To enter an original name, use the keyboard.
Letters and characters are marked above the corresponding keys.
Entering a character Moving the cursor Entering a lower-case character
Each key on the keyboard enters a different character, as marked directly above the key. The A#5 and B5 keys move the cursor backward and forward within the file name. The C1 key functions as a shift key that shifts between lower- and upper-case characters: hold the Shift key while pressing a character key to enter the lower-case character. The Delete key (C6) deletes the character at the cursor position.
Lowercase letters cannot be used for disk file names.

Delete

Direct Access
By using the [HELP/DIRECT ACCESS] button, you can instantly call up the desired display. For example, pressing the [REGISTRATION MEMORY] button while holding the [HELP/DIRECT ACCESS] button automatically selects the display for inputting the Registration Memory bank name.
See page 24 for the Direct Access Chart.
Button Screen title Function See page

DEMO/LANGUAGE VOICE R1

DEMO.. Demo song selection... 15 LANGUAGE.. Language of the Help selection.. 18 VOICE RIGHT1.. VOICE GROUP RIGHT1. DSP TYPE.. RETURN LEVEL.. DEPTH.. Voice R1 selection.... 26 Voice group R1 selection.. 26 DSP type selection (PSR-740, only in the Style Record mode). 50 DSP return level setting (PSR-740, only in the Style Record mode). 50 DSP depth setting (PSR-740, only in the Style Record mode).. 50
VOICE R2 VOICE L STYLE SONG
VOICE RIGHT2.. Voice R2 selection.... 27 VOICE GROUP RIGHT2. Voice group R2 selection.. 27 VOICE L.. Voice L selection... 28 VOICE GROUP L.. Voice group L selection... 28 STYLE... Accompaniment Style selection.. 34 STYLE GROUP.. Accompaniment Style group selection... 34 SONG.. SONG UTILITY SONG PLAY MODE.. SONG START MEASURE. SONG REPEAT.. SONG TRANSPOSE. Song selection... 76 Song play method selection... Song measure from which to start playback.. Song repeat setting... Song transpose setting... 80 81

VOICE CHANGE MIXER

VOICE.. Voice selection of the R1/R2/L/Style/Song track. 89 VOICE GROUP.. Voice group selection of the R1/R2/L/Style/Song track. 89 R1/R2/L.. STYLE... SONG.. VOCAL HARMONY. FOOTAGE... ATTACK MODE.. ORGAN TYPE.. SPEED.. GROOVE TYPE.. GROOVE SWING.. DYNAMICS TYPE.. DYNAMICS DEPTH. MULTI EFFECT CONNECTION. MULTI EFFECT BLOCK SETTING. MULTI EFFECT TYPE.. MULTI EFFECT DRY/WET.. Volume adjustment of Voice R1/R2/L.. 1, 2, 3. 90 Volume adjustment of the accompaniment track. 90 Volume adjustment of the song track.. 90 Volume adjustment of the Vocal Harmony part (PSR-740).. 90 Footage setting (PSR-740)... Attack mode setting (PSR-740).. Organ type setting (PSR-740)... Speed setting (PSR-740).. Groove type selection (PSR-740).. Groove swing setting (PSR-740).. Dynamics type selection (PSR-740).. Dynamics depth setting (PSR-740)... Multi Effect connection setting (PSR-740)... Multi Effect block setting (PSR-740).. Multi Effect type selection (PSR-740).. 4, 5, 6, 7.. Multi Effect dry/wet setting (PSR-740).. 85 85

Change the tempo.

When you select a different style while the accompaniment is not playing, the default tempo for that style is also selected. If the accompaniment is playing, the same tempo is maintained even if you select a different style.
To restore the default tempo setting, press the [+/YES]/ [-/NO] buttons simultaneously.

Using the Tap function

The auto accompaniment can be started at any tempo you desire by tapping out the tempo with the [TEMPO/TAP] button.
Press the [TEMPO/TAP] button four times successively (in a consistent rhythm).
q When a 4-beat style is selected
The Tempo can also be changed during playback by tapping the TEMPO/TAP button twice at the desired tempo.

Tap 4 times

* When a 3-beat style is selected, tap 3 times.
The auto accompaniment starts automatically at the tempo you tapped the button.
Accompaniment Track Muting
The PSR-740/640 has eight accompaniment tracks RHYTHM SUB, RHYTHM MAIN, BASS, CHORD 1, CHORD 2, PAD, PHRASE 1, and PHRASE 2 that you can control to modify the orchestration and therefore the overall sound of the accompaniment. When a style is selected, the icons corresponding to the tracks which contain data for any section of that style will light. Individual accompaniment tracks can be turned OFF (muted) or ON by pressing the TRACK buttons (9 - 16) corresponding to the target tracks. The [M] icon will appear when a track is muted. By turning the tracks OFF and ON in different combinations, you can create various arrangements from a single accompaniment style.

Track contents

q RHYTHM SUB, RHYTHM MAIN These are the main rhythm tracks. The RHYTHM tracks produce the drum and percussion sounds. q BASS The BASS track always plays a bass line, but the voice will change to fit the selected style acoustic bass, synth bass, tuba, etc. q CHORD 1, CHORD 2 These tracks provide the rhythmic chordal accompaniment required by each style. Youll find guitar, piano, and other chordal instruments here.
q PAD This track plays long chords where necessary, using sustained instruments such as strings, organ, choir. q PHRASE 1, PHRASE 2 This is where the musical embellishments reside. The PHRASE tracks are used for punchy brass stabs, arpeggiated chords, and other extras that make the accompaniment more interesting.

When you select a different style, the appropriate reverb type will be selected accordingly.
Adjust the depth of the reverb.
The two parameters below affect the depth of the reverb.
q Reverb Depth (send level)... page 91 Sets the reverb depth for the specified voice or track, and thus the amount of reverb effect applied to that voice or track. q Reverb Return Level... See below Sets the amount of reverb returned from the reverb effect stage, thus making it possible to adjust the degree of reverb effect applied to the overall sound.
Adjust the reverb return level.

Chorus

Selecting a Chorus Type
Use the same operation as in Reverb (page 50).

Select Chorus.

Select a chorus type.
Use the data dial, the [+/YES] button or the [-/NO] button. Refer to the Chorus Type List (page 154).
Try out some of the other chorus types as well.
When you select a different style, the appropriate chorus type will be selected accordingly.
Adjust the depth of the chorus.
The two parameters below affect the depth of the chorus effect.
q Chorus Depth (send level)... page 91 Sets the chorus depth for the specified voice or track, and thus the amount of chorus effect applied to that voice or track. q Chorus Return Level... See below Sets the amount of chorus effect returned from the chorus effect stage, thus making it possible to adjust the degree of chorus effect applied to the overall sound.
Adjust the chorus return level.

DSP (PSR-640)

Applying the DSP effect

Press the [DSP] button.

The effect will be applied when you play the R1, R2 and L voices from the keyboard. In addition, when the [FAST/SLOW] button is pressed, the indicator lights up indicating that the variation of the DSP effect is selected. When the DSP effect type is Rotary Speaker or Tremolo, the speed of the modulation becomes fast.
When the Voice Set function is ON (page 136), the DSP effect and FAST/SLOW settings may change according to the selected R1 panel voice.

Selecting a DSP Type

Select DSP.

Select a DSP type.

Use the data dial, the [+/YES] button or the [-/NO] button. Refer to the DSP Type List (page 154).
When the selected DSP type is an Insertion Effect (pages 54, 152), the DSP effect applies only to the Voice R1.
Try out some of the other DSP types as well.

Registering the Panel Settings... Recalling the Registered Panel Settings... Selecting a Registration Bank... Naming the Registration Banks..
page 63 page 63 page 64 page 64
Data stored by the Registration Memory

