Fun Sounds

Step 3
Playing Auto Accompaniment Chords

Play With The Metronome

Step 4
Easy Chords.. 52 Standard Chords... 52 Looking up Chords Using the Chord Dictionary. 54

Start the metronome.. 18

Function Settings About MIDI

Playing Songs

Step 5
Select the item and change the value. 56
Select and Listen to a Specific Song.. 20

Play with a Style

Selecting a rhythm of a Style.. 22 Playing with a Style.. 23

Step 6

What is MIDI?... 58 What You Can Do With MIDI.. 58 Transferring Performance Data To and From Another Instrument.. 59 Transferring data between the PSR-E303/YPT-300 and a computer.. 61
Record your own performance
Troubleshooting...64 Voice List...65 Maximum Polyphony.. 65 Drum Kit List...71 Style List..74 Effect Type List...75 MIDI Implementation Chart..76 MIDI Data Format...78 Effect map... 78 Specifications...79 Index...80
Recording Your Performance.. 25 Recording to a specified track.. 26 Deleting User Songs.. 28
Backup and Initialization
Backup... 29 Initialization.. 29
Basic Operation and Displays
Basic Operation.. 30 Display... 32

Song Lesson

Lesson 1 (Listen & Learn).. 33 Lesson 2 (Timing).. 35 Lesson 3 (Waiting)... 36
Be sure to do the following operations BEFORE turning on the power.

Power Requirements

Although the instrument will run either from an optional AC adaptor or batteries, Yamaha recommends use of an AC adaptor whenever possible. An AC adaptor is more environmentally friendly than batteries and does not deplete resources.
Using an AC Power Adaptor
q Make sure that the power of the instrument is off
(the backlit display is off).
Use ONLY a Yamaha PA-3B or PA-3C AC Power Adaptor (or other adaptor specically recommended by Yamaha) to power your instrument from the AC mains. The use of other adaptors may result in irreparable damage to both the adaptor and the instrument.
w Connect the AC adaptor (PA-3B, PA-3C or other
adaptor specically recommended by Yamaha) to the power supply jack.
e Plug the AC adaptor into an AC outlet.
Unplug the AC Power Adaptor when not using the instrument, or during electrical storms.

PA-3B or PA-3C AC outlet

For battery operation the instrument requires six 1.5V AA size, LR6 or equivalent batteries. (Alkaline batteries are recommended.) When battery power becomes too low for proper operation, the volume may be reduced, the sound may be distorted, and other problems may occur. When this happens, make sure to replace all batteries, following the precautions listed below. If necessary, also make sure to save all important User data (see page 29), since custom panel settings are lost when the batteries are removed.

Avoid listening with the headphones at high volume for long periods of time; doing so may not only result in ear fatigue, it may be damaging to your hearing.

MIDI instrument

The instrument also features MIDI terminals, allowing you to interface the instrument with other MIDI instruments or computers. (For more information, see page 58.)
MIDI cables (sold separately) must be used for connecting to MIDI devices. They can be bought at music stores, etc.

Turn on the power

To prevent damage to the speakers, set the volume of the external devices at the minimum setting and turn power off the devices before connecting them. Failure to observe these precautions may result in electric shock or equipment damage. Also, be sure to set the volumes of all devices at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Turn down the volume by turning the [MASTER VOLUME] control to the left and press the [STANDBY/ON] switch to turn on the power. Pressing the switch again turns the power off.
Connecting a footswitch (SUSTAIN Jack)
Backup data in the ash memory (page 29) is loaded to the instrument when the power is turned on. If no backup data exists on ash memory, all instrument settings are restored to the initial factory defaults when the power is turned on. The sustain function lets you produce a natural sustain as you play by pressing an optional footswitch. Plug the Yamaha FC4 or FC5 footswitch into this jack and use it to switch sustain on and off.
When using a power adaptor, even when the power is off, a small amount of electricity is still being consumed by the instrument. When you are not using the instrument for a long time, make sure to unplug the AC power adaptor from the wall AC outlet, and/or remove the batteries from the instrument.
Make sure that the footswitch plug is properly connected to the SUSTAIN jack before turning on the power. Do not press the footswitch while turning the power on. Doing this changes the recognized polarity of the footswitch, resulting in reversed footswitch operation.
Never attempt to turn the power off when a Writing! message is shown in the display. Doing so can damage the ash memory and result in a loss of data.

