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Yamaha PSR-6700

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Comments to date: 3. Page 1 of 1. Average Rating:
foilpan 1:14pm on Wednesday, August 4th, 2010 
Just the ticket! As a final attempt to discover if I had any kind of music talent before I hit 40, I decided to try the piano.
Fredzzz 10:43pm on Wednesday, July 14th, 2010 
Great value We have just taken delivery of this item (would definately recommend the proper Yamaha stand to put it on) and we are thrilled.
astroboy2 7:51pm on Wednesday, June 23rd, 2010 
Yamaha PSRE213-K I bought this for my little brother, he is 14 and learning keyboard at school. Yamaha PSRE213-K I bought this for my daughter who has just started leaarning the piano and it was recommended to us by her teacher before we were to ...

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PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, shortcircuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specified adaptor (page 86) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

Battery

Always replace all batteries at the same time. Do not use new batteries together with old ones. Do not mix battery types, such as alkaline batteries with manganese batteries, or batteries from different makers, or different types of batteries from the same maker, since this can cause overheating, fire, or battery fluid leakage. Do not tamper with or disassemble batteries. Do not dispose of batteries in fire. Do not attempt to recharge batteries that are not intended to be charged. Keep batteries away from children. If the batteries do leak, avoid contact with the leaked fluid. If the battery fluid should come in contact with your eyes, mouth, or skin, wash immediately with water and consult a doctor. Battery fluid is corrosive and may possibly cause loss of sight or chemical burns. Always make sure all batteries are inserted in conformity with the +/- polarity markings. Failure to do so might result in overheating, fire, or battery fluid leakage. When the batteries run out, or if the instrument is not to be used for a long time, remove the batteries from the instrument to prevent possible leakage of the battery fluid.

Do not insert a finger or hand in any gaps on the instrument. Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. Do not rest your weight on, or place heavy objects on the instrument, and do not use excessive force on the buttons, switches or connectors. Do not use the instrument/device or headphones for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. Even when the [ ](Standby/On) switch is in the Standby position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the power cord from the wall AC outlet. Make sure to discard used batteries according to local regulations.

NOTICE

To avoid the possibility of damage to the product, data or other property, follow the notices below. Handling and Maintenance Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfiguration or damage to the internal components. Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Saving data Some data items (page 50) are automatically saved as backup data in the internal memory even if you turn the power off. Saved data may be lost due to malfunction or incorrect operation. Save important data to external device such as a computer (page 77).
About copyrights Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. About functions/data bundled with the instrument Some of the preset songs have been edited for length or arrangement, and may not be exactly the same as the original. About this manual The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument. Windows is a registered trademark of Microsoft Corporation in the United States and other countries. The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

Two voices will sound at the same time.
Appears when dual voice is on
Press the button a second time to turn the dual voice function off. A suitable dual voice is automatically selected when you turn on this function, but you can easily select a different dual voice (page 56).
Play Different Voices with the Left and Right HandsSPLIT
Once you press the [SPLIT] button to turn the split function on, you can play different voices to the left and right of the keyboard split point The main and dual voices can be played to the right of the. split point, while the voice played to the left of the split point is known as the split voice The split. point setting can be changed as required (page 63).

Split point

Split voice
Main voice and dual voice
Appears when split voice is on
Press the button a second time to turn the split voice function off. A suitable split voice is automatically selected when you turn on this function, but you can easily select a different split voice (page 56).

Using the Metronome

The instrument features a built-in metronome (a device that keeps an accurate tempo) that is convenient for practicing.
Press the [METRONOME] button to start the metronome. To stop the metronome, press the [METRONOME] button again.

Current Tempo value

If you want to adjust the metronome tempo, press the [TEMPO/TAP] button to call up the Tempo setting in the display, then you can use the dial to set the tempo. You can also set the tempo using the number buttons on the front panel.
You can set the time signature (page 53).
The arpeggio function lets you create arpeggios (broken chords) by simply playing the required notes on the keyboard. For example, you could play the notes of a triadthe root, third, and fifthand the arpeggio function will automatically create a variety of interesting arpeggio-type phrases. By changing the arpeggio type and the notes you play it is possible to create a wide range of patterns and phrases that can be used for music production as well as performance.

Use the Arpeggio Function
Press the ARPEGGIO [ON/OFF] button to turn the arpeggio function on.
The indicator lights when the Arpeggio function is on.
When you select a voice number between 199 and 238 the arpeggio function will automatically be turned on.
Play a key to the left of the keyboard split point because the arpeggio function applies only to the split voice when you select a voice between 229 and 238.
Play a note or notes on the keyboard to trigger Arpeggio playback.
The sound of the arpeggio produced will change according to the number of notes you play and the area of the keyboard you play in.
When an FC4 or FC5 footswitch is connected to the SUSTAIN jack is pressed, the Arpeggio will continue to play after the note is released (page 59).
When the split function is on, the arpeggio applies to the split voice. The arpeggio applies to the main and dual voices when the split function is off. Arpeggios cannot be played using the split and main/dual voices simultaneously.
When you have finished playing with the arpeggio function, press the ARPEGGIO [ON/OFF] button to turn it off.
Changing the Arpeggio type
The most suitable arpeggio type is automatically selected when you select a voice, but you can easily select any other arpeggio type.
Press the ARPEGGIO [TYPE] button.
ARP Type will appear in the display for a few seconds, then the name of the current arpeggio type will appear in the display.

DownOct

The currently selected arpeggio type
Rotate the dial to select the desired arpeggio type.
A list of the available arpeggio types is provided in the Arpeggio List of the separate Data List. You can save the instruments settings at this point and then recall them at any time you want to repeat your performance (page 48). You can also record your performance (page 43). Please note that the arpeggio sound for the split voice cannot be recorded.
No arpeggio will sound if you turn the arpeggio function on while playing notes on the keyboard.
The two knobs located in the lower left area of the panel can be used to add variations to the sound being played, transforming the sound in a variety of musical ways. Filter, envelope generator, and other effects can be assigned to the two knobs as required. In this section well explain how effects can be assigned to the knobs, and provide a few tips for their use.
Assigning Effects to the Knobs
Repeatedly press the [ASSIGN] button to sequentially select the five effect combinations provided: z x c v b z. etc. The currently selected combination is shown in the display.

