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Yamaha RX-V490 Manual

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Yamaha RX-V490About Yamaha RX-V490
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User reviews and opinions

Comments to date: 4. Page 1 of 1. Average Rating:
weaselkeeper 10:33pm on Sunday, October 3rd, 2010 
Just like the other reviewers said... Pretty much just like the other reviewers have said - the hardware seems fine, but the software is a bit flakey. Good 2004 AGP video board As an upgrade card, this Radeon x800 Pro AGP card has given me 4 good years of service.
tal81 1:47pm on Thursday, September 23rd, 2010 
I custom built my pc back in 2005 and I made ...  Beautiful Rendering! A little slow with all the options cranked up
regansmith 9:49am on Saturday, September 11th, 2010 
i am not going to bother with the full revew ... i am not going to bother with the full revew as iam sure it has been covered i just feel the urge to put right incorrect details in cnets most recent ...
clorenzo 5:20am on Saturday, September 11th, 2010 
About one week ago, the fan on my 6 year old ATI X700 graphics card burned out and my computer had to go into dry dock. these cards will be GREAT once the software vendors go ahead and write some software to use them and RELEASE them to the public...

Comments posted on are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.




Wall or Ceiling Mounting The unit should be mounted to a wall or ceiling only as recommended by the manufacturer. Ventilation The unit should be situated so that its location or position does not interfere with its proper ventilation. For example, the unit should not be situated on a bed, sofa, rug, or similar surface, that may block the ventilation openings; or placed in a built-in installation, such as a bookcase or cabinet that may impede the flow of air through the ventilation openings. Heat The unit should be situated away from heat sources such as radiators, stoves, or other appliances that produce heat.
10 Power Sources The unit should be connected to a power
supply only of the type described in the operating instructions or as marked on the unit.


11 Power-Cord Protection Power-supply cords should be
routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the unit.
12 Cleaning The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods The power cord of the unit should be
unplugged from the outlet when left unused for a long period of time.
Note to CATV system installer:
14 Object and Liquid Entry Care should be taken so that
objects do not fall into and liquids are not spilled into the inside of the unit.
15 Damage Requiring Service The unit should be serviced
by qualified service personnel when:
This reminder is provided to call the CATV system installer's attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical.
Caution: Read this before operating your unit
To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. Install this unit in a cool, dry, clean place away from windows, heat sources, sources of excessive vibration, dust, moisture and cold. Avoid sources of humming (transformers, motors). To prevent fire or electrical shock, do not expose the unit to rain or water. Do not operate the unit upside-down. It may overheat, possibly causing damage. Never open the cabinet. If something drops into the set, contact your dealer. Do not use force on switches, controls or connection wires. When moving the unit, first disconnect the power plug and the wires connected to other equipment. Never pull the wires themselves.

Digital Sound Field Processing
What is it that makes live music so good? Todays advanced sound reproduction technology lets you get extremely close to the sound of a live performance, but chances are youll still notice something missing: the acoustic environment of the live concert hall. Extensive research into the exact nature of the sonic reflections that create the ambience of a large hall has made it possible for Yamaha engineers to bring you this same sound in your own listening room, so youll feel all the sound of a live concert. Furthermore, our technicians, armed with sophisticated measuring equipment, have even made it possible to capture the acoustics of actual music venues to allow you to accurately recreate live performance environments in your own home.

Dolby Pro Logic Surround

The Dolby Pro Logic Surround Decoder program lets you experience the dramatic realism and impact of a Dolby Surround movie theater sound in your own home. Dolby Pro Logic gets its name from its professional-grade steering logic circuitry, which provides greater effective front and rear channel separation for a much higher degree of realism than the passive Dolby Surround circuits found in less sophisticated home audio/video equipment. Dolby Pro Logic Surround provides a true center channel, so there are four independent channels, unlike passive Dolby Surround which has in effect only three channels: left, right, and rear. This center channel allows listeners seated in even less-than-ideal positions to hear the dialog originating from action on the screen while getting a stereo effect as well. In addition, this unit features a built-in automatic input balance control. This circuit always presents you the best surround conditions without performing manual adjustments.
Dolby Pro Logic Surround + DSP

RX-V490 only

You can also enjoy a combination of Dolby Pro Logic Surround and DSP in the sound field program PRO LOGIC ENHANCED. It recreates the surround effect of a movie theater, effectively duplicating its multiple surround loudspeaker system, completely surrounding the listener with the sounds of the action taking place on the screen.


