NewProduct Information

New Product Information

RX-V1200RDS

Digital Home Cinema Receiver
Versatile Receiver Designed to Serve as the Core Component of Any High Quality Home Cinema System. High-Level Features Include Digital ToP-ART Design Concept, Quad-Field CINEMA DSP, 22 Surround Programmes, SILENT CINEMA, 6-Channel Discrete Amplification and Learning-Capable/Preset Remote Control. Compatible with Newest Dolby Pro Logic II, DTS-ES and DTS NEO:6 6.1-Channel Movie Sound Formats.

DOLBY D I G I TA L

P R O LO G I C
Titanium and gold finish available in some areas.
High-Density CINEMA DSP Circuitry
High Performance Digital Circuitry
High Quality, Wide-Range Power Amplifier
Digital ToP-ART (Total Purity Audio Reproduction Technology) is the name Yamaha has given to a design philosophy whose goal is to maximize digital quality while minimizing analog circuitry. The culmination of the best digital engineering and design possible today, it brings together several key elements to create the best-sounding, easiest-to-use A/V components available. In Yamaha Digital Home Cinema Components, Digital ToP-ART can be divided into three categories.

Digital Input

6-Ch Input
Dolby Digital, DTS, Dolby Digital/Matrix 6.1 DTS-ES Disc./ Matrix 6.1, DTS NEO:6 and Dolby Pro Logic II Decoding, and DSP Processing LSI YSS-938 Minimal Analogue Processing
96kHz/ 24-Bit DAC for 8 Channels
Digital Volume (099dB, 0.5dB Steps)

Processor Direct Switch

6-Channel High Output Power Main L Main R Centre Rear L Rear R Rear Centre
* The 9 channels consist of Main L/R, Center, Rear L/R, Rear Center, Front Effect L/R and Subwoofer (LFE) channels. Front effect channel signals are mixed with main channel signals to achieve more precise separation of dialogue, music and effects on the front sound stage.
High Performance Digital Circuitry Digitally Regulated Volume Control for All Channels (Yamaha Original YAC-520 LSI) 96-kHz/24-Bit Digital-to-Analogue Converters for All 9 Channels*
* The 9 channels consist of Main L/R, Centre, Rear L/R, Rear Centre, Front Effect L/R and Subwoofer (LFE) channels. Front effect channel signals are mixed with main channel signals to achieve more precise separation of dialogue, music and effects on the front sound stage.
Digital ToP-ART 6-Channel Discrete Amplifier Configuration Newly Developed 32-Bit Original LSI (YSS-938) for High Precision Decoding and CINEMA DSP Processing 22 Surround Programmes (44 Variations) Dolby Digital, DTS Digital Surround, DTS-ES Discrete 6.1, DTS-ES Matrix 6.1, DTS Neo:6 and Dolby Surround Pro Logic II Decoding Digitally Regulated Volume Control for All Channels (Newly Yamaha Original YAC-520) SILENT CINEMA for Headphone Enjoyment Versatile Digital Input/Output Learning-Capable and Preset Remote Control Unit with LCD Display
Processor Direct Switch High Sound Quality Multi-Function Processing Board, with Fully Shielded Cabinet for Reduced Digital Interference 2 High Density CINEMA DSP Circuitry New Original 32-Bit Floating-Point Quantization System LSI (YSS938) for High Precision Decoding and CINEMA DSP Processing Dolby Digital, DTS Digital Surround, DTS-ES Discrete 6.1, DTS-ES Matrix 6.1, DTS Neo:6 and Dolby Surround Pro Logic II Decoding 22 Surround Programmes (44 Variations) Quad-Field CINEMA DSP for 6.1-Channel Digital Surround SILENT CINEMA for Headphone Enjoyment Virtual CINEMA DSP for Versatile Surround Enjoyment 3 High Quality Power Amplifier 6-Channel Discrete Amplifier Configuration Total Low-Impedance Design High Dynamic Power, Low Impedance Drive Capability Linear Damping Wide-Range Frequency Response (10100,000 +0/-3 dB) for DVD-Audio/SACD Compatibility with Finest Parts Used Throughout Anti-Resonance, Aluminium-Extruded Heat Sink Two Direct Signal Path Output Relays Thick PC Board Wiring with 1.6mm Copper Jumper Cables

