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Never attempt to remove the SmartMedia card or turn the power off during accessing. Doing so can damage the data on the instrument or card and possibly damage the SmartMedia card itself.
About SmartMedia Cards Handle SmartMedia cards with care, and follow these precautions:
There are times when static electricity affects SmartMedia. Before you touch a SmartMedia card, touch something metallic such as a door knob and aluminum sash, to reduce the possibility of static electricity. Be sure to remove the SmartMedia card from the SmartMedia slot when it is not in use for a long time. Do not expose the SmartMedia to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liquids. Do not place heavy objects on a SmartMedia card or bend or apply pressure to the card in any way. Do not touch the gold-plated terminals of the SmartMedia card or put any metallic plate onto the terminals. Do not expose the SmartMedia card to magnetic elds, such as those produced by televisions, speakers, motors, etc., since magnetic elds can partially or completely erase data on the SmartMedia, rendering it unreadable. Do not attach anything other than the provided labels to a SmartMedia. Also make sure that labels are attached in the proper location.
Compatible SmartMedia Types
3.3V (3V) SmartMedia can be used. 5V type SmartMedia is not compatible with this instrument. SmartMedia cards of seven different memory capacities of (2MB, 4MB, 8MB, 16MB, 32MB, 64MB, and 128MB) can be used with the instrument. SmartMedia cards greater than 32MB can be used if they conform to the SSFDC Forum standard. n
SSFDC is an abbreviation for Solid State Floppy Disk Card (another name for SmartMedia cards). The SSFDC Forum is a voluntary organization established for the promotion of SmartMedia.
Formatting SmartMedia Cards
If you nd that you are unable to use new, blank SmartMedia cards or cards that have been used with other devices, you may need to format them. For details on how to format a SmartMedia card, see page 66. Keep in mind that all data on the card will be lost after formatting. Make sure to check beforehand whether or not the card contains important data. n
SmartMedia cards formatted on this device may or may not be usable as is on other devices.
To Protect Your Data (Write-protect):
Setting the touch sensitivity of the keyboard You can adjust the touch response of the instrument (how the sound responds to the way you play the keys). The touch sensitivity type becomes the common setting for all Voices.
Call up the operation display: [FUNCTION] [D] CONTROLLER TAB  KEYBOARD/ PANEL [A] 1 INITIAL TOUCH Press the / buttons to specify the touch response. HARD 2.. Requires strong playing to produce high volume. Best for players with a heavy touch. HARD 1.. Requires moderately strong playing for high volume. NORMAL. Standard touch response. SOFT 1. Produces high volume with moderate playing strength. SOFT 2. Produces relatively high volume even with light playing strength. Best for players with a light touch.
n This setting does not change the weight of the keyboard. When you do not want to apply touch sensitivity, set Touch to OFF for the corresponding parts by pressing the  buttons. When Touch is set to OFF, you can specify the xed volume level by pressing the  button.
Using the Pitch Bend Wheel
Use the PITCH BEND wheel to bend notes up (roll the wheel away from you) or down (roll the wheel toward you) while playing the keyboard. The Pitch Bend is applied to all the keyboard parts (RIGHT 1, 2 and LEFT). The PITCH BEND wheel is self-centering and will automatically return to normal pitch when released.
PITCH BEND MODULATION
n If the Pitch Bend range is set to more than 1200 cents (1 octave) via MIDI, the pitch of some voices may not be raised or lowered completely. n The effects caused by using the PITCH BEND Wheel will not be applied to the LEFT part when the Chord Fingering type is set to the one other than FULL KEYBOARD or AI FULL KEYBOARD with the [ACMP] and PART ON/OFF [LEFT] turned on.
The maximum pitch bend range can be changed via the following instructions.
Call up the display for setting the Pitch Bend Range. [MIXING CONSOLE] TAB  TUNE [H] PITCH BEND RANGE Set each of the Pitch Bend Range of the keyboard part by using the // button.  button..Sets the Pitch Bend Range of the LEFT part.  button..Sets the Pitch Bend Range of the RIGHT1 part.  button..Sets the Pitch Bend Range of the RIGHT2 part.
