* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specied adaptor (PA-130 or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Water warning

Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualied Yamaha service personnel. Never insert or remove an electric plug with wet hands.

Fire warning

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.

Do not open

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.

When using a power adaptor, even when the power is off, a small amount of electricity is still being consumed by the instrument. When you are not using the instrument for a long time, make sure to unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.
To prevent damage to the speakers, set the volume of the external devices at the minimum setting and turn power off the devices before connecting them. Failure to observe these precautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Using the music rest

Insert the music rest into the slots as shown.

Connecting a footswitch

Removing the protective lm
The sustain function lets you produce a natural sustain as you play by pressing an optional footswitch. Plug the Yamaha FC4 or FC5 footswitch into the SUSTAIN jack and use it to switch sustain on and off.
Remove the transparent protective lm that was applied to the display prior to shipment from the factory.
Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.

Turn on the power

q [STANDBY/ON] switch..page 9 w [MASTER VOLUME] control. pages 9 e [1 LISTENING 2 TIMING 3 WAITING] button. pages 32 r [KEYS TO SUCCESS] button.. pages 28 t [PHRASE REPEAT] button. pages 35 When the lesson mode y PART [L] button...page 32 [R] button...page 32 When the recording mode y [REC TRACK 2] button..page 39 [REC TRACK 1] button..page 39 u [METRONOME] button..page 14, 48 i [TEMPO/TAP] button.page 22, 52, 53 o [SONG] button... pages 16 !0 [VOICE] button.. pages 12 !1 [STYLE] button.. pages 19 !2 Number buttons [0][9], [+/YES], [-/NO].page 26 !3 [FUNCTION] button.. pages 56 !4 [DEMO] button...page 17 When the Song mode !5 [A-B REPEAT] button..page 51 !6 [REW] button..page 17 !7 [FF] button...page 17 !8 [PAUSE] button..page 17 When the Style mode !5 [ACMP ON/OFF] button..page 20 !6 [INTRO/ENDING/rit.] button..page 23 !7 [MAIN/AUTO FILL] button..page 23 !8 [SYNC START] button..page 19, 53 !9 [START/STOP] button...page 17 @0 [REC] button...page 37 @1 [PORTABLE GRAND] button..page 13 @2 [MUSIC DATABASE] button..page 36 @3 [REVERB] button..page 43 @4 [SPLIT] button...page 46 @5 [DUAL] button..page 45 @6 [HARMONY] button..page 42 @7 [TOUCH] button...page 44 @8 Drum Kit...page 15

For users who are new to chords, this chart features common chords. Since there are many useful chords and many different ways to use them musically, refer to commercially available chord books for further details.
indicates the root note. Major Minor Seventh Minor Seventh Major Seventh
Inversions can be used as well as in root positionwith the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), sus2 Inversion of the 7sus4 and m7(11) chords are not recognized if the notes are omitted. sus2 chords are indicated by the root name only.

Easy Chords

This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.

For root C

To play a major chord Press the root note () of the chord.
To play a minor chord Press the root note together with the nearest black key to the left of it.
To play a seventh chord Press the root note together with the nearest white key to the left of it.
To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
Basic Operation and Displays

Basic Operation

Press a button to select a basic function: Voice, Song or Style.

3 Start a function.

Display (page 27)

1 Select a basic

function.

2 Select an item or

value.
Press the [SONG] button to access the SONG functions (printed above the buttons), and press the [STYLE] button to access the STYLE functions (printed below).
Number buttons [0][9] The number buttons can be used to directly enter a Song, Style or Voice number or parameter value. For numbers that start with one or two zeroes, the rst zeroes can be omitted.
Example: Selecting Voice 002, Bright Piano. Press number buttons [0], [0], [2].
The Press & Hold Symbol Buttons having this indication can be used to call up an alternate function when the relevant button is pressed and held. Hold down this button until the function calls up. 26
[+], [-] buttons Press the [+] button briey to increase the value by 1, or press the [-] button briey to decrease the value by 1. Press and hold either button to continuously increase or decrease the value in the corresponding direction.

Press briey to decrease.

Press briey to increase.

WAITING

2 Timing In this mode, try playing the notes with the correct timing. Simply concentrate on playing each note in time with the rhythmic accompaniment. The correct notes sound even if you play wrong notes as long as you play in time with the rhythm. Play the notes shown in the display.

TIMING

You can select Lesson modes by pressing the [1 LISTENING 2 TIMING 3 WAITING] button respectively.
Stop the Lesson mode. You can stop the Lesson mode at any time by pressing the [START/ STOP] button.
When the lesson Song has played all the way through in Lesson mode 2 Timing or 3 Waiting, your performance will be evaluated in four levels: OK, Good, Very Good, or Excellent.
OK Good Very0Good! Excellent! Reference

Phrase Repeat

This function allows you to repeatedly practice difcult phrases, by selecting a phrase and repeatedly play it back. You can also mute one of the parts, and practice just the other part repeatedly. The specied phrase can also be practiced along with the Lesson modes 1 Listening, 2 Timing or 3 Waiting described on page 31.

Phrase mark

When you want to turn the Phrase Repeat function on, please make sure that the Keys to Success mode is off, since Phrase Repeat is not available in the Keys to Success mode. When you want to change the Song, rst turn off the Phrase Repeat function then select the Song.
Repeat playback of this section
Play the Song and press the [PHRASE REPEAT] button at the phrase you want to repeat. The appropriate phrase number will appear in the display and, after a lead-in, repeat playback will start. Use the [+] or [-] buttons to select any phrase number in the Song, and stop repeat playback by pressing the [PHRASE REPEAT] button. The Phrase Repeat mode will be canceled and normal playback of the Song will continue.
Appears when the Phrase Repeat function is on

REPEAT

Changing the playback section
You can specify an extended section for repeating (including multiple phrases) by specifying a beginning phrase (point A) and ending phrase (point B), using the [A-B REPEAT] button. You can do this either during playback or while playback is stopped. Press the [A-B REPEAT] button at the beginning phrase of the section you want to repeat (point A), use the [+]/[-] buttons to select the subsequent phrases you wish to include in the repeat, then press the [A-B REPEAT] button a second time. This species the last phrase selected as the end phrase (point B) for Phrase Repeat playback. REPEAT will appear on the display and the specied A-B section of the Song will now play repeatedly. (If playback is stopped, press the [START/STOP] button to start.) Stop A-B Repeat playback by pressing the [PHRASE REPEAT] button. REPEAT will appear on the display and the currently selected phrase will playback repeatedly.

Recording to Track 1 While holding the [REC] button, press the [REC TRACK 1] button.
Keep in mind that both Tracks 1 and 2 will be overwritten with new data if you record without specifying the tracks. The both L and R ashes, this indicates that you have specied Track 1 when the Auto Accompaniment is on. If you want to record your own performance, press the [TRACK 2] button to stop the L ashing. If you want to record a Style, press the [REC] button to cancel the recording, and repeat the procedure from the beginning.
Flashes when track 1 is selected for recording.

