Yamaha PSR-630 Manual
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SALSA YAMAHA PSR 630
User reviews and opinions
|mark72||4:31pm on Sunday, September 19th, 2010|
|Yamaha PSRE213-K I bought this for my little brother, he is 14 and learning keyboard at school. Great value We have just taken delivery of this item (would definately recommend the proper Yamaha stand to put it on) and we are thrilled.|
|sifiliat||10:53pm on Friday, June 18th, 2010|
|Yamaha PSRE213-K I bought this for my daughter who has just started leaarning the piano and it was recommended to us by her teacher before we were to ... Just the ticket! As a final attempt to discover if I had any kind of music talent before I hit 40, I decided to try the piano.|
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SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Model Serial No. Purchase Date
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of
PLEASE KEEP THIS MANUAL
FCC INFORMATION (U.S.A.)
IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
q Whats in the Tracks
RHYTHM 1 & 2
Individual track voices, volume, and other parameters can be changed by using the REVOICE function page 112.
These are the main rhythm tracks. The RHYTHM tracks produce the drum and percussion sounds. The BASS track always plays a bass line, but the voice will change to fit the selected style acoustic bass, synth bass, tuba, etc. These tracks provide the rhythmic chordal accompaniment required by each style. Youll find guitar, piano, and other chordal instruments here. This track plays long chords where necessary, using sustained instruments such as strings, organ, choir. This is where the musical embellishments reside. The PHRASE tracks are used for punchy brass stabs, arpeggiated chords, and other extras that make the accompaniment more interesting.
CHORD 1 & 2
PHRASE 1 & 2
x The Synchro Stop Function
When the Synchro Stop function is engaged, accompaniment playback will stop completely when all keys in the auto-accompaniment section of the keyboard are released. Accompaniment playback will start again as soon as a chord is played. The BEAT indicators in the display will flash while the accompaneiment is stopped. The Synchro Stop function is engaged by pressing the [SYNC STOP] button so that the SYNC STOP icon in the display appears. Press the [SYNC STOP] button again so that the icon disappears to turn the Synchro Stop function off.
The Synchro Stop function can not be turned on when the FULL KEYBOARD AUTO ACCOMPANIMENT fingering mode is selected. The Synchro Stop function will be automatically turned off if the FULL KEYBOARD fingering mode is selected while the Synchro Stop function is on.
Using Virtual Arranger
When the Virtual Arranger function is turned on while Auto Accompaniment is active, simply pressing chords in the auto accompaniment section causes the Auto Accompaniment to automatically play slightly different chord variations, which creates a livelier and more melodic accompaniment. Turning the Virtual Arranger function off returns to normal Auto Accompaniment. Press the [STYLE] button to select the STYLE menu. The triangular indicator will appear next to STYLE to the right of the display, and the PSR-730/630 will enter Style Mode (the STYLE icon will light).
When Style Mode is selected with the Style Menu (the STYLE icon is lit), the on/off setting of the Virtual Arranger can be changed with the Sub Menu. Select the V.Arranger sub menu using the SUB MENU [w], [v] keys. The current on/off status will be shown at the top right of the display.
Simultaneously pressing the [SYNC STOP] and [SYNC START] buttons causes the Virtual Arranger to switch between off and on. The current on/off status will be shown at the top right of the display. (The on/off display will return to its original condition after a few seconds.)
V.Arrang er: Off
Change the on/off status using the [+],  buttons or the Data Dial.
Accompaniment Volume Control
The volume of the accompaniment in relation to the keyboard can be adjusted for the best overall balance by using the ACMP/SONG VOLUME [w] and [v] buttons. When either button is pressed the current accompaniment volume setting will appear on the top line of the display for a few seconds. The accompaniment volume range is from 0 (no sound) to 127 (maximum volume). The default setting is 100. Press the ACMP/SONG VOLUME [w] button to decrease the volume or the [v] button to increase the volume. Press the button briefly to single step, or hold to continuously decrement or increment.
