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Yamaha PSR-740-640, size: 3.6 MB
HUM SAY BADAL GAYA MIDI VERSION ON YAMAHA PSR SERIES BY SHAHID KAMAL
User reviews and opinions
|crystal||3:39pm on Monday, September 20th, 2010|
|I have an older (from 2003) computer that still worked well, although it was in dire need of some updating. I decided to get it a new hard drive.|
|n0mer||4:41pm on Monday, August 30th, 2010|
|Cards are getting REAL cheap,and there are tons to choose from. Decent 256MB card that supports 8x AGP.Price is $40 by now. The Nvidia Geforce 9600 GT by eVGA is an extrodinary card for the price, the power it has to handle all the new games out to date.|
|maxmouse2008||2:24pm on Wednesday, August 11th, 2010|
|This card has provided trouble free performance and handled everything I have thrown at it. I run this as a secondary video card in my PC.|
|koolitz||5:04am on Monday, August 9th, 2010|
|"This is really a great graphics card for the price. "Best graphic card out in the market for its price! Great FPS!" Best Card to Price Ratio! "This is a great video card for playing games and watching high definition movies. It supports H.|
|rckcycling||12:01pm on Monday, July 19th, 2010|
|I would consider this a Budget card. I notice... 101 CAD (35$ US rebate), big difference between ATI Radeon X200 Not good with DX10 games I would consider this a Budget card. I notice a big difference increase in my FPS in games between ATI Radeon X200 (integrated).|
|toby||7:06pm on Sunday, July 18th, 2010|
|I managed to buy this card for a very cheap price, as the new series of graphics cards had just been released. The stereotypical view of a gaming pc is that of a ludicrously expensive, liquid nitrogen cooled.|
|PrarieDog||6:31pm on Wednesday, June 16th, 2010|
|Even with two additional fans, one above one below, it was still running pretty warm Good for the money Died after 2 years, runs hot I needed a board that could support 2560X1600 resolution and run on my system that has a 240 Watt power supply. This card does it great.|
|kaveman||2:34pm on Saturday, June 5th, 2010|
|Passive cooled, and quiet, "Check!". 7900 gtx performance when overclocked, "Check!". Can be cooled much easier with passive cooler, "Check!".|
|JamesHejmanowski||8:22am on Friday, May 21st, 2010|
|Pros: EXCELLENT LINUX SUPPORT, Silent, 256mb, DDR2, Dual monitor out, optional low profile bracket. Cons: AGP, not the fastest card around.|
|MrBadLuck||8:54am on Tuesday, April 20th, 2010|
|"This card is a powerhouse. It worked great with every game I threw at it, even Crysis. If you turn up the fan speed a bit, it overclocks well too.|
|Groove||1:46am on Sunday, March 28th, 2010|
|too high powered Seems a really super graphics card at a knock-down price! We bought this to replace a defunct card in a 2 year old Dell.|
|Wieger Wesselink||10:48pm on Wednesday, March 24th, 2010|
|Does as I hoped for Stuck it in to an aging NetVista and it gave the graphics a new lease of life. Graphic card update! I recently upgraded the graphic card in my PC from 128MB to 256MB.|
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Shows the current transpose value (page 30).
Shows the current tempo of accompaniment/ song playback (page 38).
Indicates the current measure number during song recording and playback.
In the Song mode (page 25) and the Demo Song mode (page 15): The icons of all tracks indicate the on/off status and volume/velocity settimgs. In the Style mode (page 25): The icons of tracks 9 - 16 indicate the on/off status and volume/velocity settings for each of the eight accompaniment tracks. In the Record mode (page 25): The icons of all tracks indicate the on/off status and volume/velocity settimgs. The REC marks indicate the recording status.
This section introduces you to the basic operations common to the various functions of the PSR-740/640. In particular, youll learn how to use the menu/message display at the center of the front panel.