This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with this unit are front speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the 4-Speaker Configuration shown below.) The front speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center sounds (dialog etc.) within the Dolby Surround encoded programs. The center speaker needs to be equal in power to the front speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to accept the maximum output of this unit.


5-Speaker Configuration
This configuration is the most effective and recommended one. In this configuration, the center speaker is necessary as well as the rear speakers. If a Dolby Surround program is selected, conversations will be output from the center speaker and the ambience will be excellent. q Set the center channel mode to the NORMAL or WIDE position. (For details, refer to page 12.)

4-Speaker Configuration

The center speaker is not used in this configuration. If a Dolby Surround program is selected, the center sound is output from the left and the right front speakers. However, the sound effect of other programs can be the same as that of the 5-speaker configuration. q Be sure to set the center channel mode to the PHANTOM position. (For details, refer to page 12.)

RX-V390 only

The program DOLBY 3 STEREO is useless in this configuration.

Front L


Front R

Surround sound Rear L Rear R
As this unit is equipped with a monaural amplifier for the rear channel, you may use one rear speaker only instead of using two rear speakers. However, the use of two rear speakers is recommended when there are more than one listener in the listening room. When using one rear speaker, place it right behind your listening position.


The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.

Front R Center Front L TV set Rear R


In normal position. (The position of your present stereo speaker system.) Rear: Behind your listening position, facing slightly inward. Nearly six feet (approx. 1.8 m) up from the floor. Center: Precisely between the front speakers. (To avoid interference with TV sets, use a magnetically shielded speaker.)

Rear L

Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other components to which connections are being made. When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, + to + and to. Also, refer to the owners manual for each component to be connected to this unit.


Monitor TV
LD player, TV tuner, etc. Right VIDEO OUT AUDIO OUT

Front speakers A Left



(U.S.A. model)








120V 60Hz 100W MAX. TOTAL






Right CD player Tape deck Video cassette recorder Front speakers B
Note on front speaker connection:
One or two speaker systems can be connected to this unit. If you connect only one speaker system, connect it to either the SPEAKERS A or B terminals.

Center and rear speakers

Connect the respective speakers to this unit as figured below.

Rear speakers


Center speaker

Only one rear speaker can also be used in place of two rear speakers. For connecting one rear speaker, follow the method shown below.

Rear speaker


For connecting speakers

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is, + and markings are observed. If these wires are reversed, the sound will be unnatural and will lack bass. Do not let the bare speaker wires touch each other and do not let them touch the metal parts of this unit as this could damage this unit and/or speakers. Note Use speakers with the specified impedance shown on the rear of this unit. How to Connect: Red: positive (+) Black: negative ()
For connecting to the REAR and CENTER SPEAKERS terminals Red: positive (+) Black: negative ()

Press the tab. Insert the bare wire.
[Remove approx. 5mm (1/4) insulation from the speaker wires.] Release the tab and secure the wire.
Press and open the tab. Insert the bare wire.
[Remove approx. 5mm (1/4) insulation from the speaker wires.] Press the tab back to the original position and secure the wire.


(U.S.A., Canada and General models)... 2 SWITCHED OUTLETS (Australia model).. 1 SWITCHED OUTLET Use these to connect the power cords from your components to this unit. The power to the SWITCHED outlets is controlled by this units POWER switch or the provided remote control transmitters POWER key. These outlets will supply power to any component whenever this unit is turned on. The maximum power (total power consumption of components) that can be connected to the SWITCHED AC OUTLET(S) is 100 watts.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to the GND terminal will normally minimize hum, but in some cases better results may be obtained with the ground wire disconnected. Use one of the two GND terminals on the rear of this unit for the connection. Turntable




Each antenna should be connected to the designated terminals correctly, referring to the following diagram. Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor reception quality, an outdoor antenna may result in improvement. Outdoor FM antenna Indoor FM antenna (included) Outdoor AM antenna
AM loop antenna (included)



