F G H I J

Display Messages......
The large PSR-8000 display panel facilitates operation by making it possible to display comprehensive message and prompts that will guide you through certain operations. When such messages appear, simply follow the instructions as shown.

Name Entry......

A number of PSR-8000 functions allow you to enter a name for, for example, a file you will be saving to disk, a custom voice or style, etc. The name entry procedure is essentially the same in all cases (only the maximum number of characters which can be entered will vary). An example display which includes NAME entry parameters is shown below (the display shown below can be accessed by pressing one of the REGISTRATION MEMORY buttons [1] [8] while holding the [DIRECT ACCESS] button): Use the < > LCD dial to move the name cursor to the various character positions, then use the A~Z, a~z, or 0~9 LCD dial to select the required character for each position. The A~Z LCD dial selects capital letters, the a~z LCD dial selects lower-case letters, and the 0~9 LCD dial selects numbers and special characters.
QQQQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,,,, QQQQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,,,, QQQQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,,,, QQQQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,,,, Playing the PSR-8000 QQQQQQQQQQQQQQQQQQ ,,,,,,,,,,,,,,,,,,

Before You Begin

Before playing your PSR-8000 for the first time, it might be a good idea to re-initialize it to the original factory settings just in case these have been changed at some point before you receive the instrument. To do this, turn the [STANDBY] switch ON while holding the rightmost key on the keyboard (C6).
When the above initialization procedure is carried out, all internal data (e.g. REGISTRATION, CUSTOM OTS (One Touch Setting), CUSTOM STYLE, GROOVE STYLE, CUSTOM VOICE, MULTI PAD) will also be initialized and therefore lost!
The PSR-8000 Parts & Voices
The PSR-8000 allows you to individually select and play up to four parts at the same time in a number of ways. A range of voices can be assigned to each part.
RIGHT 1, RIGHT 2, & LEAD LEFT The RIGHT 1, RIGHT 2, and LEAD voices can be played over the entire keyboard or to the right of a specified split point (see NOTE, below). These voices can be played individually or in any combination. The RIGHT 1, RIGHT 2, and LEAD voices can be selected from a range of voices organized in 15 groups. The LEFT can be played to the left of a specified split point while the RIGHT 1, RIGHT 2, and/or LEAD voices are played to the right of the split point. The LEFT voice can be selected from the same range of voices as the RIGHT and LEAD parts.

V Set the Tempo......

If necessary, set the playback tempo as required (see Tempo Control, page 35).
B Start the Accompaniment.....
Use one of the start modes described in Auto Accompaniment Start Modes, below, to start the accompaniment.
N Play On the AUTO ACCOMPANIMENT Section Of the Keyboard..
As soon as you play any chord that the PSR-8000 can recognize on the AUTO ACCOMPANIMENT section of the keyboard (to the left of the auto accompaniment split point F#2 by default), the PSR-8000 will automatically begin to play the chord along with the rhythm and an appropriate bass line. The accompaniment will continue playing even if you release the left-hand keys. See Auto Accompaniment Fingering Modes, below, for information on the individual fingering modes. If the MANUAL BASS mode is selected only the rhythm accompaniment will play automatically, and the bass voice set for the style can be played on the AUTO ACCOMPANIMENT section of the keyboard.
Auto Accompaniment Section Split Point

Melody Section

The AUTO ACCOMPANIMENT section split point can be changed via the SPLIT POINT/FINGERING FUNCTION display, described on page 123. The appropriate chord and bass note will sound if you play in the AUTO ACCOMPANIMENT section of the keyboard while the AUTO ACCOMPANIMENT function is on but the accompaniment is stopped (but not in the FULL KEYBOARD and MANUAL BASS modes). The four LED dots of the TEMPO display provide a visual indication of the selected tempo. The SPLIT POINT/FINGERING display can be accessed directly by pressing the [AUTO ACCOMPANIMENT] button while holding the [DIRECT ACCESS] button.
Using the Accompaniment Section M Select the MAIN A and B Sections as Required...
Select the MAIN A and MAIN B sections as required. Appropriate fill-ins will be generated automatically (see The MAIN A and MAIN B Sections and Fill-ins, page 34).
< Stop the Accompaniment.....
The accompaniment can be stopped at any time by pressing the [START/STOP] button. Press the [ENDING A/ B /rit.] button if you want to go to the ending section and then stop. A different ending will play depending on whether you go to the ending from the MAIN A or MAIN B section. Press the [ENDING A/B /rit.] button while the ending section is playing to produce a ritardando ending i.e. the tempo gradually slows down during the ending.
SYNC STOP SYNC START START/ STOP INTRO A/B MAIN/AUTO FILL ENDING A/B /rit. FADE IN/OUT
Auto Accompaniment Fingering Modes...
The PSR-8000 AUTO ACCOMPANIMENT feature has six different fingering modes which can be selected via the SPLIT POINT/FINGERING FUNCTION display described on page 123. Operation of each mode is described below.
q SINGLE FINGER Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the AUTO ACCOMPANIMENT section of the keyboard. The abbreviated chord fingerings described below are used:

The Initial Setup area from 1|2|000 through 1|4|479 is used for voice and effect settings. Do not include note event data. The Main A data begins at 2|1|000. Any number of measures from 1 to 255 can be used. All measures must have one of the following time signatures: 2/4, 3/4, 4/4, or 5/4. Fill In AA begins from the top of the measure following the last measure of the Main A pattern. In the chart this is 4|1|00, but this is only an example and the actual timing will depend on the length of Main A. Please note that all Fill Ins can be only 1 measure in length (refer to the Section Length chart, below).
Section Intro Main Fill In Ending Length 255 measures max. 255 measures max. 1 measure 255 measures max.

System Exclusive

Event Sys/Ex GM on Sys/Ex XG on Sys Ex XG Parameter Change (Effect1) Sys Ex XG Parameter Change (Multi Part) PART MODE DRY LEVEL Sys Ex XG Parameter Change (Drum Setup) PITCH COARSE PITCH FINE LEVEL PAN REVERB SEND CHORUS SEND VARIATION SEND FILTER CUTOFF FREQUENCY FILTER RESONANCE EG ATTACK EG DECAY1 EG DECAY2 Initial Source Setup Pattern OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK
The following MIDI events can be included in the Initial Setup and Source Pattern. Do not include any events which are not marked OK, or events not listed in the chart. Channel Message
Event Note Off Note On Program Change Pitch Bend Control#0 (Bank Select MSB) Control#1 (Modulation) Control#6 (Data Entry MSB) Control#7 (Master Volume) Control#10 (Panpot) Control#11 (Expression) Control#32 (Bank Select LSB) Control#38 (Data Entry LSB) Control#71 (Harmonic Content) Control#72 (Release Time) Control#73 (Attack Time) Control#74 (Brightness) Control#84 (Portamento Control) Control#91 (Reverb Send Level) Control#93 (Chorus Send Level) Control#94 (Variation Send Level) Control#98 (NRPN LSB) Control#99 (NRPN MSB) Control#100 (RPN LSB) Control#101 (RPN MSB) Initial Setup Source Pattern OK OK OK OK OK OK OK OK OK OK OK
OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK

OK OK OK OK OK

Saving and Loading the Sequence Data....
Save the completed sequence data to a 2DD or 2HD DOS format floppy disk (or use a disk formatted by the PSR-8000). Use a file name consisting of no more than 8 characters, and add a.STY suffix. Save the file using Standard MIDI File Format 0.
Insert the disk into the PSR-8000 floppy drive, and load the file as a custom style (page 140). If the file wont load properly, check the following: Is the file name correct (up to 8 characters +.STY)? Is SFF1 properly recorded at 1|1|000? Is the GM on Sys/Ex properly recorded at 1|1|000?

The supplied audio CD includes sound sources for sampling. No MIDI or TO HOST transmission or reception occurs in the SAMPLING mode.
PSR-8000 Waves & Waveforms
The terms wave and waveform have distinct meanings in PSR-8000 sampling terminology, as follows:
q WAVE A wave is the raw audio data created whenever you sample a new sound or import a WAV or AIFF format wave file. The PSR-8000 WAVE EDIT mode includes functions which allow you to edit this basic data: e.g. resampling to change the sampling frequency, trimming and looping, normalization for maximum level and minimum noise, etc. q WAVEFORM All PSR-8000 waves are contained in a waveform, which is basically a set of parameters which define the keyboard range over which the wave or waves it contains will play. A waveform can contain one or more waves, and waves can be shared by more than one waveform. Waves in a waveform can be assigned to different ranges of the keyboard, but they cannot be layered (i.e. they will not sound simultaneously when a single key is played). The PSR-8000 WAVEFORM EDIT mode lets you add or delete waves from a waveform, and assign the waves to different keyboard ranges.
When you sample a new sound or import a WAV or AIFF format wave, a new waveform which contains the new sampled or imported wave is automatically created. The PSR-8000 saves your edited data as a waveform file.