Select a song for your lesson. Select a song from the Piano Solo, Piano Ensemble category! For this example try selecting the 012 ForElise. Turn off playback of the part you wish to practice. The preset songs have separate left- and right-hand parts. The right-hand part is selected by the [RIGHT](1) button and the left-hand part is selected by the [LEFT](2) button. You can turn the left- and right-hand parts on or off as required in order to practice the corresponding part (the part that is turned off) on the keyboard. You can practice both parts when both the left- and right-parts are turned off.
Song numbers 10 and 11 are function demos for performance assistant. The lesson function cannot be used with them. You can also use songs (only SMF format 0) transferred from the computer and saved to flash memory. (pages 7577)
You can turn parts on or off, even during playback.
Pressing the part buttons toggles part playback on and off. Turn off playback of the part you wish to practice. When you press one of the buttons to turn playback off, the corresponding part indicator in the display turns off and playback of that part is muted. (When you first select a song, both the 1 and 2 parts indicators will light, indicating that both parts are on.)
Right-hand lesson Left-hand lesson Both-hands lesson
Track 1 is unlit Track 2 is unlit Track 1 and 2 are unlit
Start Lesson 1. Press the [WAITING] button to start Lesson 1.

Notation

Waiting

Keyboard Display

In this case r1 indicate that right-hand lesson 1 has been selected.
Play the note shown in the display. When you play the correct note, the next note you need play is shown. The song will wait until you play the correct note.
Stop the Lesson mode. You can stop the Lesson mode at any time by pressing the [ ] (START/ STOP) button. You can also stop the Lesson mode by pressing the [WAITING] button.