s VOICE PARAMETERS

Part on/off (VOICE R1, R2, L)... page 29 Voice Change setting (VOICE R1, R2, L).. page 89 Mixer setting (VOICE R1, R2, L, Vocal Harmony).. page 90 Parameter Edit setting (VOICE R1, R2, L).. page 91 Touch Sensitivity... page 136 DSP on/off, FAST/SLOW on/off, DSP Type and Return Level (PSR-640). page 53 HARMONY/ECHO on/off, type, volume, part... page 56 TOUCH on/off.... page 136 SUSTAIN on/off... page 31 Pitch Bend Range... page 139 Scale Tuning.... page 135 Footswitch function... page 137 Foot Volume function... page 138 Transpose.... page 30 Part Octave setting... page 135 Modulation Wheel function (PSR-740).. page 139 Organ Flutes settings (PSR-740)... page 32 Vocal Harmony settings (PSR-740)... page 82 Multi Effect settings (PSR-740).. page 54
Material recorded data is retained in memory even when the STANDBY switch is turned off if an AC adaptor is connected (page 159). It is nevertheless a good idea to save important data to floppy disk so that you can keep them indefinitely and build up your own data library (page 65).
s ACCOMPANIMENT PARAMETERS
Auto Accompaniment on/off.. page 35 Style number.... page 34 Tempo.... page 38 Fingering mode.... page 40 Split Point.... page 135 Accompaniment Volume... page 39 Accompaniment section... page 36 Groove on/off, settings (PSR-740)... page 45 Track on/off setting.... page 39 Voice Change setting... page 89 Mixer setting... page 90 Parameter Edit setting... page 91 Multi Pad Bank number, Chord Match on/off.. page 49 Reverb settings.... page 50 Chorus settings.... page 52 DSP settings (PSR-740)... page 50
Registration Memory data can be saved to and loaded from floppy disk as needed (page 65).
Registering the Panel Settings
Set up the panel controls as required. Press the round Registration Memory button to call up the Registration Memory function.
Any data that was previously recorded in the Registration Memory location you selected will be erased and replaced by the new settings.
While holding the [MEMORY] button, press one of the REGISTRATION MEMORY buttons: [1] through [4].
In this example, the panel settings are memorized to button number 1.
Recalling the Registered Panel Settings
Press one of the REGISTRATION MEMORY buttons: [1] through [4].
Registration data cannot be recalled when the One Touch Setting function is on. Some parameters cannot be recalled depending on the selected mode. For example, you cannot recall the Voice R2/L voices in the Style Record mode and Pad Record mode even if you press the Registration Memory buttons, since only the Voice R1 voice is used in those modes.

In this example, the panel settings memorized to button number 3 are recalled.
The Accompanient Freeze function
When the FREEZE function is engaged, selecting a different Registration Memory setup will not change any of the accompaniment and Voice L parameters (all other parameters will change as programmed). This allows you to use the auto accompaniment and select different Registration Memory setups, without suddenly disturbing the flow of the accompaniment.
Press the [FREEZE] button.
The [FREEZE] lamp lights.
For details about Accompaniment parameters, see page 62.
The Freeze function will automatically be turned on when one of the following modes, Song, Style Record or Pad Record is engaged.
In this example, only the voice parameter (other than Voice L) settings memorized to button number 1 are recalled.
Selecting a Registration Bank

Select Regist Memory.

Press the [NEXT] button to display the Regist Memory BANK screen.

Select a bank.

Naming the Registration Banks
Press the [FUNCTION] button. Select Regist Memory.
Press the [NEXT] to display the Regist Memory BANK screen. Press the [NEXT] button to display the NAME screen.
Enter the desired name for the bank.
Use the keyboard to enter the name. Up to 16 letters or characters can be used.
Built into the PSR-740/640 is a disk drive. Simply insert a floppy disk, and youve got access to a wide variety of convenient functions, such as recording and playback of User songs (page 92), as well as saving and loading of User styles (page 110), User pads (page 106), and Registration Memory data (page 62). You can save any number of User styles/pads and registration data to floppy disks, create your own song libraries, or find many other ways to make playing and using the PSR-740/640 more efficient.
q The PSR-740/640 is capable of playing back songs contained on the included sample disk, as well as commercially available song data in the following formats, indicated by the corresponding logos (page 9): You can play back song files collected on these disks using the voices defined in the GM standard. You can play back songs using the XG format, an extension of the GM standard that allows for much higher sound quality. You can play back song files collected on these disks using the voices defined in Yamahas DOC format. q The PSR-740/640 is compatible with style data contained on the included sample disk, as well as commercially available disk styles in the following format, indicated by the corresponding logo (page 9): You can load and play with the style files collected on these disks. q You can record your own performances to User songs and play them back (page 92).
Record (Direct save) Playback (Direct read) Maximum of 60 files can be saved. Floppy Disk
Refer to page 9 for more details on the logos.

User Song

It may not be possible to record the full 60 files to a disk, depending on the length of the recorded files.

Press the [START/STOP] to start the song.
Steps #1 through #5 can be executed during playback.
This extraordinarily powerful feature uses advanced voice-processing technology to automatically produce vocal harmony based on a single lead vocal. Four distinct harmony modes as well as an extensive selection of preset harmony types are provided. In addition to straightforward harmony, the PSR-740 also lets you change the apparent gender of the harmony and/or lead vocal sound. For example, if you are a male singer, you can have the PSR-740 automatically generate a two-part female backup. A comprehensive set of parameters gives you exceptionally precise and flexible control over the vocal harmony sound.

Setting up

Set the INPUT VOLUME control to MIN.
Connect a microphone to the MIC/LINE IN jack of the PSR-740.
A standard dynamic microphone with an impedance of about 250 ohms is recommended. (The PSR-740 does not support phantom-powered condenser microphones.)
Set the MIC/LINE panel switch to MIC.
Adjust the INPUT VOLUME control while singing into the microphone.
Use the SIGNAL and OVER indicators to determine the appropriate setting. With the INPUT VOLUME control at the minimum, sing or talk into the microphone at the highest expected volume. Gradually bring the control up toward MAX so that the SIGNAL indicator is lit and the OVER indicator flashes occasionally. Then reduce the INPUT VOLUME just enough to keep the OVER indicator from flashing. This should be the optimum level setting
If the OVER indicator lights regardless of the INPUT VOLUME setting, the output level of the microphone (or other source) is probably too high. Compensate by reducing the output level of the source.

Using the LINE setting

Normally, since you will be using a microphone, you may never need to use the LINE setting. However, this may come in handy if you want to use a pre-recorded source (on CD or cassette tape) with the vocal harmony feature. (For best results, the source should be a single vocal only; any other singers and instruments in the mix could produce unexpected or undesired results.) To do this: 1 Set the INPUT VOLUME control to MIN. 2 Connect the source to the MIC/LINE IN jack. Use a stereo-to-mono cable or a Y cable to combine the left- and right-channel output signals from the source device for input to the PSR-740s mono MIC/LINE IN jack. 3 Set the MIC/LINE panel switch to LINE. 4 Adjust the INPUT VOLUME control. Play the source at the highest expected volume, and adjust the INPUT VOLUME control to get the optimum input level (as in the Setting Up instructions above).

Vocal Harmony Modes

All of the Vocal Harmony types fall into one of four basic categories, or modes, which produce harmony in different ways. Although the mode cannot be set directly, since it is fixed for each Vocal Harmony type, the appropriate mode is selected automatically when the type is selected. The harmony effect is dependent on the selected harmony mode and part, and this parameter determines how the harmony is applied to your voice. The four modes are described below. q Chordal In the Style mode, chords played in the auto accompaniment section of the keyboard control the harmony. In the Song mode, chords contained in song data control the harmony. q Vocoder The harmony notes are determined by the notes you play on the keyboard (VOICE R1, R2, L). q Chromatic This mode automatically produces a harmony at a fixed pitch interval from that of your voice, and is applied regardless of the harmony part or the notes you play on the keyboard (or song data). q Detune This mode automatically produces a slightly detuned pitch compared to your voice, creating a rich chorusing effect. It is applied regardless of the harmony part or the notes you play on the keyboard (or song data).
When selecting and playing back a song containing Vocal Harmony data, the Vocal Harmony type is selected automatically. However, if you change the type from the panel while the song is selected, the manually selected harmony type overrides the type specified in the song data.

Talk Setting

To call up the Talk Settings, turn on the VOCAL HARMONY [TALK] button.

Select Talk Setting.

Adjust the Talk volume.

Adjust the Total volume.

Select a Vocal harmony type.
Adjust the Pan, Reverb depth, Chorus depth, and DSP dry/wet.
q Talk Volume.. This determines the volume or level of your voice from the microphone over a range of 0 - 127. q Total Volume. This determines the volume or level of the PSR-740 (not including the microphone input) over a range of -20 dB - 0 dB. q DSP 4 Type. This determines the effect type for the DSP 4 effect, which is applied especially to the microphone sound. The type can also be set in the Multi Effect display. When the [TALK] button is turned off, the DSP 4 type set in the Multi Effect display is recalled. q Vocal Harmony Type. This is the same parameter as the Vocal Harmony type described on page 85. When the [TALK] button is turned on, the current type setting is recalled. q Pan, Reverb Depth,. The Pan, Reverb Depth and Chorus Depth settings are the Chorus Depth, same as the parameter edit settings. When the [TALK] and DSP Dry/wet. button is turned on, the current effect settings are recalled. When the button is turned off, the settings returns to the parameter edit settings. The DSP Dry/wet parameter determines the amount of the DSP 4 effect (see above) applied to the harmony sound.