Sampling Sound

WAVE EDIT

WAVEFORM

CUSTOM VOICE CREATOR

CUSTOM VOICE

q WAVEFORMS & VOICES Waveforms created by the PSR-8000 SAMPLING feature can be used in voices in two different ways:
1. You can save the waveform directly as a CUSTOM VOICE (via the WAVEFORM EDIT SAVE AS CUSTOM
VOICE function). The CUSTOM VOICE can then be edited via the CUSTOM VOICE CREATOR (page 51) allowing you to layer waveforms with other waveforms as voice elements, and apply envelope generators, filtering, modulation, and other voice parameters as required.
2. You can select and use sampled waveforms within the CUSTOM VOICE CREATOR (page 56) with full editing

The CHORD DETECT and VOCAL HARM. Parameters
The CHORD DETECT and VOCAL HARM. parameters in the SONG SELECT display function as follows:

CHORD DETECT...

The CHORD DETECT LCD dial specifies the song track which will be used for chord detection by the PSR-8000 HARMONY/ ECHO feature and VOCAL HARMONY Chordal type effects. When set to OFF neither of these features will function. When XF is selected chord data is derived from chord meta-events in an XF song file.

VOCAL HARM...

The VOCAL HARM. LCD dial specifies the song track from which the VOCAL HARMONY Vocoder type note data is to be derived. The specified tracks volume, pan, detune, modulation, and pitch bend settings will also affect the harmony notes for any VOCAL HARMONY type. Select OFF if the selected song does not include a track intended for use with the VOCAL HARMONY feature. When using commercially available software which includes a Vocal Harmony track, use the VOCAL HARM. LCD dial to specify the Vocal Harmony track. Then go to the FULL MIXING CONSOLE EFFECT TYPE display by pressing the [VOCAL HARMONY (8)] button while holding the [DIRECT ACCESS] button, and select one of the Karaok**** VOCAL HARMONY types. (When using an XG song which includes a Vocal Harmony track, the appropriate settings will be made automatically when the song is selected.)
Setting the Song Playback Order
This function can be used to change the order of the songs in the song list, thus specifying the song playback order when the ALL playback mode is selected. From the SONG SELECT display press the SONG ORDER LCD button to go to the SONG ORDER display (the SONG ORDER LCD button will not be available during song playback, when no songs are available, or when a write-protected song disk is used). First use the v w dials to select a song you want to move, then press the SELECT LCD button. At this point the CANCEL LCD button can be used to cancel the selection if you want to select a different song. Next use the v w dials to select the location in the list at which you want to insert the selected song. Press the INS. LCD button to insert the selected song at the specified location. Repeat this process to put the songs in the desired order. Use the SAVE LCD button if you want to save the new song order to disk. If you dont save the new song order to disk, the original order will be restored when disk directory is changed, when the floppy disk is removed, or when the power is turned off. Press the RETURN LCD button to return to the SONG SELECT display when done.
MIXING CONSOLE Operation During Song Playback
Both the FADER and FULL MIXING CONSOLE displays are available in the SONG playback mode. See The Mixing Console section on page 39 for general MIXING CONSOLE operating instructions.

FADER....

When the VOLUME display is selected, the FADER button alternately selects the MAIN VOLUME and TRACK VOLUME controls. The MAIN VOLUME controls are the same as in the normal play mode (page 24). The number of volume parameters in the TRACK VOLUME display will depend on the type of song being played. If an original song recorded on the PSR-8000 using the QUICK RECORD mode is being played, two volume part parameters will be available: MANUAL and ACMP. If an original song recorded on the PSR-8000 using the MULTI TRACK RECORD

Z Set the track modes..

