RM1X Remix Sequencer

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Yamaha RM1X Remix Sequencer - Power Users Guide
View the RM1X in the Yamaha Product Catalog "Man, I love this box. This thing is hella-cool!" - D.J. Grant, one of Seattle's top DJ's after his first experience with the RM1X. The RM1x is a creative tool and therefore no single guide or manual will be able to fully explore all the possibilities. How you finally wind up using the RM1x will depend greatly on your own imagination and music. Contents:
What is a Sequence Remixer? Basic Skills: Pattern Mode Basic Skills: Section Mode Basic Skills: Mute Mode Basic Skills: Track Selection The Control Knobs The Play Effects Defined
The Voice Knobs Defined Creating your own Patterns Pump Up the Bass Record Modes Pattern Edit Jobs Pattern Mode Jobs
file://J:\Yamaha\dmi\products\rm1x\index.htm

6/20/03

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What is a Sequence Remixer?
Within this one device you have a MIDI synthesizer tone generator, a professional sequencing program, and a real-time MIDI control surface. As a tone generator, the RM1x features a 16-part multi -timbral synthesizer. The tone generator section features a powerful sound set (designed specifically for todays dance-oriented music genres)with 654 sounds, 46 drum kits, 3 fully editable on-board effect processors, a real-time controllable fully resonant LPF (Low Pass Filter) per part, editable voicing parameters, all with real-time access via the knobs. The sequencer section features a high resolution (480 ppqn), 20 Song, 20 Pattern Chain, and 110 on-board Patterns. Patterns are divided into 60 Preset Pattern Styles and 50 User Pattern Styles. Each Pattern Style has 16 musical sections, and each Section is itself a Pattern. Each user track is called a "Phrase". Up to 16 Phrases can be combined to make up a Pattern Section. The sequencer offers you a complete array of editing jobs, many featuring real-time, non-destructive access to the results via the front panel knobs. The RM1x also is a sophisticated MIDI controller. It can send its magic out via the MIDI out jack, and each function is MIDI transmittable so you are not limited by the sound set of the built-in synthesizer. In addition, the RM1x reads both type 0 and type 1 Standard Midi Files via the built-in floppy disk drive, so you can perform your remix of a sequence regardless of what sequencer program originally created the data. You can then use the RM1xs many features to remake the tracks. Data can be freely moved back and forth from Song mode (linear tracks) to the looped-based Pattern tracks (maximum loop length = 256 measures per pattern section!). This allows you to "import" data from any SMF songs. Perhaps you really like a drum pattern you created 4 years ago that you found on an old diskette. Even if you created it using a computer sequencer it doesnt matter--you can save the data as a SMF then load it into the RM1x. You can then define and grab data from linear tracks and use it in constructing your original beats.
Basic Skills: Pattern Mode
The first RM1x skills you need to learn concern the Pattern mode functions: Section mode (real-time rearrange), the Mute mode (change the active instruments), and track selection (real-time and/or stand-by editing). Make all appropriate connections to a great sound system. A system with a sub-woofer is highly recommended for full effect (lighting, fog and additional atmosphere enhancement, optional!). Set the PAs EQ to flat - you will control the EQ from the RM1x. Remove any effect processing from the external sound system - you will control all effects from the RM1x as well.

Figure 1: The Main Pattern mode screen
Basic Skills: Section Mode
1. Select [PATTERN] mode if not already selected and choose a Preset Style (P01-P60) via display knob #1 or the cursor arrows and [YES/+1], [NO/-1] buttons. Holding [SHIFT] while changing values
moves rapidly through the numbers. 2. Press and illuminate the LED for the [SECTION] mode (flashes). 3. Press the [PLAY] button 4. Try changing sections by pressing a white key [A]-[P].