Using the Modulation Wheel
The Modulation function applies a vibrato effect to notes played on the keyboard. This is applied to all the keyboard parts (RIGHT 1, 2 and LEFT). Moving the MODULATION wheel down (towards MIN) decreases the depth of the effect, while moving it up (towards MAX) increases it.
In these example instructions, use the Songs in the SampleSongs folder.
Press the [PERFORMANCE ASSISTANT] button to turn the feature on.
The instrument automatically matches your performance on the keyboard to the Song playback and chords, no matter what keys you play. It even changes the sound according to the way you play. Try playing in the three different ways below.
Playing the left and right hand together Playing the left and right hand together Playing the left hand and right hand (method 1). (method 2). alternately.
Play three notes at the same time with your right hand.
Play several notes one after the other with different ngers of your right hand.
Press the [PERFORMANCE ASSISTANT] button again to turn the feature off.
Playing Accompaniment with the Auto Accompaniment Feature (Style Playback)
The Auto Accompaniment features let you produce automatic accompaniment playback simply by playing chords with your left hand. This lets you automatically recreate the sound of a full band or orchestra even if youre playing by yourself. The Auto Accompaniment sound is made up of the rhythm patterns of the Styles. The Styles of the instrument cover a wide range of different musical genres including pop, jazz, and many others.
Playing Mary Had a Little Lamb with the Auto Accompaniment Feature
MARY HAD A LITTLE LAMB
Traditional Style: Country Pop
Press any of the STYLE buttons to call up the Style selection display.
n The Style type and its dening characteristics are indicated above the Preset Style name. For details on the characteristics, see page 102.
Select the desired style by using the [A][J] buttons.
Press the [ACMP ON/OFF] button to turn on Auto Accompaniment.
Use the left-hand section (lower part) of the keyboard to play the chords for sounding the Auto Accompaniment.
Press the [SYNC START] button to set Auto Accompaniment to standbyletting you simultaneously start the accompaniment as soon as you start playing.
As soon as you play a chord with your left hand, the Auto Accompaniment starts.
Try playing chords with your left hand and play a melody with your right hand.
n Chord Fingerings There are seven different ngering methods you can use to specify chords (page 102).
Automatically play an appropriate ending by pressing any of the [ENDING] buttons, at the point in the score indicated by Ending. When Ending playback is nished, the Style automatically stops.
n About the various Styles Refer to the Style List in the separate Data List booklet. Quickly changing the Style tempo during a performance (Tap function) The tempo can also be changed during playback by tapping the [TAP] button twice at the desired tempo. Specifying the split point (the border between the right- and left-hand range) See page 105. Turns touch response on/off for the Style playback (Style Touch) See page 106.
Restrictions for protected Songs Commercially available song data may be copy protected to prevent illegal copying or accidental erasure. They are marked by the indications at the upper left side of the le names. The indications and relevant restrictions are detailed below.
Prot. 1 Indicates Preset Songs saved to the User tab display, Disk Orchestra Collection (DOC) Songs, and Disklavier Piano Soft Songs. These cannot be copied/moved/saved to external devices such as SmartMedia cards and hard disk. Indicates Yamaha-protection-formatted Songs. These cannot be copied. These can be moved/saved only to the USER tab display and SmartMedia cards with ID. Indicates edited Prot. 2 Orig Songs. Make sure to save these to the same folder containing the corresponding Prot. 2 Orig Song. These cannot be copied. These can be moved/saved only to the USER tab display and SmartMedia cards with ID.
Prot. 2 Orig
Prot. 2 Edit
Note for Prot. 2 Orig and Prot. 2 Edit Song le operation Make sure to save the Prot. 2 Edit Song to the same folder containing its original Prot. 2 Orig Song. Otherwise the Prot. 2 Edit Song cannot be played back. Also, if you move a Prot. 2 Edit Song, be sure to move its original Prot. 2 Orig Song to the same location (folder) at the same time.
