Owners Manual

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:
Model Serial No. Purchase Date

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ve years. When replacement becomes necessary, contact a qualied service representative to perform the replacement.

Playing with the Music Database Using Songs
Selecting and Setting Functions.. 70
Selecting and Listening to a Song.. 27 Song Fast Forward, Fast Reverse, and Pause.. 28 Types of Songs... 29 Displaying the Song Score... 30 Displaying the Lyrics... 31
Recording Your Own Performance
USB Flash Memory... 73 Using USB Flash Memory.. 74 Formatting USB Flash Memory... 75 Saving Data... 76 Convert a User Song to SMF Format and Save. 77 Loading User Files and Style Files... 78 Deleting Data from USB Flash Memory.. 79 Playing Songs Saved to USB Flash Memory.. 79
Track Configuration... 32 Quick Recording Procedure... 33 Multi-track Recording Procedure.. 34 Song ClearDeleting User Songs... 37 Track ClearDeleting a Specified Track From a User Song. 38
Backup and Initialization
Connectors.... 80 Connection to a USB Storage Device. 80 Connecting a Personal Computer.. 82 Transferring Performance Data to and from a Computer. 83 Initial Send... 84 Transferring Data Between the Computer and Instrument.. 85
Backup... 39 Initialization.... 39
Accessory CD-ROM Installation Guide
Basic Operation and Displays
Basic Operation... 40 The Displays... 42 MAIN Display Items... 43
Important Notices about the CD-ROM. 88 CD-ROM Contents... 89 System Requirements.. 90 Software Installation... 90

Appendix

Reference
Playing with the Effects 44
Adding Harmony... 44 Changing the Reverb Type.. 45 Changing the Chorus Type.. 46 Panel Sustain... 47 Adding DSP... 47 Pitch Bend... 48
Troubleshooting... 95 Messages... 96 Voice List... 98 Drum Kit List... 104 Style List... 107 Music Database List... 108 Effect Type List... 110 MIDI Implementation Chart... 114 MIDI Data Format... 116 Specifications... 117 Index... 118
Be sure to do the following operations BEFORE turning on the power. Make all necessary connections below BEFORE turning the power on.

Power Requirements

Make sure that the [STANDBY/ON] switch of the instrument is set to STANDBY.
Use ONLY a Yamaha PA-300 or PA-301 AC Power Adaptor (or other adaptor specically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the instrument.
Connecting Headphones (PHONES/OUTPUT Jack)
Connect the AC adaptor (PA-300, PA-301 or other adaptor specically recommended by Yamaha) to the power supply jack. Plug the AC adaptor into an AC outlet.
Unplug the AC Power Adaptor when not using the instrument, or during electrical storms.

Never attempt to turn the power off when a Writing. message is shown in the display. Doing so can damage the ash memory and result in a loss of data.
Changing the Display language
This instrument allows you to select English or Japanese as the display language. The default display language is English, but if you switch to Japanese the lyrics, le names and some messages will be displayed in Japanese where appropriate.
Press the [FUNCTION] button.
Adjusting the LCD CONTRAST control
Adjust the LCD CONTRAST control on the rear panel of the instrument for optimum display legibility.
Press the CATEGORY [ ] and [ ] buttons a num-
ber of times until the Language item appears. The currently selected display language will appear below the Language item.

Language item

The currently selected language
Select a display language.
The [+] button selects English and the [-] button selects Japanese. The language selection will be stored in the internal ash memory so that it is retained even when the power is turned off.
Press the [EXIT] button to return to the MAIN dis-

Music Rest

Insert the music rest into the slots as shown.

y !0 !2 i

Front Panel
q [STANDBY/ON] switch.. page 16 w [MASTER VOLUME] control. pages 16, 40 e [DEMO] button.. page 16 r [SONG MODE] button. page 27 t SONG [PRESET], [USER], [USB] buttons... page 27 [SCORE] button.. page 30 [LYRICS] button.. page 31 [REC] button.. page 33 y STYLE.. page 22 u STYLE CONTROL [OTS LINK] button. page 58 [AUTO FILL IN] button. page 55 [ACMP] button.. page 23 INTRO [I][III] buttons. page 55 MAIN VARIATION [A][D] buttons... page 55 ENDING/rit. [I][III] buttons.. page 55 [SYNC STOP] button.. page 57 [SYNC START] button.. pages 23, 56 [START/STOP] button. pages 22, 41
i SONG CONTROL [r] button. page 28 [f] button. page 28 [A B] button.. page 65 [ ] button.. page 28 [>/] button..pages 28, 41 o TRANSPOSE [+] and [-] buttons. page 53 !0 [METRONOME] button.. page 49 !1 [TAP TEMPO] button.. page 51 !2 TEMPO [+] and [-] buttons. page 49 !3 [REGIST/TRACK] button.. page 66 !4 [MEMORY] button.. page 67 !5 REGIST BANK [+] and [-] buttons. page 67 !6 REGISTRATION MEMORY [1][8] buttons.. page 67 !7 Display..pages 12, 42 !8 [EXIT] button.. page 42

@2 @3 !9 @0 @5 @4 @7

Rear Panel

#0 #1 #2 #3 #4

!9 Dial.. page 41 @0 [+/YES] and [-/NO] buttons. page 41 @1 CATEGORY [ ] and [ ] buttons. page 41
#0 SUSTAIN jack.. page 10 #1 USB TO HOST and TO DEVICE terminals.. page 80 #2 CONTRAST knob.. page 12 #3 PHONES/OUTPUT jack. page 10 #4 DC IN 16V jack.. page 10
@2 [FUNCTION] button.. page 70 @3 [MDB] button.. page 26 @4 FILE MENU [MENU] and [EXECUTE] buttons.. pages 74, 75 @5 ONE TOUCH SETTING [1][4] buttons.. page 58 @6 VOICE.. page 17 @7 VOICE CONTROL [LEFT] button.. page 19 [DUAL] button. page 18 [HARMONY] button.. page 44 [TOUCH] button.. page 51 [SUSTAIN] button.. page 47 [DSP] button.. page 47 @8 UPPER OCTAVE [+] and [-] buttons... page 54 @9 [PITCH BEND] wheel.. page 48

ck Gui ui Q

Playing Songs
This instrument include a Demonstration Song. Lets start by playing the Demonstration Song.
Press the [STANDBY/ON] button until it locks in the ON position.
The Main display appears in the LCD.
VOICE name STYLE name SONG name Music Database name
Press the [DEMO] button to start the Demo.
The Demo display appears in the LCD. Gradually raise the [MASTER VOLUME] control while playing the instrument to set the desired listening level. The Demo Song will restart when playback reaches the end.
> Press the [>/] button to stop Demo.
Operation automatically returns to the Main display.
The [DEMO] button doesnt function when the Demo Cancel function is set to enable. (See page 72.)
Try playing a variety of Instrument Voices
In addition to piano, organ, and other standard keyboard instruments, this instrument has a large range of realistic Voicesincluding guitar, bass, strings, sax, trumpet, drums and percussion, sound effects, and a wide variety of other musical sounds.