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You can also set how quickly the RM1x responds to Section changes. Press [STOP] and press the [UTILITY] button. Use display knob #3 to select either 1/16 or 1 measure resolution for Pattern Quantize. (See diagram below).
Figure 2: Utility System. Use the [<] [>] Display arrows to see additional Utility screens A Pattern Quantize setting of 1/16 resolution requires fairly good timing and can be used to great effect on certain types of music. Try triggering sections with a rapid-fire, stutter-step action. This is great on fast Drum & Bass or aggressive Jungle patterns. The 1 measure resolution setting will change sections at the start of the next measure and is appropriate setting for certain styles of music and it requires less rhythmic precision. In general, the selected Pattern Style contains up to 16 tracks per lettered section [A] thru [P]. (16 lettered sections). You can view track activity via the bar graphs in the main Pattern screen display. Later you can construct your own original Patterns and Phrases. Take note of the upper right-hand corner of the screen for the measure count. This will show the current measure and the total length of the current Section, (i.e., 001 of 008, 002 of 008 and so on). You will find some sections as short as 1 measure. These are intended as fillins, but there are no strict rules. Pattern Section changes allows you to rearrange the performance in real time. Sections can be user defined as Verse, Chorus, Interlude, Intro, Fill in, Ending or any such designation that fits your kind of composition. Remember: You can, at anytime, press the [SECTION] button to return and change sections

Basic Skills: Mute Mode

Now lets explore the [MUTE] mode. 1. Press [MUTE] so that its LED is flashing. Tracks with activity will have a red LED above them. You can mute (silence) an active track by pressing its associated white key. When you do this Its corresponding LED will flash. 2. The white keys are laid out so that you can quickly mute several parts. The preset patterns have a recommended track convention with kick drum tracks usually set on tracks 1 and 2, snare/clap type parts on 3 and 4, hi-hat/shaker type parts on tracks 5 and 6, other percussion on 7 and 8. Instrument parts are typically found on tracks 9-16, with the bass line normally on track 9. It is important to remember that you can skip this convention if you'd like and place any type of instrument on any track, but generally you'll want to stick with the recommended track assignments. 3. While in MUTE mode 9 of the 10 black keys recall stored mute configurations: the lowest black key (F#)/(ALL) mutes all tracks; lowest G# mutes tracks 1~8; lowest A# mutes 9~16; C# brings all the tracks back. The 5 upper black keys are user Mute Memory locations described below.

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4. You can assign 5 different mute groups for instant recall. When you have the instruments you want muted you can store this with the RM1xs Mute Memory function. The 5 highest black keys can store/recall mutes when the RM1x is in MUTE mode. [SHIFT] + [MUTE MEMORY] key will store a Mute and simply touching a MUTE MEMORY key (while in MUTE mode) will recall the setting. Store Mute - hold [SHIFT] + [MUTE MEMORY] key - Upper 5 black keys are designated memories Recall Mute - touch a [MUTE MEMORY] key while in MUTE mode Solo a Track - hold [SHIFT] + [MUTE] then touch the key corresponding to the track [1]-[16]
Figure 3: Pattern screen 1 with reverse video "M" signifying muted tracks. A muted tracks LED flashes. Hold [SHIFT] + [MUTE] to activate the Solo feature. The soloed tracks LED flashes. An inverse video "s" signifies solo. To exit solo mode hit [MUTE]. If you wish to isolate several tracks, simply MUTE ALL tracks and then activate only the ones you wish to hear. If neither the [MUTE] nor the [SECTION] button LED's are flashing you are in normal play mode. The RM1x keyboard is active on the track last selected (highlighted in the screen). Here the red LED above each track will show when activity occurs on that track. At anytime, in any of the 3 modes discussed thus far, you can select and edit a track via the knobs. You can change the octave via the [OCT+], [OCT-] buttons. You can also activate the arpeggiator from this normal mode. In fact, pressing the [ARPEGGIO ON] button automatically selects Normal mode. The arpeggiator settings can be made or changed at anytime via the front panel [Arpeggio] section.
Basic Skills: Track Selection
As stated above, the preset Patterns have the drums mapped to tracks 1-8 and the music tracks on 9-16 and you can conform to this template for your own music or not-- its your choice). However, if you use a consistent track assignment within a Style it will make editing and Play Effecting much more easy and convenient. Regardless of whether or not you follow the default template, you will want to come up with some consistent track layout from Section to Section. This way you always know what track has your bass sound is on, what track your kick drum is on, what track a cool synth effect is on, etc. The RM1x control knobs are active for the selected track or tracks. Tracks are selected by touching [TRACK] + [1] [16]. The selected track will be indicated in the screen by an inverse video box around its number and its track LED will illuminate. You can select ALL tracks, tracks 1-8, or tracks 9-16 for simultaneous editing by holding down the selection buttons while moving the knobs. So, for example, if you want to close the filter on all tracks simultaneously, hold [TRACK] + [ALL] with your left hand while turning the CUTOFF knob with your right hand.