About track recording

If you start recording by specifying a track, the track will be overwritten (existing data in the track is deleted and replaced with the new recording).

User Song

Data that can be recorded to Track 2
Style playback* (including chord changes) or your own keyboard performance
Data that can be recorded to Track 1
Your own keyboard performance only
Record following the steps in the previous page, and your performance will be recorded to Track 1 and the Style (if you are playing one) will be recorded to Track 2.

* When playing the Style

You cannot record the metronome click, or the Transpose and Tuning settings. The settings and buttons below cannot be changed, or if changed, the new settings cannot be recorded if entered during the recording process. ACMP ON/OFF, split point, reverb type, chorus type, harmony type, [FUNCTION] button, [PORTABLE GRAND] button, [SOUND EFFECT KIT] button.
Recording to the specied track
Only your keyboard performance can be recorded to Track 1. Either a Style or your performance can be recorded to Track 2, resulting in a User Song like that depicted below.
Track 2 Style Track 1 Your own keyboard Track 2 Your own keyboard
Track 1 Your own keyboard

performance

Specifying track recording
Turn ACMP (auto accompaniment) on or off, depending on what you want to record.
If you want to record Style playback, turn ACMP on. If you want to record only your own keyboard performance, turn ACMP off.
Keep in mind that both Tracks 1 and 2 will be overwritten with new data if you record without specifying the tracks. The both L and R ashes, this indicates that you have specied Track 1 when the Auto Accompaniment is on. If you want to record your own performance, press the [TRACK 2] button to stop the L ashing. If you want to record a Style, press the [REC] button to cancel the recording, and repeat the procedure from the beginning.
Specify the track you want to record.
Specify the track 2 when you want to record the Style. When you want to record your own keyboard performance, you can specify either track. Recording to Track 1 Press the [REC] button and [REC TRACK 1] button simultaneously.

rEC User 1

Press simultaneously
Flashes when track 1 is selected for recording.
Recording to Track 2 Press the [REC] button and [REC TRACK 2] button simultaneously.
Flashes when track 2 is selected for recording.
Lights when recorded data exists. Turns off when there is no recorded data, or when Mute is set to on (page 38) to turn off playback of the track.

Press the [+], [-] buttons to select the User Song you want to record.

User 3

If you want to record Style playback to Track 2, press the [STYLE] button and select the desired Style.

Start recording

Perform steps 2 and 3 on pages 25-26. By playing keys to the left of the Split Point when the Auto Accompaniment is set to on, the Style starts sounding and is recorded. Only your performance is recorded by playing the keyboard (any key is OK) when the Auto Accompaniment is set to off.
You can record a new track while listening to a previously recorded track (the track indication will appear). You can also mute recorded tracks (the track will disappear) while recording a new track by pressing the desired track button.

Deleting User Songs

Deleting an entire User Song
You cannot delete a specic track from a User Song.
Press the [SONG] button and select the User Song you want to delete by using the number buttons [0]-[9], [+], [-].
Press and hold the [REC] button for longer than a second.
The Song Delete display appears.

ClrUser1

You can cancel the delete operation by pressing the [-/NO] button.
Press the [+/YES] button.
A conrmation message will appear on the display.
Press the [+/YES] button to delete the Song.
Writing! message will appear while the track is being deleted.

Writing!

Backup
Some internal parameters will revert to their default values if not saved before the power is turned off. In order to backup these parameters press and hold the [FUNCTION] button for longer than a second.
Parameters that are saved in backup: User Songs* Touch Response on/off setting The following Function settings: Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume, Metronome Volume, Demo Cancel, Panel Sustain
* The User Songs are automatically backed up when recording is completed, ensuring that the data is not deleted even when you fail to backup.

Initialization

This function erases all backup data in the instruments ash memory and restores the initial default settings. The following initialization procedures are provided.

Backup Clear

To clear data backed up to the internal ash memory (described above), turn the power on by pressing the [STANDBY/ON] switch while holding the highest white key on the keyboard. The backed up data will be erased and the default values restored.
When you execute the Backup Clear operation, backup parameters will be cleared. You can save the backup parameters (containing the ve User Songs) by using Musicsoft Downloader to transfer them to a computer. Refer to the section Transferring a user le from the PSR-E303/YPT300 to a computer on page 63.

You cannot select the part during Song playback before Lesson 1 starts. If a Song is currently being played back, stop the Song rst, then continue from Step 2.