1) Select a track. Press one of the [TRACK1]-[TRACK16] buttons.
2) Select a part. Use the data dial, the [+/YES] button or the [-/NO] button.
For information on track assignments, see page 93.
3) Set the desired track to REC. Press the [NEXT] button and use the data dial, the [+/YES] button or the [-/NO] button.
To record auto accompaniment data, set the [ACMP] button to ON. The same part cannot be set to more than one track for recording.
Make all necessary settings to each track by repeating steps 1) through 3) above.
Press the [NEXT] button to display the Rehearsal screen.
Voices and styles can be set from this display. After completing the desired settings, press the [EXIT] button to return to this display.
Press the [NEXT] button to display the RECORD Ready screen.
Recording starts as soon as you play a key on the keyboard. If you enabled the auto accompaniment track for recording (in steps #8 above), recording starts as soon as you play a chord in the auto accompaniment section of the keyboard (the left side of the split point). Recording can also be started by pressing the [START/STOP] button.
If you did not enable the auto accompaniment track for recording (in steps #8 above), press the [START/STOP] button. If you enabled the auto accompaniment track for recording (in steps #8 above), press the [START/STOP] button or the [ENDING] button. If you press the [ENDING] button while recording the auto accompaniment track, recording will stop automatically after the ending section has finished.
Save the recorded data to the disk.
To cancel the save operation (for example, when you wish to redo the recording), press the [-/NO] button and re-record starting with step #8 above, after the display returns to the PART setting screen. To save the data to disk, press the [+/YES] button.
Press the [RECORD] button to exit from the Record mode. 97
Re-recording Punch In/Out and Start Measure
This section shows you how to re-record a specific section of a already-recorded song. In the eight-measure example below, the third measures through the fifth measure are re-recorded.
q Before re-recording 7 8
Recording start (Punch In) q After re-recording 1 Previously played data 4 5
Recording stop (Punch Out)

Newly played data

Previously played data

The following notes and cautions are important points for you to keep in mind as you record your Multi Pad data.
Using the Metronome function (page 134) can make your recording sessions much more efficient. Using Registration Memory (page 62) can make your recording sessions much more efficient, since various settings (such as voices, etc.) can be recalled by a single button press. When the record mode is engaged, the Registration Memory Freeze function will be turned on (it cannot be turned off while the record mode is engaged). Whenever you record, any previously recorded material in the same track will be erased.
Select a Multi Pad Bank to recoed.
If the memory becomes full while recording, an alert message will appear on the display and recording will stop. Be careful to avoid the data loss that will occur during recording if the power is turned off, or the AC adaptor is unplugged from the outlet.

Select Record.

Select a Pad number to record.
Voices can be set from this display. After completing the desired settings, press the [EXIT] button to return to this display.
Recording starts as soon as you play a key on the keyboard. Recording can also be started by pressing the [START/STOP] button.
If you are recording a Chord match phrase, use only the CM7 scale tones (i.e. C, D, E, G, A, and B).
C = chord tone C, S = scale tones
Press the [START/STOP] button to stop recording. Press the [RECORD] button to exit from the Record mode. 107
Use the same operation as in Multi Pad Recording above.

Select Chord Match.

Turn the Chord Match function on or off.
Use the data dial, the [+/YES] button or the [-/NO] button. To select the desired pad for setting, press the [NEXT]/[BACK] button.

Naming User Pads

Use the same operation as in Chord Match above.

Clearing User Pad Data

Select Clear.
Select the Pad number to be cleared.
Use the data dial, the [+/YES] button or the [-/NO] button. To clear the data from all four pads, select ALL PADS.
Execute the Clear operation.
Press the [+/YES] button to execute the Clear operation. To abort the Clear operation, press the [-/NO] button.
The PSR-740/640 lets you record up to three original User styles which can be used for auto accompaniment in the same way as the preset styles. User Style data can also be saved to and loaded from floppy disk (page 65). You can create a User styles by using the internal style data as a starting point. Select a preset style that is closest to the type of style you want to create, and record the auto accompaniment pattern to one track of the section.

q NOTE LIMIT. Note range (Low Limit, High Limit) setteings
Set the note range (low and high limits) for the voices recorded on user style tracks. By setting the note range, you can prevent unrealistic notes (such as high notes from a bass or low notes from a piccolo) from being produced and have them shifted to an octave within the note range.
Example) When low limit is C3 and high limit is D4. Root change Notes played
CM E3-G3-C4 C#M F3-G#3-C#4 FM F3-A3-C4
The pitch difference between the Low Limit and High Limit settings cannot be less than one octave.
q HIGH KEY. Highest Key setting
Set the highest key (upper limit of the octaves) of the note transposing for the Source Chord Root setting. The notes designated higher than the highest key will actually be played back in the octave just below the highest key.
Example) When highest key is F. Root change Notes played
CM C3-E3-G3 C#M C#3-F3-G#3 FM F3-A3-C4 F#M F#2-A#2-C#3
The High Key setting can only be made for the BASS, PHRASE 1, and PHRASE 2 tracks. (It cannot be set for any of the other tracks.
q SOURCE CHORD. Source Pattern Chord Root/Type setting
Set the key in which the source pattern will be played when the user style is created. The default setting is CM7. The source chord root is C and the source chord type is M7. See page 121 for the available chord types, chord notes and scale notes.
Setting the CTAB parameters

Select CTAB Edit.

Press the [NEXT] button to display the SECTION selection screen. Select the desired section for setting the CTAB parameters.
Press the [NEXT] button to display the TRACK selection screen. Select the desired track for setting the CTAB parameters.
Select the desired CTAB parameter.
Use the data dial, the [+/YES] button or the [-/NO] button. Refer to page 119 for more information on the CTAB parameters.
Press the [NEXT] button to display the CTAB parameter setting screen. Set the CTAB parameter value.
For NOTE LIMIT (sounding range), selected in step #14 above: Set by using the data dial, the [+/YES] button or the [-/NO] button.
For HIGH KEY (upper limit of the octaves), selected in step #14 above: Set by using data dial, the [+/YES] button or the [-/NO] button.
For SOURCE CHORD (source chord/type), selected in step #14 above: Set by using the data dial, the [+/YES] button or the [-/NO] button.

Set the chord root.

[BACK] button Set the chord type.
Repeat steps #14-#16 as needed.
Press the [BACK] button to return back to step #14.
Recording by source chord type

Set the Pitch Bend Range with the data dial, the [+/YES] button, the [-/NO] button or the number buttons [1]-[0].
This lets you assign other functions to the MODULATION Wheel.
Select a function with the data dial, the [+/YES] button or the [-/NO] button.
q Modulation Wheel function list MODULATION Applies vibrato effects to the voices played from the keyboard. BRIGHTNESS Adjusts the brightness of the voices played on the keyboard. Increasing the depth makes the sound brighter, while decreasing it makes it softer. RESONANCE Adds resonance to the voices played on the keyboard.

PSR-740/640 Voices

Voice List
The PSR-740/640 actually includes two voice sets: the panel voices and percussion kits, and the XG voices. The panel voices include 267 pitched voices (223 pitched voices for PSR-640) and 13 drum kits (12 drum kits for PSR-640), while the XG voice set includes 480 voices. The panel voices are specially recorded and programmed voices exclusive to the PSR-740/640 and other PortaTone instruments. The XG voices conform to Yamahas XG format; they also conform to the GM (General MIDI) standard. This allows you to accurately play back any GM- or XG-compatible song data directly on the PSR-740/640 itself, without having to change voices or make special settings. It also allows you to record songs for other GM- or XG-compatible instruments, and have them play back on those instruments as intended.
q Voices Panel Voices PSR-740 PSR-640 1-267 1-223 Drum Kits (Panel Voices) 268-280 224-235 XG Voices 281-760 236-715 Organ Flutes 761
The Voice List includes MIDI program change numbers for each voice. Use these program change numbers when playing the PSR-740/640 via MIDI from an external device. When the sustain or sostenuto pedal functions are being used (page 137), some voices may sound continuously or have a long decay after the notes have been released while the pedal is held.

q Maximum Polyphony

The PSR-740 has 64-note maximum polyphony and the PSR-640 has 32. Auto Accompaniment uses a number of the available notes, so when Auto Accompaniment is used the total number of notes that can be played on the keyboard is correspondingly reduced. The same applies to the Voice R2, Voice L, Multi Pad, and Song functions. When the maximum polyphony is exceeded, notes are played using last-note priority.
[PSR-740] Panel Voice List
Bank Select Voice Number MSB LSB MIDI Program Change Number Piano E.Piano 7 Organ Bank Select Voice Name Voice Number MSB LSB MIDI Program Voice Name Change Number 17 Theater Organ Pipe Organ 19 Chapel Organ Chapel Organ Chapel Organ Reed Organ Accordion 21 Trad.Accordion 21 MusetteAccordion 23 Tango Accordion 23 Bandoneon 21 Soft Accordion 21 Small Accordion 21 Accordion 22 Modern Harp 22 Harmonica 22 Blues Harp Guitar 24 Spanish Guitar 24 Classic Guitar 25 Folk Guitar 25 12Strings Guitar 24 SmoothNylonGuitr 25 Campfire Guitar 26 Jazz Guitar 26 Octave Guitar 26 Hawaiian Guitar 27 Solid Guitar 27 BrightCleanGuitr 27 Clean Guitar 27 Elec.12StrGuitar 27 Tremolo Guitar 27 Slap Guitar 28 Funk Guitar 28 Muted Guitar 30 Crunch Guitar 29 Feedback Guitar 29 OverdrivenGuitar 30 DistortionGuitar 27 Wah Guitar 27 PedalSteelGuitar 25 Mandolin 27 SolidChordGuitar 30 StackCrunchGuitr