Copying Files/Folders (Copy & Paste)
This operation lets you copy a le/folder and paste it to another location (folder).
Call up the display containing the le/folder you want to copy. Press the  (COPY) button to copy the le/folder. The pop-up window for the Copy operation appears at the bottom of the display.
Press one of the [A][J] buttons corresponding to the desired le/ folder. To cancel the selection, press the same [A][J] button again. Selecting all les/folders Press the  (ALL) button to select all les/folders indicated on the current display including the other pages. To cancel the selection, press the  (ALL OFF) button again.
Press the  (OK) button to conrm the le/folder selection. To cancel the Copy operation, press the  (CANCEL) button. Select the destination tab (USER, CARD, etc.) to paste the le/folder, by using the TAB / buttons. Press the  (PASTE) button to paste the le/folder. The folder/le copied and pasted appears on the display at the appropriate position among the les in alphabetical order.
Moving Files (Cut & Paste)
This operation lets you cut a le and paste it to another location (folder).
Call up the display containing the le you want to move. Press the  (CUT) button to cut the le. The pop-up window for the Cut operation appears at the bottom of the display.
Drums SFX Organ Flutes!
Mega Voice (PSR-3000)
Mega Voices Compatibility (PSR-3000) Mega Voices are unique to the PSR-3000 and are not compatible with other models. Any song/ style data youve created on the PSR-3000 using the Mega Voices will not sound properly when played back on other instruments.
Playing Different Voices Simultaneously
The PSR-3000/1500 keyboard features various functions and performance conveniences that are simply unavailable on an acoustic instrument. It allows you to play several different Voices together in a layer, or play one Voice with your left hand while you play a different Voice (or even two layered Voices!) with your right.
Keyboard Parts (Right 1, Right 2, Left)
Voices can be assigned independently to each keyboard part: Right 1, Right 2, and Left. You can combine these parts by using the PART ON/OFF buttons to create a rich, ensemble sound.
Keyboard Part Combinations
Playing a single Voice (Right 1 part) You can play a single Voice over the entire keyboard range. This is used for normal performancefor example, with the piano Voice.
Adjusting the volume balance among parts Adjust the volume balance among the parts in the BALANCE display (page 40).
Right 1 part
Playing two Voices simultaneously (Right 1 and 2 parts) You can simulate a melody duet or combine two similar Voices to create a thicker sound.
Specifying the split point (the border between the rightand left-hand range) See page 105.
Right 2 part Right 1 part
Refer to page 78 for Voice selection operations for the Right 2 part. Playing different Voices with the left and right Hands (Right 1 and Left parts) You can play different Voices with the left and right hands. For example, try playing the bass Voice with your left hand and the piano Voice with your right. The keyboard lamp will light at the split point of the keyboard.
Refer to page 80 for Voice selection operations for the Left part. Playing three different Voices with the left and right Hands (Right 1, 2 and Left parts)
You can combine these three parts to create a rich, ensemble sound.
Selecting the Harmony/Echo type
You can select the desired Harmony/Echo effect from a variety of types. In order to make the type youve selected here effective, set HARMONY/ECHO to On in the display shown in step 2 above.
Call up the operation display. [FUNCTION] [F] HARMONY/ECHO
Use the  buttons to select the Harmony/Echo type (page 85). Use the  buttons to select various Harmony/Echo settings (page 86). The available settings differ depending on the Harmony/Echo type.
The Harmony/Echo types are divided into the following groups, depending on the particular effect applied.
Harmony Types These types apply the harmony effect to notes played in the right-hand section of the keyboard according to the chord specied in the left-hand section of the keyboard. (Note that the 1+5 and Octave settings are not affected by the chord.) Multi Assign Type This type applies a special effect to chords played in the right-hand section of the keyboard. Echo Types These types apply echo effects to notes played in the right-hand section of the keyboard in time with the currently set tempo.
