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Yamaha PW8Yamaha PW8 Power Supply for IM8 Series Consoles
Maximizes console performance dual power supplies can be used for redundant failsafe operation. Specifications: Secondary Voltage: +/- 15V, +12V, +48V (Phantom Voltage), no load Abnormal Condition of Secondary Voltage: +15V green LED: turn off less +10V or more +21V; -15V green LED: turn off less 21V or more 10V; +12V green LED: turn off less +7.6V or more +18V.

Details
Brand: YAMAHA
Part Number: PW8
UPC: 086792886176
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Manual

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Documents

doc0

IM8 | Mixers | Products | Yamaha Pro Audio

1/13/09 3:07 PM

CA Home > Products > Mixers > IM8: Specifications

Outline

IM8-40 Mic inputs I/O Phantom power Line inputs Mixing channels Mixing capability GROUP AUX MAIN MATRIX Input channel functions Others IM8-IM8-24
+48V DC (each channel) 4x Stereo 40 mono + 4 stereo Stereo, Mono 4 Compressor(Mic channel only), HPF(80Hz, 12dB/oct), 4-band midsweep PEQ(4-band PEQ for ST CH) USB Audio I/O 32 mono + 4 stereo 24 mono + 4 stereo

General specifications

IM8 General specifications
IM8-40 Total harmonic distortion Frequency response Hum & noise level Crosstalk Power requirements Power consumption Width Equivalent input noise Residual noise IM8-32 IM8-24
Less than 0.1% (20Hz to 20kHz) 0, +1,-3dB(20Hz to 20kHz) -128dBu -98dBu Less than -70dB Use PW8 power supply unit 265W (Use with PW8) 1716.0mm / 67.6" 230W (Use with PW8) 1471.5mm / 58.0" 200W (Use with PW8) 1227.0mm / 48.4"
http://www.yamahaproaudio.com/products/mixers/im8/specifications.html

Page 1 of 4

Dimensions

Height Depth

219mm / 8.7" 739.0mm / 29.1" 51.5kg / 113.5lbs 44.5kg / 98.1lbs 37.5kg / 82.7lbs

Net weight Accessories

Owner's manual, Power Supply Link Cable(3m), Cubase AI4
PW8 general specifications
Power requirements Power consumption Width Dimensions Height Depth Net weight AC100V, 120V, 220V, 230V or 240V; 50/60Hz Refer to each host product 480mm / 18.9" 100.5mm / 4.0" 412.0mm / 16.3" 11.0kg / 24.3lbs

Input characteristics

Actual load impedance For use with nominal Input level Sensitivity -80dBu -36dBu -54dBu -10dBu -80dBu 10kohms 26dB 600ohm Mics & Lines -36dBu -54dBu -10dBu 600ohm Lines -54dBu -10dBu Nominal -60dBu -16dBu -34dBu +10dBu -60dBu -16dBu -34dBu +10dBu -34dBu +10dBu Maximum before clip -40dBu +4dBu -14dBu +30dBu -40dBu +4dBu -14dBu +30dBu -14dBu +30dBu Phone Jack**, RCA Pin Jack** TRS Phone Jack** TRS Phone Jack** Phone Jack** RCA Pin Jack**, 3.5 DIA Stereo Phone Jack** XLR-3-31 type** TRS Phone Jack* XLR-3-31 type* Connector

Terminal

CH IN A [24ch:124 32ch:132 40ch:140] CH IN B [24ch:124 32ch:132 40ch:140]

0 3kohms 26dB

50600ohm Mics & 600ohm Lines
ST CH LINE IN [1-4] CH INSERT IN [24ch:1-24 32ch:1-32 40ch:1-40] MASTER INSERT IN (AUX, GROUP, ST, MONO) RETURN [1-4]

10kohms

600ohm Lines

-20dBu

+20dBu
600ohm Lines 600ohm Lines

-10dBu

+10dBu

-12dBu

+24dBu

2TR IN [L,R]

-26dBV

-10dBV

+10dBV

-66dBu

-50dBu

-30dBu

Page 2 of 4
0dBu = 0.775Vrms, 0dBV = 1Vrms *: balanced, **: unbalanced Sensitivity is the lowest level that will produce an output of +4dBu, or the nominal output level when the unit is set to maximum level.