While the accompaniment volume setting appears on the top line of the display the  and [+] buttons, number buttons, or Data Dial can also be used to set the accompaniment volume.
AcmpVolu me: 100
Changing the Accompaniment Split Point
The AUTO ACCOMPANIMENT split point (the boundary point between the melody section and accompaniment section) can be set to any key on the PSR-730/630 keyboard to match your individual playing requirements.
1 Select the Accompaniment Split Point Function
Then use the SUB MENU [v] and [w] buttons to select the AcmpSplit function from within the OVERALL menu. The MIDI note number corresponding to the current split point will appear to the right of AcmpSplit on the top line of the display.
54 [F#2 ]
Simply press the key you want to assign as the split point. The key number of the key you press will appear to the right of AcmpSplit on the top line of the display. You can also use the  and [+] buttons, number buttons, or Data Dial to enter the split point key number. The split point can be set at any key number from 0 through 127.
The split point key becomes the highest key in the Auto Accompaniment section of the keyboard. When setting the split point, that is, the sub menu AcmpSplit is shown on the display, pressing the key on the keyboard doesnt either produce notes or detect chords in the accompaniment section, but only designates the split point.
x Interaction Between the AUTO ACCOMPANIMENT and
SPLIT VOICE Split Points
The SPLIT VOICE split point (page 21) and AUTO ACCOMPANIMENT split point can be independently specified, with the following limitations. The SPLIT VOICE split point cannot be set at a lower key than the AUTO ACCOMPANIMENT split point (if you attempt to do this the AUTO ACCOMPANIMENT split point will be set to the same key as the SPLIT VOICE split point). Conversely, the AUTO ACCOMPANIMENT split point cannot be set at a higher key than the SPLIT VOICE split point (if you attempt to do this the SPLIT VOICE split point will be set to the same key as the AUTO ACCOMPANIMENT split point).
If you press the [REVERB] button, the REVERB icon will light up, and the Reverb effect will be turned on. After setting the Reverb type, the effect will be applied to the R1 voice from the keyboard.
The REVERB ON/OFF status will be set automatically according to the selected R1 panel voice.
s Selecting a Reverb Type
Select one of the 13 Reverb types. Use the MENU [v] and [w] buttons to move the triangular indicator in the display next to DIGITAL EFFECT.
You can also jump directly to the DIGITAL EFFECT REVERB TYPE function by pressing and holding the [REVERB] button for a few seconds.
Then use the SUB MENU [v] and [w] buttons to select Reverb. The name of the currently selected Reverb type will appear on the right of the top line of the display. Referring to the Reverb Type List on page 145, use the  and [+] buttons,  number buttons, or Data Dial to select the desired Reverb effect from 1-13.
When you select a different Style, the appropriate Reverb type will be selected accordingly. Some of the Styles contain Reverb types which cannot be selected on the PSR730/630. In this case XG Reverb will be displayed when you select the SUB MENU Reverb of the DIGITAL EFFECT. If you dont want to apply the Reverb effect to Styles or Songs, select 13: OFF from the Reverb types, or set the Reverb Return Level to . In either case no Reverb will be applied to the entire system. If you use the Revoice function, you can set the Reverb Depth for each track of the Style independently (see page 110).
8 Roo m 4
s Reverb Return Level
The Rev.Return (Reverb Return Level) parameter sets the amount of reverb effect returned from the reverb effect stage, thus making it possible to adjust the degree of reverb effect applied to the overall sound. Use the MENU [v] and [w] buttons to move the triangular indicator in the display next to DIGITAL EFFECT, then use the SUB MENU [v] and [w] buttons to select Rev.Return. The currently set return level will be displayed on the right of the top line of the display.
Use the  and [+] buttons, the  number buttons, or Data Dial to set the desired reverb return level (the current return level value appears to the right of Rev.Return on the display). The range is from 0 to 127. The higher the value the greater the return level.
If you press the [CHORUS] button, the CHORUS icon will light up, and the Chorus effect will be turned on. After setting the Chorus type, the effect will be applied to the R1 voice from the keyboard.