See How Youve Done

Excellent Very Good Good OK

~~~~~~~~ ~~~~~~ ~~~~ ~~

When the lesson song has played all the way through your performance will be evaluated in 4 levels: OK, Good, Very Good, or Excellent. Excellent! is the highest evaluation.
The evaluation feature can be turned off via the FUNCTION Grade item (page 72).
After the evaluation display has appeared, the lesson will start again from the beginning.
Once youve mastered Lesson 1, move on to Lesson 2.

Lesson 2Your Tempo

Learn to play the correct notes with the correct timing. Song playback tempo will vary to match the speed you are playing at. The song will slow down when you play wrong notes, so you can learn at your own pace.
Select the song and part you want to practice (steps 1 and 2 on page 33). Start Lesson 2. Press the [YOUR TEMPO] button to start Lesson 2.

YourTemp

In this case r2 indicate that right-hand lesson 2 has been selected.
Play the note shown in the display. Try to play the notes at the correct timing. As you learn to play the right notes at the right timing the tempo will increase until eventually youll be playing at the songs original tempo.
Once youve mastered Lesson 2, move on to Lesson 3.
Stop the Lesson mode. You can stop the Lesson mode at any time by pressing the [ ] (START/ STOP) button. You can also stop the Lesson mode by pressing the [YOUR TEMPO] button.

Lesson 3Minus One

Heres where you can perfect your technique. The song will play at the normal tempo, minus the part you have chosen to play. Play along while listening to the song.
Select the song and part you want to practice (steps 1 and 2 on page 33). Start Lesson 3. Press the [MINUS ONE] button to start Lesson 3.

MinusOne

In this case r3 indicate that right-hand lesson 3 has been selected.
Play the note shown in the display.
Stop the Lesson mode. You can stop the Lesson mode at any time by pressing the [ ] (START/ STOP) button. You can also stop the Lesson mode by pressing the [MINUS ONE] button.

Use the dial or the [1][8] number buttons to select bank you want to recall.
Press the REGIST MEMORY button, [1] or [2], containing the settings you want to recall. The recalled REGIST MEMORY number appears in the display for a few seconds. The panel controls will be instantly set accordingly.
Settings That Can be Saved to the Registration Memory
Style settings* Style number, Auto Accompaniment ON/OFF, Split Point, Style settings (Main A/B), Style Volume, Tempo Voice settings Main Voice setting (Voice number, Volume, Octave, Pan, Reverb Send Level, Attack Time, Release Time, Filter Cutoff, Filter Resonance, Chorus Send Level), Dual Voice settings (Dual ON/OFF, Voice number, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level, Attack Time, Release Time, Filter Cutoff, Filter Resonance), Split Voice settings (Split ON/OFF, Voice number, Volume, Octave, Pan, Reverb Send Level, Chorus Send Level) Effect settings Reverb Type, Chorus Type Arpeggio settings Arpeggio Type, Arpeggio ON/OFF, Arpeggio Quantize, Arpeggio Volume, Arpeggio Pedal Harmony settings Harmony ON/OFF, Harmony Type, Harmony Volume Other settings Transpose, Pitch Bend Range, Knob Assign * Style settings are not available for Registration Memory when using the Song features.

REGIST 1

Backup and Initialization

Backup

The following settings are always backed up, and are maintained even when the power is turned off. If you want to initialize the settings, use the Initialize operation Backup Clear as explained below. The Backup Parameters User Songs Style Number 175 Touch Response on/off Registration Memory FUNCTION Settings: Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume, Metronome Volume, Grade, Demo Group, Demo Play, Demo Cancel, Master EQ type
You can save the settings as backup data to your computer, by using the Musicsoft Downloader (MSD) software. Refer to the section Transfer a backup file from the instrument to a computer on page 77.

Initialization

Use the dial to select the beat length. Select the required length for each beat: 2, 4, 8, or 16 (half note, quarter note, eighth note, or 16th note). Select 8 for this example.
The metronome time signature will synchronize to a style or song that is playing, so these parameters cannot be changed while a style or song is playing.

Pitch Bend

The pitch bend wheel can be used to add smooth pitch variations to notes you play on the keyboard. Roll the wheel upward to raise the pitch, or downward to lower the pitch. You can change the amount of pitch bend produced by the wheel, as described on page 71.
Select an EQ Setting for the Best Sound
Five different master equalizer (EQ) settings are provided to give you the best possible sound when listening through different reproduction systemsthe instruments internal speakers, headphones, or an external speaker system.
Press the [FUNCTION] button. The currently selected function will appear in the display.
Press the CATEGORY [ ] and [ ] buttons as many times as necessary to select the master EQ type function MasterEQ. MasterEQ will appear in the display for a few seconds, then the currently selected EQ type will be displayed.

One Touch Setting

Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting feature automatically selects a well-balanced voice for you when you select a style or song. Simply select voice number 000 to activate this feature.

MasterEQ

Speakerl
The currently selected master EQ type.
Use the dial to select the desired Master EQ setting. Five settings are available: 15. Settings 1 and 2 are best for listening via the instruments built-in speakers, setting 3 is for headphones, and settings 4 and 5 are ideal for listening via external speakers.

Voice Editing

Create original voices by editing the many available voice parameters. By editing the various parameters available you can create new voices that best suit your musical needs.
Category Setting Volume Octave Pan Reverb Level Display M.Volume M.Octave M.Pan M.Reverb M.Chorus M.Attack M.Releas M.Cutoff M.Reso. D.Voice D.Volume D.Octave D.Pan D.Reverb D.Chorus D.Attack D.Releas D.Cutoff D.Reso. S.Voice S.Volume S.Octave S.Pan S.Reverb S.Chorus Range/ Settings 000127 -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) 000127 000127

Main Voice

Chorus Level Attack Time Release Time Filter Cutoff Filter Resonance Voice Volume Octave
Press the CATEGORY [ ] and [ ] buttons as many times as necessary to select the item you want to edit. You can individually adjust the voice setting (Volume, Octave, Pan, Reverb Level, Chorus Level, Attack Time, Release Time, Filter Cutoff and Filter Resonance) that is applied to the main, dual, and split voices. Refer to the Functions on page 71 for details.
Pan Dual Voice Reverb Level Chorus Level Attack Time Release Time Filter Cutoff Filter Resonance Voice Volume Octave

M.Volume

Split Voice
Pan Reverb Level Chorus Level
Use the dial to set the value. Edited parameters can be saved to registration memory (page 48). If you select a different keyboard voice the parameters will be reset and the ideal settings for the selected voice will be automatically recalled.

Selecting a Dual Voice

Touch Response Sensitivity
When touch response is on you can adjust the keyboards sensitivity to dynamics in three steps.
Press and hold the [DUAL] button for longer than a second. D.VOICE will appear in the display for a few seconds, then the currently selected dual voice will be displayed.

D.Voice

Press the [TOUCH] button to turn touch response on. The [TOUCH] button alternately turns touch response on and off. The touch response icon will appear in the display when touch response is on.

Touch response icon

Marimba
The currently selected dual voice
Select the desired Dual Voice by using the dial.
When touch response is set to off, all notes will be played at the same volume no matter how hard or softly you play the keys.

Selecting a Split Voice

Press and hold the [SPLIT] button for longer than a second. S.Voice will appear in the display for a few seconds, then the currently selected split voice will be displayed.
Press and hold the [TOUCH] button for longer than a second so that the Touch Sensitivity item appears. TouchSns will appear in the display for a few seconds, and the currently selected touch sensitivity will be displayed.

TouchSns

S.Voice

Medium

Touch Sensitivity

FngrBass

