9. When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the wall outlet.
10. To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an electrical storm.
11. Grounding or polarization Precautions should be taken
so that the grounding or polarization of an appliance is not defeated.

12. AC outlet

Do not connect audio equipment to the AC outlet on the rear panel if that equipment requires more power than the outlet is rated to provide.
IMPORTANT Please record the serial number of this unit in the space below. Serial No.: The serial number is located on the rear of the unit. Retain this Owners Manual in a safe place for future reference. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
CONTROLS AND THEIR FUNCTIONS
REMOTE CONTROL TRANSMITTER
The remote control transmitter provided with this unit is designed to control all the most commonly used functions of the unit. If the CD player and tape deck connected to this unit are YAMAHA components designed for remote control compatibility, then this remote control transmitter will also control various functions of each component.
For Control of This Unit 5
RX-395, RX-395RDS RX-495RDS

TAPE 2

TAPE 1
1 Tuner keys Controls tuner. +: Selects higher preset station number. : Selects lower preset station number. A/B/C/D/E: Selects the group (A E) of preset station numbers. 2 SLEEP timer key The power to this unit is automatically turned off one hour after this key is pressed (so that SLEEP lights up on the display).
YAMAHA HIFI SYSTEM REMOTE CONTROL TRANSMITTER

DIR B REC/PAUSE

3 POWER key Turns the power on/off. * While the power is on, pressing the POWER key on the remote control transmitter switches the unit from the power-on mode to the standby mode, and vice versa. (In the standby mode, the power indicator on the front panel is half illuminated.) VOLUME +/ keys Turns the volume level up/down. 5 Input selector keys Selects input source. For Other Component Control

PRESET

A/B/C/D/E

VOLUME

Identify the remote control transmitter keys with your components keys. If these keys are identical, their functions will be the same. On each key function, refer to the corresponding instruction on your components manual.
1 Tape deck keys Controls tape deck. * DIR A, B and A/B are applicable only to double cassette tape deck. * For a single cassette deck with automatic reverse function, pressing DIR A will reverse the direction of tape running. 2 CD player keys Controls compact disc player. * DISC is applicable only to compact disc changer.

Indicates the signal level of the received station. If multipath interfernce is detected, the indication decreases.

7 PTY HOLD indicator

RX-495RDS and RX-395RDS only Lights up while the search is performed in the PTY SEEK mode.

8 EON indicator

RX-495RDS and RX-395RDS only Lights up when an RDS station that employs the EON data service is received.
9 Program type name indicators
RX-495RDS and RX-395RDS only The name selected in the EON mode lights up.

0 SLEEP indicator

Lights up while the built-in SLEEP timer is functioning.
5 MEMO (MEMORY) indicator
When the MEMORY button is pressed, this indicator flashes for about 5 seconds. During this period, the displayed station can be programmed to the memory by using the A/B/C/D/E button and one of the PRESET STATIONS buttons.
A TAPE MON (TAPE MONITOR) indicator
RX-395, RX-395RDS Lights up when the tape deck is selected as the input source by pressing the TAPE MONITOR button. RX-495RDS When the first tape deck is selected as the input source by pressing the TAPE 1 button, TAPE MON 1 lights up, and when the second tape deck is selected by pressing the TAPE 2 button, TAPE MON 2 lights up.

6 RDS mode indicators

RX-495RDS and RX-395RDS only The name(s) of RDS mode(s) employed by the currently received RDS station light(s) up. Illumination of the indicator on the head of a name shows that the corresponding RDS mode is now selected.

CONNECTIONS

Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, + to + and to. Also, refer to the owners manual for each component to be connected to this unit. * If you have YAMAHA components numbered as 1, 2, 3, etc. on the rear panel, connections can be made easily by making sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

FM 75 ANT UNBAL

Loosen

Tighten

ANTENNA CONNECTIONS
Each antenna should be connected to the designated terminals correctly, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement. Outdoor FM antenna Indoor FM antenna (included) Outdoor AM antenna
AM loop antenna (included)

300-ohm feeder

75-ohm coaxial cable
75-ohm/300-ohm antenna adapter
Ground Connecting the AM loop antenna
Orient so that the best reception is obtained.
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall. * The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.
Notes q When connecting the indoor FM antenna, insert its connector into the FM ANT terminal firmly. q If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable.

BASIC OPERATIONS 1, 6

TO PLAY A SOURCE
Select the speakers to be used.

Set to the position.

If you use two speaker systems, press both the A and B switches. Play the source. (For detailed information on the tuning operation, refer to page 17.)

Turn the power on.

Select the desired input source by using the input selector buttons. RX-495RDS Adjust to the desired output level.
If desired, adjust the BASS, TREBLE, BALANCE and LOUDNESS controls, etc. (refer to page 16).
* The name of the selected input source will appear on the display. * Note that pressing on each input selector button selects the source which is connected to the corresponding input terminals on the rear panel.
Notes RX-495RDS only q If you select AUX, TUNER, CD or PHONO, be sure that TAPE 1 and/or TAPE 2 are not being selected. q If you select TAPE 1 and TAPE 2 at the same time, the result will be the sound from the tape deck 1. q For TAPE 1 and TAPE 2, whenever the button is pressed, the corresponding input source is selected or canceled alternately. RX-395 and RX-395RDS only q Whenever the TAPE MONITOR is pressed, the tape deck is selected or canceled alternately. q If both TAPE MONITOR and another input selector button are selected, TAPE MONITOR takes priority of another input selector button.

To turn off the power

Press the POWER switch again.
TO RECORD A SOURCE TO TAPE

1, 4 2

RX-495RDS RX-395, RX-395RDS
Select the source to be recorded.

CD PHONO

To dub from tape to tape, refer to the Notes shown below. When you select AUX, TUNER, CD or PHONO, make sure that neither TAPE 1 nor TAPE 2 is also selected.
When you select AUX, TUNER, CD or PHONO, make sure that TAPE MONITOR is not also selected.
Play the source and then turn the VOLUME control up to confirm the input source. (For detailed information on the tuning operations, refer to the page 17.) Begin recording on the tape deck.
Play the source and then turn the VOLUME control up to confirm the input source. (For detailed information on the tuning operations, refer to the page 17.)
Begin recording on the tape deck.
To monitor the audio signals being recorded, press the input selector button for the tape deck being used to make the recording.
To monitor the audio signals being recorded, press the TAPE MONITOR.
Notes q VOLUME, BASS, TREBLE, BALANCE, LOUDNESS controls and PURE DIRECT switch settings have no effect on the material being recorded. q To dub from tape to tape, select TAPE 2 by pressing it. Only the following method of dubbing can be made by using this unit. SOURCE Tape deck connected to the TAPE 2 terminals. RECORDER
Note VOLUME, BASS, TREBLE, BALANCE and LOUDNESS control settings have no effect on the material being recorded.
Tape deck connected to the TAPE 1 terminals.
Selecting the SPEAKER system
Because one or two speaker systems can be connected to this unit, the SPEAKERS switches allow you to select speaker system A or B, or both at once.
Using the PURE DIRECT switch

RX-495RDS only

You can enjoy the purest possible sound from your audio sources by pressing this switch inward. By doing so, the audio signal bypasses the BASS, TREBLE, BALANCE and LOUDNESS controls, eliminating any alterations to the audio signal.
Adjusting the BALANCE control
Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions.