The CHORUS ON/OFF status will be set automatically according to the selected R1 panel voice.
s Selecting a Chorus Type
Select one of the 10 Chorus types. Use the MENU [v] and [w] buttons to move the triangular indicator in the display next to DIGITAL EFFECT.
q The Multi Pad Sets
Chord Match Set 1 FanfareFanfareBrassyBrassySynth Brass 6 Guitar PlayGuitar PlayGuitar PlayGuitar PlayTechno SynthTechno SynthArpeggio 13 Crystal 14 Twinkle 15 Magical 16 Piano Sequence 17 Banjo Sequence 18 Gothic Pad 1 O O O O O O O O O O O O O O O O O O Pad 2 O O O O O O O O O O O O O O O O O O Pad 3 O O O O O O O O O O O O O O O O O O Pad 4 O O O O O O O O O O O O O O O O Set 19 Classic 20 Jingle 21 Horror SE 22 Racing SE 23 Stormy SE 24 Water SE 25 Animal SE 26 Haha SE 27 Rock Kit 28 Techno Kit 29 Analog Kit 30 Tom Flam 31 Latin PercusionLatin PercussionTimbales 34 Analog Sequence 35 Conga Sequence 36 Techno Sequence Pad 1 O O Chord Match Pad 2 O O Pad 3 O O Pad 4 O O
Turning the CHORD MATCH Function On/Off
The CHORD MATCH function can be individually turned on or off for each of the MULTI PADs, as described below.
The chord match function has no effect with pads that contain percussion phrases.
1 Select the MULTI PAD Function
Use the MENU [v] and [w] buttons to select the MULTI PAD function so that the triangular indicator in the display appears next to MULTI PAD to the left of the display.
2 Select a CHORD MATCH Function
Use the SUB MENU [v] and [w] buttons to select P1ChdMatch, P2ChdMatch, P3ChdMatch, or P4ChdMatch, depending on the pad for which you want to turn the CHORD MATCH function on or off.
The chord match on/ off status depends on the selected Multi Pad.
P1ChdMat ch: On
3 Turn the CHORD MATCH Function On or Off
Use the  and [+] buttons or data dial to turn the CHORD MATCH function for the selected pad on or off as required.
The CHORD MATCH ON/OFF setting is restored to its original status whenever a preset MULTI PAD set is selected. When the CHORD MATCH ON/OFF status of a user MULTI PAD (see page 107) set is changed, the new status is recorded with the MULTI PAD data.
QQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,, Disk Operations QQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,,
There is a disk drive installed in the PSR-730/630. By inserting a floppy disk into it, you can do many things: record and playback user songs, save and load user styles (page 98), user pads (page 106), or registration memory data (page 57). You can save any number of user styles and registration data on floppy disks, make song libraries or find many other ways to make playing the PSR-730/630 more efficient. There is a sample disk packed with the PSR-730/630. It contains 20 XG songs and 8 style files. To play back the songs see page 76. To load the styles see page 70.
If data is already saved on the disk, be careful not to format it. If you format the disk, all the previously recorded data will be deleted. While formatting is in progress (while Now Formatting is displayed) , never eject the disk or turn off the power to the PSR730/630.
3 Start Formatting
Press the [+] (YES) button and disk formatting will begin. Once started, formatting cannot be canceled. During formatting, the display will read Now Formatting. xx%.
If a disk that cannot be read by the PSR-730/630 is inserted into the disk drive, it will be treated the same as an unformatted floppy disk. Take care not to erase important data by accidentally formatting a disk. If you want to reformat a disk that already has been formatted for the PSR-730/630, insert the disk in the drive, select the Format Disk? YES item from the sub menu of the DISK menu, then proceed as for a normal format. If you insert the formatted disk and you press the [-] (NO) button or eject the disk in the step 2, the display will return to the Format Disk?.
Now Form atting.
When formatting is finished, the display will return to the one which was selected before inserting the disk. If you dont want to format, press the  (NO) button before the step 3 or simply eject the disk. The display will return to the one which was selected before inserting the disk.