Output characteristics

Actual source impedance For use with nominal 600ohm Lines 10kohm Lines 600ohm Lines 600ohm Lines 10kohms Output level Nominal Maximum before clip +24dBu Connector

AUX SEND [1-8]

75ohms
XLR-3-32 type* TRS Phone Jack*** XLR-3-32 type* XLR-3-32 type* TRS Phone Jack*** TRS Phone Jack** TRS Phone Jack** TRS Phone Jack*** RCA Pin Jack** TRS Phone Jack*** Stereo phone jack**

GROUP OUT [1-8]

150ohms
STEREO OUT [L, R] MONO OUT

75ohms 75ohms

+4dBu +4dBu

+24dBu +24dBu

MATRIX OUT [1-4]
CH INSERT OUT MASTER INSERT OUT (AUX, GROUP, ST, MONO) DIRECT OUT (Mono CH IN) REC OUT [L, R]

600ohms

MONITOR OUT [L, R]

PHONES OUT x 3

100ohms

40ohm phones

0dBu = 0.775Vrms, 0dBV = 1Vrms *: Balanced, **: Unbalanced, ***: Impedance balanced
Digital Audio I/O characteristics
Terminal USB Format USB AUDIO 1.1 Connector USB B type

Page 3 of 4

Computer System Requirements

For USB Audio

Windows Vista OS CPU Memory Windows Vista 1GHz or better Intel Core / Pentium / Celeron processor More than 1GB Windows XP OS CPU Memory Windows XP Professional / Home Edition 750MHz or better Intel Core / Pentium / Celeron processor More than 128MB Macintosh OS CPU Memory Mac OS X 10.3.3 or later Intel CPU / 300MHz Macintosh G3 processor or better More than 128MB

For Cubase AI4

For information about the minimum system requirements and latest information on Cubase AI, please refer to www.yamahasynth.com.

Page 4 of 4

doc1

MIXING CONSOLE

Deutsch

EN DE FR ES IT RU ZH JA

Italiano

Espaol
Owners Manual Bedienungsanleitung Mode demploi Manual de instrucciones Manuale di istruzioni

Franais

English

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

(class B)

COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Address : Telephone : Type of Equipment : Model Name : Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620 714-522-9011 MIXING CONSOLE IM8-40/IM8-32/IM8-24
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: 1) this device may not cause harmful interference, and 2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC)
Explanation of Graphical Symbols

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN
The lightning ash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufcient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The above warning is located on the rear of the unit.
IMPORTANT SAFETY INSTRUCTIONS
Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturers instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampliers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Only use attachments/accessories specied by the manufacturer. Use only with the cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. Unplug this apparatus during lightning storms or when unused for long periods of time. Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

WARNING

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.

(UL60065_03)

PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:

Power supply/Power cord

Only use the voltage specied as correct for the device. The required voltage is printed on the name plate of the device. Use only the specied power supply (PW8 or an equivalent recommended by Yamaha). Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Water warning

Do not expose the device to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the device, turn off the power immediately and unplug the power cord from the AC outlet. Then have the device inspected by qualied Yamaha service personnel. Never insert or remove an electric plug with wet hands.
If you notice any abnormality
If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the device, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualied Yamaha service personnel. If this device or power supply should be dropped or damaged, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the device inspected by qualied Yamaha service personnel.

Do not open

Do not open the device or attempt to disassemble the internal parts or modify them in any way. The device contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following:
Remove the electric plug from the outlet when the device is not to be used for extended periods of time, or during electrical storms. When removing the electric plug from the device or an outlet, always hold the plug itself and not the cord. Pulling by the cord can damage it.

Connections

Before connecting the device to other devices, turn off the power for all devices. Before turning the power on or off for all devices, set all volume levels to minimum.

For information about the minimum system requirements and latest information on Cubase AI, check the web site below. <http://www.yamahasynth.com/>
Number of LAMP connectors
The IM8-40 provides three LAMP connectors to which you can connect separately sold gooseneck lamps (e.g., Yamaha LA5000), while the IM8-32 and IM8-24 provide two such connectors.