Harmony Types When one of the Harmony Types is selected, the Harmony effect is applied to notes played in the right-hand section of the keyboard according to the type selected above and the chord specied in the chord section of the keyboard shown below.
Canceling the chord sound for the harmony effect This cancels the sound of the chord played in the chord range of the keyboardletting you hear only the Harmony effect. Set [ACMP ON/OFF] to On, set [SYNC START] to Off, and select Off for the Stop Accompaniment parameter.
Chord section for Style playback and Harmony effect Split Point Split Point (for Style) (for keyboard Voice)
Left Voice and chord section for Harmony effect
Right 1 Right 2 Voices
Chord section Left Voice for Style playback and Harmony effect
Multi Assign Type Multi Assign effect automatically assigns notes played simultaneously in the right-hand section of the keyboard to separate parts (Voices). Both of the keyboard part [RIGHT 1] and [RIGHT 2] should be turned on when using the Multi Assign effect. The Right 1 and Right 2 Voices are alternately assigned to the notes in the order you play. Echo Types When one of the Echo Types is selected, the corresponding effect (echo, tremolo, trill) is applied to the note played in the right-hand section of the keyboard in time with the currently set tempo, regardless of the [ACMP ON/OFF] and the LEFT part on/off status. Keep in mind that Trill works when you hold down two notes on the keyboard simultaneously (last two notes if more than two notes are held), and it plays those notes alternately.
Effect characteristics Reproduces the warm ambience of playing in a concert hall or jazz club. Produces a rich fat sound as if several parts are being played simultaneously.
STYLE PART In addition to the Reverb and Chorus types, SONG CHANNNEL 116 the PSR-3000/1500 has special DSP effects, that include additional effects usually used for a specic part, such as distortion and tremolo. RIGHT 1, RIGHT 2, LEFT, Any unused DSP blocks are automatically assigned to the appropriate parts (channels) SONG CHANNEL 1-16 as needed. * Handled only by DSP4. Microphone sound* (PSR-3000)
DSP2 DSP3 DSP4
Use the / buttons to select the part to which you want to apply the effect. Use the / buttons to select the effect CATEGORY. Use the / buttons to select the effect TYPE.
If you want to edit the effect parameters, go on to the next operation. Editing and Saving the selected effect Press the [F] (PARAMETER) button to call up the display for editing the effect parameters.
If you have selected one of the DSP 2-4 effect blocks in step 5: You can edit its standard parameters as well as its variation parameter. To select the standard type of parameters, press the [B] button. To select its variation parameter, press the [E] button.
Re-selecting the Effect block, category and type Use the  buttons. The re-selected effect conguration is displayed at the upper left side box in the display.
Effect Return Level: Determines the level or amount of effect applied. This is set for all parts or channels.
Select one of the parameters you want to edit by using the /  buttons. Available parameters differ depending on the selected Effect type. Adjust the value for the selected parameter by using the /  buttons. If you have selected the REVERB, CHORUS or DSP1 effect block in step 5: Adjust the Effect Return Level by pressing  button. Press the [H] (USER EFFECT) button to call up the display for saving your original effect. Use the  buttons to select the destination for saving the effect. The maximum number for effects that can be saved differs depending on the effect block.
Press the [I] (SAVE) button to save the effect (page 67). When recalling the saved effect, use the same procedure as in step 8. If you want to change the effect name, press the [H] (NAME) button.
Equalizer (also called EQ) is a sound processor that divides the frequency spectrum into multiple bands that can be boosted or cut as required to tailor the overall frequency response. Usually an equalizer is used to correct the sound from speakers to match the special character of the room. For example, you can cut some of the low range frequencies when playing in large spaces where the sound is too boomy, or boost the high frequencies in rooms and close spaces where the sound is relatively dead and free of echoes. The PSR-3000/1500 possesses a high-grade ve-band digital EQ. With this function, a nal effecttone control can be added to the output of your instrument. You can select one of the ve preset EQ settings in the EQ display. You can even create your own custom EQ settings by adjusting the frequency bands, and save the settings to one of two User Master EQ types.