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Figure 4: Shows the 2 Pattern screens with track 1 selected / User Style U08 / User phrase 001. The second screen, PATCH, shows the individual Phrases that are patched to make the Pattern Style. The screen # is indicated in the upper left portion of the screen next to "PATT".

The Control Knobs

Located in the upper right corner of the front panel are the 8 control knobs. These knobs are assignable, and the parameter assigned can be determined by the condition of the A/B KNOB LED. When the LED is lit you read the function listed and highlighted with white (see figure 5 below). When you first power the RM1x on, the knobs are in their default setting and follow the assignments listed on the front panel. The row of knobs control PLAY EFFECTS: Beat/Time Stretch, Clock Shift, Gate Time, and Velocity. The bottom row knobs control the following VOICE parameters: Cutoff, Resonance, EG Decay, and Pitch Bend. When the A/B KNOB LED is not illuminated the same 8 knobs control a section set of PLAY EFFECT and VOICE parameters. In this configuration, the row knows controls the following PLAY EFFECT parameters: MIDI Delay, Octaver, Harmonize 1, and Harmonize 2. The bottom row knobs control the following VOICE parameters: Variation send, Reverb send, Chorus send, and Part volume. The control knobs can also be used as volume pots, pan pots, and/or individual effect sends to the 3 onboard processors. This is accomplished at any time by pressing the [SETUP] button twice (see figure 5 below). On this screen you can assign the knobs to control 1-8 when A is selected and 9-16 when B is selected via the Knob A/B switch, indicated by its LED. You have great flexibility in assigning parameters to knobs via this Setup page.
Figure 5: Setup screen- by changing the Template you can reassign the 8 control knobs to Volume, Pan, or sends for each channel Whether setting up for a Remix or performing a live session you can change this assignment, as necessary, during playback.

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A word on Control Knob twisting: You will feel a center dtente at the 12 oclock position on each control knob. Depending on the selected and assigned function, this center value might be different. For the primary functions (A): Time Stretch, Clock Shift, Gate Time, Velocity, Cutoff, Resonance, EG Decay and Pitch Bend the 12 oclock position represents normal, because you can increase or decrease the value from the current value. For the following secondary functions (B is selected, LED out): MIDI Delay, Variation send, Reverb send, Chorus send, and Part Volume the knobs behave from minimum to maximum (7 oclock as minimum through 5 oclock maximum position) like a typical volume knob. However, the Octaver, Harmonize 1, and Harmonize 2 add parallel parts either above and/or below the original pitch (12 oclock position). The Play Effects are so named because the effect the playback of data. The upper 4 knobs are the PLAY EFFECTS: Time Stretch, Clock Shift, Gate Time, Velocity, or MIDI Delay, Octaver, Harmonize 1, and Harmonize 2. They all alter the data non-destructively during playback.** The bottom 4 knobs are VOICE: Cutoff (74), Resonance (71), EG Decay (75), Pitch Bend (PB) or Variation send (94), Reverb send (91), Chorus send (93) and Part Volume (07). They alter the data non-destructively, as well. Changes are recorded directly into tracks as standard control change messages (number in parenthesis). Play Effect data can be made permanent either by using the Normalize Play Effect edit Job or placing the track in OVERDUB record.