Use the TR1 through TR16 LCD dials to the select the REC mode for the track(s) to be recorded, the PLAY mode for the tracks to be played while recording, or the MUTE mode for tracks neither to be played or recorded. The PLAY mode can only be selected for tracks which contain data. The TR1~8 or TR9~16 LCD button selects track groups 1 through 8 and 9 through 16, respectively.
Song Recording X Change the track parts, if required..
The default part for each track is displayed above the REC setting. The parts can be changed as required by pressing the PART SEL. LCD button (the part names for each track will be highlighted), selecting the desired parts via the corresponding LCD dials (see list below). When the parts have been changed, press the REC SEL. LCD button (the PART SEL. LCD button will have changed to the REC SEL. LCD button) again to return to the normal track setup mode.
The available parts for all tracks are:
LEAD RIGHT1 RIGHT 2 LEFT MULTI PAD RHYTHM 1 RHYTHM 2 AUTO ACCOMPANIMENT (BASS) AUTO ACCOMPANIMENT (CHORD 1) AUTO ACCOMPANIMENT (CHORD 2) AUTO ACCOMPANIMENT (PAD) AUTO ACCOMPANIMENT (PHRASE 1) AUTO ACCOMPANIMENT (PHRASE 2) MIDI (see NOTE, below) VOCAL (see NOTE, below)
When the MIDI part is selected (only effective when the MIDI receive mode is set to XG/GM via the F9: MIDI functions page 136) all received MIDI data will be recorded on the corresponding track. If only one track is set to MIDI, data received on all channels will be recorded to that track. If 2 or more tracks are set to MIDI, MIDI data will be received on the correspondingly numbered MIDI channels (i.e. track 1 = MIDI channel 1, track 2 = MIDI channel 2, etc.). When VOCAL is selected the VOCAL HARMONY on/off, type, and parameter settings are recorded. Note data for the VOCAL HARMONY Vocoder type harmony notes can be recorded when the VOCAL HARMONY feature is on, the Vocoder type is selected, and the harmony part parameter is not turned off. Note data recorded in this way only affects the VOCAL HARMONY sound, and does not actually play the PSR-8000 voices. The recorded volume, pan, detune, modulation, and pitch bend data will also affect the harmony notes for any VOCAL HARMONY type during playback.
C Set up for the recording......
Select the required voice(s), select a style, turn AUTO ACCOMPANIMENT on if required. Set up all parameters as desired for recording. The FADER and FULL MIXING CONSOLE displays can be used to set the initial values of the available parameters prior to recording. The FADER and FULL MIXING CONSOLE buttons alternately select the MAIN and ACMP MIXING CONSOLE displays (except in the FULL MIXING CONSOLE EFFECT TYPE, TUNING, and MASTER EQ displays). In the FADER MIXING CONSOLE both the VOLUME and PART SWITCH displays are available. In the FULL MIXING CONSOLE the VOLUME/PAN/EQ, FILTER, EFFECT DEPTH, EFFECT TYPE and TUNING displays include recordable pa-

V Stop recording......

If the FIRST KEY ON, FOOT SW 1, or FOOT SW 2 trigger mode was used, stop recording at the punch-out point by pressing the panel [START/STOP] button or the footswitch if a FOOT SW mode was selected. If the AUTO SET trigger was used, recording will stop automatically at the specified OUT measure.
The record PUNCH IN or REPLACE mode remains active after recording, but the measure number reverts to 1.
Multi Track Record Mode Edit Functions
The MULTI TRACK RECORD mode EDIT display includes the following functions: RENAME SONG... 116 QUANTIZE... 116 TRACK MIX... 117 NOTE SHIFT... 117 SONG DELETE... 117 Select the EDIT display via the LCD button to the right of the display, then use the v and w LCD buttons to the left of the display to select the desired function.
This function allows you to enter an original name for the current song. Enter the name as described on page 21, then press the EXECUTE LCD button.
The QUANTIZE function aligns recorded notes in a specified track to the specified beats to tighten up the timing of a performance. Use the TRACK LCD dials to select the track to be quantized, and the SIZE LCD dials to select the beats to which the notes will be aligned. Only tracks which contain data will be available for quantization. The STRENGTH dials determine how strongly the notes will be quantized. If a value less than 100% is selected, notes will be moved toward the specified quantization beats only by the specified amount. Press the EXECUTE button to quantize the data. Executing will appear on the display while the data is being quantized. After quantization the EXECUTE button changes to an UNDO button which can be used to undo the quantize operation if the results are not satisfactory (the UNDO button will only remain active until the next operation is performed).
1/4 note 1/4 note triplet 1/8 note 1/8 note triplet 1/16 note 1/16 note triplet 1/32 note 1/8 note + 1/8 note triplet 1/16 note + 1/8 note triplet 1/16 note + 1/16 note triplet

TRACK MIX.......