300-ohm feeder

75-ohm coaxial cable
75-ohm/300-ohm antenna adapter
Ground Connecting the AM loop antenna
Orient so that the best reception is obtained.
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall. * The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal For maximum safety and minimum interference, connect the GND terminal to a good earth ground. A good earth ground is a metal stake driven into moist earth.
Notes q When connecting the indoor FM antenna, insert its connector into the FM ANT terminal firmly. q If you need an outdoor FM antenna to improve FM reception quality, either 300-ohm feeder or coaxial cable may be used. In locations troubled by electrical interference, coaxial cable is preferable.

To turn off the power

Press the POWER switch again.

1, 4 2

Select the source to be recorded.
Notes To dub from tape to tape, only the following method of dubbing can be performed. SOURCE RECORDER
VCR (or tape deck) connected to the VCR terminals.
Tape deck connected to the TAPE terminals.
* To dub from tape to tape, refer to the Notes shown at right. * When you select LD/TV, TUNER, CD or PHONO, make sure that neither TAPE MONITOR nor VCR MONITOR is also selected.
The DSP, VOLUME, BASS, TREBLE and BALANCE control settings have no effect on the material being recorded.
Play the source and then turn the VOLUME control up to confirm the input source. (For detailed information on the tuning operations, refer to the page 17.)
Set the tape deck or VCR to the recording mode. To monitor the audio and/or video signals being recorded, press the input selector button for the tape deck or VCR used to make the recording.
Selecting the SPEAKER system
Because one or two speaker systems (as front speakers) can be connected to this unit, the SPEAKERS switches allow you to select speaker system A or B, or both at once.
Adjusting the BASS and TREBLE controls

BASS l l TREBLE l 0 l 4

: Turn this clockwise to increase (or counterclockwise to decrease) the low frequency response.
Adjusting the BALANCE control
Adjust the balance of the output volume to the left and right speakers to compensate for sound imbalance caused by speaker location or listening room conditions. TREBLE : Turn this clockwise to increase (or counterclockwise to decrease) the high frequency response.
Note These controls are effective only for the sound from the front speakers.
Note This control is effective only for the sound from the front speakers.
When you listen with headphones
Connect the headphones to the PHONES jack. You can listen to the sound to be output from the front speakers through headphones. When listening with headphones privately, set both the SPEAKERS A and B switches to the OFF position and switch off the digital sound field processor (so that no DSP program name is illuminated on the display) by pressing the EFFECT switch.


Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
Select the reception band (FM or AM) while watching the display.



AUTO TUNING goes off.

Tune to a desired station manually.


To tune to a higher frequency, press the right side once. To tune to a lower frequency, press the left side once. * If the station where tuning search stops is not the desired one, press again. * If the tuning search does not stop at the desired station (because the signals of the station are weak), change to the MANUAL TUNING method.
* To continue tuning search, press and hold the button. Note If you tune to an FM station manually, it is received in monaural mode automatically to increase the signal quality.
Display information RX-V490



60 l00

Displays the band and frequency of the received station. Lights up when an FM stereo broadcast is received in stereo. Indicates the signal level of the received station.


This unit can store station frequencies (selected by tuning operation) by using the preset station buttons. With this function, you can select any desired station by only pressing the corresponding preset station button. Up to 40 stations (8 stations x 5 pages) can be stored.
2, 1 4, 2 (Preset station buttons) 3
To store stations To recall a preset station
Tune to a desired station. (Refer to the previous page for tuning procedure.)
Select the page of preset station buttons.


Select a desired page (A E) of preset station buttons while watching the display.
Select the desired preset station button.


Flashes on and off for about 5 seconds.
Press a preset station button before MEMORY goes off from the display.

Front Panel




BASS l l 3 4

TREBLE l 0 l 3 4

BALANCE l 0 l 4 L R

Remote Control Transmitter


1 Displays your selection on the DSP or

other information.



Switches on/off the digital sound field processor (DSP).








Used for speaker balance adjustment. (For details, refer to page 11, 12 and 13.)