The currently selected split voice
Select the desired Split Voice by using the dial.
Use the dial in response to keyboard dynamics to select a touch sensitivity setting between 1 and 3. Higher values produce greater (easier) volume variation in response to keyboard dynamicsi.e. greater sensitivity.

Split point (54 : F#2)

Main voice
Press the [STYLE] button to engage the style function, then press the [ACMP ON/ OFF] button to turn the auto accompaniment on.
Appears when auto accompaniment is on
When you change the split point the auto-accompaniment split point also changes. The split point cannot be changed during a song lesson.
You can also access the Split Point item by pressing the [FUNCTION] button and using the CATEGORY [ ] and [ ] buttons to locate the item (page 71).
Use the dial to set the split point to any key from 036(C1) through 096(C6).

Loading Style Files

This instrument features 174 internal styles, but other styles, such as those provided on the CD-ROM and others that can be obtained from the internet (only 50KB or less styles with the.sty suffix), can be loaded into style number 175 and used in the same way as the internal styles. In order to use the style file load function, the file must already have been transferred from the computer to the instrument. The procedure for transferring files from a computer to the instrument is described on page 75 (Transferring Data between the Computer and Instrument). The procedure described below loads a style file that has already been transferred from a computer to the instrument into style number 175.
Press the [FUNCTION] button. The currently selected function will appear in the display
Execute the load operation. With the name of the style file you want to load shown in the display, press the number [0] button.
Press the CATEGORY [ ] and [ ] buttons as many times as necessary to select the style file load function Sff Load.
A confirmation message for the load operation will appear. Press the [+/YES] button to actually load the file.

Sff Load

After about 2 seconds the name of a loadable style file will appear in the display. If multiple loadable style files have been transferred to the instrument, you can use the dial or the [+] and [-] buttons to select the other files in sequence.
Looking Up Chords Using the Chord Dictionary

10 MB or more

512 MB or more

Windows 7

1 GB or more (32bit)/2 GB or more (64-bit)

Software Installation

If you have any problems with the installation, refer to the troubleshooting section on page 82.
Start the computer and use the Administrator account to log on to Windows. Close all applications and windows that are open. Insert the Accessory CD-ROM into your computers CD-ROM drive. Turn off the power of the instrument. Connect the USB connector of the computer to the USB connector of the MIDI instrument with a standard USB cable.
The example displays shown in this guide are in English.
Installing / Updating the USB-MIDI Driver
In order to be able to communicate with and use MIDI instruments connected to your computer, the appropriate driver software must be properly installed on your computer. The USB-MIDI driver allows sequence software and similar applications on your computer to transmit and receive MIDI data to and from instruments via a USB cable.
Computer Sequence software USB Cable Driver
Do not use a USB hub for connecting multiple USB devices.
If you are using several MIDI instruments with USB connection at the same time, connect all the instruments to the computer and turn on the power for all of them, then perform the following installation procedure.

MIDI instrument

Turn on the power of the instrument(s). When the Found New Hardware Wizard window appears, click [Cancel].
Follow the steps below to install (or update) the USBMIDI driver.
On some computers, it may take a few minutes before this screen appears.
Disconnect all USB devices from the computer except for the mouse and computer keyboard.

Windows XP

This screen will not appear on Windows 7 When the. message Device driver software was not successfully installed. appears, continue the installation procedure.
This screen will not appear if you are updating the USBMIDI driver from the previous version. Continue the installation procedure.
Open the following folder from the CDROM drive in your My Computer folder, and double click setup.exe. For users of 32 bit version Windows 2000/XP/ Vista/7: USBdrv32_ For users of 64 bit version Windows XP/Vista/7: USBdrv64_
* Select [Start] menu [Control Panel] [System] to check the system. (Windows XP: x64 Edition appears on the 64 bit version, and does not appear on the 32 bit version.)

Windows Vista/7

When the File Download window appears, click [Run] or [Open]. The Preparing to install window appears. The next window will appear after finishing this preparation.
11 When a message appears indicating that the driver has been successfully

5. DISCLAIMER OF WARRANTY ON SOFTWARE You expressly acknowledge and agree that use of the SOFTWARE is at your sole risk. The SOFTWARE and related documentation are provided AS IS and without warranty of any kind. NOTWITHSTANDING ANY OTHER PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT OF THIRD PARTY RIGHTS. SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING, YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN THE SOFTWARE WILL BE CORRECTED. 6. LIMITATION OF LIABILITY YAMAHAS ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES, EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARISING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFTWARE, EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall Yamahas total liability to you for all damages, losses and causes of action (whether in contract, tort or otherwise) exceed the amount paid for the SOFTWARE. 7. THIRD PARTY SOFTWARE Third party software and data (THIRD PARTY SOFTWARE) may be attached to the SOFTWARE. If, in the written materials or the electronic data accompanying the Software, Yamaha identifies any software and data as THIRD PARTY SOFTWARE, you acknowledge and agree that you must abide by the provisions of any Agreement provided with the THIRD PARTY SOFTWARE and that the party providing the THIRD PARTY SOFTWARE is responsible for any warranty or liability related to or arising from the THIRD PARTY SOFTWARE. Yamaha is not responsible in any way for the THIRD PARTY SOFTWARE or your use thereof. Yamaha provides no express warranties as to the THIRD PARTY SOFTWARE. IN ADDITION, YAMAHA EXPRESSLY DISCLAIMS ALL IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, as to the THIRD PARTY SOFTWARE. Yamaha shall not provide you with any service or maintenance as to the THIRD PARTY SOFTWARE. Yamaha is not liable to you or any other person for any damages, including, without limitation, any direct, indirect, incidental or consequential damages, expenses, lost profits, lost data or other damages arising out of the use, misuse or inability to use the THIRD PARTY SOFTWARE. 8. GENERAL This Agreement shall be interpreted according to and governed by Japanese law without reference to principles of conflict of laws. Any dispute or procedure shall be heard before the Tokyo District Court in Japan. If for any reason a court of competent jurisdiction finds any portion of this Agreement to be unenforceable, the remainder of this Agreement shall continue in full force and effect. 9. COMPLETE AGREEMENT This Agreement constitutes the entire agreement between the parties with respect to use of the SOFTWARE and any accompanying written materials and supersedes all prior or contemporaneous understandings or agreements, written or oral, regarding the subject matter of this Agreement. No amendment or revision of this Agreement will be binding unless in writing and signed by a fully authorized representative of Yamaha.

Coverage:

In Order to Obtain Warranty Service: Warranty service will only be provided for defective products within the Warranted Area. Contact your local authorized Yamaha dealer who will advise you of the procedures to be followed. If this is not successful, contact Yamaha at the address, telephone number or website shown below. Yamaha may request that you send the defective product to a local authorized Yamaha Servicer or authorize return of the defective product to Yamaha for repair. If you are uncertain as to whether a dealer has been authorized by Yamaha, please contact Yamahas Service Department at the number shown below, or check Yamahas website at www.Yamaha.com. Product(s) shipped for service should be packed securely and must be accompanied by a detailed explanation of the problem(s) requiring service, together with the original or a machine reproduction of the bill of sale or other dated, proof-of-purchase document describing the product, as evidence of warranty coverage. Should any product submitted for warranty service be found ineligible therefore, an estimate of repair cost will be furnished and the repair will be accomplished only if requested by you and upon receipt of payment or acceptable arrangement for payment. Limitation of Implied Warranties and Exclusion of Damages:
ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE SHALL BE LIMITED IN DURATION TO THE APPLICABLE PERIOD OF TIME SET FORTH ABOVE. YAMAHA SHALL NOT BE RESPONSIBLE FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES OR FOR DAMAGES BASED UPON INCONVENIENCE, LOSS OF USE, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE OR INTERRUPTION OF PERFORMANCES OR ANY CONSEQUENCES. YAMAHAS LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO REPAIR OR REPLACEMENT OF THE PRODUCT, AT YAMAHAS OPTION. SOME STATES DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS OR THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR EXCLUSION MAY NOT APPLY TO YOU. This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state. This is the only express warranty applicable to the product specified herein; Yamaha neither assumes nor authorizes anyone to assume for it any other express warranty. If you have any questions about service received or if you need assistance in locating an authorized Yamaha Servicer, please contact:
CUSTOMER SERVICE Yamaha Corporation of America 6600 Orangethorpe Avenue, Buena Park, California 90620-1373 Telephone: 800-854-1569 www.yamaha.com Do not return any product to the above address without a written Return Authorization issued by Yamaha.
2009 Yamaha Corporation of America. Effective: 11/01/09
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.

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When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Unplug the AC power adaptor when not using the instrument, or during electrical storms. Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. Do not place the instrument in an unstable position where it might accidentally fall over. Before moving the instrument, remove all connected adaptor and other cables. When setting up the product, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet. Even when the power switch is turned off, electricity is still owing to the product at the minimum level. When you are not using the product for a long time, make sure to unplug the power cord from the wall AC outlet. Use only the stand specied for the instrument. When attaching the stand or rack, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instrument falling over. Do not place objects in front of the instruments air vent, since this may prevent adequate ventilation of the internal components, and possibly result in the instrument overheating.

Location

Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disguration or damage to the internal components. Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.

(3)-13

Connections
Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

* May not be included depending on your particular area. Please check with your Yamaha dealer.
The instrument is compatible with the following formats. GM (General MIDI) is one of the most common Voice allocation formats. GM System Level 2 is a standard specication that enhances the original GM and improves Song data compatibility. It provides for increased polyphony, greater Voice selection, expanded Voice parameters, and integrated effect processing. XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha specically to provide more Voices and variations, as well as greater expressive control over Voices and effects, and to ensure compatibility of data well into the future. GS was developed by the Roland Corporation. In the same way as Yamaha XG, GS is a major enhancement of the GM specically to provide more Voices and Drum kits and their variations, as well as greater expressive control over Voices and effects. The Yamaha XF format enhances the SMF (Standard MIDI File) standard with greater functionality and openended expandability for the future. This instrument is capable of displaying lyrics when an XF le containing lyric data is played. SFF (Style File Format) is an original Style le format by Yamaha which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types. SFF GE (Guitar Edition) is an enhanced format of SFF, which features improved note transposition for guitar tracks. (PSR-S910) VH (Vocal Harmony) employs the digital signal processing technology to automatically add appropriate vocal harmonies to a lead vocal line sung by the user.

About the Manuals

This instrument has the following documents and instructional

Included Documents

Owners Manual (this book)
Provides overall explanations of the PSR-S910/S710 basic functions. See How to use this Owners Manual below.

Installation Guide

Provides introduction to the contents of the supplied CD-ROM and explains how to install the included software.
Online Materials (Downloadable from the web)
The following instructional materials are available for downloading from the Yamaha Manual Library. Access the Yamaha Manual Library, then enter your model name (PSR-S910, for example) in the Model Name area to search the manuals.

Yamaha Manual Library

http://www.yamaha.co.jp/manual/
Reference Manual (only in English, French, German and Spanish)
Explains advanced features of the instrument, not explained in the Owners Manual. For example, you can learn how to create original Styles, Songs or Multi Pads, or nd detailed explanations of specic parameters.
Internet Connection Guide (only in English, French, German and Spanish)
Explains how to connect the instrument to the Internet in detail, in order to use the Internet Direct Connection function.

Call up the operation display. [FUNCTION] [J] UTILITY TAB [E][F] OWNER
Throughout this manual, arrows are used in the instructions, indicating in shorthand the process of calling up certain displays and functions.
Use the [4 ]/[5 ] buttons to select the desired language.
Adjusting the Contrast of the Display
You can adjust the contrast of the display by turning the [LCD CONTRAST] knob located to the left of the display.
Since the color display of the PSRS910 has a high level of visibility, no contrast adjustment function is necessary.
Entering the Owner Name in the Opening Display
You can have your name appear in the opening display (the display that appears when the power is turned on).
Call up the operation display. [FUNCTION] [J] UTILITY TAB [E][F] OWNER Press the [I] (OWNER NAME) button to call up the Owner Name display. Refer to page 26 for character-entry details.
(PSR-S910) If desired, you can also change the background picture in the Main display by pressing the [J] (MAIN PICTURE) button in step 2 here.
Display the version number To check the version number of this instrument, press the [7 ]/[8 ] (VERSION) buttons in the display in step 2 above. Press the [EXIT] button or [8 ] button to return to the original display.

Playing the Demos

The Demos provide helpful, easy-to-understand introductions to the features and functions as well as sound demonstrations.
Press the [DEMO] button to start the Demos.
Overview Demo will play back continuously, calling up the various displays in sequence.
Press the [7 ]/[8 ] (SKIP OVERVIEW) buttons in the Demo display to call up the specic Demo menu.
The demo menu differs depending on your instrument.
Press one of the [A] [E] buttons to show a specic Demo.
Pressing the [J] button returns to the display of step 2. The sub menus are shown at the bottom of the display. Press one of the [1 ] [8 ] buttons corresponding to the sub menu.
To return to the higher level menu, press the [EXIT] button.
Press the [EXIT] button several times to exit from the Demos.

Display-based Controls

