q Help

Pressing and holding the [HELP/DIRECT ACCESS] button shows a balloon to help you to understand the currently selected function or find an appropriate operation.
How to read This message means Select a voice with the data dial, the [+/ YES] button, the [-/NO] button or the Number buttons [0]-[9].

q Operation Guide

This gives relevant information for the current operation and remains displayed until you execute the next operation.
How to read This message means Press the [+/YES] button to execute the SAVE operation.
Note that the example Operation Guide displays shown in this manual are in English.
Selecting the desired language of the Help messages
You can select the desired language of the Help messages from the following: English, Japanese, German, French, Spanish, and Italian.

Press the [NEXT] button.

Select the desired Language.
Use the data dial, the [+/YES] button or the [-/NO] button.

Menu Selection

For certain operations on the PSR-740/640 (such as selecting voices, demo songs and styles), youll need to select different menus in the display. For example, the display below (for selecting the function) appears when you press the [FUNCTION] button.
In this case you can select the desired function by turning the data dial or move the cursor by pressing the [+/YES]/[-/NO] buttons.
Rotating the data dial to the right (clockwise) moves the cursor downward, while rotating it to the left (counter-clockwise) moves the cursor upward.
Pressing the [+/YES] button moves the cursor downward, while pressing the [-/NO] button moves the cursor upward.
The display below (for selecting voices) appears when you press the [VOICE R1] button.
In this case you can also select the voice by using the data dial or the [+/YES]/[-/NO] buttons as above; you can also input the voice number directly by using the number buttons [1]-[0] (See the next page).
Changing (Editing) Values
This section shows you how to set numeric values on the PSR-740/640, such as voice number, song/style number and various parameters. Input the values by using the number buttons [1]-[0] or the [+/YES]/[-/NO] buttons.

Number buttons [1]-[0] described below.
Rotating the data dial to the right (clockwise) increases the value, while rotating it to the left (counter-clockwise) decreases it.
Pressing the [+/YES] button increases the displayed value by 1. Pressing the [-/NO] button decreases the displayed value by 1. Pressing and holding either button causes a continuous increase and decrease. For items that have initial default values, pressing the [+/YES] and the [-/NO] buttons together at the same time will return the setting to the initial value.

Numeric entry

The explanations here apply only to numbers that have a maximum of three digits, such as those for voices and styles.
One- or two-digit numbers can also be entered without leading zeroes. To select number 12, for example, simply press the [1] button and then the [2] button. The bars below the number on the display will flash for a few seconds, and then disappear when the selected number has been recognized by the PSR-740/ 640. On some occasions, - - - may appear in the parameter value part of the display. This indicates that the parameter is unavailable or cannot be changed (due to the current panel settings).
Entering one- or two-digit numbers
One- or two-digit voice numbers can be entered with leading zeroes: e.g. 12 can be entered as 012 by pressing the [0], [1] and [2] buttons in sequence.
Entering three-digit numbers
The number buttons can be used to directly enter the number of the desired voice, thereby immediately selecting that voice without having to step through a number of other voices. To select voice number 106, for example, press the [1], [0] and [6] number buttons in sequence.

Naming

The allows you to create your own original data such as songs, styles and registration memory settings. You can also freely name the data as desired. The following data types can be named.
Disk files (User songs, etc).. pages 69, 73, 74, 104 User Styles.. page 118 User Pad banks.. page 108 Registration Memory banks. page 64
The example display below appears when naming a song on a floppy disk (page 69).
To enter an original name, use the keyboard.
Letters and characters are marked above the corresponding keys.
Entering a character Moving the cursor Entering a lower-case character
Each key on the keyboard enters a different character, as marked directly above the key. The A#5 and B5 keys move the cursor backward and forward within the file name. The C1 key functions as a shift key that shifts between lower- and upper-case characters: hold the Shift key while pressing a character key to enter the lower-case character. The Delete key (C6) deletes the character at the cursor position.

Organ Flutes Editing

Press the [ORGAN FLUTES] button.
Adjust the parameters as described above.
1) Press one of the [TRACK1]-[TRACK16] buttons to select the desired parameter. For details about each parameter, refer to page 32.
q TRACK [1].. Organ Type q TRACK [2].. Vibrato Speed q TRACK [3].. Attack Mode q TRACK [4]-[6]. Attack Footage q TRACK [7].. Attack Length q TRACK [8].. Attack Response q TRACK [9]-[16].. Footage

TRACK[9] - [16] buttons

TRACK[1] - [8] buttons
2) Adjust by using the data dial, the [+/YES] button, the [-/NO] button or the number buttons [1]-[0].