Press simultaneously

Recording to Track 2 While holding the [REC] button, press the [REC TRACK 2] button.
Press simultaneously Lights when recorded data exists. Turns off when there is no recorded data, or when Mute is set to on (page 51) to turn off playback of the track.
Press the [+], [-] buttons to select the User Song you want to record.

User 3

If you want to record Style playback to Track 2, press the [STYLE] button and select the desired Style.
If you want to record only the rhythm (percussion) part, press the [START/STOP] button to play just the rhythm, then add the section change by pressing the [INTO/ENDING/rit.] button or [MAIN/ AUTO FILL] button. You can record a new track while listening to a previously recorded track (the track indication will appear). You can also mute recorded tracks (the track will disappear) while recording a new track by pressing the desired track button.
Start recording Perform steps 2 and 3 on pages 3738. By playing keys to the left of the Split Point when the Auto Accompaniment is set to on, the Style starts sounding and is recorded. Only your performance is recorded by playing the keyboard (any key is OK) when the Auto Accompaniment is set to off.
Flashes when track 2 is selected for recording.

Deleting User Songs

Deleting an entire User Song.
You cannot delete a specic track from a User Song.
Press the [SONG] button and select the User Song you want to delete by using the number buttons [0][9], [+], [-].
Press and hold the [REC] button for longer than a second. The Song Delete display appears.
Hold for longer than a second.

ClrUser1

You can cancel the delete operation by pressing the [-/NO] button.
Press the [+/YES] button. A conrmation message will appear on the display.
Press the [+/YES] button to delete the Song. Writing! message will appear while the track is being deleted.

Press the [FUNCTION] button a number of times until the Transpos appears.

Current octave value

Transpos
Set the octave by using the number buttons [0][9], [+], [-].

Current transpose value

Use the number buttons [0][9], [+], [-] to set the Transpose value between -12 and +12 as required.
Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (0).
Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (00).
The pitch of the Drum Kits Voices (Voice numbers 109121) cannot be changed.

Tuning

You can ne tune the pitch of the entire instrument. The overall tuning of the instrument can be shifted up or down by a maximum of 100 cents in 1-cent increments (100 cents = 1 semitone).

One Touch Setting

Sometimes selecting the ideal Voice to play with a Song or Style can be confusing. The One Touch Setting feature automatically selects the most suitable Voice for you when you select a Style or Song. Simply select Voice number 000 to activate this feature.
Press the [FUNCTION] button a number of times until Tuning appears.
Press the [VOICE] button, and then select Voice number 000 by using the number buttons [0][9], [+], [-].

Current tuning value

SprnoSax
Use the number buttons [0][9], [+] and [-] to set the Tuning value between -100 and +100 as required.
Appears when One Touch Setting is on.
This turns the One Touch Setting feature on. One Touch Setting will be turned off if you select any other Voice number.
The pitch of the Drum Kits Voices (Voice numbers 109121) cannot be changed. Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (000).
The Song is made up by several tracks. You can mute Track 1 or Track 2 during Song playback. You can turn the left- and right-hand parts on or off as desired, allowing you to listen to the corresponding part (the part that is turned on), or practice the corresponding part (the part that is turned off) on the keyboard. Track 1 can be muted by pressing the [REC TRACK 1] button during Song playback. Track 2 or style track can be muted by pressing the [REC TRACK 2] button during Song playback. You can cancel the mute function by pressing the corresponding track buttons, [TRACK 1] or [TRACK 2] again during Song playback, or by selecting any other Song.

A-B Repeat

This function lets you specify a section of a SongA is the start point and B is the end pointfor repeat playback.

Play the Song and press the [A-B REPEAT] button at the beginning of the section you want to repeat (the A point), then press the [A-B REPEAT] button a second time at the end of the section you want to repeat (the B point). The specied A-B section of the Song will now play repeatedly.

FrereJac

The repeat start and end points can be specied in one-measure increments. You can also set the A-B Repeat function when the Song is stopped. Simply use the [REW] and [FF] buttons to select the desired measures, pressing the [A-B REPEAT] button for each point, then start playback. If you want to set the start point A at the very beginning of the Song press the [A-B REPEAT] button before starting playback of the Song.

Littrack contains data.

Unlittrack is muted or contains no data.
You can stop repeat playback at any time by pressing the [A-B REPEAT] button. An oFF REPEAT message appears on the display. The A-B REPEAT mode will be canceled and normal playback of the Song will continue.
The A-B Repeat function will be canceled when you select another Song or Style mode.
Pressing one of the Track buttons [TRACK 1] or [TRACK 2] will mute the corresponding track during Song playback.

Song Volume

This procedure allows you to adjust the balance between Song playback and the notes you play on the keyboard by setting the volume of the playback sound.
Changing the Melody Voice
You can change a Songs melody Voice to any other Voice you prefer.
You cannot change the melody Voice of a User Song.
Press the [SONG] button. Press the [FUNCTION] button a number of times until SongVol appears.

Current Song Volume

Select the Song and play it. Refer to the section Playing Songs on page 16. Select a desired Voice by using the number buttons [0][9], [+], [-].

SongVol

Set the Song Volume by pressing the number buttons [0][9], [+], [-].

HnkyTonk

Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (100).

Tap Start

Set the Tempo by using the number buttons [0] [9], [+], [-]. After selecting a song, you can set the Tempo by simply tapping the [TEMPO/TAP] button at the required tempofour times for time signatures in 4, and three times for time signatures in 3. You can change the Tempo during Song playback by pressing the [TEMPO/TAP] button just twice.
The selected Voice sounds when you play the keyboard. If a Song has played through and stopped during this procedure, press the [START/ STOP] button to start playback again.
Press and hold the [VOICE] button for longer than a second. SONG MELODY VOICE appears in the display for a few seconds, indicating that the Voice selected in Step 2 has replaced the Songs original melody Voice.

Starting Style playback

The following two methods can be used to start Style playback. In either case you will need to press the [ACMP ON/OFF] button to turn auto accompaniment on before actually starting Style playback. Synchro Start (Chord Start) Press the [SYNC START] button and the beat arrows will begin ashing, indicating that the Sync Start standby mode has been engaged. The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard. Tap Start You can supply a count-in at any tempo you like to start playback. Simply tap the [TEMPO/TAP] button at any tempo4 times for time signatures in 4, and 3 times for time signatures in 3and the selected Style rhythm will begin playing at the tapped tempo. The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard.
Adjusting the Style Volume
This procedure allows you to adjust the balance between Style playback and the notes you play on the keyboard by setting the volume of the playback sound.