You can save PSR-730/630 user styles, user pad (banks 37-40) and registration memory data (banks 01-32) on floppy disks.
1 Insert a Formatted Floppy Disk.
If a disk has not been already inserted in the drive, insert a formatted floppy disk.
2 Select a Save Function
Use the MENU [v] and [w] buttons to select the Disk function so that the triangular indicator in the display appears next to DISK to the left of the display.
Use the SUB MENU [v] and [w] buttons so that Save To Disk? YES appears on the display.
3 Select the File Type
Press the [+] (YES) button, and the file type select screen File Type: All will appear on the display.
File Typ e:
If the DISK menu is selected when there is no floppy disk inserted into the disk drive, - - - will be displayed at the top of the display, and disk operations wont be possible. Although all User Style (101-104), User Pad (bank 37-40), and Registration Memory (bank 01-32) data can be saved gathered into one single file, the data can be recalled individually when loaded back into the PSR730/630.
_ON G _001 S
The method of setting the characters is the same as for Registration Naming (page 58).
_ LES SON01
Clearing Song Data
You can clear unneeded song data in two different ways: Clearing Selected Tracks or Clearing an Entire Song. In either Quick Record or Multi Record Mode, this operation is done in Record Ready Mode or in Rehearsal Mode. q Clearing Selected Tracks While the Song record ready or rehearsal mode is engaged use the SUB MENU [v] and [w] buttons to select the Track Clear? function. The track bars for tracks which contain data will flash, showing that those tracks can be cleared.
When in Quick Record Mode, Clear Selected Track will clear data as follows:
If the ACMP track is cleared, data that would be in tracks 916 in the Multi Record mode will be cleared at the same time. If Melody tracks that were recorded with Dual Voice are cleared, tracks recorded with Multi Record Mode R1/R2 parts will be cleared at the same time.
Track Cl ear?
q Quick Record
q Multi Record
The tracks recorded by Quick recording can be cleared using the Multi recording Track Clear function, and vice versa.
Demo song tracks cannot be cleared.
Use the TRACK buttons to select the track you want to clear. The track bar for the track you selected will light steadily and the track bars for the other tracks will be turned off.
Once the desired track has been selected, Are You Sure? will appear on the display.
Press the [+] (YES) button to actually clear the currently selected track. While the track is being cleared, Now Deleting will appear in the top of the display.
While the track is being cleared, (Now Deleting is displayed) never eject the floppy disk or turn off the power to the PSR-730/630.
Now Dele ting.
When track clear is finished, the display will return to Track Clear? If you press the  (NO) button, track clear will not be executed and the display will return to Track Clear?
q Clearing an Entire Song Use the song selection sub menu (pages 85, 88) to be sure that you have selected the song that you want to clear. While the SONG record-ready or rehearsal mode (page 87) is engaged use the SUB MENU [v] and [w] buttons to select the Song Clear? YES function.
Song Cle ar?
Press the [+] (YES) button and Are You Sure? NO/YES will appear on the display. Press the [+] (YES) button a second time to actually clear the currently selected user song.
While the track is being cleared, (Now Deleting is displayed) never eject the floppy disk or turn off power to the PSR-730/630.
While the song is being cleared, Now Deleting will appear at the top of the display. When the operation is finished, the display will show Song Clear? - - - Press  (NO) if you want to abort the clear operation. The display will return to Song Clear? YES
Demo Songs cannot be cleared.
The data in user songs can be edited in a way similar to using the Revoice function for Voices and Styles (page 110). The edited data can be written into the user song data.
1 While the SONG record-ready or rehearsal mode (page 87) is engaged use the SUB
MENU [v] and [w] buttons to select the Song Edit? YES function.
Song Edi t?
2 When the [+] YES button is pressed, the track bar will flash under the lowest
numbered track that has data in it. This shows that this is the track that is selected for editing. On the top line of the display, the current voice parameter and value for the track will be displayed.
3 Press the TRACK button to select the track you will edit. The track bar for the
selected track will light.