Play the edited voice.

The auto accompaniment feature puts a full backing band at your fingertips. To use it, all you have to do is play the chords with your left hand as you perform and the selected accompaniment style matching your music will automatically play along, instantly following the chords you play. With auto accompaniment, even a solo performer can enjoy playing with the backing of an entire band or orchestra. The PSR-740/640 features a total of 160 styles or accompaniment patterns (style numbers 1 - 160) in a variety of different musical genres. Try selecting some of the different styles (page 150) and play with the auto accompaniment.
Two ways to playback the auto accompaniment Using Auto Accompaniment (rhythm track only).. page 34 Using Auto Accompaniment (all tracks).. page 35 Additional functions for getting the most out of the auto accompaniment Accompaniment Sections... page 36 Tempo / Tap... page 38 Accompaniment Track Muting... page 39 Accompaniment Volume Control... page 39 Auto accompaniment functions related to your left hand chord playing Chord Fingerings.... page 40 Accompaniment Split Point... page 42 Synchro Stop.... page 43 Automatic one-touch selection of a variety of specially programmed panel settings to match the auto accompaniment style One Touch Setting... page 44
Using Auto Accompaniment (rhythm track only)
Press the [STYLE] button.

Select a style.

Use the data dial, the [+/YES] button, the [-/NO] button or the number buttons [1]-[0]. Refer to the Style List (page 150).
Press the [START/STOP] button to start the rhythm tracks of the auto accompaniment, minus the bass and chord tracks.
Press the [START/STOP] button again to stop the accompaniment.
Using Auto Accompaniment (all tracks)
Press the [STYLE] button (page 34). Select a style (page 34).
Turn AUTO ACCOMPANIMENT on.
Press the [ACMP ON/OFF] so that its indicator lights. The specified left-hand section of the keyboard becomes the Auto Accompaniment section, and chords played in this section are automatically detected and used as a basis for fully automatic accompaniment with the selected style.

Turn AUTO ACCOMPANIMENT on (page 35). Turn SYNCHRONIZED START on (page 35).
[ACMP] is the abbreviation of [ACCOMPANIMENT] and [SYNC START] is that of [SYNCHRONIZED START].
Press the [MAIN A] button.
COUNT INTRO MAIN/AUTO FILL INTRO SIMPLE ENDING ENDING
Press the [INTRO] button.
For this example, play a C major chord (as shown below). For information on how to enter chords, see Chord Fingerings on page 40.
The indicator of the destination section (MAIN A/ B/C/D) will flash while the corresponding fill-in is playing. During this time you can change the destination section by pressing the appropriate MAIN/AUTO FILL [A], [B], [C] or [D] button.
You can use the intro section even in the middle of the song by pressing the [INTRO] button during the song. If the MAIN/AUTO FILL A/B / C/D button is pressed after the final half beat (eighth note) of the measure, fill-in will begin from the next measure.
When the playback of the intro is finished, it automatically leads into main A section.
Press the [MAIN B] button.
If you press the INTRO/ COUNT INTRO button while the ending is playing, the intro section will begin playing after the ending is finished. If you press a MAIN/AUTO FILL button while the ending is playing, fill-in accompaniment will immediately start playing, continuing with the main section. If you press the [SYNC START] button while an accompaniment is playing, the accompaniment will stop and the PSR-740/640 will enter Synchronized Start standby status. You can begin the accompaniment by using the ending instead of the intro section.
A fill-in plays, automatically followed by the main B section.
Press the MAIN buttons as desired during your performance.
The main section corresponding to the pressed button plays following an automatic fill-in.
Press the [ENDING] button.
This switches to the ending section. When the ending is finished, the auto accompaniment automatically stops. You can have the ending gradually slow down (ritardando) by pressing the [ENDING] button again while the ending is playing back.