Sync Start standby

Current Style volume setting

Accompaniment range

StyleVol
Style playback begins when you play a chord
Set the Style volume by using the number buttons [0][9], [+], [-].
The Sync Start standby mode will be cancelled when Style playback starts.
If you press the [SYNC START] button during Style playback, playback will stop immediately and the Sync Start standby mode will be engaged (beat arrows will ash).
Press the [STYLE] button. Press the [FUNCTION] button a number of times until the StyleVol appears.
Looking up Chords Using the Chord Dictionary
The Dictionary function is essentially a built-in chord dictionary that shows you the individual notes of chords. It is ideal when you know the name of a certain chord and want to quickly learn how to play it.
Press the M7 (major seventh) key in the section of the keyboard labeled CHORD TYPE >. (The note doesnt sound.) The notes you should play for the specied chord (root note and chord type) are shown in the display, both as notation and in the keyboard diagram.
Press and hold the [1 LISTENING 2 TIMING 3 WAITING] button for longer than a second. Dict. will appear in the display.

Notation of chord

Chord name (root and type)
Individual notes of chord (keyboard)
As an example, well learn how to play a GM7 (G major seventh) chord. Press the G key in the section of the keyboard labeled ROOT >. (The note doesnt sound.) The root note you set is shown in the display.
Keys for chord type dictionary

Keys for root dictionary

To call up possible inversions of the chord, press the [+]/[-] buttons.

Erasing Transferred Song Data from the PSR-E323/YPT-320 Memory
To erase all Songs transferred from the computer, use ash clear function on page 41. To erase specic Songs transferred from the computer, use the Delete function on Musicsoft Downloader.
Using Transferred Songs for Lessons
In order to use Songs (only SMF format 0) transferred from a computer for lessons it is necessary to specify which channels are to be played back as the right-hand and left-hand parts. Refer to the Lesson Track (R) or Lesson Track (L) in the Function Setting List on page 57. The procedure for setting the guide track is as follows: Select a transferred Song you want to use for lessons. Press the [FUNCTION] button a number of times until the R-Part or L-Part appears in the display, and then use the number buttons [0] [9], [+], [-] to select the channel you want to play back as the specied right- or left-hand part. We recommend that you select channel 1 for the right-hand part and channel 2 for the left-hand part.
Preset Song data cannot be transmitted from the PSR-E323/ YPT-320.
The backup data, including the ve User Songs is transmitted/received as a single le. As a result, all backup data (including the ve Songs) will be overwritten every time you transmit or receive. Keep this in mind when transferring data. Do not rename the backup le on the computer. If you do so, it will not be recognized when transferred to the instrument.

Troubleshooting

Problem When the instrument is turned on or off, a popping sound is temporarily produced. When using a mobile phone, noise is produced. There is no sound even when the keyboard is played or when a Song or Style is being played back. Not all of the voices seem to sound, or the sound seems to be cut off. Playing keys in the right hand area of the keyboard does not produce any sound. The volume is too soft. The sound quality is poor. The rhythm stops unexpectedly or will not play. The recorded data of the Song, etc. does not play correctly. The LCD display suddenly goes dark, and all panel settings are reset. The Style or Song does not play back when the [START/STOP] button is pressed.
Possible Cause and Solution This is normal and indicates that the instrument is receiving electrical power. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument. Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. Check the Local Control on/off. (See page 59.) The instrument is polyphonic up to a maximum of 32 notes including Dual voice, Split Voice, auto accompaniment, song, and Metronome. Notes exceeding this limit will not sound. When using the Dictionary function (page 54), the keys in the right hand area are used only for entering the chord root and type.

481 482
MIDI Program Voice Name Change# (1128) 115 Steel Drums 115 Glass Percussion 115 Thai Bells 116 Woodblock 116 Castanets 117 Taiko Drum 117 Gran Cassa 118 Melodic Tom 118 Melodic Tom Real Tom 118 Rock Tom 119 Synth Drum 119 Analog Tom 119 Electronic Percussion 120 Reverse Cymbal SOUND EFFECTS 121 Fret Noise 122 Breath Noise 123 Seashore 124 Bird Tweet 125 Telephone Ring 126 Helicopter 127 Applause 128 Gunshot 1 Cutting Noise 2 Cutting Noise String Slap 17 Flute Key Click 33 Shower 34 Thunder 35 Wind 36 Stream 37 Bubble 38 Feed 49 Dog 50 Horse 51 Bird Tweet Maou 65 Phone Call 66 Door Squeak 67 Door Slam 68 Scratch Cut 69 Scratch Split 70 Wind Chime 71 Telephone Ring Car Engine Ignition 82 Car Tires Squeal 83 Car Passing 84 Car Crash 85 Siren 86 Train 87 Jet Plane 88 Starship 89 Burst 90 Roller Coaster 91 Submarine 97 Laugh 98 Scream 99 Punch 100 Heartbeat 101 Footsteps 113 Machine Gun 114 Laser Gun 115 Explosion 116 Firework
The voice number with an asterisk (*) is XGlite optional voice.

Drum Kit List

indicates that the drum sound is the same as Standard Kit 1. Each percussion voice uses one note. The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in 109: Standard Kit 1, the Seq Click H (Note# 36/Note C1) corresponds to (Note# 24/Note C0). Key Off: Keys marked O stop sounding the instant they are released. Voices with the same Alternate Note Number (*1 4) cannot be played simultaneously. (They are designed to be played alternately with each other.)

C1 D1 E1 F1 G1

C#1 D#1

F#1 G#1

A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1
Voice No. MSB(0127) / LSB(0127) / PC(1128) Keyboard MIDI Key Alternate Off Group Note# Note Note# Note 25 C# C# -26 D D -27 D# D# -E E -F F -30 F# F# -31 G G -G# G# -A A -A# A# -B B -C C C# C# D D 0 O 39 D# D# E E 0 O 41 F F 0 O 42 F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# 55 G G G# G# 57 A A A# A# 59 B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B 3 O 84 C C 4 O 85 C# C# D D 4 O 87 D# D# E E F F F# F# G G G# G# 93 A A 94 A# A# B B C C C# C# D D D# D# E E F F F# F# G G 5

Music Database List

MDB No. MDB Name POP AlvFever DayPdise GoMyWay HowDeep! HurryLuv Imagine JustCall SultanSw WhitePle YesterPf ROCK JumpRock PickUpPc RdRiverR SatsfyGt Sheriff SmokeWtr TwistAgn VenusPop DANCE 2 of Us B Leave Back St Crockett FunkyTwn KillSoft Nine PM SingBack StrandD BALLAD AdelineB CatMemry ElvGhett Feeling Mn Rivr OnMyMnd OverRbow ReleseMe SavingLv SmokyEye WhisprSx MDB No. MDB Name R&B AmazingG BoogiePf Clock Rk CU later HappyDay RisingSn ShookUp TeddyBer SWING & JAZZ ChooChoo HighMoon InMood MistySax MoonLit New York SaintMch ShearJz TstHoney USPatrol EASY LISTENING Close2U Entrtain LuvStory MyPrince PupetStr Raindrop R'ticGtr SingRain SmallWld SpkSoft StrangeN TimeGoes WhteXmas WishStar LATIN BambaLa BeHappy! CopaLola DayNight Ipanema WondrWld MDB No. MDB Name MuchoTrp Sunshine Tico Org TrbWave COUNTRY BoxerFlt CntryRds Jambala TopWorld YlwRose BALLROOM BrazilBr CherryTp DanubeWv TangoAc Tea4Two TRADITIONAL CampRace CielPari GrndClok JinglBel MickMrch Showbiz StarMrch WashPost XmasWalz YankDood

