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Yamaha PSR-730

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Comments to date: 9. Page 1 of 1. Average Rating:
sq[]aRe 3:49pm on Sunday, October 24th, 2010 
General 2G Network GSM 850 / 900 / 1800 / 1900 3G Network HSDPA 900 / 2100 HSDPA 850 / 1900 - American version Announced 2009. I purchased this phone shortly after it came out. I cam currently with Sprint and wanted to get something close to the iphone. Size dimensions of P3400 be calculated. bold touches are almost 2 cm. Weight also feels a bit heavy with the size of 126 grams.
apaquay 8:44am on Tuesday, October 12th, 2010 
Tried it on MyTouch 3g.... I bought this for my T-Mobile MyTouch 3g running Android 1.6. The audio output on this adapter does not work. I thought HTC products would always work I selected to buy this product with the HTC logo since I thought it would work as advertized.
stevehh 11:18pm on Saturday, October 2nd, 2010 
Love this phone--fast processor, great ROM/RAM, very sleek & lightweight. However, like other HTC devices. Very compact and comfortable cell phone with long battery life and good working EDGE. PDA functions are good.
jetted 8:13am on Wednesday, August 25th, 2010 
i had this phone it sucks DO NOT BUY IT i mean it is good in the beginning but if u have it for 5 months i get boring this phone absolutly SUCKS!!! HTC Touch is sure to awe any mobile-phone fanatic just as it made me marvel. For one, it definitely has wider display.
labshier 5:42am on Tuesday, August 17th, 2010 
When my husband and I purchased these phones we were told it was capable of texting images and video. I purchased this phone earlier this year and within a week I had to do several resets. The phone would freeze up on me constantly. I bought the Touch about three months ago for the Bell network. A quick summary of the problems are that the volume out of the ear piece is horrific.
Andy_DKW 11:57am on Tuesday, June 29th, 2010 
What kind of research was done for this article? First of all, the pictures are all of the HTC Touch DIAMOND. I think the once the HTC Dream, HTC Dream, and Google Android are released, it will really open up the field of what a cell phone can do. Yes.
carlos_matos 6:42am on Monday, June 7th, 2010 
The HTC Touch is a good all-around phone with touch screen capability that is above average for its class. But. As an upgrade from the Palm Treo 700wx I must say this phone is quite an improvement for me.
sleeper_service 11:51am on Friday, April 30th, 2010 
touch screen does not keep a charge I would recommend this phone to about anyone. Be wary of your plan though. I would recommend this phone to about anyone. Be wary of your plan though.
abcl_04 1:07am on Monday, April 5th, 2010 
It constantly freeze up. T-mo exchanged my phone twice and all three of them had the same problem. Overall I believe this phone is worthwhile getting if you can look past the minor flaws that this phone contains.

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

Model Serial No. Purchase Date

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)
IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

IMPORTANT:

When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to
This applies only to products distributed by Yamaha Corporation of America.

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

s SAVING USER DATA

Always save data to a floppy disk frequently, in order to help prevent the loss of important data due to a malfunction or user operating error.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. Make sure to discard used batteries according to local regulations. (4)

Congratulations!

You are the proud owner of a fine electronic keyboard. The Yamaha PSR-730/630 PortaTone combines the most advanced tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical enjoyment. A large graphic display and easy-to-use interface also greatly enhance the operability of this advanced instrument. In order to make the most of your PortaTones features and extensive performance potential, we urge you to read the manual thoroughly while trying out the various features described. Keep the manual in a safe place for later reference.
q The LCD displays as illustrated in this owners manual are for instructional purposes only, and may appear somewhat different from those on your instrument. The displays from the PSR-730 are used for the instructions and descriptions in this manual.

Important Features

PSR-730
Touch-sensitive 61-key keyboard for a wide range of dynamic musical expression (page 115).
The Groove & Dynamics function lets you individualize your arrangement of any style of music (page 35).
A variety of voices, 215 panel voices (200 panel voices for PSR-630), 12 drum kits and 480 XG voices, with the maximum polyphony of 64 voices (32 voices for PSR-630).
001 Large multi-function LCD display panel makes it easy to select and edit parameters.
Voice set feature automaticaly selects the appropriate voice parameter settings for the panel voices (page 116).
The functional layout of the track buttons below the panel display makes operation easy.

EZE FRE

ORY MEM TION TRA S
Advanced auto-accompaniment technology gives you 100 fully-orchestrated accompaniment styles to back up what you play on the keyboard (page 22).
Registration Memory saves your favorite panel settings for instant recall when needed (page 57).
Minus-one and Repeat functions are ideal for learning new songs and polishing your keyboard technique (page 79). Virtual Arranger feature lets you add chord progressions to any of the auto-accompaniment styles for more musical, refined accompaniment (page 29).
Digital effects (reverb, chorus, DSP and harmony) add depth and ambiance to your sound (page 42).
One Touch Setting feature automatically selects appropriate voice, effect, and other settings for the selected accompaniment style all you have to do is select a style and play (page 40).

There are two modes in the PSR-730/630: Style Mode and Song Mode, and normally one of them is selected. Pressing the STYLE button selects Style Mode, lighting the STYLE icon, while pressing the Song button selects Song Mode and lights the SONG icon, displaying the current mode.
Style Mode * Pressing the START/STOP button will start accompaniment playback.
Currently selected style name and style number

Accompaniment volume

109 001
Information for accompaniment tracks 1-8
Song Mode * Pressing the START/STOP button will start song playback.
Currently selected song name and song number
London B rid Gra nd Piano

Song volume

213 213
Information for song tracks 1-16
When in Song Mode, AUTO ACCOMPANIMENT ON/OFF , SYNC START, SYNC STOP and other buttons connected with accompaniment will not function.

Shortcuts

To make operation as easy and as efficient as possible, the PSR-730/630 features a number of shortcuts which allow you to jump directly to certain functions without having to use the MENU and SUB MENU buttons. All of these shortcuts work in the same way: press and hold a panel button for a few seconds to go to the related function. For example, if you press and hold the [REVERB] button for a few seconds, you will go directly to the REVERB type selection function. The shorcuts will also be described where appropriate throughout this manual.
QQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,, Setting Up QQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,,
This section contains information about setting up your PSR-730/630 and preparing to play. Be sure to go through this section carefully before using your PSR-730/630.

Power Supply

Although the PSR-730/630 will run either from an optional AC adaptor or batteries, Yamaha recommends use of the more environmentally safe AC adaptor. Follow the instructions below according to the power source you intend to use.
Never interrupt the power supply (e.g. remove the batteries or unplug the AC adaptor) during any PSR-730/630 record operation! Doing so can result in a loss of data.
s Using An Optional AC Power Adaptor
z Plug an optional Yamaha PA-6 Power Adaptor into a wall AC outlet. x Then plug the DC output cable from the PA-6 into the DC IN 10-12V jack on the rear panel of the PSR-730/630. The internal batteries are automatically disconnected when an AC Power Adaptor is used.
Use ONLY a Yamaha PA-6 AC Power Adaptor (or other adaptor specifically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the PSR-730/630. Unplug the AC Power Adaptor when not using the PSR730/630, or during electrical storms.
When turning the power OFF, simply reverse the procedure.

s Using Batteries

For battery operation the PSR-730/630 requires six 1.5V SUM-1, D size, R20 or equivalent batteries. When the batteries need to be replaced Lo Battery!! may appear on top of the display, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, turn the power off and replace the batteries. Replace the batteries as follows: z Open the battery compartment cover located on the instruments bottom panel. x Insert the six new batteries, being careful to follow the polarity markings on the inside of the compartment. c Replace the compartment cover, making sure that it locks firmly in place.

Choose a voice you like, and try it out!
Refer to the panel voice list or XG voice list when selecting voices (page 133). See page 3 for information about XG.
A Word About the R1, R2, and L Voices
The PSR-730/630 allows up to three voices to be selected at the same time: R1 (Right-hand 1), R2, (Right-hand 2) and L (Left-hand). The R1 voice is the basic voice of the PSR-730/630 and its used when youre playing a single voice over the entire range of the keyboard as with an acoustic piano. You can also have two voices play together at the same time (R1 voice and R2 voice) or play different voices with the right and left hands (R1 voice and L voice) (pages 19, 20). The numbers of the currently selected R1, R2, and L voices are all shown at the lower right of on the display panel. Normally, the R1 voice number is also shown at the upper right of the display panel.
The R1 (Right-hand 1), the R2 (Right-hand 2) and the L (Left hand) voices are shown.
q Playing with a Single Voice

R1 Voice

q Playing with Two Voices (Dual Voice Mode m page 19).