Tempo/Tap

32 banks

The PSR-740/640s initial Registration Memory [1][4] settings (when it shipped from the factory) are the same panel settings as when the power switch is first turned on.
Registering the Panel Settings... Recalling the Registered Panel Settings... Selecting a Registration Bank... Naming the Registration Banks..
page 63 page 63 page 64 page 64
Data stored by the Registration Memory

s VOICE PARAMETERS

Part on/off (VOICE R1, R2, L)... page 29 Voice Change setting (VOICE R1, R2, L).. page 89 Mixer setting (VOICE R1, R2, L, Vocal Harmony).. page 90 Parameter Edit setting (VOICE R1, R2, L).. page 91 Touch Sensitivity... page 136 DSP on/off, FAST/SLOW on/off, DSP Type and Return Level (PSR-640). page 53 HARMONY/ECHO on/off, type, volume, part... page 56 TOUCH on/off.... page 136 SUSTAIN on/off... page 31 Pitch Bend Range... page 139 Scale Tuning.... page 135 Footswitch function... page 137 Foot Volume function... page 138 Transpose.... page 30 Part Octave setting... page 135 Modulation Wheel function (PSR-740).. page 139 Organ Flutes settings (PSR-740)... page 32 Vocal Harmony settings (PSR-740)... page 82 Multi Effect settings (PSR-740).. page 54
Material recorded data is retained in memory even when the STANDBY switch is turned off if an AC adaptor is connected (page 159). It is nevertheless a good idea to save important data to floppy disk so that you can keep them indefinitely and build up your own data library (page 65).
s ACCOMPANIMENT PARAMETERS
Auto Accompaniment on/off.. page 35 Style number.... page 34 Tempo.... page 38 Fingering mode.... page 40 Split Point.... page 135 Accompaniment Volume... page 39 Accompaniment section... page 36 Groove on/off, settings (PSR-740)... page 45 Track on/off setting.... page 39 Voice Change setting... page 89 Mixer setting... page 90 Parameter Edit setting... page 91 Multi Pad Bank number, Chord Match on/off.. page 49 Reverb settings.... page 50 Chorus settings.... page 52 DSP settings (PSR-740)... page 50
Registration Memory data can be saved to and loaded from floppy disk as needed (page 65).
Registering the Panel Settings
Set up the panel controls as required. Press the round Registration Memory button to call up the Registration Memory function.

Enabling the record mode to record a User song automatically resets the song transpose setting to 0.

Set the Transpose value.

Use the data dial, the [+/YES] button, the [-/NO] button or the number buttons [1]-[0]. The transpose range is from -12 to +12. Each step corresponds to one semitone, allowing a maximum upward or downward transposition of one octave. A setting of 0 produces normal pitch.
Press the [START/STOP] to start the song.
Steps #1 through #5 can be executed during playback.
This extraordinarily powerful feature uses advanced voice-processing technology to automatically produce vocal harmony based on a single lead vocal. Four distinct harmony modes as well as an extensive selection of preset harmony types are provided. In addition to straightforward harmony, the PSR-740 also lets you change the apparent gender of the harmony and/or lead vocal sound. For example, if you are a male singer, you can have the PSR-740 automatically generate a two-part female backup. A comprehensive set of parameters gives you exceptionally precise and flexible control over the vocal harmony sound.

Setting up

Set the INPUT VOLUME control to MIN.
Connect a microphone to the MIC/LINE IN jack of the PSR-740.
A standard dynamic microphone with an impedance of about 250 ohms is recommended. (The PSR-740 does not support phantom-powered condenser microphones.)
Set the MIC/LINE panel switch to MIC.
Adjust the INPUT VOLUME control while singing into the microphone.
Use the SIGNAL and OVER indicators to determine the appropriate setting. With the INPUT VOLUME control at the minimum, sing or talk into the microphone at the highest expected volume. Gradually bring the control up toward MAX so that the SIGNAL indicator is lit and the OVER indicator flashes occasionally. Then reduce the INPUT VOLUME just enough to keep the OVER indicator from flashing. This should be the optimum level setting
If the OVER indicator lights regardless of the INPUT VOLUME setting, the output level of the microphone (or other source) is probably too high. Compensate by reducing the output level of the source.

Using the LINE setting

Normally, since you will be using a microphone, you may never need to use the LINE setting. However, this may come in handy if you want to use a pre-recorded source (on CD or cassette tape) with the vocal harmony feature. (For best results, the source should be a single vocal only; any other singers and instruments in the mix could produce unexpected or undesired results.) To do this: 1 Set the INPUT VOLUME control to MIN. 2 Connect the source to the MIC/LINE IN jack. Use a stereo-to-mono cable or a Y cable to combine the left- and right-channel output signals from the source device for input to the PSR-740s mono MIC/LINE IN jack. 3 Set the MIC/LINE panel switch to LINE. 4 Adjust the INPUT VOLUME control. Play the source at the highest expected volume, and adjust the INPUT VOLUME control to get the optimum input level (as in the Setting Up instructions above).