n: channel No. [1'] [1 1/3'] [aux. 1] [2'] [2 2/3'] [4'] [5 1/3'] [8'] [16'] [Attack 2'] [Attack 2 2/3'] [Attack 4'] [Attack Length] [Response] [Attack Mode] [Wave Variation] [Volume] [aux. 4] [aux. 5] [aux. 6] [aux. 7]
00 - 07H 00 - 07H 00H 00 - 07H 00 - 07H 00 - 07H 00 - 07H 00 - 07H 00 - 07H 00 - 07H 00 - 07H 00 - 07H 00 - 07H 00 - 07H 00 - 01H 00 - 01H 00 - 08H 00H 00H 00H 00H
Discription 0 : - [dB] 1 : -12 [dB] 2 : -9 [dB] 3 : -6 [dB] 4 : -4.5 [dB] 5 : -3 [dB] 6 : -1.5 [dB] 7:0 [dB]
00H : Each, 01 : First 00H: Sine, 01H: Tone Wheel
(3-6-5) SPECIAL OPERATORS (3-6-5-1) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF binary hexadecimal 11110000 F0 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID Sub ID 0000nnnn 0N N = MIDI Channel Volume and Expression Realtime Control Off 0vvvvvvv VV Value VV: Off=7FH, on=OOH 11110111 F7 End of Exclusive When On is received, subsequent volume, expression, and PAN changes are only valid after the reception of the next key on. Normal operation resumes when Off is received. (3-6-5-2) Vocal Harmony Pitch to Note (PSR-740 ONLY) binary hexadecimal 11110000 F0 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID Sub ID Channel No. (always 00 ) Vocal Harmony Additional Parameter Control No. Pitch to Note Parameter No. 0sssssss SS Pitch To Note switch 00H : Off 01H : On 11110111 F7 End of Exclusive
< Table 1-1> Parmeter Basic Address
Parameter Change Address (H) (M) (L) 00 7D 7E 7F 08 A/D PART DRUM 00 0F 00 0D 0D Description System Drum Setup Reset XG System On All Parameter Reset System Information Effect1(Reverb,Chorus,Variation) Multi EQ(PSR-740 ONLY) Effect2(PSR-740 ONLY) Special Effect2(PSR-740 ONLY) Multi Part 1 : Multi Part 16 A/D Part 1(PSR-740 ONLY) Drum Setup 1 Drum Setup 2 Address : 3n 3n 3n Parameter : note number 13 note number 14 : note number 91

SYSTEM

INFORMATION EFFECT 1 MULTI EQ EFFECT 2 SPECIAL EFFECT MULTI PART

0D 0E : 5B

<Table 1-2> MIDI Parameter Change table (SYSTEM)
Address (H) Size (H) 4 Data (H) 0000.07FF Prameter Name Master Tune Description -102.4.+102.3[cent] 1st bit3-0 bit15-12 2nd bit3-0 bit11-8 3rd bit3-0 bit7-4 4th bit3-0 bit3-0 0.127 -24.+24[semitones] n=Drum Setup Number 00=XG Sytem on 00=on (receive only) Default Value (H) (400) (With XG, GM On, it will not reset.)

Headphones AC Power Adaptor Foot Switch Keyboard Stand : HPE-150 : PA-6 : FC4, FC5 : L-6, L-7
Quick Record, Multi Record Recording Tracks: Punch In/Punch Out Quantize Naming Clear Setup Data : Volume, Octave, Pan, Reverb depth, Chorus depth, DSP depth
User Pad Bank : 4 (37 40) Naming Clear Chord Match
* Specifications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.

Organ Flutes

Organ type : 8 types Vibrato Speed Attack Mode Attack Footage Length Response Footage
User Styles : 3 (161 163) Recording Tracks PSR-740 : 12 Sections x 8 tracks PSR-640 : 10 Sections x 8 tracks Drum Cancel Quantize Naming Clear Ctab :
160 Styles Accompaniment Track : RHYTHM1/2, BASS, CHORD 1/2, PAD, PHRASE1/2 Accompaniment Track Settings : ON/OFF Accompaniment Control : ACMP ON/OFF, SYNC START, SYNC STOP, START/ STOP,COUNT INTRO (PSR-740), INTRO, MAIN/AUTO FILL, SIMPLE ENDING/rit. (PSR-740), ENDING/rit. Beat Indicator Accompaniment Volume Voice Change : Voice number Mixer : Volume
Transmit settings Receive settings Local Control Clock Initial Data Send MIDI template

Other functions

Metronome Part Octave Master Tuning

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

PSR-740

!3 !2 !7

t q w #4

START/STOP

SONG ACMP SYNC STOP

r i o !0 !4 !5 !1 #6 #7 #8

MAIN/AUTO FILL

VOICE R2

LOAD SAVE

UTILITY

SYNC START

ACMP ON/OFF

FINGERING GROOVE ON/OFF

ON/OFF

REVERB

VOICE R1

VOICE L PART ON/OFF

COUNT INTRO

SIMPLE ENDING

ENDING

MEMORY

DISK IN USE

REGISTRATION MEMORY

FREEZE

MULTI PAD

ONE TOUCH SETTING

CLICK 36 T 37

M 59 L

M 60 H C 61 1

H 62 R 63 1

C 69 2

R 71 2

H 72 L 73

H 77 L 78

H 79 L 80

L 84 S 85

L 89 M 90

PSR-640

y q w #4

r o !0 !4 !5 !1 #6 #7

FINGERING MAIN/AUTO FILL

RHYTHM SUB

RHYTHM MAIN

CHORD 1

CHORD 2

PHRASE 1

PHRASE 2

ACCOMPANIMENT

PHONES

PSR-740/640

Obere Bedienelemente

LOAD-Taste (Diskette laden).. 17, 70 UTILITY-Taste (Hilfsfunktionen). 17, 72, 75
q STANDBY/ON-Schalter w e r t
(Instrument EIN/AUS).. 12 MASTER VOLUME-Regler (Gesamtlautstrke). 15 DEMO/LANGUAGE-Taste (Demo-Song/Sprachwahl). 15 HELP/DIRECT ACCESS-Taste (Hilfe/Direktzugriff). 18, 21 INPUT VOLUME-Taste (PSR-740) (Eingangslautstrke).. 13
#4 SYNC STOP-Taste.. 43 #5 SYNC START-Taste. 35 #6 ACMP ON/OFF-Taste (automatische
Ba/Akkord-Begleitung). 25, 35 #7 FINGERING-Taste (Akkordgriff).. 40 #8 GROOVE ON/OFF-Taste (PSR-740). 45

#9 VOCAL HARMONY

ON/OFF-Taste (PSR-740). 83 REVERB-Taste (PSR-740). 83 DSP4-Taste (PSR-740).. 83 TALK-Taste (PSR-740). 83
y RECORD-Taste. 17, 25, 92, 106, 110 u DSP.. 50
DSP1, DSP2, DSP3-Tasten (PSR-740) DSP-Taste (PSR-640) FAST/SLOW-Taste

$0 PART ON/OFF

VOICE L-Taste.. 28 VOICE R1-Taste.. 28 VOICE R2-Taste.. 28
i MASTER EQ-Taste (PSR-740) o !0 !1 !2
(Master-Equalizer).. 50 HARMONY/ECHO-Taste.. 50 TOUCH-Taste.. 136 SUSTAIN-Taste.. 31 BACK-Taste, NEXT-Taste. 17
$1 START/STOP-Taste.. 34, 76 $2 Automatischer Begleitungsteil.. 36
INTRO-Taste COUNT INTRO-Taste (PSR-740) MAIN A, B, C, D-Tasten ENDING-Taste SIMPLE ENDING-Taste (PSR-740)
!3 LCD display.. 16 !4 VOICE CHANGE-Taste.. 89 !5 MIXER-Taste... 90 !6 TRACK 1 - 16 Tasten.. 39, 78 !7 EXIT-Taste.. 17 !8 ORGAN FLUTES-Taste (PSR-740)

Song-Modus..25 Song-Wiedergabemodus.. 77 Sostenuto..137, 138 Speichern..68 Spielvorbereitungen...12 Split-Punkt... 29, 42, 135 Sprache...18 Spur... 39, 78, 93 Standard MIDI..125 Standard...20 STANDBY-Schalter...15 START/STOP.. 25, 34, 77, 95, 97, 107, 113 Starttakt...79 Stimme L...28, 29 Stimme R1... 26, 27, 29 Stimme R2... 27, 29 Stimme...26 Stimmenliste...156 Stimmenvoreinstellung..136 Stimmenwechsel.. 17, 88, 89 Style File... 9, 65, 125 Style.. 34, 112 Style-Modus..25 Sustain..31, 137, 138 SYNC START...25, 35 SYNC STOP..43 Synchro Start..25, 35 Synchro Stop..43, 137, 138 Synchrostartbereitschaft.. 25 System-Effekt.. 54, 140, 141
XG... 9, 65, 76, 161 XG/GM... 131