The maximum number of records is 2500 (PSR-3000)/ 1200 (PSR-1500).
To enter the edited record to the FAVORITE display, press the [E] (FAVORITE) button to turn on the FAVORITE. Enter the edits youve made to the record as described below.
Creating a new record Press the [J] (NEW RECORD) button. The record is added to the ALL display. If youve entered the record to the FAVORITE display in step 4 above, the record is added to both the ALL display and the FAVORITE display. Overwriting an existing record Press the  (OK) button. If you set the record as a Favorite in step 4 above, the record is added to the FAVORITE display. When you edit the record in the FAVORITE display, the record is overwritten.
Saving the Record
The Music Finder feature handles all the Records including the presets and additionally created records as a single le. Keep in mind that individual records (panel setups) cannot be handled as separate les.
Call up the Save display. [FUNCTION] [I]UTILITY TAB SYSTEM RESET [I] MUSIC FINDER FILES Press the TAB  buttons to select the location for saving (USER/ CARD). Press the  button to save the le (page 67). All records are saved together as a single le.
Calling up Music Finder Records Saved to USER/CARD To call up the Music Finder records youve saved to USER/CARD, follow the instructions below. 1 Call up the operation display. [FUNCTION] [I] UTILITY TAB  SYSTEM RESET 2 Press the [I](MUSIC FINDER) button to call up the Music Finder USER/CARD tab display. 3 Use the TAB  buttons to select USER/CARD. 4 Press the [A][J] buttons to select the desired Music Finder le. When you select a le, a message appears prompting you to select one of the menu items below. REPLACE All Music Finder records currently in the instrument are deleted and replaced with the records of the selected le. APPEND The records called up are added to the vacant record numbers. Select one of the settings above to call up the Music Finder le. Select CANCEL to abort this operation.
Press the  (OK) button to actually enter the characters. To cancel the operation, press the  (CANCEL) button.
Return to the Previous Web Page
To return to a previously selected web page, press the  (BACK) button. To return to the page selected before pressing the  (BACK) button, press the  (FORWARD) button.
Refreshing a Web Page/Canceling Loading of a Web Page
To refresh a web page (to make sure you have the latest version of the page, or to try reloading), press the  (REFRESH) button. To cancel loading of a page (if the page is taking too long to open), press the  (STOP) button. Monitoring the Internet Connection Status The three icons at the bottom right of the Internet display indicate the current Internet connection status.
2 Status bar 3
1 Ofine indicator This is shown when the instrument is not connected to the Internet. When this appears, you cannot view any web pages. 2 Communication Status indicator These indicate that communication with the site is in progress. 3 SSL indicator This is shown when the opened website uses SSL, and it indicates that data is encrypted before transmission.
SSL: SSL (Secure Sockets Layer) is an industry-standard method for protecting web communications by using data encryption and other tools. When downloading data to the SmartMedia card, use a SmartMedia with ID.
Purchasing and Downloading Data
You can purchase and download Song data (for playback on this instrument) and other types of data from the special PSR-3000/1500 website. For details on purchasing and downloading data, refer to the instructions on the site itself. Operation after purchase and download When downloading is completed, a message appears asking you whether or not to open the File Selection display. Select YES to call up the File Selection display, from which you can select the downloaded data. To return to the Internet display, select NO. When the File Selection display is open, press the  (UP) button to call up the next highest level folder.
CAUTION The Purchased data will be lost if you turn the power to the instrument off during download.
Download Destination The download destination depends on the use of storage media, as described below. When a SmartMedia card is inserted to the instrument during purchase: The downloaded data is saved in the MyDownloads folder in the Card tab display of the File Selection display. To close the folder and call up the next highest level folder, press the  (UP) button in the File Selection display. When a SmartMedia card is not inserted to the instrument during purchase: The downloaded data is saved in the MyDownloads folder in the User tab display of the File Selection display. To close the folder and call up the next highest level folder, press the  (UP) button in the File Selection display.