Calling up the Operation Displays... page 17 Help.... page 18 Menu Selection... page 19 Changing (Editing) Values... page 20 Naming.... page 21 Direct Access.... page 21
Calling up the Operation Displays
Press the buttons listed below in order to call up the appropriate displays for the various functions of the PSR-740/640.
DEMO/LANGUAGE button. pages 15, 18 VOICE R1 button.. page 27 VOICE R2 button.. page 27 VOICE L button.. page 28 STYLE button.. pages 25, 34 SONG button.. pages 25, 76 MIXER button... page 90 VOICE CHANGE button.. page 89 FUNCTION button.. pages 91, 134 ACMP/SONG VOLUME button.. page 39, 78 TRANSPOSE button.. page 30 TEMPO/TAP button.. page 38 FINGERING button.. page 40 DISK LOAD button.. page 70 DISK SAVE button.. page 68 DISK UTILITY button.. pages 72, 75 RECORD button. pages 25, 92, 106, 110 ORGAN FLUTES button (PSR-740). page 32 GROOVE button (PSR-740).. page 45 MULTI EFFECT button (PSR-740). page 54 VOCAL HARMONY button (PSR-740).. page 82
LOAD SAVE UTILITY
FINGERING GROOVE ON
* The panel illustrations here are of the PSR-740.
Pressing one of these buttons instantly calls up the relevant display for the selected function. See the function tree chart for details (page 22). If youve selected several different functions displays in succession, you can retrace your steps and revisit each display by using the [BACK] and [NEXT] buttons at the left side of the display. Of course you can also directly select the desired displays by pressing the appropriate buttons (as listed above).
Select this mode by pressing the [STYLE] button. (This is the default mode when the power is turned on.) The Style mode is used for playing the full keyboard normally, and when using the auto accompaniment. Styles are the rhythm/accompaniment pattterns which are played by the auto accompaniment feature.
q Auto accompaniment (ACMP) on/off... page 35 The [ACMP ON/OFF] lamp switches on and off. When auto accompaniment is on, the left side of the keyboard is used for playing/ indicating chords. q Synchronized Start standby (SYNC START) on/off.. page 35 The [SYNC START] lamp switches on and off. When Synchronized Start standby is on, the auto accompaniment starts as soon as you play a key on the keyboard.
Select this mode by pressing the [SONG] button or inserting the disk that contains song data into the disk drive. The Song mode is used for playing the full keyboard normally, and for playing back the songs.
COUNT INTRO INTRO
Select this mode by pressing the [RECORD] button. In the Record mode you can record your own original performances and songs, create original styles and Multi Pad phrases.
q Song record mode. page 92 Rehearsal mode (Sync Start off) Record (Synchronized Start) standby Recording q Style record mode. page 110 Record (Synchronized Start on/off) standby Recording q Pad record mode. page 106 Rehearsal mode (Sync Start off) Record (Synchronized Start) standby Recording
When Record (Synchronized Start) standby is on, the recording starts as soon as you play a key on the keyboard. If the [SYNC START] button is pressed, it will be canceled (the beat indicator dots will go out) and the PSR-740/640 will enter Rehearsal mode.
Select this mode by pressing the [LOAD] button, [SAVE] button or the [UTILITY] button. In the Disk mode you can save and load important data (page 65). In the Disk mode, no panel operations can be executed (except for disk operations).
The PSR-740/640 has a huge selection of various musical instrument voices which you can play. Try out the different voices referring to the voice list at the end of this manual (page 140).
Select and play the voices of different musical instruments Selecting a Voice... page 26 Keyboard Percussion... page 31 Assign three different voices to the keyboard and play them Playing Two Voices (R1, R2) Simultaneously.. page 27 Playing Different Voices with the Left (L) and Right (R1, R2) Hands. page 28 Functions of the Keyboard... page 29 Other voice-related functions Pitch Bend Wheel... page 30 Modulation Wheel (PSR-740)... page 30 Transpose.... page 30 Sustain.... page 31 Touch Sensitivity... page 136
Press the [VOICE R1] button. Press the [NEXT] button to display the VOICE GROUP selection screen. Select Voice group Drum Kit.