The Play Effects Defined

The Play Effects are among the most powerful musical features of the RM1x. Below is a list of the RM1x's play effects and a definition of what each one does:
Beat Stretch: Takes the playback of a track can multiplies or divides the playback speed (without effecting pitch - it is MIDI data, after all). 100% = normal playback; 25% is 4 times as fast - it plays in 25% of the time through to 400% takes 4 times as long to play - speed. This function is best used in Pattern mode. Clock Shift: will take the playback of a track and offset its timing +/-, in 120 tick (1/16 th note) increments. The knob at 12 oclock position is normal timing. By turning the knob clockwise you delay the track in increments 120, 240, 360 or 480 clock pulses - a 1/16 th , 1/8th, a dotted 1/8th or a full beat. Turning the knob counterclockwise from 12 oclock you offset the track ahead of the beat by an equal amount. Gate Time: refers to the duration of a played note. If a note was held for a whole note value you can increase or decrease the amount of time the note plays by moving the knob clockwise (increase) or counterclockwise (decrease) from the normal position at 12 oclock. Velocity: will take the recorded velocity of a track and offset it above or below the 12 oclock position. You cannot, however, exceed a velocity of 127 nor reduce it to a velocity lower than 0. MIDI Delay: will generate new note-ons for an in tempo effect. Repeat values include triplet values. Control works minimum (7 oclock) to maximum (5 oclock). The delay parameters can be set in the Edit section. Octaver: adds a note at octave intervals above or below normal voicing at 12 oclock. Harmonize 1: adds a parallel note at the interval set by the knob above or below normal pitch a 12 oclock. Harmonize 2: works the same as Harmonize 1
The Voice Knobs Defined file://J:\Yamaha\dmi\products\rm1x\index.htm 6/20/03

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The Voice Knobs edit the sound, mix and DSP effect processing for the selected track. The following is a list of the Voice Knob functions and a definition of each one:
Cutoff: Filter cutoff frequency (control message 74) normal setting is 12 oclock. Clockwise opens filter, counterclockwise closes (lowers cutoff) filter. The RM1x features a Low Pass Filter. Resonance: Filter resonance (control message 71) places a loudness peak at the cutoff frequency emphasizing a range centered around that frequency. Normal is 12 oclock. Clockwise increases peak while counterclockwise decrease peak. EG Decay: Envelope Generator Decay (control message 75) controls the portion of the envelope directly after the attack portion. Normal setting is at 12 oclock. Great for changing the envelope of drums sounds and music instrument parts.

Changes the pitch in increments of 128 units through to a maximum of 8192 and down through a minimum of -8191; this is the resolution of the Pitch Bend parameter in MIDI. The actual distance in pitch of maximum to minimum will depend on the PB Range of the current Voice. This can be set under the Voice Edit parameters.
Pitch Bend: Variation send: send control (message 94) to variation effect. Chorus send: send control (message 93) to chorus effect. Reverb send: send control (message 91) to reverb effect. Part Volume: send control (message 07) for individual volume.
Figure 6: Shows the main Voice mixer screen. Press [VOICE]. The knobs directly below the screen select Bank (MSB/LSB), Program, Pan position and Volume, respectively.
Figure 7: Shows the second Voice screen with the Effect sends. Press [VOICE] a second time to see sends. Select a track and use the four knobs to make appropriate settings.
RM1X Remix Sequencer Creating your own Patterns