This function allows data from two tracks can be mixed and the results placed in a different track , or data to be copied from one track to another. Use the SOURCE1 and SOURCE2 LCD dials to specify the tracks to be mixed, and the DESTINATION LCD dials to select the track into which the results will be placed. To simply copy from the SOURCE1 track to the DESTINATION track select COPY via the SOURCE2 LCD dials. Press the EXECUTE button. Executing will appear on the display while the data is being copied. After execution the EXECUTE button changes to an UNDO button which can be used to undo the copy/mix operation if the results are not satisfactory (the UNDO button will only remain active until the next operation is performed).

The TALK settings do not affect the related MIXER parameters, and vice-versa. These settings are only effective when the TALK function is ON. The MIXER/panel settings take effect as soon as TALK is turned OFF.

F8: UTILITY

The F8: UTILITY function accesses utility functions that let you turn memory backup on or off, set a number of display modes, and recall the factory preset data, etc.
q AUTO LOAD Determines whether all waveform data that was in the wave RAM memory when the power was previously turned off will be automatically reloaded from disk (external floppy disk or internal hard disk) when the PSR-8000 power is turned on. Use the AUTO LOAD LCD dials to turn automatic waveform loading ON or OFF. q MEMORY BACKUP This function turns memory backup on or off. Use the MEMORY BACKUP LCD dials to turn memory backup ON or OFF.
The data backed up (retained in memory even when the power is turned off) by the PSR-8000 are listed on page 171. When memory backup is turned OFF, the initial factory settings are automatically recalled whenever the power is turned on. The HELP LANGUAGE is always backed up, regardless of the MEMORY BACKUP setting. For backup to function, the AC power must be connected or a backup battery must be installed. See page 4 for backup battery installation.
q INITIALIZE Recalls the specified initial factory settings. Use the INITIALIZE LCD dials to select the type of factory preset data you want to recall, then press the EXECUTE LCD button.
The ALL setting initializes all data listed in the INITIALIZE list. All internal data can be initialized to the original factory settings by turning the [STANDBY] switch on while holding the highest key on the keyboard (C6). This includes settings not included in the INITIALIZE list.
q DISPLAY - MIDI BANK & PC#/MESSAGE TIMEOUT Determines whether the MIDI bank select and program change numbers for each voice will be shown along with the voice number and name on the voice list display, and how long the message displays remain on the LCD before they disappear.
q METRONOME VOLUME/POLY COUNTER Use the METRONOME VOLUME LCD dials to set the volume of the PSR-8000 metronome sound. The maximum number of polyphonic layers played appears next to POLY COUNTER on the display. This can be useful in determining whether the maximum polyphony has been exceeded in songs or custom styles. The maximum value is 64 (the PSR-8000s maximum polyphony). Press the POLY COUNTER CLEAR LCD button to reset the counter to 0.

TRANSMIT CLOCK

RECEIVE TRANSPOSE
q MESSAGE SWITCH The SYS/EX. TRANSMIT parameter turns MIDI transmission of MIDI exclusive data ON or OFF. The SYS/EX. RECEIVE parameter turns MIDI reception of MIDI exclusive data generated by external equipment ON or OFF. The CHORD SYS/EX. TRANSMIT parameter turns MIDI transmission of MIDI chord exclusive data (chord detect root and type) ON or OFF. The CHORD SYS/EX. RECEIVE parameter turns MIDI reception of MIDI chord exclusive data generated by external equipment ON or OFF.

TRANSMIT......

This display page allows you to specify which PSR-8000 voices and parts will be transmitted via which MIDI channels (there are 16 MIDI channels), and to specify which types of data will be transmitted for each channel.
q TRANSMIT MONITOR The Tx MONITOR (transmit monitor) at the top of the display indicates when data is being transmitted on any of the 16 MIDI channels: The dots corresponding to each channel (1 16) flash briefly whenever any data is transmitted on the channel(s). q CHANNEL Use either the v and w LCD buttons to the left of the display, or the CH LCD dial to select the channel to which you want to assign a part or change a data switch setting. The channel numbers are shown in the leftmost column in the display. q PART The PART LCD dials select the voice or part which will be transmitted via the currently selected channel. Only one voice or part can be specified per channel. Any of the parts listed to the right can be selected. If one part is assigned to multiple channels, only the lowest-numbered channel will be used.
OFF LEAD RIGHT 1 RIGHT 2 LEFT UPPER LOWER MULTI PAD 1 MULTI PAD 2 MULTI PAD 3 MULTI PAD 4 ACMP RHYTHM 1 ACMP RHYTHM 2 ACMP BASS ACMP CHORD 1 ACMP CHORD 2 ACMP PAD ACMP PHRASE1 ACMP PHRASE2 SONG 1 SONG 16 No data will be transmitted on the selected channel. Only data corresponding to the specified voice will be transmitted on the selected channel. * UPPER: above the A split point * LOWER: below the A split point Multi pad phrases from the corresponding pad are transmitted via the selected channel. The specified accompaniment part is transmitted via the selected channel.
The specified SONG track is transmitted via the selected channel.