Press the [BACK] button to return back to the VOICE selection screen. Play the voice.
Refer to the illustration below and the drum kit list at the end of the manual (page 148). The drum and percussion instrument sounds for the standard kit (Std.Kit1) are indicated by symbols printed below the keys.
The Transpose function cannot be applied when a drum kit is the selected voice (page 30). Each key has a note name; for example, the lowest (farthest left) key on the keyboard corresponds to C1 and the highest (farthest right) key to C6 (See page 29 for details).
[Standard Kit 1]
Br us Br h T us ap h Sl ap C as ta St n ic et O ks pe n R im Si Sh de ot H St an ic k d C la p H i-H H at i-H C l H at ose i-H P d at eda O l pe C n ra sh R id Cy e C mb ym a ba l 1 Ta l1 m bo C ow u r Vi be ine br ll as la p Bo ng C o on L ga H O Ti pe m n Ag bal e o L M go ar L ac as G ui r C oS la h ve o s rt C ui c Tr a M ia u Sh ngl te ak e M er ut e
C1 C2 C3 C4 C5 C6
Se q Br Br u Cli us sh ck H h Ta Sw Sn p S ir l S a w Ba na re ir l re R Ba ss D H oll ss r u So D m ft ru S o Ba m H ft ss ar D d Sn Sn r u ar are m e Fl H M oo Ha Fl r T rd oo om rT L o Lo m H M wT id om To M id m T L C hi H om R ne igh H id se T e C C om Sp ym ym la ba ba C sh l l ra C sh C up R C ym id ym ba e C ba l ym l 2 C B ba on o l 2 ga ng H oH M C ut o Ti ng e m a ba L Ag le Sa og H m o Sa ba Ca H W ba m hi sa ba s W tle G hi H W uir stle oo o L W d B Lon oo lo g d ck C Blo H Tr uic ck ia a ng Op L le e Ji Op n ng e le n Be Be ll ll Tr ee
The Organ Flutes function lets you create your own original organ voices, just as on a traditional organ, by increasing and decreasing the flute footages, and adding percussive sounds. Your original organ voice is stored to voice number 761 (Organ Flutes) for selecting and playing.
q Organ Type This determines the type of organ sound or tone generation to be simulated: Sine or Vintage. The vibrato-enhanced variations provide different modulation effects. Settings: SINE1 SINE2 SINE3 SINE4 VINTAGE1 VINTAGE2 VINTAGE3 VINTAGE4 q Vibrato Speed This determines the speed of the vibrato effect (when one of the vibratoenhanced Organ Types is selected). q Attack Mode This determines how the attack (or percussive) sound is applied to the organ flutes: First or Each. When this is set to FIRST, the attack sound will only be applied to the first note in a chord or a held group of notes. When this is set to EACH, the attack sound will be applied equally to all notes. q Attack Footage This determines the level of each volume in the percussive portion of the voice. Footage settings are 4', 2-2/3', and 2'. q Length This determines the decay of the attack sound, or how long the attack portion of the sound sustains. The higher the value, the longer the decay. q Response This parameter affects the sustain portion of the organ flutes, increasing or decreasing the response time of the initial swell and release, based on the FOOTAGE parameter (below). The higher the value, the slower the swell and release. q Footage The footage settings determine the basic sound of the organ flutes. The term footage is a reference to the sound generation of traditional pipe organs, in which the sound is produced by pipes of different lengths (in feet). The longer the pipe, the lower the pitch of the sound. Hence, the 16' setting determines the lowest pitched component of the voice, while the 1' setting determines the highest pitched component. The higher the value of the setting, the greater the volume of the corresponding footage. Mixing various volumes of the footages lets you create your own distinctive organ sounds.
Insert the floppy disk into the disk drive. Press the [UTILITY] button.
When the floppy disks writeprotect tab is set to ON (see page 66) or the disk is a purposely "copy-protected disk, an alert message appears indicating that the Delete function is not possible.