R1 Voice + R2 Voice

q Playing Separate Voices with the Right and Left Hands (Split Voice Mode m page 20)

L Voice

R1 Voice + R2 Voice L Voice (Split Voice Mode + Dual Voice Mode)

Playing the PSR-730/630

Selecting & Playing R1 Voices

1 Select the VOICE Menu

Press the [VOICE] button so that the triangular indicator appears in the display next to VOICE to the right of the display. The number and name of the currently selected R1 voice appears on the top right of the display panel when the VOICE menu is selected.

VOICE VOICE

2 Select a Panel Voice
The PSR-730/630 voices can be selected by using the [] and [+] buttons, the number buttons, the data dial, or the [VOICE] button. q The [] and [+] Buttons When the VOICE menu is selected these buttons step up or down through the PSR730/630s voices. Press either button briefly to step to the next voice in the corresponding direction, or hold the button to scroll rapidly through the voices in the corresponding direction.

Bri ghtPiano

q The Number Buttons The number buttons can be used to directly enter the number of the desired voice, thereby immediately selecting that voice without having to step through a number of other voices. To select voice number 109, for example, press the [1], [0], and [9] number buttons in sequence.

q Synchronized start Any of the above start types can be synchronized to the first note or chord played on the left-hand section of the keyboard (i.e. keys to the left of and including the split-point key normally 54) by first pressing the [SYNC START] button.
If you press the [SYNC START] button while the accompaniment is playing, the accompaniment will stop and the synchro start mode will be engaged. The [INTRO] button can be used to select the INTRO section even while the accompaniment is playing. The accompaniment split point can be changed via the Accompaniment Split Point function in the OVERALL menu see page 30.
Pressing the [SYNC START] button alone causes a straight start to occur when the first note or chord is played. Press the [SYNC START] button and then the appropriate [INTRO] and [MAIN/AUTO FILL] buttons for a synchronized introduction start. The BEAT indicator will flash at the current tempo when a synchronized start mode has been selected. The synchro start mode can be disengaged prior to actually starting the accompaniment by pressing the [SYNC START] button a second time.
When the AUTO ACCOMPANIMENT split point and SPLIT VOICE split point are set at different keys, the L voice can be played between the AUTO ACCOMPANIMENT split point and SPLIT VOICE split point when the AUTO ACCOMPANIMENT function is on. When the AUTO ACCOMPANIMENT split point and SPLIT VOICE split point are set to the same key, the L voice can be played anywhere to the left of the AUTO ACCOMPANIMENT split point and SPLIT VOICE split point while AUTO ACCOMPANIMENT is not playing.

NIMENT

4 Play the Melody with the Accompaniment
As soon as you play any chord that the PSR-730/630 can recognize on the lefthand section of the keyboard, the PSR-730/630 will automatically begin to play the chord along with the selected rhythm and an appropriate bass line. The name of the current chord will appear on the display.
The chord will be recognized according to the rules set in the Fingering Mode.
For the method for entering chords, see page 32 Auto Accompaniment Fingering Modes.
When the Fingering Mode is set for Single Finger, Fingered 1, Fingered 2, or Multi-Finger, playing a chord in the auto accompaniment section while the rhythm is stopped will cause Bass + Chord to be played (for all styles). However, when the Auto Accompaniment split point and the Split Voice split point are the same key, playing a chord in the accompaniment section with the rhythm stopped will cause Bass + L voice to be played.

AUTO ACCOMPANIMENT split point SPLIT VOICE split point

Accompaniment

R Voice
AUTO ACCOMPANIMENT split point/ SPLIT VOICE split point

Accompaniment/ L Voice

The Auto Accompaniment Fingering Modes
The PSR-730/630 AUTO ACCOMPANIMENT feature has five different fingering modes which can be selected as follows.
1 Select the Fingering Mode Function
You can jump directly to the FingerMode function by pressing and holding the AUTO ACCOMPANIMENT [ON/OFF] button for a few seconds.
Then use the SUB MENU [v] and [w] buttons to select the FingerMode function from within the OVERALL menu. The abbreviated name of the current fingering mode will appear to the right of FingerMode on the top line of the display.
The default Fingering Mode is Multi.

FingerMo de: Mul ti

2 Select the Required Fingering Mode
Use the [] and [+] buttons or Data Dial to select the desired fingering mode:
q Single (Single Finger) q Fingered 1 q Fingered 2 q Full Key (Full Keyboard) q Multi (Multi-finger)

q The SINGLE FINGER Mode

FingerMo de: Sin gle
Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the AUTO ACCOMPANIMENT section of the keyboard. The abbreviated chord fingerings described below are used:
s For a major chord, press the root key only.

Root Key Diagram

s For a minor chord, simultaneously press the root key and a black key to its left.

C# E b

Auto Accompaniment Split Point [54]

F# A b Bb

s For a seventh chord, simultaneously press the root key and a white key to its left. s For a minor-seventh chord, simultaneously press the root key and both a white and black key to its left.
C D E F G A B C D E F Accompaniment Section

q The FINGERED 1 Mode

FingerMo de: Fin gered 1
The Fingered 1 mode lets you finger your own chords on the AUTO ACCOMPANIMENT section of the keyboard (i.e. all keys to the left of and including the splitpoint key normally 54) while the PSR-730/630 supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected style. The FINGERED 1 mode recognizes the following chords:
Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus five [1+2+5] Normal Voicing 1-3-5 1-2-3-- (3) - 5 - - 2 - 3 - (5) - - 3 - (5) - 7 or 1 - (3) - 5 - - 2 - 3 - (5) - - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - - 3 - b- 3 - b5 - 7 1-4-- 3 - #- (3) - #5 - - b3 - - 2 - b3 - - b3 - 5 - - b3 - (5) - b- 2 - b3 - (5) - b- (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - - 2 - b3 - (5) - - b3 - b5 - b- b3 - b5 - - b3 - b- b3 - b5 - - 3 - (5) - b7 or 1 - (3) - 5 - b- b2 - 3 - (5) - b- 3 - 5 - b6 - b- 2 - 3 - (5) - b- (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b- 3 - (5) - 6 - b- #2 - 3 - (5) - b- 3 - b5 - b- 3 - #5 - b- 4 - (5) - b7 1-2-5 Chord (C) C C(9) C6 C6(9) CM7 CM7(9) CM7(#11) C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C1+2+5 Display C C(9) C6 C6(9) CM7 CM7(9) CM7(#11) C(b5) CM7(b5) Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7(b5) CmM7(b5) Cdim Cdim7 C7 C7(b9) C7(b13) C7(9) C7(#11) C7(13) C7(#9) C7b5 C7aug C7sus4 C

No. Name 4_HeavyB 4_HeavyC 5_PushA 5_PushB 5_PushC 5_HeavyA 5_HeavyB 5_HeavyC Time Signature No. 9 Name Thru 2_PushA 2_PushB 2_PushC 2_HeavyA 2_HeavyB 2_HeavyC 3_PushA 3_PushB Time Signature No. Name 3_PushC 3_HeavyA 3_HeavyB 3_HeavyC 4_PushA 4_PushB 4_PushC 4_HeavyA Time Signature 4 4
q Select the Dynamics Template Use the SUB MENU [s] and [t] buttons to select the Dynamics function from within the GROOVE & DYNAMICS menu. The name of the currently selected Dynamics Template will appear on the right of the top line of the display.

Dynamics :

Referring to the Dynamics Template List below, use the [+], [] buttons or the Data Dial to select one of the 17 template types. Dynamics Template List
The templates in this list strengthen or weaken the notes on a specific timing. The stress degree can be determined by changing the Dynamics Rate. Name: Indicates each template name. No.1"Thru (No.1) adds no effect as its name implies. The templates from No.7 to No.17 are programmed to put an emphasis on a specific timing.
No. 17 Name Thru 8beat_on 8beat_off 16beat_on 16beat_off 2nd Beat_Off Dance Disco Techno Fusion Reggae BossaNova Tango Rhumba Bass Rhumba Chord Latin Samba
q Set the Dynamics Rate The Dynamics Rate sets the amount of the Dynamics template applied to the PSR730/630 within the range, 0-100%. Use the SUB MENU [s] and [t] buttons to select the DynamcsRate function from within the GROOVE & DYNAMICS menu. The currently set Dynamics Rate value will appear on the right of the top line of the display.

DynamcsR ate:100%

Use the [1][0] number buttons, the [+], [] buttons or the Data Dial to set the Dynamics Rate value within a range of 0-100%.
q Set the Expand Rate The Expand Rate widens or narrows the dynamic range of the Accompaniment within the range, 0-100 (original)-400%. Use the SUB MENU [s] and [t] buttons to select the ExpandRate function from within the GROOVE & DYNAMICS menu. The currently set Expand Rate value will appear on the right of the top line of the display.
Though Expand Rate can be adjusted by a rate of 1 in 100, the rate actually applied will be rounded down to nearest 10. For example, the rates 1 through 9 result in 0, no effect. The rates 29 and 53 result in 20 and 50, respectively. When using the Registration Memory function, the result rate will be memorized.