Select and Play a Voice

In this operation, youll select a Main Voice and play it on the keyboard.
Select and press the desired Voice category button in the Voice section.
The Main Voice selection display will appear. The currently selected category name, Voice number and name will be highlighted. For this example, select the Flute&Clarinet category.
To change the Voice category, press another category button.
MAIN VOICE selection display CATEGORY name

Current selected Voice

Select the Voice you want to play.
Look at the highlighted Voice name and rotate the dial. The available Voices will be selected and displayed in sequence. The Voice selected here becomes the Main Voice. For this example, select the 010 Flute Voice.

Play the keyboard.

Try selecting and playing a variety of Voices. Press the [EXIT] button to return to the MAIN display.
Playing Two Voices SimultaneouslyDUAL

Press the [START/STOP] button to stop Style playback when youre done.
You can switch Style sections to add variety to the accompaniment. Refer to Pattern Variation (sections) on page 55.
Playing Auto-accompaniment Chords
There are two ways of playing auto-accompaniment chords: Easy Chords Standard Chords The instrument will automatically recognize the different chord types. The keyboard to the left of the split point (default: 54/F#2) becomes the accompaniment range. Play the accompaniment chords in this area of the keyboard.
Split point (default: 54/F#2)
Root notes and the corresponding keys

F# G# Bb

C D E F GA B C D E F

Accompaniment range

Easy Chords

Standard Chords
This method lets you produce accompaniment by playing chords using normal ngerings in the accompaniment range of the keyboard.
How to play Standard Chords [Example for C chords]
This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.
To play a major chord Press the root note of the chord.

C add9

To play a minor chord Press the root note together with the nearest black key to the left of it.

C sus4

C M7aug
To play a seventh chord Press the root note together with the nearest white key to the left of it.

C m add9

To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).

C dim7

C 7aug

C 7sus4

C sus2
* Notes enclosed in parentheses ( ) are optional; the chords will be recognized without them.
Multi Fingering and Full Keyboard
These let you select the accompaniment section of the keyboard for chord playing. (See the Chord Fingering section in the Function Setting List on page 71.) Multi Fingering: As explained above, the keys to the left of the split point (default: 54, F#2) become the accompaniment range. This method lets you play the accompaniment chords in the specied area of the keyboard, and is set as the default for the instrument. Full Keyboard: This lets you play the accompaniment chords freely from anywhere on the keyboard.

Playing with the Music Database
You want to play music in your favorite Style, but youre not sure how to select the best Voice and Style for the type of music you want to play, simply select the appropriate Style from the Music Database. The panel settings will automatically be adjusted for the ideal combination of sounds and Style!
Press [ ], [ ] category button when changing the MDB category. Referring to the Music Database List on page 108 of the manual, use the dial to select a music database. Select one that matches the music style of the Song you intend to play. For this example select 090 Alexs Band in the Swing category.
Play the chords with your left hand and the melody with your right.
The swing Style will start playing when you play a left-hand chord to the left of the split point (page 23). Refer to page 25 for information about playing chords.

Split Point

You can check the assigned Voice and Style at this point by pressing the [EXIT] button to return to the MAIN display.
> Press the [>/] button to stop playback.

Press the [MDB] button.

The music database selection display will appear. The currently selected category name, MDB number and name will be highlighted.
Select the desired Music Database which matches the music style or type you want to play.

Using Songs

With this instrument the term Song refers the data that makes up a piece of music. In this section well learn how to select and play Songs.
Selecting and Listening to a Song

(Score)

(Lyrics)

Listen

Record
Select and press one of the Song category buttons, which corresponds to the type of Song you want to listen to.
[PRESET] : Five preset Songs are available here. [USER] : This contains your recorded Songs and Songs loaded from computer. [USB] : This contains USB Songs when a USB ash memory device is connected to the DEVICE terminal. The Song selection display will appear. The currently selected Song number and name will be highlighted.

Song Selection display

When the instrument is in the Song mode, the [SONG MODE] button is lit. When Style mode is enabled, the button is not lit.

Currently selected Song

Select a Song.
Use the dial to select the Song you want to listen to.

PRESET

Built-in Songs 1 Annie Laurie (Traditional) 2 Oh, Susanna (Sunny Skylar, S. Foster) 3 Little Brown Jug (Traditional) 4 Waltz Op.18 (F. Chopin) 5 Piano Concerto No.21 2nd Mov. (W.A. Mozart) User Songs (Songs you record yourself) or Songs transferred from a computer (pages 8587) Songs in a USB ash memory connected to the instrument (page 74)

USER USB

Listen to the Song.
Press the [>/] button to begin playback of the selected Song. You can stop playback at any time by pressing the [>/] button again.

Follow steps 1 and 2 of the procedure described on page 27.
Press the [SCORE] button and a single-staff score will appear.
There are two types of score display: single-staff and double-staff. These are alternately selected each time the [SCORE] button is pressed.

Single-staff Marker

Both chords and lyrics will be shown in single-staff score display of a Song that includes chord and lyric data. When there are many lyrics in a Song, they may be displayed in two rows a measure. Some lyrics or chords may be abbreviated if the selected Song has a lot of lyrics. Small notes that are hard to read may be easier to read after you use the quantize function (page 72).

Melody score

Lyrics

Double-staff

No lyrics are shown in doublestaff display.
> Press the [>/] button.
The Song will begin playing. The triangular cursor will move across the top of the score to indicate the current location.
To return to the MAIN display, press the [EXIT] button.

Displaying the Lyrics

If a Song contains lyric data, the lyrics can be made to appear on the display. No lyrics will be displayed for a Song that contains no lyric data, even if the [LYRICS] button is pressed.
Follow steps 1 and 2 of the procedure described on page 27. Try to select the Preset SONG 001002.
Songs downloaded from the Internet or commercially available Song les, including XF format les (page 6), are compatible with the lyrics display features as long as they are standard MIDI le format les containing lyric data. Lyrics display may not be possible with some les.
Press the [LYRICS] button.
The title, lyricist, and composer of the Song will appear on the display.
If the lyrics display shows garbled characters, try changing the display language (page 12).
Song title, Lyricist, Composer
The Song will play back while the lyrics and chords are shown on the display. The lyrics will be highlighted to show the current location in the Song.

Press the [REC] button.

The User Song number for recording will be selected automatically and tracks [1][3] will be set to record ready mode. Performance parts are as follow: If accompaniment is set to ON before pressing [REC] button, accompaniment track will be also set to recording ready mode automatically.
You can manually select the recorded user Song number if you select it before pressing the [REC] button.