Select the file to be deleted.
Press the [NEXT] button to display the Delete operation screen.
Execute the Delete operation.
Press the [+/YES] button to execute the Delete operation. Press the [-/NO] button to abort the Delete operation.
While the file is being deleted, never eject the floppy disk or turn the power off.
The Delete operation is completed.
You can playback a huge variety of songs on the PSR-740/640, including the preset demo songs, the songs on the included sample disk, the User songs that you record to a floppy disk and songs on commercially available XG/GM song collection disks. Except for the preset demo songs, a floppy disk must be inserted in the disk drive to playback a song.
q The following disks are compatible for playback on the PSR-740/640 (including the sample disk). Refer to page 9 for more details on the logos. You can play back song files collected on these disks using the voices defined in the GM standard. You can play back songs using the XG format, an extension of the GM standardthat allows for much higher sound quality. You can play back song files collected on these disks using the voices defined in Yamahas DOC format. q Disk songs can be played back in five different ways:. page 77 SINGLE SINGLE REPEAT ALL ALL REPEAT RANDOM q Additional song playback functions: Song Track Muting... page 78 Tempo/Tap.... page 38 Song Volume Control... page 78 Song Transpose... page 81 Playing from a Specified Measure... page 79 Repeat Play... page 80
Make sure to read the section Using the Floppy Disk Drive (FDD) and Floppy Disks on page 66.
Insert the disk that contains song data into the disk drive.
PSR-740/640 will automatically switch into Song mode.
If a disk has already been inserted into the drive, press the [SONG] button to call up the Song display. Inserting a disk that does not have any song data will not automatically call up the Song display.
Use the data dial, the [+/YES] button or the [-/NO] button. The Harmony mode (page 85) is automatically determined when the type is selected.
Vocal Harmony Mode
Select the Lead Gender type.
[BACK] button [NEXT] button
Set the Pitch Correction.
Select the Pitch to Note setting.
Select a Harmony part.
Select a song track.
About the parameters
q Vocal Harmony Type A total of 50 Vocal Harmony types are available, letting you select from a wide range of harmony effects that can be applied to your voice. For details, see the Vocal Harmony Type List on page 158. q Lead Gender Type This determines the vocal character (or gender) of the harmony effect, selectable from the following types: OFF.. The voice character of the harmony does not change. UNISON. The harmony voice is changed in gender to some point between male and female. MALE. The gender of the harmony voice is changed to male. FEMALE. The gender of the harmony voice is changed to female. q Pitch Correction Even if the pitch of your voice is slightly off, you can use this to automatically correct the pitch of your voice, ensuring that it matches with the harmony notes. Pitch Correction cannot be set when the Lead Gender Type is off, or when the Vocal Harmony mode is set to Detune. q Pitch to Note This function allows you to have a selected instrument voice sound along with and at the same pitch as your own voice. Select the part you wish to be controlled by your voice. q Harmony Part The Vocal Harmony effect is controlled by the notes you play. This parameter lets you determine which notes (keyboard position, accompaniment or song data) will control the harmony. Harmony Part can only be set when the Vocal Harmony mode is set to Vocoder. OFF.. No harmony is applied. UPPER.. Notes played on the right side of the keyboard from the split point control the harmony. LOWER. Notes played on the left side of the keyboard from the split point control the harmony. q Song Track When playing back a song from disk, the note data recorded to the assigned song track control the harmony.
For information on leaving the recording mode, see page 114.
Use the same operation as in Style Recording Rhythm Track (page 112).
Select the section to be quantized.
Select the track to be quantized.
Use the data dial, the [-/NO] button or the [+/YES] button. Set the Quantize value to correspond to the smallest notes in the track you are working with. For example, if the data was recorded with quarter notes and eighth notes, use 1/8 for the quantize value. If the quantize function is applied in this case with the value set to 1/4, the eighth notes would be moved on top of the quarter notes.