ExpandRa te: 100%

Use the [1][0] number buttons, the [+], [] buttons or the Data Dial to set the Expand Rate value within a range of 0-400%.
q Set the Boost Rate The Boost Rate strengthens or weakens the Accompaniment by offsetting the velocity value of the Style data, within the range, 0-100 (original)-400%. Use the SUB MENU [s] and [t] buttons to select the BoostRate function from within the GROOVE & DYNAMICS menu. The currently set Boost Rate value will appear on the right of the top line of the display.

2 Enter the Song Number

Use the [] and [+] buttons, [1][0] number buttons, or the Data Dial to select the song to be played back. The SONG button can also be pushed to increment the song number, and holding it down will cause the number to increment continuously.

Always

The songs will be displayed in sequence, as follows:
Demo Song (001) m Disk Song (001) m Demo Song (001).
q Selecting a Disk Song Quickly When selecting a Demo Song, hold the [3] button down until the icon lights, then enter the Disk Song number using the [1][0] number buttons.
Example) Selecting Disk Song number 2 Press [3] and hold until the DISK icon lights Press [2]
Song data of a certain commercially available song disk may use the voices which are not built in the PSR-730/630. In this case nothing will be shown on the voice number display of the appropriate track.

3 Select Play Mode

Press the SUB MENU [v] and [w] buttons so that Play Mode appears on the display. On the right of the top line of the display, the current play mode will be displayed. Use the [] and [+] buttons, or the Data Dial to select the play mode for playback.
Selecting All here cancels the Next song setting (see page 82).

Play Mod e:

Sin gle
Single.. Play through the selected song, then stop. All.. Continue playback through all the songs on the floppy disk. If there is no floppy disk inserted in the drive, this setting will be ignored.

4 Start/Stop the Song

Press the [START/STOP] button, and start playback of the song. To stop playback part way through the song, press the [START/STOP] button one more time.

s Song Volume Control

The volume of song playback can be adjusted for the best balance in relation to notes from the keyboard. While in Song Mode (the SONG icon is lit) press the ACMP/ SONG VOLUME [v] and [w] buttons. When either button is pressed the current song volume setting will appear on the top line of the display for a few seconds. The song volume is also shown on the display when in the Song Mode (the SONG icon is lit).

SongVolu me

Press the ACMP/SONG VOLUME [v] or [w] buttons to button to decrease or increase the volume within a range of 0-127. Press briefly to single step, or hold for continuous decrementing/incrementing.
While the song volume setting appears on the top line of the display the [] and [+] buttons, number buttons, or data dial can also be used to set the song volume.
s Play from a Specified Measure

Drum Cancel

This function makes it possible to erase specific drum instruments from the RHYTHM 1 and RHYTHM 2 tracks. Its handy, for example, when you want to erase just the bass drum recorded on the RHYTHM 1 track. While recording either the RHYTHM 1 or RHYTHM 2 track, use the SUB MENU [v] and [w] buttons to select Drum Cancel.
Drum Cancel cannot be used for the BASS, CHORD 1/2, PAD, or PHRASE 1/2 tracks.

Drum Can cel

Then, press the key on the key board corresponding to the instrument you want to cancel.
Quantize can be used to align notes to the nearest specified beat to tighten up loose timing.
1 With the style Record Ready Mode (or Rehearsal Mode) engaged and the target
style and its section selected, use the SUB MENU [v] and [w] buttons to select Quantize? YES.
2 Press the [+] (YES) button to engage the quantize function (or [] to abort). The
current quantize value will appear to the left of Quantize: on the top line of the display. Use the [] and [+] buttons, or the Data Dial to select the desired quantize value (4, 6, 8, 12, 16, 24, 32). When the quantize function is executed, all notes in the target track will be aligned with the nearest note of the corresponding value.
3 Press the SUB MENU [w] button once so that Execute? NO/YES appears on the
display. Then press the [+] (YES) button to execute the quantize function, or the [] (NO) button to cancel (the display will return to Quantize? YES).
4 After the quantize operation is completed, Undo will appear on the top line of the
display. Undo lets you undo the effect of applying the quantize function.
After exiting from the Undo screen, the undo function cannot be applied.
Pressing the [START/STOP] button will cause the quantized style to replay so that you can check it. Press the [+] (YES) button to undo the quantize operation. Press the [] (NO) button and the undo wont be executed. The display will return to Quantize? YES.

Naming Styles

You can give your own name (8 characters or less) to user styles. With the Style Record Ready Mode (or Rehearsal Mode) engaged and the target style selected, use the SUB MENU [v] and [w] buttons so that UserStyle. appears on the display. The current name for the style will be displayed at the upper right of the display.

Receivee Ch:

nd Piano

q Receive Mode

The ReceiveMode function specifies the receive mode for the channel selected via the Receive Channel function, above. The receive mode settings are as follows:
ReceiveM ode:Normal Piano nd
Normal Received MIDI data is sent directly to the PSR-730/630 tone generator. If all channels are set to Normal, the PSR-730/630 functions as a 16-channel multi-timbral tone generator. No MIDI data is received on channels set to Off. Received MIDI data is handled in the same way as data generated by the PSR-730/630s own keyboard. In other words, a remote keyboard could be used to control the PSR-730/630 AUTO ACCOMPANIMENT functions, etc. The note on/off messages received at the channel(s) set to Bass are recognized as the bass notes in the accompaniment section. The bass notes will be detected regardless of the accompaniment on/off and split point settings on the PSR-730/630 panel. The note on/off messages received at the channel(s) set to Chord are recognized as the fingerings in the accompaniment section. The chords to be detected depend on the fingering mode on the PSR-730/630. The chords will be detected regardless of the accompaniment on/off and split point settings on the PSR-730/630 panel.
MIDI receive mode settings will be retained even after turning the power off. See page 152 for the details. The initial default setting for all channels is Normal. In the Record mode, the Receive mode cannot be set.

Off Remote

s Local Control
Local Control refers to the fact that, normally, the PSR-730/630 keyboard controls the internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is Local Control on since the internal tone generator is controlled locally by its own keyboard. Local control can be turned off, however, so that the keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator can respond to MIDI information received on channels set to the Normal mode via the MIDI IN connector. This means that while an external MIDI sequencer, for example, plays the PSR-730/630 internal voices, an external tone generator can be played from the PSR730/630 keyboard. The default Local Control setting is On.

Local::: Ch; On

s Clock
Reception of an external MIDI clock signal can be enabled or disabled as required. When disabled (Off), all of the time-based functions (Auto Accompaniment, SONG recording and playback, etc.) are controlled by its own internal clock. When MIDI clock reception is enabled (On), however, all timing is controlled by an external MIDI clock signal received via the MIDI IN terminal (in this case the PSR-730/630 TEMPO setting has no effect). The default setting is Off.

NTR (Note Transposition Rule) Setting C Note Transposition rule setting
Set the transposition rule for using the transposition table (see item 4 below) when transposing. There are two types of rules. Root Transposition Rule This rule maintains the mutual relationship in pitch between each note when transposing. Set this for tracks that contain melody-like phrases. Root Fixed Rule To the extent possible, this rule maintains the pitch of each note in the source pattern. Set it for piano-type or guitar-type chord picking tracks. After finishing recording, with the recorded track selected, select NTR from the sub menu and use the [] and [+] buttons or the Data Dial to select the transposition rule.

S.ChordR oot:A

After setting the source chord root, select the S.Chord Type sub menu and use the [] and [+] buttons or the Data Dial to select the chord type.

S.ChordT ype:m

See page 150 for the available chord types, chord notes and scale notes.

NTR::::: ooooooF ixed

N Note range (Low Limit, High Limit) settings NTT (Note Transposition Table) Setting V Note Transposition table setting
Set the table for making the chord change (transposition) in the source pattern. There are 6 tables, as explained below. Bypass No transposition is done. Melody This table is suitable for melody line transposition. Use it for tracks with melodies like PHRASE 1/2. Bass This table is suitable for bass line transposition. The table contents are the same as for Melody, but it recognizes on-bass chords such as in the Fingered2 mode. Use it for tracks with low pitched instruments such as bass tracks. Chord This table is suitable for chord transposition. Use it for tracks like the CHORD 1/2 tracks, with piano-type or guitar-type chord picking tracks. M-m Only (M) This table lowers the third by a semitone when changing from a major chord to a minor chord or raises the minor third by a semitone when changing from a minor chord to a major chord. It doesnt change any other notes. M-m Only (H) When changing from a major chord to a minor chord, this flattens both the third and the sixth by a semitone. When changing from a minor chord to a major, it raises the flatted third and sixth by a semitone. It doesnt change any other notes. After finishing recording, with the recorded track selected, select NTT from the sub menu and use the [] and [+] buttons or the Data Dial to select the transposition table. Set the note range (low and high limits) for the voices recorded on user style tracks. By setting the note range, you can prevent unrealistic notes (such as high notes from a bass or low notes from a piccolo) from being produced and have them shifted to an octave within the note range.