BALANCE l 4 L l R

LOUDNESS l FLAT
Adjusting the continuously variable LOUDNESS control
This control provides compensation for the human ears loss of sensitivity to high and low-frequency ranges at low volume. This control is adjustable to retain full tonal range at any volume level.
Set to the FLAT position.
Adjusting the BASS and TREBLE controls

BASS l l TREBLE l 0 l 4

VOLUME l8 l6 l4 l2 ldB l
: Turn this clockwise to increase (or counterclockwise to decrease) the low frequency response.

Set to the loudest listening level that you would listen to.
TREBLE : Turn this clockwise to increase (or counterclockwise to decrease) the high frequency response.
Turn until the desired volume is gained.

TUNING OPERATIONS

Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).

AUTOMATIC TUNING

MANUAL TUNING
Select the reception band (FM or AM) confirming it on the display.

Turn AUTO (TUNING) off.

RX-395 RX-495RDS,RX-395RDS
Tune to a desired station manually.
* To continue tuning search, press and hold the button.
Notes If you tune to an FM station manually, it is received in monaural mode automatically to increase the signal quality. RX-495RDS and RX-395RDS only When tuned in to a station, the frequency of the received station is shown on the display. If an RDS station that employs PS data service is received, the frequency is then replaced by the station name. Refer to page 24 for details.
To tune to a higher frequency, press the right side once. To tune to a lower frequency, press the left side once. * If the station where tuning search stops is not the desired one, press again. * If the tuning search does not stop at the desired station (because the signals of the station are weak), change to the MANUAL TUNING method.

PRESET TUNING

MANUAL PRESET TUNING
This unit can store station frequencies (selected by tuning operation) by using the PRESET STATIONS buttons. With this function, you can recall any desired station by only pressing the corresponding PRESET STATIONS button. Up to 40 stations (8 stations x 5 groups) can be stored.

To store stations

Tune to a desired station. (Refer to the previous page for tuning procedure.)
Select a preset station number where you want to program the station before MEMO(RY) goes off from the display.
Select a desired group (A E) of preset stations confirming it on the display.

5 A/B/C/D/E

RX-495RDS, RX-395RDS
Shows the displayed station has been programmed to A1.

PS PTY RT CT

MEMORY
* In the same way, program other stations to A2, A3. A8. * You can program more stations to preset station numbers on other groups in the same way by selecting other groups in step 2.

Flashes on and off for about 5 seconds.
To recall a preset station
Select the group of preset stations.
Notes A new setting can be programmed in place of the former one. q For presets, the setting of the reception mode (stereo or monaural) is stored along with the station frequency.
Memory back-up The memory back-up circuit prevents the programmed data from being lost even if the POWER switch is set off or the power plug is disconnected from the AC outlet or the power is cut due to temporary power failure. If, however, the power is cut for more than one week, the memory may be erased. If so, it can be re-programmed by simply following the PRESET TUNING steps.
Select the preset station number.

AUTOMATIC PRESET TUNING

You can also make use of an automatic preset tuning function for FM stations only. By this function, this unit performs automatic tuning and stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 18. * RX-495RDS and RX-395RDS only Only RDS stations can be stored by this function.
When the automatic preset tuning is finished
The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure of the section To recall a preset station on page 19.
Press and hold for about 3 seconds.
Simply follow the procedure of the section To recall a preset station on page 19. * RX-495RDS and RX-395RDS only A recalled station is shown by the frequency or station name on the display.

RX-395 Flashes.

MEMORY AUTO TUNING

RX-495RDS,RX-395RDS

Notes q If no station is received by the automatic preset tuning search, the search finishes after NOTHING flashes for about 3 seconds on the display. q You can replace a preset station by another FM or AM station manually by simply following the procedure of the section To store stations on page 18. RX-395 only If the number of received stations is not enough to be stored up to E8, the search will be finished automatically when it reaches the highest frequency after searching through all frequencies. q With this function, only FM stations with sufficient signal strength are stored automatically. If the station you want to program is weak in signal strength, tune to it in monaural manually and program it by following the procedure of the section To store stations on page 18.

Flashes.

MEMO AUTO
The automatic preset tuning begins from A1. Received stations are programmed to A1, A2. A8 sequentially. * If more than 8 stations are received, they are also programmed to the preset station numbers on other groups (B, C, D and E) in that order. RX-395 only

If you want to store the first station received by the automatic preset tuning to a desired preset station number.
If, for example, you want to store the first received station to C5, select C5 by using the A/B/C/D/E button and the PRESET STATIONS buttons after pressing the MEMORY button in step 2 before the automatic preset tuning begins. The first received station is stored to C5, and next stations to C6, C7. sequentially. If stations are stored up to E8, the automatic preset tuning is finished automatically.
RX-495RDS and RX-395RDS only The automatic preset tuning search is performed through all RDS network frequencies until stations are stored up to E8. If the number of received stations is not enough to be stored up to E8, the search will be finished automatically after searching all frequencies. q With this function, only RDS stations with sufficient signal strength are stored automatically. If the station you want to program is weak in signal strength, tune to it in monaural manually and program it by following the procedure of the section To store stations on page 18. * There may be a case that this function cannot receive a station which could be received by the automatic tuning method. This is because this function receives a large volume of PI (Program Identification) data along with the station.
EXCHANGING PRESET STATIONS
You can exchange the places of two preset stations with each other as shown below.
Example) If you want to shift the preset station on E1 to A5, and vice versa.
Recall the preset station on E1 (by following the method of To recall a preset station on page 19).
RX-395 RX-395 RX-495RDS, RX-395RDS Shows the exchange of stations is completed.
Next, recall the preset station on A5 by following the same method with step 1.
In areas where RDS broadcasts cannot be received, the RDS broadcast functions do not operate. (The procedures from page 22 to page 26 are not necesssary.)
RECEIVING RDS STATIONS RX-495RDS and RX-395RDS only
RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stations using this system transmit an inaudible stream of data in addition to the normal radio signal. RDS data contains various information, such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT (Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc. RDS function is carried out among the network stations. * This unit utilizes PI, PS, PTY, RT, CT and EON to receive RDS broadcast stations.

Displaying RDS data

PTY RT CT
EON NEWS INFO AFFAIRS SPORT
This unit can be turned into the following five modes to display RDS data.
PS (Program Service name) mode:
Displays the name of the RDS station now being received instead of the frequency.