You can audition the quantized pattern in this step, allowing you to hear the results of the operation before actually changing the data. To audition the pattern, press the [START/STOP] button.
Execute the Quantize operation.
Press the [+/YES] button to execute the Quantize operation. To abort the Quantize operation, press the [-/NO] button.
Naming User Styles
Use the same operation as in Quantize (page 116).
Enter the desired name for the style.
Use the keyboard to enter the name (page 21). Up to sixteen letters or characters can be used.
Clearing User Style Data
Press the [NEXT] button to display the SECTION selection screen. Select a Section to be cleared.
Use the data dial, the [+/YES] button or the [-/NO] button. When All Sect is selected as the section to be cleared, all style data (which includes all sections and all tracks) will be deleted. In this case, go to step #13, skipping over steps #11 and #12.
Press the [NEXT] button to display the TRACK selection screen. Select a Track to be cleared.
Press the [NEXT] button to display the Clear operation screen.
About the CTAB parameters
The CTAB parameters determine how the pitch of the recorded style changes in response to chords played in the auto accompaniment section of the keyboard (when using auto accompaniment).
q NOTE LIMIT. Note range (Low Limit, High Limit) setteings
Set the note range (low and high limits) for the voices recorded on user style tracks. By setting the note range, you can prevent unrealistic notes (such as high notes from a bass or low notes from a piccolo) from being produced and have them shifted to an octave within the note range.
Example) When low limit is C3 and high limit is D4. Root change Notes played
Even if the devices and data used satisfy all the conditions above, the data may still not be completely compatible, depending on the specifications of the devices and particular data recording methods.
Connecting to a Personal Computer
You can enjoy using personal computer music software when you connect your PSR740/640s TO HOST terminal or MIDI terminals to a personal computer. There are two ways to connect.
Connect using the PSR-740/640 MIDI terminals Connect using the TO HOST terminal
Connect using the PSR-740/640 MIDI terminals
Using a MIDI interface device installed in the personal computer, connect the MIDI terminals of the personal computer and the PSR-740/640. For the connection cable, use a special MIDI cable. q When the computer has a MIDI interface installed, connect the MIDI OUT terminal of the personal computer to the MIDI IN terminal of the PSR-740/640. Set the HOST SELECT switch to MIDI.
Computer (sequencer software)
q When using a MIDI interface with a Macintosh series computer, connect the RS422 terminal of the computer (modem or printer terminal) to the MIDI interface, then connect the MIDI OUT terminal on the MIDI interface to the MIDI IN terminal of the PSR-740/640, as shown in the diagram below. Set the HOST SELECT switch on the PSR-740/640 to MIDI.
MIDI interface RS-422
When the HOST SELECT switch is set in the MIDI position, input and output in the TO HOST switch is ignored. When using a Macintosh series computer, set the MIDI interface clock setting in the application software to match the setting of the MIDI interface you are using. For details, carefully read the owners manual for the software you are using.
Connect using the TO HOST terminal
Connect the serial port of the personal computer (RS-232C terminal or RS-422 terminal) to the TO HOST terminal of the PSR-740/640. For the connection cable, use the cable below (sold separately) that matches the personal computer type.
q IBM-PC/AT Series Connect the RS-232C terminal on the computer to the TO HOST terminal on the PSR-740/640 using a serial cable (D-SUB 9P MINI DIN 8P cross cable). Set the PSR-740/640 HOST SELECT switch in the PC-2 position.
mini DIN 8-pin D-SUB 9-pin
When using a D-SUB 25P MINI DIN 8P cross cable, connect using a D-SUB 9P plug adaptor on the computer side of the cable.
mini DIN 8-pin D-SUB 25-pin D-SUB 9-pin
q Macintosh Series Connect the RS-422 terminal (modem or printer terminal) on the computer to the TO HOST terminal on the PSR-740/640 using a serial cable (system peripheral cable, 8 bit). Set the PSR-740/640 HOST SELECT switch in the Mac position.