Song List

Top Picks These demonstration songs showcase the various sounds of the instrument. Learn to Play Each of these songs has two variations: an easy one which even beginners can practice with ease, and another more challenging version. Favorite Weve collected various folk songs from around the world which have been handed down from through the generations, as well as famous classical pieces. Try playing the melody of these songs with your right hand. Favorite with Style Enjoy performing a piece with Style accompaniment (automatic accompaniment data). (Keys to Success is designed so that you master playing the melody with your right hand rst, and then learn the roots of the chords with your left hand.) Instrument Master These songs feature solo instruments other than pianoletting you enjoy playing other instrumental voices along with orchestral accompaniment. Piano Repertoire These included famous pieces from around the world along with well-known piano pieces. Enjoy the beautiful, resonant piano sound as you play solo or along with orchestral backing.

Optional Accessories AC Power Adaptor: Yamaha PA-130 or an equivalent USB-MIDI Interface: UX16 Footswitch: FC4/FC5 Keyboard Stand: L-2C/L-2L Headphones: HPE-150/HPE-30
* Specications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specications at any time without prior notice. Since specications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
09, +, -... 26 1LISTENING 2TIMING 3WAITING.. 31
Harmony... 42 Harmony Type List.. 73 Harmony Volume.. 57
AB Repeat... 51 AC Power Adaptor.. 8 ACMP ON/OFF.. 20 Auto Accompaniment.. 18, 20 Auto accompaniment range.. 18, 20
Initial Send... 57 Initialization... 41 Intro... 23
Backup... 41, 62 Backup File... 62 Battery... 8 Beat Display... 27
Keyboard Display.. 27 KEYS TO SUCCESS.. 28
Left.... 32 Lesson.. 28, 3234 Lesson track R/L for transferred songs. 57, 62 Listening... 33 Local... 57, 59
Cancel.. 40 Chord... 2425 Chord Dictionary.. 54 Chord Display.. 27 Chorus.. 43 Chorus Send Level (Main, Dual and Split). 43, 5657 Chorus Type List... 73 Computer... 58
Main/Auto fill... 23 Master Volume Control.. 9 Measure... 27 Melody Voice... 52 Metronome... 14, 48 Metronome Volume... 48 MIDI... 58 MIDI IN/OUT.. 58 Music Database... 36 Music Rest... 9 Mute... 51
DC IN 12V.. 8 Delete (File)... 41 Delete (User Song)... 40 Demo... 17 Display... 27 Drum Kit... 15 Drum Kit List... 68 Dual... 45
NO... 40 Notation... 27 Number buttons... 26
Ending.. 23 External Clock... 57, 59
FF... 17 Flash Memory.. 61 Footswitch (Sustain jack).. 9 Function... 56 Function Setting List.. 5657
Octave (Dual)... 57 Octave (Main).. 56 Octave (Split)... 57 One Touch Setting.. 50 Option... 74

Grade... 34

Part.... 32 Passing Status.. 27, 30 Pause... 17 PC setting.. 59 PHONES/OUTPUT... 9 Phrase... 35 Phrase Repeat.. 28, 35 Press and Hold for a while... 26
Tempo.. 22 TEMPO/TAP.. 22 Time Signature... 48 Timing.. 33 Touch Response.. 44 Touch sensitivity... 44 Track.. 27, 38, 51 Track Rec... 3839 Transfer... 60 Transpose.. 49 Tuning.. 50
Recording... 3739 Remote Control... 60 Reverb.. 43 Reverb Level.. 57 Reverb Type List... 73 Rew... 17 Rhythm... 18 Right... 32 rit.(ritardando).. 23 Root... 25, 54

User Song.. 38

Voice... 12, 42 Voice List.. 64 Volume (Song)... 52 Volume (Style)... 53 Volume (Voice)... 47
Save data to computer.. 62 Section.. 23 SMF Format 0.. 60 Song... 16, 51 Song List... 72 Song Volume... 52 Split... 46 Split Point... 4647 STANDBY/ON.. 9 START/STOP.. 17 Step... 28 Style... 18, 53 Style File.. 55, 61 Style Volume... 53 Supplied Accessories.. 5, 74 Sustain (Footswitch).. 9 Sustain (Panel)... 44 Synchro Start... 19, 53

Waiting... 33

XGlite... 5

FINLAND

F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

NORWAY

Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1, N-1345 sters, Norway Tel: 77 70

SINGAPORE

Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374

EUROPE

THE UNITED KINGDOM/IRELAND
Yamaha Music U.K. Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland Tel: 525 5000

TAIWAN

Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688

RUSSIA

Yamaha Music (Russia) Ofce 4015, entrance 2, 21/5 Kuznetskii Most street, Moscow, 107996, Russia Tel: 0660

GERMANY

Yamaha Music Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030

THAILAND

Siam Music Yamaha Co., Ltd. 4, 6, 15 and 16th oor, Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, Thailand Tel: 02-215-2626

OTHER EUROPEAN COUNTRIES

Yamaha Music Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Europe GmbH Branch Switzerland in Zrich Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990

OTHER ASIAN COUNTRIES

AFRICA

Yamaha Corporation,

Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

AUSTRIA

Yamaha Music Europe GmbH Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900
Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317

!2 ARPEGGIO [ON/OFF] button.. page 14 [TYPE] button.. page 15 !3 SONG CONTROL [ ] (REPEAT & LEARN) button. page 48 [ ] (A-B REPEAT) button. page 78 [ ] (REW) button. page 40 [ ] (FF) button.. page 40 [ ] (PAUSE) button. page 40 [ ] (START/STOP) button.pages 40, 58 !4 STYLE CONTROL [ACMP ON/OFF] button. page 34 [INTRO/ENDING/rit.] button. page 71 [MAIN/AUTO FILL] button.. page 71 [SYNC STOP] button.. page 71 [SYNC START] button. page 70 [START/STOP] button.pages 33, 58
Music Database List (page 114)
Voice Category List (page 106)