Zahlentasten...20

Takt... 16, 79, 98 Taktart....92 Talk-Einstellung.. 86 Tap...38, 137, 138 Tastatur...29 Technische Daten...155 Tempo....38 TO HOST...123 TOUCH..136 Transponieren... 30, 81 Tremolo...57, 145 Triller... 57, 145
Umschalten...21 Upper... 85, 130
Vibrato...32 Vocal Harmony... 82
Specifications/Technische Daten/Spcifications/Especificaciones

Keyboards

61 standard-size keys (C1 C6) with touch response. Parameter Edit : Pan, Reverb depth, Chorus depth, DSP depth (PSR-640) One Touch Setting Fingering Mode : Multi Finger/Single Finger/Fingered 1/Fingered 2/Full Keyboard Scale Tuning Split Point Touch Sensitivity Voice Set Footswitch function Foot Volume function Pitch Bend Range Modulation Wheel function

Display

Large multi-function LCD display

Groove

Groove type : 11 types Dynamics type : 18 types
STANDBY/ON Master Volume : MIN MAX Input Volume : MIC/LINE (PSR-740)

Auxiliary Jacks

DC IN 10-12V PHONES FOOT SWITCH FOOT VOLUME AUX OUT (R, L+R/L) MIDI IN/OUT, TO HOST MIC/LINE IN
36 Multi Pad Banks 4 Pads + STOP Chord Match Naming
PSR-740 : 10 Songs PSR-640 : 8 Songs

Language

English, German, French, Spanish, Italian, Japanese

Digital Effects

PSR-740 Reverb : 24 types Chorus : 20 types DSP (system/insertion) : 102 types DSP1 - 3 (Multi Effect) : 74 types DSP4 (microphone sound) : 74 types Harmony/Echo : 22 types Master EQ : 5types PSR-640 Reverb : 24 types Chorus : 16 types DSP (system/insertion) : 74 types Harmony/Echo : 22 types

Amplifiers

6W + 6W

Realtime Controls

Pitch Bend wheel Modulation wheel (PSR-740)

Speakers

12 cm (4-3/4") x 2 + 5cm x 2

Power Consumption

Control & Number Buttons
VOICE L VOICE R1 VOICE R2 FUNCTION SONG STYLE TEMPO/TAP TRANSPOSE ACMP/SONG VOLUME VOICE CHANGE MIXER ORGAN FLUTE (PSR-740) GROOVE (PSR-740) MULTI EFFECT (PSR-740) VOCAL HARMONY (PSR-740) DIRECT ACCESS NEXT/BACK EXIT Data dial, [1] [0], [+/YES], [/NO]

534 535

489 490
Orchestra Orchestra 2 TremoloOrchestra Velocity Strings StringEnsemble2 StereoSlowStrngs Legato Strings Warm Strings Kingdom 70s Strings StringEnsemble3 Synth Strings 1 Resonant Strings Synth Strings 4 Synth Strings 5 Synth Strings 2 Choir Aahs Stereo Choir Choir Aahs 2 Mellow Choir Choir Strings Voice Oohs Synth Voice Synth Voice 2 Choral Analog Voice Orchestra Hit Orchestra Hit 2 Impact Trumpet Trumpet 2 Bright Trumpet Warm Trumpet Trombone Trombone 2 Tuba Tuba 2 Muted Trumpet French Horn French Horn Solo French Horn 2 Horn Orchestra Brass Section Trp&TrbSection Brass Section 2 High Brass Mellow Brass Synth Brass 1 Quack Brass Reso Synth Brass Poly Brass Synth Brass 3 Jump Brass AnalogVeloBrass1 Analog Brass 1 Synth Brass 2 Soft Brass Synth Brass 4 Choir Brass AnalogVeloBrass2 Analog Brass 2 Soprano Sax Alto Sax Sax Section Hyper Alto Sax Tenor Sax BreathyTenorSax Soft Tenor Sax Tenor Sax 2 Baritone Sax Oboe English Horn

606 607

561 562
Bassoon Clarinet Piccolo Flute Recorder Pan Flute Blown Bottle Shakuhachi Whistle Ocarina Square Lead Square Lead 2 LM Square Hollow Shroud Mellow Solo Sine Sine Lead Sawtooth Lead Sawtooth Lead 2 Thick Sawtooth Dynamic Sawtooth Digital Sawtooth Big Lead Heavy Synth Waspy Synth Pulse Sawtooth Dr. Lead Velocity Lead Sequenced Analog Calliope Lead Pure Pad Chiff Lead Rubby Charang Lead Distorted Lead Wire Lead Voice Lead Synth Aahs Vox Lead Fifths Lead Big Five Bass & Lead Big & Low Fat & Perky Soft Whirl New Age Pad Fantasy Warm Pad Thick Pad Soft Pad Sine Pad Horn Pad Rotary Strings Poly Synth Pad Poly Pad 80 Click Pad Analog Pad Square Pad Choir Pad Heaven Itopia CC Pad Bowed Pad Glacier Glass Pad Metallic Pad Tine Pad Pan Pad Halo Pad Sweep Pad Shwimmer

678 679

633 634

107 107

Converge Polar Pad Celestial Rain Clavi Pad Harmo Rain African Wind Carib Sound Track Prologue Ancestral Crystal Synth Drum Comp Popcorn Tiny Bells Round Glocken Glocken.Chimes Clear Bells Chorus Bells Synth Mallet Soft Crystal LoudGlockenspiel Christmas Bells Vibraphone Bells Digital Bells Air Bells Bell Harp Gamelimba Atmosphere Warm Atmosphere Hollow Release Nylon El.Piano Nylon Harp Harp Vox Atmosphere Pad Planet Brightness Fantasy Bells Smokey Goblins Goblins Synth Creeper Ring Pad Ritual To Heaven Night Glisten Bell Choir Echoes Echoes 2 Echo Pan Echo Bells Big Pan Synth Piano Creation Star Dust Resonant&Panning Sci-Fi Starz Sitar Detuned Sitar Sitar 2 Tambra Tamboura Banjo Muted Banjo Rabab Gopichant Oud Shamisen Koto Taisho-kin

750 751

705 706
Kanoon Kalimba Bagpipe Fiddle Shanai Shanai 2 Pungi Hichiriki Tinkle Bell Bonang Altair Gamelan Gongs Stereo Gamelan Rama Cymbal Asian Bells Agogo Steel Drums Glass Percussion Thai Bells Woodblock Castanets Taiko Drum Gran Cassa Melodic Tom Melodic Tom 2 Real Tom Rock Tom Synth Drum Analog Tom Electronic Perc. Reverse Cymbal GuitarFretNoise Breath Noise Seashore Bird Tweet Telephone Ring Helicopter Applause Gunshot Cutting Noise Cutting Noise 2 String Slap Flute Key Click Shower Thunder Wind Stream Bubble Feed Dog Horse Bird Tweet 2 Ghost Maou Phone Call Door Squeak Door Slam Scratch Cut Scratch Split Wind Chime Telephone Ring 2 CarEngineIgntion Car Tires Squeal Car Passing Car Crash Siren Train Jet Plane Starship Burst Roller Coaster Submarine
Laugh Scream Punch Heartbeat FootSteps Machine Gun Laser Gun Explosion Firework
Drum Kit List/Drum Kit-Liste/Liste de kits de batterie/Lista de juegos de
< indicates that the drum kit is the same as Standard Kit1. Each percussion voice uses one note. The note numbers and note names printed on the keyboard are one octave higher than the MIDI note numbers and note names shown in the list. For example, the note number and note name, #36 and C1, on the keyboard correspond to the MIDI note number and note name, #24 and C0, shown in the list. < gibt an, da das Drum Kit das gleiche wie Standard Kit1 ist. Jede Percussion-Stimme verwendet eine Note. Die Notennummern und Notennamen auf der Tastatur liegen eine Oktave hher als die MIDI-Notennummern und MIDI-Notennamen, die in der Liste aufgefhrt sind. Notennummer und Notenname #36 und C1 auf der Tastatur entsprechen zum Beispiel, wie in der Liste gezeigt, MIDI-Notennummer und -name #24 und C0.

