Help How to Read the Help/Operation Guide
Depending on the selected function or operation, the PSR-740/640 shows a variety of displays and indications. Included in these are help messages that guide you through the various operations. There are two types of messages as shown below.

q Help

Pressing and holding the [HELP/DIRECT ACCESS] button shows a balloon to help you to understand the currently selected function or find an appropriate operation.
How to read This message means Select a voice with the data dial, the [+/ YES] button, the [-/NO] button or the Number buttons [0]-[9].

q Operation Guide

This gives relevant information for the current operation and remains displayed until you execute the next operation.
How to read This message means Press the [+/YES] button to execute the SAVE operation.
Note that the example Operation Guide displays shown in this manual are in English.
Selecting the desired language of the Help messages
You can select the desired language of the Help messages from the following: English, Japanese, German, French, Spanish, and Italian.

Press the [NEXT] button.

Select the desired Language.
Use the data dial, the [+/YES] button or the [-/NO] button.

Menu Selection

For certain operations on the PSR-740/640 (such as selecting voices, demo songs and styles), youll need to select different menus in the display. For example, the display below (for selecting the function) appears when you press the [FUNCTION] button.
In this case you can select the desired function by turning the data dial or move the cursor by pressing the [+/YES]/[-/NO] buttons.
Rotating the data dial to the right (clockwise) moves the cursor downward, while rotating it to the left (counter-clockwise) moves the cursor upward.
Pressing the [+/YES] button moves the cursor downward, while pressing the [-/NO] button moves the cursor upward.
The display below (for selecting voices) appears when you press the [VOICE R1] button.
In this case you can also select the voice by using the data dial or the [+/YES]/[-/NO] buttons as above; you can also input the voice number directly by using the number buttons [1]-[0] (See the next page).
Changing (Editing) Values
This section shows you how to set numeric values on the PSR-740/640, such as voice number, song/style number and various parameters. Input the values by using the number buttons [1]-[0] or the [+/YES]/[-/NO] buttons.
Number buttons [1]-[0] described below.
Rotating the data dial to the right (clockwise) increases the value, while rotating it to the left (counter-clockwise) decreases it.

Song Mode

Select this mode by pressing the [SONG] button or inserting the disk that contains song data into the disk drive. The Song mode is used for playing the full keyboard normally, and for playing back the songs.

SONG ACMP

page 76

COUNT INTRO INTRO

Record Mode
Select this mode by pressing the [RECORD] button. In the Record mode you can record your own original performances and songs, create original styles and Multi Pad phrases.
q Song record mode. page 92 Rehearsal mode (Sync Start off) Record (Synchronized Start) standby Recording q Style record mode. page 110 Record (Synchronized Start on/off) standby Recording q Pad record mode. page 106 Rehearsal mode (Sync Start off) Record (Synchronized Start) standby Recording
When Record (Synchronized Start) standby is on, the recording starts as soon as you play a key on the keyboard. If the [SYNC START] button is pressed, it will be canceled (the beat indicator dots will go out) and the PSR-740/640 will enter Rehearsal mode.

Disk Mode

Select this mode by pressing the [LOAD] button, [SAVE] button or the [UTILITY] button. In the Disk mode you can save and load important data (page 65). In the Disk mode, no panel operations can be executed (except for disk operations).

Playing Voices

The PSR-740/640 has a huge selection of various musical instrument voices which you can play. Try out the different voices referring to the voice list at the end of this manual (page 140).
Select and play the voices of different musical instruments Selecting a Voice... page 26 Keyboard Percussion... page 31 Assign three different voices to the keyboard and play them Playing Two Voices (R1, R2) Simultaneously.. page 27 Playing Different Voices with the Left (L) and Right (R1, R2) Hands. page 28 Functions of the Keyboard... page 29 Other voice-related functions Pitch Bend Wheel... page 30 Modulation Wheel (PSR-740)... page 30 Transpose.... page 30 Sustain.... page 31 Touch Sensitivity... page 136

Selecting a Voice

Press the [VOICE R1] button.
The voice selected here is called voice R1 (RIGHT 1). See page 29 for more information on voice R1.