!7 !8 !9 @0

Rear Panel
!5 Dial.. pages 58, 83 !6 CATEGORY [ ] and [ ] buttons.. pages 58, 83 !7 [SONG] button.. page 39 !8 [STYLE] button.. page 33 !9 [MUSIC DATABASE] button. page 49 @0 [VOICE] button.. page 28 @1 Number buttons [0][9], [+] and [-] buttons.. pages 58, 83 @2 [PORTABLE GRAND] button.. page 31 @3 REGIST MEMORY [MEMORY/BANK], [1], [2] buttons. page 80 @4 VOICE CONTROL [SPLIT] button.. page 30 [DUAL] button.. page 29 [HARMONY] button.. page 60 [TOUCH] button. page 65
@5 PITCH BEND wheel.. page 66 @6 Drum Kit.. page 32
The illustrations next to each key indicate the drum and percussion instruments assigned to the keys when Standard Kit 1 is selected.
@7 USB terminal..pages 11, 87 @8 SUSTAIN jack.. page 11 @9 PHONES/OUTPUT jack. page 11 #0 DC IN 12V jack.. page 10

ck Gui ui Q

Creating Arpeggios
The arpeggio function lets you create arpeggios (broken chords) by simply playing the required notes on the keyboard. For example, you could play the notes of a triadthe root, third, and fthand the arpeggio function will automatically create a variety of interesting arpeggiotype phrases. By changing the arpeggio type and the notes you play it is possible to create a wide range of patterns and phrases that can be used for music production as well as performance.
Press the ARPEGGIO [ON/OFF] button to turn the arpeggio function on.
The indicator lights when the Arpeggio function is on.
Voices and the Arpeggio Function This instrument lets you select a variety of voices that you can play via the keyboard. When you select a voice number between 129 and 148 the arpeggio function will automatically be engaged so you can start playing arpeggios immediately. The arpeggio function will automatically be turned off when you select any other voice. If you want to use voices 129148 for normal performance without the arpeggio function, press the ARPEGGIO [ON/OFF] button to turn the arpeggio function off after selecting the voice.
Voices for which the arpeggio function is automatically turned on.
Voice No. Voice Name Concerto Pizzicato Piano Ballad Synth Sequence Guitarist Pauls Bass Trance Bass SynthChords Acid Bass Funky Clavi Voice No. Voice Name ReggaeOrgan Harpeggio SalsaPIano AnalogSequence Sawtooth Piano Arpeggio Guitar Arpeggio ClubBeat R&B Loop ClubAdds

Knob B adjusts the amount of resonance applied at the lters cutoff frequency. Increasing the resonance emphasizes the frequencies at the cutoff frequency, and thus strengthens the perceived effect of the lter.

Level Resonance

Frequency

x Effect

Reverb reproduces the acoustic ambience of a concert hall or club, while chorus produces a layered multi-instrument effect.
Reverb Send Level Chorus Send Level
Knob A adjusts the depth of the reverb effect, and Knob B adjusts the depth of the chorus effect.
c EG (Envelope Generator)
Envelope Generator effects determine how the level of the sound varies over time. You can make the attack faster for a more percussive sound or slower for a violin-like sound, for example. Or you can lengthen or shorten the sustain to most ideally match the music.

Attack Time Release Time

Knob A adjusts attack time (the amount of time it takes the sound to reach maximum level when a key is played). Knob B adjusts release time (the amount of time it takes for the sound to decay to silence after a key is released).

Sustain Level

ATTACK

RELEASE

Key Played

Key Released

v Style Filter
In this case the knobs apply the lter effect to the style being played. Knob A and Knob B have the same functions as for z Filter described on the preceding page.

b Style Tempo

Tempo No Effect
Knob A adjusts the tempo of the style and arpeggios. Rotating the knob clockwise increases the tempo while rotating it counterclockwise decreases the tempo. The knobs center position produces the initial default tempo.

Using the Knobs

Select the voice you want to play on the keyboard.

SquareLd

The name of the currently selected voice will appear in the display when you press the [VOICE] button. Use the dial to select the desired voice. For this example we want to use a synth-lead type voice, so select 97 SquareLd (Square-wave Lead).
Press the [ASSIGN] button as many times as necessary to select z FILTER (z will appear in the display).

z appears here.

Knob A can now be used to adjust the lter cutoff frequency, and Knob B can be used to adjust the resonance.

To play a major chord Press the root note of the chord.

C sus4

To play a minor chord Press the root note together with the nearest black key to the left of it. To play a seventh chord Press the root note together with the nearest white key to the left of it.

C M7aug

To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).

C dim7

C 7aug

C 7sus4

C sus2
* Notes enclosed in parentheses ( ) are optional; the chords will be recognized without them.
With this instrument the term song refers the data that makes up a piece of music. You can simply enjoy listening to the 30 internal songs, or use them with just about any of the many functions providedthe performance assistant technology feature, lessons, and more. The songs are organized by category. In this section well learn how to select and play songs, and briey describe the 30 songs provided.
Select and Listen to a Song

Listen

Lesson

Record

Press the [SONG] button.
The song number and name will be displayed. You can use the dial to select a different song.
The currently selected song and number are displayed
Select a song after referring to the preset song category list on page 41. Use the dial to select the song you want to listen to.
You can also play songs you have recorded yourself (User Songs) or songs that have been transferred to the instrument from a computer in the same way that you play the internal songs.

ForElise

The song displayed here can be played
Built in Songs (see next page) User Songs (Songs you record yourself). Songs transferred from a computer (pages 9092)

Listen to the song.

Press the [ ] (START/STOP) button to begin playback of the selected song. You can stop playback at any time by pressing the [ ] (START/ STOP) button again.

Song start!

Using the [DEMO/PC] button Press the [DEMO/PC] button to play Songs 001008 in sequence. Playback will continue repeatedly starting again from the rst Song (001). You can select a song by using the [-] and [+] buttons after pressing the [DEMO/PC] button. You can stop playback at any time by pressing the [DEMO/PC] button.
Song Fast Forward, Fast Reverse, and Pause

Types of Songs

The following three types of songs can be used by the PSR-E413. Preset Songs (the 30 songs built into the instrument).Song numbers 001030. User Songs (recordings of your own performances).Song numbers 031035. External song les (song data transferred from a computer*).Song numbers 036.
* The Accessory CD-ROM includes a selection of 70 MIDI songs. See page 91 for instructions on how to transfer the songs to the instrument.
The chart below shows the basic PSR-E413 processes ow for using the preset songs, user songs, and external song lesfrom storage to playback.
Computer Your own performance External song le

(page 52)

Transfer
(page 91) External song les can be saved to ash memory (036134).
PSR-E413 Song Storage locations Preset Songs (001030)
The 30 songs built into the instrument.

User Songs (031035)

Stored in the internal ash memory.

Flash Memory (036134)

Save to internal ash memory. Currently available.
Different ash memory areas are used to store user songs and external song les transferred from a computer. User songs cannot be directly transferred to the external song le ash memory area, and vice versa.

Yamaha Education Suite

You can select song you like and use it for a left-hand, right-hand, or both-hands lesson. You can also use songs (only SMF format 0) downloaded from the Internet and saved to ash memory. (pages 9092) During the lesson you can play as slowly as you like, and you can even play wrong notes. Song playback will slow down to a speed you can handle. Its never too late to start learning!
Lesson Flow: Select a song from the Piano Solo, Piano Ensemble category!
Select the song you want to learn. Select the part you want to work on (right hand, left hand, both hands). Select lesson 1, 2, or 3. Lesson start!