CT (Clock Time) mode:

Displays current time. This signal comes from the RDS station now being received.

PTY (Program Type) mode:

Displays the type of the program on the RDS station now being received. There are 15 program types to classify RDS stations. Refer to the next page for details.
EON (Enhanced Other Networks) mode:
Automatically receives a program of the designated program type when its broadcast starts, in place of the program now being received. When the broadcast of the called program ends, the previously received program (or another program on the same station) is recalled.

RT (Radio Text) mode:

Displays information about the program (such as title of the song, name of the singer, etc.) on the RDS station now being received.
Programs types in the PTY mode

NEWS AFFAIRS

News: Short accounts of facts, events and publicly expressed views, reportage and actuality. Current affairs: Topical program expanding or enlarging upon the news, generally in different presentation style or concept, including documentary debate, or analysis. Information: Program whose purpose is to impart advice in the widest sense, including meteorological reports and forecasts, consumer affairs, medical help, etc. Sport: Program concerned with any aspect of sport. Education: Program intended primarily to educate, of which the formal element is fundamental. Drama: All radio plays and serials. Culture: Programs concerned with any aspect of national or regional culture, including religious affairs, philosophy, social science, language, theatre, etc. Science: Programs about the natural sciences and technology.

VARIED

Varied: Used for mainly speech-based programs usually of light-entertainment nature, not covered by above categories. Examples are: quizzes, panel games, personality interviews, comedy and satire. Pop: Commercial music, which would generally be considered to be of current popular appeal, often featuring in current or recent record sales charts. Rock: Contemporary modern music, usually written and performed by young musicians. M.O.R.: (Middle of the Road Music). Common term to describe music considered to be easylistening, as opposed to Pop, Rock or Classical. Music in this category is often but not always, vocal, and usually of short duration (<5 min.) Light classics: Classical Musical for general, rather than specialist appreciation. Examples of music in this category are instrumental music, and vocal or choral works. Serious classics: Performances of major orchestral works, symphonies, chamber music etc., and including Grand Opera. Other music: Musical styles not fitting into any of the above categories. Particularly used for specialist music, of which Jazz, Rhythm & Blues, Folk, Country, and Reggae are examples.

ROCK M M.O.R. M

SPORT EDUCATE

DRAMA CULTURE

LIGHT M

CLASSICS

SCIENCE

OTHER M

Changing the RDS modes
When an RDS station is received, PS, PTY, RT and/or CT that correspond to the RDS data services employed by the station light up on the display. By pressing the RDS MODE/FREQ button once or more, you can change the display mode among the RDS modes employed by the received station in the order shown below. (The RDS mode not employed by the station cannot be selected.) Illumination of the indicator on the head of a name of RDS mode shows that the corresponding RDS mode is now selected. * When an RDS station is received, do not press the RDS MODE/FREQ button until one or some names of RDS modes light up on the display. If the button is pressed before one or some names light up on the display, the mode cannot be changed. This is because the unit has not received all of the RDS data on the station yet. * If no name of RDS mode lights up on the display, the mode cannot be changed.

PS mode

The name of the station being received is displayed. If the station does not employ the PS data service, this mode will not be selected. The type of the program on the station being received is displayed. If the station does not employ the PTY data service, this mode will not be selected. (You can make this unit search for a station which is broadcasting a program of your desired program type. For details, refer to the next page.) Information about the program on the station being received is displayed. Information is displayed by a maximum of 64 Roman Alphabets including umlaut sign. If other characters are used on the RT data, they are displayed with under-bars. If the station does not employ the RT data service, this mode will not be selected. Current time is displayed in the following form. The CT data from the station being received changes every minute.

PTY mode

RT mode

CT mode

Minute
If the data is accidentally cut off, CT WAIT may light up. If the station does not employ the CT data service, this mode will not be selected. Frequency display mode The frequency of the station being received is displayed.

Notes RDS data service cannnot be utilized by this unit if the received signal is not strong enough. Especially, the RT (Radio Text mode) needs much data to be received, so it may occur that RT mode cannot be displayed even if other RDS modes (PS, PTY, etc.) are displayed. q There may be a case that RDS data reception is not possible due to poor reception conditions. If so, press the TUNING MODE button so that AUTO (AUTO TUNING) goes off from the display. Though the reception mode is changed to monaural by this operation, when you change the display to an RDS mode, RDS data may be displayed. q If the signal strength gets weakened by external interference during receiving an RDS station, the RDS data service may be cut off suddenly and. WAIT will light up on the display.
Calling a program of your desired program type from among preset RDS stations (PTY SEEK)
By designating a program type, the unit automatically searches all preset stations for an RDS station which broadcasts a program of that program type. * There are 15 program types to classify RDS stations. For details, refer to page 23.
Turn the unit into the PTY SEEK mode.

PTY SEEK EON

Begin searching all preset RDS stations.

PS PTY RT CT PTY HOLD

Flashes. * The program type of the station now being received or NEWS flashes on the display.
Flashes. * PTY HOLD lights up on the display.
Select the desired program type.
If a station which broadcasts a program of the program type is found, the unit stops at the station and displays the frequency of the station. If the station has PS data, after that, it turns into the PS mode. If the called station is not the desired one, press the PTY SEEK START button once more. The unit begins searching for another station which brodcasts a program of the same program type. If no station is found, NOTHING appears and then returns to frequency display. If the station has PS data, after that, it turns into the PS mode. * If the PTY SEEK START button is pressed once more during searching, this mode is canceled and turns into the frequency display. If the station has PS data, after that, it turns into the PS mode.

To cancel this function

If the PTY SEEK MODE button is pressed once more, the PTY SEEK mode is canceled and turns into the frequency display. If the station has PS data, after that, it turns into the PS mode.
Making this unit call a program of your desired program type automatically when its broadcast starts
This function uses the EON (Enhanced Other Networks) data service on the RDS station network. By only selecting a desired program type (NEWS, INFO, AFFAIRS or SPORT), this unit automatically searches all preset RDS stations for a station that broadcasts a program of that program type in the background, and, if found, receives a program when its broadcast starts in place of the program now being received. * This function can be used only when an RDS station that employs the EON data service is received. (When such a station is received, EON lights up on the display.)

SYMPTOM The unit fails to turn on when the POWER switch is pressed. No sound. CAUSE Power cord is not plugged in or is not completely inserted. Incorrect output cord connections. Appropriate input selector button is not pressed. The SPEAKERS switches are not set properly. Speaker connections are not secure. The sound suddenly goes off. The protection circuit has been activated because of short circuit etc. The SLEEP timer functioned.