REC ready

Track 1 Track 2 Track 3 Track ACMP
Main Voice part Dual Voice part Left Voice part Accompaniment part
Make sure to turn the Dual Voice or Left Voice on when recording the Dual Voice or Left Voice.
Recording will start when you play the keyboard.

Current measure number

Start recording
> Stop recording by pressing the [>/] or [REC] button.
Track numbers containing recorded data are indicated with framed rectangles.
> Press the [>/] button to play back the recording.
Multi-track Recording Procedure
You can set the recorded user Song number and the parts for tracks individually.
From the MAIN display press the [USER] button, then use the dial to select the user Song number (001005) you want to record to.
Select the recording part for each track (Part Assign).
Selecting the part for the Melody track (tracks 18) While holding down the [REC] button, press one of the track buttons [1][8] until the desired part is shown at the track button. Each time you press the button, the part is changed in order (such as MAIN, DUAL, LEFT) in the Main display.
If you record your performance to a track that contains previous data, the previous data will be overwritten by the new data.
When ACMP track is set to REC ON, the accompaniment will be automatically set to ON. When press the [REC] button during accompaniment on, the ACMP track will be automatically set to REC ON. ACMP ON/OFF does not change while recording is in progress. An assigned part cannot be specied to another track. A maximum of three melody tracks can be recorded simultaneously.

Press and hold

Track 1 is MAIN part.
Selecting the part for the Accompaniment track While holding down the [REC] button, press the [ACMP] button. The REC indication will be highlighted in the display and operation will be set to record ready mode.

PC MODE MIDI

PC Mode Local ON/OFF
External Clock ON/OFF Keyboard Out Style Out

External Clock

ON/OFF

Keyboard Out Style Out

ON/OFF ON/OFF

Song Out

Initial Setup

YES/NO

METRONOME
Time Signature Numerator Time Signature Denominator Volume Quantize
Time Signature Numerator Time Signature Denominator Metronome Volume Quantize
0060 2, 4, 8, 1 (1/4 note), 2 (1/4 note triplet), 3 (1/8 note), 4 (1/8 note triplet), 5 (1/16 note), 6 (1/16 note triplet), 7 (1/32 note), 8 (1/32 note triplet) GuideTrack 116

Right-Part

Left-Part

GuideTrack 116

UTILITY

Demo Cancel

LANGUAGE

Language

English/Japanese
* All these settings can be conveniently reset to their initial default values by pressing the [+/YES] and [-/NO] buttons simultaneously. (The exception to this is Initial Send, which is an operation, not a setting.)
USB ash memory is a memory medium used for storing data. When a USB ash memory device is inserted in this instruments USB TO DEVICE terminal, user songs created on the instrument and the registered settings can be saved to or loaded from the device. USB ash memory can also be used to transfer song data downloaded from the Internet to the instrument. Furthermore, user songs saved to USB ash memory in MIDI le format can also be used with these features. In this section well look at the procedures for setting up and formatting USB ash memory devices, as well as for saving and loading data to and from them.

USB Flash Memory

Before using a USB device, read through the Precautions when using the USB TO DEVICE terminal section on page 82. For information about USB devices compatible with the instrument, see Connection to a USB Storage Device on page 80.
To protect your data (write-protect switch) Some USB ash memory devices are equipped with a write-protect switch. To prevent accidental erasure of important data saved in USB ash memory, slide the write-protect switch on the device to the protect position. When saving data, make sure that the write-protect switch is set to the overwrite position.

Using USB Flash Memory

If you dont have a USB ash memory device, you will need to purchase one (or more, as needed). The instrument does not necessarily support all commercially available USB storage devices. Yamaha cannot guarantee operation of USB storage devices that you purchase. Before purchasing a USB storage device, please consult your Yamaha dealer, or an authorized Yamaha distributor (see list at end of the Owners Manual) for advice.

9. COMPLETE AGREEMENT

This Agreement constitutes the entire agreement between the parties with respect to use of the SOFTWARE and any accompanying written materials and supersedes all prior or contemporaneous understandings or agreements, written or oral, regarding the subject matter of this Agreement. No amendment or revision of this Agreement will be binding unless in writing and signed by a fully authorized representative of Yamaha.
Problem When the instrument is turned on or off, a popping sound is temporarily produced. When using a mobile phone, noise is produced. Possible Cause and Solution This is normal and indicates that the instrument is receiving electrical power. Using a mobile phone in close proximity to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument. Check that nothing is connected to the PHONES/OUTPUT jack on the rear panel. When a set of headphones is plugged into this jack, no sound is output. Check the Local Control on/off. (See page 83.) Is the FILE CONTROL display showing? The instruments keyboard, etc., will not produce any sound while the FILE CONTROL display is showing. Press the [EXIT] button to return to the MAIN display. Is External Clock set to ON? Make sure External Clock is set to OFF; refer to External Clock on page 83. Make sure that the Style Volume (page 71) is set to an appropriate level. The style does not sound properly. Is the split point set at an appropriate key for the chords you are playing? Set the split point at an appropriate key (page 59). Is the [ACMP] button lit? If it is not lit, press the [ACMP] button so it lights. No rhythm accompaniment plays when the [START/STOP] button is pressed after selecting the BaroqueAir Style in the MOVIE & SHOW category. Not all of the voices seem to sound, or the sound seems to be cut off. The footswitch (for sustain) seems to produce the opposite effect. For example, pressing the footswitch cuts off the sound and releasing it sustains the sounds. This is not a malfunction. Style BaroqueAir Style does not have a Rhythm part, so there is no rhythm sound for this Style. Also, this Style does not have a Fill-In section. The other parts will begin playing when you play a chord in the accompaniment. The instrument is polyphonic up to a maximum of 32 notes. If the Dual voice or Split voice is being used and a style or song is playing back at the same time, some notes/sounds may be omitted (or stolen) from the accompaniment or song. The polarity of the footswitch is reversed. Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. This is normal. The AWM tone generation method uses multiple recordings (samples) of an instrument across the range of the keyboard; thus, the actual sound of the voice may be slightly different from note to note. Make sure the Language setting in the FUNCTION display is set to English. (See page 12) Always press desired style category button rst when you are going to use any style-related function. The harmony effects (0126) behave differently according to their type. Types 0105 function when style playback is on, chords are played in the accompaniment range of the keyboard, and a melody is played in the right-hand range. Types 0626 will function whether style playback is on or off. For types 0612 you need to play two notes at the same time.