Adjustable Items (Parameters) in the TALK SETTING Tab Display
VOLUME PAN REVERB DEPTH CHORUS DEPTH TOTAL VOLUME ATTENUATOR This determines the output volume of the microphone sound. This sets the stereo pan position of the microphone sound. This sets the depth of the reverb effects applied to the microphone sound. This sets the depth of the chorus effects applied to the microphone sound. This determines the amount of attenuation to be applied to the overall sound (excepting the microphone input)allowing you to effectively adjust the balance between your voice and the overall instrument sound. This turns the DSP effect applied to the microphone sound ON or OFF. This selects the type of DSP effect to be applied to the microphone sound. This sets the depth of the DSP effect applied to the microphone sound.
DSP MIC ON/OFF DSP MIC TYPE DSP MIC DEPTH
Before connecting the instrument to other electronic components, turn off the power of all the components. Also, before turning any components on or off, make sure to set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may occur.
[OUTPUT] Jacks (Standard phone jacks of [L/L+R] and [R])
When these are connected, you can use the instruments [MASTER VOLUME] control to adjust the volume of the sound output to the external device. Connect the instruments OUTPUT [L/L+R]/[R] jacks and the input jacks of a pair of powered speakers using appropriate audio cables. Use only the [L/L+R] jack for connection with a monaural device.
Connecting Audio & Video Devices
Use audio cables and adaptor plugs having no (zero) resistance.
Phone plug (standard)
Phone plug (standard) Input jack
1 Using External Audio Devices for
Playback and Recording ([OUTPUT] Jacks, [AUX OUT (LEVEL FIXED)] Jacks, [OPTICAL OUT] Jack)
You can connect these jacks to a stereo system to amplify the instruments sound or to a cassette tape recorder or an audio device for recording your performance. The microphone or guitar sound connected to the instruments [MIC./LINE IN] jack) is output at the same time. Refer to the diagrams below and use audio cables for connection. These jacks are located on the underside jacks panel of the instrument.
Computer or Sequencer
When you want to use the PSR-3000/1500 as an XGcompatible multi-timbral tone generator, set the receive part for MIDI channels 1-16 to SONG in MIDI/USB 1 in MIDI Receive (page 204). Controlling from an external MIDI keyboard
Instrument MIDI receive
MIDI IN MIDI OUT
Voice Allocation Format With MIDI, Voices are assigned to specic numbers, called program numbers. The numbering standard (order of voice allocation) is referred to as the voice allocation format.
Voices may not play back as expected unless the voice allocation format of the song data matches that of the compatible MIDI device used for playback. The PSR3000/1500 is compatible with the following formats.
Even if the devices and data used satisfy all the conditions above, the data may still not be completely compatible, depending on the specications of the devices and particular data recording methods.
MIDI Data Compatibility
This section covers basic information on data compatibility: whether or not other MIDI devices can playback the data recorded by PSR-3000/1500, and whether or not the PSR-3000/1500 can playback commercially available song data or song data created for other instruments or on a computer. Depending on the MIDI device or data characteristics, you may be able to play back the data without any problem, or you may have to perform some special operations before the data can be played back. If you run into problems playing back data, please refer to the information below.
Sequence Formats Song data is recorded and stored in a variety of different systems, referred to as sequence formats.
Playback is only possible when the sequence format of the Song data matches that of the MIDI device. The PSR-3000/1500 is compatible with the following formats. SMF (Standard MIDI le) This is the most common sequence format. Standard MIDI Files are generally available as one of two types: Format 0 or Format 1. Many MIDI devices are compatible with Format 0, and most commercially available software is recorded as Format 0. The PSR-3000/1500 is compatible with both Format 0 and Format 1. Song data recorded on the PSR-3000/1500 is automatically saved as SMF Format 0.