4 Select a digital sound field program. 5 CENTER LEVEL /+
REAR LEVEL /+ Adjust sound output level at each speaker. (For details, refer to page 24.)


Selects the center channel output mode. (For details, refer to page 12.)


Adjust the delay time. (For details, refer to page 25.)
Description of Each Sound Field Program
The following list gives brief descriptions of the sound fields produced by each of the DSP programs. Keep in mind that some of these are precise digital recreations of actual acoustic environments. The data for them was recorded at actual places using sophisticated sound field measurement equipment. Note The channel level balance between the left rear effect speaker and the right rear effect speaker may vary depending on the sound field you are listening to. This is due to the fact that some of these sound field recreations are actual acoustic environments. PROGRAM FEATURE This program is effective for playback of sources encoded with Dolby Surround. Compared to the conventional 3-channel surround-sound system, the true center channel is added, thus even further expanding the width of the surround-sound effect. This program is effective for playback of sources encoded with Dolby Surround. Enhancing the Normal Dolby Pro Logic, the DSP technology simulates the multi-surround speaker systems of a 35 mm film theater, thus widening the surrounded-sound field with greater presence. This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall. This program is designed specifically to enhance mono source programs. Compared to a strictly mono setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an immediacy to the overall sound. It is particularly effective when used with old mono movies, news broadcasts and dialog. This program is effective not only for playback of sources encoded with Dolby Surround, but also for sources not encoded with Dolby Surround or TV programs with 2-channel stereo sound. With this program, 2-channel stereo sound is converted into 3-channels (left front, center and right front), so the dialogs are emphasized on the center position by the use of the center speaker. As no sound is output from the rear speakers, this program is also effective in a simple Audio/Video system without rear speakers. This program is suitable for rock music. A big, powerful sound is reproduced lively and dynamically. In this program, the center seems deep behind the front speaker pair, creating an expansive, large hall ambience.



Description of Dolby Pro Logic Surround
DOLBY PRO LOGIC SURROUND: This unit employs the Dolby Pro Logic Surround system. This system is similar to professional Dolby Stereo decoders used in movie theaters. By employing a four-channel system, the Dolby Pro Logic Surround system divides the input signals into four levels: the left and right main channels, the center channel (to characterize dialog), and the rear surround-sound channels (to characterize sound effects, background noise and other ambient noise). Dolby Surround is encoded on the sound track of commercially available video cassettes and video discs as well. When you play a source encoded with Dolby Surround on your home video system, the Dolby Pro Logic Surround system in this unit decodes the signal and feeds the surround-sound effects. The Dolby Pro Logic Surround mode may not be always effective on video sources not encoded with Dolby Surround.
Manufactured under license from Dolby Laboratories Licensing Corporation. Additionally licensed under Canadian patent number 1,037,877. Dolby, Pro Logic, and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation.
To play a source with the digital sound field processor
Follow steps shown in BASIC OPERATIONS on page 14.
Notes If you prefer to cancel the DSP, press the EFFECT switch. The sound will be the normal 2-channel stereo without surround sound effect. When this units Dolby Pro Logic Surround system is used, if the main-source sound is considerably altered by overadjustment of the BASS or TREBLE controls, the relationship between the center and rear channels may produce an unnatural effect.
Select the desired program that is suitable for the source.


When CONCERT VIDEO, MONO MOVIE, ROCK CONCERT or CONCERT HALL is selected, no sound is heard from the center speaker. When a monaural sound source is played with DOLBY PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is heard from the front speakers and the rear speakers. Sound is heard only from the center speaker. However, if the center channel mode is in PHANTOM, the front speakers output the sound of the center channel.
The selected program name is shown on the display.
When ROCK or HALL is selected, no sound is heard from the center speaker. When a monaural sound source is played with DOLBY PRO LOGIC or DOLBY 3 STEREO, no sound is heard from the front speakers and the rear speakers. Sound is heard only from the center speaker. For DOLBY PRO LOGIC only, however, if the center channel mode is in PHANTOM, the front speakers output the sound of the center channel.

Whenever the SLEEP key is pressed, the SLEEP time will change as follows.