In addition to the keyboard-played voices, the PSR-740/640 features many different instrumental parts, including those contained in the auto accompaniment, song playback, and vocal harmony.
q Style mode Keyboard Part VOICE R1 VOICE R2 VOICE L RHYTHM SUB RHYTHM MAIN BASS CHORD1 CHORD2 PAD PHRASE1 PHRASE2 MIC HARMONY q Song mode Keyboard Part VOICE R1 VOICE R2 VOICE L TRACK1 TRACK2 TRACK3 TRACK4 : TRACK15 TRACK16 MIC HARMONY
Use the following functions to change the settings for each part: q Voice Change.... page 89 This lets you change the voice for each part. q Mixer.... page 90 This lets you change the volume of each part and adjust the relative balance among all the parts. q Parameter Edit..... page 91 This lets you change the following settings for each part: Octave Shifts the pitch of the specified voice or track up or down by one or two octaves. A setting of 0 produces normal pitch. Pan Positions the sound of the specified voice or track from left to right in the stereo sound field. -7 is full left, 7 is full right, 0 is center, and all other settings are corresponding positions in between. Reverb depth Sets the reverb depth for the specified voice or track, and thus the amount of reverb effect applied to that voice or track. Chorus depth Sets the chorus depth for the specified voice or track, and thus the amount of chorus effect applied to that voice or track. DSP depth Sets the DSP depth for the specified voice or track, and thus the amount of DSP effect applied to that voice or track. The parameters which can be set for each part are shown in the chart below.
q Parameters Parameter Voice number Volume Octave Pan Reverb depth Chorus depth DSP depth

O : available

Voice R1, R2, L O O O O O O O

Style O O O O O O

Song O O O O O O O

Vocal Harmony O O O O O

Range Refer to the Voice List (page 140) --0 127
Function Voice Change Mixer Parameter Edit Parameter Edit Parameter Edit Parameter Edit Parameter Edit

q Voice R1, R2, L

When one of the DSP types belonging to the Insertion Effect (page 54) is selected, the effect will be exclusively applied to voice R1 and not to voice R2/L. Therefore the DSP depth for voice R2/L cannot be changed. Also, the DSP depth for voice R1 cannot be altered depending on the selected Insertion Effect type (PSR-640 only). Save any part settings you want to keep to the PSR-740/640 Registration Memory (page 62). The voice part settings are temporary and will be lost if the power is turned off, a different R1 panel voice is selected while the Voice Set function (page 136) is on, or a Registration Memory is recalled.

For information on the punch in and start measure functions, see pages 98.
Select the desired track and part for recording.
1) Select a track. Press one of the [TRACK1]-[TRACK16] buttons.
2) Select a part. Use the data dial, the [+/YES] button or the [-/NO] button.
For information on track assignments, see page 93.
3) Set the desired track to REC. Press the [NEXT] button and use the data dial, the [+/YES] button or the [-/NO] button.
To record auto accompaniment data, set the [ACMP] button to ON. The same part cannot be set to more than one track for recording.
Make all necessary settings to each track by repeating steps 1) through 3) above.
Press the [NEXT] button to display the Rehearsal screen.
Voices and styles can be set from this display. After completing the desired settings, press the [EXIT] button to return to this display.
Press the [NEXT] button to display the RECORD Ready screen.
Recording starts as soon as you play a key on the keyboard. If you enabled the auto accompaniment track for recording (in steps #8 above), recording starts as soon as you play a chord in the auto accompaniment section of the keyboard (the left side of the split point). Recording can also be started by pressing the [START/STOP] button.
If you did not enable the auto accompaniment track for recording (in steps #8 above), press the [START/STOP] button. If you enabled the auto accompaniment track for recording (in steps #8 above), press the [START/STOP] button or the [ENDING] button. If you press the [ENDING] button while recording the auto accompaniment track, recording will stop automatically after the ending section has finished.
Save the recorded data to the disk.
To cancel the save operation (for example, when you wish to redo the recording), press the [-/NO] button and re-record starting with step #8 above, after the display returns to the PART setting screen. To save the data to disk, press the [+/YES] button.
Press the [RECORD] button to exit from the Record mode. 97
Re-recording Punch In/Out and Start Measure
This section shows you how to re-record a specific section of a already-recorded song. In the eight-measure example below, the third measures through the fifth measure are re-recorded.
q Before re-recording 7 8
Recording start (Punch In) q After re-recording 1 Previously played data 4 5
Recording stop (Punch Out)

Newly played data

Previously played data
Insert the floppy disk into the disk drive. Press the [RECORD] button to engage the Record mode.