First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry MSB/LSB.
D.ENTRY MSB LSB PARAMETER NAME DATA RANGE mmH PITCH BEND SENSITIVITY 00H - 18H (0 - 24 semitones) mmH llH FINE TUNE {mmH,llH} = {00H,00H} - {40H,00H} - {7FH,7FH} (-8192*100/8192) - 0 - (+8192*100/8192) 02H 00H mmH COARSE TUNE 28H - 40H - 58H (-24 - 0 - +24 semitones) 7FH 7FH NULL Clears the current RPN number setting. Does not change the internal parameter settings. RPN LSB MSB 00H 00H 01H 00H
(3-4) NON-REGISTERED PARAMETER NUMBER (NRPN)
STATUS NRPN LSB NRPN LSB NUMBER NRPN MSB NRPN MSB NUMBER DATA ENTRY MSB DATA VALUE 1011nnnn (BnH) 01100010 (62H) 0ppppppp 01100011 (63H) 0qqqqqqq 00000110 (06H) 0mmmmmmm n = 0 - 15 VOICE CHANNEL NUMBER pp = NRPN LSB(refer to the list below) qq = NRPN MSB(refer to the list below) mm = Data Value

0ddddddd 11110111

When an ON code is received, the appointed section will be changed.

(3-6-1-2) TEMPO CONTROL

binary 0ttttttt 0ttttttt 0ttttttt 0ttttttt 11110111 hexadecimal F7E 01 TT TT TT TT F7 Exclusive status YAMAHA ID Style Tempo4 Tempo3 Tempo2 Tempo1 End of Exclusive
(3-6-1-5) INTERNAL CLOCK/EXTERNAL CLOCK(Receive only)
binary 0000nnnn 11110111 hexadecimal F0N F7 Exclusive status YAMAHA CLAVINOVA Model ID (Clavinova common ID) Clock Substatus (N=2: INTERNAL, N=3: EXTERNAL) End of Exclusive
FAH(Start)/FCH(Stop) not received when the internal clock is selected.
The internal clock will be set to the received Tempo value. Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going into each of the Tempos 1-4 (4 receives the remaining 3 bits).
(3-6-1-6) BULK DUMP ORGAN FLUTE DATA
binary 00000110 0kkkkkkk 0000nnnn 0000nnnn 0000nnnn 0000nnnn 0ddddddd : 0ccccccc 11110111 hexadecimal F06 kk 0n 0n 0n 0n dd1 : cc F7 Exclusive status YAMAHA CLAVINOVA ID Model ID (Clavinova common ID) Bulk ID Bulk No.(0BH: ORGAN FLUTE DATA) Data Length Data Length Data Length Data Length (Data Length=nnnnH bytes) Bulk Data dont care End of Exclusive
(3-6-1-3) CHORD CONTROL type1
binary hexadecimal 11110000 F0 Exclusive status YAMAHA ID 01111110 7E Style type 1 0ddddddd dd chord root(cr) 0ddddddd dd chord type(ct) 0ddddddd dd bass note(bn) 0ddddddd dd bass type(bt) 11111110 F7 End of Exclusive Chord transmit: Transmitted using type 1 format. cr Chord Root

Hex 0n 1n 2n 3n 4n 5n 6n

0kkknnnn (kkk: Change symbol, nnnn: Note)
Change symbol bbb(3 flats) bb (2 flats) b (1 flat) natural # (1 sharp) ## (2 sharps) ###(3 sharps) Binary 0kkk0000 0kkk0001 0kkk0010 0kkk0011 0kkk0100 0kkk0101 0kkk0110 0kkk0111 Hex k0 k1 k2 k3 k4 k5 k6 k7 Note reserved C D E F G A B
Binary 0000nnnn 0001nnnn 0010nnnn 0011nnnn 0100nnnn 0101nnnn 0110nnnn