The LCD provides comprehensive at-a-glance information on all current settings. The displayed menu can be selected or changed by the controls around the LCD.
TAB [E][F] buttons (page 20) [F] [J] buttons (see below)
[A] [E] buttons (see below)
[DIRECT ACCESS] button (page 22)
[1 ] [8 ] buttons (page 20)

[EXIT] button (page 22)

[DATA ENTRY] dial and [ENTER] button (page 21)

[A] [J] buttons

The [A] [J] buttons are used to select the corresponding menu. Example 1
In the File Selection display (page 25), the [A] [J] buttons can be used to select the corresponding respective les.

Example 2

The [A] and [B] buttons are used to move the cursor up or down.

The [H] and [I] buttons are used to select the corresponding parameter.

TAB [E][F] buttons

These buttons are used mainly to change the Pages of displays that have tabs at the top.

[1 ] [8 ] buttons

The [1 ] [8 ] buttons are used to make selections or adjust settings (up or down correspondingly) for functions shown directly above them.
If a menu appears in this section of the display, use the [1 ] [8 ] buttons. If a menu appears in this section of the display, use the [1 ] [8 ] buttons.
If list of the menu appears, use the [1 ] [8 ] button to select the desired item. If a parameter appears in slider (or knob) form, use the [1 ] [8 ] button to adjust the value.
[DATA ENTRY] dial and [ENTER] button
Depending on the selected LCD display, the [DATA ENTRY] dial can be used in the following two ways.
Selecting les (Voice, Style, Song, and so on) When one of the File Selection displays (page 25) is shown, you can use the [DATA ENTRY] dial and the [ENTER] button to select a le (Voice, Style, Song, and so on).
Rotate the [DATA ENTRY] dial to move the cursor.
Press the [ENTER] button to actually select the highlighted le.
Adjusting the parameter values You can conveniently use the [DATA ENTRY] dial in tandem with the [1 ] [8 ] buttons to adjust parameters indicated in the display.
Rotate the [DATA ENTRY] dial to adjust the selected parameter.
Select the desired parameter with the appropriate [1 ] [8 ] button.
This convenient technique also works well with pop-up parameters such as Tempo and Transpose. Simply press the appropriate button (ex., TEMPO [+]), then rotate the [DATA ENTRY] dial and press [ENTER] to close the window.

[EXIT] button

Pressing the [EXIT] button returns you to the previously indicated display. Pressing the [EXIT] button several times returns to the default Main display (page 23).
The Messages Shown in the Display
A message (information or conrmation dialog) sometimes appears on the screen to facilitate operation. When the message appears, simply press the appropriate button.
Instant Selection of the Displays Direct Access
With the convenient Direct Access function, you can instantly call up the desired display with just a single additional button press.
Press the [DIRECT ACCESS] button. A message appears in the display prompting you to press the appropriate button. Press the button (or move the wheel or connected pedal) corresponding to the desired setting display to instantly call up that display. For example, pressing the [GUIDE] button calls up the display in which the Guide mode can be set.
Refer to the Data List for a list of the displays that can be called up with the Direct Access function. The Data List is available at the Yamaha website. (See page 10.)

Displays information for the selected audio le (le name, time, etc.) While recording, a REC indication appears.

@ Registration Sequence

Appears when the Registration Sequence (page 74) is active.

# Split Point

For detailed information about the Registration Sequence, refer to the Reference manual on the website.
Displays the Split Point positions (page 32).
File Selection Display Conguration
The File Selection display is for selecting Voice, Styles, and other data. The File Selection display appears when you press one of the VOICE or STYLE category selection buttons, SONG [SELECT] button, etc.
SONG selection button REGIST BANK selection button MULTI PAD CONTROL [SELECT] button
STYLE category selection button
VOICE category selection button
1 Location (drive) of data

PRESET USER USB

Location where pre-programmed (preset) data is stored. Location where recorded or edited data is saved. Location where data on USB storage device (USB ash memory, oppy disk, etc.) is saved.This appears only when USB storage device(s) is connected to the [USB TO DEVICE] terminal (page 94).
Hereafter in this manual, any USB storage device such as USB ash memory, oppy disk drive, etc. will be referred to as USB storage device.

2 Selectable data (les)

The les that can be selected on this display are shown. If more than 10 les exist, the page numbers (P1, P2.) are shown below the les. Pressing the corresponding button changes the display page. When other pages follow, the Next button appears, and for the previous page, the Prev. button appears.
3 File/folder operation menu
The data, both pre-programmed and your own original, are saved as les.
You can save and manage your data les (copy, move, delete, etc.) from this menu. For detailed instructions, refer to pages 58 61.
You can open the File Selection display for a specied le from the [USB] button. [USB] [A] SONG/[B] STYLE/[C] REGIST/[F] VOICE/ [G] MULTI PAD.
Closing the current folder and calling up the next highest level folder In the PRESET display, several data (les) are contained together in a folder. You can also organize your original data in the USER/USB display by creating several new folders (page 59). To close the current folder and call up the next highest level folder, press the [8 ] (UP) button. Example of the PRESET Voice Selection display The PRESET Voice les are categorized and contained in appropriate folders.

Top of the song A B End of the song
Specifying only Point A results in repeat playback between Point A and the end of the Song.
When you want to repeat from the top of the song to middle of the song: 1 Press the [REPEAT] button, then start Song playback. 2 Press the [REPEAT] button again at the ending point (B).
To stop playback, press the SONG [] (STOP) button. The Song position will return to Point A. Press the [REPEAT] button to turn off Repeat playback.
Specifying the repeat range while Songs are stopped 1. Press the [H] (FF) button to advance to the Point A location. 2. Press the [REPEAT] button to specify Point A. 3. Press the [H] (FF) button to advance to the Point B location. 4. Press the [REPEAT] button again to specify Point B.
Recording Your Performance (Quick Recording)
You can record all parts of your performance at once or each part (right-hand, lefthand and Style playback) independently. This is an effective practice tool, allowing you to easily compare your own performance to the original song you are practicing. Before starting recording, make the desired panel settings for your keyboard performance selecting a Voice, Style, etc.
Press the SONG [REC] button and the [] (STOP) button simultaneously.
A blank Song for recording is automatically set.
Press the SONG [REC] button.
Recording a specic part In place of step 2, pressing the SONG [TR1] (or [TR2]) button while holding the [REC] button enables you to record only the right-hand (or left-hand) part. Pressing the [EXTRA TR] button while holding the [REC] button enables recording of only Style playback.
Start recording. Recording begins automatically as soon as you play a note on the keyboard, start Style playback or start Multi Pad playback.
When recording without Style playback, turning the [METRONOME] on makes your recording sessions much more efcient. The Metronome tempo can be adjusted by TEMPO [-]/[+] buttons.
For Quick Recording, each part will be recorded to the following channels. Keyboard parts: Ch. 1-3 Multi Pad parts: Ch. 5-8 Style parts: Ch. 9-16
Press the SONG [] (STOP) button to stop recording.
A message prompting you to save the recorded performance appears. To close the message, press the [EXIT] button.
Press the SONG [F/ II] (PLAY/PAUSE) button to play back the recorded performance.

Play the chords in the left-hand section (page 32) of the keyboard.
If you want to avoid changing the Tempo during Style playback when selecting another record, turn on the Tempo Lock function by pressing the [I] (STYLE TEMPO) button in the Music Finder display.
Searching the Panel Settings
