. If you want to record a Style, press the [REC] button to cancel the recording, and repeat the procedure from the beginning.
Flashes when track 1 is selected for recording.

Press simultaneously

Recording to Track 2 While holding the [REC] button, press the [REC TRACK 2] button.
Press simultaneously Lights when recorded data exists. Turns off when there is no recorded data, or when Mute is set to on (page 51) to turn off playback of the track.
Press the [+], [-] buttons to select the User Song you want to record.

User 3

If you want to record Style playback to Track 2, press the [STYLE] button and select the desired Style.
If you want to record only the rhythm (percussion) part, press the [START/STOP] button to play just the rhythm, then add the section change by pressing the [INTO/ENDING/rit.] button or [MAIN/ AUTO FILL] button. You can record a new track while listening to a previously recorded track (the track indication will appear). You can also mute recorded tracks (the track will disappear) while recording a new track by pressing the desired track button.
Start recording Perform steps 2 and 3 on pages 3738. By playing keys to the left of the Split Point when the Auto Accompaniment is set to on, the Style starts sounding and is recorded. Only your performance is recorded by playing the keyboard (any key is OK) when the Auto Accompaniment is set to off.
Flashes when track 2 is selected for recording.

Deleting User Songs

Deleting an entire User Song.
You cannot delete a specic track from a User Song.
Press the [SONG] button and select the User Song you want to delete by using the number buttons [0][9], [+], [-].
Press and hold the [REC] button for longer than a second. The Song Delete display appears.
Hold for longer than a second.

ClrUser1

You can cancel the delete operation by pressing the [-/NO] button.
Press the [+/YES] button. A conrmation message will appear on the display.

Press the [+/YES] button to delete the Song. Writing! message will appear while the track is being deleted.

Writing!

This function erases all backup data in the instruments ash memory and restores the initial default settings. The following initialization procedures are provided. Turn the power on by pressing the [STANDBY/ON] switch while holding the highest white key on the keyboard. The backed up data will be erased and the default values restored.
When you execute the Initialization, backup parameters will be cleared.
Initialization does not delete the les transferred from the computer. If you want to delete the les, see Deleting Files below.
Parameters that are saved in backup: User Songs Style number 107 Touch Response on/off setting Passing status of Song and Step The following Function settings: Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume, Metronome Volume, Demo Cancel, Panel Sustain Although the above parameters are always backed up, and are maintained even when the power is turned off, they will be completely erased by the initialization. You can save the settings as backup data to your computer, by using the Musicsoft Downloader (MSD) software. Refer to the section Transferring a backup le from the PSR-E323/YPT-320 to a computer on page 62.

Deleting Files

To clear Song data and Style data that has been transferred to the internal ash memory from a computer, simultaneously hold down the highest white key and the three highest black keys on the keyboard and turn the power on by pressing the [STANDBY/ON] switch.
When you delete the les, Song data and Style data you have purchased and downloaded will also be cleared. Make sure to save your important data by transferring to a computer using Musicsoft Downloader (page 62).

Adding Harmony

This feature adds harmony notes as well as tremolo or echo effects to the Main Voice.
Press the [HARMONY] button to turn harmony on. When you dont want to add harmony notes, press the [HARMONY] button again to turn Harmony off.
Select a desired Harmony Type by using the number buttons [0][9], [+], [-]. Refer to the Harmony Type list on page 73. Try playing the keyboard with the harmony function. The effect and operation of each Harmony Type is differentrefer to the section How to sound each Harmony Type below as well as the Harmony Type List for details.
How to sound each Harmony Type

Harmony type 0105

Appears when harmony is on.
Press the right-hand keys while playing chords in the auto accompaniment range of the keyboard when the Auto Accompaniment is on (page 20).