SS TT F7

The volume for all channels will be changed simultaneously. The TT value is used as the MIDI Master Volume value. (the ss value is ignored.)
(3-6-2-2) UNIVERSAL NON REALTIME MESSAGE (3-6-2-2-1) GENERAL MIDI SYSTEM ON
binary or 0xxxnnnn hexadecimal F0 7E 7F F7 F0 7E XN Exclusive status Universal Non-Realtime ID of target Device Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On End of Exclusive Exclusive status Universal Non-Realtime When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = dont care Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On End of Exclusive
For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-8 > (pages 157-162). The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum has value zero in its seven least significant bits. If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be received. The Block is a unit that consists of the data, arranged in the list, as the Total Size. The 5 data types listed below are transmitted and received. (These are transmitted only after a Bulk Dump request is received.) System Data Multi Effect Data(Individual effect unit) Multi EQ Data Multi Part Data(Individual part unit) Drums Setup Data(Individual note unit) System Information(Individual only)
(3-6-3-3) XG PARAMETER REQUEST (Recive only)
binary 0011nnnn 01001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 11110111 hexadecimal F3n 4C AA AA AA F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low End of Exclusive

11110111

Depending upon the received ON message, the System Mode will be changed to XG. Except MIDI Master Tuning, all control data be reset to default values. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.
(3-6-3) XG STANDARD (3-6-3-1) XG PARAMETER CHANGE (3-6-3-1-1) XG SYSTEM ON

EQ Gain1 EQ Frequency1 EQ Q1 EQ Shape1 EQ Gain2 EQ Frequency2 EQ Q2 Not Used EQ Gain3 EQ Frequency3 EQ Q3 Not Used EQ Gain4 EQ Frequency4 EQ Q4 Not Used EQ Gain5 EQ Frequency5 EQ Q5 EQ Shape5
40 0C 40 1C 40 2E 3C 07 00
< Table 1-6 > MIDI Parameter change table (Effect2))(PSR-730 ONLY)
Address (H) 03 0n (H) 1 Size (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Data Insertion Type MSB Insertion Type LSB Insertion Parameter1 Insertion Parameter2 Insertion Parameter3 Insertion Parameter4 Insertion Parameter5 Insertion Parameter6 Prameter Name Refer to the Ef. Type List 49(=DISTORTION) 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Description Default Value(H)
Address (H) 0A 0B 0C 0D 0E 0F TOTAL SIZE 25 TOTAL SIZE 03 0n 0n 0n 0n 0n 0n 0n 0n 0n 0n 38 3A 3C 3E 03 0n Size (H) Data (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Prameter Name Insertion Parameter7 Insertion Parameter8 Insertion Parameter9 Insertion Parameter10 Insertion Part MW INS CTRL DPT BEND INS CTRL DPT CAT INS CTRL DPT Not Used Not Used Description Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Part1.16,OFF Default Value(H) 7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Insertion Parameter11 Insertion Parameter12 Insertion Parameter13 Insertion Parameter14 Insertion Parameter15 Insertion Parameter16 Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Ins. Param.1 MSB Ins. Param.1 LSB Ins. Param.2 MSB Ins. Param.2 LSB Ins. Param.3 MSB Ins. Param.3 LSB Ins. Param.4 MSB Ins. Param.4 LSB Ins. Param.5 MSB Ins. Param.5 LSB Ins. Param.6 MSB Ins. Param.6 LSB Ins. Param.7 MSB Ins. Param.7 LSB Ins. Param.8 MSB Ins. Param.8 LSB Ins. Param.9 MSB Ins. Param.9 LSB Ins. Param.10 MSB Ins. Param.10 LSB Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List

doc1

Voice Nummer Bank Select MSB LSB MIDI Program Voice Naam Nummer Solo Brass 56 SoloTrumpet 56 SoftTrumpet 56 Flugel Horn 59 Muted Trp 57 Trombone 57 MelTrombone 60 French Horn 58 Tuba Brass Ensemble 61 BigBandBrs 61 BrasSection 61 MellowBrass 61 Small Brass 61 Pop Brass 61 MellowHorns 59 BallroomBrs 61 Full Horns 61 High Brass 57 Trb.Section 62 Synth Brass 63 Analog Brs 62 Jump Brass 62 TechnoBrass Reed 64 Soprano Sax 65 Alto Sax 65 BreathyAlto 66 Tenor Sax 66 BreathTenor 67 BaritoneSax 66 Sax Section 71 Clarinet 71 MelClarinet 66 WoodwindEns 66 Brass Combo 68 Oboe 69 EnglishHorn 70 Bassoon 109 Bagpipe Pipe 73 Flute 75 Pan Flute 72 Piccolo 73 EthnicFlute 77 Shakuhachi 78 Whistle 74 Recorder 79 Ocarina Synth Lead 80 Square Lead 81 Saw.Lead 81 Big Lead 98 Stardust 81 Blaster 81 Analogon 80 Vintage Ld 98 Sun Bell 83 Aero Lead 81 Fire Wire 80 Mini Lead 80 Vinylead 81 Warp Voice Nummer Bank Select MSB LSB MIDI Program Voice Naam Nummer 80 Hi Bias 80 Meta Wood 80 Tiny Lead 81 Sub Aqua 81 Fargo Synth Pad 94 Insomnia 90 Krypton 99 Cyber Pad 95 Wave Equinox 88 Stargate 92 DX Pad 93 Loch Ness 88 Fantasia 88 Golden Age 91 Xenon Pad 89 Area Atmosphere 89 Dark Moon 94 Ionosphere 93 Phase IV 88 Symbiont 94 Solaris 95 Transform Drum Kits 0 Std.KitStd.KitRoom Kit 16 Rock Kit 24 Electro Kit 25 Analog Kit 27 Dance Kit 32 Jazz Kit 40 Brush Kit 48 Classic Kit 0 SFX KitSFX Kit2
[PSR-730/630] XG Voice Lijst
PSR-730 PSR-630 Bank Select MIDI Voice Voice Program Voice Naam Nummer Nummer MSB LSB Nummer Piano 0 GrandPno 0 GrndPnoK 0 MelloGrP 0 PianoStr 0 Dream 1 BritePno 1 BritPnoK 2 E.Grand 2 ElGrPnoK 2 Det.CPElGrPnoElGrPnoHnkyTonk 3 HnkyTnkK 4 E.PianoEl.Pno1K 4 MelloEPChor.EPHardEl.P 4 VX El.P60sEl.P 5 E.PianoEl.Pno2K 5 Chor.EPDX Hard 5 DXLegend 5 DX Phase 5 DX+Analg 5 DXKotoEP 5 VX El.PHarpsi. 6 Harpsi.K 6 Harpsi.Harpsi.Clavi. 7 Clavi. K 7 ClaviWah 7 PulseClv 7 PierceCl Chromatic Percussion 8 Celesta 9 Glocken 10 MusicBox 10 Orgel 11 Vibes 11 VibesK 11 HardVibe 12 Marimba 12 MarimbaK 12 SineMrmb 12 BalafonLog Drum 13 Xylophon 14 TubulBel 14 ChrchBel 14 Carillon 15 Dulcimer 15 DulcimrCimbalom 15 Santur Organ 16 DrawOrgn PSR-730 Voice Nummer PSR-630 Bank Select MIDI Voice Program Nummer MSB LSB Nummer Guitar Voice Naam DetDrwOr 60sDrOr1 60sDrOr2 70sDrOr1 DrawOrg2 60sDrOr3 EvenBar 16+22/3 Organ Ba 70sDrOr2 CheezOrg DrawOrg3 PercOrgn 70sPcOr1 DetPrcOr LiteOrg PercOrg2 RockOrgn RotaryOr SloRotar FstRotar ChrchOrg ChurOrg3 ChurOrg2 NotreDam OrgFlute TrmOrgFl ReedOrgn Puff Org Acordion AccordIt Harmnica Harmo 2 TangoAcd TngoAcd2 NylonGtr NylonGt2 NylonGt3 VelGtHrm Ukulele SteelGtr SteelGt2 12StrGtr Nyln&Stl Stl&Body Mandolin Jazz Gtr MelloGtr JazzAmp CleanGtr ChorusGt Mute.Gtr FunkGtr1 MuteStlG FunkGtr2 Jazz Man Ovrdrive Gt.Pinch Dist.Gtr FeedbkGt FeedbGt2 GtrHarmo PSR-730 Voice Nummer PSR-630 Bank Select MIDI Voice Program Voice Naam Nummer MSB LSB Nummer GtFeedbk GtrHrmo2 Bass Aco.Bass JazzRthm VXUprght FngrBass FingrDrk FlangeBa Ba&DstEG FngrSlap FngBass33 ModAlem PickBass MutePkBa Fretless Fretles35 Fretles35 Fretles35 SynFretl Smooth SlapBas36 ResoSlap PunchThm SlapBas37 VeloSlap SynBass38 SynBa1Dk FastResB AcidBass Clv Bass TeknoBa Oscar SqrBass RubberBa Hammer SynBass39 MelloSB39 Seq Bass ClkSynBa SynBa2Dk SmthBa 39 ModulrBa DX Bass X WireBa Strings Violin SlowVln Viola Cello Contrabs Trem.Str SlowTrStr Susp Str Pizz.Str Harp YangChin Timpani Ensemble Strings48 S.Strngs SlowStr ArcoStr