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Press the [PATTERN] button a second time to arrive at the Pattern 2 or PATCH screen. This is where you can combine Phrases into your own unique Pattern Styles. Knob 1 selects the Phrase Category: Preset (There are over 7000 phrases from the Preset Pattern Styles - refer to the Owners Manual and List Book for more information on the Preset phrases) or User (256 phrases per User Pattern). Knob 2 selects the Phrase number. Knob 3 allows you to transpose the selected part by half steps. Knob 4 sets the BPM and time signature.
Figure 8: PATCH page is the second Pattern mode screen. Here you can construct individual phrases into Pattern Sections. When you put a User Pattern into record you are recording a User Phrase - the RM1x will automatically select the next, lowest numbered User Phrase (US xxx). Phrases can be a maximum length of 256 measures. Presets and User Phrases can be used simultaneously in a Pattern Section. If you are going to record your own data in a Pattern select a User Pattern (U01 - U50). Each has room for a maximum of 16 tracks. There is no need to assign a phrase to a track if you wish to create original data. When you select a new track and press the [REC] button the RM1x will automatically place the lowest numbered blank Phrase on that track. It is recommended that when you record your own original data that you enter RECORD from Pattern 1 screen. This is where you can determine the record type. You can write up to 256 original Phrases per Pattern Style because there are 16 tracks per Section and 16 Sections per Pattern Style. Phrases can be copied, cut, pasted, appended, split and event edited, as necessary. Phrases can be captured from linear Song data using a RM1x Job called GET PHRASE. Phrases can be placed on linear tracks using the Job called PUT PHRASE.

Pump Up the Bass

The RM1x has a +/-24dB low boost/cut. Located in the edit matrix under the [SETUP] button. You can select a frequency (display knob 3) and boost or cut (display knob 4). Be careful of your speakers: A+24 dB boost is a lot!

Record Modes

Data can be created via an external MIDI controller keyboard or generated right on-board the RM1x. You have several different record methods. To select the record type:
Press [REC] from the main Pattern (1) or main Song screen. Use the display knob to select Record type, time signature, etc. Replace (REPL) record is suitable when you are recording linear Song tracks and wish to write over existing material. Overdub (OVER) record is suitable for recording in either Song or Pattern mode when you want to add additional material to existing material. Punch (PNCH) record lets you set a punch-in and punch -out point for automated record functions
(This is available in Song Record Mode Only).

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Step (STEP) record let s you enter note data without the pressure of playing to the metronome. This is appropriate when entering data from a score or creating difficult/impossible runs and fills. Grid (GRID) record combines Step and Overdub methods because it lets you record without pressure of the metronome yet lets you hear the data you input. Grid record works one measure at a time (each of the 16 white keys represents a subdivision of the beat) and lets you see and hear your data during entry.

Pattern Edit Jobs

The RM1x is a professional sequencer and features edit parameters where the region can be defined down to the measure, beat and clock pulse. Let s take a look at some of the more exotic, fun functions:
Glide automatically replaces notes with precise Pitch Bend values. This makes a phrase playback with a smooth glissando. Create Roll, as the name implies, will create note-on data for drum rolls. You can set the distance between note-on events and can control the velocity value increase or decrease over time. Chord Sort will automatically place the note event data appearing on the same clock pulse in order from lowest note to highest or vice versa. This greatly eases the task of editing data and is useful in creating realistic guitar-like strums when used in conjunction with Chord Separate. This job lets you define the number of clock pulse between notes of a chord. If, for example, you have a 5-note chord on beat 1 and you set Chord Separate to a value 012, the five-note chord will be re -programmed with 12 ticks between note-ons. By setting the direction of the chord with the Chord Sort job you can specify up and/or down strokes for your strums. Get Phrase and Put Phrase jobs allow you to move data back and forth between Song and Pattern. This opens the door to importing data from Standard MIDI File songs in the construction of your original patterns. The RM1x reads SMF type 0 and type 1. Divide Drum Track takes a drum pattern recorded on a single track and breaks it down by parts (kick, snare, hh/cym, perc and others) to tracks 1-8. This is useful when you want to re-voice your drum track with a snare from one kit with a kick from another. By dividing the drums to separate tracks you can increase your real-time control during the mixing process. Normalize Play Effects makes the otherwise non-destructive Play Effect edits permanent (actually changing the recorded data). After executing this job the Play Effect values are reset (because their data is now a part of the recorded data). Alternatively, you can "print" the Play Effects into the track by placing the track in OVERDUB record and playing it through once. The Play Effects will automatically be reset when the STOP button is pushed.