http://music.yamaha.com/download/
Remote control of MIDI devices will function independently of the PC2 mode.
PSR-E323/YPT-320 Panel Setting Transmission (Initial Send)
Sends the PSR-E323/YPT-320 panel settings to an external MIDI device. When recording a PSR-E323/YPT-320 performance to an external sequencer or similar equipment, you can use this function to send the current PSR-E323/YPT-320 panel settings so that when the sequence is played back the original panel settings are automatically restored. You can set Initial Send in the Function settings (page 56).
Visit the Yamaha website for more information on the latest version of Musicsoft Downloader (version 5.4.0 or higher) and how to install it.
The minimum computer requirements for Musicsoft Downloader operation are as follows: OS : Windows 2000/XP/Vista
* Only 32-bit is supported.
: 233 MHz or higher; Intel Pentium/Celeron processor family (500 MHz or more is recommended) Memory : 64 MB or more (256 MB or more is recommended) Hard Disk : at least 128 MB of free space (at least 512 MB of free space is recommended) Display : 800 x 600 HighColor (16-bit) Other : Microsoft Internet Explorer5.5 or higher
Connecting a personal computer
After installing the Musicsoft Downloader application on your computer, connect the PSR-E323/ YPT-320 as described below. A Yamaha UX16 or similar USB-MIDI interface (sold separately) will be necessary for MIDI connection between the PSR-E323/YPT-320 and a USB-equipped computer. Make sure to purchase a Yamaha UX16 or a quality USB-MIDI interface at a musical instrument store, computer store or electrical appliance store. If you use the UX16 interface, install the driver supplied with the interface on your computer.
Transferring a le from a computer
You can transmit Song les and Style Files from your computer to the Flash Memory on your instrument. Move the le from the computer to Flash Memory under Electronic Musical Instruments via the Musicsoft Downloader. For details about how to transmit Song le and Style File, refer to the Online help topic Transferring Data Between the Computer and Instrument (for unprotected data) of the Musicsoft Downloader. Data that can be loaded to the PSRE323/YPT-320 from a computer Songs : 99 Songs max (Song numbers 108) Data : 373 kilobytes Data Format : SMF Format 0 and 1 File : 09PK3.BUP (Backup le) : ***.mid (MIDI Song) : ***.sty (Style File)
The Musicsoft Downloader application may not be able to access the instrument in the following cases: During Style playback During Song playback
Use the power adaptor when transferring data. The data can be corrupted if the batteries fail during the transfer.

No rhythm accompaniment plays when the [START/STOP] button is pressed after selecting Style number 098106 (Pianist). The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds. The sound of the voice changes from note to note. The ACMP ON indicator does not appear when the [ACMP ON/OFF] button is pressed.
The harmony doesnt sound.

Voice List

Maximum Polyphony
The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).

Panel Voice List

Bank Select

Voice No.

The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device. Program Numbers 001 to 128 directly relate to MIDI Program Change Numbers 000 to 127. That is, Program Numbers and Program Change Numbers differ by a value of 1. Remember to take this into consideration. Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.

MSB (0127) 0 0

LSB (0127) 113 113

045 046

MIDI Program Voice Name Change# (1128) PIANO 1 Grand Piano 2 Bright Piano 7 Harpsichord 4 Honky-tonk Piano 3 MIDI Grand Piano 3 CP 80 E.PIANO 5 Cool! Galaxy Electric Piano 6 Hyper Tines 5 Funky Electric Piano 6 DX Modern Electric Piano 6 Venus Electric Piano 8 Clavi ORGAN 17 Jazz Organ Jazz Organ Rock Organ 19 Purple Organ 18 Click Organ 17 Bright Organ 19 Theater Organ 20 16'+2' Organ 20 16'+4' Organ 20 Chapel Organ 20 Church Organ 21 Reed Organ ACCORDION 22 Musette Accordion 22 Traditional Accordion 24 Bandoneon 23 Harmonica GUITAR 25 Classical Guitar 26 Folk Guitar 27 Jazz Guitar 28 60s Clean Guitar 26 12Strings Guitar 28 Clean Guitar 27 Octave Guitar 29 Muted Guitar 30 Overdriven Guitar 31 Distortion Guitar BASS 34 Finger Bass 33 Acoustic Bass 35 Pick Bass 36 Fretless Bass 37 Slap Bass 39 Synth Bass 39 Hi-Q Bass 40 Dance Bass

Some songs have been edited for length or for ease in learning, and may not be exactly the same as the original. A Song Book is available that includes scores for all internal songs (excepting Songs 13). To obtain the Song Book, complete the user registration at the following website. http://music.yamaha.com/registration/

Effect Type List

Harmony Types
No. Harmony Type Duet Trio Block Country Octave Trill 1/4 note Trill 1/6 note Trill 1/8 note Trill 1/12 note Trill 1/16 note Trill 1/24 note Trill 1/32 note Tremolo 1/4 note Tremolo 1/6 note Tremolo 1/8 note Tremolo 1/12 note Tremolo 1/16 note Tremolo 1/24 note Tremolo 1/32 note Echo 1/4 note Echo 1/6 note Echo 1/8 note Echo 1/12 note Echo 1/16 note Echo 1/24 note Echo 1/32 note
Description If you want to sound one of the harmony types 0105, play keys to the right side of the Split Point while playing chords in the left side of the keyboard after turning Auto Accompaniment on. One, two or three notes of harmony are automatically added to the note you play. When playing back a Song that includes chord data, harmony is applied whichever keys are played.
If you keep holding down two different notes, the notes alternate (in a trill) continuously.
If you keep holding down a single note, the note is repeated continuously. (The repeat speed differs depending on the selected type.)
If you keep holding down a note, echo is applied to the note played. (The echo speed differs depending on the selected type.)