PHASER 2 (variation block) [Phaser2 (DSP3)]
No. Parameter LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Stage LFO Phase Difference Display 0.00Hz~39.7Hz 0~127 0~127 -63~+63 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 4,5,6(MU903.6) Value 0-127 0-127 0-127 1-127 4-40 52-76 28-58 52-76 1-127 4-6 See Table table#1 Control
EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet
32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63
4-40 52-76 28-58 52-76 1-127
-180deg~+180deg(resolution=3deg.) 4-124
ROTARY SPEAKER (variation, insertion block) [RotarySp1,6 (DSP3,DSP4-7)]
No. Parameter LFO Frequency LFO Depth Display 0.00Hz~39.7Hz 0~127 Value 0-127 0-127 See Table table#1 Control q
DISTORTION, OVERDRIVE (variation, insertion block) [DistHvy, OverDrive (DSP3,DSP4-7)]
No. Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge(Clip Curve) Display 0~127 32Hz~2.0kHz -12~+12dB 1.0k~Thru 0~127 100Hz~10.0kHz -12~+12dB 1.0~12.0 D63>W ~ D=W ~ D<W63 0~127 Value 0-127 4-40 52-76 34-60 0-127 14-54 52-76 10-120 1-127 0-127 See Table table#3 table#3 table#3 Control q
EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet EQ Mid Frequency EQ Mid Gain EQ Mid Width
32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 100Hz~10.0kHz (variation block) -12~+12dB (variation block) 1.0~12.0 (variation block)
4-40 52-76 28-58 52-76 1-127 14-54 52-76 10-120

table#3 mild~sharp

2WAY ROTARY SPEAKER (variation block) [2wayRotSp (DSP3)]
No. Parameter Rotor Speed Drive Low Drive High Low/High EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Crossover Frequency Mic L-R Angle Display 0.0Hz~39.7Hz 0~127 0~127 L63>H ~ L=H ~ L<H63 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB 100Hz~10.0kHz 0deg~180deg(resolution=3deg.) Value 0-127 0-127 0-127 1-127 4-40 52-76 28-58 52-76 14-54 0-60 See Table table#1 Control q
COMP+DIST (variation block) [Comp+Dist (DSP3)]
No. Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge(Clip Curve) Attack Release Threshold Ratio Display 0~127 32Hz~2.0kHz -12~+12dB 1.0k~Thru 0~127 100Hz~10.0kHz -12~+12dB 1.0~12.0 D63>W ~ D=W ~ D<W63 0~127 1ms~40ms 10ms~680ms -48dB~-6dB 1.0~20.0 Value 0-127 4-40 52-76 34-60 0-127 14-54 52-76 10-120 1-127 0-127 0-19 0-15 79-121 0-7 See Table table#3 table#3 table#3 Control q
table#3 mild~sharp table#8 table#9 table#10

AMP SIMULATOR (variation, insertion block) [DistHard, DistSoft, AmpSim(DSP3,DSP4-7)]
No. Parameter Drive AMP Type LPF Cutoff Output Level Display 0~127 Off,Stack,Combo,Tube 1.0k~Thru 0~127 Value 0-127 0-3 34-60 0-127 See Table table#3 Control q
TOUCH WAH 2 (variation, insertion block), TOUCH WAH+ODRV (variation block) [TouchWah2 (DSP3,DSP4-7), TcWah+OD(DSP3)]
No. Parameter Sensitive Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive EQ Low Gain(distortion) EQ Mid Gain(distortion) LPF Cutoff Output Level Display 0~127 0~127 1.0~12.0 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 0~127(variation block) -12~+12dB(variation block) -12~+12dB(variation block) 1.0kHz~thru(variation block) 0~127(variation block) Value 0-127 0-127 10-120 4-40 52-76 28-58 52-76 1-127 0-127 52-76 52-76 34-60 0-127 See Table Control q

Dry/Wet Edge(Clip Curve)

D63>W ~ D=W ~ D<W63 0~127

1-127 0-127 mild~sharp

3BAND EQ(MONO) (variation, insertion block) [EQDisco, EQTel, 3BandEQ(DSP3,DSP4-7)]
No. Parameter EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency Display -12~+12dB 100Hz~10.0kHz -12~+12dB 1.0~12.0 -12~+12dB 50Hz~2.0kHz 500Hz~16.0kHz Value 52-76 14-54 52-76 10-120 52-76 8-40 28-58 See Table table#3 Control
PITCH CHANGE 1 (variation block) [PitchChg1(DSP3)]
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level Display -24~+24 0.1mS~400.0mS -50~+50 -50~+50 -63~+63 Value 40-88 0-127 14-114 14-114 1-127 See Table table#7 Control
Dry/Wet Pan 1 Output Level 1 Pan 2 Output Level 2
D63>W ~ D=W ~ D<W63 L63~R63 0~127 L63~R63 0~127
1-127 1-127 0-127 1-127 0-127