4 Use the SUB MENU [w] button so that the voice parameter you wish to change
appears on the display. The parameter and value will appear at the top of the display.
Voice:Volume: Pan; ReverbDe pth: ChorusDe pth: DSPDepth : Octave:
Gra nd Piano 127 nd Piano nd Piano 0 nd Piano 26 nd Piano 0 nd Piano
When in Quick Record Mode, if both R1 and R2 voices are recorded on one track, only the R1 voice can be edited. When in Quick Record Mode, you cannot edit the ACMP track. If a track with no data is selected, [- - -] will appear at the top of the display and you wont be able to edit. Each parameter can be recorded for one track (one each for a track). The parameter changes done in the middle of the song will be lost.
In the same way as for the revoice function (page 111), use the  and [+] buttons,  number buttons, or the Data Dial to change the setting. See page 110 for information about each value.
5 Repeat steps 34 as needed. 6 When editing is finished, press the SUB MENU [v] button so that Disk Save?
YES is shown on the display. Press the [+] YES button and the song data will be replaced.
Disk Sav e?
7 Exit the Record Mode and try playing the song.
MIDI PSR-730 PSR-630 Bank Select Program Voice Voice Voice Name Number Number MSB LSB Change Number 101 Ring Pad 101 Ritual 101 ToHeaven 101 Night 101 Glisten 101 BelChoir 102 Echoes 102 EchoPadEcho Pan 102 EchoBell 102 Big Pan 102 SynPiano 102 Creation 102 Stardust 102 Reso Pan 103 Sci-Fi 103 Starz Ethnic 104 Sitar 104 DetSitar 104 Sitar Tambra 104 Tamboura 105 Banjo 105 MuteBnjo 105 Rabab 105 Gopichnt 105 Oud 106 Shamisen 107 Koto 107 T. Koto 107 Kanoon 108 Kalimba 109 Bagpipe 110 Fiddle 111 Shanai 111 ShanaiPungi 111 Hichriki Percussive 112 TnklBell 112 Bonang 112 Gender 112 Gamelan 112 S.Gamlan 112 Rama Cym 112 AsianBel 113 Agogo 114 SteelDrm 114 GlasPerc 114 ThaiBell 115 WoodBlok 115 Castanet 116 TaikoDrm 116 Gr.Cassa 117 MelodTom 117 Mel TomReal Tom 117 Rock Tom 118 Syn.Drum 118 Ana Tom 118 ElecPerc 119 RevCymbl Sound Effects 120 FretNoiz MIDI PSR-730 PSR-630 Bank Select Program Voice Voice Change Number Number MSB LSB Number 127 SFX Voice Name BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot CuttngNz CttngNz2 Str Slap Fl.KClik Rain Thunder Wind Stream Bubble Feed Dog Horse Bird 2 Ghost Maou Tel.Dial DoorSqek Door Slam Scratch Scratch 2 WindChm Telphon2 CarEngin Car Stop Car Pass CarCrash Siren Train Jetplane Starship Burst Coaster SbMarine Laughing Scream Punch Heart FootStep MchinGun LaserGun Xplosion FireWork
Drum Kit List
< indicates that the drum kit is the same as Standard Kit1. Each percussion voice uses one note. The note numbers and note names printed on the keyboard are one octave higher than the MIDI note numbers and note names shown in the list. For example, the note number and note name, #36 and C1, on the keyboard correspond to the MIDI note number and note name, #24 and C0, shown in the list. Voices with the same Alternate Note Number (*1 4) cannot be played simultaneously.