Amplifier

REMEDY Firmly plug in the power cord. Connect the cords properly. If the problem persists, the cords may be defective. Press the appropriate input selector button corresponding to the input source. Set the SPEAKERS switch that corresponds to the speakers to be used to the ON position. Secure the connections. Turning the unit off and then on will reset the protection circuit. Cancel the SLEEP timer function. Adjust it to the appropriate position. Connect the cords properly. If the problem persists, the cords may be defective. Connect the speaker wires in the correct phase (+ and ). Firmly connect the audio plugs. If the problem persists, the cords may be defective. Make the GND connection between the turntable and this unit. Set the LOUDNESS control to the FLAT position. The player should be connected to the unit through an MC head amplifier (available separately). Turn the power to the component on. Check the antenna connections. Try using a high quality directional FM antenna. Set the TUNING MODE button to the manual tuning mode. Adjust antenna placement to eliminate multipath interference. Use the manual tuning method. Use a high quality directional FM antenna. Repeat the presetting procedure. Tighten the AM loop antenna connections and rotate it for best reception. Use the manual tuning method. Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise. Relocate this unit away from the TV. Change the position of the main unit.
Only one side speaker outputs the sound.
Incorrect setting of the BALANCE control. Incorrect cord connections.
There is a lack of bass, and no ambience. Sound hums.
The + and wires are connected in reverse at this unit or speakers. Incorrect cord connections. No connection from the turntable to the GND terminal.

Sound level is low. The volume level is low while playing a record. The volume level cannot be increased, or sound is distorted. FM stereo reception is noisy.
The LOUDNESS control is functioning. The record is being played on a turntable with an MC cartridge. The power to the component connected to the REC OUT terminals of this unit is off. Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor. There is multipath interference.
There is distortion and clear reception cannot be obtained even with a good FM antenna. A desired station cannot be tuned in with the automatic tuning method. Previously preset stations can no longer be tuned in. A desired station cannot be tuned in with the automatic tuning method. There are continuous crackling and hissing noises. There are buzzing and whining noises (especially in the evening).
The station is too weak. The tuner has been unplugged for a long period. Weak signal or loose antenna connections.
Noises will result from ligtning, fluorescent lamps, motors, thermostats and other electrical equipment. A television set is being used nearby. Direct sunlight or lighting (of an inverter type of flourescent lamp etc.) is striking the remote control sensor of the main unit. The batteries of this remote control transmitter are too weak.
Remote control transmitter
The remote control transmitter does not work.
Replace the batteries with new ones. Turn the power to this unit on.
The sound is degraded when listening with the headphones connected to the compact disc player or cassette deck that are connected with this unit.

Others

The power to this unit is off.

SPECIFICATIONS

AUDIO SECTION
Minimum RMS Output Power per Channel 8 ohms, 20 Hz to 20 kHz, 0.04% THD <RX-495RDS>..70W+70W <RX-395, RX-395RDS>..45W+45W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) <RX-495RDS> 8/6/4/2 ohms..100/120/145/170W <RX-395, RX-395RDS> 8/6/4/2 ohms..68/75/85/95W DIN Standard Output Power per Channel 4 ohms, 1 kHz, 0.7% THD [Europe model only] <RX-495RDS>...100W <RX-395, RX-395RDS>..55W IEC Power 8 ohms, 1 kHz, 0.04% THD [Europe model only] <RX-495RDS>...80W <RX-395, RX-395RDS>..50W Power Band Width <RX-495RDS> 8 ohms, 35W, 0.08% THD..10 Hz to 50 kHz <RX-395, RX-395RDS> 8 ohms, 22.5W, 0.08% THD..10 Hz to 50 kHz Damping Factor 8 ohms, 20 Hz to 20 kHz..100 or more Input Sensitivity/Impedance PHONO MM..2.5 mV/47 k-ohms CD/TAPE/AUX..150 mV/47 k-ohms Maximum Input Signal (1 kHz, 0.04% THD) PHONO MM..90 mV Output Level REC OUT...150 mV Headphone Jack Rated Output/Impedance Output Level (8 ohms, 0.04% THD) <RX-495RDS>...0.48V <RX-395, RX-395RDS>..0.45V Impedance <RX-495RDS>..390 ohms <RX-395, RX-395RDS>..330 ohms Frequency Response (20 Hz to 20 kHz) CD/TAPE/AUX..00.5 dB RIAA Equalization Deviation PHONO MM...00.5 dB Total Harmonic Distortion PHONO MM to REC OUT 20 Hz to 20 kHz, 1V..0.02% CD/TAPE/AUX to SP OUT 20 Hz to 20 kHz, 35W/8 ohms..0.02% Signal-to-Noise Ratio (IHF-A Network) PHONO MM to REC OUT (5 mV Input Shorted)..82 dB CD/TAPE/AUX to SP OUT (Input Shorted).108 dB Residual Noise (IHF-A Network)..100 V Channel Separation (Vol. 30 dB, EFFECT OFF) CD/TAPE/AUX (Input 5.1 k-ohms Terminated, 1 kHz).60 dB Tone Control Characteristics BASS: Boost/cut.10 dB (50 Hz) Turnover Frequency..(350 Hz) TREBLE: Boost/cut..10 dB (20 kHz) Turnover Frequency.(3.5 kHz) Continuous Loudness Control. 30 dB (1 kHz) (Level related equalization)

FM SECTION

Tuning Range..87.5 to 108.0 MHz Usable Sensitivity (75 ohms) DIN, Mono (S/N 26 dB)..0.9 V DIN, Stereo (S/N 46 dB)..24 V Image Response Ratio..80 dB IF Response Ratio..80 dB Spurious Response Ratio..70 dB AM Suppression Ratio..55 dB Capture Ratio..1.5 dB Selectivity (two signals, 300 kHz, 40 kHz Dev.)...70 dB Signal-to-Noise Ratio (DIN-Weighted, 40 kHz Dev.) Mono/Stereo..75 dB/70 dB Harmonic Distortion Mono/Stereo (1kHz, 40 kHz Dev.)...0.1%/0.2% Stereo Separation (1 kHz, 40 kHz Dev.)..50 dB Frequency Response 20 Hz to 15 kHz...0 1.5 dB
Output Level/Impedance FM (1 kHz, 40 kHz Dev.)...500 mV/2.2 k-ohms AM (30% mod., 1 kHz)...150 mV/2.2 k-ohms

GENERAL

Power Supply...AC 230V, 50 Hz Power Consumption <RX-495RDS>...120W <RX-395, RX-395RDS>..145W AC Outlets 2 SWITCHED OUTLETS [Europe model]..100W max. total 1 SWITCHED OUTLET [U.K. model]..100W max. total Dimensions (W x H x D)..435 x 146 x 308.5 mm Weight <RX-495RDS>...7.8 kg <RX-395, RX-395RDS>..6.5 kg Accessories..AM loop antenna Indoor FM antenna Remote control transmitter Batteries
Specifications are subject to change without notice.