The PSR-740/640 can simultaneously receive data on all 16 MIDI channels, allowing it to function as a 16-channel multi-timbral tone generator. The Receive Channel and Receive Mode functions determine how each channel will respond to received MIDI data.
Press the [NEXT] button to display the MIDI screen. Select Receive Channel.
Press the [NEXT] button to display the MIDI Receive screen. Set a MIDI Receive Channel and Receive mode.
The initial default setting (factory setting) for all channels is XG/GM. MIDI receive mode settings will be retained even after turning the power off. See page 159 for details.
q Select a receive mode with the data dial, the [+/YES] button or the [-/NO] button.
OFF XG/GM No MIDI data is received on channels set to Off. Received MIDI data is sent directly to the PSR-740/640 tone generator. If all channels are set to XG/GM, the PSR-740/640 functions as a 16-channel multi-timbral tone generator. Received MIDI data is handled in the same way as data generated by the PSR-740/640s own keyboard. In other words, a remote keyboard could be used to control the PSR-740/640 AUTO ACCOMPANIMENT functions, etc. The note on/off messages received at the channel(s) set to CHORD are recognized as the fingerings in the accompaniment section. The chords to be detected depend on the fingering mode on the PSR-740/640. The chords will be detected regardless of the accompaniment on/off and split point settings on the PSR-740/640 panel. The note on/off messages received at the channel(s) set to ROOT are recognized as the bass notes in the accompaniment section. The bass notes will be detected regardless of the accompaniment on/off and split point settings on the PSR-740/640 panel. Received notes are used as the added Vocal Harmony Vocoder type notes.
Local Control refers to the fact that, normally, the PSR-740/640 keyboard controls the internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is Local Control on since the internal tone generator is controlled locally by its own keyboard. Local control can be turned off, however, so that the keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator can respond to MIDI information received on channels set to the XG/GM mode via the MIDI IN connector. This means that while an external MIDI sequencer, for example, plays the PSR-740/640 internal voices, an external tone generator can be played from the PSR-740/640 keyboard.
The default Local Control setting (factory setting) is ON.
Press the [NEXT] button to display the MIDI screen. Select Local Control.
Press the [NEXT] button to display the Local Control screen. Turn the Local Control on or off.
Reception of an external MIDI clock signal can be enabled or disabled as required. When disabled (INTERNAL), all of the time-based functions (Auto Accompaniment, SONG recording and playback, etc.) are controlled by its own internal clock. When MIDI clock reception is enabled (EXTERNAL), however, all timing is controlled by an external MIDI clock signal received via the MIDI IN terminal (in this case the PSR740/640 TEMPO setting has no effect). The default setting is INTERNAL.
Press the [NEXT] button to display the MIDI screen. Select Clock.
The default Clock setting (factory setting) is INTERNAL. When the Clock setting is EXTERNAL, AUTO ACCOMPANIMENT playback cannot be started via the panel [START/STOP] button, or started via the synchro start function. Also, the MULTI PAD playback cannot be initiated by pressing the MULT PADs. When the Clock setting is EXTERNAL, EC will appear on the TEMPO display, and tempo cannot be changed with the panel button.
Press the [NEXT] button to display the CLOCK screen. Set the Clock to INTERNAL or EXTERNAL.
Initial Setup Send
Transmits all current panel settings to a second PSR-740/640 or a MIDI data storage device. If you want to have the song play back with the panel settings used for recording, execute the Initial Data Send function before recording the performance on the PSR740/640 to an external sequencer.
Press the [NEXT] button to display the MIDI screen. Select Initial Setup Send.
Press the [NEXT] button to display the Initial Setup Send screen. Execute the Initial Setup Send operation.
Press the [+/YES] button to execute the INITIAL SEND operation. To abort the operation, press the [-/NO] button.
This section of the manual covers some important functions of the PSR-740/640 that have not been explained in previous sections. These are all combined in the Utility menu of the Function section.