C1 D1 E1 F1 G1

C#1 D#1

F#1 G#1

A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1
Bank MSB Bank LSB Prgram Number Note # Note 13 C#-D-D#-E-F-F#-G-G#-A-A#-B-CC#DD#EFF#GG#AA#BCC#DD#EFF#GG#AA#BCC#DD#EFF#GG#AA#BCC#DD#EFF#GG#AA#BCC#DD#EFF#GG#AA#BCC#DD#EFF#G5
0 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch Push Scratch Pull Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare H Soft Sticks Bass Drum Soft Open Rim Shot Bass Drum Hard Bass Drum Side Stick Snare M Hand Clap Snare H Hard Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree

Exclusive status YAMAHA ID Device Number Model ID ByteCount MSB ByteCount LSB Address High Address Mid Address Low Data Check sum End of Exclusive
For more information on Address and Byte Count, refer to < Table 1-2 > - < Table 1-8 >. The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum has value zero in its seven least significant bits. If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be received. The Block is a unit that consists of the data, arranged in the list, as the Total Size. The data types listed below are transmitted and received.(These are transmitted only after a Bulk Dump request is received.) System Data System Information (Transmit ONLY) Multi Effect1 Data Multi EQ Data (PSR-740 ONLY) Multi Effect2 Data (PSR-740 ONLY) Special Effect Data (PSR-740 ONLY) Multi Part Data A/D Part Data (PSR-740 ONLY) Drums Setup Data (3-6-3-3) XG PARAMETER REQUEST (Receive only) binary hexadecimal 11110000 F0 Exclusive status YAMAHA ID 0011nnnn 3n Device Number 01001100 4C Model ID 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 11110111 F7 End of Exclusive For more information on Address and Byte Count refer to < Table 1-2 > - < Table1-8 >. The data types listed below are received. System Data Multi Effect1 Data Multi EQ Data (PSR-740 ONLY) Multi Effect2 Data (PSR-740 ONLY) Special Effect Data (PSR-740 ONLY) Multi Part Data A/D Part Data (PSR-740 ONLY) Drums Setup Data (3-6-3-4) XG DUMP REQUEST (Receive only) binary hexadecimal 11110000 F0 Exclusive status YAMAHA ID 0010nnnn 2n Device Number 01001100 4C Model ID 00aaaaaaa AA Address High 00aaaaaaa AA Address Mid 00aaaaaaa AA Address Low 11110111 F7 End of Exclusive For more information on Address and Byte Count refer to < Table 1-2 > - < Table1-8 >. The data types listed below are received. System Data System Information Multi Effect1 Data Multi EQ Data (PSR-740 ONLY) Multi Effect2 Data (PSR-740 ONLY) Special Effect Data (PSR-740 ONLY) Multi Part Data A/D Part Data (PSR-740 ONLY) Drums Setup Data

06 7D 7E 7F TOTAL SIZE 7

00.7F 28.58 0n 00 00
Master Volume Not Used Transpose Drum Setup Reset XG System On All Parameter Reset
<Table 1-3> MIDI Parameter table (System information)
Address (H) 00 : 0D 0E 0F TOTAL SIZE 10 Size (H) E Data (H) 20.7F Prameter Name Model Name Description 32.127(ASCII)
(Transmitted by Dump Request. Not received. Bulk Dump Only)
<Table 1-4> MIDI Parameter Change table (EFFECT 1)
Address (H) 00 Size (H) 1 Data (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 01.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 01.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Prameter Name Reverb Type MSB Reverb Type LSB Reverb Parameter 1 Reverb Parameter 2 Reverb Parameter 3 Reverb Parameter 4 Reverb Parameter 5 Reverb Parameter 6 Reverb Parameter 7 Reverb Parameter 8 Reverb Parameter 9 Reverb Parameter 10 Reverb Return Reverb Pan Reverb Parameter 11 Reverb Parameter 12 Reverb Parameter 13 Reverb Parameter 14 Reverb Parameter 15 Reverb Parameter 16 Chorus Type MSB Chorus Type LSB Chorus Parameter 1 Chorus Parameter 2 Chorus Parameter 3 Chorus Parameter 4 Chorus Parameter 5 Chorus Parameter 6 Chorus Parameter 7 Chorus Parameter 8 Chorus Parameter 9 Chorus Parameter 10 Chorus Return Chorus Pan Send Chorus To Reverb Chorus Parameter 11 Chorus Parameter 12 Chorus Parameter 13 Chorus Parameter 14 Chorus Parameter 15 Chorus Parameter 16 Description Refer to the Ef. Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.64.127) L63.C.R63(1.64.127) Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.64.127) L63.C.R63(1.64.127) -.0.+6dB(0.64.127) Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Default Value (H) 01(=HALL1) 00 Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type 41(=Chorus1) 00 Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type 00 Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type Depend on Chorus Type

nn 23 nn 24 nn 25 nn 26 nn 27 nn 28 TOTAL SIZE 29 nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn 30 : 4A 4B 4C 4D 4E 4F : 68

nn nn nn

69 : 6E TOTAL SIZE 3F nn = PartNumber
If there is a Drum Voice assigned to the Part, the following parameters are ineffective. Bank Select LSB Soft Pedal Pitch EG Mono/Poly Portamento Scale Tuning
< Table 1-9 > MIDI Parameter Change table (A/D PART) (PSR-740 ONLY)
Address (H) 10 nn : 0A 0B 0C 0D 0E 0F 14 TOTAL SIZE 15 Size (H) 1 Data (H) Prameter Name Not Use Not Use Not Use Not Use Rcv Channel Not Use Not Use Volume Not Use Not Use Pan Not Use Not Use Dry Level Chorus Send Reverb Send Variation Send Description Default Value (H)

00.0F, 7F

A1.A16, OFF
01.7F 00.7F 00.7F 00.7F 00.7F
L63.C.R63 (1.127) 0.127 0.127 0.127 0.127

40 7F 00

< Table 1-10 > MIDI Parameter Change table (DRUM SETUP)
Address (H) 3n rr 3n rr 3n rr 3n rr 3n rr 04 Size (H) Data (H) 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.01 00.01 00.01 00.7F 00.7F 00.7F 00.7F 00.7F Prameter Name Pitch Coarse Pitch Fine Level Alternate Group Pan Reverb Send Level Chorus Send Level Variation Send Level Key Assign Rcv Note Off Rcv Note On Filter Cutoff Freq. Filter Resonance EG Attack Rate EG Decay1 Rate EG Decay2 Rate Description (H) -64.+63 -64.+63[cent] 0.127 0:off,1.127 0:random L63.C.R63(1.64.127) 0.127 0.127 0.127 0:single,1:multi off/on off/on -64.63 -64.63 -64.63 -64.63 -64.63 Default Value (H) Depend on the Note Depend on the Note Depend on the Note Depend on the Note Depend on the Note 7F 00 Depend on the Note 40 40
3n rr 05 3n rr 06 3n rr 07 3n rr 08 3n rr 09 3n rr 0A 3n rr 0B 3n rr 0C 3n rr 0D 3n rr 0E 3n rr 0F TOTAL SIZE 10
n:Drum Setup Number(0 - 1) rr:note number(0DH - 5BH) If XG SYSTEM ON and/or GM On message is received, all Drum Setup Parameter will be reset to default values. According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values.
< Table 1-11 > Effect Type List
XG ESSENTIAL EFFECT Same as LSB=0 XG OPTION EFFECT XG OPTION EFFECT(Only PSR-740) Expanded type for PSR-740/640 * If the received value does not contain an effect type in the TYPE LSB, the LSB will be directed to TYPE 0. * Panel Effects are based on the [Number] Effect Name.
REVERB TYPE (PSR-740/640)
TYPE MSB DEC HEX : : 015 0F : : 127 7F TYPE LSB 00 NO EFFECT [1]HALL1 [10]ROOM1 [15]STAGE1 [19]PLATE NO EFFECT : NO EFFECT [20]WHITE ROOM [21]TUNNEL [22]CANYON [23]BASEMENT NO EFFECT : NO EFFECT 01 [5]HALL2 [11]ROOM2 [16]STAGE03.09.[2]HALL2 [6]ROOM1 [13]STAGE1 [17]PLATE[3]HALL3 [7]ROOM2 [14]STAGE2 [18]PLATE[4]HALL4 [8]ROOM20

VARIATION TYPE (0-63) (PSR-740)
TYPE MSB TYPE LSB DEC HEX 00 NO EFFECT [1]HALL02 [10]ROOM03 [15]STAGE04 [19]PLATE [21]DELAY L,C,R [22]DELAY L,R [23]ECHO [24]CROSS DELAY [25]ER0A [27]GATE REVERB 011 0B [28]REVERS GATE 012 0C NO EFFECT or THRU* : : : 015 0F NO EFFECT or THRU* [29]WHITE ROOM [30]TUNNEL [31]CANYON [32]BASEMENT [33]KARAOKE 15 NO EFFECT or THRU* : : : 063 3F NO EFFECT or THRU* * No effect when Effect Connection = System. Through when Effect Connection = Insertion. 01 [5]HALL2 [11]ROOM2 [16]STAGE03.09.[2]HALL2 [6]ROOM1 [13]STAGE1 [17]PLATE1 [20]Delay LCR 17 [3]HALL3 [7]ROOM2 [14]STAGE2 [18]PLATE[4]HALL4 [8]ROOM20