PSR-730 Voice# PSR-630 Voice# Bank MSB# Bank LSB# Program Change# MIDI Note# Note 13 C#-1 *D-1 *D#-E-F-1 *F#-1 *G-G#-A-A#-B-CC#DD#EFF#GG#AA#BCC#DD#EFF#1 *GG#1 *AA#1 *BCC#DD#EFF#GG#AA#BCC#DD#EFF#GG#AA#BCC#DD#EFF#GG#4 *A4 *A#BCC#DD#EFF#GStandard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch Push Scratch Pull Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl L Brush Slap Brush Swirl H Snare Roll Castanet Snare L Sticks Bass Drum L Open Rim Shot Bass Drum M Bass Drum H Side Stick Snare M Hand Clap Snare H Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree 1 Standard Kit 2 < < < < < < < < < < < < < < < < Snare Roll 2 < Snare L 2 < < Open Rim Shot 2 Bass Drum M 2 Bass Drum H 2 < Snare M 2 < Snare H 2 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < 8 Room Kit < < < < < < < < < < < < < < < < < < < < < < < BD Room < SD Room L < SD Room H Room Tom 1 < Room Tom 2 < Room Tom 3 < Room Tom 4 Room Tom 5 < Room Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < 16 Rock Kit < < < < < < < < < < < < < < < < < < SD Rock M < Bass Drum M < Bass Drum H 3 BD Rock < SD Rock < SD Rock Rim Rock Tom 1 < Rock Tom 2 < Rock Tom 3 < Rock Tom 4 Rock Tom 5 < Rock Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < 24 Electronic Kit < < < < < < < < < < < < < < < Reverse Cymbal < Hi Q Snare M < Bass Drum H 4 < BD Rock BD Gate < SD Rock L < SD Rock H E Tom 1 < E Tom 2 < E Tom 3 < E Tom 4 E Tom 5 < E Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < Scratch Push Scratch Pull < < < < < 25 Analog Kit < < < < < < < < < < < < < < < Reverse Cymbal < Hi Q SD Rock H < Bass Drum M < BD Analog L BD Analog H Analog Side Stick Analog Snare L < Analog Snare H Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 < < < < < Analog Cowbell < < < < < Analog Conga H Analog Conga M Analog Conga L < < < < < Analog Maracas < < < < Analog Claves < < Scratch Push Scratch Pull < < < < <
About Digital Effects (Reverb/Chorus/DSP)
There are three types of digital effects installed in the PSR-630: the reverb effect (system effect), the chorus effect (system effect) and the DSP effect (can be set as either as a system effect or insertion effect). In the PSR-730, the Multi Effect (EFFECT 1/2: insertion) is added to the three PSR-630 effects, for a total of five effects. There are basically two ways to use the effects: with the DSP effect set as a system effect or as a insertion effect. Each different way will be explained here. Although not all the effect settings cannot be made by operating the PSR-730/630 panel manually, some of them may be accessible through MIDI.
s When DSP type Is Selected as a System Effect
The three PSR-630 effects or the five PSR-730 effects will be connected as shown below. Since the PSR-730 Multi Effect (EFFECT 1/2) is an insertion effect, it will be applied to only one part from among the R1/R2/L parts. The signal will enter reverb/chorus/DSP according to the send level (Depth) set for each, and the signal with the effect applied will be output according to the return level that is set. The reverb/chorus/DSP send levels (Depth) are set for each part (track) with the Revoice mode. The reverb/chorus/DSP return levels value are set in common for all the parts. The stereo panning is available for each of the reverb, chorus and DSP at the output for their signals. Using MIDI, the panning position for the effect can be set (page 158). If a Send Chorus to Reverb (page 158) signal is transmitted to the PSR-730/630 from an external MIDI device, a signal can be sent from the chorus to the reverb (connected in series). Also, if a Send Variation (DSP) to Reverb (page 159) signal is transmitted, a signal can be sent from the DSP to the reverb and in the same way if a Send Variation (DSP) to Chorus signal (page 159) is transmitted a signal can be sent from DSP to the chorus. If these signals are used, the three effects can be connected in series, or used separately, and a lot of different effects can be produced.
The bold lines are stereo lines.