You can search the records by specifying a song name or keyword, using the Search function of the Music Finder.
From the ALL page of the MUSIC FINDER display, press the [6 ] (SEARCH 1) button to call up the Search display.
Enter the search criteria.
MUSIC Searches by song name. Pressing the [A] button calls up the pop-up window to enter the song name. To clear the entered Music, press the [F] (CLEAR) button. Searches by keyword. Pressing the [B] button calls up the pop-up window to enter the keyword. To clear the entered Keyword, press the [G] (CLEAR) button. Searches by Style. Pressing the [C] button calls up the Style Selection display. After selecting the desired Style, press the [EXIT] button to return back to the Search display. To clear the entered Style, press the [H] (CLEAR) button. Species the time signature for the search. All beat settings are included in the search if you select ANY. Selects a specic location (the tab of the upper part of the MUSIC FINDER display) for searching. Clears all entered search criteria. Sets the range of the tempo you want to use for the search. Selects the desired music genre.

KEYWORD

You can search several different Keywords simultaneously by inserting a separator (comma) between each.

[D] [E] [1 ] [3 ]

BEAT SEARCH AREA ALL CLEAR TEMPO FROM TEMPO TO GENRE
If you select a beat of 2/4 or 6/8, a Style suitable for performing a song in 2/4 and 6/8 beat can be searched, but the actual Style is created by using a 4/4 beat.

[4 ] [5 ]/ [6 ]

When searching Song/Audio les (page 66), it is necessary to set the search criteria as follows. STYLE: Blank BEAT: ANY TEMPO: --- - ---
To cancel searching, press the [8 ] (CANCEL) button.
Press the [8 ] (START SEARCH) button to start the search. The Search 1 display appears, showing the results of the search.
If you wish to search another criteria, press the [6 ] (SEARCH 2) button in the Music Finder display. The search result is displayed in the SEARCH 2 display.
Registering the Song/Audio data (SONG/AUDIO)
By registering the Song/Audio data saved in various places (Song Selection display: page 49; USB Audio Selection display: page 75) into Music Finder, the instrument can call up song data easily from the song title.
Display the Song data. Song data (SONG) in the Song Selection display Press the SONG [SELECT] button to display the song data (Song le) in the Song Selection display.
If you want to register the Song/Audio data of the USB storage device, connect the USB storage device containing the data to the [USB TO DEVICE] terminal.

Modem* Access point

Wireless LAN Ethernet Converter
Connection example 3: Wireless connection (using a USB wireless LAN adaptor)
USB Wireless LAN Adaptor USB TO DEVICE terminal
Operations in the Special Website
After connecting the instrument to the internet, use these operations to take advantage of Internet services directly from the instrument.

Following Links

By using the [DATA ENTRY] dial and [ENTER] button, you can follow links and navigate through the website. You can also use the [6 ]/[7 ]/[8 ] buttons and the [8 ] (ENTER) button instead of the [DATA ENTRY] dial and [ENTER] button.
Return to the Previous Web Page/Refreshing a Web Page
Use the [1 ] (BACK)/[2 ] (FORWARD) buttons to navigate through previously selected web pages. To return to the top page of the special website, press the [3 ] (HOME) button. Press the [5 ] (REFRESH) button to reload a web page and press the [6 ] (STOP) to cancel loading.
Monitoring the Internet Connection Status The messages and icons at the bottom right of the Internet display indicate the current Internet connection status.

Message

The following three messages are displayed according to the loading status of the web page. Disconnected.: This appears when the instrument is not connected with the Internet. When this message is displayed, the web page cannot be seen. Icon 1 is displayed. Now opening web page.: The web page is being loaded. Icon 2 ashes. Web page has been displayed.: Loading of the web page is completed, and the page is displayed completely. Icon 2 stops ashing. When the displayed web page uses SSL, icon 3 is displayed, and information is encrypted for communication. Strength of the reception is displayed in 4 when connecting to the Internet by wireless LAN. When reception is weak, move the instrument near the access point to improve reception.
SSL (Secure Sockets Layer) is an industry-standard method for protecting web communications by using data encryption and other tools.
Refer to the Reference Manual on the website, Chapter 9.
Editing the Browser settings: Registering bookmarks of your favorite pages:

[INTERNET] [5 ] SETTING [D] BROWSER SETTINGS [INTERNET] [4 ] BOOKMARK [3 ] ADD
Using Your Instrument with Other Devices
Before connecting the instrument to other electronic components, turn off the power of all the components. Also, before turning any components on or off, make sure to set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may occur.

Connecting Audio Devices

Using External Audio Devices for Playback
You can connect a stereo system to amplify the instruments sound by using the OUTPUT [L/L+R]/[R] jacks. When using the PSR-S910, the microphone or guitar sound connected to the instruments [MIC/LINE IN] jack is output at the same time.
Use audio cables and adaptor plugs having no (zero) resistance.
Use only the [L/L+R] jack for connection with a monaural device.
Connections Using Your Instrument with Other Devices

Powered speaker

When the instruments sound is output to an external device, rst turn on the power to the instrument, then to the external device. Reverse this order when you turn the power off.
Input jack Phone plug (standard) Phone plug (standard)

Audio cable

When these are connected, you can use the instruments [MASTER VOLUME] control to adjust the volume of the sound output to the external device.
Do not route the output from the [OUTPUT] jacks to the [AUX IN] jacks. If you make this connection, the signal input at the [AUX IN] jacks is output from the [OUTPUT] jacks. These connections could result in a feedback loop that will make normal performance impossible, and may even damage both pieces of equipment.
Playing External Audio Devices with the Built-in Speakers
You can connect the output jacks of an external device (such as CD player, tone generator, etc.) to the instruments AUX IN [L/L+R]/[R] jacks, letting you hear the sound of that device through the built-in speakers of the instrument.

A strange anging or doubling sound occurs. The sound is slightly different each time the keys are played. Some Voices will jump an octave in pitch when played in the upper or lower registers.
The Style does not start even when the [START/STOP] button is pressed. Only the rhythm channel plays. The Rhythm channel of the selected Style may not contain any data. Turn the [ACMP] button on and play left-hand section on the keyboard to sound the accompaniment part of the Style. Make sure the Auto Accompaniment function is turned on; press the [ACMP] button. You may be playing keys in the right hand range of the keyboard. Make sure to play keys in the chord range of the keyboard. Styles in a USB storage device cannot be selected. If the size of the Style data is large (about 120 KB or greater), the Style cannot be selected because the data is too large to be ready by the instrument.
Songs cannot be selected. This may be because the language settings have been changed. Set the appropriate language for the Song le name. If the size of the Song data is large (about 300 KB or greater), the Song cannot be selected because the data is too large to be read by the instrument. Song playback does not start. The Song has been stopped at the end of the Song data. Return to the beginning of the Song by pressing the SONG [] (STOP) button. In the case a Song to which write-protect has been applied (Prot. 2 Edit is shown at the upper left of the Song name), the original le may not be in the same folder. It cannot be played back unless the original le (showing Prot.2 Orig at the upper left of the Song name) is in the same folder. In case of a Song to which write-protect has been applied (Prot. 2 Edit is shown at the upper left of the Song name), the original le name may have been changed. Rename the le with the original le name (so that Prot.2 Orig is shown at the upper left of the Song name). In case of a Song to which write-protect has been applied (Prot. 2 Edit is shown at the upper left of the Song name), the le icon may have been changed. Songs to which write-protect has been applied cannot be played back when the le icon of the original has been changed. Song playback stops before the Song is nished. The Guide function is turned on. (In this case, playback is waiting for the correct key to be played.) Press the [GUIDE] button to turn off the guide function. This happens when playing back music data for which a specic, xed tempo is set. Playback of these channels may be set to OFF. Turn playback on for those channels that are set to OFF (page 54). Some Song data for the instrument has been recorded with special free tempo settings. For such Song data, the tempo, beat, measure and music notation will not be displayed correctly.