[34]KARAOKE 2

[35]KARAOKE 3
VARIATION TYPE (64-127) (PSR-740)
TYPE MSB DEC HEX : 096 4A 4B 4C 4D 4E 4F : 5C 5D 5E 5F 60 TYPE LSB 00 THRU [41]CHORUS1 [44]CELESTE1 [50]FLANGER 1 [52]SYMPHONIC [58]ROTARY SP. [62]TREMOLO [65]AUTO PAN [66]PHASER [70]DISTORTION [71]OVER DRIVE [73]AMP SIM. [76]3BAND EQ [77]2BAND EQ [79]AUTO WAH THRU [89]PITCH CHANGE02 03.[43]CHORUS4 [37]CHORUS2 [46]FLANGER1 09.19 20
[42]CHORUS2 [40]CHORUS5 [39]CHORUS4 [45]CELESTE3 [49]FLANGER 4
[38]CHORUS3 [47]FLANGER2 [51]Symphonic [53]Rotary Sp1 [60]Tremolo1 [64]AutoPan
[36]CHORUS1 [57]Rotary Sp5 [48]FLANGER3
[56]Rotary Sp4 [54]Rotary Sp2

[55]Rotary Sp3

[61]Tremolo2

[63]Gtr Tremolo

[67]PHASER 2 [72]COMP +DISTORTION [68]DIST.HARD [69]DIST.SOFT [74]EQ DISCO [75]EQ TEL [82]AUTO WAH +DIST [83]AUTO WAH +OVERDRIVE [78]Auto Wah
[90]PITCH CHANGE2 [84]HARMONIC ENHANCER [80]TOUCH WAH 1 [85]TOUCH WAH +DIST [87]COMPRESSOR [88]NOISE GATE [91]VOICE CANCEL [59]2WAY ROTARY SP [92]ENSEMBLE DETUNE [93]AMBIENCE THRU THRU [94]TALKING MODULATOR [95]LO-FI [96]DIST+DELAY [98]COMP+DIST +DELAY [100]WAH+DIST +DELAY THRU THRU

[86]TOUCH WAH +OVERDRIVE

[81]TOUCH WAH 2
[97]OVERDRIVE +DELAY [99]COMP +OVERDRIVE +DELAY [101]WAH +OVERDRIVE +DELAY

098 : 127

62 : 7F

INSERTION TYPE (PSR-740)

TYPE MSB DEC HEX : : : : 074 4A 075 4B 076 4C 077 4D 078 4E 079 4F : : 127 7F TYPE LSB 00 THRU [1]HALL 1 [10]ROOM 1 [15]STAGE 1 [19]PLATE [21]DELAY L,C,R [22]DELAY L,R [23]ECHO [24]CROSS DELAY THRU : THRU [25]KARAOKE 1 THRU : THRU [33]CHORUS 1 [36]CELESTE 1 [42]FLANGER 1 [44]SYMPHONIC [50]ROTARY SPEAKER 1 [53]TREMOLO [56]AUTO PAN [57]PHASER 1 [60]DISTORTION [61]OVER DRIVE [62]AMP SIMULATOR [65]3-BAND EQ [66]2-BAND EQ [68]AUTO WAH(LFO) THRU THRU [69]HARMONIC ENHANCER [70]TOUCH WAH 1 [72]COMPRESSOR [73]NOISE GATE THRU THRU [74]ENSEMBLE DETUNE THRU : THRU 01 [5]HALL 2 [11]ROOM 2 [16]STAGE 03.09.[2]HALL2 [6]ROOM1 [13]STAGE1 [17]PLATE1 [20]Delay LCR 17 [3]HALL3 [7]ROOM2 [14]STAGE2 [18]PLATE[4]HALL4 [8]ROOM20

[12]ROOM 3

[26]KARAOKE 2 [27]KARAOKE 3
[34]CHORUS 2 [32]CHORUS 3 [31]CELESTE 2 [37]CELESTE 3 [41]FLANGER 2
[35]CHORUS 4 [29]CELESTE 4 [38]FLANGER 3
[30]CHORUS3 [39]FLANGER2 [43]Symphonic [45]Rotary Sp1 [51]Tremolo1 [55]AutoPan
[28]CHORUS1 [49]Rotary Sp5 [40]FLANGER3
[48]Rotary Sp4 [46]Rotary Sp2

[47]Rotary Sp3

[52]Tremolo2

[54]Gtr Tremolo

[58]DIST.HARD [59]DIST.SOFT [63]EQ DISCO [64]EQ TEL [67]Auto Wah

[71]TOUCH WAH 2

< Table 1-12 > Effect Parameter List
HALL1,HALL2, ROOM1,ROOM2,ROOM3, STAGE1,STAGE2, PLATE (reverb, variation, insertion block)
No. Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Display 0.3-30.0s 0-10 0.1mS-99.3mS Thru-8.0kHz 1.0k-Thru Value 0-69 0-10 0-63 0-52 34-60 See Table table#4 table#5 table#3 table#3 Comment Control
EARLY REF1,EARLY REF2(variation block)
No. Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Dry/Wet Liveness Density High Damp Display S-H, L-H, Rdm, Rvs, Plt, Spr 0.1-7.0 0-10 0.1mS-99.3mS -63-+63 Thru-8.0kHz 1.0k-Thru D63>W - D=W - D<W63 0-10 0-3 0.1-1.0 Value 0-5 0-44 0-10 0-63 1-127 0-52 34-60 1-127 0-10 0-3 1-10 See Table table#6 table#5 table#3 table#3 q Comment Control
Dry/Wet Rev Delay Density Er/Rev Balance High Damp Feedback Level
D63>W - D=W - D<W63 0.1mS-99.3mS 0-4 (reverb, variation block) 0-4 (reverb, variation block) 0-2 (insertion block) E63>R - E=R - E<R63 0.1-1.0 -63-+63
1-127 0-63 0-4 0-3 0-2 1-127 1-10 1-127 table#5 PSR-740 PSR-640
GATE REVERB, REVERSE GATE (variation block)
No. Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Dry/Wet Liveness Density High Damp Display TypeA,TypeB 0.1-20.0 0-10 0.1mS-200.0mS -63-+63 Thru-8.0kHz 1.0k-Thru D63>W - D=W - D<W63 0-10 0-3 0.1-1.0 Value 0-1 0-127 0-10 0-127 1-127 0-52 34-60 1-127 0-10 0-3 1-10 See Table table#6 table#5 table#3 table#3 q Comment Control
WHITE ROOM, TUNNEL, CANYON, BASEMENT (reverb, variation block)
No. Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Width Heigt Depth Wall Var y Dry/Wet Rev Delay Density Er/Rev Balance High Damp Feedback Level Display 0.3-30.0s 0-10 0.1mS-99.3mS Thru-8.0kHz 1.0k-Thru 0.5-10.2m 0.5-20.2m 0.5-30.2m 0-30 D63>W - D=W - D<W63 0.1mS-99.3mS 0-4 0-4 E63>R - E=R - E<R63 0.1-1.0 -63-+63 Value 0-69 0-10 0-63 0-52 34-60 0-37 0-73 0-104 0-30 1-127 0-63 0-4 0-3 1-127 1-10 1-127 See Table table#4 table#5 table#3 table#3 table#11 table#11 table#11 q table#5 PSR-740 PSR-640 PSR-740 only Comment Control

KARAOKE1,2,3 (variation, insertion block)
No. Parameter Delay Time Feedback Level HPF Cutoff LPF Cutoff Display 0.1mS-400.0mS -63-+63 Thru-8.0kHz 1.0k-Thru Value 0-127 1-127 0-52 34-60 See Table table#7 table#3 table#3 Comment Control
DELAY L,C,R (variation, insertion block)
No. Parameter Lch Delay Rch Delay Cch Delay Feedback Delay Feedback Level Cch Level High Damp Dry/Wet Display 0.1-715.0ms (variation block) 0.1-715.0ms (Insertion block) 0.1-715.0ms (variation block) 0.1-715.0ms (Insertion block) 0.1-715.0ms (variation block) 0.1-715.0ms (Insertion block) 0.1-715.0ms (variation block) 0.1-715.0ms (Insertion block) -63-+63 0-127 0.1-1.0 D63>W - D=W - D<W63 Value 1-7150 1-7150 1-7150 1-7150 1-7150 1-7150 1-7150 1-7150 1-127 0-127 1-10 1-127 See Table Comment Control