LCD Message Saving. Send OK? Sending. Since the media is in use now, this function is not available. Sure ? [YES/NO] The limit of the media has been reached. The media is not formatted. The media is write-protected. The song data is too large to be converted to notation. There are too many les. This function is not available now. [nnn] le name
Comment Displayed while saving data in the memory. Never turn the power off while saving. Doing so may result in data loss. Conrms whether the data transmission is executed or not. Displayed while transmitting data. Indicates that the le control function is currently unavailable since the media is being accessed. Reconrms whether each operation is executed or not. Indicates that saving data cannot be executed since the folder/directory structure has become too complicated. Indicates the inserted media has not been formatted. Indicates that the inserted media cannot be written since it is write-protected. Set to the write-protect switch to the overwrite position before use. Indicates that the score cannot be displayed since the song data is too large. Indicates that saving data cannot be executed since the total number of les exceeds the capacity. Indicates the designated function is not available since the instrument is executing another job. Indicates the le name of the currently transmitting. nnn indicates the receiving block.
NOTE Not all the messages are listed in the table: the messages necessary to be explained only.

Voice List

Maximum Polyphony The instrument has 32-note maximum polyphony. This means that it can play a maximum of up to 32 notes at once, regardless of what functions are used. Auto accompaniment uses a number of the available notes, so when auto accompaniment is used the total number of available notes for playing on the keyboard is correspondingly reduced. The same applies to the Split Voice and Song functions. If the maximum polyphony is exceeded, earlier played notes will be cut off and the most recent notes have priority (last note priority).

Panel Voice List

MIDI Voice Program Voice Name MSB LSB No. Change# (0127) (0127) (1128) Piano Live! Grand Piano Bright Piano Live! WarmGrand Harpsichord GrandHarpsi HonkyTonk MidiGrand Oct.Piano4 Oct.Piano3 CP80 E.Piano Cool! GalaxyEP Cool! SuitcaseEP PolarisEP JazzChorus HyperTines Cool! E.Piano PhaseEP NewTines FunkEP DX Modern VintageEP VenusEP ModernEP TremoloEP SuperDX StageEP Clavi WahClavi Organ Cool! Organ Cool! JazzOrgan Cool! RotorOrgan Cool! FullRocker StadiumOrg RotaryDrive RockOrgan18 DanceOrgan JazzOrgan19 PurpleOrg Elec.Organ DrawbarOrg JazzOrgan19 RockOrgan18 ClickOrgan GospelOrg MellowDraw BrightDraw 60'sOrgan JazzOrgan17 Tibia 16+18 Tibia Full

Voice No. 347 348

Bank Select MIDI Program MSB LSB Change# (0127) (0127) (1128) 0 87
Voice Name Muted Banjo Rabab Gopichant Oud Shamisen Koto Taisho-kin Kanoon Kalimba Bagpipe Fiddle Shanai Tinkle Bell Bonang Altair Gamelan Gongs Stereo Gamelan Gongs Rama Cymbal Agogo Steel Drums Glass Percussion Thai Bells Woodblock Castanets Taiko Drum Gran Cassa Melodic Tom Melodic Tom 2 Real Tom Rock Tom Synth Drum Analog Tom Electronic Percussion Reverse Cymbal Fret Noise Breath Noise Seashore Bird Tweet Telephone Ring Helicopter Applause Gunshot Cutting Noise Cutting Noise 2 String Slap Flute Key Click Shower Thunder Wind Stream Bubble Feed Dog Horse Bird Tweet 2 Maou Phone Call Door Squeak Door Slam Scratch Cut Scratch Split Wind Chime Telephone Ring 2 Car Engine Ignition Car Tires Squeal Car Passing Car Crash Siren Train Jet Plane

Voice No. 361

Bank Select MIDI Program MSB LSB Change# (0127) (0127) (1128) 116
Voice Name Starship Burst Roller Coaster Submarine Laugh Scream Punch Heartbeat Footsteps Machine Gun Laser Gun Explosion Firework
The voice number with an asterisk (*) is XGlite optional voice.

Drum Kit List

indicates that the drum sound is the same as Standard Kit 1. Each percussion voice uses one note. The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in 128: Standard Kit 1, the Seq Click H (Note# 36/Note C1) corresponds to (Note# 24/Note C0). Key Off: Keys marked O stop sounding the instant they are released. Voices with the same Alternate Note Number (*1. 4) cannot be played simultaneously. (They are designed to be played alternately with each other.) *: XGlite optional kit.
Voice No. MSB (0127) / LSB (0127) / PC (1128) Keyboard MIDI Key Alternate
Note# Note Note# Note Off Note
13 127/000/001 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Caanet Snare Soft Sticks Kick Soft Open Rim Shot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba While H Samba While L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bells Bell Tree

Tremolo 1/24 note Tremolo 1/32 note Echo 1/4 note
Echo 1/6 note Echo 1/8 note
Echo 1/12 note Echo 1/16 note
Echo 1/24 note Echo 1/32 note

Reverb Types

No. Type HALL1 HALL2 HALL3 HALL4 HALL5 HALL M HALL L ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 ROOM S ROOM M ROOM L STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 GM PLATE NO EFFECT Description MSB LSB 7 0
Reverb simulating the acoustics of a hall.
Reverb simulating the acoustics of a room
Reverb suitable for a solo instrument.
Reverb simulating a plate reverb unit. No effect.

Chorus Types

No. 31 Type CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 GM CHORUS1 GM CHORUS2 GM CHORUS3 GM CHORUS4 FB CHORUS CELESTE1 CELESTE2 FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 GM FLANGER SYMPHONIC1 SYMPHONIC2 PHASER1 PHASER2 EP PHASER1 EP PHASER2 EP PHASER3 ENS DETUNE ROTARY SP5 NO EFFECT Description MSB 0 LSB 0
Conventional chorus program with rich, warm chorusing.
A 3-phase LFO adds modulation and spaciousness to the sound.
Creates a sound reminiscent of a jet airplane.
Adds more stages to the modulation of Celeste.
Cyclically modulates the phase to add modulation to the sound.
Chorus effect without modulation, created by adding a slightly pitch-shifted sound. Simulates a rotary speaker. No effect.

DSP Types

No. Type HALL1 HALL2 HALL3 HALL4 HALL5 HALL M HALL L ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 ROOM S ROOM M ROOM L STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 GM PLATE CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 GM CHORUS1 GM CHORUS2 GM CHORUS3 GM CHORUS4 FB CHORUS CELESTE1 CELESTE2 Description MSB LSB 0 2
Reverb simulating the acoustics of a room.
Reverb simulating a plate reverb unit.