The SLEEP timer is off (OFF). (The state before the SLEEP key is pressed.) After a while, the display returns to the indication before the SLEEP timer is set, and the SLEEP indicator is illuminated.
The unit will be turned off automatically at the selected SLEEP time.
The remote control transmitter provided with this unit is designed to control all the most commonly used functions of the unit. If the CD player and tape deck connected to this unit are YAMAHA components, then this remote control transmitter will also control various functions of each component.
KEY FUNCTIONS For Control of This Unit
Refer to SETTING THE SLEEP TIMER on the previous page.

Turns the power on/off.

Selects preset station number. * +: Selects higher preset station number. : Selects lower preset station number. A/B/C/D/E: Selects the page (A E) of preset stations.

Selects input source.

For the DSP control keys, refer to page 21.
Turns the master volume level up/down.
For Other Component Control
Identify the remote control transmitter keys with your components keys. If these keys are identical, their function will be the same. On each key function, refer to the corresponding instruction on your components manual.
Controls the compact disc player. * DISC SKIP is applicable only to a compact disc changer.
Controls the tape deck. * DIR A, B and DECK A/B are applicable only to a double cassette tape deck. * For a single cassette deck with automatic reverse function, pressing DIR A will reverse the direction of tape running.
Battery installation Remote control transmitter operation range

Remote control sensor

Within approximately 6 m (19.7 feet)

Battery replacement

If you find that the remote control transmitter must be used closer to the main unit, the batteries are weak. Replace both batteries with new ones. Notes q Use only AA, R6, UM-3 batteries for replacement. q Be sure the polarities are correct. (See the illustration inside the battery compartment.) q Remove the batteries if the remote control transmitter will not be used for an extended period of time. q If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the battery compartment thoroughly before installing new batteries.
Notes q There should be no large obstacles between the remote control transmitter and the main unit. q If the remote control sensor is directly illuminated by strong lighting (especially an inverter type of fluorescent lamp etc.), it might cause the remote control transmitter not to work correctly. In this case, reposition the main unit to avoid direct lighting.


If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and contact your authorized YAMAHA dealer or service center for help.
SYMPTOM The unit fails to turn on when the POWER switch is pressed. No sound or no picture. CAUSE Power cord is not plugged in or is not completely inserted. Incorrect output cord connections. Appropriate input selector is not pressed. The sound suddenly goes off. The protection circuit has been activated because of short circuit etc. The SLEEP timer functioned. Only one side speaker outputs the sound. Incorrect setting of the BALANCE control. Incorrect cord connections. Sound hums. Amplifier Incorrect cord connections. No connection from the turntable to the GND terminal. The volume level is low while playing a record. The volume level cannot be increased, or sound is distorted. No sound from the rear speakers. The record is being played on a turntable with an MC cartridge. The power to the component connected to the REC OUT terminals of this unit is off. The sound output level to the rear speakers is set to 0. Incorrect sound field program selection. No sound field program is selected. No sound from the center speaker. The sound output level to the center speaker is set to 0. The center channel mode is in PHANTOM mode. Incorrect sound field program selection. No sound field program is selected. FM stereo reception is noisy. Because of the characteristics of FM stereo broadcasts, this is limited to cases where the transmitter is too far away or the antenna input is poor. There is multipath interference. The station is too weak. Weak signal or loose antenna connections. REMEDY Firmly plug in the power cord. Connect the cords properly. If the problem persists, the cords may be defective. Press the appropriate input selector corresponding to the input source. Turning the unit off and then on will reset the protection circuit. Cancel the SLEEP timer function. Adjust it to the appropriate position. Connect the cords properly. If the problem persists, the cords may be defective. Firmly connect the audio plugs. If the problem persists, the cords may be defective. Make the GND connection between the turntable and this unit. The player should be connected to the unit through the MC head amplifier. Turn the power to the component on. Turn up the sound output level with the REAR LEVEL control. Select the appropriate program. Turn up the sound output level with the CENTER LEVEL control. Select NORMAL or WIDE. Select the appropriate program. Check the antenna connections. Try using a multiple element FM antenna.