System Requirements

Differences between the IM8-40/32/24 mixers

Controls and Functions

Channel Control Section

Rear Panel

Monaural channels Stereo channels
Patching external devices via an INSERT jack requires a special insert cable such as illustrated below (insert cable sold separately). To the input jack of the external processor

To the INSERT jack

Tip: OUT
Sleeve (Ground) Ring: IN Tip: OUT

Tip: IN

To the output jack of the external processor

DIRECT OUT Jack

These are impedance balanced (page 19) phone-jack type outputs. They output the signal that has passed through the compressor.
Turn off the Yamaha PW8 power supply before you connect or disconnect any cables to or from the console. If necessary, the signal that is output from the DIRECT OUT jack can be changed to the signal immediately before the channel fader (pre-fader) or the signal after the channel fader (post-fader) by changing an internal jumper. A fee will be charged for this modication. For details, contact to your Yamaha dealer listed at the end of this manual.

INPUT Jack (monaural)

These monaural input jacks are used to connect microphones or musical instruments. Each input channel features two types of jacks (INPUT A and INPUT B).

INPUT Jacks (stereo)

These are stereo input jacks that connect line-level instruments, such as a synthesizer. Each input channel features two types of jacks (INPUT A and INPUT B).

INPUT A Jack

These are balanced XLR-3-31 type input jacks (1: Ground; 2: Hot; 3: Cold).

INPUT A Jacks

These are unbalanced phone-jack stereo line inputs.

INPUT B Jack

These are TRS phone-jack type balanced inputs. (T: Hot; R; Cold; S: Ground) You can connect either balanced or unbalanced phone plugs to these jacks.

INPUT B Jacks

These are unbalanced stereo RCA pin-jack line inputs.
Only one type of jack can be used at a time on a single channel.

INSERT Jack

These jacks are located between the compressor and equalizer of the corresponding monaural input channel. The INSERT jacks are ideal for connecting devices such as graphic equalizers or noise lters into the corresponding channels. The INSERT jacks are TRS (tip, ring, sleeve) phone jacks that carry both the send and return signal (tip = send/out; ring = return/in; sleeve = ground).

Even if the ON switch is off, you can turn on the PFL switch (K) and monitor the signal before the channel fader via the MONITOR OUT jacks and the PHONES jack.

Input Meter

Three LEDs indicate the input channel signal level after the equalizer. The -20 LED will light if the input signal level reaches -20 dB, and the 0 LED will light at nominal level. The PEAK LED will light red when the input signal reaches 3 dB before clipping.

Bus Assign Switches

These switches determine the bus(es) to which each channels signal is sent. Turning a switch on will output the signal to the corresponding bus.

Stereo channel

Band HIGH HI-MID LO-MID LOW Type Shelving Peaking Peaking Shelving Frequency 10 kHz 3 kHz 800 Hz 100 Hz 15 dB Maximum Cut/Boost
1-2, 3-4, 5-6, 7-8 switches: Assign the channels signal to the GROUP 1/27/8 buses. ST switch: Assigns the channels signal to the Stereo L and R buses. MONO switch: Assigns the channels signal to the MONO bus.
If you want the signal to be output to the corresponding bus(es), turn on the channel ON switch (G).

EQ ON Switch

Switches the equalizer on or off.

AUX Controls (18)

These adjust the level of the signals sent from the input channel to AUX buses 18. These knobs should generally be set close to the (nominal) position. The signal adjusted by these controls is determined by the PRE switch (D).

MUTE Switches (14)

These assign the channels mute on/off to switches 14. If you turn on the MUTE master switches (14) (page 15) located in the MUTE MASTER section, the input channels whose corresponding MUTE switch is on will be muted.

PRE Switches

For each two buses, these switches select whether the signal sent to the AUX buses will be taken after the equalizer and before the channel fader (pre-fader), or after the channel fader (post-fader). If this switch is ON, the pre-fader signal is sent to the AUX bus, and will not be affected by the channel fader.
When a channel is muted, the ON indicator (G) will go dark. Even if a channel is muted, you can turn on the PFL switch (K) and monitor the signal before the channel fader via the MONITOR OUT jacks and the PHONES jack.
If necessary, the pre-fader signal sent to the AUX buses can be changed to the signal before the equalizer by changing an internal jumper. A fee will be charged for this modication. In this case, the signal will be sent to the AUX buses even if the input channels ON switch is turned off. For details, contact to your Yamaha dealer listed at the end of this manual.