P.A.T..62 PAD..47 Panel Button Chart..102 PANPOT..82 PARAMETER..48 PART ON/OFF..32 PART SELECT..32 PASTE..61 Pause..50 Percussion Voice.33 Performance Assistant..62 PHONES..16 PHR1/2 (Phrase1/2)..47 Phrase Mark..51 PITCH BEND RANGE..34 Pitch Bend Wheel..34 Pitch setting..34 Powered speaker.88 PRESET..25 Preset Voice..33 PRESETS (Organ Flutes).37 Pro...40 Prot...52 Protected Song..52
S.Art!.. 33 SAVE.. 58 Scale.. 34 SCALE TUNE. 38 SCORE... 52 SCREEN CONTENT.. 89 SCREEN OUT.. 89 SEARCH (Music Finder). 67 Section... 43 SELECT (Multi Pad). 63 SELECT (Song).. 49 Session... 40 SFF.. 9 SFF GE.. 40 SIGNAL lamp. 90 SONG.. 49 Song Creator.. 62 Song Record (Music Finder). 66 SONG SETTING. 62 Specifications.. 104 Split Point. 32, 48 STANDBY/ON switch. 14 START/STOP.. 40, 42 STEP REC.. 48 STOP (Multi Pad).. 63 STYLE.. 39

Quick Recording..56

REC...56 REC MODE (Song Creator)..62
Style Creator.. 48 Style File Format.. 9 STYLE SETTING.. 48 Super Articulation Voice.. 33 SUSTAIN.. 35 SYNC START.. 40, 42
NAME.. 60 NEXT (Song Playback). 50
Record (Music Finder)..66 RECORD EDIT..70 Recording (Audio)..77
SYNC STOP.. 42 Synchro Start (Multi Pad). 64 Synchro Start (Song). 50 SYS/EX.. 62 SYSTEM RESET. 27, 98
VOL/VOICE.. 79 Volume... 48 Volume (Audio playback). 77 VOLUME/ATTACK.. 38
TAB... 20 TALK.. 91 TAP TEMPO.. 43 TEMPO.. 43 Text... 53 TOUCH.. 35 TR1, TR2.. 54 TRANSPOSE. 34 TRANSPOSE ASSIGN. 38 Troubleshooting.. 99 TUNE.. 79 TV Monitor.. 89 WAV.. 75

XF... 9 XG.. 9, 38

UP... 26 UPPER OCTAVE.. 34 USB (File Selection Display). 25 USB Audio.. 75 USB AUDIO RECORDER.. 78 USB button.. 75 USB Storage Device.. 94 USB TO DEVICE.. 94 USB TO HOST.. 96 USB Wireless LAN Adaptor. 85 USB-MIDI driver.. 96 USER.. 25 USER (Voice). 30 Utility.. 98
VARI.. 36 VERSION.. 17 VH.. 9 Vibrato.. 35 VIBRATO (Organ Flutes). 37 VIDEO OUT.. 89 VOCAL HARMONY.. 91 VOICE.. 29 Voice Effect.. 35 VOICE SET.. 36, 38 Voice Type.. 33
1-YEAR LIMITED WARRANTY ON ARRANGER WORKSTATION KEYBOARDS
Thank you for selecting a Yamaha product. Yamaha products are designed and manufactured to provide a high level of defect-free performance. Yamaha Corporation of America (Yamaha) is proud of the experience and craftsmanship that goes into each and every Yamaha product. Yamaha sells its products through a network of reputable, specially authorized dealers and is pleased to offer you, the Original Owner, the following Limited Warranty, which applies only to products that have been (1) directly purchased from Yamahas authorized dealers in the fty states of the USA and District of Columbia (the Warranted Area) and (2) used exclusively in the Warranted Area. Yamaha suggests that you read the Limited Warranty thoroughly, and invites you to contact your authorized Yamaha dealer or Yamaha Customer Service if you have any questions.
Coverage: Yamaha will, at its option, repair or replace the product covered by this warranty if it becomes defective, malfunctions or otherwise fails to conform with this warranty under normal use and service during the term of this warranty, without charge for labor or materials. Repairs may be performed using new or refurbished parts that meet or exceed Yamaha specications for new parts. If Yamaha elects to replace the product, the replacement may be a reconditioned unit. You will be responsible for any installation or removal charges and for any initial shipping charges if the product(s) must be shipped for warranty service. However, Yamaha will pay the return shipping charges to any destination within the USA if the repairs are covered by the warranty. This warranty does not cover (a) damage, deterioration or malfunction resulting from accident, negligence, misuse, abuse, improper installation or operation or failure to follow instructions according to the Owners Manual for this product; any shipment of the product (claims must be presented to the carrier); repair or attempted repair by anyone other than Yamaha or an authorized Yamaha Service Center; (b) any unit which has been altered or on which the serial number has been defaced, modied or removed; (c) normal wear and any periodic maintenance; (d) deterioration due to perspiration, corrosive atmosphere or other external causes such as extremes in temperature or humidity; (e) damages attributable to power line surge or related electrical abnormalities, lightning damage or acts of God; or (f) RFI/EMI (Interference/noise) caused by improper grounding or the improper use of either certied or uncertied equipment, if applicable. Any evidence of alteration, erasing or forgery of proof-of-purchase documents will cause this warranty to be void. This warranty covers only the Original Owner and is not transferable. In Order to Obtain Warranty Service: Warranty service will only be provided for defective products within the Warranted Area. Contact your local authorized Yamaha dealer who will advise you of the procedures to be followed. If this is not successful, contact Yamaha at the address, telephone number or website shown below. Yamaha may request that you send the defective product to a local authorized Yamaha Servicer or authorize return of the defective product to Yamaha for repair. If you are uncertain as to whether a dealer has been authorized by Yamaha, please contact Yamahas Service Department at the number shown below, or check Yamahas website at www.Yamaha.com. Product(s) shipped for service should be packed securely and must be accompanied by a detailed explanation of the problem(s) requiring service, together with the original or a machine reproduction of the bill of sale or other dated, proof-of-purchase document describing the product, as evidence of warranty coverage. Should any product submitted for warranty service be found ineligible therefore, an estimate of repair cost will be furnished and the repair will be accomplished only if requested by you and upon receipt of payment or acceptable arrangement for payment. Limitation of Implied Warranties and Exclusion of Damages: ANY IMPLIED WARRANTIES, INCLUDING

WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE SHALL BE LIMITED IN DURATION TO THE APPLICABLE PERIOD OF TIME SET FORTH ABOVE. YAMAHA SHALL NOT BE RESPONSIBLE FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES OR FOR DAMAGES BASED UPON INCONVENIENCE, LOSS OF USE, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE OR INTERRUPTION OF PERFORMANCES OR ANY CONSEQUENCES. YAMAHAS LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO REPAIR OR REPLACEMENT OF THE PRODUCT, AT YAMAHAS OPTION. SOME STATES DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS OR THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR EXCLUSION MAY NOT APPLY TO YOU. This Warranty gives you specic legal rights, and you may also have other rights which vary from state to state. This is the only express warranty applicable to the product specied herein; Yamaha neither assumes nor authorizes anyone to assume for it any other express warranty.
If you have any questions about service received or if you need assistance in locating an authorized Yamaha Servicer, please contact:
CUSTOMER SERVICE Yamaha Corporation of America 6600 Orangethorpe Avenue, Buena Park, California 90620-1373 Telephone: 800-854-1569 www.yamaha.com
Do not return any product to the above address without a written Return Authorization issued by Yamaha.
2009 Yamaha Corporation of America.

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee

 

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