No. 111 112

Type SYMPHONIC1 SYMPHONIC2 ENS DETUNE KARAOKE1 KARAOKE2 KARAOKE3 ER1 ER2 GATE REVERB REVERS GATE EQ DISCO EQ TEL 2BAND EQ 3BAND EQ HM ENHANCE1 HM ENHANCE2 ST 3BAND EQ FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 GM FLANGER DYN FLANGER DELAY LCR1 DELAY LCR2 DELAY LR ECHO CROSS DELAY DIST HEAVY ST DIST COMP+DIST1 COMP+DIST2 OVERDRIVE OVERDRIVE2 ST OD DIST HARD DIST HARD2 DIST HARD3 DIST SOFT DIST SOFT2 DIST SOFT3 ST DIST HARD ST DIST SOFT V_DIST HARD V_DIST SOFT AMP SIM1 AMP SIM2 ST AMP1 ST AMP2 ST AMP3 ST AMP4 ST AMP5 DST+DELAY1 DST+DELAY2 OD+DELAY1 OD+DELAY2 CMP+DST+DLY1 CMP+DST+DLY2 CMP+OD+DLY1 CMP+OD+DLY2 V_DST H+DLY V_DST S+DLY MBAND COMP COMPRESSOR NOISE GATE VCE CANCEL AMBIENCE TALKING MOD LO-FI DYN FILTER ISOLATOR

Saving data

Saving and backing up your data
The panel settings and some other types of data are not retained in memory when you turn off the power to the instrument. Save data you want to keep to the Registration Memory (page 80.) Saved data may be lost due to malfunction or incorrect operation. Save important data to an external device such as a computer (pages 92).

Maintenance

When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning uids, or chemical-impregnated wiping cloths.
Yamaha cannot be held responsible for damage caused by improper use or modications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use. When using a power adaptor, even when the power switch is in the STANDBY position, electricity is still owing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet. Make sure to discard used batteries according to local regulations.
The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your instrument. Trademarks Windows is a registered trademark of Microsoft Corporation in the United States and other countries. The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.

Copyright Notice

The following is the title, credits and copyright notices for the song pre-installed in this electronic keyboard:
Composition Title: Against All Odds Composers Name: Collins 0007403 Copyright Owners Name: EMI MUSIC PUBLISHING LTD AND HIT & RUN MUSIC LTD
All Rights Reserved, Unauthorized copying, public performance and broadcasting are strictly prohibited.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style les, MIDI les, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use.

GM System Level 1

GM System Level 1 is an addition to the MIDI standard which ensures that any GM-compatible music data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM mark is afxed to all software and hardware products that support GM System Level.

Refer to page 25 for more information on using performance assistant technology to help you play.

Play with Both Hands

Press the [PERFORMANCE ASSISTANT] button.
The indicator lights when the performance assistant technology feature is on.
Press the [PERFORMANCE ASSISTANT] button to turn the function on or off.

Select a song.

Press the [SONG] button, and the song number and name will be displayed. You can use the dial or other selection controls to select a different song. For this example try selecting the 010 AveMaria.

Song name

AveMaria
Song number The song displayed here will be played.
What is a Song? Of course you know the normal meaning of the word, but for this instrument the term song also refers to the data that makes up a piece of music. You can listen to the songs, use them for lessons, and use them with a range of other functions (page 39).

Press the [

] (START/STOP) button.

Adjusts volume.

Song playback will begin. The basic pattern will repeat. Listen to four measures while memorizing the basic pattern. Its your turn to play the part from the fth measure.

Play on the keyboard.

Before
Play the score on the left along with the accompaniment using both hands. You can even play the same keys over and over: C, E, G, C, E, G, C, E. Performance assistant technology will make sure that the notes will come out as if they were played according to the score on the right. Keep playing, and performance assistant technology will continue to correct the notes that you play. You can stop song playback at any time by pressing the [ STOP) button. ] (START/
Press the [PERFORMANCE ASSISTANT] button to turn the performance assistant technology feature off.
The complete score for Ave Maria is provided on page 102.
Use the Performance Assistant to Play Like a Pro!
To begin, try to feel the rhythm of the song. Then, with your hands spread as shown in the illustration, simply play the keyboard alternately with your left and right hands (any notes will do).
You will get even better results if you match your left-hand rhythm to the rhythm of the chord indicator in the display.
Sounds like youre playing the right notes!
How does it sound? Youll get acceptable results no matter where you play thanks to performance assistant technology! Next try the three playing methods illustrated below. Different ways of playing produce different results.

FF Press the fast forward button to rapidly skip ahead to a later point in the song.
PAUSE Press the pause button to pause playback.
Song List These 30 songs include songs that effectively demonstrate the instruments easy song arranger feature, songs that are ideally suited for use with the performance assistant technology feature, and more. The Suggested Uses column provides some ideas as to how the songs can most effectively used.
Category 1 Main Demo Voice Demo Function Demo 12 Piano Solo Piano Ensemble Piano Accompaniment 29 30
CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD
CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD
Name Elements Jessica Chillin Grand Piano Demo Sweet! Tenor Sax Demo Cool! Rotor Organ Demo Cool! Galaxy Electric Piano Demo Modern Harp & Sweet! Soprano Demo Hallelujah Chorus Ave Maria Nocturne op.9-2 For Elise Maple Leaf Rag The Last Rose of Summer Amazing Grace Die Lorelei Piano Concerto No.21 2nd mov. Scarborough Fair Old Folks at Home Ac Ballad (Against All Odds: Collins 0007403) Ep Ballad Boogie Woogie Rock Piano Salsa Country Piano Gospel R&B Medium Swing Jazz Waltz Medium Bossa SlowRock
Suggested Uses The songs in this category have been created to give you an idea of the advanced capabilities of this instrument. Theyre great for listening, or for use with the performance assistant technology feature.
These songs features some of the instruments many useful voices. They make maximum use of the characteristics of each voice, and might serve as inspiration for your own compositions.
Use these songs to experience some of the instruments advanced features: song number 9 for the easy song arranger, and songs 10 and 11 for the performance assistant technology feature.
These piano solo pieces are ideally suited for use as lesson songs.
A selection of piano ensemble songs that are also well suited for use as lesson songs.
When you need to practice backing (accompaniment) patterns, these are the songs to do it with. This is ability youll need if youre invited to play with a band. These songs allow you to practice backing parts one hand at a time, which can be the easiest way to master this important skill.

: Includes chord data.

The scores for the internal songsexcept for songs 111, and song 20 which is copyrighted, are provided in the Song Book on the CD-ROM. The scores for songs 911 are provided in this manual. Some of the classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same as the original.

Types of Songs

The following three types of songs can be used by the PSR-E413. Preset Songs (the 30 songs built into the instrument).Song numbers 001030. User Songs (recordings of your own performances).Song numbers 031035. External song les (song data transferred from a computer*).Song numbers 036.