The practice methods:

Lesson 1.Learn to play the correct notes. Lesson 2.Learn to play the correct notes with the correct timing. Lesson 3.Learn to play the correct notes at the correct timing along with the song.

Lesson 1Waiting

In this lesson, try playing the correct notes. Play the note shown in the display. The song will wait until you play the right note.

Appears when auto accompaniment is on

Loading Style Files

This instrument features 165 internal styles, but other styles, such as those provided on the CD-ROM and others that can be obtained from the internet (only styles with the.sty sufx), can be loaded into style number 166 and used in the same way as the internal styles. In order to use the style le load function, the le must already have been transferred from the computer to the instrument. The procedure for transferring les from a computer to the instrument is described on page 90 (Transferring Data between the Computer and Instrument). The procedure described below loads a style le that has already been transferred from a computer to the instrument into style number 166.
3 Execute the load operation.
With the name of the style le you want to load shown in the display, press the number [0] button.
] and [ ] buttons as many times as necessary to select the style le load function Sff Load.
4 A conrmation message for the load
operation will appear. Press the [+/YES] button to actually load the le.

Sff Load

After about 2 seconds the name of a loadable style le will appear in the display. If multiple loadable style les have been transferred to the instrument, you can use the dial or the [+] and [-] buttons to select the other les in sequence.

Chord Basics

Two or more notes played together constitute a chord. The most basic chord type is the triad consisting of three notes: the root, third, and fth degrees of the corresponding scale. A C major triad, for example, is made up of the notes C (the root), E (the third note of the C major scale), and G (the fth note of the C major scale).
In the C major triad shown above, the lowest note is the root of the chord (this is the chords root position. using other chord notes for the lowest note results in inversions). The root is the central sound of the chord, which supports and anchors the other chord notes. The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.
Major thirdfour half steps (semitones) Minor thirdthree half steps (semitones)
The lowest interval in our root-position triad (between the root and the third) determines whether the triad is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two additional chords, as shown below.

Major chord CM Minor chord Cm Augmented chord C aug Diminished chord C dim

Minor 3rd

Major 3rd
The basic characteristics of the chord sound remain intact even if we change the order of the notes to create different inversions. Successive chords in a chord progression can be smoothly connected, for example, by choosing the appropriate inversions (or chord voicings).

Reading Chord Names

Chord names tell you just about everything you need to know about a chord (other than the inversion/voicing). The chord name tells you what the root of the chord is, whether it is a major, minor, or diminished chord, whether it requires a major or atted seventh, what alterations or tensions it uses. all at a glance.
Root note Chord type Major 7 th
Some Chord Types (These are just some of the Standard chord types recognized by the PSR-E413.)
Suspended 4 th 7 th Minor 7 th

Perfect 5 th

Perfect 4 th

Flatted 7 th

Major chord

Minor chord

Major 7 th

Minor/major 7 th

7 th, atted 5 th

Minor 7 th, atted 5 th

7 th, suspended 4 th

Flatted 5 th

7 th chord

Minor 7 th chord

Suspended 4 th chord
Recognized Standard Chords
All chords in the chart are C-root chords.
Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fth [(b5)] Major seventh atted fth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh atted fth [m7b5] Minor major seventh atted fth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh atted ninth [7(b9)] Seventh add atted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh atted fth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] Suspended second [sus2] Normal Voicing 1-3-5 1-2-3-- (3) - 5 - - 2 - 3 - (5) - - 3 - (5) - 7 or 1 - (3) - 5 - - 2 - 3 - (5) - - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - - 3 - b- 3 - b5 - 7 1-4-- 3 - #- (3) - #5 - - b3 - - 2 - b3 - - b3 - 5 - - b3 - (5) - b- 2 - b3 - (5) - b- (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - - 2 - b3 - (5) - - b3 - b5 - b- b3 - b5 - - b3 - b- b3 - b5 - - 3 - (5) - b7 or 1 - (3) - 5 - b- b2 - 3 - (5) - b- 3 - 5 - b6 - b- 2 - 3 - (5) - b- (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b- 3 - (5) - 6 - b- #2 - 3 - (5) - b- 3 - b5 - b- 3 - #5 - b- 4 - (5) - b7 1-2-5 Chord (C)

Display C C(9) C6 C6(9) * CM7 CM7 (9) * CM7(#11) * Cb5 * CM7b5 * Csus4 Caug CM7aug * Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) * CmM7 CmM7(9) * Cm7b5 CmM7b5 * Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 * C7aug C7sus4 C*

C M7 C M7

C M7 C

(b5) (b5)

C sus4 C aug C M7aug Cm Cm

C m6 C m7 C m7 C m7

(9) (11)

C mM7 C mM7 C m7

(b5) (b5) (9)
C mM7 C dim C dim7 C7 C7 C7

C7 C7 C7

(13) (#9)
C 7b5 C 7aug C 7sus4 C sus2
* These chords are not shown in the Dictionary function.
NOTE Notes in parentheses can be omitted.
Playing two same root keys in the adjacent octaves produces accompaniment based only on the root. A perfect fth (1+5) produces accompaniment based only on the root and fth which can be used with both major and minor chords. The chord ngerings listed are all in root position, but other inversions can be usedwith the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), sus2.
NOTE Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted.
The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). Two-note ngerings will produce a chord based on the previously played chord.
Looking Up Chords Using the Chord Dictionary
The Dictionary function is essentially a built-in chord book that shows you the individual notes of chords. It is ideal when you know the name of a certain chord and want to quickly learn how to play it.
1 Press and hold the LESSON [START]
button for longer than a second.
3 Press the M7 (major seventh) key in
the section of the keyboard labeled CHORD TYPE. (The note doesnt sound.) The notes you should play for the specied chord (root note and chord type) are shown in the display, both as notation and in the keyboard diagram.
2 As an example, well learn how to play a
GM7 (G major seventh) chord. Press the G key in the section of the keyboard labeled ROOT. (The note doesnt sound.) The root note you set is shown in the display.

Notation of chord

Chord name (root and type)
Individual notes of chord (keyboard)
To call up possible inversions of the chord, press the [+]/[-] buttons.