AM SECTION

Tuning Range..531 to 1,611 kHz Usable Sensitivity..100 V/m Selectivity...32 dB Signal-to-Noise Ratio...50 dB Image Response Ratio..40 dB Spurious Response Ratio..50 dB Harmonic Distortion (1 kHz)..0.3%

FM GEDEELTE

Afstembereik..87,5 tot 108,0 MHz Effectieve Gevoeligheid (75 ohm) DIN, Mono (Signaal/Ruis 26 dB)..0,9 V DIN, Stereo (Signaal/Ruis 46 dB).24 V Spiegelfrekwentie Verhouding.80 dB IF Frekwentiebereik Verhouding..80 dB Parasitaire Frekwentieverhouding.70 dB AM Ruisonderdrukkingsverhouding.55 dB Opvangfrekwentieverhouding..1,5 dB Selectiviteit (twee signalen, 300 kHz, 40 kHz Afw.)...70 dB Signaal/Ruisverhouding (DIN-norm, 40 kHz Afw.) Mono/Stereo.75 dB/70 dB Harmonische Vervorming (1 kHz, 40 kHz Afw.) Mono/Stereo..0,1%/0,2% Stereo Scheiding (1 kHz, 40 kHz Afw.).50 dB Frekwentiebereik 20 Hz tot 15 kHz...01,5 dB

AUDIO GEDEELTE

Uitgangsniveau/Impedantie FM (1 kHz, 40 kHz Afw.).500 mV/2,2 k-ohm AM (30% mod., 1 kHz)..150 mV/2,2 k-ohm

CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place away from
windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water.
IMPORTANT Please record the serial number of this unit in the space below. Model: Serial No.: The serial number is located on the rear of the unit. Retain this Owners Manual in a safe place for future reference. WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
3. Never open the cabinet. If something drops into the set,

contact your dealer.

4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.
5. The openings on the unit cover assure proper ventilation of
the unit. If these openings are obstructed, the temperature inside the unit will rise rapidly. Therefore, avoid placing objects against these openings, and install the unit in a well-ventilated area to prevent fire and damage. <China, U.K. and Europe models only> Be sure to allow a space of at least 20 cm behind, 20 cm on the both sides and 30 cm above the top panel of the unit to prevent fire and damage.
This unit is not disconnected from the AC power source as long as it is connected to the wall outlet, even if this unit itself is turned off. This state is called the standby mode. In this state, this unit is designed to consume a very small quantity of power.
6. Always set the VOLUME control to before starting
the audio source play. Increase the volume gradually to an appropriate level after playback has been started.
FREQUENCY STEP switch <China and General models only> Because the interstation frequency spacing differs in different areas, set the FREQUENCY STEP switch (located on the rear panel) according to the frequency spacing in your area. Before setting this switch, disconnect the AC power plug of this unit from the AC outlet. For Canadian Customers To prevent electric shock, match wide blade of plug to wide slot and fully insert. This Class B digital apparatus complies with CANADIAN ICES-003

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar to professional Dolby Stereo decoders used in many movie theaters. By using the Dolby Pro Logic Surround decoder, you can experience the dramatic realism and impact of Dolby Surround movie theater sound in your own home. Dolby Pro Logic employs a four channel five speaker system. The Pro Logic Surround system divides the input signal into four levels: the left and right main channels, the center channel (used for dialog), and the rear surround sound channel (used for sound effects, background noise, and other ambient noises). The center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from the action on the screen while experiencing good stereo imaging. Dolby Surround is encoded on the sound track of pre-recorded video tapes, laser discs, and some TV/cable broadcasts. When you play a source encoded with Dolby Surround on this unit, the Dolby Pro Logic Surround decoder decodes the signal and distributes the surround-sound effects. This Dolby Pro Logic Surround Decoder employs a digital signal processing system. This system improves the stability of sound at each channel and minimizes crosstalk between channels, so that positioning of sounds around the room is more accurate compared with conventional analog signal processing systems. In addition, this unit features a built-in automatic input balance control. This always assures you the best performance without manual adjustment. Manufactured under license from Dolby Laboratories. Dolby, AC-3, Pro Logic and the double-D symbol are trademarks of Dolby Laboratories.
Dolby Pro Logic Surround + DSP
A Dolby Surround sound system shows its full ability in a large movie theater, because movie sounds are originally designed to be reproduced in a large movie theater using many speakers. It is difficult to create a sound environment similar to that of a movie theater in your listening room, because the room size, materials of inside walls, the number of speakers, etc. of your listening room is much different from those of a movie theater. Yamaha DSP technology made it possible to present you with nearly the same sound experience as that of a large movie theater in your listening room by compensating for lack of presence and dynamics in your listening room with its original digital sound fields combined with Dolby Surround sound field. The combination of Dolby Pro Logic Surround and DSP is used on the sound field program PRO LOGIC ENHANCED.

CINEMA DSP

The YAMAHA CINEMA DSP logo indicates these programs are created by the combination of Dolby Pro Logic and YAMAHA DSP technology.

SPEAKER SETUP

SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the 4-Speaker Configuration shown below.) The main speakers are used for the majority of the sound output as well as effect sounds. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog, etc.) within programs encoded with Dolby Surround. The center speaker needs to be equal in power to the main speakers, though the rear speakers should be slightly lower in power. However, all the speakers should have high enough power handling to accept the maximum output of this unit.

SPEAKER CONFIGURATION

5-Speaker Configuration
This configuration is the most effective and recommended one. In this configuration, the center speaker is necessary as well as the rear speakers. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, conversations will be output from the center speaker and the ambience will be excellent. q Set the center channel mode to the NORMAL or WIDE position. (For details, refer to page 20.)

4-Speaker Configuration

The center speaker is not used in this configuration. If the program DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED is selected, the center sound is output from the left and the right main speakers. However, the sound effect of other programs can be the same as that of the 5-speaker configuration. q Be sure to set the center channel mode to the PHANTOM position. (For details, refer to page 20.)

Main L

Center Dialogue

Main R

Main L Dialogue
Surround sound Rear L Rear R

SPEAKER PLACEMENT

The recommended 5-speaker configuration requires a pair of main speakers, a center speaker, and a pair of rear speakers (sometimes referred to as surround speakers). When arranging your speakers, refer to the illustration and information below. Main: Main R Center Main L TV set Rear R Position the main speakers at equal distances away from the listening position and at equal distances on either side of the center speaker. Rear: Position rear speakers directly behind the listening position at a height of approximately 1.8m (6 feet) up from the floor, facing slightly inward. If the speakers cannot be placed behind the listening position, they may also be placed at the side of the listening position, facing toward the listening position. Center: Position the center speaker directly in front of the listening position between the main speakers. (When placing on or near a television, use a magnetically shielded speaker to avoid unwanted interference.)

Connecting an external decoder for Dolby Digital, DTS and other future formats or a DVD player, etc.
If you have a separate Dolby Digital, DTS or other format decoder, or if you have a DVD player or other component which incorporates a Dolby Digital, DTS, or other format decoder, its 6 channel discrete outputs can be connected to the 6CH DISCRETE INPUT terminals of this unit.