Setting the CTAB parameters

Select CTAB Edit.

Press the [NEXT] button to display the SECTION selection screen. Select the desired section for setting the CTAB parameters.
Press the [NEXT] button to display the TRACK selection screen. Select the desired track for setting the CTAB parameters.
Select the desired CTAB parameter.
Use the data dial, the [+/YES] button or the [-/NO] button. Refer to page 119 for more information on the CTAB parameters.
Press the [NEXT] button to display the CTAB parameter setting screen. Set the CTAB parameter value.
For NOTE LIMIT (sounding range), selected in step #14 above: Set by using the data dial, the [+/YES] button or the [-/NO] button.
For HIGH KEY (upper limit of the octaves), selected in step #14 above: Set by using data dial, the [+/YES] button or the [-/NO] button.
For SOURCE CHORD (source chord/type), selected in step #14 above: Set by using the data dial, the [+/YES] button or the [-/NO] button.

Set the chord root.

[BACK] button Set the chord type.
Repeat steps #14-#16 as needed.
Press the [BACK] button to return back to step #14.
Recording by source chord type
When you change the chord of the source pattern from the default CM7 to others, the chord notes and scale notes will change depending on the currently selected chord type. See page 115 for information on chord notes and scale notes.
[ex.] Source Chord Root of C
CM [Maj] CM 6 [Maj6] CM 7

[Maj7]

CM 7 (#11)[Maj7(#11)] CM add9

[Maj(9)]

[Maj7(9)]

C 6 (9)

[Maj6(9)]

[min6]

S C S C C C C S C C C C C C S C S C C S

C S C C S

C S C C

[min7(11)]

[min7]

[min7b5]

[min(9)]

Cm 7 (9) [min7(9)]

C C S C

C S C S

CmM 7 [minMaj7]

C C S S C C

CmM 7 (9) [minMaj7(9)] Cdim

C C C S C C C

Cdim 7 [dim7]

C C S S C S C S

C 7 [7]

C C C C

[7sus4]

C 7 b5 [7b5]

C C C S C C

[7(9)]

C 7 (#11) [7(#11)]

C C C S C C S C

[7(13)]

C C S C C C

[7(b9)]

C 7 (b13) [7(b13)]

C S C C S C

C 7 (#9) [7(#9)]

[Maj7aug]

[7aug]

Set the value.

The operations for each function corresponding to step #6 are covered in the following explanations.

Metronome

When this is set to ON, the metronome sounds at the set tempo for the following conditions.
Accompaniment playback Song playback Synchro start waiting Record standby Recording
The Metronome cannot be turned on when free-tempo song data is selected in the Song mode. The tempo setting of some commercially available songs is fixed. These songs are called free-tempo software. When playing back freetempo song data on the PSR-740/640, the Tempo display shows - - - and the beat display does not flash. Also, the measure number in the display does not match the actual measure number of playback, and only gives you an indication of how much of the song has played back.
Turn Metronome ON or OFF with the data dial, the [+/YES] button or the [-/NO] button.

Part Octave

This determines the relative octave settings for the keyboard-played voices R1, R2 and L.
Select the part (R1, R2, L) by pressing one of the PART ON/OFF buttons (VOICE R1, VOICE R2, VOICE L). Set the value with the data dial, the [+/YES] button or the [-/NO] button.

Master Tuning

The Master Tuning function sets the overall pitch of the PSR-740/640.
Set the value with the data dial, the [+/YES] button or the [-/NO] button.