Do not suspend the computer while the MIDI application is running. You may not be able to suspend/resume normally, depending on the particular environment (USB Host Controller, etc.). Even so, simply disconnecting and connecting the USB cable will allow you to use the instrument functions again.
Make sure that no ! or x marks appear at Universal serial bus controller or USB Root Hub. If you see an ! or x mark, the USB controller is disabled. Is any unknown device registered? If driver installation fails, the instrument will be marked as an Unknown device, and you will not be able to install the driver. Delete the Unknown device by following the steps below.
How can I remove the driver? [Windows 2000/XP/Vista]
Look for Other devices in the menu View devices by type. If you nd Other devices, double-click it to extend the tree to look for Unknown device. If one appears, select it and click the [Remove] button. Remove the USB cable from the instrument, and make the connection again. Install the driver again. Windows 2000 users. see page 96 Windows XP users. see page 96 Windows Vista users. see page 97
Start the computer and use the Administrator account to log on Windows. Close all applications and windows that are open. Insert the included CD-ROM into the CDROM drive. Select My Computer from the Start menu. Right-click the CD-ROM icon and select Open from the pop-up menu. Select USBdrvVista_ or USBdrv2k_ folder uninstall folder uninstall.exe le and launch uninstall.exe. le. Follow the on-screen instructions to uninstall the driver.
NOTE When using a 64-bit OS, click uninstall_x64.exe. from USBdrvVista_ folder. NOTE If the User Account Control window appears, click [Continue].
When controlling the instrument from your computer via USB, the instrument does not operate correctly or no sound is heard.
Did you install the driver? (page 95) Is the USB cable connected correctly? Are the volume settings of the instrument, playback device, and application program set to the appropriate levels? Have you selected an appropriate port in the sequence software?
A message asking you to restart your computer in order to complete the uninstall procedure will appear. Driver removal will be complete when you have restarted your computer.
Problem When the instrument is turned on or off, a popping sound is temporarily produced. When using a mobile phone, noise is produced. Possible Cause and Solution This is normal and indicates that the instrument is receiving electrical power. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument. Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. Check the Local Control on/off. (See page 88.) Playing keys in the right hand area of the keyboard does not produce any sound. The volume is too soft. The sound quality is poor. The rhythm stops unexpectedly or will not play. The recorded data of the song, etc. does not play correctly. The LCD display suddenly goes dark, and all panel settings are reset. The style or song does not play back when the [START/STOP] button is pressed. When using the Dictionary function (page 77), the keys in the right hand area are used only for entering the chord root and type.

The wrong notes sound when the keyboard is played. The ACMP ON indicator does not appear when the [ACMP ON/OFF] button is pressed.
There is no harmony sound.

Scores

This demo is an example of how the Easy Song Arranger can be used to change styles throughout a piece.

Song No. 9 q =123

(Function Demo for Easy Song Arranger)

Hallelujah Chorus

This score is provided with the intent that the pitch will be corrected by the performance assistant technology feature. If you play the Play These Notes part using the performance assistant technology feature, the part will be corrected and played so that it matches the backing part.

Song No. 10 q =61

(Function Demo for performance assistant technology)

Ave Maria

P.A.T.

Type =CHORD

Your Turn.
Repeatedly Play the Same Key.

Song No. 11 q =108

Nocturne op.9-2
You Can Even Play the Same Keys!

Voice List

Maximum Polyphony The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).

Panel Voice List

Voice No.
MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) PIANO 1 Grand Piano 2 Bright Piano 7 Harpsichord 4 Honky-tonk Piano 3 MIDI Grand Piano 3 CP 80 E.PIANO 5 Cool! Galaxy Electric Piano 6 Hyper Tines 5 Funky Electric Piano 6 DX Modern Electric Piano 6 Venus Electric Piano 8 Clavi ORGAN 19 Cool! Organ 19 Cool! Rotor Organ 17 Jazz Organ Jazz Organ Rock Organ 19 Purple Organ 18 Click Organ 17 Bright Organ 19 Theater Organ 20 16'+2' Organ 20 16'+4' Organ 20 Chapel Organ 20 Church Organ 21 Reed Organ ACCORDION 22 Musette Accordion 22 Traditional Accordion 24 Bandoneon 23 Modern Harp 23 Harmonica GUITAR 25 Classical Guitar 26 Folk Guitar 27 Jazz Guitar 28 60s Clean Guitar 26 12Strings Guitar 28 Clean Guitar 27 Octave Guitar 29 Muted Guitar 30 Overdriven Guitar 31 Distortion Guitar BASS 34 Finger Bass 33 Acoustic Bass 35 Pick Bass 36 Fretless Bass 37 Slap Bass 39 Synth Bass 39 Hi-Q Bass 40 Dance Bass
The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the instrument via MIDI from an external device. Program change numbers are often specied as numbers 0127. Since this list uses a 1128 numbering system, in such cases it is necessary to subtract 1 from the transmitted program change numbers to select the appropriate sound: e.g. to select No. 2 in the list, transmit program change number 1. Some voices may sound continuously or have a long decay after the notes have been released while the sustain pedal (footswitch) is held.

Note# Note Note# Note Off assign
117 127/000/001 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare Soft Sticks Kick Soft Open Rim Shot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bells Bell Tree
118 127/000/002 Standard Kit 2

119 127/000/009 Room Kit

120 127/000/017 Rock Kit
121 127/000/025 Electronic Kit
122 127/000/026 Analog Kit

C1 D1 E1 F1 G1

C#1 D#1

F#1 G#1

A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1
C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G
-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -5
Reverse Cymbal Snare Roll 2 Snare Soft 2 Snare Noisy Kick Tight 2 Open Rim Shot H Short Kick Tight Short Kick Short Snare Short Snare Tight H Snare Snappy Snare Tight Snappy Tom Room 1 Tom Room 2 Tom Room 3 Tom Room 4 Tom Room 5 Tom Room 6 Kick 2 Kick Gate Snare Rock Snare Rock Rim Tom Rock 1 Tom Rock 2 Tom Rock 3 Tom Rock 4 Tom Rock 5 Tom Rock 6

Reverse Cymbal

Hi Q 2 Hi Q 2 Snare Snappy Electro Snare Noisy 4 Kick 3 Kick Gate Kick Gate Heavy Snare Noisy 2 Snare Noisy 3 Tom Electro 1 Tom Electro 2 Tom Electro 3 Tom Electro 4 Tom Electro 5 Tom Electro 6 Kick Tight 2 Kick Analog Short Kick Analog Side Stick Analog Snare Analog Snare Analog 2 Tom Analog 1 Hi-Hat Closed Analog Tom Analog 2 Hi-Hat Closed Analog 2 Tom Analog 3 Hi-Hat Open Analog Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6

Cowbell Analog

Conga Analog H Conga Analog M Conga Analog L

Maracas 2

Claves 2

Scratch H 2 Scratch L 2

Scratch H 2 Scratch L 3

Arpeggio List

Arpeggio No. Arpeggio Name UpOct DownOct UpDnOct SynArp1 SynArp2 SynArp3 SynArp4 SyncEcho PulsLine StepLine Random Down&Up SuperArp AcidLine TekEcho VelGruv Trance1 Trance2 SynChrd1 SynChrd2 Hybrid1 Hybrid2 Hybrid3 Hybrid4 PfArp1 PfArp2 PfArp3 PnClub1 PnClub2 PfBallad PfChd8th EPArp PfShfl PfRock Clavi1 Clavi2 ChordUp ChdDance Salsa1 Salsa2 Reggae1 Reggae2 Reggae3 6/8R&B Gospel BlldEP Strum1 Strum2 Pickin GuitChd1 Arpeggio No. Arpeggio Name GuitChd2 GuitChd3 GuitArp FngrPck1 FngrPck2 CleanGt Slowfl Samba1 Samba2 Harp1 Harp2 FngrBass CooFunk SlapBass AcidBas1 AcidBas2 FunkyBs ComboJaz TranceBs LatinBs PercArp Strings1 Strings2 Strings3 StrngDwn StrngUp Orchestr Pizz1 Pizz2 Perc1 Perc2 R&B Funk1 Funk2 HipHop Trance Dream 2 Step Ibiza1 ClubHs1 ClubHs2 EuroTek House Ibiza2 Ibiza3 Garage African Tamb Latin Arabic