Dry/Wet

D63>W - D=W - D<W63
CHORUS1,2,3,4, CELESTE1,2,3,4 (chorus, variation, insertion block)
q No. Parameter LFO Frequency LFO Depth Feedback Level Delay Offset EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width Input Mode Display 0.00Hz-39.7Hz 0-127 -63-+63 0.0mS-50mS 32Hz-2.0kHz 50Hz-2.0kHz -12-+12dB 500Hz-16.0kHz -12-+12dB D63>W - D=W - D<W63 100Hz-10.0kHz (variation block) -12-+12dB (variation block) 1.0-12.0 (variation block) mono/stereo Value 0-127 0-127 1-127 0-127 4-40 8-40 52-76 28-58 52-76 1-127 14-54 52-76 10-120 0-1 See Table table#1 table#2 table#3 table#3 table#3 q table#3 PSR-740 only PSR-740 only PSR-740 only PSR-740 PSR-640 Comment Control
EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain
32Hz-2.0kHz 50Hz-2.0kHz -12-+12dB 500Hz-16.0kHz -12-+12dB
4-40 8-40 52-76 28-58 52-76

table#3 table#3 table#3

DELAY L,R (variation, insertion block)
No. Parameter Lch Delay Rch Delay Feedback Delay 1 Feedback Delay 2 Feedback Level High Damp Display 0.1-715.0ms (variation block) 0.1-715.0ms (Insertion block) 0.1-715.0ms (variation block) 0.1-715.0ms (Insertion block) 0.1-715.0ms (variation block) 0.1-715.0ms (Insertion block) 0.1-715.0ms (variation block) 0.1-715.0ms (Insertion block) -63-+63 0.1-1.0 Value 1-7150 1-7150 1-7150 1-7150 1-7150 1-7150 1-7150 1-7150 1-127 1-10 See Table Comment Control

PSR-740 only PSR-740 only PSR-740 only
mild-sharp table#8 table#9 table#10
2WAY ROTARY SPEAKER (variation block)
No. Parameter Rotor Speed Drive Low Drive High Low/High EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Crossover Frequency Mic L-R Angle Display 0.0Hz-39.7Hz 0-127 0-127 L63>H - L=H - L<H63 32Hz-2.0kHz -12-+12dB 500Hz-16.0kHz -12-+12dB 100Hz-10.0kHz 0deg-180deg(resolution=3deg.) Value 0-127 0-127 0-127 1-127 4-40 52-76 28-58 52-76 14-54 0-60 See Table table#1 Comment Control q
AMP SIMULATOR (variation, insertion block)
No. Parameter Drive AMP Type LPF Cutoff Output Level Display 0-127 Off,Stack,Combo,T ube 1.0k-Thru 0-127 Value 0-127 0-3 34-60 0-127 See Table Comment Control q

Dry/Wet Edge(Clip Curve)

D63>W - D=W - D<W63 0-127

1-127 0-127 mild-sharp

TREMOLO (variation, insertion block)
No. Parameter LFO Frequency AM Depth PM Depth EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width LFO Phase Difference Input Mode Display 0.00Hz-39.7Hz 0-127 0-127 32Hz-2.0kHz 50Hz-2.0kHz -12-+12dB 500Hz-16.0kHz -12-+12dB 100Hz-10.0kHz (v ariation block) -12-+12dB (variation block) 1.0-12.0 (variation block) -180-+180deg(resolution=3deg.) mono/stereo Value 0-127 0-127 0-127 4-40 8-40 52-76 28-58 52-76 14-54 52-76 10-120 4-124 0-1 See Table table#1 Comment Control q
3BAND EQ(MONO) (variation, insertion block)
No. Parameter EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency Display -12-+12dB 100Hz-10.0kHz 500Hz-10.0kHz -12-+12dB 1.0-12.0 -12-+12dB 50Hz-2.0kHz 500Hz-16.0kHz Value 52-76 14-54 28-54 52-76 10-120 52-76 8-40 28-58 See Table table#3 table#3 Comment PSR-740 PSR-640 Control

Input Mode

mono/stereo
AUTO PAN (variation, insertion block)
No. Parameter LFO Frequency L/R Depth F/R Depth PAN Direction EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width Display 0.00Hz-39.7Hz 0-127 0-127 L<->R,L->R,L<-R,Lturn,Rtur n,L/R 32Hz-2.0kHz 50Hz-2.0kHz -12-+12dB 500Hz-16.0kHz -12-+12dB 100Hz-10.0kHz (variation block) -12-+12dB (variation block) 1.0-12.0 (variation block) Value 0-127 0-127 0-127 0-5 4-40 8-40 52-76 28-58 52-76 14-54 52-76 10-120 See Table table#1 Comment Control q
2BAND EQ(STEREO) (variation, insertion block)
No. Parameter EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 32Hz-2.0kHz 50Hz-2.0kHz -12-+12dB 500Hz-16.0kHz -12-+12dB Value 4-40 8-40 52-76 28-58 52-76 See Table table#3 table#3 table#3 Comment PSR-740 PSR-640 Control
PHASER 1 (chorus, variation, insertion block)
No. Parameter LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Stage Diffusion Display 0.00Hz-39.7Hz 0-127 0-127 -63-+63 32Hz-2.0kHz 50Hz-2.0kHz -12-+12dB 500Hz-16.0kHz -12-+12dB D63>W - D=W - D<W63 4,5,6 (chor us, insertion block) 4-12 (variation block) 6-10 (variation block) mono/stereo Value 0-127 0-127 0-127 1-127 4-40 8-40 52-76 28-58 52-76 1-127 4-6 4-12 6-10 0-1 See Table table#1 Comment Control

PITCH CHANGE 1 (variation block)
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level Display -24-+24 0.1mS-400.0mS -50-+50 -50-+50 -63-+63 Value 40-88 0-127 14-114 14-114 1-127 See Table table#7 Comment Control
TALKING MODULATION (variation block)
No. Parameter Vowel Move speed Drive Output Level Display a,i,u,e,o 1-62 0-127 0-127 Value 0-4 1-62 0-127 0-127 See Table Comment Control
Dry/Wet Pan 1 Output Level 1 Pan 2 Output Level 2
D63>W - D=W - D<W63 L63-R63 0-127 L63-R63 0-127
1-127 1-127 0-127 1-127 0-127
PITCH CHANGE 2 (variation block)
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level Display -24-+24 0.1mS-400.0mS -50-+50cent -50-+50cent -63-+63 Value 40-88 0-127 14-114 14-114 1-127 See Table table#7 Comment Control

LO-FI (variation block)

No. Parameter Sampling Freq Control Word Length Output Gain LPF Cutoff Filter Type LPF Resonance Bit Assign Emphasis Dry/Wet Display a,i,u,e,o 1-62 0-127 0-127 Thru,PowerBass,Radio,Tel,Clean,Low 1.0-12.0 0-6 Off/On D63>W - D=W - D<W63 Value 0-4 1-62 0-127 0-127 0-5 10-120 0-6 0-1 1-127 See Table Comment Control
COMPRESSOR (variation, insertion block)
No. Parameter Attack Release Threshold Ratio Output Level Display 1-40ms 10-680ms -486dB 1.0-20.0 0-127 Value 0-19 0-15 79-121 0-7 0-127 See Table table#8 table#9 table#10 Comment Control
DIST+DELAT (variation block), OVERDRIVE+DELAT (variation block)
No. Parameter Lch Delay Time Rch Delay Time Delay Feedback Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain Dry/Wet Display 0.1-1486.0ms 0.1-1486.0ms 0.1-1486.0ms -63-+63 0-127 0-127 0-127 -12-+12dB -12-+12dB D63>W - D=W - D<W63 Value 1-14860 1-14860 1-14860 1-127 0-127 0-127 0-127 52-76 52-76 1-127 See Table Comment Control
NOISE GATE (variation, insertion block)
No. Parameter Attack Release Threshold Output Level Display 1-40ms 10-680ms -7230dB 0-127 Value 0-19 0-15 55-97 0-127 See Table table#8 table#9 Comment Control
COMP+DIST+DELAT (variation block), COMP+OVERDRIVE+DELAT (variation block)
No. Parameter Delay Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain Dry/Wet Comp. Attack Comp. Release Comp. Threshold Comp. Ratio Display 0.1-1486.0ms -63-+63 0-127 0-127 0-127 -12-+12dB -12-+12dB D63>W - D=W - D<W63 1ms-40ms 10ms-680ms -48dB6dB 1.0-20.0 Value 1-14860 1-127 0-127 0-127 0-127 52-76 52-76 1-127 0-19 0-15 79-121 0-7 table#8 table#9 table#10 See Table Comment Control
VOICE CANCEL (variation block)
WAH+DIST+DELAT (variation block), WAH+OVERDRIVE+DELAT (variation block)
No. Parameter Delay Time Delay Feedback Level Delay Mix Dist Drive Dist Output Level Dist EQ Low Gain Dist EQ Mid Gain Dry/Wet Wah Sensitive Wah Cutoff Freq Offset Wah Resonance Wah Release Display 0.1-1486.0ms -63-+63 0-127 0-127 0-127 -12-+12dB -12-+12dB D63>W - D=W - D<W63 0-127 0-127 1.0-12.0 10-680ms Value 1-14860 1-127 0-127 0-127 0-127 52-76 52-76 1-127 0-127 0-127 10-120 52-67 See Table Comment Control