Input Mode

mono/stereo
2BAND EQ(STEREO) (variation, insertion block) [2BandEQ(DSP3,DSP4-7)]
No. Parameter EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB Value 4-40 52-76 28-58 52-76 See Table table#3 table#3 Control
PITCH CHANGE 2 (variation block) [PitchChg2 (DSP3)]
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level Display -24~+24 0.1mS~400.0mS -50~+50cent -50~+50cent -63~+63 Value 40-88 0-127 14-114 14-114 1-127 See Table table#7 Control
AUTO WAH (variation, insertion block) [AutoWah1,2 (DSP3,DSP4-7)]
No. Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive Display 0.00Hz~39.7Hz 0~127 0~127 1.0~12.0 32Hz~2.0kHz -12~+12dB 500Hz~16.0kHz -12~+12dB D63>W ~ D=W ~ D<W63 0~127(variation block) Value 0-127 0-127 0-127 10-120 4-40 52-76 28-58 52-76 1-127 0-127 See Table table#1 Control q table#3 table#3
COMPRESSOR (variation, insertion block) [Compressor (DSP3,DSP4-7)]

Default Changed Default Messages Altered
1~16 1~X ************** 0~127 ************** O 9nH, v=1~127 X 9nH, v=0 X O O
1~16 1~X X 0~127 0~127 O 9nH, v=1~127 X X O O O O O O O O O O O O O O O O O O O 0~127

Note Number Velocity

: True voice Note ON Note OFF keys Chs

After Touch

Pitch Bender Control Change 0, 5 7, 10, 11 6, 38 64~67 71, 74 72, 91, 93, 94 96,97 98,99 98,99 100,121
O O O O O O O X X O X O O O X X O 0~127 ************** O X X X O O X X O X
Bank Select Modulation Portamento Time Data Entry Sound Controller Sound Controller Portamento Controllers Effect Depth Data Inc, Dec RPN LSB, MSB NRPN LSB, MSB RPN LSB, MSB All Sound Off Reset All Controllers
Program Change : True # System Exclusive System : Song Position : Song Select Common : Tune
O X X X O O X O (123~127) O X Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO O : Yes X : No
System : Clock Real Time : Commands Aux : Local ON/OFF : All Notes OFF Messages : Active Sense : Reset
Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY
Notes *1 The tracks for each channel can be selected via the panel. See page 135 for more information. *2 The tone generator normally functions as a 16-channel multitimbre tone generator in response to MIDI input. MIDI messages therefore do not normally affect the panel voices or other panel settings. The MIDI messages listed below, however, do affect the panel voice, style, multi pad, and song settings. MIDI MASTER TUNE, XG System parameter MASTER TUNE XG System parameter TRANSPOSE System exclusive messages which change the REVERB, CHORUS or DSP EFFECT settings. XG MULTI EQ parameters Also, MIDI messages affect the panel settings when one of the following MIDI reception modes is selected. These modes can be selected via the panel functions (see page 136). LEAD, RIGHT1, RIGHT2, LEFT, KEYBOARD, ACMP RHYTHM1, ACMP RHYTHM2, ACMP BASS, ACMP CHORD1, ACMP CHORD2, ACMP PAD, ACMP PHRASE1, ACMP PHRASE2: See MIDI RECEIVE MESSAGES FOR INDIVIDUAL PARTS below. CHORD: The note on/off messages received at the channel(s) set to CHORD are recognized as the fingering for the accompaniment section. The chords to be detected depend on the fingering modes specified for the PSR-8000. The chords will be detected regardless of the accompaniment on/off and split point settings on the PSR-8000 panel. ROOT: The note on/off messages received at the channel(s) set to ROOT are recognized as the bass notes for the accompaniment section. The bass notes will be detected regardless of the accompaniment on/off and split point settings on the PSR-8000 panel. PANEL CONTROL: The note on/off messages control the panel function which is selected via the MIDI PANEL CONTROL page. See page 138. VOCAL HARMONY: See VOCAL HARMONY MIDI SPECIFICATIONS below. OFF: MIDI channel messages will not be received on the designated channel. *3 These Control Change Messages are not transmitted by PSR8000 panel operation, but may be transmitted by AUTO ACCOMPANIMENT or SONG playback.