(Example)

6CH DISCRETE OUTPUT

MAIN CENTER SURROUND

Dolby Digital decoder

DIGITAL IN

DIGITAL OUT

RF Demodulator

DOLBY DIGITAL RF (AC-3 RF) IN
DOLBY DIGITAL RF (AC-3 RF) OUT

VIDEO OUT AUDIO OUT

Laserdisc player or other unit with Dolby Digital RF (AC-3 RF) output
Notes The laserdisc player (or other unit) must be also connected to the DVD/LD (or TV/DBS) AUDIO SIGNAL input terminals of this unit to play a source encoded with Dolby Pro Logic Surround or in normal stereo (or monaural). q The discrete signals input to this unit cannot be recorded by a tape deck, MD recorder or VCR. To record a source played on the laserdisc player (or another unit), it must be connected to the DVD/LD (or TV/DBS) AUDIO/VIDEO SIGNAL input terminals of this unit.
If you made no connection to the SUB WOOFER input terminal of this unit or you will not use a subwoofer, you should be able to make a setting on the decoder to distribute SUB WOOFER channel signals to the right and left MAIN output terminals. For details, refer to the owners manual supplied with the decoder.

CONNECTING SPEAKERS

Main speakers A Right Left Left Main speakers B Right

SPEAKERS

Subwoofer system

REAR CENTER R (SURROUND)

CAUTION
SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

Center speaker

Rear speakers
Note Use speakers with the specified impedance shown on the rear of this unit.
Note on main speaker connections:
One or two speaker systems can be connected to this unit. If you use only one speaker system, connect it to either the SPEAKERS A or B terminals.

Note on subwoofer connection:
You may wish to add a subwoofer to reinforce low frequencies or to output low bass sound from the subwoofer channel when reproducing discrete signals. Connect the SUBWOOFER OUTPUT terminal of this unit to the input terminal of the subwoofer amplifier, and connect the speaker terminals of the subwoofer amplifier to the subwoofer. With some subwoofers, including the Yamaha Active Servo Processing Subwoofer System, the amplifier and subwoofer are in the same unit.

How to Connect:

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and markings are observed. If these wires are reversed, the sound will be unnatural and lack bass. Caution Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or speakers.
To connect to the MAIN SPEAKERS terminals Red: positive (+) Black: negative ()
<U.S.A., Canada, Australia, China and General models only> Banana Plug connections are also possible. Simply insert the Banana Plug connector into the corresponding terminal.
1 Unscrew the knob. 2 Insert the bare wire.
[Remove approx. 5mm (1/4) insulation from the speaker wires.] Tighten the knob and secure the wire.
To connect to the REAR and CENTER SPEAKERS terminals Red: positive (+) Black: negative ()
1 Press the tab. 2 Insert the bare wire.
[Remove approx. 5mm (1/4) insulation from the speaker wires.] Release the tab and secure the wire.
SUBWOOFER OUTPUT terminal
This terminal is for connecting to the input terminal of an amplifier driving a subwoofer. This terminal outputs low frequencies from the main and center channels. (The cut-off frequency of signals output from this terminal is 150 Hz.) When 6 channel discrete signals are input to this unit and are selected as the input source, this terminal outputs signals from the subwoofer channel.
IMPEDANCE SELECTOR switch
Be sure to switch this only when the power to this unit is not on. Select the position whose requirements your speaker system meets. (Left position) Main: If you use one pair of main speakers, the impedance of each speaker must be 4 or higher. If you use two pairs of main speakers, the impedance of each speaker must be 8 or higher.
WARNING Do not change the IMPEDANCE SELECTOR switch setting while the power to this unit is on, otherwise this unit may be damaged. IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/ ON SWITCH IS PRESSED, the IMPEDANCE SELECTOR switch may not be set to either end closely. If so, set the switch to either end closely. <General model>
Center: The impedance of the speaker must be 6 or higher. Rear: The impedance of each speaker must be 6 or higher.

(Right position) Main: <Except for Canada model> If you use one pair of main speakers, the impedance of each speaker must be 8 or higher. If you use two pairs of main speakers, the impedance of each speaker must be 16 or higher. <Canada model only> The impedance of each speaker must be 8 or higher.
Center: The impedance of the speaker must be 8 or higher.
The impedance of each speaker must be 8 or higher.

ANTENNA CONNECTIONS

Each antenna should be connected to the designated terminals correctly, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement. Outdoor AM antenna Indoor FM antenna (included)

Outdoor FM antenna

75-ohm/300-ohm antenna adapter 75-ohm coaxial cable
AM loop antenna (included)

75 UNBAL.

GND AM ANT
75-ohm/300-ohm antenna adapter 300-ohm feeder

Ground

Connecting the AM loop antenna
Orient so that the best reception is obtained. * The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall. * The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.

GND terminal

For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth. Notes q When connecting the indoor FM antenna, insert its connector into the FM ANT terminal firmly. q If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable.
CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

NATURAL SOUND AV RECEIVER VOLUME

TV/DBS

2CH/6CH

DVD/LD

STANDBY/ON
TUNER PHONO CD TAPE/MD MONITOR
TUNING MODE DELAY/CENTER/ REAR/SWFR

MEMORY

TUNING

TIME/LEVEL

MAN'L/AUTO FM

AUTO/MAN'L MONO

PHONES

BASS 0 l 3 4

TREBLE 0 l l 5

BALANCE 0 l l 4 L5R

RDS MODE/ FREQ

PRO LOGIC

ENHANCED

CONCERT VIDEO

Play the source and then turn the VOLUME control up to confirm the input source. (For detailed information on tuning operations, refer to the page 26.)
Notes The settings of DSP and the VOLUME, BASS, TREBLE and BALANCE controls have no effect on the material being recorded. q In step 1, do not make an input source selection so that 6ch appears on the display. Signals input to this units 6CH DISCRETE INPUT terminals cannot be recorded by a tape deck, MD recorder or VCR.
Selecting the SPEAKER system
Because one or two speaker systems (as main speakers) can be connected to this unit, the SPEAKERS switches allow you English to select speaker system A or B, or both at once.
Adjusting the BASS and TREBLE controls

BASS 0 l TREBLE 0 l l 4

: Turn this clockwise to increase (or counterclockwise to decrease) the low frequency response.
Adjusting the BALANCE control
Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions.
TREBLE : Turn this clockwise to increase (or counterclockwise to decrease) the high frequency response. Note These controls are effective only for the sound from the main speakers.
Note This control is effective only for the sound from the main speakers.
Adjusting the subwoofer output level
If your audio system includes a subwoofer, and an amplifier driving the subwoofer (or a subwoofer system including an amplifier) is connected to the SUBWOOFER OUTPUT terminal on the rear of this unit, you can adjust the subwoofer output level on this unit.
Press once or more so that SWFR appears on the display.