PSR-730 Voice Nummer PSR-630 Bank Select MIDI Voice Program Nummer MSB LSB Nummer Brass Voice Naam 60sStrng Orchestr Orchstr2 TremOrch VeloStr Strings2 S.SlwStr LegatoSt Warm Str Kingdom 70s Str Str Ens3 Syn.Str1 ResoStr Syn Str4 SS Str Syn.Str2 ChoirAah S.Choir Ch.Aahs2 MelChoir ChoirStr VoiceOoh SynVoice SynVox2 Choral AnaVoice Orch.Hit OrchHit2 Impact Trumpet Trumpet2 BriteTrp WarmTrp Trombone Trmbone2 Tuba Tuba 2 Mute.Trp Fr.Horn FrHrSolo FrHorn2 HornOrch BrasSect Tp&TbSec BrssSec2 HiBrass MelloBrs SynBras1 QuackBr RezSynBr PolyBrss SynBras3 JumpBrss AnaVelBr AnaBrss1 SynBras2 Soft Brs SynBrss4 ChoirBrs VelBrss2 AnaBrss2 PSR-730 PSR-630 Bank Select MIDI Voice Voice Program Voice Naam Nummer Nummer MSB LSB Nummer Reed 64 SprnoSax 65 Alto Sax 65 Sax Sect 65 HyprAlto 66 TenorSax 66 BrthTnSx 66 SoftTenr 66 TnrSax Bari.Sax 68 Oboe 69 Eng.Horn 70 Bassoon 71 Clarinet Pipe 72 Piccolo 73 Flute 74 Recorder 75 PanFlute 76 Bottle 77 Shakhchi 78 Whistle 79 Ocarina Synth Lead 80 SquareLd 80 Square LMSquare 80 Hollow 80 Shmoog 80 Mellow 80 SoloSine 80 SineLead 81 Saw.Lead 81 Saw ThickSaw 81 DynaSaw 81 DigiSaw 81 Big Lead 81 HeavySyn 81 WaspySyn 81 PulseSaw 81 Dr. Lead 81 VeloLead 81 Seq Ana 82 CaliopLd 82 Pure Pad 83 Chiff Ld 83 Rubby 84 CharanLd 84 DistLead 84 WireLead 85 Voice Ld 85 SynthAah 85 VoxLead 86 Fifth Ld 86 Big Five 87 Bass &Ld 87 Big&Low 87 Fat&Prky 87 SoftWurl Synth Pad 88 NewAgePd 88 FantasyWarm Pad 89 ThickPad PSR-730 Voice Nummer PSR-630 Bank Select MIDI Voice Program Voice Naam Nummer MSB LSB Nummer Soft Pad SinePad Horn Pad RotarStr PolySyPd PolyPd90 ClickPad Ana Pad SquarPad ChoirPad Heaven91 Itopia CC Pad BowedPad Glacier GlassPad MetalPad Tine Pad Pan Pad Halo Pad SweepPad Shwimmer Converge PolarPad Celstial Synth Effects Rain ClaviPad HrmoRain AfrcnWnd Caribean SoundTrk Prologue Ancestrl Crystal SynDrCmp Popcorn TinyBell RndGlock GlockChi ClearBel ChorBell SynMalet SftCryst LoudGlok XmasBell VibeBell DigiBell AirBells BellHarp Gamelmba Atmosphr WarmAtms HollwRls NylonEP NylnHarp Harp Vox AtmosPad Planet Bright FantaBel Smokey Goblins GobSyn 50sSciFi
PSR-730 Voice Nummer PSR-630 Bank Select MIDI Voice Program Voice Naam Nummer MSB LSB Nummer Ring Pad Ritual ToHeaven Night Glisten BelChoir Echoes EchoPad102 Echo Pan EchoBell Big Pan SynPiano Creation Stardust Reso Pan Sci-Fi Starz Ethnic Sitar DetSitar Sitar 104 Tambra Tamboura Banjo MuteBnjo Rabab Gopichnt Oud Shamisen Koto T. Koto Kanoon Kalimba Bagpipe Fiddle Shanai Shanai111 Pungi Hichriki Percussive TnklBell Bonang Gender Gamelan S.Gamlan Rama Cym AsianBel Agogo SteelDrm GlasPerc ThaiBell WoodBlok Castanet TaikoDrm Gr.Cassa MelodTom Mel Tom117 Real Tom Rock Tom Syn.Drum Ana Tom ElecPerc RevCymbl Sound Effects FretNoiz PSR-730 Voice Nummer 707 PSR-630 Bank Select MIDI Voice Program Nummer MSB LSB Nummer SFX Voice Naam BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot CuttngNz CttngNz2 Str Slap Fl.KClik Rain Thunder Wind Stream Bubble Feed Dog Horse Bird 2 Ghost Maou Tel.Dial DoorSqek Door Slam Scratch Scratch 2 WindChm Telphon2 CarEngin Car Stop Car Pass CarCrash Siren Train Jetplane Starship Burst Coaster SbMarine Laughing Scream Punch Heart FootStep MchinGun LaserGun Xplosion FireWork

Drum Kit Lijst

< geeft aan dat de drumkit dezelfde is als Standard Kit1. Iedere percussievoice maakt gebruik van n noot. De nootnummers en nootnamen die staan afgebeeld op het toetsenbord zijn n octaaf hoger dat de MIDI nootnummers en nootnamen die worden getoond in de lijst. Bijvoorbeeld het nootnummer en de nootnaam #36 en C1, op het toetsenbord corresponderen met het MIDI nootnummer en de nootnaam #24 en C0, afgebeeld in de lijst. Voices met hetzelfde Alternatieve Nootnummer (*1 4) kunnen niet tegelijk bespeeld worden.
PSR-730 Voice# PSR-630 Voice# Bank MSB# Bank LSB# Program# MIDI Note# Note 13 C#-1 *D-1 *D#-E-F-1 *F#-1 *G-G#-A-A#-B-CC#DD#EFF#GG#AA#BCC#DD#EFF#1 *GG#1 *AA#1 *BCC#DD#EFF#GG#AA#BCC#DD#EFF#GG#AA#BCC#DD#EFF#GG#4 *A4 *A#BCC#DD#EFF#GStandard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch Push Scratch Pull Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl L Brush Slap Brush Swirl H Snare Roll Castanet Snare L Sticks Bass Drum L Open Rim Shot Bass Drum M Bass Drum H Side Stick Snare M Hand Clap Snare H Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree 2 Standard Kit 2 < < < < < < < < < < < < < < < < Snare Roll 2 < Snare L 2 < < Open Rim Shot 2 Bass Drum M 2 Bass Drum H 2 < Snare M 2 < Snare H 2 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < 9 Room Kit < < < < < < < < < < < < < < < < < < < < < < < BD Room < SD Room L < SD Room H Room Tom 1 < Room Tom 2 < Room Tom 3 < Room Tom 4 Room Tom 5 < Room Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < 17 Rock Kit < < < < < < < < < < < < < < < < < < SD Rock M < Bass Drum M < Bass Drum H 3 BD Rock < SD Rock < SD Rock Rim Rock Tom 1 < Rock Tom 2 < Rock Tom 3 < Rock Tom 4 Rock Tom 5 < Rock Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < 25 Electronic Kit < < < < < < < < < < < < < < < Reverse Cymbal < Hi Q Snare M < Bass Drum H 4 < BD Rock BD Gate < SD Rock L < SD Rock H E Tom 1 < E Tom 2 < E Tom 3 < E Tom 4 E Tom 5 < E Tom 6 < < < < < < < < < < < < < < < < < < < < < < < < < < < Scratch Push Scratch Pull < < < < < 26 Analog Kit < < < < < < < < < < < < < < < Reverse Cymbal < Hi Q SD Rock H < Bass Drum M < BD Analog L BD Analog H Analog Side Stick Analog Snare L < Analog Snare H Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 < < < < < Analog Cowbell < < < < < Analog Conga H Analog Conga M Analog Conga L < < < < < Analog Maracas < < < < Analog Claves < < Scratch Push Scratch Pull < < < < <