PFL Switch/Indicator

When you turn on the PFL switch, the PFL indicator of the MONITOR section (page 18) will light.

Channel Fader

Adjusts the output level of the input channel signal. Use these faders to adjust the balance between the various channels.
To minimize noise, the faders of unused channels should be set to the lowest position. The channel faders will affect the ST, MONO, GROUP 1 8, and AUX 18 (when the PRE switch is off) buses.
When the PFL switch is on, the indicator will light and the channel pre-fader signal is output to the PHONES and MONITOR OUT jacks for monitoring.

Master Control Section

Rear Panel
REC OUT/USB Section (page 14) MONITOR Section (page 18) TALKBACK Section (page 15) STEREO AUX RETURN Section (page 13) STEREO MASTER Section (page 17) MATRIX OUT Section (page 14) GROUP OUT Section (page 16)

DC POWER INPUT

2TR IN/USB Section (page 13) MONO Section (page 19) AUX SEND Section (page 16) DC POWER INPUT Section (page 15)

Top Panel

REC OUT/USB Section (page 14) 2TR IN/USB Section (page 13) MATRIX OUT Section (page 14) DC POWER INPUT Section (page 15)
MUTE MASTER Section (page 15)
STEREO MASTER Section (page 17)
TALKBACK Section (page 15)
AUX SEND Section (page 16) MONITOR Section (page 18)
GROUP OUT Section (page 16)

MONO Section (page 19)

STEREO AUX RETURN Section

Rear Panel Top Panel

When you turn on the PFL switch, the PFL indicator in the MONITOR section (page 18) will light.

2TR IN/USB Section

Rear Panel Front Panel

AUX RETURN Jacks

These are unbalanced phone-jack type line inputs. Signals input from these jacks can be sent to the GROUP 1/ 27/8, ST L/R, MONO, and AUX 14 buses. To the MONO and AUX 14 buses, a mix of the L/MONO and R signal is sent. These jacks are typically used to receive the signal returned from an external effect device (reverb, delay, etc.).
These jacks can also be used as auxiliary stereo inputs. If you connect to the L/MONO jack only, the mixer will recognize the signal as monaural and will send the identical signal to both the L/MONO and R jacks.

If both the ST switch and the MONO switch are on, the mixed signals of the ST L/R bus and MONO bus will be output.

MATRIX OUT Section

These switches determine the bus(es) to which the signal received from the 2TR IN jacks and the USB connector is sent. ST switch: Sends the signal to the ST L/R bus. MONO switch: Sends the mixed L and R signal to the MONO bus.

2TR IN/USB Control

Adjusts the level of the signal received from the 2TR IN jacks and the USB connector.
When the PFL switch is on, the indicator will light and the signal before the 2TR IN/USB control is output to the MONITOR OUT and PHONES jacks for monitoring.

REC OUT/USB Section

MATRIX OUT Jack
This is an impedance balanced (page 19) TRS phonejack type output. This jack outputs the signal adjusted by the controls in the MATRIX OUT section.

REC OUT Jacks

These RCA pin jacks can be connected to an external recorder such as an MD recorder in order to record the signal of the ST L/R bus or MONO bus.

GROUP Controls (18)

These adjust the level of the signals sent from GROUP OUT 18 to the MATRIX OUT jacks.
The STEREO OUT master fader and MONO fader has no affect on the signal via these jacks.

ST Controls (L, R)

These adjust the level of the signals sent from ST OUT L/ R to the MATRIX OUT jacks.

MONO Control

This control adjusts the level of the signal sent from MONO OUT to the MATRIX OUT jacks.

TALKBACK Section

MATRIX master Control
This control adjusts the overall level of the signal output to the MATRIX OUT jacks. The position of the knob is nominal level (0 dB).

AFL Switch/Indicator

When the AFL switch is on, the indicator will light and the signal after the MATRIX master control is output to the PHONES and MONITOR OUT jacks for monitoring.
If you want to monitor the signal after the MATRIX master control, turn off all PFL switches.

DC POWER INPUT Section

TALKBACK MIC IN Jack
This is an XLR-3-31 type unbalanced input jack for connecting a talkback microphone.