Chevaler

The instrument includes 102 built in Songs. Some Songs (as shown below) are intended for use as right-hand lessons, and cannot be used for left-hand or both-hands lessons. Songs for right-hand lesson Song numbers: 003-030
Select the part you want to practice. Press the [R] button for a right-hand lesson, [L] button for a left-hand lesson, or press both the [R] and [L] buttons simultaneously for a bothhands lesson. The selected part is displayed.
Left-hand lesson Right-hand lesson

Both-hands lesson

BothHand
A No LPart message is shown in the display if you select the left part in one of the Songs 003-030, which do not have left part data. These Songs cannot be used for left-hand or both-hands lessons.
For songs transferred from a computer, the No LPart indication does not appear, even when there is no left hand part in the song.

No LPart

Start Lesson 1. Press the [LISTEN & LEARN] button to start Lesson 1. The melody of the part you selected in Step 2 will sound. Listen to it carefully and learn it well.

r1 LISTEN

Even after Lesson 1 has started and the Song is playing, you can still select the part. When the melody Voice of the Song is changed, the key position shown in the display may be shifted (in octave units), depending on the Voice selected. You can select Lessons 1-3 by pressing the [LISTEN & LEARN], [TIMING] and [WAITING] buttons, respectively.
The notation and key positions of the model melody are shown in the display.
Stop the Lesson mode. You can stop the Lesson mode at any time by pressing the [START/ STOP] button.

Lesson 2 (Timing)

In this lesson, try playing the notes with the correct timing. Simply concentrate on playing each note in time with the rhythmic accompaniment. The correct notes sound even if you play wrong notes as long as you play in time with the rhythm.
You cannot use Dual or Split Voices during lessons. The Split Point is xed and it cannot be changed. For the left-hand lesson, it is xed at 59 or B2; for the left-hand chord lesson, it is xed at 54 or F#2.
Select a Song for your lesson.
Select the part you want to practice.
You cannot select the part during Song playback before Lesson 2 starts. If a Song is currently being played back, stop the Song rst, then continue from Step 2.

Press the [+] button to turn the Panel Sustain on. Panel Sustain will be added to the notes you play on the keyboard when the Panel Sustain is on. To turn it off, press the [-] button.
See the section Connecting a footswitch (SUSTAIN Jack) on page 9 for information on applying sustain with the optional footswitch.
Touch Response Sensitivity
Appears when Touch Response is on.
The Touch Response function cannot be used for some Voices (such as organ), even if the Touch Response icon appears in the display.
Press the [TOUCH ON/OFF] button to turn Touch Response on. When Touch Response is on, you can control the volume of notes according to how hard you play the keys. Touch Response is normally on. Press the [TOUCH ON/OFF] button again to turn the Touch Response off. When Touch Response is off, the same volume will be produced no matter how hard you play the keys.
Setting the Touch Sensitivity
When Touch Response is on, you can adjust the sensitivity of the keyboard in response to keyboard dynamics in three steps. Higher values produce greater (easier) volume variation in response to keyboard dynamicsin other words, greater sensitivity.
Press and hold the [TOUCH ON/OFF] button for longer than a second. TouchSns appears in the display for a few seconds, followed by the current Touch Sensitivity value.
Currently selected Touch Sensitivity

Medium

Select a Touch Sensitivity setting between 1 and 3 by using the number buttons [0]-[9], [+], [-].

Setting the Split Point

The Split Point setting can be changed as desired.
Split Pointdefault setting: 54 (F#2)
The initial default Split Point is key number 54 (the F#2 key), but you can change it to another key. When you change the Split Point, the auto accompaniment range also changes.
Press the [FUNCTION] button a number of times until SplitPnt appears.
Currently selected Split Point Split Point

SplitPnt

Set the Split Point by using the number buttons [0]-[9], [+], [-].
Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (54 or F#2).

Transpose

The overall pitch of the instrument can be shifted up or down by a maximum of 1 octave in semitone increments.

Press the [FUNCTION] button a number of times until the Transpos appears.

Current transpose value

Transpos
Use the number buttons [0]-[9], [+], [-] to set the Transpose value between -12 and +12 as required.
The pitch of the Drum Kits Voices (Voice numbers 109121) cannot be changed. Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (00).

Tuning

You can ne tune the pitch of the entire instrument. The overall tuning of the instrument can be shifted up or down by a maximum of 100 cents in 1cent increments (100 cents = 1 semitone).
Press the [FUNCTION] button a number of times until Tuning appears.