Take your time and learn the RM1x a little bit at a time. If you are new to MIDI, fear not, you will find most functions logical and intuitive. And there is an UNDO feature that takes the worry out of experimenting. Even if you are an experienced user with a fancy computer sequencer you will find the RM1x a powerful production tool and, of course, an invaluable real time performance device.

Pattern Mode Jobs

The following is a list of the Pattern Mode Jobs available on the RM1x: 1. Undo/Redo - undoes or redoes the last edit

NOTE EDIT

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Quantize - auto timing correction with advanced swing feature Modify Velocity - change the recorded data by % or fixed rate Modify Gate Time - change the recorded data by % or fixed rate Crescendo - increase or decrease velocity values over time Transpose - note shift a note or range of notes up or down Glide - change a range of notes to a single note on and pitch bend values Create Roll - create dramatic rolls that increase or decrease in volume and speed up or down over time 9. Chord Sort - changes the order of notes that occur on the same clock pulse 10. Chord Separate - separates notes on the same clock by a set number of pulses 11. Shift Clock - move data forward or backward EVENT EDIT 12. 13. 14. 15. 16. 17. 18. Copy Event - copy data from one region of a phrase to another region in the same phrase Erase Event - remove a specific type of event Extract Event - takes a specific type of event and rewrites it to another track (phrase) Create Continuous Data - generates PB, CC, AT or SYSEX data Thin Out - remove excess control, AT or PB data Modify Control Data - change specific control data over a specified region Time Stretch - expands or compresses the timing over a specific region

2. 3. 4. 5. 6. 7. 8.

PHRASE EDIT 19. 20. 21. 22. 23. 24. 25. 26. 27. Copy Phrase - copies a phrase to a new user location Exchange Phrase - swaps the data of one phrase with another Mix Phrase - combines two phrases without replacing any of the data Append Phrase - adds one phrase to the end of another Split Phrase - break a phrase into 2 segments Get Phrase - imports data from specified region within a SONG Put Phrase - exports data from a phrase to a SONG Clear Phrase - erase the phrase entirely Phrase Name - name

TRACK EDIT 28. 29. 30. 31. 32. Copy Track - copy from section to section - Patch/PlayFX/Groove/MIDI delay/Voice/Voice edits Exchange Track - swaps data between tracks. For example: 1< >10 Clear Track - erases the specified track contents - Patch/PlayFX/Groove/MIDI delay/Voice/Voice edits Normalize Play Effect - makes the non-destructive Play Effects permanent by rewriting the data Divide Drum Track - takes the contents of the drum track and note divides it to tracks 1~8
PATTERN EDIT 33. 34. 35. 36. 37. Copy Pattern - copy the pattern ALL sections or any designated section to any new Style or section Append Pattern - adds one patterns contents to the end of another Split Pattern - divides the Pattern into 2 segments Clear Pattern - erases the Pattern Style Name - name applies to all 16 Sections
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Rear Panel

DJing with the SU200
Integrate the SU200 into your DJ rig and youll be able to sample loops from vinyl and mix it in on the fly. Just run a line-level signal from a turntable into the SU200s stereo inputs and connect the outputs to your DJ mixer. While the crowd is groovin to a record on one turntable, you can sample phrases off the other. Wanna mix in loops that youve already created? No problem. Just tap the TAP button to the tempo of the record and voilthe tempo of the loop instantly TURNTABLE DJ MIXER SU200 TURNTABLE matches the records BPM.without changing pitch. You can even assign a sample to the Ribbon Controller and scratch it over your mix, or run the record youre spinning through the resonant filter and digital effects. LINE OUT PHONO OUT No matter how you use it, the SU200 is sure to add impact to your performance.
Note: The SU200 does not have phono-level inputs. A preamp or a turntable with line-level outputs is needed for the above connection.