DC POWER INPUT Connector

Connects the Yamaha Power Supply PW8 to the console using the included power supply cable.
These determine the output destination of the signal from the TALKBACK MIC jack. AUX 1-2, 3-4, 5-6, 7-8 switches: Send the signal to the AUX 1/27/8 buses. GROUP 1-8 switch: Sends the signal to the GROUP 18 buses. STEREO/MONO switch: Sends the signal to the ST L/R and MONO buses. MATRIX 1-2, 3-4 switches: Send the signal to the MATRIX 1/2 or 3/4 buses.

When the AFL switch is on, the indicator will light and the signal after the MONO fader is output to the MONITOR OUT and PHONES jacks for monitoring.
If you want to monitor the signal after the MONO fader, turn off all PFL switches.

MONO Fader

Controls the level of the signal output to the MONO jack.

LAMP Connector

This is an XLR-4-31 type connector that supplies power to a separately sold gooseneck lamp (e.g., Yamaha LA5000). The IM8-40 mixer has three of these connectors, and the IM8-32/24 mixers have two.

MONO INSERT Jack

This is an input/output jack located before the MONO fader. You can connect a graphic equalizer or other signal processor. This is a TRS (tip, ring, sleeve) phone jack that carries both the send and return signal (tip = send/out; ring = return/in; sleeve = ground).

MONO OUT Jack

This is an XLR-3-32 type balanced output jack that outputs the MONO OUT signal.

Impedance balanced:

Since the hot and cold terminals of impedance balanced output jacks have the same output impedance, these output jacks are less affected by induced noise.
When this switch is on, the MONO OUT will be enabled and the indicator will light.

Troubleshooting

Power doesnt come on.
Is the dedicated PW8 power supply properly plugged into an appropriate AC power outlet? Is the dedicated PW8 power supply properly connected using the included power supply cable? The PW8 itself will not power-on unless it is correctly connected via the included power cable. If the above checks do not identify the problem, call Yamaha for service.
The sound of the bass drum will not move forward in the mix.
Could you be mixing a phase-reversed signal? Try turning on the switch to reverse the phase. If you are capturing the sound using multiple mics, phase reversal may be causing cancellation.
How can I send the pre-EQ signal to an AUX bus for monitoring?
You can send the pre-EQ signal to an AUX bus by changing an internal jumper setting. Turn the AUX PRE switch on (pre-fader). In this case, the signal will be sent to the AUX bus even if the input channels ON switch is off.
How can I monitor the signal of a GROUP bus before I send it to the ST L/R bus?

With the GROUP section ON switch turned off, turning the GROUP section AFL switch on will let you monitor the AFL signal of the GROUP bus without sending it to the ST L/R (and MONO) bus.
How can I send a compressed signal to the ST L/R bus while sending the uncompressed signal to DIRECT OUT jacks for recording?
If you connect a compressor (external device) to the INSERT jacks and apply compression to the signal being sent to the ST L/R bus, the signal before the compressor will be sent to the DIRECT OUT jacks. In this case, turn off the IM8s COMP control.
How can I send the TALKBACK signal only to the intercom?
In the TALKBACK section, turn on only MATRIX 1-2 (or MATRIX 3-4) to send the output of MATRIX 1-2 (or MATRIX 3-4) to the intercom.
How can I play background music from a portable audio player?
A standard mini-phone type 2TR IN jack is provided on the front panel, allowing you to connect your portable audio player via a mini-plug cable.
How can I assign the MC to the MONO bus and also record it?
Assign the MCs input channel to the MONO bus, and use the REC OUT section bus assign switch to select the MONO bus.

About the accessory disk

SPECIAL NOTICE
The software included in the accessory disk and the copyrights thereof are under exclusive ownership by Steinberg Media Technologies GmbH. Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of this manual before installing the application.) Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software. This disk is NOT for audio/visual purpose. Do not attempt to play the disk on an audio/visual CD/DVD player. Doing so may result in irreparable damage to your player. For information about the minimum system requirements and latest information of the software in the disk, check the web site below. <http://www.yamahasynth.com/> Note that Yamaha does not offer technical support for the DAW software in the accessory disk. About the DAW software in the accessory disk The accessory disk contains DAW software both for Windows and Macintosh.