Effect 1 is valid for only one part. Effect 1 part Effect 2 is valid for only one part. Effect 2 part
0A 0B 0C 0D TOTAL SIZE 0E 15 TOTAL SIZE 01
00.7F 00.7F 00.7F 00.7F 00.7F 00.7F
Reverb Parameter 11 Reverb Parameter 12 Reverb Parameter 13 Reverb Parameter 14 Reverb Parameter 15 Reverb Parameter 16
Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List
Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type
2A 2B 2C 2D 2E TOTAL SIZE 0F 35 TOTAL SIZE 4A 01
00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 01.7F 00.7F
Chorus Type MSB Chorus Type LSB Chorus Parameter 1 Chorus Parameter 2 Chorus Parameter 3 Chorus Parameter 4 Chorus Parameter 5 Chorus Parameter 6 Chorus Parameter 7 Chorus Parameter 8 Chorus Parameter 9 Chorus Parameter 10 Chorus Return Chorus Pan Send Chorus To Reverb
Refer to the Ef. Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.96.127) L63.C.R63(1.64.127) -.0.+6dB(0.96.127)
41(=Chorus1) 00 Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type 00
Chorus Parameter 11 Chorus Parameter 12 Chorus Parameter 13 Chorus Parameter 14 Chorus Parameter 15 Chorus Parameter 16
Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type
00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F
Variation Type MSB Variation Type LSB Vari. Param. 1 MSB Vari. Param. 1 LSB Vari. Param. 2 MSB Vari. Param. 2 LSB Vari. Param. 3 MSB Vari. Param. 3 LSB Vari. Param. 4 MSB Vari. Param. 4 LSB Vari. Param. 5 MSB Vari. Param. 5 LSB
Refer to the Ef. Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List
KARAOKE1,2,3 (variation, insertion block)
table#3 No. q Parameter Delay Time Feedback Level HPF Cutoff LPF Cutoff 0127 -63+63 Thru8.0kHz 1.0kThru Value See Table table#7 table#3 table#3 Control
DELAY L,R (variation, insertion block)
No. Parameter Lch Delay Rch Delay Feedback Delay 1 Feedback Delay 2 Feedback Level High Damp 0.11486.0ms (variation block) 0.1742.9ms (insertion block) 0.11486.0ms (variation block) 0.1742.9ms (insertion block) 0.11486.0ms (variation block) 0.1742.9ms (insertion block) 0.11486.0ms (variation block) 0.1742.9ms (insertion block) -63+63 0.11.0 Value See Table Control
CHORUS1,2,3,4, CELESTE1,2,3,4 (chorus, variation, insertion block)
EQ EQ EQ EQ Low Frequency Low Gain High Frequency High Gain 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB table#3 table#3 No. Parameter LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width Input Mode 0.00Hz39.7Hz 0127 -63+32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<W63 100Hz10.0kHz (variation block) -12+12dB (variation block) 1.012.0 (variation block) mono/stereo Value 01 See Table table#1 table#2 table#3 table#3 q table#3 Control
ECHO (variation, insertion block)
No. Parameter Lch Delay1 Lch Feedback Level Rch Delay1 Rch Feedback Level High Damp Lch Delay2 Rch Delay2 Delay2 Level Dry/Wet 0.1743.0ms 0.1371.4ms -63+63 0.1743.0ms 0.1371.4ms -63+63 0.11.0 0.1743.0ms 0.1371.4ms 0.1743.0ms 0.1371.4ms 0127 (variation block) (insertion block) (variation block) (insertion block) (variation (insertion (variation (insertion block) block) block) block) Value 1127 See Table Control
FLANGER1,2,3 (chorus, variation, insertion block)
q No. Parameter LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width LFO Phase Difference 0.00Hz39.7Hz 0127 -63+32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<W63 100Hz10.0kHz (variation block) -12+12dB (variation block) 1.012.0 (variation block) -180+180deg(resolution=3deg.) Value 4124 See Table table#1 table#2 table#3 table#3 q table#3 Control
SYMPHONIC (chorus, variation, insertion block)
No. Parameter LFO Frequency LFO Depth Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width 0.00Hz39.7Hz 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<W63 100Hz10.0kHz (variation block) -12+12dB (variation block) 1.012.0 (variation block) Value 10120 See Table table#1 table#2 table#3 table#3 q table#3 Control