Effect Type List

Display Effect Name Mode* BPM sync* Description INS INS INS INS INS INS FREE SYNC SYNC FREE FREE FREE Adds a unique feeling of modulation similar to ring modulation. Processes the input signal into a synthesizer-like sound. Adds a scratch sound to the input signal. Cuts apart the input signal and applies extreme modulation to the playback order or speed. Changes the pitch of the input signal. Changes the pitch of the input signal. TECHMOD TECH MODULATION AUTOSYN AUTO SYNTH SCRATCH JUMP PITCH1 PITCH2 Mode*: BPM sync*: DIGITAL SCRATCH JUMP PITCH CHANGE 1 PITCH CHANGE 2
Either system (SYS) or insertion (INS). Either SYNC (if effect is sychronized to BPM and takes a resolution setting) or FREE (if effect operates independently of BPM).

Specifications

Main Specifications
Maximum polyphony Maximum number of samples Sampling modes Effects 6 samples (monaural) 24 Select from 4 sampling frequencies: 44.1, 22.05, 11.025, or 5.5125kHz. Select STEREO or MONO. Loop Remix; Slice; Low-pass filter with resonance; distortion/lo-fi (distortion with lo-pass filter); Delay; Tech Mod Press one button to play all loop samples at same BPM (even if recorded at differing BPMs); control mutes and effects in real time. LINE INPUT accepts input from CD player, MD player, etc. MIC INPUT accepts input from dynamic microphone or powered condenser microphone. (LINE/MIC switching is automatic, based on detection of MIC inser-tion/ removal.) Memory-card (smart media) slot. MIDI IN can be used to control pad play from external keyboard. MIDI IN supports bulk dump of SU10 samples from SU10 banks A and B. 896 KB. Stores about 333 seconds of monaural sound at 5.512-kHz sampling rate; about 42 seconds at 44.1-kHz sampling rate. (For stereo sound, stores half the above indicated times.) Backlit custom LCD

Lay Down Some Tracks

Whether its your first piece of gear or an addition to your existing MIDI setup, the SU200s fantastic remixing features, filter and effects (not to mention ease of operation) make it an unbeatable choice. Sample a CD, a guitar riff, your voice.anything imaginable. Then make it into a loop, or play it straight. In Loop Track Play mode all loops will automatically sync together in perfect temporegardless of their original speed! As your samples play, you can add effects, tweak the filter, scratch a sample, remix a loop or change the groove. All spontaneously. All in realtime. Best of all, with the Resampling function, all of this madness can be recorded and made into an entirely new sample loop.
Loop-Track Play Interfaces

Memory

Wave memory

Display

Controllers
Volume, EFFECT CONTROL knobs 1 and 2, Ribbon controller

Connectors

MIDI IN, PHONES (stereo mini jack), LINE OUT L/R (standard jacks), LINE IN L/R (standard jacks), MIC IN (monaural standard jack), DC IN
Six 1.5v AA size (R6P or SUM-3). AC adaptor (PA-3B) Rated voltage: 10 to 12V Rated current: 700mA

External Dimensions

The SU200 makes a wonderful addition to a live setup. Its super compact and lightweight design lets you slip it into a backpack and take it wherever you goperfect for those of you who like to work with a minimal setup. Plus it can run on batteries, so you dont have to carry around an AC adapter and plug it in once you arrive at the gig. Once you take the stage, you can use the SU200s various realtime controls to spontaneously scratch a sample, add cool effects and tweak the resonant filter, livening up your performance like never before.

257(W) 210(D) 62(H) [mm]

Weight

Included Accessories

Owners manual (this manual) Sampling CD
Specifications are subject to change without notice.
For details please contact:

Use It Live

ISO9001 JQA-1868 LCK99?? 99??? Printed in Japan

Loop Track Play (Internal BPM Sync)
Groove Sampling and Remixing Power at Your Fingertips!
Have you been looking for a way to create your own sample grooves and remixes? Look no further.your gear is herethe SU200. Never before have so many powerful features been packed into such an affordable sampling
Only the SU200 allows you to synchronize playback of sample loops that are sampled at different speeds. Press this button and youll be able to make the perfect mix just by muting and unmuting sample pads.

Tap Pad Dist/Lo-Fi

Tap this button to conveniently set the playback tempo of any sample.
Use this effect to add echo to a sample. Delay time and the number of repeats can be selected using the control knobs.