Reverb Types

No. 10 Hall 13 Room 12 Stage 12 Plate 12 Off Reverb Type Concert hall reverb. Small room reverb. Reverb for solo instruments. Simulated steel plate reverb. No effect. Description

Chorus Types

No. 5 Chorus 12 Flanger 12 Off Chorus Type Description Conventional chorus program with rich, warm chorusing. This produces a rich, animated wavering effect in the sound. No effect.

Specications

Keyboards 61 standard-size keys (C1C6), with Touch Response Display LCD display (backlit) Setup STANDBY/ON MASTER VOLUME: MINMAX Panel Controls [L]/[REC TRACK 2], [R]/[REC TRACK 1], [1 LISTENING 2 TIMING 3 WAITING], [KEYS TO SUCCESS], [PHRASE REPEAT], [A-B REPEAT]/[ACMP ON/OFF], [REW]/ [INTRO/ENDING/rit.], [FF]/[[MAIN/AUTO FILL], [TEMPO/TAP], [REC], [PAUSE]/[SYNC START], [START/STOP], [SONG], [STYLE], [VOICE], [FUNCTION], [PORTABLE GRAND], [MUSIC DATABASE], [REVERB], [DEMO], [METRONOME], [SPLIT], [DUAL], [HARMONY], [TOUCH], number buttons [0][9], [+/ YES], [-/ NO] Voice 108 panel voices + 12 drum kits + 1 sound effect kit + 359 XGlite voices + 2 XGlite optional voices Polyphony: 32 DUAL SPLIT Style 106 preset Styles + ash memory Style Control: ACMP ON/OFF, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL Fingering: Multi ngering Style Volume Style Register Education Feature Chord Dictionary KEYS TO SUCCESS 1 LISTENING, 2 TIMING, 3 WAITING Phrase Repeat Function Style Volume, Song Volume, Transpose, Tuning, Split Point, Touch Sensitivity, Style Register, Main voice (Volume, Octave, Chorus Send Level), Dual voice (Voice, Volume, Octave, Chorus Send Level), Split voice (Voice, Volume, Octave, Chorus Send Level), Reverb Type, Reverb level, Chorus Type, Panel Sustain, Harmony Type, Harmony Volume, PC mode (PC1/PC2/Off), Local On/Off, External Clock, Initial Setup Send, Time Signature (Numerator, Denominator), Metronome Volume, Lesson Track (R), Lesson Track (L), Demo Cancel Effects Reverb: 9 types Chorus: 4 types Harmony: 26 types Song 102 Preset Songs + 5 User Songs + Flash Memory Song Clear Song Volume Music Database 100 Recording Song User Song: 5 Songs Recording Tracks: 1, 2 MIDI Local On/Off Initial Setup Send External Clock PC mode Auxiliary jacks PHONES/OUTPUT, DC IN 12V, MIDI IN/OUT, SUSTAIN Amplier 2.5W + 2.5W Speakers 12cm x 2 Power Consumption 10W (When using PA-130 power adaptor) Power Supply Adaptor: Yamaha PA-130 or an equivalent Batteries: Six AA size, LR6 or equivalent batteries Dimensions (W x D x H) 945 x 369 x 132 mm (37-3/16" x 14-1/2" x 5-3/16") Weight 4.9kg (10 Ibs. 13 oz.) (not including batteries) Supplied Accessories Music Rest Owners Manual My Yamaha Product User Registration

Yamaha Music India Pvt. Ltd. 5F Ambience Corporate Tower Ambience Mall Complex Ambience Island, NH-8, Gurgaon-122001, Haryana, India Tel: 0124-466-5551
CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mxico S.A. de C.V. Calz. Javier Rojo Gmez #1149, Col. Guadalupe del Moral C.P. 09300, Mxico, D.F., Mxico Tel: 55-5804-0600

SPAIN/PORTUGAL

Yamaha Msica Ibrica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888

INDONESIA

PT. Yamaha Music Indonesia (Distributor)

GREECE

Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577

BRAZIL

Yamaha Musical do Brasil Ltda. Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, CEP 04534-013 Sao Paulo, SP. BRAZIL Tel: 011-3704-1377

SWEDEN

Yamaha Scandinavia AB J. A. Wettergrens Gata 1, Box 30053 S-Gteborg, Sweden Tel: 34 00
Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 080-004-0022

ARGENTINA

Yamaha Music Latin America, S.A. Sucursal de Argentina Olga Cossettini 1553, Piso 4 Norte Madero Este-C1107CEK Buenos Aires, Argentina Tel: 011-4119-7000

DENMARK

YS Copenhagen Liaison Ofce Generatorvej 6A, DK-2730 Herlev, Denmark Tel: 49 00

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900

FINLAND

F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

NORWAY

Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1, N-1345 sters, Norway Tel: 77 70

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273
Yamaha Home Keyboards Home Page http://music.yamaha.com/homekeyboard/ Yamaha Manual Library http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2009 Yamaha Corporation WQ39170 XXXPOTYX.X-01A0 Printed in China