SYSTEM EXCLUSIVE MESSAGE <YAMAHA MIDI FORMAT> <UNIVERSAL> UNIVERSAL REALTIME F0H 7FH..F7H UNIVERSAL NON-REALTIME F0H 7EH..F7H <XG STANDARD> XG PARAMETER CHANGE F0H 43H 1nH 4CH aaH aaH aaH ddH..ddH F7H XG BULK DUMP F0H 43H 0nH 4CH bbH bbH aaH aaH aaH ddH..ddH ccH F7H SPECIAL OPERATORS SYSTEM REALTIME MESSAGE MIDI CLOCK START STOP ACTIVE SENSING

F8H FAH FCH FEH

(2) RECEIVE FLOW
MIDI NOTE OFF IN NOTE ON/OFF CONTROL CHANGE BANK SELECT MSB BANK SELECT LSB MODULATION PORTAMENTO TIME DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION SUSTAIN PORTAMENTO SOSTENUTO SOFT PEDAL HARMONIC CONTENT RELEASE TIME ATTACK TIME BRIGHTNESS PORTAMENTO CONTROL REVERB SEND LEVEL CHORUS SEND LEVEL VARIATION SEND LEVEL DATA INCREMENT DATA DECREMENT NRPN LSB NRPN MSB VIBRATO RATE VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQ. FILTER RESONANCE AEG ATTACK TIME AEG DECAY TIME AEG RELEASE DRUM INST CUTOFF FREQ. FILTER RESONANCE AEG ATTACK RATE AEG DECAY RATE PITCH COARSE 8nH 9nH
Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111(binary) displays the Note On Message for each channel (1-16). 176-191/ BnH/1011 0000-displays the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-displays the Program Change Message for each channel (1-16). 240/FOH/denotes the start of a System Exclusive Message. 247/F7H/denotes the end of a System Exclusive Message. aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low. bbH/0bbbbbbb denotes the byte count. ccH/0ccccccc denotes the check sum. ddH/0ddddddd denotes the data/value.
BnH,00H BnH,20H BnH,01H BnH,05H BnH,06H BnH,26H BnH,07H BnH,0AH BnH,0BH BnH,40H BnH,41H BnH,42H BnH,43H BnH,47H BnH,48H BnH,49H BnH,4AH BnH,54H BnH,5BH BnH,5DH BnH,5EH BnH,60H BnH,61H BnH,62H BnH,63H BnH,63H,01H,62H,08H,06H,mmH BnH,63H,01H,62H,08H,06H,mmH BnH,63H,01H,62H,09H,06H,mmH BnH,63H,01H,62H,0AH,06H,mmH BnH,63H,01H,62H,20H,06H,mmH BnH,63H,01H,62H,21H,06H,mmH BnH,63H,01H,62H,63H,06H,mmH BnH,63H,01H,62H,64H,06H,mmH BnH,63H,01H,62H,66H,06H,mmH BnH,63H,14H,62H,rrH,06H,mmH BnH,63H,15H,62H,rrH,06H,mmH BnH,63H,16H,62H,rrH,06H,mmH BnH,63H,17H,62H,rrH,06H,mmH BnH,63H,18H,62H,rrH,06H,mmH
PITCH FINE LEVEL PANPOT REVERB SEND CHORUS SEND VARIATION SEND RPN LSB RPN MSB PITCH BEND SENS. FINE TUNING COARSE TUNING NULL ALL SOUND OFF RESET ALL CONTROLLERS ALL NOTES OFF OMNI OFF OMNI ON MONO POLY PROGRAM CHANGE CHANNEL AFTER TOUCH PITCH BEND CHANGE BnH,63H,19H,62H,rrH,06H,mmH BnH,63H,1AH,62H,rrH,06H,mmH BnH,63H,1CH,62H,rrH,06H,mmH BnH,63H,1DH,62H,rrH,06H,mmH BnH,63H,1EH,62H,rrH,06H,mmH BnH,63H,1FH,62H,rrH,06H,mmH BnH,64H BnH,65H BnH,65H,00H,64H,00H,06H,mmH BnH,65H,00H,64H,01H,06H,mmH, 26H,llH BnH,65H,00H,64H,02H,06H,mmH BnH,65H,7FH,64H,7FH BnH,78H,00H BnH,79H,00H BnH,7BH,00H BnH,7CH,00H BnH,7DH,00H BnH,7EH BnH,7FH CnH DnH EnH

(3-1) CHANNEL VOICE MESSAGES (3-1-1) NOTE OFF (Recive only)
STATUS NOTE NUMBER VELOCITY 1000nnnn (8nH) 0kkkkkkk 0vvvvvvv n = 0 - 15 VOICE CHANNEL NUMBER k = 0 (C-2) - 127 (G8) v: ignored
c = 32 c= 1 c= 5 c= 6 c = 38 c= 7 c = 10 c = 11 c = 64 c = 65 c = 66 c = 67 c = 71 c = 72 c = 73 c = 74 c = 84 c = 91 c = 93 c = 94 c = 96 c = 97

(3-1-2) NOTE ON/OFF

STATUS NOTE NUMBER VELOCITY 1001nnnn (9nH) 0kkkkkkk 0vvvvvvv 00000000 n = 0 - 15 VOICE CHANNEL NUMBER k = 0 (C-2) - 127 (G8) (v 0) NOTE ON (v = 0) NOTE OFF
*1 Only when setting the appointed parameter with RPN, NRPN. *2 Does not effect Rhythm Voice. *3 MSB=0, anything other than 63 is 0.

(3-1-3) PROGRAM CHANGE

STATUS 1100nnnn (CnH) PROGRAM NUMBER 0ppppppp n = 0 - 15 VOICE CHANNEL NUMBER p = 0 - 127
Until a PROGRAM CHANGE message is received, the BANK SELECT operation will be suspended. When a Voice, including VOICE BANK, is changed, set the BANK SELECT and Program Change Message, and transmit in the following order, BANK SELECT MSB, LSB, PROGRAM CHANGE. MODULATION controls the Vibrato Depth. PORTAMENTO TIME controls the Pitch Change Speed when the Portamento Switch = ON. 0 being the shortest time, and 127 being the longest. PANPOT changes the value for the melody voice and rhythm voice in relation to the preset value. Portamento time is fixed to 0 when the PORTAMENTO CONTROL is used. HARMONIC CONTENT applies adjustment to the resonance value that is set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. As values get higher the sound becomes increasingly eccentric. Note that for some voices the effective parameter range is narrower than the legal parameter range. RELEASE TIME applies adjustment to the envelope release time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment.
* PROGRAM NUMBER: XG DRUM VOICE number correspondence P=1 Standard Kit P=2 Standard2 Kit P=9 Room Kit P = 17 Rock Kit P = 25 Elctrnic Kit P = 26 Analog Kit P = 28 Dance Kit P = 33 Jazz Kit P = 41 Brush Kit P = 49 Classic Kit * PROGRAM NUMBER: XG SFX KIT number correspondence P=1 SFX1 Kit P=2 SFX2 Kit When DRUM VOICE is selected and program change data for a different DRUM VOICE is received, the currently selected DRUM VOICE will be replaced with the new DRUM VOICE.