You can stop the Lesson mode at any time by pressing the [ (START/STOP) button. ]
Practice Makes PerfectRepeat and Learn
Use this feature when you want to start again just ahead of a section on which you made a mistake, or to repeatedly practice a section you nd difcult.
Press the [ ] (REPEAT & LEARN) button during a lesson. The song location will move back four measures from the point at which you pressed the button, and playback will begin after a one-measure count-in. Playback will continue up to the point at which you pressed the [ ] (REPEAT & LEARN) button, and then jump back four measures and begin again after a count-in. This process will repeat, so all you have to do is press the [ ] (REPEAT & LEARN) button when you make a mistake in order to repeat practice of that section until you get it right.
You can change the number of measures the Repeat and learn function jumps back by pressing a number button [1][9] during repeat playback.
e Jump back 4 measures and repeat playback

Song playback direction

Press immediately Oops! A mistake!
Play Using the Music Database
You want to play music in your favorite style, but youre not sure how to select the best voice and style for the type of music you want to play. simply select the appropriate style from the Music Database. The panel settings will automatically be adjusted for the ideal combination of sounds and style!
Press the [MUSIC DATABASE] button.

Jude Hey

A Music Database name will appear in the display.

Select a Music Database.

Referring to the list on the panel or Music Database List on page 114 of the manual, use the dial to select a music database. Select one that matches the image of the song you intend to play. For this example select the 158 Patrol.
Music Database (MDB) les transferred from a computer can be selected and used in the same way as the internal Music Databases (MDB numbers 301). File transfer instructions are provided on page 90.

Patrol

Play the chords with your left hand and melody with your right.
The jazz style will start playing when you play a left-hand chord to the left of the split point (page 30). Refer to page 38 for information about playing chords.

Split Point

Press the [START/STOP] button to stop playback.

Change a Songs Style

In addition to each songs default style, you can select any other style to play the song with the Easy Song Arranger feature. This means that you can play a song that is normally a ballad, for example, as a bossa nova, as a hip-hop tune, etc. You can create totally different arrangements by changing the style with which a song is played. You can also change the songs melody voice and the keyboard voice for a complete change of image.
Listen to the DEMO Song for Easy Song Arranger
The Hallelujah Chorus in the preset songs lets you experience the Easy Song Arranger. Playing it.

Rotate counterclockwise to lower the volume.
Rotate clockwise to increase the volume.
Press a button to select a basic function.
Select a song you want to listen to or a song you want to use for a lesson. Select an auto-accompaniment style.
Select a voice you want to play on the keyboard.
Use the dial to select an item or value.
When you select a basic function, the item corresponding to that function will be displayed. You can then use the dial or the number buttons [0][9] to select the desired item.
This portion of the display indicates the name and number of the currently selected song, voice and style. It also displays the name and current setting/ value of other functions.

Changing Values

] and [
Rotate the dial clockwise to increase the value of the selected item, or counterclockwise to decrease its value. Rotate the dial continuously to continuously increase or decrease the value.

Decrease Increase

CATEGORY [

] buttons

When selecting a song, style, or voice, you can use these buttons to jump to the rst item in the next or previous category. The CATEGORY [ ] and [ ] buttons are useful for selecting categorized items, as in the example below.

Example: VOICE SELECT

[+] and [-] Buttons
Press the [+] button briey to increment the value by 1, or press the [-] button briey to decrement the value by 1. Press and hold either button to continuously increment or decrement the value in the corresponding direction.
Jump to the rst item in the next or previous category.

SweetFlt

Press briey to decrement. Press briey to increment.
The rst voice in the selected category is selected.

Number Buttons [0][9]

The number buttons can be used to directly enter a song number or parameter value. Hundreds or tens digits that are 0 can be omitted (see below).
Example: Song number 003 can be entered in three ways. [0] [0] [3] [0] [3] (003 will appear on the display after a brief delay) [3] (003 will appear on the display after a brief delay)
In a display in which a category appears, selection is easy if you rst use the CATEGORY [ ] and [ ] buttons to select the category containing the desired item, then use the dial or [+] and [-] buttons to select the item. This can be particularly handy when you have to select from a large number of voices.

Press number buttons [0], [0], [3].
In most procedures described throughout this owners manual the dial is recommended for selection simply because it is the easiest and most intuitive selection method. Please note however, that most items or values that can be selected using the dial can also be selected using the [+] and [-] buttons.

Start a function.

This is the [START/STOP] button. Press the [START/STOP] button after pressing the [SONG] or [STYLE] button to start playback of the selected song or style (rhythm).

Display Items

The display shows all of the current basic settings: song, style, voice. It also includes a range of indicators that show the on/off status of a range of functions.

Notation

Displays the melody and chord notes of a song when the Song Lesson function is in use, or the notes of chords you specify when the Dictionary function is in use. At other times the notes you play on the keyboard are displayed.

BEAT number and MEASURE

Indicates the beat number in a measure during the Metronome function. Indicates the current measure during playback of a song or style, and the currently set Tempo value for the song or style. (see page 27)

Chord Display

Any notes occurring below or above the staff are indicated by 8va in the notation. For a few specic chords, not all notes may be shown in the notation section of the display. This is due to space limitations in the display.
Indicates the name of the chord currently being played back, or the name of the chord being played on the keyboard.

Song Track Display

Information related to the song tracks is shown here. (see page 52, 79)
Indicates that Touch response is turned on. (see page 65)

HARMONY

Indicates that Harmony is turned on. (see page 60)
Indicates that the Dual voice is turned on. (see page 29)
Indicates that the Split voice is turned on. (see page 30)

Beat Display

Indicates the current style or song beat with ashing arrows. (see page 27)

ARPEGGIO

Indicates that the Arpeggio is turned on. (see page 14)
Knob Assign Display Performance assistant technology
Indicates that performance assistant technology is turned on. (see page 23) This display allows you to visually conrm parameters assigned to the knobs. (see page 18)

ACMP ON

Indicates that Accompaniment is turned on. (see page 34)

SYNC STOP

Indicates that SYNC STOP is turned on. (see page 71)

erenc ef R

Harmony
This feature adds harmony notes to the main voice.
1 Press the [HARMONY] button to turn
Harmony feature on. To turn Harmony off, press the [HARMONY] button again.

] and [ ] buttons to select the Transpose item.
] and [ ] buttons to select the Tuning item.

Transpos

Tuning
3 Use the dial to set the transpose value
between -12 and +12 as required.
NOTE The pitch of Drum Kits voices cannot be changed.
3 Use the dial to set the tuning value
between -100 and +100 as required.
Controlling Arpeggio Volume with Keyboard Dynamics 1 Press the [FUNCTION] button. 3 Use the dial to select 2 Thru.
When 1 Original is selected the arpeggio volume is the same regardless of changes in keyboard velocity.

2 Press the CATEGORY [

] and [ ] buttons as many times as necessary to select the arpeggio velocity function ARP Velo. ARP Velo will be shown in the display for a few seconds, then the currently selected arpeggio velocity setting will appear.

ARP Velo

Original
The currently selected arpeggio velocity.