Select a voice.

Use the data dial, the [+/YES] button, the [-/NO] button or the number buttons [1]-[0]. Refer to the Voice List (page 140).

Press the [START/STOP] button to start the rhythm tracks of the auto accompaniment, minus the bass and chord tracks.
Press the [START/STOP] button again to stop the accompaniment.
Using Auto Accompaniment (all tracks)
Press the [STYLE] button (page 34). Select a style (page 34).
Turn AUTO ACCOMPANIMENT on.
Press the [ACMP ON/OFF] so that its indicator lights. The specified left-hand section of the keyboard becomes the Auto Accompaniment section, and chords played in this section are automatically detected and used as a basis for fully automatic accompaniment with the selected style.
[ACMP] is the abbreviation of [ACCOMPANIMENT].
Auto Accompaniment section
Turn SYNCHRONIZED START on.
Press the [SYNC START] button so that its indicator lights. The beat lamp also flashes in time with the tempo. This condition is called synchronized start standby. Refer to page 25 for details.

SYNC STOP SYNC START

[SYNC START] is the abbreviation of [SYNCHRONIZED START].
As soon as you play a chord with your left hand, the auto accompaniment starts.
For this example, play a C major chord (as shown below).
Try playing other chords with your left hand.
For information on how to enter chords, see Chord Fingerings on page 40.
Press the [START/STOP] button again to stop the accompaniment. 35

Accompaniment Sections

There are various types of Auto Accompaniment sections that allow you to vary the arrangement of the accompaniment to match the song you are playing. They are: Intro, Main (A, B, C, D), Fill-in (A, B, C, D) and Ending. By switching among them as you play, you can easily produce the dynamic elements of a professional-sounding arrangement in your performance.
COUNT INTRO MAIN/AUTO FILL INTRO SIMPLE ENDING
MAIN/AUTO FILL INTRO ENDING
q INTRO Section This is used for the beginning of the song. When the intro finishes playing, accompaniment shifts to the main section. The length of the intro (in measures) differs depending on the selected style. The PSR740 also features two intros: INTRO and COUNT INTRO. q MAIN Section This is used for playing the main part of the song. It plays an accompaniment pattern of several measures (2 - 4 measures), and repeats indefinitely until another sections button is pressed. There are 4 variations on the basic pattern, A - D and the auto accompaniment changes harmonically based on the chords you play with your left hand. q FILL-IN Section The fill-in sections let you add dynamic variations and breaks in the rhythm of the accompaniment, to make your performance sound even more professional. Simply press one of the MAIN/AUTO FILL (A, B, C, D) buttons as you play, and the selected fill-in section plays automatically (AUTO FILL), spicing up the auto accompaniment. When the fill-in is finished, it leads smoothly into the selected main section (A, B, C, D). There are four variations for the fill-in sections, each specially programmed to match the selected main section. q ENDING Section This is used for the ending of the song. When the ending is finished, the auto accompaniment stops automatically. The length of the ending (in measures) differs depending on the selected style. The PSR-740 also features two endings: ENDING and SIMPLE ENDING.

Recording stop (Punch Out)

Newly played data

Previously played data
Insert the floppy disk into the disk drive. Press the [RECORD] button to engage the Record mode.
Press the [NEXT] button to display the FILE selection screen. Select the File you want to re-record.
Press the [NEXT] button to display the PUNCH IN/OUT screen. Select ON.
Press the [NEXT] button to display the PUNCH IN/OUT measure screen. Set the punch-in measure and the punch-out measure.
Use the data dial, the [+/YES] button, the [-/NO] button or the number buttons [1]-[0]. To move the cursor from PUNCH IN to PUNCH OUT, use the [NEXT] button. To move the cursor from PUNCH OUT to PUNCH IN, use the [BACK] button.
The punch-out measure number cannot be set lower than the punch-in measure number.
Press the [NEXT] button to display the START MEASURE screen. Set the start measure (the measure at which playback starts).
Press the [NEXT] button to display the PART screen.
Punch In/Out recording cannot be used with the auto accompaniment tracks or a vocal harmony part. During recording you can use the TRACK buttons to turn playback of previouslyrecorded tracks on or off as required.
Record using the same operation as described in Multi Track Recording on page 96, starting with step #7.