(3-6) SYSTEM EXCLUSIVE MESSAGE (3-6-1) YAMAHA MIDI FORMAT (3-6-1-1) SECTION CONTROL
binary 0sssssss hexadecimal F7E 00 SS Exclusive status YAMAHA ID Style Switch No. 00H : INTRO A 01H~07H : INTRO B 08H : MAIN A 09H~0FH : MAIN B 10H : FILL IN AA 11H~17H : FILL IN BB 18H : FILL IN AB 19H~1FH : FILL IN BA 20H : ENDING A 21H~27H : ENDING B Switch On/Off : 00H (Off),7FH (On) End of Exclusive
First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry MSB/LSB.
D.ENTRY MSB LSB PARAMETER NAME DATA RANGE mmH PITCH BEND SENSITIVITY 00H - 18H (0 - 24 semitones) mmH llH FINE TUNE {mmH,llH} = {00H,00H} - {40H,00H} - {7FH,7FH} (-8192*100/8192) - 0 - (+8192*100/8192) 02H 00H mmH COARSE TUNE 28H - 40H - 58H (-24 - 0 - +24 semitones) 7FH 7FH NULL Clears the current RPN number setting. Does not change the internal parameter settings. RPN LSB MSB 00H 00H 01H 00H
(3-4) NON-REGISTERED PARAMETER NUMBER (NRPN) (Recive only)
STATUS NRPN LSB NRPN LSB NUMBER NRPN MSB NRPN MSB NUMBER DATA ENTRY MSB DATA VALUE 1011nnnn (BnH) 01100010 (62H) 0ppppppp 01100011 (63H) 0qqqqqqq 00000110 (06H) 0mmmmmmm n = 0 - 15 VOICE CHANNEL NUMBER p = NRPN LSB(refer to the list below) q = NRPN MSB(refer to the list below) m = Data Value

0ddddddd 11110111

When an ON code is received, the appointed section will be changed.

(3-6-1-2) TEMPO CONTROL

binary 0ttttttt 0ttttttt 0ttttttt 0ttttttt 11110111 hexadecimal F7E 01 TT TT TT TT F7 Exclusive status YAMAHA ID Style Tempo4 Tempo3 Tempo2 Tempo1 End of Exclusive
(3-6-3-1-2) XG PARMETER CHANGE
binary 0001nnnn 01001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 0ddddddd | 11110111 hexadecimal F1N 4C AA AA AA DD | F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low Data End of Exclusive
The internal clock will be set to the received Tempo value. Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going into each of the Tempos 1-4 (4 receives the remaining 3 bits).
(3-6-2) UNIVERSAL SYSTEM EXCLUSIVE (3-6-2-1) UNIVERSAL REALTIME MESSAGE (3-6-2-1-1) MIDI MASTER VOLUME (Recive only)
binary 00000001 0sssssss 0ttttttt 11110111 or 0xxxnnnn hexadecimal F0 7F 7F SS TT F7 F0 7F XN Exclusive status Universal Realtime ID of target Device Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive Exclusive status Universal Realtime When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = dont care Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive
For parameters with data size of 2 or 4, transmit the appropriate number of data bytes. For more information on Address and Parameters, refer to < Table 1-2 > ~ < Table 1-8 > (pages 157-162). The 4 data types listed below are transmitted and received. (These are transmitted only after a Parameter change request is received.) XG System Data Multi Effect Data Multi EQ Data Multi Part Data Drums Setup Data

30 0B 0B 00
< Table 1-2 > MIDI Parameter Change table ( SYSTEM )
Address (H) Size (H) 4 Data (H) 0000.07FF Prameter Name Master Tune Description -102.4.+102.3[cent] 1st bit3-0 -> bit15-12 2nd bit3-0 -> bit11-8 3rd bit3-0 -> bit7-4 4th bit3-0 -> bit3-0 0.127 -24.+24[semitones] n=Drum Setup Number 00=XG Sytem on 00=on (receive only) Default Value(H) (0400) (With XG, GM On, it will not reset.)

06 7D 7E 7F TOTAL SIZE 6

00.7F 28.58 n 00 00
Master Volume Not Used Transpose Drum Setup Reset XG System On All Parameter Reset
< Table 1-3 > MIDI Parameter table ( System information )
Address (H) Size (H) D Data (H) 20.7F Prameter Name Description 32.127(ASCII) 00 Model Name : 0D 0E 0F TOTAL SIZE 10 (Transmitted by Dump Request. Not received. Bulk Dump Only)
< Table 1-4 > MIDI Parameter Change table (EFFECT 1)
Size (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 0A 1 00.7F 0B 1 00.7F 0C 1 00.7F 0D 1 01.7F TOTAL SIZE 0E 1 TOTAL SIZE 1 00.7F 00.7F 00.7F 00.7F 00.7F Address (H) Data Prameter Name (H) 00.7F Reverb Type MSB Reverb Type LSB Reverb Parameter 1 Reverb Parameter 2 Reverb Parameter 3 Reverb Parameter 4 Reverb Parameter 5 Reverb Parameter 6 Reverb Parameter 7 Reverb Parameter 8 Reverb Parameter 9 Reverb Parameter 10 Reverb Return -.0.+6dB(0.96.127) Reverb Pan L63.C.R63(1.64.127) Description Refer to the Ef. Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Default Value(H) 01(=HALL1) 00 Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type
00.7F Reverb Parameter 11 Reverb Parameter 12 Reverb Parameter 13 Reverb Parameter 14 Reverb Parameter 15 Reverb Parameter 16
Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List
Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type
2A 1 2B 1 2C 1 2D 1 2E 1 TOTAL SIZE 0F 1 TOTAL SIZE 48 4A 2 2
2 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 01.7F 00.7F
00.7F Chorus Type MSB Chorus Type LSB Chorus Parameter 1 Chorus Parameter 2 Chorus Parameter 3 Chorus Parameter 4 Chorus Parameter 5 Chorus Parameter 6 Chorus Parameter 7 Chorus Parameter 8 Chorus Parameter 9 Chorus Parameter 10 Chorus Return -.0.+6dB(0.96.127) Chorus Pan L63.C.R63(1.64.127) Send Chorus To Reverb

Refer to the Ef. Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.96.127)
41(=Chorus1) 00 Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type
1 00.7F 00.7F 00.7F 00.7F 00.7F
00.7F Chorus Parameter 11 Chorus Parameter 12 Chorus Parameter 13 Chorus Parameter 14 Chorus Parameter 15 Chorus Parameter 16
Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type
2 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F
00.7F Variation Type MSB Variation Type LSB Vari. Param. 1 MSB Vari. Param. 1 LSB Vari. Param. 2 MSB Vari. Param. 2 LSB Vari. Param. 3 MSB Vari. Param. 3 LSB Vari. Param. 4 MSB Vari. Param. 4 LSB Vari. Param. 5 MSB Vari. Param. 5 LSB
Refer to the Ef. Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List
05(=DELAY L,C,R) 00 Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type
Address (H) 4C 4E 5A 1 5B 1 5C 1 5D 1 5E 1 5F 1 TOTAL SIZE TOTAL SIZE 6 Size (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 01.7F 00.7F 00.7F 00.01 00.1F 01.7F 01.7F 01.7F 01.7F 01.7F Data Prameter Name (H) Vari. Param. 6 MSB Vari. Param. 6 LSB Vari. Param. 7 MSB Vari. Param. 7 LSB Vari. Param. 8 MSB Vari. Param. 8 LSB Vari. Param. 9 MSB Vari. Param. 9 LSB Vari. Param. 10 MSB@ Vari. Param. 10 LSB Variation Return -.0.+6dB(0.96.127) Variation Pan L63.C.R63(1.64.127) Send Vari. To Reverb Send Vari. To Chorus Variation Connection Variation Part part1.32(0.31),off(127) MW Vari. Ctrl Depth PB Vari. Ctrl Depth CAT Vari. Ctrl Depth Not Used Not Used Description Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.96.127) -.0.+6dB(0.96.127) 0:insertion,1:system 7F -63.+63 -63.+63 -63.+63 Default Value(H) Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type 40 40

TOTAL SIZE 14 For effect types that do not require MSB, the Parameters for Address 02-0B will be received. Address 30-42 will not be received. For effect types that require MSB, the Parameters for Address 30-42 will be received. Address 02-0B will not be received. When Bulk Dumps that include Effect Type data are transmitted, the Parameters for Address 02 - 0B will always be transmitted. But, effects that require MSB, when the bulk dump is received the Parameters for Address 02 - 0B will not be received. n=Insertion Effect No.(0-1)
< Table 1-7 > MIDI Parameter Change table (MULTI PART)
Address (H) 08 nn nn nn nn nn nn nn Size (H) 1 Data (H) 00.20 00.7F 00.7F 00.7F 00.0F, 7F 00.01 00.02 Prameter Name Element Reserve Bank Select MSB Bank Select LSB Program Number Rcv Channel Mono/Poly Mode Same Note Number Key On Assign Part Mode Note Shift Detune Description 0.32 0.127 0.127 1.128 0.16;1.16,127;off 0:mono,1:poly 0:single 1:multi 2:inst (for DRUM) 0:normal 1.3:drum thru,drum1.2 -24.+24[semitones] -12.8.+12.7[Hz] 1st bit3.0 -> bit7.4 2nd bit3.0 -> bit3.0 0.127 0.127 0.127 0:random L63.C.R63(1.64.127) C-2.G8 C-2.G8 0.127 0.127 Default Value(H) 0(Part10),2(Others) 7F(Part10),00(Others) Part No. 01 00