DELAY/CENTER/ REAR/SWFR

By continuously pressing the + or side of the TIME/ LEVEL button, the level value changes continuously. If you feel that bass tone is insufficient, increase the level, and if you feel that bass tone is overly emphasized, decrease the level.
Adjustable Control range: MIN, 20 to 0 dB

TUNING OPERATIONS

Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).

AUTOMATIC PRESET TUNING

You can also make use of an automatic preset tuning function for FM stations only. With this function, this unit performs automatic tuning and stores stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual preset tuning method on page 27. RX-V395RDS only Automatic preset tuning stores only RDS stations. Refer to pages 30 to 34 for details on RDS stations.

To store stations

When the automatic preset tuning concludes
The display shows the frequency of the last preset station. Check the contents and the number of preset stations by following the procedure of the section To recall a preset station on page 27.
To recall a preset station
Follow the procedure in the section To recall a preset station on page 27. *

MEMORY AUTO

Press and hold for more than 3 seconds.
RX-V395RDS only A recalled station is shown by the frequency or station name in the display. * RX-V395 only A recalled station is shown by the frequency in the display.
Flashes. Notes q You can replace a preset station with another FM or AM station manually by following the procedure in the section To store stations on page 27. q If the number of received stations is not enough to be stored up to E8, the search is finished automatically after searching all frequencies. q With this function, only stations with sufficient signal strength are stored automatically. If the station you want to program is weak in signal strength, tune to it in monaural manually and program it by following the procedure in the section To store stations on page 27. RX-V395RDS only There may be a case that this function cannot receive a station which could be received by the automatic tuning method. This is because this function receives a large volume of PI (Program Identification) data along with the station.
To tune to higher frequencies, press right side once. To tune to lower frequencies, press left side once. * If the TUNING button is not pressed for a while, automatic preset tuning begins automatically toward higher frequencies. Automatic preset tuning begins from the frequency currently displayed. Received stations are programmed to A1, A2. A8 sequentially. * If more than 8 stations are received, they are programmed to the preset station numbers in other groups in alphabetical order.

If you want to store the first station received by the automatic preset tuning to a desired preset station number. If, for example, you want to store the first received station to C5, select C5 by using the A/B/C/D/E button and the preset station number selector buttons after pressing the MEMORY button in step 2. Then press the TUNING button. The first received station is stored to C5, and next stations to C6, C7. sequentially. If stations are stored up to E8, the automatic preset tuning is automatically concluded.
EXCHANGING PRESET STATIONS
You can exchange the places of two preset stations with each other as shown below.
Example) If you want to shift the preset station on E1 to A5, and vice versa.
Recall the preset station on E1 (by following the method in To recall a preset station on page 27).

Flashes.

Next, recall the preset station on A5 by following the same method as step 1.
Shows the exchange of stations is completed.
In areas where RDS broadcasts cannot be received, the RDS broadcast functions do not operate. (The procedures from page 30 to page 34 are not necessary.)
RECEIVING RDS STATIONS (RX-V395RDS only)
RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stations using this system transmit an inaudible stream of data in addition to the normal radio signal. RDS data contains various information, such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT (Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc. RDS function is carried out among the network stations. * This unit utilizes PI, PS, PTY, RT, CT and EON to receive RDS broadcast stations.

Displaying RDS data

PS PTY RT CT
TAPE MON EON AFFAIRS SPORT
NORM WIDE PHANTOM EFFECT OFF PRO LOGIC CONCERT MONO DISCO ROCK CONCERT ENHANCED VIDEO MOVIE STADIUM CONCERT HALL
This unit can be turned into the following five modes to display RDS data.
PS (Program Service name) mode:
Displays the name of the RDS station currently being received instead of the frequency.

* If the EON indicator is not illuminated in the display, receive an (or another) RDS station so that the EON indicator lights up in the display.
To cancel this function Press the EON button once or more, so that no program type name lights up in the display.
Select a desired program type, NEWS, INFO, AFFAIRS or SPORT.

EO ms dB STEREO

MEMORY AUTO PTY HOLD NEWS
PRO LOGIC CONCERT ENHANCED VIDEO

Press once or more.

Lights up.
The search is performed among all preset RDS stations in the background. If a program is found, the program is automatically received when its broadcast starts.
USING DIGITAL SOUND FIELD PROCESSOR (DSP)
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend on what you will be listening to), and adding desired adjustments. In addition, this unit incorporates a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with Dolby Surround. The operation of the Dolby Pro Logic Surround decoder can be controlled by selecting a corresponding DSP program including a combined operation of Yamaha DSP and Dolby Pro Logic Surround.
Brief Overview of Digital Sound Field Programs
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual locations using sophisticated sound field measurement equipment. Note The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are listening to. This is due to the fact that most of these sound field recreations are actual acoustic environments.

FEATURE This program is used for playback of sources encoded with Dolby Surround. The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers the sound source more smoothly and precisely, as compared to conventional types. This program is also used for playback of sources encoded with Dolby Surround. Enhancing the Normal Dolby Pro Logic, the DSP technology simulates the multi-surround speaker systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the sound stage with an improved presence image. This program is used for musical based movies, as well as drama and comedy based movies. This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall. This program is designed specifically to enhance mono source programs. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasts and dialog. This program is furnished with a tight sound field in which the sound will not spread excessively on the front side, but the rear surround side produces a dynamic sound expansion. This program is the most suitable for sports programs. This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The sound is dense and highly concentrated. It is also characterized by a high-energy, immediate sound. This program is ideally suited for rock music. You will experience a very dynamic or lively sound field. In this program, the center will appear to be deep behind the main speakers, creating an expansive large hall ambience. Orchestra and opera music are suited for this sound field.

PRO LOGIC ENHANCED

MONO MOVIE
DISCO ROCK CONCERT CONCERT HALL
Applying a digital sound field processor (DSP) effect to an audio source
Follow steps 1 to 6 of the procedure shown in TO PLAY A SOURCE on page 22.
Select a program that is suitable for the source.
The selected mode indicator lights in the display.
Notes q Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected at that time. So, the next time you select the input source, the same program is automatically recalled. q If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround sound effect. q When CONCERT VIDEO, MONO MOVIE, TV SPORTS, DISCO, ROCK CONCERT or CONCERT HALL is selected, no sound is heard from the center speaker. q When a monaural sound source is played with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the rear speakers. q When this units Dolby Pro Logic Surround decoder is used, if the main-source sound is considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels may produce an unnatural effect. q To select a DSP program on the remote control transmitter, first turn the DSP on so that a program name lights up on the display by pressing the EFFECT key. Next, select a desired DSP program by pressing the or side of PROGRAM key.