RX-V1200 Surround Programmes: 22 Surround Programmes (44 Variations) HiFi DSP Programmes CONCERT HALL CHURCH JAZZ CLUB ROCK CONCERT ENTERTAINMENT Programme Subtotal CINEMA DSP Programmes MOVIE THEATER 1 MOVIE THEATER 2 ENTERTAINMENT TV SPORTS MONO MOVIE ENHANCED Programme Subtotal Surround Formats 6 8 Concert Hall Church Jazz Club Rock Concert Disco 6 Ch Stereo Variations 6 Variations 28 Variations 10 44
Spectacle Sci-Fi Adventure General Game TV Sports Mono Movie Enhanced
HiFi DSP Programmes Concert Hall A circular hall with an expansive sound field. Church A large church located in south Germany. Jazz Club A popular New York club seating 300 (The Bottom Line). Rock Concert The well know L.A. rock showcase seating 460 (The Rocky Theatre). Arena The sound field of a large arena. Disco Designed to emphasize the exciting rhythms of disco music. 6 Ch Stereo For reproducing stereo sources via six channels. CINEMA DSP Programmes Spectacle Emphasizes the excitement of scenes with high visual/audio impact. Sci-Fi For reproducing the expansive, supernatural effects of high-tech SF movie soundtracks. Adventure A powerful three-dimensional sound field with superb clarity. General Provides clear dialogue, with a soft, expansive sound. Game Adds a deep, spacious feeling to video game sounds. Pop/Rock For 2 to 6.1 channel live music sources. Opera For 2 to 6.1 channel opera and classical music sources. Mono Movie For old monaural video sources. TV Sports For 2 to 6.1 channel music and sports shows. Enhanced A wide, all-enveloping surround sound field as in a theatre. Surround Formats For precise reproduction of the various movie sound formats.
Dolby Digital Dolby Digital/Matrix 6.1 DTS Digital Surround DTS Digital Sur. ES Matrix 6.1 DTS Digital Sur. ES Discrete Dolby Pro Logic Dolby Pro Logic II Music/Movie DTS Neo:6 Music/Cinema
Programme Subtotal Surround Programme Total

Remarks

: HiFi DSP Programs : Tri-Field CINEMA DSP Capable
: A/V Programs : Quad-Field CINEMA DSP Capable
RX-V1200RDS New Product Information
Versatile, Extensive Connections 5 Optical and 2 Coaxial Digital Input Terminals (fixed and assignable, Video Aux: fixed) 2 Optical Output Terminals (fixed and assignable) 2 Component Video Input Terminals (fixed and assignable) and 1 Monitor Output Terminal with HDTV Compatibility 6 A/V (with S-Video) and 4 Audio Input Terminals 2 A/V and 2 Audio Output Terminals Front Panel Aux Input Terminals with Optical Digital and SVideo Terminals 6-Channel External Decoder Input Terminals for Future Sound Formats Preout Terminals for Main, Centre, Rear and Rear Centre Channels Subwoofer Output Terminal Convenient Operating Features Auto Priority Input Selection and Auto Decoder Selection Convenient Set Menu with Parameter Control Functions - Speaker Set Functions (Centre, Main, Rear, Rear Centre, LFE and Main Level) - Low Frequency Test - L/R Balance - Headphone Tone Control

- Centre Graphic Equalizer - Input Rename - I/O Assign - Input Mode - Parameter Intialize - LFE Level Dynamic Range - Speaker Delay Time (Center and Rear Center) - Display Set - Memory Guard On-Screen Display Bass Extension Speaker A/B Selector Sleep Timer Learning-Capable and Preset Remote Control Unit with LCD Display - Learning Capability - Preset Remote Capability with Control Code for TV, DVD, VCR, CDR, etc. - Subwoofer Level Controllable
High Reception Tuner RDS (Radio Data System) 40-Station AM/FM Random Access Preset Tuning Auto Preset Tuning
Digitally Regulated Volume Control (New Yamaha Original YAC-520 LSI) Yamaha combines the best features of digital and analog volume controls with a high precision digital device (Yamaha Original YAC-520 LSI) that controls an analog signal. This provides two benefits. First, a digitally controlled device is more accurate for balancing levels between channels and offers much finer control than an analogue device. The wide control range is from 0dB to -99dB, with extremely accurate 0.5dB steps throughout the entire range. This wide range and narrow steps mean that greater attenuation is possible, with precision even at low volume levels. Second, an analog volume control permits
good signal resolution of low signal levels. Auto Priority Input Terminal Selection and Auto Decoder Selection Digital input terminals are provided to handle any kind of digital input. Functions are programmed to select priority in order of coaxial digital, optical digital and analogue when different digital formats are input from the same source. The sound decoder is also automatically selected and processed according to the combination of the format of input signals and the selected sound field programmes, while DSP sound field processing is optimized at the same time.
RX-V1200RDS vs. RX-V1000RDS Digital ToP-ART Surround Decoding and DSP Processing Surround Program Quad-Field CINEMA DSP for 6.1-Ch Digital Surround Dolby Digital/Matrix 6.1 Dolby Pro-Logic II DTS-ES Discrete 6.1 DTS-ES Matrix 6.1 DTS Neo:6 Digitally Regulated Volume Control SILENT CINEMA for Headphone Enjoyment DIN Standard Power Main Ch Centre Ch Rear Ch Rear Centre Ch Min. RMS Output Power Main Ch (8 ohms, 2020,000 Hz) Centre Ch Rear Ch Rear Centre Ch D/A Converters Digital Input Terminals Digital Output Terminals Component Video Input/Output Terminals Component Video Monitor Out Frequency response A/V Input/Output Terminals Audio Input/Output Terminals Dynamic Power/Ch (8/6/4/2 ohms) Linear Damping Frequency Response Signal-to-Noise Ratio (CD) Dimensions (W x H x D) Weight