nn nn nn nn nn nn nn nn

09 0A 0B 0C 0D 0E

00.02 28.58 00.FF

00 (Except Part10) 01 (Part10) 00 (80) 40 40

00.7F 00.7F 00.7F 00.7F

Volume Velocity Sense Depth Velocity Sense Offset Pan

nn nn nn nn

Note Limit Low Note Limit High Dry Level Chorus Send

00 7F 7F 00

Address (H) nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn 19 1A 1B 1C 1D 1E 1F 22 Size (H) Data (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 28.58 00.7F 00.7F 00.7F 00.7F 00.7F 28.58 00.7F 00.7F 00.7F 00.7F 00.7F Prameter Name Reverb Send Variation Send Vibrato Rate Vibrato Depth Vibrato Delay Filter Cutoff Freq. Filter Resonance EG Attack Time EG Decay Time EG Release Time MW Pitch Control MW Filter Control MW Amp. Control MW LFO PMod Depth MW LFO FMod Depth MW LFO AMod Depth Bend Pitch Control Bend Filter Control Bend Amp. Control Bend LFO PMod Depth Bend LFO FMod Depth Bend LFO AMod Depth Description 0.127 0.127 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -24.+24[semitones] -9600.+9450[cent] -100.+100[%] 0.127 0.127 0.127 -24.+24[semitones] -9600.+9450[cent] -100.+100[%] 0.127 0.127 0.127 Default Value(H) 40 0A nn 23 nn 24 nn 25 nn 26 nn 27 nn 28 TOTAL SIZE 29 nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn 30 : 4A 4B 4C 4D 4E 4F : 1 00.01 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 28.58 00.7F 00.7F 00.7F 00.7F 00.7F

table#3 No. q Parameter Delay Time Feedback Level HPF Cutoff LPF Cutoff 0127 -63+63 Thru8.0kHz 1.0kThru Value See Table table#7 table#3 table#3 Control
DELAY L,R (variation, insertion block)
No. Parameter Lch Delay Rch Delay Feedback Delay 1 Feedback Delay 2 Feedback Level High Damp 0.11486.0ms (variation block) 0.1742.9ms (insertion block) 0.11486.0ms (variation block) 0.1742.9ms (insertion block) 0.11486.0ms (variation block) 0.1742.9ms (insertion block) 0.11486.0ms (variation block) 0.1742.9ms (insertion block) -63+63 0.11.0 Value See Table Control
CHORUS1,2,3,4, CELESTE1,2,3,4 (chorus, variation, insertion block)
EQ EQ EQ EQ Low Frequency Low Gain High Frequency High Gain 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB table#3 table#3 No. Parameter LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width Input Mode 0.00Hz39.7Hz 0127 -63+32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<W63 100Hz10.0kHz (variation block) -12+12dB (variation block) 1.012.0 (variation block) mono/stereo Value 01 See Table table#1 table#2 table#3 table#3 q table#3 Control
ECHO (variation, insertion block)
No. Parameter Lch Delay1 Lch Feedback Level Rch Delay1 Rch Feedback Level High Damp Lch Delay2 Rch Delay2 Delay2 Level Dry/Wet 0.1743.0ms 0.1371.4ms -63+63 0.1743.0ms 0.1371.4ms -63+63 0.11.0 0.1743.0ms 0.1371.4ms 0.1743.0ms 0.1371.4ms 0127 (variation block) (insertion block) (variation block) (insertion block) (variation (insertion (variation (insertion block) block) block) block) Value 1127 See Table Control
FLANGER1,2,3 (chorus, variation, insertion block)
q No. Parameter LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width LFO Phase Difference 0.00Hz39.7Hz 0127 -63+32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<W63 100Hz10.0kHz (variation block) -12+12dB (variation block) 1.012.0 (variation block) -180+180deg(resolution=3deg.) Value 4124 See Table table#1 table#2 table#3 table#3 q table#3 Control
SYMPHONIC (chorus, variation, insertion block)
No. Parameter LFO Frequency LFO Depth Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width 0.00Hz39.7Hz 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<W63 100Hz10.0kHz (variation block) -12+12dB (variation block) 1.012.0 (variation block) Value 10120 See Table table#1 table#2 table#3 table#3 q table#3 Control

PITCH CHANGE 1 (variation block)
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level -24+-50Hz+50Hz -50Hz+50Hz -99+99% Value 1127 See Table table#7 Control
Dry/Wet Pan 1 Output Level 1 Pan 2 Output Level 2
D63>W D=W D<W63 L63RL63R63 0127

Input Mode

mono/stereo
2BAND EQ(STEREO) (variation, insertion block)
No. Parameter EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB Value See Table table#3 table#3 Control
PITCH CHANGE 2 (variation block)
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level -24+-50+50cent -50+50cent -99+99% Value 1127 See Table table#7 Control
AUTO WAH (variation, insertion block)
No. Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive 0.00Hz39.7Hz 1.012.0 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<WValue See Table table#1 Control q table#3 table#3
COMPRESSOR (variation, insertion block)
No. Parameter Attack Release Threshold Ratio Output Level 140ms 10680ms -48-6dB 1.020.Value 0127 See Table table#8 table#9 table#10 Control
AUTO WAH+DIST, AUTO WHA+ODRV (variation block)
No. Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive EQ Low Gain(distortion) EQ Mid Gain(distortion) LPF Cutoff Output Level 0.00Hz39.7Hz 1.012.0 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<W-12+12dB -12+12dB 1.0kHzthru 0127 Value See Table table#1 Control q table#3 table#3
NOISE GATE (variation, insertion block)
No. Parameter Attack Release Threshold Output Level 140ms 10680ms -72-30dB 0127 Value See Table table#8 table#9 Control
TOUCH WAH 1 (variation, insertion block), TOUCH WAH+DIST (variation block)
No. Parameter Sensitive Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive 1.012.0 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<WValue 0127 See Table Control q
< Table 1-11 > Effect Data Value Assign Table

Data Dial.. 18 Demonstratie afspelen... 14 Digitale Effecten... 42 Digitale Equalizer.. 51 Disk Copiren... 72 Display handelingen.. 8 DOC... 66 Drum kit lijst.. 140 DSP... 45 Dual voice mode.. 19 Dynamics Ratio.. 39 Dynamics Template... 38
Effecten... 42 Ending, begeleiding.. 25 Expand Ratio.. 39
Fill-in... 27 Fingered 1 vingerzetting mode.. 33 Fingered 2 vingerzetting mode.. 34 Floppy disk... 64 Formatteren.. 67 Freeze (Begeleiding Freeze functie).. 60 Full Keyboard vingerzetting mode.. 34 Functies... 2
Noot Aan/Uit.. 120 Oefen mode... 86, 101, 108 On bass akkoord.. 34 One touch instelling.. 40 Ontvangst Kanaal & mode.. 126 Opname Gereed Mode. 85, 99, 106
Paneel knoppen... 6 Pedaal Functie lijst.. 117 Pitch Bend... 54 Polariteit... 118 Polyfonie... 133 Verstuur kanaal & spoor.. 125 Vingerzetting modi, begeleiding.. 31 Virtuele Arranger.. 29 Voet Volume.. 13 Voice lijst... 133 Voice, revoice... 110 Voice set... 116 Voices, over de... 16 Voices, selecteren & bespelen.. 17 Volume, harmony.. 48 Volume instellen, begeleiding. 29 Volume instellen, song... 78 Voorzorgmaatregelen.. 1
R1, R2, & L voices.. 16 Registratie bank... 58 Registratie geheugen.. 57 Reverb... 43 Revoicen... 110
Sample disk.. 76 Scale (toonladder) stemming.. 115 SFF... 148 Shortcuts.. 11 Single Finger vingerzetting mode.. 32 Song Afspelen... 76 Song Copiren... 73 Song Edit (bewerken).. 96 Song Mode... 11 Song Opnemen.. 83 Song Wissen... 94 Specificaties.. 171 Splitpunt, begeleiding.. 30 Splitpunt, split voice.. 21 Split voice mode... 20 Spoor muten, begeleiding.. 28 Spoor toewijzing, minus-one.. 79 Stand by/ON schakelaar.. 14 Start modes, begeleiding.. 23 Stop Begeleiding functie.. 25 Stijl file... 66 Stijl mode... 11 Stijl, revoice... 112 Stijl selectie... 22 Stroomvoorziening.. 12 Sustain Aansluiting... 13 Sustain Pedaal... 13 Synchro Stop functie.. 28 System Effect.. 45, 143
Wegschrijven (save).. 68 XG... 3
Tempo, begeleiding... 26 Toetsenbord percussie... 19 To Host... 121 Transposen... 56 Troubleshooting (In de problemen).. 151

 

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