Music Database List

MDB No. 61 MDB Name ALL TIME HITS Jude Hey New UK MyLoving All OK Buttercp JustCall CheepChp Daddys Dance? GetBack GtrWheel HighTide IWasBorn Sailing BluJeans Holiday Imagine LoveMe LetItBld LdyMdona YelowSub Marriage MovinOut My Shell NowNever DoLoveMe TcktRide SeeClear Masachus Hard Day USA Pie Norway YesterBd MODERN POP Watches SoundMPH Hold Us Unfound NeedSome PrtTmLvr MoonShdw NikitSng Sure of Off Day Tell Her GirlsMne NeedLove POP CLASSICS Standing RainLaff Sunshine ForNamdo ThankFor ManPiano CoinLane LovesYou Tmbourin Alone GldField Raindrop SultanSw LifesWk TopWorld MDB No. 122 MDB Name WatchGrl POP BALLAD WnderLnd CanIStop EvryTime IvoryAnd TheWorld LovWoman Dolannes Madigan Paradise Whisper BALLAD AllOdds AtonalFl Hero Woman RunToYou LoveOfAl CndleWnd Cavatina Cherish ToLoveMe YouKnow Evrythng EyesOfBl Hello BeThere FlyAway LoveYou NeverLet JustOnce IfYouGo SavingAl InTheDrk LovePwr Vision Beautifl AllAlone Opposite BeHonest SayYou SayNthng Stranger OneDay TheBayou ThisSong Distance ThisWay LoveGone Inspirng TrueColr ROCK & ROLL ShakenUp Beethovn HurryLov BeCruel Jumping Countdwn SuePeggy Champion Jailhous BlueShoe Rockin24 MDB No. MDB Name Shouting Rock&Rll HonkyTnk OLDIES Daydream Sumertme Dianas Uptown Apache IGotIt Tonight MyPillow NoRain FInalDance SlpnLion Ghetto LipsLcky PrettyWm TikiGtr TurnThre Sherry DANCE & DISCO Babylon Goodbye Catch22 DISCO Survival TheNavy DontHide Celebrat LondonRU 10,2 Sun ShakeYou Believe BoySumer ImSexy StuffHot SWING & JAZZ Patrol Charles GiveLove Rhythm LOVE LeroyBad Caraban Misbehav Safari Smiling SoWhatIs TimeGone TasteHny Sandman Tunisian TwoFoot MyBaby R&B AsPlayed BabyGrov Highwy66 SweetCHI JustU&Me ManLoves OurLove Wish I

The easy song arranger can only be used with songs that include chord data.

Effect Type List

Harmony Types
No. Duet Trio Block Country Octave Trill 1/4 note

Harmony Type

Description
Harmony types 0105 are pitch-based and add one-, two- or three-note harmonies to the single-note melody played in the right hand. These types sound when chords are played in the auto accompaniment range of the keyboard. These Harmony types will also work when playing songs that contain chord data.
Trill 1/6 note Trill 1/8 note
Trill 1/12 note Trill 1/16 note
Types 626 are rhythm-based effects and add embellishments or delayed repeats in time with the auto accompaniment. These types sound whether the auto accompaniment is on or not; however, the actual speed of the effect depends on the Tempo setting (page 27). The individual note values in each type let you synchronize the effect precisely to the rhythm. Triplet settings are also available: 1/6 = quarter-note triplets, 1/12 = eighth-note triplets, 1/24 = sixteenth-note triplets. The Trill effect Types (0612) create two-note trills (alternating notes) when two notes are held. The Tremolo effect Types (1319) repeat all held notes (up to four). The Echo effect Types (2026) create delayed repeats of each note played.
Trill 1/24 note Trill 1/32 note Tremolo 1/4 note
Tremolo 1/6 note Tremolo 1/8 note
Tremolo 1/12 note Tremolo 1/16 note
Tremolo 1/24 note Tremolo 1/32 note Echo 1/4 note
Echo 1/6 note Echo 1/8 note
Echo 1/12 note Echo 1/16 note
Echo 1/24 note Echo 1/32 note

Reverb Types

No. 10 Hall 13 Room 12 Stage 12 Plate 12 Off Reverb Type Concert hall reverb. Small room reverb. Reverb for solo instruments. Simulated steel plate reverb. No effect. Description

Chorus Types

No. 05 Chorus 12 Flanger 12 Off Chorus Type Description Conventional chorus program with rich, warm chorusing. Pronounced three-phase modulation with a slight metallic sound. No effect.
YAMAHA PSR-E413 Transmitted Recognized Remarks MIDI Implementation Chart
Date:10-OCT-2007 Version : 1.0
Function. 1 - 16 x 3 x ************** 0 - - 127 o 9nH,v=1-127 x x x o 0-24 semi Bank Select *1 Data Entry 3 x x 1 - 16 x

Basic Channel

Default Changed

Default Messages Altered

Note Number o 9nH,v=1-127 x 9nH,v=0 x x o 0-24 semi
0 - 127 : True voice **************

6. LIMITATION OF LIABILITY
YAMAHAS ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES, EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARISING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFTWARE, EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall Yamahas total liability to you for all damages, losses and causes of action (whether in contract, tort or otherwise) exceed the amount paid for the SOFTWARE.

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2. RESTRICTIONS

You may not engage in reverse engineering, disassembly, decompilation or otherwise deriving a source code form of the SOFTWARE by any method whatsoever. You may not reproduce, modify, change, rent, lease, or distribute the SOFTWARE in whole or in part, or create derivative works of the SOFTWARE. You may not electronically transmit the SOFTWARE from one computer to another or share the SOFTWARE in a network with other computers. You may not use the SOFTWARE to distribute illegal data or data that violates public policy. You may not initiate services based on the use of the SOFTWARE without permission by Yamaha Corporation. Copyrighted data, including but not limited to MIDI data for songs, obtained by means of the SOFTWARE, are subject to the following restrictions which you must observe. Data received by means of the SOFTWARE may not be used for any commercial purposes without permission of the copyright owner. Data received by means of the SOFTWARE may not be duplicated, transferred, or distributed, or played back or performed for listeners in public without permission of the copyright owner. The encryption of data received by means of the SOFTWARE may not be removed nor may the electronic watermark be modied without permission of the copyright owner.