Metronome.... page 134 Part Octave... page 135 Master Tuning... page 135 Scale Tuning.... page 135 Split Point.... page 135 Touch Sensitivity... page 136 Voice Set.... page 136 Footswitch... page 137 Foot Volume.... page 138 Pitch Bend Range... page 139 Modulation Wheel... page 139 Each of the above functions can be set as described below.
Select a function. Press the [NEXT] button.
Set the value.
The operations for each function corresponding to step #6 are covered in the following explanations.
The VOICE SET feature brings out the best in each individual voice by automatically setting a range of important voice-related parameters whenever an R1 panel voice is selected. The parameters that may be set by the VOICE SET feature are listed below. This function lets you turn VOICE SET on or off, as required.
q Voice Set Parameter List Voice R1 (Volume, octave, pan, reverb depth, chorus depth, DSP depth*) Voice R2 (Voice number, volume, octave, pan, reverb depth, chorus depth, DSP depth*) DSP on/off, type, return level and FAST/SLOW on/off Harmony Type, Volume, Part DSP1-3 dry/wet (PSR-740) Multi Effect connection (PSR-740)
* PSR-640 only
Turn Voice Set ON or OFF by using the data dial, the [+/YES] button or the [-/NO] button.
Various functions can be assigned to the footswitch connected to the SUSTAIN jack. The polarity of the footswitch can also be changed.
Select the Functions to be controlled by the footswitch.
Set the polarity of the footswitch NORMAL or REVERSE.
q Functions controlled by the footswitch SUSTAIN When you press the foot switch, sustain is applied to the keyboard notes.
For SUSTAIN, if you press and hold the foot switch here, all the notes shown will be sustained.
When you press the foot switch, the sostenuto effect is applied to the keyboard notes.
For SOSTENUTO, if you press and hold the foot switch here, only the first note will be sustained (the note that you played and held when pressing the foot switch).
When using the REGISTRATION+ or REGISTRATION- functions with the fooswitch, make sure to make the appropriate setting (REGISTRATION+ or REGISTRATION-) to all of the Registrations you intend to use with the footswitch.
START/STOP SYNCHRO STOP BASS HOLD BREAK TAP TEMPO
When you press the foot switch, the soft effect is applied to the keyboard notes. When you press the foot switch, a register with one number higher is recalled. For example, if you step on the foot switch with bank 1-3 recalled, 1-4 will be recalled, then next 2-1 will be recalled. When you press the foot switch, a register with one number lower is recalled. For example, if you step on the foot switch with bank 3-2 recalled, 3-1 will be recalled, then next 2-4 will be recalled. Pressing the footswitch has the same effect as pressing the START/STOP button on the panel. Pressing the footswitch has the same effect as pressing the SYNC STOP button on the panel. The bass root note will be held as long as you press the footswitch. When you press the foot switch, accompaniment will stop. Releasing the switch with the foot will cause it to play again from the next measure. Pressing the footswitch has the same effect as pressing the TAP TEMPO button on the panel.