MIDI Clock Sync

Another SU200 exclusive! Connect the unit to an external MIDI clock source (such as Yamahas RM1x music sequencer or CS6x synthesizer) and your sample loops will play back seamlessly with your sequenced tracks or arpeggiated rhythms.
This effect degrades the quality of the sample and adds distortion to produce a hard underground sound.
Sample Pads Control Knobs
Use these knobs to tweak the parameters of any effect you select in realtime. Press these pads to play back your samples. Three banks of eight pads provide you with a large selection of sounds at your fingertips.

Loop Remix & Slice

Creating slammin rhythm loops has never been easier! Loop Remix lets you instantly create hot new variations of your sample loops, while Slice lets you spontaneously alter the groove of your loop. Best of all, both of these effects can be applied as the loop is playing, allowing you to improve the groove on the fly. Never before has a phrase sampler offered such impressive realtime groove control.

Sample Editing Buttons

<<<start point, end point, point clear and delete extract>>> These buttons allow you to edit the length of your samples quickly and easily. As a sample plays back, simply press [START POINT] at the point you want the sample to begin, and [END POINT] at the point you want the sample to end. You can also enter in the point values using the data entry knob (Effect Control 1).

Fat Resonant Filter

unit: 44.1 kHz sampling, instant BPM matching, MIDI clock sync, incredible remixing and resampling functions, killer realtime effects and more. With the SU200, the power to create slammin dance tracks is in your hands.
The SU200 features one of the fattest resonant filters youve ever heard. Assign a sample to this effect, tweak the frequency and cutoff knobs and make it scream!
Resampling Function 44.1 kHz Sampling
The SU200 is the ONLY sampler in its class that gives you CD-quality samplingup to 40 seconds, as a matter of fact. If you need more sampling time than that, or if youre looking for that lo-fi underground sound, you can record at a lower sampling rate: 22 kHz.11 kHz.or all the way down to a grungy 6 kHz for a massive 333 seconds of sampling time. This incredible function lets you mix together multiple samples into a single new sample. Acting essentially as a digital multitrack recorder, the Resampling function records all of your pad taps, knob tweaks and sample scratches as you play them. You can then play back your newly created sample and overdub more samples and effects on top of it by repeating the Resampling process.

Audio In

Not just a sampler, the SU200 makes a way cool effects box, too. Just plug an external audio source, such as a microphone, synthesizer or turntable, into the SU200 and assign the signal to one of its digital effects, or even the filter. Then use the Audio In pad to bring the external sound in and out of the mix.
Audio Sampling CD Included!
The SU200 is bundled with an audio CD loaded with cutting-edge beat phrases, drum sounds and bass lines. All the sounds essential for creating fresh techno and hip-hop tracks are packed into this one CD.

Operation Made Easy

Unlike phrase samplers with LED displays (which show just a few characters of information at a time), the SU200 has a backlit LCD that displays all your essential information at once. At a glance, youll know your current pad status, BPM, beat count and more. Plus the SU200s bright, red-blinking buttons cut through the darkest of club environments to let you know exactly which pads and functions are currently selected.

Gate/Trigger

This button lets you set each sample pad to play back as either a gate or a trigger. Gate plays back a sample only while the pad is held down. Trigger plays back a sample continuously until the pad is pressed again.
Normal/Reverse Ribbon Controller & Scratch
The Ribbon Controller gives you realtime control over the currently selected effect. By pressing the SCRATCH button, youll be able to play a sample back and forth on the ribbon as if you were scratching a record. Press this button to play a sample backwards. You can toggle between Normal and Reverse playback even while a sample is loopinggreat for an on-the-fly remix effect.

WAV File Import/Export

Equipped with a SmartMedia slot, the SU200 allows you to import and export WAV files, opening up a whole new world of possibilities use sounds downloaded from the Internet, transfer samples to your computer for editing or exchange samples with friends.

Tech Mod

Similar to ring modulation, Tech Mod adds a metallic synthesizer-like effect to a sample.