Table#8 Compressor Attack Time
Data Value 35 40
Table#3 EQ Frequency
Data Value Data Value 2.0k 2.2k 2.5k 2.8k 3.2k 3.6k 4.0k 4.5k 5.0k 5.6k 6.3k 7.0k 8.0k 9.0k 10.0k 11.0k 12.0k 14.0k 16.0k 18.0k THRU(20.0k) 900 1.0k 1.1k 1.2k 1.4k 1.6k 1.8k
Table#6 Room Size
Data Value Data Value 0.5.1 0.5.3 0.5.4 0.5.6 0.5.7 0.5.9 1.6.1 1.6.2 1.6.4 1.6.5 1.6.7 1.6.8 2.7.0 2.1 2.3 2.5 2.6 2.8 2.9 3.1 3.2 3.4 3.5 3.7 3.9 4.0 4.2 4.3 4.5 4.6 4.8 5.0
Table#9 Compressor Release Time
Data Value 340 680
Table#10 Compressor Ratio
Data Value 1.0 1.5 2.0 3.0 5.0 7.0 10.0 20.0
MIDI Implementation Chart
[Portable Keyboard] Model: PSR-730
Date: 14-APR-1997 Version: 1.0
Basic Default Channel Changed Default Messages Altered
1~16 1~X ************** 0~127 ************** O 9nH, v=1~127 X 9nH, v=0 X X O
1~16 1~X X 0~127 0~127 O 9nH, v=1~127 X X O O O O O O O O O O O O O O O O O O 0~127
Note Number Velocity
: True voice Note ON Note OFF keys Chs
Pitch Bender Control Change 0, 5 7, 10, 11 6, 38 64~67 71, 74 72, 91, 93, 94 96~97 98~99 100~121
O O X O O O O X X O X X O X X O 0~127 ************** O X X X O O X X O X
Bank Select Modulation Portamento Time Data Entry Sound Controller Sound Controller Portamento Controllers Effect Depth RPN Inc, Dec NRPN LSB, MSB RPN LSB, MSB All Sound Off Reset All Controllers
Program Change : True # System Exclusive System : Song Position : Song Select Common : Tune
O X X X O O X O (123~127) O X Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO O : Yes X : No
System : Clock Real Time : Commands Aux : Local ON/OFF : All Notes OFF Messages : Active Sense : Reset
Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY
[Portable Keyboard] Model: PSR-630
O X X O O O O X X O X X O X X O 0~127 ************** O X X X O O X X O X
*1 The tracks for each channel can be selected on the panel. See page 125 for more information. Off : The MIDI channel messages will not be received at the designated channel. : The note on/off messages received at the channel(s) set to Bass are recognized as the bass notes in the accompaniment section. The bass notes will be detected regardless of the accompaniment on/off and split point settings on the PSR-730/630 panel. : The note on/off messages received at the channel(s) set to Chord are recognized as the fingerings in the accompaniment section. The chords to be detected depend on the fingering mode on the PSR-730/630. The chords will be detected regardless of the accompaniment on/off and split point settings on the PSR-730/630 panel. Bass *2 Incoming MIDI messages control the PSR-730/630 as 16 channel multi timbral tone generator when initially shipped (factory set). The MIDI messages dont affect the panel controls including the Panel Voice selection since they are directly sent to the tone generator of the PSR-730/630. However, the following MIDI messages affects the panel controls such as Panel Voice, Style, Multi Pad and Song settings: MIDI MASTER TUNE, MASTER TUNE (XG System Parameter). TRANSPOSE (XG System Parameter). System Exclusive Messages related to the REVERB, CHORUS, DSP EFFECT and MULTI EFFECT (PSR-730 only) settings. XG MULTI EQ PARAMETER (PSR-730 only) *3 Also, the MIDI messages affect the panel settings when one of the folowing MIDI reception modes is selected. These modes can be selected on the panel (see page 127). Remote : The Note On/Off messages received at the designated Remote (receive) channel are processed the same as the notes normally played on the keyboard. Chord Though these messages will not output by playing the keyboard and changing the panel settings, they may be included in the Song or Style data and output.
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