GM System Level 1 This is one of the most common voice allocation formats. Many MIDI devices are compatible with GM System Level 1, as is most commercially available software. GM System Level 2 GM System Level 2 is a standard specication that enhances the original GM System Level 1 and improves Song data compatibility. It provides for increased polyphony, greater voice selection, expanded voice parameters, and integrated effect processing. XG XG is a major enhancement of the GM System Level 1 format, and was developed by Yamaha specically to provide more Voices and variations, as well as greater expressive control over Voices and effects, and to ensure compatibility of data well into the future. Song data recorded on the PSR-3000/1500 using Voices in the XG category is XG-compatible. DOC (Disk Orchestra Collection) This voice allocation format is compatible with many of Yamahas MIDI devices, including the PSR-3000/1500 series instruments. GS
Template name All Parts KBD & STYLE
Description Transmits all parts including the keyboard parts (RIGHT 1, 2, and LEFT), with the exception of Song parts. Basically the same as All Parts with the exception of how keyboard parts are managed. The right-hand parts are handled as UPPER instead of RIGHT 1 and 2 and the left-hand part is handled as LOWER. In this setting, the instrument functions as a master keyboard, playing and controlling one or more connected tone generators or other devices (such as a computer/ sequencer). All transmit channels are set to correspond to Song channels 116. This is used to play Song data with an external tone generator and to record Song data to an external sequencer. Playback (Song or Style) synchronizes with an external MIDI clock instead of the instruments internal clock. This template should be used when you wish to set the tempo on the MIDI device connected to the instrument. MIDI accordions allow you to transmit MIDI data and play connected tone generators from the keyboard and bass/chord buttons of the accordion. This template lets you play melodies from the keyboard and control Style playback on the instrument with the lefthand buttons. Basically the same as MIDI Accord 1 above, with the exception that the chord/bass notes you play with your left hand on the MIDI Accordion are recognized also as MIDI note events. MIDI pedal units allow you play connected tone generators with your feet (especially convenient for playing single note bass parts). This template lets you play/control the chord root in Style playback with a MIDI pedal unit. This template lets you play the bass part for Style playback by using a MIDI pedal unit. No MIDI signals are sent or received.
MIDI Accord 1
MIDI Accord 2
MIDI Pedal 1
MIDI Pedal 2 MIDI OFF
MIDI System Settings
The explanations here apply to the SYSTEM display to be called up in step 4 of the Basic Operation on page 201.
RECEIVE TRANSPOSE Determines whether or not the instrument's transpose setting (page 58) is applied to the note events received by the instrument via MIDI. START/STOP Determines whether incoming FA (start) and FC (stop) messages affect Song or Style playback.
MESSAGE SW SYS/EX. The Tx setting turns MIDI transmission of MIDI System Exclusive messages on or off. The Rx setting turns MIDI reception and recognition of MIDI System Exclusive messages generated by external equipment on or off.
CHORD SYS/EX. The Tx setting turns MIDI transmission of MIDI chord exclusive data (chord detect. root and type) on or off. The Rx setting turns MIDI reception and recognition of MIDI chord exclusive data generated by external equipment on or off.