Currently tuning value

Use the number buttons [0]-[9], [+] and [-] to set the Tuning value between -100 and +100 as required.
The pitch of the Drum Kits Voices (Voice numbers 109121) cannot be changed. Press the [+] and [-] buttons simultaneously to instantly reset the value to its default setting (000).

One Touch Setting

Sometimes selecting the ideal Voice to play with a Song or Style can be confusing. The One Touch Setting feature automatically selects the most suitable Voice for you when you select a Style or Song. Simply select Voice number 000 to activate this feature.
Press the [VOICE] button, and then select Voice number 000 by using the number buttons [0]-[9], [+], [-].
Appears when One Touch Setting is on.

SprnoSax

This turns the One Touch Setting feature on. One Touch Setting will be turned off if you select any other Voice number.
Changing the tempo of the Song/Style
Songs and Styles can be played at any tempo you desirefast or slow.
Press the [TEMPO/TAP] button to call up the Tempo setting in the display after selecting a Style/Song.

Current Tempo value

Set the Tempo by using the number buttons [0]-[9], [+], [-]. You can also set the Tempo by simply tapping the [TEMPO/TAP] button at the required tempofour times for time signatures in 4, and three times for time signatures in 3. You can change the Tempo during Style/Song playback by pressing the [TEMPO/TAP] button just twice.
Press the [+] and [-] buttons simultaneously to instantly reset the value to the default tempo of a Style or Song.
Adjusting the Voice Parameters
The volume, octave (the pitch of the instrument can be shifted by up or down in octaves) and Chorus Send Level can be individually adjusted for the Main, Dual, and Split Voices. Main Voice Parameters (page 57)
Main Voice Volume Main Voice Octave Main Voice Chorus Send Level

Dual Voice Parameters (page 57)
Dual Voice Volume Dual Voice Octave Dual Voice Chorus Send Level
Split Voice Parameters (page 57)
Split Voice Volume Split Voice Octave Split Voice Chorus Send Level
You can adjust each of the parameters above in the Function settings (page 56).
Various ways to start and stop Style playback

Starting Style playback

The following three methods can be used to start Style playback. In all cases you will need to press the [ACMP ON/OFF] button to turn auto accompaniment on before actually starting Style playback. Whichever method you choose, you can press the [INTRO/ENDING/rit.] before starting playback. To begin your performance, an introduction will play automatically, then will automatically switch to the MAIN section when nished. Immediate Start Press the [START/STOP] button to begin rhythm-only playback of the selected Style. The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard.
Appears when the auto accompaniment is on

Immediate Start

Chord Start Press the [SYNC START] button and the beat arrows will begin ashing, indicating that the Sync Start standby mode has been engaged. The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard.

Accompaniment range

Sync Start standby
Style playback begins when you play a chord
Tap Start You can supply a count-in at any tempo you like to start playback. Simply tap the [TEMPO/TAP] button at any tempo4 times for time signatures in 4, and 3 times for time signatures in 3and the selected Style rhythm will begin playing at the tapped tempo. The bass and chords will begin playing as soon as you play a chord in the accompaniment range of the keyboard.
Start at the tapped tempo

Stopping Style playback

The following three methods can be used to stop Style playback. Immediate Stop Playback will stop as soon as you press the [START/STOP] button.

Immediate Stop

Stop and Enter Sync Start Mode If you press the [SYNC START] button during Style playback, playback will stop immediately and the Sync Start standby mode will be engaged (beat arrows will ash).

Press and hold the [WAITING] button for longer than a second. Dict. will appear in the display.
As an example, well learn how to play a GM7 (G major seventh) chord. Press the G key in the section of the keyboard labeled ROOT. (The note doesnt sound.) The root note you set is shown in the display.
Keys for chord type dictionary

Keys for root dictionary

Press the M7 (major seventh) key in the section of the keyboard labeled CHORD TYPE. (The note doesnt sound.) The notes you should play for the specied chord (root note and chord type) are shown in the display, both as notation and in the keyboard diagram.

Notation of chord

Major chords are usually indicated by the root name only. For example, the indication C in a score refers to a C Major chord. To look up the ngering for a major chord press the root key and then the M chord type key.
Chord name (root and type)
Individual notes of chord (keyboard)
To call up possible inversions of the chord, press the [+]/[-] buttons.
Try playing a chord in the auto accompaniment section of the keyboard, checking the indications in the display. When youve played the chord properly, a bell sound signals your success and the chord name in the display ashes.