All faders are nominal when measured. (The nominal position is 10 dB lower than the maximum position.) Output impedance of signal generator: 150 ohms * IM8-40: 1-40, IM8-32: 1-32, IM8-24: 1-24
Total Harmonic Distortion (THD + N)
0.1 -128 -80 -75 -64 -98 -70 -62.13 27.8 70
% dBu dBu dBu dBu dBu dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB dB
Hum & Noise Hum & Noise are measured with a 6 dB/ octave lter @ 12.7 kHz; equivalent to a 20 kHz lter with innite dB/octave attenuation.
STEREO OUT Crosstalk (1 kHz) Maximum Voltage Gain (1 kHz) All faders and controls are maximum when measured. PAN/BAL: panned hard left or hard right. Adjacent Input Input to Output Rs = 150 INPUT GAIN: max From MONO CH INPUT*

Italiano 166

Input HPF Input Equalization (+15, -15dB maximum) Turn over/roll-off frequency of shelving: 3dB below maximum variable level.
MONO CH INPUT* MONO CH INPUT*
80 Hz, 12 dB/oct HIGH: 10 kHz (shelving) Hi-MID: 400 Hz-8 kHz (peaking) LO-MID: 80 Hz-1.6 kHz (peaking) LOW: 100 Hz (shelving) HIGH: 10 kHz (shelving) Hi-MID: 3 kHz (peaking) LO-MID: 800 Hz (peaking) LOW: 100 Hz (shelving) XLR-4-31 type, The LAMP voltage is 12 V DC between 3 and 4 pins of XLR-4-31 connectors. Each lamp can use 5 W max.

ST CH INPUT

LAMP IM8-40: 3 pcs, IM8-32/24: 2pcs Signal Indicator MONO CH INPUT* ST CH INPUT 1-4 INSERT OUT GROUP OUT, AUX SEND, MONO OUT LED Level Meter USB Audio Compressor Dimensions Net Weight Post STEREO OUT fader Pre MONITOR control USB IN/OUT MONO CH INPUT*
4x12 points LED meters (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) Sampling Frequency = 44.1/48 kHz (depending on the PC application) Height: 219 mm, Depth: 739 mm, Width: 1716 mm (IM8-40), 1471.5 mm (IM8-32), 1227 mm (IM8-24) 51.5 kg (IM8-40), 44.4 kg (IM8-32), 37.8 kg (IM8-24)
Analog Input Specications
Input Connectors INPUT A (MONO CHs) IM8-40: 1-40 IM8-32: 1-32 IM8-40: 1-24 INPUT B (MONO CHs) IM8-40: 1-40 IM8-32: 1-32 IM8-40: 1-24 INPUT A/B (ST CHs) INSERT IN (MONO CHs) IM8-40: 1-40 IM8-32: 1-32 IM8-40: 1-24 INSERT IN (AUX, GROUP, STEREO, MONO) AUX RETURN 1-4 2TR IN L/R TALKBACK MIC IN PAD dB dB GAIN -60 dB -16 dB -34 dB +10 dB -60 dB -16 dB -34 dB +10 dB -34 dB +10 dB 10 k 600 Lines 10 k 600 Mics/Lines 3 k 50-600 Mics Input Impedance Appropriate Impedance Sensitivity*

-80 dBu (0.078 mV)

Nominal Level

-60 dBu (0.775 mV)

Max. before clipping

Connector Specications

-36 dBu (12.3 mV) -54 dBu (1.55 mV) -10 dBu (245 mV)
-16 dBu (123 mV) -34 dBu (15.5 mV) +10 dBu (2.45 V)
-40 dBu (7.75 mV) XLR-3-31 type (balanced [1=GND, +4 dBu (1.23 V) 2=HOT, 3=COLD]) -14 dBu (155 mV) +30 dBu (24.5 V) -40 dBu (7.75m V) TRS phone jack (balanced [Tip = +4 dBu (1.23 V) HOT, Ring = COLD, Sleeve = GND]) -14 dBu (155 mV) +30 dBu (24.5 V) -14 dBu (155 mV) +30 dBu (24.5 V) Phone jack (unbalanced) RCA pin jack TRS phone jack (unbalanced [Tip = Out, Ring = In, Sleeve = GND])
-36 dBu (12.3 mV) -54 dBu (1.55 mV) -10 dBu (245 mV) -54 dBu (1.55 mV) -10 dBu (245 mV)
-16 dBu (123 mV) -34 dBu (15.5 mV) +10 dBu (2.45 V) -34 dBu (15.5 mV) +10 dBu (2.45 V)