One Touch Setting

Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting feature automatically selects a well-balanced voice for you when you select a style or song. Simply select voice number 000 to activate this feature.
1 Select voice number 000 (steps 1 to 2

on page 28).

4 Use the dial to change songs, then play
the keyboard and listen to the voice.

SweetSpr

Use the dial to select voice number 000.
2 Select and play back any song (steps 1

to 3 on page 39).

3 Play the keyboard and remember the

sound of the voice.

You should hear a different keyboard voice than you played in step 3. Press the [VOICE] button after changing songs to see the name of the voice being used.
If you have stopped playback at some point during this procedure press the [ ] (START/STOP) button to start playback again.
Adjusting the Harmony Volume 1 Press the [FUNCTION] button. 3 Use the dial to set the harmony volume

between 000 and 127.

] and [ ] buttons to select the Harmony Volume item.

HarmVol

Select an EQ Setting for the Best Sound
Five different master equalizer (EQ) settings are provided to give you the best possible sound when listening through different reproduction systemsthe instruments internal speakers, headphones, or an external speaker system.

The currently selected function will appear in the display.

MasterEQ

Speakerl
] and [ ] buttons as many times as necessary to select the master EQ type function MasterEQ. MasterEQ will be shown in the display for a few seconds, then the currently selected EQ type will appear.
The currently selected master EQ type.
3 Use the dial to select the desired Master
EQ setting. Five settings are available: 15. Settings 1 and 2 are best for listening via the instruments built-in speakers, setting 3 is for headphones, and settings 4 and 5 are ideal for listening via external speakers.
Basic operation of the Style (auto-accompaniment) feature is described on page 33 of the Quick Guide. Here are some other ways you can play the styles, the style volume adjustment procedure, how you can play chords using the styles, and more.
Pattern Variation (Sections)
The PSR-E413 features a wide variety of style sections that allow you to vary the arrangement of the accompaniment to match the song you are playing.

Intro Main A/B

INTRO section This is used for the beginning of the Song. When the intro nishes playing, accompaniment shifts to the main section. The length of the intro (in measures) differs depending on the selected Style. MAIN section This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats indenitely until another sections button is pressed. There are two variations on the basic pattern (A and B), and the Style playback sound changes harmonically based on the chords you play with your left hand. Fill-in section This is automatically added before changing to section A or B. ENDING section This is used for the ending of the Song. When the ending is nished, the auto accompaniment stops automatically. The length of the ending (in measures) differs depending on the selected Style.
1 Press the [STYLE] button and then

select a style.

2 Press the [ACMP ON/OFF] button to
turn auto accompaniment on.
Beat arrows will ash when the synchro start standby mode is engaged

Ending

Auto ll
3 Press the [SYNC START] button to turn

synchro start on.

Appears when Auto Accompaniment is on.
Synchro Start When the synchro start standby mode is engaged, style playback will begin as soon as you play a chord in the accompaniment range of the keyboard. You can disengage the synchro-start standby mode by pressing the [SYNC START] button again.
4 Press the [MAIN/AUTO FILL] button.
8 Press the [INTRO/ENDING/rit.] button.

The Functions provide access to a range of detailed instrument parameters for tuning, setting the split point, and adjusting the voices and effects. Take a look at the function list starting on the opposite page. When you locate a function you want to set up, simply select the functions display name (shown to the right of the function name in the list) and adjust as required.
Selecting and Setting Functions 1 Find the function you want to set in the
list that begins on page 84.
2 Press the [FUNCTION] button.

3 Select a function.

Press the CATEGORY [ ] and [ ] buttons as many times as necessary until the functions display name appears in the display.

The Functions

4 Use the dial, the [+] and [-] buttons, or
the [0][9] number buttons to set the selected function as required. The [+] and [-] buttons are used to make ON/ OFF type settings: [+] = ON, [-] = OFF. In some cases the [+] button will initiate execution of the selected function, and the [-] will cancel the selection.

Direct numeric entry.

Decrement value by 1. OFF Cancel
Increment value by 1. ON Execute Press simultaneously to recall the default setting.

The selected function.

Some Function settings are stored in memory as soon as they are changed. See The Backup Parameters on page 56 for information on the function settings that are stored on the instrument. To restore all initial factor default settings perform the Backup Clear procedure described in the Initialization section on page 56.

Function Setting List

Setting Style Volume Song Volume Transpose Tuning Pitch Bend Range Item title StyleVol SongVol Transpos Tuning PBRange Range/Settings -1212 -000127 (C-2G8) 1(Soft), 2(Medium), 3(Hard) 000127 -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) -2+(left) 64 (center) 127 (right) Description Determines the volume of the Style. Determines the volume of the Song. Determines the pitch of the instrument by semitone increments. Sets the pitch of the instruments sound in 1-cent increments. Sets the pitch bend range in semitone increments. Determines the highest key for the Split voice and sets the Split point in other words, the key that separates the Split (lower) and Main (upper) voices. The Split Point setting and Accompaniment Split Point setting are automatically set to the same value. When Touch Response is on, this determines the sensitivity of the feature. Determines the volume of the Main voice. Determines the octave range for the Main voice. Determines the pan position of the Main voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Main voices signal is sent to the Reverb effect. Determines how much of the Main voices signal is sent to the Chorus effect. Sets the Main voice attack time. Sets the Main voice release time. Sets the Main voice lter cutoff frequency. Sets the Main voice lter resonance. Selects the Dual voice. Determines the volume of the Dual voice. Determines the octave range for the Dual voice. Determines the pan position of the Dual voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Dual voices signal is sent to the Reverb effect. Determines how much of the Dual voices signal is sent to the Chorus effect. Sets the Dual voice attack time. Sets the Dual voice release time. Sets the Dual voice lter cutoff frequency. Sets the Dual voice lter resonance. Selects the Split voice. Determines the volume of the Split voice. Determines the octave range for the Split voice. Determines the pan position of the Split voice in the stereo image. The value 0 results in the sound being panned full left; the value 127 results in the sound being panned full right. Determines how much of the Split voices signal is sent to the Reverb effect. Determines how much of the Split voices signal is sent to the Chorus effect.