Quantize

Quantize lets you clean up or tighten the timing of a previously recorded track. For example, the following musical passage has been written with exact quarter-note and eighth-note values.
Even though you think you may have recorded the passage accurately, your actual performance may be slightly ahead of or behind the beat (or both!). Quantize allows you to align all the notes in a track so that the timing is absolutely accurate to the specified note value.

1-10 11

Use the same operation as in Re-recording (page 98).
Select the Song file to be quantized.

Select Edit.

Select Quantize.
Press the [NEXT] button to display the TRACK selection screen. Select the track to be quantized.
Select the Quantize size (resolution).
Use the data dial, the [+/YES] button or the [-/NO] button. Set the Quantize value to correspond to the smallest notes in the track you are working with. For example, if the data was recorded with both quarter notes and eighth notes, use 1/8 for the quantize value. If the quantize function is applied in this case with the value set to 1/4, the eighth notes would be moved on top of the quarter notes.
q Quantize Size Size Note 1/4 Quarter note 1/6 Quarter note triplet 1/8 Eighth note 1/12 Eighth note triplet 1/16 Sixteenth note 1/24 Sixteenth note triplet 1/32 Thirty-second note One measure of 8th notes before quantization

After quantization

Press the [NEXT] button to display the Quantize operation screen.
Press the [+/YES] button to execute the Quantize operation.
To abort the Quantize operation, press the [-/NO] button.
While the Quantize operation is being executed, never eject the floppy disk or turn the power off.
The Quantize operation is completed.
Press the [RECORD] button to exit from the Record mode.

Editing Setup Data

This function lets you make changes to various voice-related parameters (setup data) for each track of a recorded song. The following parameters can be edited:
q Voice.. Assigns a voice number to the specified track. q Volume. Sets the volume of the specified track. q Octave.. Shifts the pitch of the specified track up or down by one or two octaves. A setting of 0 produces normal pitch. q Pan.. Positions the sound of the specified track from left to right in the stereo sound field. A setting of -7 is full left, 7 is full right, 0 is center, and all other settings are corresponding positions in between. q Reverb depth.. Sets the reverb depth for the specified track, and thus the amount of reverb effect applied to that voice or track. q Chorus depth. Sets the chorus depth for the specified track, and thus the amount of chorus effect applied to that voice or track. q DSP depth. Sets the DSP depth for the specified track, and thus the amount of DSP effect applied to that voice or track.
Only one of the Setup parameters can be recorded to each track, and any parameter changes made in the middle of the song will be cancelled. However, in the case of Volume data, any Volume changes in the middle of the song are applied as an offset to the initial Setup Data setting.
Select the file (song) for which you wish to change the setup data.
Press the [NEXT] button to display the MODE selection screen. Select Edit.
Press the [NEXT] button. Select Setup Data.
Press the [NEXT] button to display the SETUP DATA screen.

Edit the setup data.

Press the [NEXT] and [BACK] buttons to switch among the displays (as shown below).

Voice

Select a track by pressing one of the [TRACK1]-[TRACK16] buttons. Use the data dial, the [+/YES] button, or the [-/NO] button to change the desired values in each display.

[BACK] button Volume

[BACK] button Octave

[BACK] button Pan

[BACK] button Reverb depth
[BACK] button Chorus depth

[BACK] button DSP depth

Press the [NEXT] button to display the setup data saving screen.
Save the changed data to the floppy disk.
To cancel the save operation (if you wish to redo any edits), press the [-/NO] button and continue editing starting with step #11 above, after the display returns to the SETUP DATA screen. To save the data to disk, press the [+/YES] button.