Karaoke.. 54 Karao-key.. 140 Keyboard Parts... 77 KEYBOARD/PANEL.. 32, 58 KIRNBERGER... 82
LAN... 176 Language... 19 LCD.... 12 Left... 77 Left Hold... 49 Live!.... 76 LYRICS... 156 Lyrics... 55
Main Display.. 26, 62 MASTER TUNE... 81 [MASTER VOLUME] dial... 17 MEAN-TONE... 82 MEDIA...66, 138, 196 Mega Voice... 76 MELODIC MINOR... 124 Messages... 60 MIC SETTING... 183 microphone... 54 MICROPHONE SETTING.. 183 MIDI... 197 MIDI Settings.. 201 MIDI Templates... 201 MIXING CONSOLE.. 86 MONO/POLY... 83 MULTI FINGER... 103 Multi Pads... 12 Multi track recording.. 141 [MUSIC FINDER] button... 13 Music Finder... 52 Music Rest... 18
QUANTIZE... 121 Quick Recording... 141 QUICK START.. 137
RANDOM... 136 Realtime Recording.. 112 REC MODE... 156 RECEIVE... 204 Record... 42 Record (Song)... 141 Record (Style)... 112 REGISTRATION MEMORY... 129 REGISTRATION SEQUENCE.. 132 REPEAT MODE... 36, 136 Repeat Playback.. 136 Repeat Playback Function.. 41 Rewind... 136 Right 1... 77 Right 2... 77
NAME... 70 Notation... 38
SAVE... 67 Save (Music Finder).. 110 SCALE TUNE... 81 Score... 38 Search (Music Finder Records).. 107 Section Set... 106 Session... 102 Set the polarity of the pedal.. 191 SFX... 76 SINGLE FINGER.. 103
One Touch Setting.. 50 One-Handed Practice... 39 Organ Flutes... 13, 99 Organ Flutes!... 76 Others.. 177 OTS Link... 50 OTS Link Timing... 106
SMF (Standard MIDI file).. 200 Song... 12, 35 SONG CH 1-8/9-16... 87 Song channels.. 145 SOUND... 97 Sound Creator.. 95 sound effects... 31 SPLIT POINT.. 105 [STANDBY/ON] switch... 12, 17 Step Recording.. 112, 141 Stop ACMP... 106 Style... 12, 45 Style Assembly... 112 Style Creator... 112 Style File... 200 STYLE PART... 87 Style parts.. 145 STYLE SETTING/SPLIT POINT. 105 Style Structure.. 112 Style Touch... 106 Sweet!... 76 Synchro Start (Song)... 135 Synchro Start (Style).. 47 Synchro Stop... 48 Synchro Stop Window.. 106 SYS/EX... 156 SYSTEM... 203 SYSTEM RESET... 73
Wireless LAN... 176
XF... 200 XG.... 200
TALK... 59 TALK SETTING... 187 Tap function... 135 Top... 136 TRANSMIT... 203 Transpose...55, 58, 81 TUNE... 88
UP... 65 [USB TO HOST] terminal.. 13 USER... 27
Vibrato... 98 VIDEO OUT... 55 Vocal CueTIME... 140 VOCAL HARMONY... 180 Vocal Harmony... 12, 56 VOCAL HARMONY EDIT.. 181, 182 VOCAL HARMONY TYPE.. 180 Voice... 29, 76 VOICE buttons... 13 VOICE EFFECT... 83 Voice Program Change Number.. 205 VOICE SET... 101 VOL/VOICE... 88 VOLUME/ATTACK... 100
LX-350 4HP-1998 W1220-W 30120 50 2T DAV-DZ1000 ZJD1219 IC-F211 MHC-WZ80D Calculator Guide System KDL-40V3000 VGN-FW11S Studio Bros WII Kxtg8220G Sdrh80 CQ-RD100 HYS-222 PC78XL LX500 CT-21Q41KE PI7200E Motorola I425 S1500 Pentax LX Bravada 1997 29PT5407 Cherokee 495 JKG1454 Sunbeam H2O Dect 221 Contact Forge Digital ZWF16381W RX-FT600 Tomtom 930 Ranger-2000 Lanos ENB38607X SPC530NC 00 LS-P1260BM HK680I VGN-Z21xn B 25PT4521 Finepix F700 Family DT-530 Explorist XL Digital CMT-CQ1 WTC1285E KD-SH77R 845 21 IC-M302 PM-2200C LE40A436t1D Envoy 2002 Force 3D Pcvasp4 KX-TS600W Tourer ML-2851ND-XAZ Gpsmap 500 RM-L1AM 640GB Singer 1120 IC-Q7 TC-WE605S Prime SAT M2 - 2003 Ericsson T68I DJ-X1 DR-880 Review KX-FT936PD RTD170 P2500S Z1010 Whistler 1510 Gpsmap 175 VF700 Simulator Z20LCD1 CX200 Nakamichi 582 4241-tlxb AG-DTL1 STR-K502 Mustang GT Contest ICF-SW1000T PCG-GRZ530 P4S533-E LC10PV Voice Vl 125 LAV86740
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