Turn this unit into the standby mode and disconnect the AC power cord from the AC outlet. After about 30 seconds, connect the power and operate this unit again. Connect the cords properly. If the problem persists, the cords may be defective. Select an appropriate input source with the input selector buttons. Set the SPEAKERS switch which corresponds to the speakers to be used to the ON position. Secure the connections. Turn this unit into the standby mode, and then turn on to reset the protection circuit. Cancel the SLEEP timer function. Adjust it to the appropriate position. Connect the cords properly. If the problem persists, the cords may be defective. Firmly connect the audio plugs. If the problem persists, the cords may be defective. Make the GND connection between the turntable and this unit. The player should be connected to the unit through the MC head amplifier. Turn the power to the component on. Raise the sound output level to the rear speakers. Select another program suitable for the monaural sound source. Raise the sound output level to the center speaker. Select NORMAL or WIDE. Select the appropriate program. Check the antenna connections. Try using a high quality directional FM antenna. Set the TUNING MODE button to the manual tuning mode. Adjust antenna placement to eliminate multipath interference. Use the manual tuning method. Use a high quality directional FM antenna. Repeat the presetting procedure. Tighten the AM loop antenna connections and rotate it for best reception. Use the manual tuning method. Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise. Relocate this unit away from the TV. Change the position of the main unit.
There is distortion and clear reception cannot be obtained even with a good FM antenna. A desired station cannot be tuned in with the automatic tuning method. Previously preset stations can no longer be tuned in. A desired station cannot be tuned in with the automatic tuning method.
The station is too weak. This unit has been unplugged for a long period. Weak signal or loose antenna connections.
There are continuous crackling and hissing noises. There are buzzing and whining noises (especially in the evening).
Noises will result from lightning, fluorescent lamps, motors, thermostats and other electrical equipment. A television set is being used nearby. Direct sunlight or lighting (of an inverter type of fluorescent lamp etc.) is striking the remote control sensor of the main unit. The batteries of this remote control transmitter are too weak.
Remote control transmitter
The remote control transmitter does not work.
Replace the batteries with new ones. Turn the power to this unit on.
The sound is degraded when listening with the headphones connected to the compact disc player or cassette deck that are connected with this unit.

Others

This unit is in the standby mode.

SPECIFICATIONS

AUDIO SECTION
Minimum RMS Output Power per Channel (Power Amp. Section) (When both channels are driven) Main L, R 8 ohms, 20 Hz to 20 kHz, 0.04% THD.. 60 W + 60 W Center 8 ohms, 20 Hz to 20 kHz, 0.04% THD.. 60 W Rear L, R 8 ohms, 20 Hz to 20 kHz, 0.04% THD.. 60 W + 60 W Minimum RMS Output Power per Channel (Power Amp. Section) (When both channels are driven) Main L, R 8 ohms, 1 kHz, 0.07% THD... 70 W + 70 W Center 8 ohms, 1 kHz, 0.07% THD.. 70 W Rear L, R 8 ohms, 1 kHz, 0.07% THD... 70 W + 70 W Maximum Power (EIAJ) [China and General models only] (When both channels are driven) Main L, R 8 ohms, 1 kHz, 10% THD.. 95 W + 95 W Center 8 ohms, 1 kHz, 10% THD.. 95 W Rear L, R 8 ohms, 1 kHz, 10% THD.. 95 W + 95 W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) Main L, R 8 ohms... 80 W + 80 W 6 ohms... 100 W + 100 W 4 ohms... 120 W + 120 W 2 ohms... 145 W + 145 W DIN Standard Output Power per Channel [Europe model only] Main L, R 4 ohms, 1 kHz, 0.7% THD.. 100 W + 100 W Center 4 ohms, 1 kHz, 0.7% THD.. 100 W Rear L, R 4 ohms, 1 kHz, 0.7% THD.. 100 W + 100 W Dynamic Headroom [U.S.A. and Canada models only] 8 ohms.... 1.55 dB IEC Power [Europe model only] Main L, R 8 ohms, 1 kHz, 0.04% THD... 65 W + 65 W Power Band Width Main L, R 8 ohms, 30 W, 0.1% THD.. 10 Hz to 50 kHz Damping Factor (SPEAKERS A) Main L, R 8 ohms, 20 Hz to 20 kHz.. 60 or more Input Sensitivity/Impedance PHONO (MM).. 2.5 mV/47 k-ohms CD/TAPEMD/DVDLD/TVDBS/VCR.. 150 mV/47 k-ohms 6CH DISCRETE INPUT (EXTERNAL DECODER) MAIN L/R.. 150 mV/47 k-ohms CENTER.. 150 mV/40 k-ohms REAR L/R... 150 mV/40 k-ohms SUBWOOFER.. 150 mV/40 k-ohms Maximum Input Signal PHONO (MM) 1 kHz, 0.1% THD.. 100 mV or more CD/TAPEMD/DVDLD/TVDBS/VCR (EFFECT ON) 1 kHz, 0.5% THD.. 2.2 V or more Output Level/Impedance REC OUT... 150 mV/2.7 k-ohms SUBWOOFER (EFFECT OFF).. 5 V/1.2 k-ohms Headphone Jack Rated Output Level/Impedance (1 kHz, 8 ohms, 150 mV).. 0.43 V/ 330 ohms Frequency Response (20 Hz to 20 kHz) CD/TAPEMD/DVDLD/TVDBS/VCR. 0 0.5 dB RIAA Equalization Deviation PHONO (MM).. 0 0.5 dB Total Harmonic Distortion (20 Hz to 20 kHz) PHONO (MM) to REC OUT 1 V... 0.02% or less CD/TAPEMD/DVDLD/TVDBS/VCR (EFFECT OFF) to SP OUT 30 W/8 ohms.. 0.025% or less Signal-to-Noise Ratio (IHF-A Network) PHONO (MM) to REC OUT (5 mV Input Shorted) [U.S.A., Canada, China, and General models]. 86 dB or more [Australia, U.K., and Europe models]. 81 dB or more CD/TAPEMD/DVDLD/TVDBS/VCR to MAIN SP OUT (150 mV Input Shorted, EFFECT OFF). 96 dB or more Residual Noise (IHF-A Network) MAIN L/R to SP OUT.. 150 V or less Channel Separation (Vol. 30 dB, EFFECT OFF) PHONO (Input Shorted, 1 kHz/10 kHz). 60 dB or more/55 dB or more CD/TAPEMD/DVDLD/TVDBS/VCR (Input 5.1 k-ohms shorted, 1 kHz/10 kHz).. 60 dB or more/45 dB or more Tone Control Characteristics BASS: Boost/cut... 10 dB, 50 Hz Turnover Frequency... 350 Hz TREBLE: Boost/cut.. 10 dB, 20 kHz Turnover Frequency.. 3.5 kHz Filter Characteristics Subwoofer (L.P.F.)... fc = 150 kHz, 6 dB/oct.