The following notes and cautions are important points for you to keep in mind as you record your Multi Pad data.
Using the Metronome function (page 134) can make your recording sessions much more efficient. Using Registration Memory (page 62) can make your recording sessions much more efficient, since various settings (such as voices, etc.) can be recalled by a single button press. When the record mode is engaged, the Registration Memory Freeze function will be turned on (it cannot be turned off while the record mode is engaged). Whenever you record, any previously recorded material in the same track will be erased.
Select a Multi Pad Bank to recoed.
If the memory becomes full while recording, an alert message will appear on the display and recording will stop. Be careful to avoid the data loss that will occur during recording if the power is turned off, or the AC adaptor is unplugged from the outlet.

Select Record.

Select a Pad number to record.
Voices can be set from this display. After completing the desired settings, press the [EXIT] button to return to this display.
Recording starts as soon as you play a key on the keyboard. Recording can also be started by pressing the [START/STOP] button.
If you are recording a Chord match phrase, use only the CM7 scale tones (i.e. C, D, E, G, A, and B).
C = chord tone C, S = scale tones
Press the [START/STOP] button to stop recording. Press the [RECORD] button to exit from the Record mode. 107
Use the same operation as in Multi Pad Recording above.

Select Chord Match.

Turn the Chord Match function on or off.
Use the data dial, the [+/YES] button or the [-/NO] button. To select the desired pad for setting, press the [NEXT]/[BACK] button.

Naming User Pads

Use the same operation as in Chord Match above.

Clearing User Pad Data

Select Clear.
Select the Pad number to be cleared.
Use the data dial, the [+/YES] button or the [-/NO] button. To clear the data from all four pads, select ALL PADS.
Execute the Clear operation.
Press the [+/YES] button to execute the Clear operation. To abort the Clear operation, press the [-/NO] button.
The PSR-740/640 lets you record up to three original User styles which can be used for auto accompaniment in the same way as the preset styles. User Style data can also be saved to and loaded from floppy disk (page 65). You can create a User styles by using the internal style data as a starting point. Select a preset style that is closest to the type of style you want to create, and record the auto accompaniment pattern to one track of the section.

The PSR-740/640 provides two basic ways to record styles: Style Recording Rhythm Track... page 112 Style Recording Bass/Phrase/Pad/Chord Tracks... page 114 The four editing features below allow you to edit already recorded style data. Quantize..... This function aligns the timing of the recorded note data to a specified value. Naming User Styles.... This function lets you name your original styles. Clearing User Style Data.... This function is for clearing (deleting) or part of the recorded style. CTAB Parameters... These parameters determines how the pitch of the accompaniment is converted when you play chords in the auto accompaniment section of the keyboard.
page 116 page 118 page 118 page 119

s User Style Tracks

The tracks which can be recorded to the User styles are organized as shown in the chart below.
q PSR-740 Section COUNT INTRO INTRO MAIN A MAIN B MAIN C MAIN D FILL IN A FILL IN B FILL IN C FILL IN D SIMPLE ENDING ENDING Track RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN q PSR-640 Section INTRO MAIN A MAIN B MAIN C MAIN D FILL IN A FILL IN B FILL IN C FILL IN D ENDING Track RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN RHYTHM SUB RHYTHM MAIN
CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2
PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2
BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD
CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2 CHORD1 CHORD2
PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2 PHRASE1 PHRASE2
BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD BASS PAD
On the PSR-740, a total of 96 tracks (12 sections x 8 tracks) can be recorded to a one track; on the PSR-640, a total of 80 tracks (10 sections x 8 tracks) can be recorded to one track.
s Data that can be recorded to User styles
Note on/off (key press and release) Pitch bend, pitch bend range Mixer settings* Tempo Chorus type and settings Modulation wheel (PSR-740) Velocity (strength of key press) Voice number (drum kit number)* Parameter Edit settings* Reverb type and settings DSP type and settings (PSR-740) Foot Volume on/off (expression)

mini DIN 8-pin mini DIN 8-pin
Set the MIDI interface clock in the sequencer software you are using to 1 MHz. For details, carefully read the owners manual for the software you are using. For details about the necessary MIDI settings for computer and sequence software you are using, refer to the relevant owners manuals.
Macintosh is a registered trademark of Apple Computer, Inc. IBM PC/AT is a trademark of International Business Machines Corp. Other company names and product names, etc. in this manual are registered trademarks or trademarks of those companies.