Touch Sensitivity Main Voice Volume Main Voice Octave Main Voice Pan
TouchSns M.Volume M.Octave M.Pan
Main Voice Reverb Level Main Voice Chorus Level Main Voice Attack Time Main Voice Release Time Main Voice Filter Cutoff Main Voice Filter Resonance Dual Voice Dual Voice Volume Dual Voice Octave Dual Voice Pan
M.Reverb M.Chorus M.Attack M.Releas M.Cutoff M.Reso. D.Voice D.Volume D.Octave D.Pan
Dual Voice Reverb Level Dual Voice Chorus Level Dual Voice Attack Time Dual Voice Release Time Dual Voice Filter Cutoff Dual Voice Filter Resonance Split Voice Split Voice Volume Split Voice Octave Split Voice Pan
D.Reverb D.Chorus D.Attack D.Releas D.Cutoff D.Reso. S.Voice S.Volume S.Octave S.Pan
Split Voice Reverb Level Split Voice Chorus Level

S.Reverb S.Chorus

Setting Reverb Type Chorus Type

Item title Reverb Chorus

Range/Settings Speaker1, Speaker2, Headphone, Line Out1, Line Out1 (Original), 2 (Thru) 001nnn PC1/PC2/OFF ON/OFF ON/OFF ON/OFF ON/OFF ON/OFF YES/NO 0060 Half note, Quarter note, Eighth note, Sixteenth note 000127 GuideTrack 116 GuideTrack 116 ON/OFF ON/OFF 320, OFF
Description Determines the Reverb type, including off (10). (See the list on page 117) Determines the Chorus type, including off (05). (See the list on page 117)

Master EQ Type

Sets the equalizer applied to the speaker output for optimum sound in different listening situations.
Harmony Type Harmony Volume Arpeggio Type Arpeggio Velocity Style File Load PC mode Local On/Off External Clock Keyboard Out Style Out Song Out Initial Send Time Signature Numerator Time Signature Denominator Metronome Volume Lesson Track (R)
HarmType HarmVol ARP Type ARP Velo Sff Load PC mode Local ExtClock KbdOut StyleOut SongOut InitSend TimesigN
Determines the Harmony type. (See the list on page 117) Determines the volume of the Harmony effect. Determines the Arpeggio type. (See the list on page 14) Sets the velocity mode for arpeggio playback. Loads a Style le. Optimizes the MIDI settings when you connect to a computer (page 89). Determines whether the instruments keyboard controls the internal tone generator (ON) or not (OFF). (page 88) Determines whether the instrument synchronizes to the internal clock (OFF) or an external clock (ON). (page 88) Determines whether keyboard performance data of the instrument is transmitted (ON) or not (OFF). Determines whether Style data is transmitted (ON) via USB or not (OFF) during Style playback. Determines whether User Song is transmitted (ON) via USB or not (OFF) during Song playback. Lets you send the data of the panel settings to a computer. Press [+] to send, or press [-] to cancel. Determines the time signature of the Metronome.
Sets the length of each metronome beat.

NOTE Remote control of MIDI devices will function independently of the PC2 mode.

Initial Send

This function lets you send the panel setup data to a computer. Before you record performance data to a sequencer application running on your computer, it is a good idea to rst send and record the panel setup data before the actual performance data.
3 Press [+/YES] to send, or press [-/NO]

to cancel.

] and [ ] buttons to select the Initial Send item.
Transferring Data between the Computer and Instrument
Songs, styles, or Music Database les residing on a computer or the supplied CD-ROM, can be transferred to the instrument. Backup les can also be transferred from the instrument to the computer and back. In order to transfer les between your computer and the instrument you will need to install the Musicsoft Downloader application and the USBMIDI Driver included on the Accessory CD-ROM on your computer. Refer to the Accessory CDROM Installation Guide on page 93 for installation details.
Data that can be transferred from a computer to this instrument. Data Capacity: 373 KB 256 les total for the Song, Style and Music Database. Data Format Song: (.mid) SMF format 0/1 Style: (.sty) Music Database: (.mfd) Backup File: 08PK61.bup What is SMF (Standard MIDI File)? The SMF (Standard MIDI File) format is one of the most common and widely compatible sequence formats used for storing sequence data. There are two variations: Format 0 and Format 1. A large number of MIDI devices are compatible with SMF Format 0, and most commercially available MIDI sequence data is provided in SMF Format 0.
With the Musicsoft Downloader You Can.
Transfer les from the computer to the instruments ash memory. refer to the procedure described on page 91. The procedure for transferring songs included on the Accessory CD-ROM from your computer to the instrument is given as an example.
Backup les can be transferred from the instrument to a computer and back. refer to the procedure described on page 92.
Use the Musicsoft Downloader application with Internet Explorer 5.5 or higher.

q Click the CD-ROM drive

Use Musicsoft Downloader To Transfer Songs From the Accessory CD-ROM To the Instruments ash memory
NOTE If a song or style is being played, stop playback before proceeding.
w Double-click SampleData Folder
SongData Folder, and click a song le.

e Click Open

At this point you can select a Style or Music Database le on the computer or CD-ROM and transfer it to the instrument in the same way as a song le.
6 A copy of the selected MIDI song le
1 Install the Musicsoft Downloader and
USB-MIDI driver to your computer, then connect the computer and the instrument (page 95).
2 Insert the included CD-ROM into the

Operating System (OS) The applications in this CD-ROM are provided in versions for Windows operating systems.

SPECIAL NOTICES

CD-ROM Contents

Folder Name

Application / Data Name Musicsoft Downloader
Contents This application can be used to download MIDI song data from the Internet and transfer it from the computer to the instruments memory. Digital Music Notebook is a combination music learning program and online service that makes it easy and fun to practice and master your favorite songs. You can use the convenient and powerful Digital Music Notebook functions with the demo song after installing Digital Music Notebook. Full motion demo software which introduces all features of the Digital Music Notebook. Includes score data for the 30 internal songs provided on the instrument as well as 70 MIDI songs provided on the CD-ROM. The exceptions are songs 111, 16, 20 and song 30 which is copyrighted. The scores for songs 911 are provided in this manual beginning on page 100. This driver software is necessary to connect MIDI devices to your computer via USB.

q MSD_

Digital Music Notebook
DMN_FlashDemo Digital Music Notebook Flash Demo Song Book USB-MIDI Driver (Windows 2000/XP) USB-MIDI Driver (Windows Vista/XP x64) SongData SampleData StyleData MDB MIDI 70 songs 5 style les 5 music database les

e SongBook

USBdrv2k_

USBdrvVista_

These songs, styles, or music database can be transferred to the instrument and played or used with the instrument functions.
In order to view PDF scores, you will need to install Adobe Reader in your computer. You can download the Adobe Reader. Please check the following URL: http://www.adobe.com/

Using the CD-ROM

4 Connect the instrument to the com-
Please read the Software License Agreement on page 121 before opening the CD-ROM package.
puter. The connection procedure is described on page 87. Musicsoft Downloader: See page 97.
1 Check the system requirements to
make sure that the software will run on your computer. CD-ROM drive. The start window should appear automatically. puter. Refer to Installing the USB-MIDI Driver on page 95 for installation and setup instructions.
5 Install the software. 6 Launch the software.
For further software operation refer to the online help supplied with the software. Refer to the Troubleshooting on page 98 when you have trouble with installing the driver.
3 Install the USB-MIDI driver to the com-

System Requirements

Application/Data OS Windows 2000/XP Home Edition/XP Professional/ Vista

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HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
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