< Table 1-7 > MIDI Parameter Change table (SPECIAL EFFECT) (PSR-740 ONLY)
Address (H) 09 0A 0B 0C Size (H) Data (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Prameter Name Insertion Effect Type MSB Insertion Effect Type LSB Insertion Effect Parameter1 Insertion Effect Parameter2 Insertion Effect Parameter3 Insertion Effect Parameter4 Insertion Effect Parameter5 Insertion Effect Parameter6 Insertion Effect Parameter7 Insertion Effect Parameter8 Insertion Effect Parameter9 Insertion Effect Parameter10 Insertion Effect Part Description (H) Refer to the Effect Map 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Part1.16(0.15) AD1(64) Off(16.63, 65.127) Default Value (H) 49(=DISTORTION) 00 depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type 7F
0D 0E 0F TOTAL SIZE 15 TOTAL SIZE TOTAL SIZE 6 00
00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F
Not Used Not Used Not Used Not Used Not Used Unique Insertion Effect External Control CH1(Harmony Channel) Unique Insertion Effect External Control CH2(Melody Channel) 1.16(0.15) Off(127) 1.16(0.15) Off(127) 7F 7F
00.7F 00.7F 00.7F 00.7F 00.7F 00.7F
Insertion Effect Parameter11 Insertion Effect Parameter12 Insertion Effect Parameter13 Insertion Effect Parameter14 Insertion Effect Parameter15 Insertion Effect Parameter16
depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type
< Table 1-8 > MIDI Parameter Change table (MULTI PART)
Address (H) 08 nn nn nn nn nn nn nn 06 Size (H) 1 Data (H) 00.20 00.7F 00.7F 00.7F 00.0F, 7F 00.01 00.02 Prameter Name Element Reserve Bank Select MSB Bank Select LSB Program Number Rcv Channel Mono/Poly Mode Same Note Number Key On Assign Part Mode Note Shift Detune Volume Velocity Sense Depth Velocity Sense Offset Pan Note Limit Low Note Limit High Dry Level Chorus Send Reverb Send Variation Send Vibrato Rate Vibrato Depth Vibrato Delay Filter Cutoff Freq. Filter Resonance EG Attack Time EG Decay Time EG Release Time Description 0.32 0.127 0.127 1.128 0.16;1.16,127;off 0:mono,1:poly 0:single 1:multi 2:inst (for DRUM) 0:normal 1.3:drum thru,drum1.2 -24.+24[semitones] -12.8.+12.7[Hz] 1st bit3.0 bit7.4 2nd bit3.0 bit3.0 0.127 0.127 0.127 0:random L63.C.R63(1.64.127) C-2.G8 C-2.G8 0.127 0.127 0.127 0.127 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 Default Value (H) 0(Part10),2(Others) 7F(Part10),00(Others) Part No. 01 00
YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 49 00
Yamaha Musical do Brasil LTDA. Av. Rebouas 2636, So Paulo, Brasil Tel: 011-853-1377
Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
Yamaha Music Argentina S.A. Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-371-7021
F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
Yamaha Music Asia Pte., Ltd. 11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha de Panama S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: 507-269-5311
Norsk filial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70
Yamaha KHS Music Co., Ltd. 10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999
Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000
Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700
OTHER EUROPEAN COUNTRIES
Yamaha Europa GmbH. Siemensstrae 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030
Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177
THE PEOPLES REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES
Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2317
STR-DK5 D2400UF X-750 540 Live S2000HD DTC-A6 Propalette 8000 M 300 ZTB240 Fm-sender JBL CM62 TW100-BRF114 WS-32Z419P SE-U55 FP241W 2 8D MCM393 Classic Tomtom 920T 21A-410-062 IC-271H 1050SW LV3766 SAT M5 RL40wgps KDL-26V4710 Gigaset A58H Harmonyman DCS34 12004 ROC 3407 Nuvi 855 Sensor 55 GR-FXM38 KX-TCD435RU TL870C Stanton SA5 TXP50X10Y SCX-6555N XAA CS-100A DG814 RX-496RDS Base-DR7 MFC-3820CN IR1010HD Speaker TDM900-2007 AX-730 Phone CRD-8522B KDL-40W4710 IUC-4100 Finepix F410 DJM-600 NP-N220-ja01 C-200 Premium Taiwan CS-E9hkew T3TKS LAV54609 L193SA Dock Plus Machine STR-D665 KX-TG5566 DVD-P365 Mcbc580DBT Nokia N71 CLP-153S-clp-152S W18TCM-nb60 IC-A15 SR-S20NTC M2R32-MVP Compex-2 Wl-552 ME1019 PT-D5500EL Review KR-A5050 350-2007 Dvdr7310H MPA400 HP-130 FS470 Gigaset 200 Singer 155 Z3318 ML 744D Extensa-5510 Urc8206 Apple Ipad 26PF4310 ME-20B ZWF12080W 4G HTS5120 Wt7900 LN32B550 SRM-330E Automatic 3
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