MIDI Template

The PSR-740/640 is capable of transmitting and receiving MIDI data over sixteen independent channels. For proper MIDI operation, it is necessary to determine which data is set to which channel. The MIDI Template function allows you to instantly configure all appropriate transmit/ receive settings with a single button press.

Select MIDI.

Press the [NEXT] button to display the MIDI screen.

Select MIDI Template.

Press the [NEXT] button to display the MIDI Template screen.

Select a MIDI Template.

Use the data dial, the [+/YES] button or the [-/NO] button. For details, refer to the MIDI Template List (page 129).
Load the selected MIDI Template.
Press the [+/YES] button to actually load the selected MIDI template settings. To abort the operation, press the [-/NO] button.
q MIDI Template List TX1 KEYBOARD OUT

TX2 ACMP OUT

TX3 SONG OUT

TX4 MASTER KEYBOARD

RX1 XG MODULE

RX2 MIDI ACCORDION

RX3 MIDI PEDAL
The transmit channels are set as follows: ch. 1 : Right1 ch. 3 : Left ch. 2 : Right2 chs. 4-16 : Off When outputting the performance data (note on/off messages). Used to play the PSR-740/640 note on/off data with an external tone generator and to record the PSR-740/640 note on/off data to an external sequencer. The transmit channels 9-16 are set with the Accompaniment tracks. chs. 9-10: Rhythms ch. 14: Pad ch. 11: Bass chs. 15-16: Phrases chs. 12-13: Chords When outputting the style data. Used to play the PSR-740/640 auto accompaniment data with an external tone generator and to record the PSR-740/640 auto accompaniment data to an external sequencer. All transmit channels are set with the Song tracks 1-16. When outputting the song data. Used to play the PSR-740/640 song data with an external tone generator and to record your entire performance on the PSR-740/640 to an external sequencer. When using the PSR-740/640 as a master keyboard; in other words, using it strictly as a controller for outputting MIDI data, without using the internal sounds. All receive channels are set to XG/GM. When using the PSR-740/640 as a multi-timbral XG tone generator. The receive channels are set as follows: ch. 1: Remote ch. 3: Bass ch. 2: Chord chs. 4-16: Off When playing the PSR-740/640 by an external MIDI Accordion. The connected MIDI accordion can play the PSR-740/640 and detect chords and basses in the auto accompaniment section. All receive channels are set to ROOT. When playing the PSR-740/640 using a connected (optional) MIDI pedal. The connected MIDI pedal detects chords and basses in the auto accompaniment section, allowing you to play on-bass chords.

This determines the maximum pitch bend range for the PITCH BEND wheel. The range is from 0 to 12. Each increment corresponds to one semitone.
Set the Pitch Bend Range with the data dial, the [+/YES] button, the [-/NO] button or the number buttons [1]-[0].
This lets you assign other functions to the MODULATION Wheel.
Select a function with the data dial, the [+/YES] button or the [-/NO] button.
q Modulation Wheel function list MODULATION Applies vibrato effects to the voices played from the keyboard. BRIGHTNESS Adjusts the brightness of the voices played on the keyboard. Increasing the depth makes the sound brighter, while decreasing it makes it softer. RESONANCE Adds resonance to the voices played on the keyboard.

PSR-740/640 Voices

Voice List
The PSR-740/640 actually includes two voice sets: the panel voices and percussion kits, and the XG voices. The panel voices include 267 pitched voices (223 pitched voices for PSR-640) and 13 drum kits (12 drum kits for PSR-640), while the XG voice set includes 480 voices. The panel voices are specially recorded and programmed voices exclusive to the PSR-740/640 and other PortaTone instruments. The XG voices conform to Yamahas XG format; they also conform to the GM (General MIDI) standard. This allows you to accurately play back any GM- or XG-compatible song data directly on the PSR-740/640 itself, without having to change voices or make special settings. It also allows you to record songs for other GM- or XG-compatible instruments, and have them play back on those instruments as intended.
q Voices Panel Voices PSR-740 PSR-640 1-267 1-223 Drum Kits (Panel Voices) 268-280 224-235 XG Voices 281-760 236-715 Organ Flutes 761
The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the PSR-740/640 via MIDI from an external device. When the sustain or sostenuto pedal functions are being used (page 137), some voices may sound continuously or have a long decay after the notes have been released while the pedal is held.