600 Lines

-20 dBu (77.5 mV)

0 dBu (0.775 V)

+20 dBu (7.75 V)

10 k 10 k 10 k 10 k

600 Lines 600 Lines 600 Lines 600 Lines
-10 dBu (77.5 mV) -12 dBu (195 mV) -26 dBV (50.1 mV)
0 dBu (0.775 V) +4 dBu (1.23 V) -10 dBV (0.316 V)
+10 dBu (2.45 V) +24 dBu (12.3 V) +10 dBV (3.16 V)
TRS phone jack (unbalanced [Tip = Out, Ring = In, Sleeve = GND]) Phone jack (unbalanced) RCA pin jack 3.5 DIA stereo phone jack
-66 dBu (0.389 mV) -50 dBu (2.45 mV)
-30 dBu (24.5 mV) XLR-3-31 type (unbalanced)
Where 0 dBu = 0.775 Vrms and 0 dBV = 1 Vrms * Sensitivity is the lowest level that will produce an output of +4dB (1.23 V), or the nominal output level when the unit is set to the maximum level. (All faders and level controls are at their maximum positions.)
Control x 1 (gain/threshold/ratio)
3 points LED meter (PEAK, 0, -20 dB) PEAK lights if the signal reaches 3dB below the clipping level.

General Specications

Analog Output Specications
Output Connectors STEREO OUT L/R GROUP OUT 1-8 Output Impedance 100 Appropriate Impedance 600 Lines 10 k Lines 600 Lines 10 k Lines 600 Lines 10 k Lines 10 k Lines 10 k Lines 10 k Lines 10 k Lines 40 Phones Nominal Level +4 dBu (1.23 V) +4 dBu (1.23 V) +4 dBu (1.23 V) +4 dBu (1.23 V) +4 dBu (1.23 V) 0 dBu (0.775 V) 0 dBu (0.775 V) 0 dBu (0.775 V) -10 dBV (0.316 V) +4 dBu (1.23 V) 3 mW Max. before clipping +24 dBu (12.3 V) +20 dBu (7.75 V) +24 dBu (12.3 V) +20 dBu (7.75 V) +24 dBu (12.3 V) +20 dBu (7.75 V) +20 dBu (7.75 V) +20 dBu (7.75 V) +10 dBV (3.16 V) +20 dBu (7.75 V) 75 mW Connector Specications XLR-3-32 type (balanced [1 = GND, 2 = HOT, 3 = COLD]) TRS phone jack (impedance balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) XLR-3-32 type (balanced [1 = GND, 2 = HOT, 3 = COLD]) TRS phone jack (impedance balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) XLR-3-32 type (balanced [1 = GND, 2 = HOT, 3 = COLD]) Phone jack (unbalanced [Tip: Out, Ring = In, Sleeve = GND]) Phone jack (unbalanced [Tip: Out, Ring = In, Sleeve = GND]) TRS phone jack (impedance balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) RCA pin jack TRS phone jack (impedance balanced [Tip = HOT, Ring = COLD, Sleeve = GND]) Stereo phone jack

AUX SEND 1-8 MATRIX OUT 1-8 MONO OUT INSERT OUT (MONO CHs) INSERT OUT (AUX, GROUP, STEREO, MONO) DIRECT OUT (MONO CHs) REC OUT L/R MONITOR OUT L/R PHONES
Where 0 dBu = 0.775 Vrms and 0 dBV = 1 Vrms
Digital Input/Output Specications
Connector USB Format USB AUDIO 1.1 Data Length 16 bit Connector Specications USB B type

Input/Output Jacks

Polarities

Congurations INPUT

OUTPUT
INPUT A (monaural), AUX SEND, STEREO OUT, MONO OUT, TALKBACK

XLR-3-31/XLR-3-32 Jack

XLR-4-31 Jack INPUT B (monaural), GROUP OUT, MATRIX OUT, MONITOR OUT Tip: Hot (+) Ring: Cold (-) Sleeve: Ground Tip: Output Ring: Input Sleeve: Ground Tip: L Ring: R Sleeve: Ground Ring
CH INSERT, AUX INSERT, GROUP INSERT, STEREO INSERT, MONO INSERT