There is distortion and clear reception cannot be obtained even with a good FM antenna. A desired station cannot be tuned in with Auto tuning. A desired station cannot be tuned in with Auto tuning.
Adjust antenna placement to eliminate multipath interference. Use Manual tuning mode. Use a high quality directional FM antenna. Tighten the AM loop antenna connections and rotate it for best reception. Use Manual tuning mode. Use an outdoor antenna and a ground wire. This will help somewhat but it is difficult to eliminate all noise. Relocate this unit away from the TV. Change the position of the main unit.
There are continuous crackling and hissing noises. There are buzzing and whining noises (especially in the evening).
Noises will result from ligtning, fluorescent lamps, motors, thermostats and other electrical equipment. A television set is being used nearby. Direct sunlight or lighting (of an inverter type of flourescent lamp etc.) is striking the remote control sensor of the main unit. The batteries of this remote control transmitter are too weak.
Remote control transmitter
The remote control transmitter does not work.
Replace the batteries with new ones. Turn the power to this unit on.
The sound is degraded when monitoring is performed by using the headphones connected to the compact disc player or cassette deck which are connected with this unit.


The power to this unit is off.


Minimum RMS Output Power per Channel <RX-V490> Front L, R 8 ohms, 20 Hz to 20 kHz, 0.04% THD...70W+70W Center 8 ohms, 1 kHz, 0.1% THD..70W Rear L, R 8 ohms, 1 kHz, 0.7% THD.15W+15W <RX-V390> Front L, R 8 ohms, 20 Hz to 20 kHz, 0.04% THD...60W+60W Center 8 ohms, 1 kHz, 0.2% THD.60W Rear 8 ohms, 1 kHz, 0.7% THD.15W Maximum Output Power [General model only] 8 ohms, 1 kHz, 10% THD <RX-V490>.100W+100W <RX-V390>..80W+80W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) <RX-V490> 8/6/4/2 ohms.90/105/130/150W <RX-V390> [U.S.A. model] 8/6/4/2 ohms.80/95/120/150W [Canada model] 8/6/4/2 ohms.75/95/115/130W [Australia and General models] 8/6/4/2 ohms.80/100/120/135W Power Band Width 8 ohms, 30W, 0.08% THD..10 Hz to 50 kHz Damping Factor 8 ohms, 20 Hz to 20 kHz.80 or more Input Sensitivity/Impedance PHONO MM.2.5 mV/47 k-ohms CD/TAPE/LDTV/VCR.150 mV/47 k-ohms Maximum Input Signal (1 kHz, 0.04% THD) PHONO MM..90 mV Output Level/Impedance REC OUT..150 mV/0.6 k-ohms Headphone Jack Rated Output/Impedance (RL = 8 ohms, 0.04% THD) <RX-V490> Output Level..0.56V Impedance..330 ohms <RX-V390> Output Level..0.51V Impedance..330 ohms Frequency Response (20 Hz to 20 kHz) CD/TAPE/LDTV/VCR (FRONT L/R)...00.5 dB RIAA Equalization Deviation PHONO MM.00.5 dB Total Harmonic Distortion (EFFECT OFF) PHONO MM to REC OUT 20 Hz to 20 kHz, 1V.0.02% CD/TAPE/LDTV/VCR to SP OUT 20 Hz to 20 kHz, 30W/8 ohms..0.02% Signal-to-Noise Ratio (IHF-A Network) PHONO MM (5 mV Input Shorted).82 dB CD/TAPE/LDTV/VCR (Input Shorted)..93 dB Residual Noise (IHF-A Network) FRONT L/R..140 V Channel Separation (Vol. 30 dB) PHONO MM (Input Shorted 1 kHz/10 kHz).60 dB CD/TAPE/LDTV/VCR (Input 5.1 k-ohms Terminated 1 kHz/ 10 kHz)...60 dB Tone Control Characteristics BASS: Boost/cut.10 dB (50 Hz) Turnover Frequency.(350 Hz) TREBLE: Boost/cut.10 dB (20 kHz) Turnover Frequency..(3.5 kHz) Gain Tracking Error (0 to 60 dB).3 dB Stereo Separation (1 kHz)..50 dB Frequency Response 30 Hz to 15 kHz..0 1.5 dB



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