About chords

Playing two or more notes together simultaneously creates a chord. Playing a note together with two other notes spaced three notes (steps) apartsuch as the notes C, E and Gcreates a harmonious sound. Chords like these are called triads and they play an important role in most music.
Taking the chord above as an example, the lowest note of this triad is called the root note. This is the central note sound, and it supports or anchors the rest of the notes chord. Youll notice that the middle note of the chord above (E) is the third step in the succession of scale notesC, D, then E. There are two types of thirds in chords: major thirds and minor thirds.
Major thirdfour half steps from the root Minor thirdthree half steps from the root
Well also alter the top note of our original chord and make three additional chords, as shown below. (The captions indicate the intervals between each of the notes.)

Major chord

Minor chord

Augmented chord

Diminished chord

Minor 3rd

Major 3rd

110 127/0/2 Standard Kit 2

111 127/0/9 Room Kit

112 127/0/17 Rock Kit
113 127/0/25 Electronic Kit
Reverse Cymbal Hi Q 2 Snare L Bass Drum H Open Rim Shot 2 Bass Drum 2 Snare M 2 Snare H Hard 2 SD Room L SD Room H Room Tom 1 Room Tom 2 Room Tom 3 Room Tom 4 Room Tom 5 Room Tom 6 Bass Drum H BD Rock SD Rock L SD Rock Rim Rock Tom 1 Rock Tom 2 Rock Tom 3 Rock Tom 4 Rock Tom 5 Rock Tom 6 BD Rock BD Gate SD Rock L SD Rock H E Tom 1 E Tom 2 E Tom 3 E Tom 4 E Tom 5 E Tom 6

Snare H Soft 2

SD Rock H
Scratch Push Scratch Pull

114 127/0/26 Analog Kit

115 127/0/28 Dance Kit

116 127/0/33 Jazz Kit

117 127/0/41 Brush Kit
Reverse Cymbal Hi Q 2 SD Rock H Bass Drum H BD Analog L BD Analog H Analog Side Stick Analog Snare 1 Analog Snare 2 Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6
Reverse Cymbal Hi Q 2 AnSD Snappy AnBD Dance-1 AnSD OpenRim AnBD Dance-2 AnBD Dance-3 Analog Side Stick AnSD Q AnSD Ana+Acoustic Analog Tom 1 Analog HH Closed 3 Analog Tom 2 Analog HH Closed 4 Analog Tom 3 Analog HH Open 2 Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6

SD Jazz H Light

Brush Slap L
BD Jazz SD Jazz L SD Jazz M Jazz Tom 1 Jazz Tom 2 Jazz Tom 3 Jazz Tom 4 Jazz Tom 5 Jazz Tom 6
BD Jazz Brush Slap Brush Tap Brush Tom 1 Brush Tom 2 Brush Tom 3 Brush Tom 4 Brush Tom 5 Brush Tom 6

Analog Cowbell

Analog Conga H Analog Conga M Analog Conga L

Analog Maracas

Analog Claves
118 127/0/49 Symphony Kit

119 126/0/1 SFX Kit 1

120 126/0/2 SFX Kit 2
121 126/0/113 Sound Effect Kit

Drum Loop

Bass Drum L Gran Cassa Gran Cassa Mute Marching Sn M String Slap Marching Sn H Jazz Tom 1 Jazz Tom 2 Jazz Tom 3 Jazz Tom 4 Jazz Tom 5 Hand Cym. L Jazz Tom 6 Hand Cym.Short L Flute Key Click Car Engine Ignition Car Tires Squeal Car Passing Car Crash Siren Train Jet Plane Starship Burst Roller Coaster Submarine
Cutting Noise Cutting Noise 2
Phone Call Door Squeak Door Slam Scratch Cut Scratch Wind Chime Telephone Ring 2
Hand Cym. H Hand Cym.Short H
Heartbeat Footsteps Door Squeak Door Slam Applause Camera Horn Hiccup Cuckoo Clock Stream Frog Rooster Dog Cat Owl Horse Gallop Horse Neigh Cow Lion Scratch Yo! Go! Get up! Whoow!

Effect map

* When a Type LSB value is received that corresponds to no effect type, a value corresponding to the effect type (coming the closest to the specied value) is automatically set. * The numbers in parentheses in front of the Effect Type names correspond to the number indicated in the display.