RX-V1200RDS Yes Yamaha 32-Bit YSS-938 LSI 22 programs (44 variations) Yes Yes Yes Yes Yes Yes Yes (for all channels, Yamaha original YAC-520) Yes 145 W + 145 W 145 W 145 W + 145 W 145 W 80 W + 80 W (0.04 % THD) 80 W (0.04 % THD) 80 W + 80 W (0.04 % THD) 80 W (0.04% THD) 96kHz/24-Bit (all channels incl. front effect ch) 5 optical and 2 coaxial (fixed and assignable, Video Aux: fixed) 2 optical (fixed and assignable) 2 input (fixed and assignable)/1 output (monitor) DC60 MHz -3 dB 6 input/2 output (with S-video)/1 monitor out (with S-video) 4 input/2 output 105/130/170/200 W Yes 10100,000 Hz +0/3 dB 100 dB (250 mV) 435 x 171 x 432 mm 15 kg
RX-V1000RDS Yes Yamaha 32-Bit YSS-928 LSI 21 programs (41 Variations) Yes Compatible Yes (for all channels) 140 W + 140 W 140 W 140 W + 140 W Preout 100 W + 100 W (0.04 % THD) 100 W (0.04 % THD) 100 W + 100 W (0.04 % THD) Preout or phantom 96-kHz 24-Bit (all channels) 5 optical and 2 coaxial (fixed and assignable, Video Aux: fixed) 2 optical (fixed and assignable) 2 input (fixed and assignable)/1 output (monitor) DC30 MHz -3 dB 6 input/2 output (with S-video)/1 monitor out (with S-video) 4 input/2 output 125/160/195/230 W (US: 135/170/205/245 W) Yes 10100,000 Hz +0/3 dB 100 dB (250 mV) 435 x 171 x 432 mm 15 kg
RX-V1200RDS Digital Home Cinema Receiver
RX-V1200RDS Extensive System Connections In addition to six-channel external decoder input terminals, there are main, centre, rear and rear centre preout terminals, and subwoofer output terminal with low pass filters, and speaker impedance selector. *HDTV Compatible Component Video Out Frequency response of Component Video Out signal is DC 60MHz, making it compatible with HDTV monitors.
RX-V1200RDS Inputs and Outputs Analogue In Out In
Digital Coaxial Out In Optical Out Composite In Out

Video S Video In Out

Component Video In Out
PHONO CD CD-R MD/TAPE DVD D-TV/LD CBL/SAT VCR 1 VCR 2/DVR Video Aux Monitor Out 6-Ch External Preout
Fixed and Assignable Terminals Yamaha offers terminals that can be either independently assigned to sources or defaulted to fixed settings. Oil-Damped Hidden Control Panel Front Panel Aux Input Terminals with Optical Digital and S-Video Terminals: Auxiliary terminals with optical digital input make it convenient to connect a digital game machine so you can enjoy DVD games and movies.
(main L/R, centre, rear L/R and subwoofer [LFE]) (main L/R, centre, rear L/R and subwoofer) Fixed () and Assignable () Terminals
HRTF (Head-Related Transfer Functions) Transfer functions refer to the transmission of sound to the ears and between the ears and the brain. Head-related refers to the method of measuring transfer functions by placing clinical probe microphones in the ear channels of people in anechoic chambers and recording measurements at many positions around their heads. Using these HRTF maps, Yamaha engineers were able to direct sound into the ears via headphones that accurately reproduces speaker sound from various directions. This is the basis of SILENT CINEMA. Virtual CINEMA DSP is also based on HRTF, and employs aggressive crosstalk cancellation technology. In

essence, the crosstalk signals from the left speaker to the right ear and vice-versa are cancelled and replaced by new signals that simulate rear speakers. Thus you perceive surround sound without R L C R L C actually having rear speakers.

RL RR RL RR

SILENT CINEMA Principle
Virtual CINEMA DSP Principle
Visit us at our website: http://www.yamaha-audio.co.uk

API548G-RXV1200RDS@713

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