Bank Select Voice Number MSB LSB MIDI Program Voice Name Change Number 98 Stardust 81 Blaster 81 Analogon 84 Adrenaline 80 Vintage Lead 98 Sun Bell 83 Aero Lead 80 Mini Lead 80 Vinylead 81 Warp 80 Hi Bias 80 Meta Wood 80 Tiny Lead 81 Sub Aqua 81 Fargo 84 Portatone 96 Synchronize 87 Impact 81 Funky Lead 96 Rhythmatic 80 Synth Flute 87 Under Heim 96 Clockwork Synth Pad 94 Insomnia 88 Golden Age 90 Krypton 99 Cyber Pad 95 Wave Equinox 88 Stargate 92 DX Pad 93 Loch Ness 93 Glass Pad 88 Fantasia 91 Xenon Pad 101 Skydiver 97 Far East 95 Template 89 Area Atmosphere Pad 89 Dark Moon 94 Ionosphere 93 Phase IV 88 Symbiont 94 Solaris 88 Time Travel 88 Millenium 95 Transform 103 Baroque 89 Dunes Percussion 11 Jazz Vibraphone 11 Vibraphone 12 Marimba 13 Xylophone 114 Steel Drums 8 Celesta 9 Glockenspiel 10 Music Box 14 Tubular Bells 108 Kalimba 47 Timpani 15 Dulcimer Bank Select Voice Number MSB LSB MIDI Program Voice Name Change Number Drum Kits 0 Standard Kit Standard Kit Hit Kit 8 Room Kit 16 Rock Kit 24 Electronic Kit 25 Analog Kit 27 Dance Kit 32 Jazz Kit 40 Brush Kit 48 Symphony Kit 0 SFX Kit SFX Kit 2
[PSR-640] Panel Voice List
Bank Select Voice Number MSB LSB MIDI Program Voice Name Change Number Piano 0 Aco.Grand Piano 1 Bright Aco.Piano 3 Honky Tonk Piano 2 Rock Piano 2 Midi Grand Piano 2 CP Harpsichord 6 GrandHarpsichord E.Piano 4 Galaxy El.Piano 4 Polaris El.Piano 4 SuitcaseEl.Piano 5 SuperDX El.Piano 5 DXModernEl.Piano 4 Funk El.Piano 5 Modern El.Piano 5 Hyper Tines 5 New Tines 5 Venus El.Piano 4 Tremolo El.Piano 7 Clavi 7 Wah Clavi Organ 18 Rotor Organ 16 Jazz Organ Jazz Organ Glass Jazz Organ 17 Click Organ 17 Dance Organ 16 Drawbar Organ 17 MellowDrawOrgan 16 BrightDrawOrgan 18 Rock Organ Rock Organ Purple Organ 17 60s Organ 17 Blues Organ 16 16+1 Organ 16 16+2 Organ 16 16+4 Organ 17 Electric Organ 16 Theater Organ Theater Organ Pipe Organ 19 Chapel Organ Chapel Organ Chapel Organ Reed Organ Accordion 21 Trad.Accordion 21 MusetteAccordion 23 Tango Accordion 23 Bandoneon 21 Soft Accordion 21 Accordion 22 Harmonica Guitar 24 Spanish Guitar 24 Classic Guitar 25 Folk Guitar 25 12Strings Guitar Bank Select Voice Number MSB LSB MIDI Program Change Number Bass Strings Voice Name SmoothNylonGuitr Campfire Guitar Jazz Guitar Octave Guitar Hawaiian Guitar Solid Guitar BrightCleanGuitr Clean Guitar Elec.12StrGuitar Tremolo Guitar Slap Guitar Funk Guitar Muted Guitar Crunch Guitar Feedback Guitar OverdrivenGuitar DistortionGuitar PedalSteelGuitar Mandolin SolidChordGuitar VintageTremGtr 60sCleanGuitar Finger Bass Acoustic Bass Aco.Bass&Cymbal Pick Bass Fretless Bass Jaco Bass Slap Bass Funk Bass Fusion Bass Synth Bass Analog Bass Dance Bass Hi-Q Bass Rave Bass String Ensemble OrchestraStrings SymphonicStrings SlowAttackStrngs Strings Quartet Concerto Strings Marcato Strings Chamber Strings Tremolo Strings PizzicatoStrings Synth Strings Analog Strings Orchestra Hit Solo Violin Soft Violin Fiddle Viola Cello Contrabass Harp Hackbrett Shamisen Koto Sitar