REVERB

TYPE MSB 4 5.127 TYPE LSB 0 No Effect (01)Hall1 Room Stage Plate No Effect (06)Stage1 (08)Plate1 (02)Hall2 (03)Hall3 (04)Room1 (07)Stage2 (09)Plate2 (05)Room20

CHORUS

TYPE MSB 0.67 68.127 TYPE LSB 0 No Effect Thru Chorus Celeste Flanger No Effect (3)Flanger1 (2)Chorus2 (1)Chorus1 (4)Flanger20

Specications

Keyboards 61 standard-size keys (C1-C6), with Touch Response Display LCD display (backlit) Setup STANDBY/ON MASTER VOLUME: MIN-MAX Panel Controls [L]/[REC TRACK 2], [R]/[REC TRACK 1], [LISTEN & LEARN], [TIMING], [WAITING], [A-B REPEAT]/[ACMP ON/OFF], [REW]/[INTRO/ENDING/rit.], [FF]/[[MAIN/AUTO FILL], [TEMPO/TAP], [REC], [PAUSE]/[SYNC START], [START/STOP], [SONG], [STYLE], [VOICE], [FUNCTION], [PORTABLE GRAND], [SOUND EFFECT KIT], [REVERB ON/OFF], [DEMO], [METRONOME ON/OFF], [SPLIT ON/OFF], [DUAL ON/OFF], [HARMONY ON/OFF], [TOUCH ON/OFF], number buttons [0]-[9], [+/ YES], [-/ NO] Voice 108 panel voices + 12 drum kits + 1 sound effect kit + 359 XGlite voices + 2 XGlite optional voices Polyphony: 32 DUAL SPLIT Style 106 preset Styles Style Control: ACMP ON/OFF, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL Fingering: Multi ngering Style Volume Education Feature Chord Dictionary Lesson 1-3 Function Style Volume, Song Volume, Transpose, Tuning, Split Point, Touch Sensitivity, Main voice (Volume, Octave, Chorus Send Level), Dual voice (Voice, Volume, Octave, Chorus Send Level), Split voice (Voice, Volume, Octave, Chorus Send Level), Reverb Type, Reverb level, Chorus Type, Panel Sustain, Harmony Type, Harmony Volume, PC mode (PC1/PC2/Off), Local On/Off, External Clock, Initial Setup Send, Time Signature, Metronome Volume, Lesson Track (R), Lesson Track (L), Demo Cancel Effects Reverb: 9 types Chorus: 4 types Harmony: 26 types Song 102 Preset Songs + 5 User Songs + Flash Memory Song Clear Song Volume Recording Song User Song: 5 Songs Recording Tracks: 1, 2 MIDI Local On/Off Initial Setup Send External Clock PC mode Auxiliary jacks PHONES/OUTPUT, DC IN 12V, MIDI IN/OUT, SUSTAIN Amplier 2.5W + 2.5W Speakers 12cm x 2 Power Consumption 10W (When using PA-3C power adaptor) Power Supply Adaptor: Yamaha PA-3B/3C AC power adaptor Batteries: Six AA size, LR6 or equivalent batteries Dimensions (W x D x H) 945 x 370 x 128 mm (37-1/4" x 14-5/8" x 5-1/16") Weight 4.9kg (10 lbs. 13 oz.) (not including batteries) Supplied Accessories Music Rest Owners Manual

Grade... 35

Harmony... 40-41 Harmony Type List.. 75 Harmony Volume.. 57
Initial Send... 57 Initialization... 29 Intro... 47, 50
Save data to computer.. 63 SMF Format 0.. 61 Song... 20 Song List... 21 Song Volume.. 37 Split... 14 Split Point... 14, 44 Start... 30 Stop... 30 Style..22-23, 47-50 Style List... 74 Style Volume.. 51 Supplied Accessories.. 6, 79 Synchro Start... 23, 47

Keyboard Display.. 32

Lesson.. 33-36 Lesson track R/L for transferred songs. 57, 63 Local... 57, 59
Main/Auto fill.. 49-50 Master Volume Control... 9, 30 Measure... 32 Melody Voice... 37 Metronome.. 18-19 Metronome Volume... 19 MIDI... 58 Music Rest.. 6 Musicsoft Downloader.. 61-62 Mute... 38
Tempo.. 46 Time Signature... 19 Touch Response.. 43 Touch sensitivity... 43 Track.. 26, 32, 38 Track Rec.. 26-27 Transfer... 59, 63 Transpose.. 44 Tuning.. 45 Turn Auto accompaniment on or off. 23