Scale Tuning

Scale tuning allows each individual note of the octave to be tuned over range from -64 to +63 cents in 1-cent increments (1 cent = 1/100th of a semitone). This makes it possible to produce subtle tuning variations, or tune the instrument to totally different scales (e.g. classic or Arabic scales). The Accompaniment and Multi Pad sounds are affected by Scale Tuning.
The scale tuning settings are common to each octave on the keyboard. Minus values can be entered by using the number buttons while holding the [-/NO] button.
Select the note to be tuned by pressing the [NEXT]/[BACK] button. Tune the selected note by using the data dial, the [+/YES] button, the [-/NO] button or the number buttons [1]-[0].

Make sure that the scale tuning value for those notes is set to 0 (page 135). Check whether the fingering mode is set to Full or not. If the Full fingering mode is selected, chords are recognized over the entire range of the keyboard, irrespective of the split point setting. Harmony cannot be turned on when the Full Keyboard fingering mode is selected or if a percussion kit voice is selected. Select an appropriate fingering mode or voice. Harmony cannot be turned on when a drum kit is selected for the voice R1. The MIDI terminals can only be used when the HOST SELECT switch is set to MIDI. All other settings (Mac, PC-1 and PC-2) are for direct transmission/ reception with a computer. The solution to this problem is to ensure that as little extraneous sound as possible is picked up by your vocal microphone: Sing as closely to the microphone as possible. Use a directional microphone. Turn down the MASTER VOLUME, ACMP volume, or SONG volume control. Separate the microphone from the instruments speakers as much as possible.
MIDI data is not transmitted or received, even when MIDI cables are connected properly.
If you experience distorted or out-of-tune sound from the Vocal Harmony feature, your vocal microphone may be picking up extraneous sounds (other than your voice) the Auto Accompaniment sound from the PSR-740, for example. In particular, bass sounds can cause mistracking of the Vocal Harmony feature.

MIDI Data Format

Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter H as a suffix. Also, n can freely be defined as any whole number. To enter data/values, refer to the table below.
Decimal Hexadecimal 0A 0B 0C 0D 0E 0F 1A 1B 1C 1D 1E 1F 2A 2B 2C 2D 2E 2F 3A 3B 3C 3D 3E 3F Binary Decimal Hexadecimal 4A 4B 4C 4D 4E 4F 5A 5B 5C 5D 5E 5F 6A 6B 6C 6D 6E 6F 7A 7B 7C 7D 7E 7F Binary 0111 1111

(1) TRANSMIT FLOW

MIDI NOTE ON/OFF OUT CONTROL CHANGE BANK SELECT MSB BANK SELECT LSB DATA ENTRY MSB DATA ENTRY LSB MUDULATION MAIN VOLUME PANPOT EXPRESSION SUSTAIN SOSTENUTE SOFT PEDAL HARMONIC CONTENT RELEASE TIME BRIGHTNESS REVERB SEND LEVEL CHORUS SEND LEVEL VARIATION SEND LEVEL NRPN LSB NRPN MSB VIBRATO RATE VIBRATO RATE DEPTH RPN LSB RPN MSB PITCH BEND SENS. PROGRAM CHANGE PITCH BEND CHANGE 9nH BnH BnH,00H BnH,20H BnH,06H BnH,26H BnH,01H (PSR-740 ONLY) BnH,07H BnH,0AH BnH,0BH BnH,40H BnH,42H BnH,43H BnH,47H (PSR-740 ONLY) BnH,48H BnH,4AH (PSR-740 ONLY) BnH,5BH BnH,5DH BnH,5EH BnH,62H (PSR-740 ONLY) BnH,63H (PSR-740 ONLY) BnH,63H,01H,62H,08H,06H,mmH BnH,63H,01H,62H,09H,06H,mmH BnH,64H BnH,65H BnH,65H,00H,64H,00H,06H,mmH CnH EnH

nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn
09 0A 0B 0C 0D 0E 0F 1A 1B 1C
00.03 28.58 00.FF 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F
00 (Except Part10) 02 (Part10) 00 (80) 00 7F 7F 40
Address (H) nn nn nn nn nn nn 1D 1E 1F 22 Size (H) Data (H) 28.58 00.7F 00.7F 00.7F 00.7F 00.7F 28.58 00.7F 00.7F 00.7F 00.7F 00.7F Prameter Name MW Pitch Control MW Filter Control MW Amp. Control MW LFO PMod Depth MW LFO FMod Depth MW LFO AMod Depth Bend Pitch Control Bend Filter Control Bend Amp. Control Bend LFO PMod Depth Bend LFO FMod Depth Bend LFO AMod Depth Not Used : Not Used 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 28.58 00.7F 00.7F 00.7F 00.7F 00.7F Scale Tuning C Scale Tuning C# Scale Tuning D Scale Tuning D# Scale Tuning E Scale Tuning F Scale Tuning F# Scale Tuning G Scale Tuning G# Scale Tuning A Scale Tuning A# Scale Tuning B CAT Pitch Control CAT Filter Control CAT Amplitude Control CAT LFO PMod Depth CAT LFO FMod Depth CAT LFO AMod Depth Not Used : Not Used 00.01 00.7F Portamento Switch Portamento Time Not Used : Not Used off/on 0.00 -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -24.+24[semitones] -9600.+9450[cent] -100.+100[%] 0.127 0.127 0.00 Description -24.+24[semitones] -9600.+9450[cent] -100.+100[%] 0.127 0.127 0.127 -24.+24[semitones] -9600.+9450[cent] -100.+100[%] 0.127 0.127 0.127 Default Value (H) 40 0A 00 00
nn 23 nn 24 nn 25 nn 26 nn 27 nn 28 TOTAL SIZE 29 nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn 30 : 4A 4B 4C 4D 4E 4F : 68

nn nn nn

69 : 6E TOTAL SIZE 3F nn = PartNumber
If there is a Drum Voice assigned to the Part, the following parameters are ineffective. Bank Select LSB Soft Pedal Pitch EG Mono/Poly Portamento Scale Tuning
< Table 1-9 > MIDI Parameter Change table (A/D PART) (PSR-740 ONLY)

Data dial...20 DC IN 10-12V jack...12 Default...20 Delete..21, 75 Demo song...15 Digital effect...50, 152 Direct Access..21, 24 Disk drive..66 DISK IN USE...66 Disk mode...25 Display...16 DOC...9, 76, 125 Drum Cancel...113 Drum Kit...31, 148
Initial Data Send... 133 Initialization...159 Insertion effect..54, 152, 153 Internal...132 Intro...36
Keyboard..29 Keyboard Percussion.. 31

Index L

Language..18 Left... 29 Length.... 32 Load...70 Local Control...132 Loop recording...111 Lower... 85, 130 Part Octave... 135 PART ON/OFF... 27, 28, 29 PHRASE1.. 39, 110, 114 PHRASE2.. 39, 110, 114 Pitch Bend... 30 Pitch Bend Range.. 139 Polarity... 137, 138 Program Change... 123 Punch In/Out.. 98
Main...36 Master EQ... 59 Master Tuning... 135 Master Volume...15 Maximum Polyphony... 140 Measure.. 16, 79, 98 Menu... 16 Metronome.. 134 MIC/LINE IN jack... 13, 82 Microphone sound... 83 MIDI....122 MIDI Data Format...163 MIDI Implementation Chart...178 MIDI terminals...123 Mixer... 17, 88, 90 Mode... 25 Modulation Wheel.. 30, 139 Multi Effect... 54 Multi Finger..40, 42 Multi Pad...48, 106 Multi Track Recording.. 92, 93, 96 Music stand... 14
Quantize... 100, 116 Quick Recording..92, 93, 94
Receive... 131 Record.. 17, 92, 106, 110 Record mode.. 25 Regist +... 137, 138 Regist -... 137, 138 Registration Memory.. 62 Rehearsal mode.. 25 Repeat... 77, 80 Resonance... 139 Response...32 Return Level.. 51, 52, 53 Reverb... 50, 83 RHYTHM MAIN... 39, 110 RHYTHM SUB.. 39, 110 Right... 29 Ritardando... 37 Root... 131
Name.. 21, 64, 69, 104, 108, 118 NEXT.... 17 Note Limit..111, 120 Note on/off...122 Number buttons.. 20
Sample Disk...67 Save...68 Scale Tuning... 135 Section...36 Send Level... 51, 52, 53 Setting up..12 Shift...21 Simple Ending...36 Single Finger... 40 SLOW...50, 53, 54 Soft... 137, 138 Song Copy... 72 Song mode... 25 Song Play mode.. 77 Song volume.. 78 Sostenuto.. 137, 138 Source Chord... 111, 119 Specification... 184 Split Point.. 29, 42, 135
Octave... 88, 102, 135 One Touch Setting... 44 Operation Guide... 18 Organ Flutes.. 32 Overdub..111