0 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch Push Scratch Pull Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare H Soft Sticks Bass Drum Soft Open Rim Shot Bass Drum Hard Bass Drum Side Stick Snare M Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree
Standard Kit 2 Hit Kit (PSR-740 only) < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < Snare H Soft 2 Snare Electro < < < BD Hard L Open Rim Shot 2 Snare Pitched < BD Wet Bass Drum 2 BD Hard H < Stick Ambient Snare M 2 Snare Ambient < < < Snare H Hard 2 < Hybrid Tom 1 < Hi-Hat Closed < Hybrid Tom 2 < Hi-Hat Pedal < Hybrid Tom 3 < Hi-Hat Open < Hybrid Tom 4 < Hybrid Tom 5 < < < Hybrid Tom 6 < < < < < < < Tambourine Light < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
8 Room Kit < < < < < < < < < < < < < < < < < < < < < < < < < SD Room L < SD Room H Room Tom 1 < Room Tom 2 < Room Tom 3 < Room Tom 4 Room Tom 5 < Room Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <
16 Rock Kit < < < < < < < < < < < < < < < < < < SD Rock H < < < Bass Drum H BD Rock < SD Rock L < SD Rock Rim Rock Tom 1 < Rock Tom 2 < Rock Tom 3 < Rock Tom 4 Rock Tom 5 < Rock Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < <

The internal clock will be set to the received Tempo value. Tempo Meta Event is a large data block (24-bit),it is divided into 4 groups with 7-bits going into each of the Tempos 1-4 (4 receives the remaining 3 bits). (3-6-2) UNIVERSAL SYSTEM EXCLUSIVE (3-6-2-1) UNIVERSAL REALTIME MESSAGE (3-6-2-1-1) MIDI MASTER VOLUME (Receive only) binary hexadecimal 11110000 F0 Exclusive status 01111111 7F Universal Realtime 01111111 7F ID of target Device Sub-ID #1=Device Control Message Sub-ID #2=Master Volume 0sssssss SS Volume LSB 0ttttttt TT Volume MSB 11110111 F7 End of Exclusive or 11110000 F0 Exclusive status 01111111 7F Universal Realtime 0xxxnnnn XN When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = dont care Sub-ID #1=Device Control Message Sub-ID #2=Master Volume 0sssssss SS Volume LSB 0ttttttt TT Volume MSB 11110111 F7 End of Exclusive The volume for all channels will be changed simultaneously. The TT value is used as the MIDI Master Volume value. (the ss value is ignored.) (3-6-2-2) UNIVERSAL NON REALTIME MESSAGE (3-6-2-2-1) GENERAL MIDI SYSTEM ON binary hexadecimal 11110000 F0 Exclusive status 01111110 7E Universal Non-Realtime 01111111 7F ID of target Device Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On 11110111 F7 End of Exclusive or 11110000 F0 Exclusive status 01111110 7E Universal Non-Realtime 0xxxnnnn XN When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = dont care Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On 11110111 F7 End of Exclusive Depending upon the received ON message, the System Mode will be changed to XG. Except MIDI Master Tuning, all control data be reset to default values. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. The bank select message for the channel 10 and the NRPN message are not received in the GM mode. (3-6-3) XG STANDARD (3-6-3-1) XG PARAMETER CHANGE (3-6-3-1-1) XG SYSTEM ON binary hexadecimal 11110000 F43 0001nnnn 1N 01001100 4C 01111110 7E 11110111 F7
Exclusive status YAMAHA ID Device Number Model ID ByteCount MSB ByteCount LSB Address High Address Mid Address Low Data Check sum End of Exclusive
For more information on Address and Byte Count, refer to < Table 1-2 > - < Table 1-8 >. The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum has value zero in its seven least significant bits. If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be received. The Block is a unit that consists of the data, arranged in the list, as the Total Size. The data types listed below are transmitted and received.(These are transmitted only after a Bulk Dump request is received.) System Data System Information (Transmit ONLY) Multi Effect1 Data Multi EQ Data (PSR-740 ONLY) Multi Effect2 Data (PSR-740 ONLY) Special Effect Data (PSR-740 ONLY) Multi Part Data A/D Part Data (PSR-740 ONLY) Drums Setup Data (3-6-3-3) XG PARAMETER REQUEST (Receive only) binary hexadecimal 11110000 F0 Exclusive status YAMAHA ID 0011nnnn 3n Device Number 01001100 4C Model ID 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 11110111 F7 End of Exclusive For more information on Address and Byte Count refer to < Table 1-2 > - < Table1-8 >. The data types listed below are received. System Data Multi Effect1 Data Multi EQ Data (PSR-740 ONLY) Multi Effect2 Data (PSR-740 ONLY) Special Effect Data (PSR-740 ONLY) Multi Part Data A/D Part Data (PSR-740 ONLY) Drums Setup Data (3-6-3-4) XG DUMP REQUEST (Receive only) binary hexadecimal 11110000 F0 Exclusive status YAMAHA ID 0010nnnn 2n Device Number 01001100 4C Model ID 00aaaaaaa AA Address High 00aaaaaaa AA Address Mid 00aaaaaaa AA Address Low 11110111 F7 End of Exclusive For more information on Address and Byte Count refer to < Table 1-2 > - < Table1-8 >. The data types listed below are received. System Data System Information Multi Effect1 Data Multi EQ Data (PSR-740 ONLY) Multi Effect2 Data (PSR-740 ONLY) Special Effect Data (PSR-740 ONLY) Multi Part Data A/D Part Data (PSR-740 ONLY) Drums Setup Data

0A 0B 0C 0D 0E 0F TOTAL SIZE TOTAL SIZE 06 0n
Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List
Depend on Insertion 1 Type Depend on Insertion 1 Type Depend on Insertion 1 Type Depend on Insertion 1 Type Depend on Insertion 1 Type Depend on Insertion 1 Type
Address (H) 03 0n 03 0n 0n 0n 0n 0n 0n 0n 0n 0n Size (H) Data (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Prameter Name Ins. Param.1 MSB Ins. Param.1 LSB Ins. Param.2 MSB Ins. Param.2 LSB Ins. Param.3 MSB Ins. Param.3 LSB Ins. Param.4 MSB Ins. Param.4 LSB Ins. Param.5 MSB Ins. Param.5 LSB Ins. Param.6 MSB Ins. Param.6 LSB Ins. Param.7 MSB Ins. Param.7 LSB Ins. Param.8 MSB Ins. Param.8 LSB Ins. Param.9 MSB Ins. Param.9 LSB Ins. Param.10 MSB Ins. Param.10 LSB Description Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Default Value (H) Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type Depend on Insertion Type

38 3A 3C 3E 40 42

TOTAL SIZE 14 For effect types that do not require MSB, the Parameters for Address 02-0B will be received. Address 30-42 will not be received. For effect types that require MSB, the Parameters for Address 30-42 will be received. Address 02-0B will not be received. When Bulk Dumps that include Effect Type data are transmitted, the Parameters for Address 02 - 0B will always be transmitted. But, effects that require MSB, when the bulk dump is received the Parameters for Address 02 - 0B will not be received. n=Insertion Effect No.(0-1)