NO... 28 Notation... 32

Octave (Dual)... 57 Octave (Main).. 57 Octave (Split)... 57 One Touch Setting... 45 Option.. 79
User File... 63 User Song.. 25-26
Voice... 12-14 Voice List.. 65
Panel Sustain.. 42 Part.... 34 Pause... 21 PC setting.. 60 Press and Hold for a while... 30

XGlite... 6

YES... 28
Recording.. 25-27 Remote Control... 61 Reverb.. 41 Reverb Level.. 57 Reverb Type List... 75 Rew... 21 Rhythm... 22 Root... 52, 54

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:
PSR, YPT SERIES OF PORTATONE ELECTRONIC KEYBOARDS
If during the rst 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor. If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements. THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES. Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you. This warranty gives you specic legal rights. You may also have other rights which vary from state to state.

GREECE

Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160

BRAZIL

Yamaha Musical do Brasil Ltda. Av. Reboucas 2636-Pinheiros CEP: 05402-400 Sao Paulo-SP. Brasil Tel: 011-3085-1377

SWEDEN

Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-Gteborg, Sweden Tel: 34 00

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900

ARGENTINA

Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021

PHILIPPINES

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

DENMARK

YS Copenhagen Liaison Ofce Generatorvej 6A DK-2730 Herlev, Denmark Tel: 49 00
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311

SINGAPORE

Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374

FINLAND

F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511

TAIWAN

Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688

NORWAY

EUROPE

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700
Norsk lial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70

THAILAND

Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 oor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000

IRELAND

Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030

OTHER ASIAN COUNTRIES

Gator Cases Cross Reference Revised 9/25/2007
GKC-1540: (43" x 17.5" x 6.5")

Manufacturer

ACCESS ALESIS ALESIS CASIO CASIO CASIO CASIO CASIO CASIO CASIO CASIO CASIO CASIO CASIO CASIO CASIO CLAVIA CLAVIA CLAVIA CLAVIA CLAVIA CLAVIA CLAVIA CLAVIA CME CME DAVE SMITH KORG KORG KORG KORG KORG KORG KORG KORG KORG KORG KORG KURZWEIL KURZWEIL M-AUDIO NORD NORD ROLAND ROLAND ROLAND ROLAND ROLAND ROLAND
VIRUS TI 61 A6 FUSION 6HD CTK-496 CTK-691 CTK-700 CTK710 CTK800 CTK810 CTK900 LK100 LK-200S LK-300TV LK94 WK-3000 WK-3500 G2X NORD ELECTRO NORD ELECTRO NORD ELECTRO 61 NORD ELECTRO 73 NORD MODULAR G2X NORD STAGE 73 NORD STAGE 76 UF6 UF60 POLY EVOLVER KEYBOARD CX3 KARMA M3-M + KYBD61 PA1X PA50 PA80 PA800 TR61 TRITION EXTREME 61 TRITON LE 61 TRITON STUDIO 61 K2661 PC161 KEYSTATION 61ES ELECTRO ELECTRO E09 EXR-3 EXR46-OR EXR-5 FANTOM X6 FANTOM XA 61
Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard

9/25/2007

Gator Cases, Inc. 2007 www.gatorcases.com

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ROLAND ROLAND ROLAND ROLAND ROLAND ROLAND SUZUKI SUZUKI YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA YAMAHA
GW-7 JUNO D 61 RS-50 RS-70 V SYNTH V SYNTH GT SP-37 SP-67 DJX 203 EZ150 EZ250I MM6 MO6 MOTIF ES6 MOTIF XS6 MOTIF6 PSR 293 PSR E203 PSR E303 PSR E404 PSR1500 PSR172 PSR273 PSR293 PSR3000 PSR450 PSR-E213 PSR-E313 PSR-E403 PSRK1 PSRS500
Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard Keyboard
This list is intended as a guide; not a substitute for testing the actual fit of an instrument. All product information referenced above is based on the manufacturer's published specifications. These specifications may change over time and without notice. If you have questions on a specific case or product, or see that a correction is needed, please contact Gator Customer Service at 813.221.4191 or send us an email at info@gatorcases.com.

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