Sleeve

PHONES

TRS Phone Jack

INPUT A (stereo), AUX RETURN, DIRECT OUT

Tip: Hot Sleeve: Ground

Tip Phone Jack
Pin 1: NC Pin 2: NC Pin 3: Ground Pin 4: +12 V
Pin 1: Ground Pin 2: Hot (+) Pin 3: Cold (-)

Jack List

Dimensional Diagram

IM8-40

H: 219 17

W:1716

Units: mm

IM8-32

1075.5

W:1471.5

495 D: 739

IM8-24

W: 1227

Track Sheet

Stereo Input

Monaural Input

Session Information
Title: Date: Place: Notes:
Block Diagram and Level Diagram

PEAK 0dB -20dB CH Fader

[0dBu] 1-2 INSERT

[0dBu]

PEAK 0dB -20dB GROUP ON SUM INV

[0dBu] [-10dBu] [+4dBu]

INPUT A
[0dBu] HPF COMP INV PAD GAIN [-60dBu to -16dBu] [-34dBu to +10dBu]
3-4, 5-6 PA N BA 7-8 ST MONO

[+4dBu]

GROUP OUT 1 GROUP OUT 2 GROUP OUT 3 GROUP OUT 4 GROUP OUT 5 GROUP OUT 6 GROUP OUT 7 GROUP OUT 8 ST OUT L ST OUT R MONO OUT
[-60dBu to -16dBu] [-34dBu to +10dBu] 24ch : CH1 to 24 32ch : CH1 to 32 40ch : CH1 to 40

PHANTOM

AUX AUX AUX AUX AUX AUX AUX AUX

CH INPUT

24ch:CH1 to 24, 32ch:CH1 to 32, 40ch:CH1 to 40

MUTE CTRL

ST L ST R MONO PF L L PF L R PF L CTRL AF L L AF L R AF L CTRL
GRO UP GRO UP GROUP GROUP GROUP GROUP GROUP GROUP

INPUT B

HA HPF 80

INV [0dBu] 1 CTRL

INV [0dBu] [-10dBu]

BA AF L

Clip Level (ST, MONO, AUX)

Clip Level(MATRIX)

+30 dBu

Clip Level(MONITOR)

+20 dBu

+10 dBu

CH INPUT A, B [+10dBu]
ST CH LINE IN [+10dBu] RETURN [+4dBu]

Clip Level(2TR IN)

Clip Level (REC OUT)

AFL(GROUP)

USB IN [0dBu]
INSERT I/O, DIRECT OUT [0dBu] CH Fader [Nominal:-10dB] RETURN (PAD+BA)

AFL(ST, MONO, AUX)

BUS(GROUP, ST, MONO, PFL, AFL) BUS(AUX)

GROUP INSERT I/O [0dBu]

GROUP OUT [+4dBu]
ST, MONO, AUX INSERT I/O [0dBu]
ST OUT, MONO OUT, AUX SEND [+4dBu]
Clip Level(PHONES) MATRIX(GROUP) MATRIX(ST, MONO) MATRIX SUM

MATRIX OUT [+4dBu]

MONITOR OUT [+4dBu] 0 dBu PHONES [3mW@40ohms]
-10 dBu CHINPUT A, B [-16dBu]

RETURN [Nominal:-6dB]

2TR IN [-7.8dBu]

2TR IN [Nominal:-6dB]

AUX(CH, RETURN) [Nominal:-6dB] TB [Nominal:-6dB]
AUX INV GROUP Fader [Nominal:-10dB] ST, MONO, AUX Fader [Nominal:-10dB]

REC OUT [-10dBV]

MATRIX (GROUP, ST, MONO) [Nominal:0dB]

MATRIX [Nominal:-6dB]

- 10 dBu
PHONES [Nominal:-16dB] M ONITOR [Nominal:-6dB]

-20 dBu

- 20 dBu

-30 dBu

Clip Level(TB)

CH INPUT A, B [-34dBu]

ST CH LINE I N [ -34 dBu]

- 30 dBu

-40 dBu TB IN [-50dBu] -50 dBu CH INPUT A, B [-60dBu]

- 40 dBu

- 50 dBu

-60 dBu

For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.

NORTH AMERICA

CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311

POLAND

Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57
THE PEOPLES REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211

U.S.A.

Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

 

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